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25 September 2026

The sculptures of Thessaloniki:
5, the Jewish Memorial by
Konstantinos Lentaris,
Aristotele University of Thessaloniki

The Jewish Memorial at the Aristotele University of Thessaloniki, on the site of the city’s ancient Jewish cemetery (Photograph: Patrick Comerford)

Patrick Comerford

I was recalling earlier this week how I have came across a collection of photographs of modern sculptures in the streets and parks of Thessaloniki and how realised that I had written little about these sculptures over the years.

Rather than leave the photographs and memories in forgotten files on my laptop or in the cloud, I have started an occasional series of blog postings on some of those modern sculptures I have rediscovered in Thessaloniki. Over the next few weeks, I am inviting you to join me in a minor odyssey of recovery and discovery as my mind wanders through Thessaloniki, looking at these sculptures again.

The sculptures I have looked at this week include the monumental statues of Aristotle, Alexander the Great and Eleftherios Venizelos.

Thessaloniki has a number of sculptures and works of public art that reflect the city’s Jewish history, including the Holocaust Memorial, ‘Menorah in Flames 2’, by the Serbian Jewish sculptor Nandor Glid in Eleftherias Square, and the ‘Stolpersteine’ or ‘stumbling stones’, 10x10 cm brass-topped cobblestones by the German artist Gunter Demnig to honour local Jewish victims of the Holocaust.

The Jewish Monument of the Aristotle University of Thessaloniki honours the city’s Jewish community and is a reminder of the Jewish cemetery on the site that was destroyed by the Nazis. The monument on the campus also recognises the destruction of the old Jewish cemetery during the Nazi occupation of Greece.

The Aristotle University of Thessaloniki, Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ, AUTh), often known as the University of Thessaloniki, is the largest university in Greece. It was founded in 1925 and was the first Greek university founded outside of Athens.

The university established a chair in Jewish Studies in 1929, but it was abolished in 1936 under the Metaxas regime. The Jewish cemetery in Thessaloniki was destroyed during the Nazi occupation of Greece, the university campus was built partly on the remains of the cemetery and uprooted gravestones were used as building materials in the university.

The campus of the Aristotle University of Thessaloniki was built partly on the remains of the Jewish cemetery and uprooted gravestones were used as building materials (Photograph: Patrick Comerford)

Thessaloniki was once known as the ‘Mother of Israel’ and the ‘Jerusalem of the Balkans.’ For over three centuries, it was the largest Sephardic Jewish city in the world and the only major European city where Jews formed the majority. But, in the space of five months in 1943, the Nazis erased all that almost completely.

There have been Jews in Thessaloniki since the time of Alexander the Great. But the story of the city’s modern Jewish community begins in 1492, with catastrophe transformed into refuge. When Spain’s Catholic monarchs Isabella and Ferdinand expelled all Jews from Spain, between 15,000 and 20,000 Sephardic Jews fled across the Mediterranean. Many settled in Thessaloniki, then a bustling port city in the Ottoman Empire.

The Ottoman Sultan Bayezid II welcomed them. He realised that Spain’s loss could be his empire’s gain. The Jewish refugees brought skills in medicine, printing, textiles, metalwork and international trade, they spoke multiple languages and they had commercial networks spanning continents. ‘The Spanish king is a fool,’ Bayezid reportedly said, ‘impoverishing his own country to enrich mine.’

The Sephardic Jews transformed Thessaloniki. They established the city’s first printing press, making Thessaloniki a centre of Jewish scholarship and publishing. They built synagogues – eventually 42 of them – each named after the Spanish or Portuguese city their founders had fled: Catalán Yashan (Old Catalan), Aragon, Lisboa, Evora, Castile.

They created networks that made Thessaloniki one of the most important trading hubs in the Ottoman Empire. Jewish merchants shipped wool, silk and ceramics across the Mediterranean, Jewish craftsmen became the exclusive tailors for the Ottoman Janissaries, and Jewish bankers facilitated trade between east and west.

