The sign in Beacon Park was made by Staffordshire Signs for Lichfield District Council and has the spires of Lichfield Cathedral as a backdrop (Photograph: Patrick Comerford, 2025)
Patrick Comerford
Two new works of public art in Lichfield are spelling out the name of the cathedral city in capital letters in their own way: one is a work of street art in a hidden alleyway off a car park, the other is in Beacon Park, with the three spires of the cathedral as a backdrop; both are becoming popular as locations for ‘selfies’ among visitors and local people alike.
The name of Lichfield appears in block capital letters in the new colourful mural on the side of the Iceland supermarket that stretches for 30 metres along the first stage of the alleyway running from the Bird Street car park to Market Street.
The artist Nacho Welles seeks to capture Lichfield’s heritage and history in a work that features many local buildings and people, including Lichfield Cathedral, Samuel Johnson, Anna Seward, the Sandfields Pumping station, and the Lichfield-born Olympic cycling champion Sophie Capewell, who was one of the patrons of the Sheriff’s Ride in Lichfield this year (2025). There too are the terrapin that sunbathes at Minster Pool, a playful rabbit and a fox, the Roman ruins at Wall and, at the suggestion of local historian and tour guide Jonathan Oates of Jono’s Tourism, the Minster Pool heron.
This colourful piece of street art by Nacho Welles was commissioned by Lichfield District Council and was completed in recent weeks. At an early stage, the council invited residents, communities and businesses to take part in shaping the new mural, which has been funded through the UK Shared Prosperity Fund.
Nacho Welles is a Spanish urban artist based in London who also goes by the name Core246. He has painted in street and graffiti art festivals across Europe, has painted murals all over the world, is the author of a sold-out series of books on graffiti, Not4 Profit, and paints with the graffiti crews Ghost Writers (GW) and Smile More Often (Smo).
His paintings on canvas reflect a mix of classic street art aesthetics, pop art and realistic portraiture, using vibrant colours and referencing popular movies, comics and videogames. He has taken part in street art festivals in Antwerp, Athens, Kosovo, Leicester, London, Madrid, Nara, Wiesbaden and Zagreb.
He began painting in oils at the age of 8, and soon moved on to spray painting in abandoned factories and tunnels, creating murals with friends for fun. After studying fine art at the University of Cuenca in Spain, he moved to London in 2011, and he continues creating freehand aerosol graffiti in situ, in addition to his studio practice.
Nacho Welles created the colourful mural that stretches for 30 metres along the alleyway running from the Bird Street car park to Market Street (Photograph: Patrick Comerford, 2025)
When the mural was being planned earlier this year, Councillor Richard Holland, Cabinet Member for High Street and Economic Development on Lichfield District Council, said the alleyway would be ‘transformed into a vibrant area that our residents can be proud of’ and that the mural would contribute ‘to our work to improve our high streets and will be an important contribution to our vibrant economy.’
Councillor Janice Silvester-Hall, Cabinet Member for Visitor Economy, Ecology and Climate Change, said: ‘This mural should represent everything that makes Lichfield the place it is; the people that live here, landmarks that shape our streets and famous figures that represent our heritage.’
Residents, communities and businesses were asked for their views on themes, colour schemes and key elements to bring the mural together. Alongside this, Nacho held workshops with students from Lichfield College in street art and involving them to create the final artwork.
L: Samuel Johnson in the new mural by Nacho Welles (Photograph: Patrick Comerford, 2025)
Samuel Johnson (1709-1784), often called Dr Johnson, was born in Lichfield. He was a poet, playwright, essayist, moralist, literary critic, biographer, editor, and compiler of one of the most important lexicographer. The Oxford Dictionary of National Biography says he is ‘arguably the most distinguished man of letters in English history’.
I: the Sandfields Pumping Station and life on Stowe Pool or Minster Pool in the new mural by Nacho Welles (Photograph: Patrick Comerford, 2025)
Sandfields Pumping Station, a disused pumping station in Lichfield, was built in 1873 to supply clean water from Minster Pool and Stowe Pool to towns in the Black Country, and is a Grade II* listed building. The historian, photographer and filmmaker David Moore, former chair of Lichfield Waterworks Trust, worked for several years to save this site, which he describes as a ‘magnificent cathedral to the industrial revolution’. He made four short video interviews with me in Saint John’s Hospital 10 years ago (2015), talking with me about my links with Lichfield.
