31 May 2026

Dunstable Priory is one
of the finest examples
of Norman ecclesiastical
architecture in England

The Priory Church of Saint Peter in Dunstable has been called one of the finest examples of Norman ecclesiastical architecture in England (Photograph: Patrick Comerford, 2026)

Patrick Comerford

When I was in Dunstable last week, I particularly wanted to see the Priory Church of Saint Peter, which has been called one of the finest examples of Norman ecclesiastical architecture in England.

The west front of the Priory Church is magnificent, with a huge entry consisting of four arches above a later 15th-century doorway. The entry is highly decorated, with diaper pattern and stiff-leaf moulding providing relief for a profusion of small arches.

Saint Peter’s Church as it stands today is only the nave of what remains of the originally much larger Augustinian priory church. The extent of the former monastic buildings is traced out in the church grounds and once included cloisters, a dormitory, an infirmary, stables, workshops, and a bakehouse, brewhouse and buttery.

Saint Peter’s Church as it stands today is only the nave and all that remains of the originally much larger Augustinian priory church in Dunstable (Photograph: Patrick Comerford, 2026)

Dunstable Priory was founded in 1132 by Henry I soon after he had founded the town ca 1109 and had built himself a house or hunting lodge, Kingsbury. The priory was initially a daughter house of Holy Trinity, an Augustinian priory in Aldgate, London, and its foundation completed Henry I’s plans for Dunstable.

The priory was endowed with a quarry at Totternhoe and the lordship of the town with all the privileges the king had when he held Dunstable himself. The prior became the lord of the manor and was responsible for collecting taxes. These privileges later caused bitter quarrels between the Prior and the people of the town, although most of the taxes collected went to the Exchequer to pay for the king’s wars in France and Wales.

The priory church was built in the shape of a cross with a great tower at the crossing and with two smaller towers at the west end. Work was slow and it took 70 to 80 years before the church was complete.

The first prior of Dunstable, Bernard, and his brother Norman – a later Prior of Saint Botolph, Colchester – were involved in introducing the Augustinians to England. The church and monastic buildings were built under Bernard’s rule and his two immediate successors as prior, Cuthbert and Thomas. About this time, Alexander Nequam became master of the school and later became Abbot of Cirencester.

Richard de Morins, a canon of Merton Priory, became the fourth prior in 1202, through the influence of King John. He had considerable influence and ruled the priory for 40 years that were the most prosperous period in the history of the priory. He was commissioned by the Pope to preach the Crusade in 1212, he attended the Lateran Council in 1215, and he commenced the Annales de Dunstaplia, a chronicle of the priors and the priory, of the town and its people, as seen from the cloisters.

Inside Saint Peter’s Priory Church, Dunstable, facing towards the present east end (Photograph: Patrick Comerford, 2026)

Dunstable stood on one of the main roads to London, and so the priory gained importance and grew in prosperity. The priory attracted pilgrims on their way to the shrine of Saint Alban to the south, and pilgrim numbers increased when the bones of Saint Fremund were moved from Cropredy in Oxfordshire to Dunstable.

The priory church had side altars dedicated to Saint Mary the Virgin, Saint Fremund, Saint Nicholas and Saint James, and the priory had farms, churches and granges as far away as the Peak District, with the income from the huge flocks of sheep supporting the priory and its work with pilgrims and the poor.

Bishop Hugh II of Lincoln, whose diocese stretched from the Humber almost to the Thames, visited Dunstable on 18 October 1213, when he dedicated the priory church. But the roof of the presbytery fell in June 1222, and in December 1222 a violent storm brought down the two western towers. The fall of the north tower ruined the west front, while the south tower brought down the prior’s house

The west front was immediately rebuilt without towers. The upper portion was designed with beautiful arcading and niches for statuary, and the whole west façade formed a screen front with heavily buttressed turrets at the angles.