By 1519, just 27 years after the expulsion, Jews made up 56 per cent of Thessaloniki’s population. By 1613, Jews were 68 per cent of Thessaloniki's population – a percentage unmatched anywhere else in Europe, before or since. This was a living reality into the 20th century: Sabbath observance shut down commerce, rabbinical courts wielded authority, Ladino echoed through marketplaces and Jewish printing presses produced books shipped across the Mediterranean.

For over 300 years, from the 16th to the early 20th century, Jewish life defined the rhythm of life in Thessaloniki. The city effectively shut down from Friday evening until Saturday night, honouring the Jewish Sabbath alongside the Friday prayers of Muslims and the Sunday observance of Christians.

The Ottoman millet system granted religious minorities autonomy. Jewish courts handled civil disputes, rabbinical authorities oversaw education, marriage and religious life, and the community paid collective taxes but otherwise was self-governing.

Jewish entrepreneurs led Thessaloniki’s industrialisation in the mid-19th century. The Allatini brothers established the first modern flour-milling plant in 1854, followed by textile, brickmaking and tobacco factories. By the early 20th century, Jews owned 38 of the city’s 54 largest trading houses, and there was a vibrant Jewish working class too. Jewish stevedores controlled the docks, Jewish weavers supplied textiles throughout the Balkans, and Jewish printers, teachers, doctors, lawyers, and merchants filled every sector of urban life.

Thessaloniki became a Jewish intellectual powerhouse. The Alliance Israélite Universelle opened educational institutions that taught French alongside traditional Jewish subjects; a whole generation became conversant with both Jewish tradition and European modernity; and newspapers in Ladino connected the community with Sephardic Jews across the Ottoman world.

Politically, Thessaloniki’s Jews were active in Ottoman reform movements. Many supported the Young Turks revolution of 1908, which sought to modernise the empire with constitutional government. Zionist leaders who visited the city saw it as a model. David Ben-Gurion, Yitzhak Ben-Zvi, and Ze’ev Jabotinsky all visited Thessaloniki in the early 20th century, seeing in its Jewish majority a preview of how a Jewish state might work.

The port city closed every Saturday. Most workers – including the dockworkers – were Jewish and observed Shabbat. Street signs were in Ladino, the Judaeo-Spanish language of Sephardic Jews. There were synagogues in almost every neighbourhood, newspapers in four languages served the cosmopolitan population, but Ladino and Greek were the main languages and the dominant voice in the synagogues was Spanish-inflected Hebrew prayers.

But forces were gathering that would unravel its world. Four years before my grandfather’s arrival there, Greece took Thessaloniki in 1912 during the Balkan Wars and incorporated the city in the modern Greek state. The Jewish community – 70,000 strong at the time and the city’s largest ethnic group – faced an uncertain future.

At first, the Greek government recognised the community’s rights and traditions. But tensions simmered, Greek merchants resented Jewish commercial sway, and some people saw the Jewish presence as a remnant of Ottoman rule.

On 18 August 1917, a small kitchen fire in central Thessaloniki exploded into an inferno. For 32 hours, flames consumed over one-third of the city. The fire destroyed 9,500 buildings, and left 70,000 people homeless, 52,000 of them Jews, and 16 of the 33 synagogues were burned. Jewish schools, libraries, charitable institutions, and the grand rabbinate's archives, with the records of centuries of births, marriages and deaths, rabbinical decisions and community history, vanished in smoke.

The entire documented history of one of the world’s great Jewish communities went up in flames, and the fire devastated Jewish Thessaloniki. Over 20,000 Jews, unable to find shelter, left the city for Athens, France, the US and Palestine.

The Jewish Memorial at the Aristotele University of Thessaloniki was designed by the architect Konstantinos Lentaris (Photograph: Patrick Comerford)

The community rebuilt itself on the outskirts of the city but never recovered its former glory. The balance in the population shifted dramatically in 1923 when Greece and Turkey negotiated a population exchange. About 1.5 million Greek Orthodox Christians were moved to Greece from Turkey, with roughly 100,000 settling in Thessaloniki. For the first time in four centuries, Jews had become a minority in the city they had once defined.