C: a fox and the Lichfield-born Olympic cycling champion Sophie Capewell in the new mural by Nacho Welles (Photograph: Patrick Comerford, 2025)
Sophie Ellen Capewell was born in Lichfield and is a British professional racing cyclist. She won a gold medal at the 2024 Summer Olympics in the team sprint, and has won numerous national, Commonwealth, European and world medals. She was one of the patrons of the Sheriff’s Ride in Lichfield this year.
H: Anna Seward, the ‘Swan of Lichfield’ and Lichfield Cathedral in the new mural by Nacho Welles (Photograph: Patrick Comerford, 2025)
Anna Seward (1742-1809), a Romantic poet known as the ‘Swan of Lichfield’, was the daughter of Thomas Seward, a prebendary of Lichfield Cathedral. She lived in the Bishop’s Palace in the Cathedral Close and was part of the literary circle that included Erasmus Darwin, Samuel Johnson and James Boswell. She is buried under the choir stalls in Lichfield Cathedral.
F: the poems of Priscilla Pointon and Mrs Pickering and the Five Gables of Bore Street in the new mural by Nacho Welles (Photograph: Patrick Comerford, 2025)
Priscilla Pointon (1740-1801) was born in Lichfield and lost her eyesight at the age of 13. She published Poems on Several Occasions’ in 1770. She married James Pickering in 1780, and after his death she published a second volume, Poems by Mrs Pickering (1794). Her name may have been suggested for inclusion in the mural by the local historian Katie Cardigan of Lichfield Discovered.
I: Erasmus Darwin and the Guildhall in the new mural by Nacho Welles (Photograph: Patrick Comerford, 2025)
Erasmus Darwin (1731-1802), a doctor, natural historian, inventor and poet, and a founding member of the Lunar Society, lived in Lichfield for much of his life. He was one of the key thinkers of the Midlands Enlightenment and the grandfather of Charles Darwin.
E: Francis Barber between the Guildhall and the Friary Clocktower in the mural by Nacho Welles (Photograph: Patrick Comerford, 2025)
Francis Barber (1742-1801) was the Jamaican-born manservant and assistant of Samuel Johnson from 1752 until Johnson died 1784. Johnson left him a generous income, his books and papers, and a gold watch on the condition that Barber move to Lichfield. Barber, who had married a local woman, moved to Lichfield, opened a draper’s shop, and was an important source for James Boswell when he was writing about Johnson. Some of Barber’s descendants still live near Lichfield.
L: David Garrick in the mural by Nacho Welles (Photograph: Patrick Comerford, 2025)
David Garrick (1716-1779) was an actor, playwright, theatre manager and producer, and was a pupil and friend of Samuel Johnson. He built his career on his appearance in the title role of Shakespeare’s Richard III. He gives his name to the Garrick theatre in Lichfield.
D: between David Garrick and the Minster Pool heron and the Roman site at Wall in the mural by Nacho Welles (Photograph: Patrick Comerford, 2025)
Meanwhile, a new city sign spelling out the name of Lichfield in giant white block letters is becoming a popular photo opportunity and a location for ‘selfies’ for visitors and residents alike, and is often used as a backdrop for local presentations.
The sign in Beacon Park was unveiled in April and sits against the backdrop of Lichfield Cathedral. It was crafted by Staffordshire Signs, a Burntwood-based company, for Lichfield District Council and it too was funded through the UK Shared Prosperity Fund as part of a broader High Street Vibrancy initiative.
It is interesting to notice how 3D city signs have become popular features around the world – in recent months, I have noticed them in places as far apart and as diverse as Kuching in Sarawak, Rethymnon in Crete, and Watford in Hertfordshire – and in the age of social media they offer branding opportunities for small cities.
Lichfield District Council has invested almost £100,000 in enhancing public spaces in Lichfield and Burntwood. Additional improvements under the scheme include colourful new planters, festive bunting, decorative bollard covers and enhanced street cleaning.
In Anglo-Saxon times, I suppose we could say Lichfield was a capital of sorts, with Tamworth the political capital of Mercia and Lichfield the ecclesiastical capital. But the capital letters in Nacho Welles’s street art in the centre of the city and the large block letters in Beacon Park are making Lichfield a ‘capital’ city this summer.