Inside Saint Peter’s Priory Church, Dunstable, facing towards the west end from the present east end (Photograph: Patrick Comerford, 2026)

A chapel dedicated to Saint Martin was founded in 1227 and by 1228 there was an infirmary chapel. The Lady Chapel was built at the far east end of the church in the canons’ burial plot and its altar was dedicated in 1231. The canons built the inner gate within the court in 1250 and placed ten tons of lead on the refectory roof. The dormitory was rebuilt in 1251, and the great stable and new workshops were built in 1252.

The vault of the north aisle was rebuilt and restored in 1273, two large bells were hung in 1277, followed by three more, and a clock was installed 1283 – it had no hands but struck the times of the daily offices.

There were riots in the town in 1228 over the taxes, and the bishop came to Dunstable and solemnly excommunicated 10 of the chief burgesses. They declared they would rather go to hell than pay the tax and asked the lord of Eaton Bray to give them 40 acres of land to build another town. At length, peace was restored, but when de Morins died in 1242 the prosperity of the Priory came to an end. He was succeeded by Geoffrey of Barton whose 20 years as prior were marked by many problems.

The prior’s sheep in the Peak District died in large numbers in a severe winter in 1243. A succession of bad seasons and crop failures led to great scarcity and the priory began to fall into debt. The canons’ rations were cut, staff numbers were cut too, and priors resigned or were deposed. Royal visitors added to the demands on the priory’s finances.

The main portal and façade detail … when a violent storm brought down the two west towers in 1222, the west front was immediately rebuilt without towers (Photograph: Patrick Comerford, 2026)

As the priory faced increasing poverty, the Dominicans or Black Friars settled in the town in 1259 with the permission of the Archbishop of Canterbury and King Henry III, diverting alms and financial support the priory might have expected.

The funeral of Queen Eleanor arrived in Dunstable in December 1290, with her husband Edward I following her cortege on the way to burial at Westminster Abbey. The canons met the funeral cortege at the Market Place and brought the bier to the priory church where her body was kept before the high altar throughout the night before moving on to St Albans.

The Lady Chapel at the east end was rebuilt in 1324, and over the next 100 years most of the Norman work of the quire, transepts and central tower was overlaid or replaced by Decorated Gothic. None of this work remains apart from a pier from the second half of the 14th century attached to the east wall of the present church. When the rebuilding were completed, the canons’ stalls were moved from beneath the central tower into the east end and the old pulpiturn was converted into a rood screen.

Details in the main portal at the west end of the priory church (Photograph: Patrick Comerford, 2026)

Dunstable was a venue for many tournaments in the 13th and 14th centuries, and when Edward III attended the great tournaments in 1329 and 1341 with many of the nobility, the cost of providing hospitality brought the canons close to breaking point.

The people of Dunstable were allowed to use the nave as a parish church from 1392. Two doorways were formed in the space between the nave and the crossing, and can still be seen in what is now the east wall.

The leading citizens and merchants of Dunstable founded a guild or fraternity dedicated to Saint John the Baptist in 1441. When the upper storey of the nave fell into ruins, they removed it altogether and inserted windows in the triforium, converting it into a clerestory. They gave the roof a flatter pitch, and they built a tower over the west bay of the north aisle. The 14 roof figures in the priory church are images of fraternity members.

Richard Charnock, who was the prior from 1473 to 1500, knew the humanist scholars Erasmus and John Colet. The last Prior of Dunstable, Gervase Markham, was elected in 1525.

The location of the original High Altar and Lady Chapel are marked out in the grass (Photograph: Patrick Comerford, 2026)

Archbishop Thomas Cranmer and the bishops of Winchester, London, Bath and Lincoln came to Dunstable in 1533 to annul the marriage of Henry VIII and Catherine of Aragon. Dunstable was chosen because Queen Catherine was then residing at Ampthill. The court sat in the Lady Chapel on 10 May, with the Prior, Gervase Markham, taking part in the proceedings. Catherine did not appear, but on 23 May 1533, Cranmer pronounced the annulment had been annulled, and the king was free to marry Anne Boleyn.