By 1940, Thessaloniki had a Jewish population of about 56,000 in a city that had grown to about 250,000 residents. The community had survived fires, political upheaval, and demographic transformation, they kept open their synagogues, schools and cultural institutions, and they remained a vital part of the city’s fabric. But nothing prepared them for what came next.

On 9 April 1941, German forces occupied Thessaloniki. Within a week, Nazi authorities arrested Jewish community leaders, confiscated Jewish homes and hospitals, and began the systematic looting of Jewish cultural property. Tens of thousands of books, religious artefacts and works of art were shipped to Germany.

On 11 July 1942 – a date remembered to this day as ‘Black Saturday’ – the Nazis forcibly rounded up 9,000 Jewish men aged between 18 and 45 in Plateia Eleftherias (Πλατεία Ελευθερίας, Liberty Square). For hours in the blazing summer heat, German soldiers beat and humiliated them before the crowds of onlookers. About 2,000 were sent to forced labour. The rest were eventually ransomed by the community, which sold its ancient cemetery to raise the demanded sum.

In December 1942, the Nazis began destroying the Jewish cemetery with 300,000 Jewish graves. The Jewish cemetery, with 20 generations and over 500 years of burials, stretching from Egnatia street to Saranta Ekklisies, was destroyed. The tombstones were purloined as building materials for footpaths, university stairs, and barrack latrines. Aristotle University Thessaloniki was rebuilt where the Jewish dead had been buried.

In February 1943, Eichmann sent Dieter Wisliceny and Alois Brunner to Thessaloniki, specialists in Jewish deportation, to implemented the Nuremberg Laws. They forced people to wear yellow stars, restricted movement and confiscated property, and within days Jews were forced into three ghettos. The largest, the Baron Hirsch transit camp, was beside the railway station.

The first train left Thessaloniki on 15 March 1943. Between March and August 1943, 19 trains took as many as 46,000 Jews from Thessaloniki to Auschwitz-Birkenau. Each train held 1,000 to 4,000 people crammed into cattle cars.

When they arrived at Auschwitz, most people were sent directly to gas chambers. Of the 46,000 deported, about 1,950 or 4 per cent survived; 96 per cent of the city’s Jewish population was exterminated in 1943. In five months, the Nazis accomplished what four centuries of disasters – plagues, fires, wars and economic transformations – had failed to do: they destroyed the ‘Jerusalem of the Balkans’, the ‘Mother of Israel’.

The survivors who returned from the camps found a ghost community. Fewer than 2,000 Jews remained in Thessaloniki, their synagogues were destroyed or vandalised, their homes had become the homes of strangers, their cemetery was razed, their archives were burned, their commercial networks were shattered. Many survivors could not bear to stay and emigrated to Palestine, the US or other diaspora communities. Others rebuilt what they could, establishing small institutions to preserve their memories.

Today, about 1,000 Jews live in Thessaloniki, where they are less than 0.2 per cent of the city’s population of over 800,000. Three synagogues remain of the original 42. The Monastir Synagogue survived only because Nazis had used it as a Red Cross warehouse. The Jewish Museum of Thessaloniki, which attracts about 30,000 visitors a year, documents the community’s history.

Five marble plaques in five languages, recalling, perhaps, the five books of the Torah or the Pentateuch, tell the story of the cemetery and of the monument (Photograph: Patrick Comerford)

The Jewish Monument of the Aristotle University of Thessaloniki, designed by the architect Konstantinos Lentaris, honours the city’s Jewish community and is a reminder of the Jewish cemetery on the site that was destroyed by the Nazis.

The monument, unveiled in November 2014, includes a sarcophagus, a bronze menorah or seven-light lamp, scattered marble plaques with Jewish symbols, and a bronze Star of David. Five marble plaques in five languages, recalling, perhaps, the five books of the Torah or the Pentateuch, tell the story of the former cemetery and of the monument.