The mural by Nacho Welles … spelling out pride in the cultural and literary history of Lichfield (Photograph: Patrick Comerford, 2025)
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26 June 2025
Daily prayer in Ordinary Time 2025:
48, Thursday 26 June 2025
‘Everyone then who hears these words of mine and acts on them will be like a wise man who built his house on rock’ (Matthew 7: 24) … a monastery built on a rock top in Meteora, Greece (Photograph: Patrick Comerford)
Patrick Comerford
The week began with the First Sunday after Trinity (Trinity I, 22 June 2025), and during the week I have been marking the 24th anniversary of my ordination as priest 24 years ago, on the Feast of the Birth of Saint John the Baptist [24 June 2001], and the 25th anniversary of my ordination as deacon [25 June 2000].
Later this morning, I have yet another clinical consultation in Oxford, although today’s consultation is by ’phone and does not involve repeating my recent experiences of 2-2½-hour return journeys by bus. Later, this afternoon, I may go to the Stony Last Thursday History Society event in the library in Stony Stratford.
Meanwhile, before today begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, reading today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
The Acropolis at night, standing on a large rocky outcrop above Athens (Photograph: Patrick Comerford; click on image for full-screen view)
Matthew 7: 21-29 (NRSVA):
[Jesus said:] 21 ‘Not everyone who says to me, “Lord, Lord”, will enter the kingdom of heaven, but only one who does the will of my Father in heaven. 22 On that day many will say to me, “Lord, Lord, did we not prophesy in your name, and cast out demons in your name, and do many deeds of power in your name?” 23 Then I will declare to them, “I never knew you; go away from me, you evildoers.”
24 ‘Everyone then who hears these words of mine and acts on them will be like a wise man who built his house on rock. 25 The rain fell, the floods came, and the winds blew and beat on that house, but it did not fall, because it had been founded on rock. 26 And everyone who hears these words of mine and does not act on them will be like a foolish man who built his house on sand. 27 The rain fell, and the floods came, and the winds blew and beat against that house, and it fell – and great was its fall!’
28 Now when Jesus had finished saying these things, the crowds were astounded at his teaching, 29 for he taught them as one having authority, and not as their scribes.’
‘Everyone who hears these words of mine and does not act on them will be like a foolish man who built his house on sand’ (Matthew 7: 26) … a sandcastle on the beach at Playa de la Carihuela in Torremolinos (Photograph: Patrick Comerford)
Today’s Reflection:
This morning’s reading (Matthew 7: 21-29) brings to a conclusion to our series of readings from the Sermon on the Mount in Saint Matthew’s Gospel. In yesterday’s reading, Jesus warns us of the dangers posed by ‘false prophets, who come to you in sheep’s clothing but inwardly are ravenous wolves.’ We are to ‘know them by their fruits.’
Today he warns about what awaits those false prophets and wolves in sheep’s clothing, and like a foolish man who built his house on sand. On the other hand, those who both hear Christ’s words and act on them will show that their faith is built on firm foundation, ‘like a wise man who built his house on rock’.
I have, on many occasions times, stood at the top of Acropolis (Ἀκρόπολις) in Athens, taking in the breath-taking views in every direction across the city and out to the port of Piraeus.
The Acropolis is the highest point in Athens. It stands on an extremely rocky outcrop and on it the ancient Greeks built several significant buildings. The most famous of these is the Parthenon. This flat-topped rock rises 150 metres (490 ft) above sea level and has a surface area of about 3 ha (7.4 acres).
Below, immediately north-west of the Acropolis, is the Areopagus, another prominent, but relatively smaller, rocky outcrop. Its English name comes from its Greek name, Ἄρειος Πάγος (Areios Págos), the ‘Rock of Ares,’ known to the Romans as the Hill of Mars.
In classical Athens, this functioned as the court for trying deliberate homicide. It was said Ares was put on trial here for deicide, the murder of the son of the god Poseidon. In the play The Eumenides (458 BCE) by Aeschylus, the Areopagus is the site of the trial of Orestes for killing his mother.
Later, murderers would seek shelter there in the hope of a fair hearing.
There too the Athenians had an altar to the unknown god, and it was there the Apostle Paul delivered his most famous speech and sermon, in which he identified the ‘unknown god’ with ‘the God who made the world and everything in it, he who is Lord of heaven and earth’ (Acts 17: 24), for ‘in him we live and move and have our being’ (Acts 17: 28).
This is the most dramatic and fullest reported sermon or speech by the Apostle Paul. He quotes the Greek philosopher Epimenides, and he must have known that the location of his speech had important cultural contexts, including associations with justice, deicide and the hidden God.