Gervase Markham and the 12 canons acknowledged the Royal Supremacy in 1535, the deed of surrender was signed on 31 December 1539, the priory was dissolved in January 1540, and the prior and the 12 canons were granted pensions, with dispensations to serve as secular priests.

The great church and the monastic buildings remained standing for some few years, and in a plan to create new dioceses a new see at Dunstable was proposed with the Priory Church as its cathedral. But the scheme fell through, and the church – with the exception of the parochial nave – and the monastic buildings were plundered.

All that was valuable was purloined and the ruins became a quarry. A wall was built up from the rood screen and the nave and its aisles sealed off for the use of the parish. During Edward VI’s reign, the reformers despoiled the church yet further, although some order was restored during the reign of Mary Tudor.

Several of the canons moved to local parishes, while others moved farther away. Two who married were deprived of their parishes when Mary Tudor became queen, but one forsook his wife and promptly found another parish. Having lived quietly in the town on his pension, Markham died in Dunstable in 1561. He still possessed his chalice, vestments and ‘ornaments and implements for a chapel’, which he left to his cousin. He was buried in the church on 23 September 1561.

At the visitation of Cardinal Pole in 1556, the churchwardens of Dunstable complained that the town was populous, but neither rector nor perpetual curate was found there, and ‘he that was hired could not preach’.

The present High Altar and chancel area in Dunstable Priory Church (Photograph: Patrick Comerford, 2026)

The Puritans were very active in South Bedfordshire by the end of Elizabeth I’s reign. John Richardson, the rector, was accused of Puritan practices and refusing to wear the surplice in 1603, but he later conformed. The next rector, Edward Alport, faced opposition from Puritans and Anabaptists who obstructed his ministry and tried to form a Presbyterian congregation. His successor, Zachary Symmes was an extreme Puritan who resigned in 1634 and joined the Puritans in Massachusetts in 1635.

William Pedder, who became the rector in 1634, was a royalist of moderate churchmanship. He was replaced by parliament replaced in 1642 with a group of 18 ‘lecturers’ who preached in the church on Sundays and weekdays.

A group of Royalist soldiers attacked the church during a Sunday service in June 1644. The congregation barricaded themselves in, but the soldiers forced the doors, shooting a ‘case of pistols’ at the minister in the pulpit and wounding several people. The west doors still show the marks of the shots.

Ten years later, the parishioners petitioned Cromwell for a minister after 14 years of being without a rector. Isaac Bringhurst became the rector in 1656. He undertook not to use the Book of Common Prayer and may not have been episcopally ordained.

After the Puritan era, some order returned after the Caroline restoration in 1660. A three-decker pulpit was fixed overlooking the box pews, the altar became secondary in importance to the pulpit, and the Eucharist was only celebrated at festivals. The church has a number of monuments dating from the early 18th century.

Bedfordshire, including Dunstable, became part of the Diocese of Ely in the 1830s.

Dunstable Priory Church was restored in the 19th century by the architects George Somers Leigh Clarke, George Frederick Bodley and Thomas Garner (Photograph: Patrick Comerford, 2026)

The next major changes to the building came in separate phases in the 19th century: by the architect George Somers Leigh Clarke (1822-1882) in 1848-1878; and by the Gothic Revival architects George Frederick Bodley (1827-1907) and Thomas Garner (1839-1906) in 1890-1903.

Clarke rebuilt the 12th century south aisle in 1852, and in 1876 he rebuilt the 15th century north aisle and added a new seventh bay at the north-east corner to form the vestry. While the north aisle was being rebuilt, Clarke discovered and restored a 12th century doorway. The roof is a sympathetic restoration dating from 1871 of the Perpendicular original.

Bodley and Garner carried out restoration work to the east end in 1890-1891, which included revealing two 14th century doorways and two niches in the east wall and returning the rood screen to its original position. Bodley restored the west front in 1903 and installed an internal buttress to support the tower.