The university’s department of Jewish Studies, forced to close in 1936, reopened in 2015 in partnership with the local Jewish community, and now offers courses on Greek-Jewish history, the Holocaust, and Ladino language and culture. Sadly, the monument has been vandalised many times by far-right antisemites.

One of Thessaloniki’s last Holocaust survivors, Heinz Kounio, died earlier this year (16 April 2026) at 98. The Holocaust Museum of Greece (Μουσείο Ολοκαυτώματος Ελλάδος) in Thessaloniki, due to open in coming months, is the first museum dedicated specifically to telling the story of Sephardic Jews in the Holocaust.

May their memories be a blessing, זצ״ל

Shabbat Shalom, שבת שלום‎

In this series:

1, Introduction (21 September 2026)

2, Aristotle by Giorgos Georgiadis, Aristotelous Square (22 September 2026)

3, Alexander the Great by Evangelos Moustakas, Alexander’s Garden (23 September 2026)

4, Eleftherios Venizelos by Giannis Pappas, Plateia Dikastirion (24 September 2026)

5, The Jewish Monument by Konstantinos Lentaris, Aristotle University of Thessaloniki (25 September 2026)

6,Admiral Nikolaos Votsis by Georgios Dimitriadis, at the White Tower

The Jewish Studies Centre at the Aristotelean University of Thessaloniki (Photograph: Patrick Comerford)

Daily prayer in Ordinary Time 2026:
140, Friday 25 September 2026

When is it appropriate to be silent? (see Luke 9: 21) … an icon of Christ the Blessed Silence

Patrick Comerford

We are continuing in Ordinary Time in the Church Calendar and this week began with the Sixteenth Sunday after Trinity (Trinity XIV, 21 September). Wednesday, Friday and Saturday in this week in the Church Calendar are also known as Ember Days.

The calendar of the Church of England in Common Worship today remembers Lancelot Andrewes (1555-1626), Bishop of Winchester and spiritual writer; and Saint Sergei of Radonezh (1314-1392), Russian monastic reformer, teacher of the faith.

Before today begins, I am taking some quiet time this morning to give thanks, and for reflection, prayer and reading in these ways:

1, today’s Gospel reading;

2, a reflection on the Gospel reading;

3, a prayer from the USPG prayer diary;

4, the Collects and Post-Communion prayer of the day.

When is it appropriate to be silent? (see Luke 9: 21) … an icon of Christ the Blessed Silence

Luke 9: 18-22 (NRSVA):

18 Once when Jesus was praying alone, with only the disciples near him, he asked them, ‘Who do the crowds say that I am?’ 19 They answered, ‘John the Baptist; but others, Elijah; and still others, that one of the ancient prophets has arisen.’ 20 He said to them, ‘But who do you say that I am?’ Peter answered, ‘The Messiah of God.’

21 He sternly ordered and commanded them not to tell anyone, 22 saying, ‘The Son of Man must undergo great suffering, and be rejected by the elders, chief priests, and scribes, and be killed, and on the third day be raised.’

When is it appropriate to be silent? (see Luke 9: 21) … an icon of Christ the Blessed Silence

Today’s Reflection:

In today’s Gospel reading (Luke 9: 18-22), after his profound confession of faith, Saint Peter is ‘sternly ordered and commanded them not to tell anyone.’ This is in sharp contrast to the response to this confession of faith in Saint Matthew’s Gospel, when Christ tells Saint Peter: ‘I tell you, you are Peter, and on this rock I will build my church …’ (Matthew 16: 18, NRSVA).

When is it appropriate to be silent and not speak out?

In Saint Mark’s Gospel, when Bartimaeus the blind beggar realises he is in the presence of Christ outside the gates of Jericho, ‘many sternly ordered him to be quiet, but he cried out even more loudly’ (Mark 10: 48).

But are there times when words are not enough, when words are simply not appropriate?

In the midst of the unsettling and shocking turn events in the US in recent weeks, many people who speak out against racism, hatred and oppression, are being silenced by people who once claimed they defended free speech, while the name of Christianity is being misappropriated, hijacked and politically manipulated by people whose values and lifestyles show no commitment to living according to principles and values.

I am reminded of a saying attributed to Saint Francis of Assisi: ‘Preach the Gospel at all times, and when necessary use words.’

There are moments when actions speak louder than words, and when our lifestyle and discipleship offer far better sermons than anything we may say in a sermon.

There are moments to cry out loudly in the presence of God, and there are moments when silence is so appropriate.

So, in my prayers and silent reflections this morning, as the Church remembers Saint Sergei of Radonezh, regarded as the greatest of the Russian saints, my thoughts are turning to the icon of Christ the Blessed Silence, an icon found in some traditions in the Greek and Russian Orthodox Churches, but that is not so well known outside Orthodoxy.

In this icon, Christ is portrayed as a youthful figure looking like a winged angel, his hands crossed against his chest, sometimes wearing a bishop’s mitre and dressed in a sakkos (σάκκος), the vestment worn by Orthodox bishops. In most of these icons, Christ is shown with an eight-pointed, shining nimbus.

The icon of Christ the Blessed Silence represents his sacrifice, through his young face and crossed hands, and his ecclesiastic mission in his attire. His angel-like face and the wings point to his ministry. In some of these icons, Christ is bare-headed, in others he wears the crown of a bishop, to show that he is both the Great High Priest and the King of Kings. In some icons of Christ the Blessed Silence, Christ holds the cross, spear and sponge of the Crucifixion.

The tradition of icons of Christ the Blessed Silence developed in the 14th and 15th centuries on Mount Athos, in Greece and in the Balkans. In Greece it was associated in Greece with the tradition of Hesychia. This Blessed Silence of Christ associates this icon with the hesychasts in the Eastern Orthodox tradition – the Greek ἡσυχία (hesychia) is a word for silence or quiet.

This icon is known in Russian as Spas Blagoe Molchanie or the Saviour of the Blessed Silence, and even as the Angel of Great Counsel. The earliest icon in this tradition in mediaeval Rus dates from the late 15th century. Christ is portrayed on the iconostasis or icon screen in the Cathedral of the Dormition in the Kremlin in Moscow, above the entrance to the sanctuary and dates from ca 1482 or perhaps later (1514-1515).

This image was widespread in the 17th century, and it is found special reverence in the 18th and 19th centuries among the Old Believers in Russia. Many of these icons were confiscated from the Old Believers and kept in archives in St Petersburg.

The icon of Christ the Blessed Silence Saviour is one of the few types in which Christ is represented in the form of an angel. In these icons, Christ is young and without a beard, looking like an angel or messenger, the angel of the blessed silence.

The sacred silence of Christ in this icon is also associated with the Christ who was born in time to be the Suffering Servant who died in Silence. In the traditional interpretations of Isaiah, the Suffering Servant passages are associated with the crucifixion of Jesus:

He was oppressed, and he was afflicted,
yet he did not open his mouth;
like a lamb that is led to the slaughter,
and like a sheep that before its shearers is silent,
so he did not open his mouth.
(Isaiah 53: 7)

So, the suffering Christ was silent, and Christ the Angel of Great Counsel is the Son of God begotten in the Silence of Eternity.

Isaiah also says:

He will not cry or lift up his voice,
or make it heard in the street (Isaiah 42: 2).


These icons often also bear inscriptions from another passage in Isaiah:

The spirit of the Lord shall rest on him,
the spirit of wisdom and understanding,
the spirit of counsel and might,
the spirit of knowledge and the fear of the Lord.
(Isaiah 11: 2)

Sometimes Christ holds in his hand a scroll that reads: ‘You are the God of Peace, Father of Mercies, the Angel of Great Counsel.’ These words are in Irmos 5 in the Liturgy of the Nativity:

O God of peace and Father of mercies
Thou has sent to us the Angel of Great Counsel who grants us peace.
So we are guided to the light of the knowledge of God.
Waking early from the night we praise Thee, O Lover of men
.