The origin of the name of the Areopagus is found in the ancient Greek, πάγος (pagos), meaning a ‘big piece of rock.’
Another word, λιθος (lithos) was used for a small rock, a stone, or even a pebble – it is the Greek word that gives us words like lithograph and megalithic, meaning Great Stone Age.
When you see breath-taking sights like these, you understand how culturally relevant it was for Christ to talk in today’s Gospel reading about the wise man building his house on a rock rather than on sand (Matthew 7: 24-26).
Ordinary domestic buildings might have been built to last a generation or two, at most. But building on rock, building into rock, building into massive rock formations like the Acropolis, was laying the foundations for major works of cultural, political and religious significance that would last long after those who had built them had been forgotten.
And so, the Church is to be built on a rock, with the foundations a movement, an institution, an organisation, a community that is going to have lasting, everlasting significance, and survive the crass abuse of the Gospel message by the sort of politicians I thought about in my reflections yesterday.
The Acropolis in Athens seen from the new Acropolis Museum, standing on a large rocky outcrop (Photograph: Patrick Comerford)
Today’s Prayers (Thursday 26 June 2025):
‘Windrush Day’ is the theme this week (22-28 June) in Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel). This theme was introduced on Sunday with reflections by Rachael Anderson, former Senior Communications and Engagement Manager, USPG.
The USPG prayer diary today (Thursday 26 June 2025) invites us to pray:
Lord help us to always ensure that our churches are places of safety, sanctuary and hope. Where all people are welcomed, entering a community where they are surrounded by your love.
The Collect:
O God,
the strength of all those who put their trust in you,
mercifully accept our prayers
and, because through the weakness of our mortal nature
we can do no good thing without you,
grant us the help of your grace,
that in the keeping of your commandments
we may please you both in will and deed;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post-Communion Prayer:
Eternal Father,
we thank you for nourishing us
with these heavenly gifts:
may our communion strengthen us in faith,
build us up in hope,
and make us grow in love;
for the sake of Jesus Christ our Lord.
Additional Collect:
God of truth,
help us to keep your law of love
and to walk in ways of wisdom,
that we may find true life
in Jesus Christ your Son.
Yesterday’s reflections
Continued tomorrow
Built on rock or built on sand? The ruins of Ballybunion Castle, Co Kerry (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version, Updated Edition copyright © 2021, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide.
Patrick Comerford
The week began with the First Sunday after Trinity (Trinity I, 22 June 2025), and during the week I have been marking the 24th anniversary of my ordination as priest 24 years ago, on the Feast of the Birth of Saint John the Baptist [24 June 2001], and the 25th anniversary of my ordination as deacon [25 June 2000].
Later this morning, I have yet another clinical consultation in Oxford, although today’s consultation is by ’phone and does not involve repeating my recent experiences of 2-2½-hour return journeys by bus. Later, this afternoon, I may go to the Stony Last Thursday History Society event in the library in Stony Stratford.
Meanwhile, before today begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, reading today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
The Acropolis at night, standing on a large rocky outcrop above Athens (Photograph: Patrick Comerford; click on image for full-screen view)
Matthew 7: 21-29 (NRSVA):
[Jesus said:] 21 ‘Not everyone who says to me, “Lord, Lord”, will enter the kingdom of heaven, but only one who does the will of my Father in heaven. 22 On that day many will say to me, “Lord, Lord, did we not prophesy in your name, and cast out demons in your name, and do many deeds of power in your name?” 23 Then I will declare to them, “I never knew you; go away from me, you evildoers.”
24 ‘Everyone then who hears these words of mine and acts on them will be like a wise man who built his house on rock. 25 The rain fell, the floods came, and the winds blew and beat on that house, but it did not fall, because it had been founded on rock. 26 And everyone who hears these words of mine and does not act on them will be like a foolish man who built his house on sand. 27 The rain fell, and the floods came, and the winds blew and beat against that house, and it fell – and great was its fall!’
28 Now when Jesus had finished saying these things, the crowds were astounded at his teaching, 29 for he taught them as one having authority, and not as their scribes.’
‘Everyone who hears these words of mine and does not act on them will be like a foolish man who built his house on sand’ (Matthew 7: 26) … a sandcastle on the beach at Playa de la Carihuela in Torremolinos (Photograph: Patrick Comerford)
Today’s Reflection:
This morning’s reading (Matthew 7: 21-29) brings to a conclusion to our series of readings from the Sermon on the Mount in Saint Matthew’s Gospel. In yesterday’s reading, Jesus warns us of the dangers posed by ‘false prophets, who come to you in sheep’s clothing but inwardly are ravenous wolves.’ We are to ‘know them by their fruits.’