A new organ by Norman and Beard was installed in 1913 to celebrate the 700th anniversary of the Priory’s dedication. A year later, Bedfordshire, including Dunstable, became part of the Diocese of St Albans in 1914.

The tower and south-west buttress were repaired in 1930 under the direction of the architect Sir Albert Richardson (1880-1964.

The east end wall, formerly the division between the nave and the crossing, was mostly rebuilt in 1962, to designs by the architect Felix James Lander (1897-1960) and carried out after his death by his son Sean Lander. The upper part of the wall was rebuilt and pierced with two round-arched windows, a new niche with a tall spired canopy was inserted to replace a central feature destroyed in the 16th century, and gilded statues were placed in the niches.

The west windows by John Hayward and the window by Christopher Webb depicting Saint John the Baptist (Photographs: Patrick Comerford, 2026)

The stained glass in the church is from the 20th century. The oldest is a 1920s window in the south aisle showing the Madonna and Child, and designed by Archibald John Davies of the Bromsgrove Guild of Applied Arts. The other glass is by Christopher Webb (1886-1966) and John Hayward (1929-2007).

Webb designed the two three-light windows in the chancel (1962): the north-side window shows Saint John the Baptist, Saint Peter and Saint Martin of Tours; the south-side window depicts Saint Fremund, Saint James the Great and Saint Nicholas.

Hayward designed 11 windows for three separate commissions: two windows at the west end depict the royal and church history of Dunstable Priory (1972); three windows in the Lady Chapel depict the Annunciation, Visitation and Nativity (1984); three windows in the south aisle depict scenes in the life of Saint Peter (1989); and three windows in the north aisle depict Baptism, the Eucharist and the Fayrey Pall (1989).

The ‘Madonna of the Magnificat’, a sculpture by Laurence Broderick (Photograph: Patrick Comerford, 2026)

The ‘Madonna of the Magnificat’ is a sculpture by Laurence Broderick (1935-2024), best-known for ‘The Bull’ (2003) in the Bull Ring, Birmingham. The work was given to the Priory Church by the Gibbard family to celebrate the wedding of Ruth Gibbard and Roger Bowles. The Feast of the Visitation is celebrated on 31 May, although because this year it falls not only on a Sunday but on Trinity Sunday it has been transferred to tomorrow (Monday 1 June 2026).

The 15th-century gateway south-west of the church is a reminder of the former priory. At the dissolution, the priory guesthouse became a private house in1545. One of the earliest owners was the Crawley family who used part of the building as an early hospital. In 1743, the original stone vaulted hall was incorporated into a much larger house with the Georgian façade. The Town Council has converted the building into a Heritage and Tourist Information Centre and a café.

A Local Ecumenical Partnership (LEP) formed in Dunstable in 1997 links the Anglican Team Ministry with Saint Katherine’s United Reformed Church. The parish is vacant at present and is seeking to appoint a new Team Vicar. The Eucharist is celebrated on Sunday mornings at 8 am and 9:30 am and at 10 am on Thursdays.

The 15th-century gateway south-west of the Priory Church in Dunstable (Photograph: Patrick Comerford, 2026)

Additional Reading:

FA Fowler, The Priory Church of Saint Peter Dunstable – A Brief History.

‘The Priory of Dunstable’, in The Victoria History of the County of Bedford, Volume 1 (1904).

The Eucharist is celebrated in the Priory Church, Dunstable, on Sundays at 8 am and 9:30 am and at 10 am on Thursdays (Photograph: Patrick Comerford, 2026)

Daily prayer in Ordinary Time 2026:
24, Sunday 31 May 2026,
Trinity Sunday

An icon of the Trinity in Saint Nektarios Church in Tsesmes, near Rethymnon in Crete (Photograph: Patrick Comerford)

Patrick Comerford

Since the 50-day season of Easter came to an end last Sunday with the Day of Pentecost or Whit Sunday (24 May 2026), we are in Ordinary Time once again. Today is Trinity Sunday (31 June 2026), and on Trinity Sunday the liturgical colour returns from the Green of Ordinary Time to the white or gold of a festival.

Later this morning, I hope to sing with the choir at the Parish Eucharist in Saint Mary and Saint Giles Church, Stony Stratford (9:30). Holy Trinity Church in Old Wolverton is celebrating its Patronal Festival at the Eucharist this morning (11 am), when the preacher is the Archdeacon of Buckingham, the Ven Cassa Messervey. But, before today begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:

1, reading today’s Gospel reading;

2, a short reflection;

3, a prayer from the USPG prayer diary;

4, the Collects and Post-Communion prayer of the day.

The symbol of the Holy Trinity in the outer circle of the East Window in Holy Trinity Church, Old Wolverton (Photograph: Patrick Comerford)

Matthew 28: 16-20 (NRSVA):

16 Now the eleven disciples went to Galilee, to the mountain to which Jesus had directed them. 17 When they saw him, they worshipped him; but some doubted. 18 And Jesus came and said to them, ‘All authority in heaven and on earth has been given to me. 19 Go therefore and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit, 20 and teaching them to obey everything that I have commanded you. And remember, I am with you always, to the end of the age.’

The mediaeval fresco of the Holy Trinity in the south choir aisle in Lichfield Cathedral was severely damaged by 17th century Puritans (Photograph: Patrick Comerford)

Today’s Reflections:

This is Trinity Sunday, and many clergy tell me they are afraid of preaching on Trinity Sunday, wondering how they can talk about the Trinity as a doctrine or dogmas, and yet relate it to the needs of today’s world, in its joys and its sufferings, in its beauty and with all its injustice.

Yet, the Orthodox theologian Thomas Hopko argues that if God were not Trinity, God could not have loved prior to creating other beings on whom to bestow God’s love. This love or communion of God as Trinity, extended to us in the communion of the Church, is the climax to Saint Paul’s message to the Church in Corinth in today’s Epistle reading (II Corinthians 13: 13). It is not just the Trinitarian faith into which we are baptised, but the love or fellowship of the Trinity (Matthew 28: 19-20).

I have preached often on Trinity Sunday, and I have prepared extensive preaching and liturgical resources for priests and readers in the Diocese of Limerick. But I still tried to avoid saying something that is ‘reheated’ and to say something that challenges me as well as challenging for people who may be thinking seriously about the meaning and significance of the Trinity on this morning.

As well as prayer and reading, I find it is helpful in preparing sermons to look at images that focus my attention on my sermon topic.

Some years ago, I took a photograph on the wall of the south choir aisle in Lichfield Cathedral depicting the Holy Trinity. This scene, showing the Trinity flanked by two censing angels, was probably painted in the mid-15th century, although it may even date earlier to the 14th century.

Although the painting has been damaged severely in the religious strife of later centuries, it is still possible to look closely and to see how it originally depicted the Holy Trinity. Look at it closely, it is possible to make out the representation of God the Father sitting on a yellow or golden throne, his knees clad in a red robe.

God the Father is holding his crucified Son, God the Son, Jesus Christ, before him. Originally, this mediaeval fresco would have shown a full depiction of the Crucifixion. However, all that can be seen today are the legs of Christ, with his feet nailed to the Cross.

The representation of God the Holy Spirit, traditionally depicted as a white dove, is now missing from this work. But comparisons with similar paintings from this period suggest that this representation was placed in this painting in Lichfield Cathedral between the head of God the Father and the head of Jesus Christ.

On either side of the Holy Trinity stands an angel, each holding and swinging a censer or incense burner, offering large amounts of incense before the throne of God.

The notice accompanying this mediaeval work in Lichfield Cathedral quotes a passage in the Book of Revelation: ‘Another angel with a golden censer came and stood at the altar; he was given a great quantity of incense to offer with the prayers of all the saints on the golden altar that is before the throne. And the smoke of the incense, with the prayers of the saints, rose before God from the hand of the angel’ (Revelation 8: 3-4).

In Christian thinking over the centuries there has always been an element of uneasiness about representing God pictorially. Sometimes this was completely forbidden in Judaism and Islam, because of fears that the images might become objects of worship instead of God.

In Christianity, a theologically unhealthy exaggeration of these reservations lead to the iconoclast heresy. This resurfaced among the English Puritans in the 16th and 17th century, and this fresco depicting the Holy Trinity was severely damaged when it was painted over by Puritans during the English Civil War.

Traces of this mediaeval wall painting were restored in 1979. Today, its condition remains a reminder not only of the cultural dangers of theological extremism and the aesthetic vandalism it encourages, but also that we can never see fully the mystical truth behind the truth of the Trinity – we cannot work it out ourselves, but we need to spend time in contemplation and prayer.

A second New Testament quotation on the accompanying notice in the south choir aisle in Lichfield Cathedral reminds me of the essential truths I need to keep before me on Trinity Sunday: ‘The grace of the Lord Jesus Christ, the love of God, and the communion of the Holy Spirit be with all of you’ (II Corinthians 13: 13).

A ‘Father-only’ image of God is in danger of reflecting power-lust and a need to dominate on the right, reducing God to an idol or mere totem; or, on the left, of reducing God to a mere metaphor for goodness, however one decides to define ‘goodness.’

Similarly, ‘Jesus-only’ images lead to moralistic action by Christians on the theological left or individualistic pietism on the theological right.

A ‘Spirit-only’ emphasis brings real dangers of introspective escapism, charismatic excesses, or narcissist claims by manipulative leaders in evangelical and charismatic church groups.

Yet these images are real throughout the Church, because the concept of the Trinity often appears irrelevant, due to poor teaching in our churches and a prevailing anti-intellectual climate.

Those who do preach on the Trinity on Trinity Sunday are often reduced to explaining away the Trinity as a ‘mystery’ that they expect ‘mere’ lay people not to grapple with. Worship then becomes a transaction between an external deity and an autonomous worshipper. And it is not possible for a collection of separated and disconnected individuals to become the community of faith, to enter into the life of the Trinity.

We can only be human through our relationships. We can only have self-respect when we know what it is to respect others.

The Church is primarily communion, a set of relationships, exactly as we find in the Trinitarian God. Christianity is not a private religion for individuals; personal piety is only truly pious and personal when it relates to others and to creation.

In today’s Gospel reading (Matthew 28: 16-20), we are with Christ before the Ascension, when he sends out the disciples in mission, when he sends them out in the name of the Trinity, to baptise in the name of the Father and of the Son and of the Holy Spirit. But he sends them out to all nations – the words used here for all nations (πάντα τὰ ἔθνη, panta ta ethne, verse 19) means all ethnic groups.

In the love of the Holy Trinity, there can be no ethnic distinctions or differences. All are called, without discrimination, to obey everything that Christ has commanded. And what he commanded was to love God to love one another.

When we are created in the image of God, it is not just individually in the image of one God, but we are created collectively and communally in the image and likeness of God, who is one God in community as God in Trinity.

When we accept the old barriers of ethnic distinctions and discrimination, we are not only going against Christ’s great commission and commandments, but we become least like God, we deny being in God’s image and likeness.

When we remain silent in the face of one man’s death, when his breath is squeezed out of his life in an act of violence and racism as he cries out, ‘I can’t breathe,’ we deny God as Trinity:

• We deny the Father who has entrusted us with responsibility for justice throughout all this good creation

• We deny the Son who has commanded us in equal measure to love God and to love one another

• We deny the Spirit, the breath of God, which is the life and breath of all this good creation, and the breath and life of each individual person

Any President, any Governor, any politician, any human who tries to wriggle out of this is abdicating authority, and needs to be reminded of Christ’s words in this morning’s Gospel reading that ultimately ‘all authority in heaven and on earth has been given’ to Christ.

The Trinity means that as humanity is created in the image and likeness of God, then it is not just as individuals that we reflect God’s image, but that when we are a community we are most human and most God-like,

In the true community, each is valued, each takes account of the other, each has an equal place, contribution and voice. True community cannot concentrate sole authority, privilege and infallibility in one ethnic group, one gender alone, let alone one member.

All have received the breath of God, and all must be free to breathe.

An icon of the Holy Trinity in the style of Andrei Rublev’s icon of the Hospitality of Abraham by Hanna-Leena Ward in her recent exhibition in Lichfield Cathedral (Photograph: Patrick Comerford, 2026)

Today’s Prayers (Sunday 31 May 2026, Trinity Sunday):

A new edition of Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), was published last week, in time for the USPG conference in the High Leigh, Hertfordshire, from Tuesday to Thursday, 2-4 June.

The theme this week, from 31 May to 6 June 2026 (pp 6-7) is ‘Peacebuilding in the Gulf’. This theme is introduced today with a reflection from Saint Christopher’s Cathedral in Bahrain:

‘At Saint George's Church, Baghdad, Iraq’s only Anglican church, the Revd Canon Faiz Jerjes, sees the courage of his congregation every day. It includes native Baghdadis alongside Christians displaced from northern Iraq in recent years. Despite the risks, they continue to gather faithfully.

‘Asked why they come, parishioners speak simply and powerfully: “When I attend church, I feel at peace.” Another says, “We feel rest and peace when we come into the church. God is with us.” In a city marked by instability, the church remains a place of refuge, prayer, and hope.

‘These challenges are echoed across the wider Diocese of Cyprus and the Gulf, where conflict affects communities across the region. Bishop Sean Semple notes that the impact is felt from Iraq to the Gulf states, including the UAE, Bahrain, Kuwait, and Qatar. Sirens, missile interceptions, and explosions bring fear, disrupt sleep, and heighten anxiety for many. Reflecting on the Diocese’s mission, Bishop Sean says, “We wait in hope and pray for dialogue and diplomatic solutions to bring this war to a swift and just end. As we wait, we carry on as best as we can with love.”
‘Whether meeting in person or online, congregations remain steadfast. Even in times of danger, the Church’s presence, prayer, and witness offer peace and hope.’

Join Saint Christopher’s Cathedral in Bahrain online for daily Evening Prayer at 16:00 BST, to pray for all affected by conflict in the Middle East. For the Zoom link, contact communications@uspg.org.uk.

The USPG Prayer Diary today (Sunday 31 May 2026, Trinity Sunday) invites us to pray this way:

Read and meditate on Matthew 28: 16-20

We give thanks for the mystery of the Holy Trinity, one God in three Persons. May we live in the love and unity of Father, Son, and Holy Spirit.

The Church of the Holy Trinity in Platanias, east of Rethymnon in Crete (Photograph: Patrick Comerford)

The Collect of the Day:

Almighty and everlasting God,
you have given us your servants grace,
by the confession of a true faith,
to acknowledge the glory of the eternal Trinity
and in the power of the divine majesty to worship the Unity:
keep us steadfast in this faith,
that we may evermore be defended from all adversities;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

The Post-Communion Prayer:

Almighty and eternal God,
you have revealed yourself as Father, Son and Holy Spirit,
and live and reign in the perfect unity of love:
hold us firm in this faith,
that we may know you in all your ways
and evermore rejoice in your eternal glory,
who are three Persons yet one God,
now and for ever.

Additional Collect:

Holy God,
faithful and unchanging:
enlarge our minds with the knowledge of your truth,
and draw us more deeply into the mystery of your love,
that we may truly worship you,
Father, Son and Holy Spirit,
one God, now and for ever.

Yesterday’s Reflections
Continued Tomorrow

An image of the Trinity presiding over Creation in Vatopedi Monastery on Mount Athos in Greece

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org