Traditionally, the words of Isaiah 9: 6 are associated with the birth of Christ and the Nativity narratives. They are best known in the English-speaking world because of their use in the libretto by Charles Jennens for Handel’s oratorio Messiah:

For unto us a child is born, unto us a son is given:
and the government shall be upon his shoulder:
and his name shall be called Wonderful, Counsellor,
The mighty God, The everlasting Father, The Prince of Peace.


Jennens was drawing on the text of the Authorised Version or King James Version of the Bible, which reflects the Hebrew text of the Bible as it was known in the 17th century. However, early Christians knew the Biblical texts not in Hebrew, but in the Greek of the Septuagint. In Greek, Isaiah 9: 6 reads somewhat differently:

The ‘Messenger of Great Counsel’ (Ο Μεγάλης Βουλής Άγγελος) in the Septuagint may also be understood as the ‘Angel of Great Counsel.’ Greek versions of the icon of the Angel of Great Counsel sometimes include the inscription:

ἐγὼ γὰρ ἐκ τοῦ θεοῦ ἐξῆλθον καὶ ἥκω:
οὐδὲ γὰρ ἀπ’ ἐμαυτοῦ ἐλήλυθα, ἀλλ’ ἐκεῖνός με ἀπέστειλεν.


For I came from God and now I am here.
I did not come on my own, but he sent me
(John 8: 42).

As I think of the icon of Christ the Blessed Silence, I think too of the Logos begotten from God in Eternity and of the birth of the Christ Child in time. He is the one who was, who is and who is to come, the one to cry out loud to and the one in whose presence we should be silent too.

I have said with humour and full sincerity that when my coffin is being taken into the church at my funeral (later than sooner, I hope), that I want to hear Leonard Cohen’s ‘If it be your will’ … and when my coffin is being carried out I want to hear his ‘Dance me to the end of love.’

So often I want to be in control. I want to control the agenda, I want to control conversations, I want to control discussions. And I particularly want to control the words I use, the words others are going to hear me say.

And so, I am humbled at times when I listen to Leonard Cohen’s song, ‘If it be your will.’

Leonard Cohen ended many of those concerts singing this poem, which for me is about submission to God’s will, accepting God’s will, leaving God in control of my spirit:

Leonard Cohen sings of his nearly complete subjection to the divine will.

If he is told to be silent, he will be silent; if he is told to sing, he will sing.

If he is allowed to express his true voice (‘if a voice be true’), he will sing in praise of God from ‘this broken hill’ … from Calvary?

The mercy of God, the compassion of God, the love of God, redeems the burning hearts in hell … if it is God’s will.

Leonard Cohen’s great hope in this will leads to prayer, to the one who can ‘make us well’ if we devote ourselves to God, pray to God, sing to God. But he still prays to God to act on behalf of the suffering.

Cajoling God in song and poetry, Cohen says God has the power to ‘end this night’ of the darkness of the human condition, in which people are dressed in only dirty ‘rags of light’ that are fragmented, that are not fully whole and illuminated.

In this song, I imagine Christ on the cross as he speaks to God the Father as his agony comes to its close:

If it be your will
That I speak no more
And my voice be still
As it was before.


The broken hill is Golgotha where he has been crucified, the rugged and rocky Mount of Calvary.

‘Let the rivers fill’ may refer to the water of his thirst, the water of his sweat, the water that streams from his side, the waters of baptism, the Living Water that will never leave us to thirst.

If it be your will
To make us well
Let your mercy spill
On all these burning hearts in hell.


Lancelot Andrewes, who is remembered in the calendar of the Church of England today, repeatedly emphasises that the ultimate heights of Christian mystery – particularly Christ's incarnation and his suffering on the cross – transcend what human words can articulate. In his 1604 Good Friday Passion Sermon, based on Lamentations 1: 12, Andrewes contemplates the unmatched, incomparable sorrow (non sicut) of Christ: ‘It is a non sicut this, it cannot be expressed as it should, and as other things may; in silence we may admire it, but all our words will not reach it.’

For Andrewes, trying to stretch words to encapsulate the depth of divine suffering borders on hubris. Instead, true devotion requires us to halt our speech and allow adoring silence to take over where vocabulary fails. He echoes Saint Augustine in his writings, noting that ‘even they that are full of words are but dumb’ when attempting to fully describe God, concluding that the highest form of praise ‘hath rather silence than words.’

He routinely returns to the intense cosmic paradox of Christmas: the Verbum infans, the ‘infant Word’ or the ‘Word without a word’. He marvels that the eternal Word of God, who commands the vastness of the oceans and the cosmos, would enter the world wrapped in swaddling clothes, entirely unable to speak. In Andrewes’s theology, God’s own choice to embrace the silence of infancy demands a mirroring, humbled silence from humanity as we approach the manger.

The Dominican theologian Cardinal Timothy Radcliffe of Oxford says: ‘We must wait for the resurrection to break the silence of the tomb.’ We must speak up when it is necessary, and to have the courage to speak is ‘ultimately founded upon the courage to listen.’

Leonard Cohen, If it be your will:

If it be your will
That I speak no more
And my voice be still
As it was before
I will speak no more
I shall abide until
I am spoken for
If it be your will

If it be your will
That a voice be true
From this broken hill
I will sing to you
From this broken hill
All your praises they shall ring
If it be your will
To let me sing
From this broken hill
All your praises they shall ring
If it be your will
To let me sing

If it be your will
If there is a choice
Let the rivers fill
Let the hills rejoice
Let your mercy spill
On all these burning hearts in hell
If it be your will
To make us well

And draw us near
And bind us tight
All your children here
In their rags of light
In our rags of light
All dressed to kill
And end this night
If it be your will

If it be your will.

When is it appropriate to be silent? (see Luke 9: 21) … an icon of Christ the Blessed Silence

Today’s Prayers (Friday 25 September 2026):

In Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), the theme this week, from 20 to 26 September 2026 (pp 40-41), is ‘For God and Country’. This theme was introduced on Sunday with a reflection by Rosie Dawson, USPG Trustee and freelance journalist.

The USPG Prayer Diary today (Friday 25 September 2026) invites us to pray:

Lord, we pray that the Gospel may be spoken, sung, and embodied in every tongue and context. Free us from silencing voices that we falsely claim do not belong.

The Collect of the Day:

Lord God, who gave to Lancelot Andrewes many gifts of your Holy Spirit,
making him a man of prayer and a pastor of your people:
perfect in us that which is lacking in your gifts,
of faith, to increase it,
of hope, to establish it,
of love, to kindle it,
that we may live in the light of your grace and glory;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

Collect (for the ministry of all Christian people):

Almighty and everlasting God,
by whose Spirit the whole body of the Church
is governed and sanctified:
hear our prayer which we offer for all your faithful people,
that in their vocation and ministry
they may serve you in holiness and truth
to the glory of your name;
through our Lord and Saviour Jesus Christ,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

The Post Communion Prayer:

God, shepherd of your people,
whose servant Lancelot Andrewes revealed the loving service of Christ
in his ministry as a pastor of your people:
by this eucharist in which we share
awaken within us the love of Christ
and keep us faithful to our Christian calling;
through him who laid down his life for us,
but is alive and reigns with you, now and for ever.

The Post Communion Prayer (Ember Days):

Heavenly Father,
whose ascended Son gave gifts of leadership and service to the Church:
strengthen us who have received this holy food
to be good stewards of your manifold grace,
through him who came not to be served but to serve,
and give his life as a ransom for many,
Jesus Christ our Lord.

Yesterday’s Reflections

Continued Tomorrow


‘If It Be Your Will’ … Leonard Cohen and The Webb Sisters, Live in London

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org