Today he warns about what awaits those false prophets and wolves in sheep’s clothing, and like a foolish man who built his house on sand. On the other hand, those who both hear Christ’s words and act on them will show that their faith is built on firm foundation, ‘like a wise man who built his house on rock’.
I have, on many occasions times, stood at the top of Acropolis (Ἀκρόπολις) in Athens, taking in the breath-taking views in every direction across the city and out to the port of Piraeus.
The Acropolis is the highest point in Athens. It stands on an extremely rocky outcrop and on it the ancient Greeks built several significant buildings. The most famous of these is the Parthenon. This flat-topped rock rises 150 metres (490 ft) above sea level and has a surface area of about 3 ha (7.4 acres).
Below, immediately north-west of the Acropolis, is the Areopagus, another prominent, but relatively smaller, rocky outcrop. Its English name comes from its Greek name, Ἄρειος Πάγος (Areios Págos), the ‘Rock of Ares,’ known to the Romans as the Hill of Mars.
In classical Athens, this functioned as the court for trying deliberate homicide. It was said Ares was put on trial here for deicide, the murder of the son of the god Poseidon. In the play The Eumenides (458 BCE) by Aeschylus, the Areopagus is the site of the trial of Orestes for killing his mother.
Later, murderers would seek shelter there in the hope of a fair hearing.
There too the Athenians had an altar to the unknown god, and it was there the Apostle Paul delivered his most famous speech and sermon, in which he identified the ‘unknown god’ with ‘the God who made the world and everything in it, he who is Lord of heaven and earth’ (Acts 17: 24), for ‘in him we live and move and have our being’ (Acts 17: 28).
This is the most dramatic and fullest reported sermon or speech by the Apostle Paul. He quotes the Greek philosopher Epimenides, and he must have known that the location of his speech had important cultural contexts, including associations with justice, deicide and the hidden God.
The origin of the name of the Areopagus is found in the ancient Greek, πάγος (pagos), meaning a ‘big piece of rock.’
Another word, λιθος (lithos) was used for a small rock, a stone, or even a pebble – it is the Greek word that gives us words like lithograph and megalithic, meaning Great Stone Age.
When you see breath-taking sights like these, you understand how culturally relevant it was for Christ to talk in today’s Gospel reading about the wise man building his house on a rock rather than on sand (Matthew 7: 24-26).
Ordinary domestic buildings might have been built to last a generation or two, at most. But building on rock, building into rock, building into massive rock formations like the Acropolis, was laying the foundations for major works of cultural, political and religious significance that would last long after those who had built them had been forgotten.
And so, the Church is to be built on a rock, with the foundations a movement, an institution, an organisation, a community that is going to have lasting, everlasting significance, and survive the crass abuse of the Gospel message by the sort of politicians I thought about in my reflections yesterday.
The Acropolis in Athens seen from the new Acropolis Museum, standing on a large rocky outcrop (Photograph: Patrick Comerford)
Today’s Prayers (Thursday 26 June 2025):
‘Windrush Day’ is the theme this week (22-28 June) in Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel). This theme was introduced on Sunday with reflections by Rachael Anderson, former Senior Communications and Engagement Manager, USPG.
The USPG prayer diary today (Thursday 26 June 2025) invites us to pray:
Lord help us to always ensure that our churches are places of safety, sanctuary and hope. Where all people are welcomed, entering a community where they are surrounded by your love.
The Collect:
O God,
the strength of all those who put their trust in you,
mercifully accept our prayers
and, because through the weakness of our mortal nature
we can do no good thing without you,
grant us the help of your grace,
that in the keeping of your commandments
we may please you both in will and deed;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post-Communion Prayer:
Eternal Father,
we thank you for nourishing us
with these heavenly gifts:
may our communion strengthen us in faith,
build us up in hope,
and make us grow in love;
for the sake of Jesus Christ our Lord.
Additional Collect:
God of truth,
help us to keep your law of love
and to walk in ways of wisdom,
that we may find true life
in Jesus Christ your Son.
Yesterday’s reflections
Continued tomorrow
Built on rock or built on sand? The ruins of Ballybunion Castle, Co Kerry (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version, Updated Edition copyright © 2021, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide.