Wade Street Church in Lichfield represents a tradition dating back to the 1670s (Photograph: Patrick Comerford)
Patrick Comerford
In the Church Calendar, today is the Feast of Saint Simon and Saint Jude, Apostles (28 October 2021).
Before the day begins, I am taking a little time this morning for prayer, reflection and reading. Each morning in the time in the Church Calendar known as Ordinary Time, I am reflecting in these ways:
1, photographs of a church or place of worship;
2, the day’s Gospel reading;
3, a prayer from the USPG prayer diary.
My theme for this week is churches in Lichfield, where I spent part of the week before last in a retreat of sorts, following the daily cycle of prayer in Lichfield and visiting the chapel in Saint John’s Hospital and other churches.
In this series, I have already visited Lichfield Cathedral (15 March), Holy Cross Church (26 March), the chapel in Saint John’s Hospital (14 March), the Church of Saint Mary and Saint George, Comberford (11 April), Saint Bartholomew’s Church, Farewell (2 September) and the former Franciscan Friary in Lichfield (12 October).
This week’s theme of Lichfield churches, which I began with Saint Chad’s Church on Sunday, included Saint Mary’s Church on Monday, Saint Michael’s Church on Tuesday, and Christ Church, Leomansley, yesterday, and continues this morning (28 October 2021) with photographs from Wade Street Church.
The interior of Wade Street Church, Lichfield, seen from the gallery (Photograph: Patrick Comerford)
I spoke in Wade Street Church two years ago [17 September 2019] on the Comberford family of Comberford Hall and the Moat House, Tamworth, at the invitation of Lichfield Civic Trust, and about 60 or 65 people were present in the Wade Street Church Community Hall on Frog Lane.
Wade Street Church represents the continuity of a religious tradition that dates back to 1672, when five houses in Lichfield were licensed for Presbyterian worship. The Congregationalists met in Tunstall’s Yard in 1790, grew into the United Reformed Church in Wade Street, which is now both a United Reformed and a Baptist church.
Despite the evangelical revival in the late 18th century, Lichfield remained a staunchly Anglican city. A storeroom on Sandford Street was fitted for public worship by George Burder of Coventry and John Moody of Warwick in 1790, but by 1796 the congregation had declined and closed.
But the situation changed again in 1802, and the former chapel on Sandford Street reopened in 1802 as an ‘Independent’ or Congregationalist chapel. William Salt from Cannock was one of the first leaders of the new church, and the Christian Society, as it then called itself, was formally set up on 13 June 1808.
However, Salt wrote of how the new congregation faced considerable local opposition, and the numbers attending dwindled to 60. As a consequence of this strong local opposition, 19-year-old Henry Fairbrother, a tailor’s apprentice, poisoned himself. The jury at his inquest agreed his suicide was caused by ‘lunacy due to the effects produced by the doctrines he had heard at the meeting of the persons called “The Methodists”.’
The entry for his burial at Saint Chad’s Church reads: ‘buried Henry Fairbrother, an exemplary young man until driven to despair and suicide by the denunciation of the people called “Methodists”.’
Of course, the Congregationalists were not Methodists, but at the time the two groups were often confused by many people in Lichfield.
Meanwhile, Salt was attacked in pamphlets circulated throughout Lichfield. In response, he preached a sermon and distributed 1,000 copies to every house in Lichfield. The response was positive, and a fund was set up to build an ‘Independent’ or Congregationalist chapel by subscription.
Salem Chapel on Wade Street was registered for public worship on 17 September 1811, the church was officially opened on Wednesday 18 March 1812, and the Revd William Salt was ordained as its first full-time minister.
The church was designed as a simple ‘preaching box,’ with a central pulpit but with no stained glass or any other decoration. The style of a lecture hall emphasised the centrality of the preaching of the word of God.
To meet the needs of a growing congregation, the rear gallery was opened on Christmas Day 1815, and the side galleries added by 1824. One of these side galleries still has the original numbered box pews that continued to be rented until the early 20th century.
Salt, who was the pastor of the Independent Church in Lichfield for 33 years, died on 1 June 1857.
The church was renovated in the 1870s, when new pews in light wood were installed downstairs and the interior was painted. The Lichfield Mercury reported that the once ‘dingy and uninviting interior now had a cheerful and inviting aspect.’
A celebratory party in the Corn Exchange – now McKenzie’s Restaurant – was attended by 350 people.
A new organ with 566 pipes was bought for £180 in 1884.
The Revd William Francis Dawson was appointed minister in 1895, with an annual stipend of £100. But the stipend was insufficient, and things began to decline in the church. The Sunday school closed in 1900, the trustees closed the chapel in 1902 and Dawson resigned.
The church remained closed for 15 months. But seven members met in 1903 to discuss reopening the chapel. Staffordshire Congregational Union made a grant of £70 towards a minister’s stipend, and in turn was given a voice in running the church and calling its ministers.
The church reopened in June 1903 along with the Sunday School, and things continued to improve. A new pulpit was erected in 1916, and a new hall was built on Frog Lane in 1932. In the decades that followed, the congregation grew and declined, following national trends.
The Congregationalist churches in Britain united with the Presbyterian Church in 1972 to form the United Reformed Church, and Wade Street Church was part of this new union.
An attempt was made to sell the church in 1980s. But Lichfield District Council listed the building, it was refurbished, a new floor was provided, the pews were ‘dipped’ and cleaned, new carpets were laid, and the old tortoise stove was removed.
The congregation grew steadily in the 1990s, and the church became an ecumenical partnership with the Baptists.
The organ was removed in 1997, creating more space, and new seating was installed throughout the building.
A £500,000 project was launched to redevelop the premises, and new multipurpose facilities opened in 2005, ahead of target and under budget.
The Revd Ian Hayter is the minister of Wade Street Church. The church and its halls are used today by a variety of community groups, including Lichfield Civic Trust, who hosted my lecture, as well as the Cathedral Chorus, the Wildlife Folk, Weightwatchers and the Food Bank.
The gallery in Wade Street Church in Lichfield (Photograph: Patrick Comerford)
John 15: 17-27 (NRSVA):
[Jesus said:] 17 ‘I am giving you these commands so that you may love one another.
18 ‘If the world hates you, be aware that it hated me before it hated you.19 If you belonged to the world, the world would love you as its own. Because you do not belong to the world, but I have chosen you out of the world – therefore the world hates you. 20 Remember the word that I said to you, “Servants are not greater than their master.” If they persecuted me, they will persecute you; if they kept my word, they will keep yours also. 21 But they will do all these things to you on account of my name, because they do not know him who sent me. 22 If I had not come and spoken to them, they would not have sin; but now they have no excuse for their sin. 23 Whoever hates me hates my Father also. 24 If I had not done among them the works that no one else did, they would not have sin. But now they have seen and hated both me and my Father. 25 It was to fulfil the word that is written in their law, “They hated me without a cause.”
26 ‘When the Advocate comes, whom I will send to you from the Father, the Spirit of truth who comes from the Father, he will testify on my behalf. 27 You also are to testify because you have been with me from the beginning.’
‘Pray to the Lord for the City’ … Lichfield Cathedral and the city on a banner in Wade Street Church (Photograph: Patrick Comerford)
The Prayer in the USPG Prayer Diary today (28 October 2021, Saint Simon and Saint Jude, Apostles) invites us to pray:
Let us give thanks for the lives of Saint Simon and Saint Jude. May we strive to emulate their zeal and hope.
A surviving box pew in the gallery in Wade Street Church, Lichfield (Photograph: Patrick Comerford)
Yesterday’s reflection
Continued tomorrow
The Revd William Salt of Wade Street Church died in 1857 (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
A tapestry with angels in Wade Street Church (Photograph: Patrick Comerford)
28 October 2021
Three sculptures in Coventry Cathedral:
3, ‘Choir of Survivors’ by Helmut Heinze
The ‘Choir of Survivors’ by Helmut Heinze at the west end of the ruins of the Old Coventry Cathedral (Photograph: Patrick Comerford, 2021)
Patrick Comerford
During my visit to Coventry Cathedral earlier this month, Jacob Epstein’s triumphant bronze figures of the Archangel Michael vanquishing the Devil were covered for repair work and was not visible.
However – apart from the effigy of Bishop Huyshe Wolcott Yeatman-Biggs by Sir William Hamo Thornycroft – three sculptures in particular drew my attention in the ruins of the Old Cathedral: Jacob Epstein’s statue Ecce Homo; a Statue of Christ by Alain John when he was an 18-year-old pupil at Blundell’s School; and the ‘Choir of Survivors’ by Helmut Heinze, a gift from Dresden.
The ‘Choir of Survivors’ by Helmut Heinze, in the ruins of Coventry Cathedral, is a gift from the Frauenkirche Foundation in Dresden. The Frauenkirche church in Drseden was destroyed by allied bombing during World War II.
The 2.77 metre sculpture, known in German as Chor der Überlebenden (Choir of Survivors), is in memory of the lost civilian lives on both sides of the conflict during World War II. It was unveiled at the west end of the cathedral ruins on Sunday 20 May 2012 as part of the new cathedral’s fiftieth anniversary celebrations.
The ‘Choir of Survivors’ is dedicated to civilians killed or injured in aerial bombing during wars past and present. During the act of dedication, specific reference was made to German civilians killed in the allied bombings in 1940-1945. A delegation and choir from the bombed German city of Dresden, led by the Bishop of Saxony, took part in the ceremony.
Bishop Christopher Cocksworth of Coventry said at the unveiling that this was a ‘very significant sculpture.’ He described it as ‘a symbol of hope; of new life rising out of destruction.’
Bishop Cocksworth added: ‘An amazing story of reconciliation has happened over the years between Coventry and Dresden, particularly between Coventry Cathedral and the Frauenkirche.’
The statue is the work of the German artist and sculptor Helmut Heinze, who was born on 24 April 1932. He also designed a memorial for the victims of the Bombing of Dresden in World War II.
Heinze interrupted his studies in 1953-1955 for a stone sculptor apprenticeship under Werner Hempel. During this time, Heinze took part in restoring the Dresden Kreuzkirche and Meissen Cathedral. He was professor for plastic arts at the Dresden Academy of Fine Arts from 1979 to 1997.
Yesterday: ‘Statue of Christ’ by Alain John
Patrick Comerford
During my visit to Coventry Cathedral earlier this month, Jacob Epstein’s triumphant bronze figures of the Archangel Michael vanquishing the Devil were covered for repair work and was not visible.
However – apart from the effigy of Bishop Huyshe Wolcott Yeatman-Biggs by Sir William Hamo Thornycroft – three sculptures in particular drew my attention in the ruins of the Old Cathedral: Jacob Epstein’s statue Ecce Homo; a Statue of Christ by Alain John when he was an 18-year-old pupil at Blundell’s School; and the ‘Choir of Survivors’ by Helmut Heinze, a gift from Dresden.
The ‘Choir of Survivors’ by Helmut Heinze, in the ruins of Coventry Cathedral, is a gift from the Frauenkirche Foundation in Dresden. The Frauenkirche church in Drseden was destroyed by allied bombing during World War II.
The 2.77 metre sculpture, known in German as Chor der Überlebenden (Choir of Survivors), is in memory of the lost civilian lives on both sides of the conflict during World War II. It was unveiled at the west end of the cathedral ruins on Sunday 20 May 2012 as part of the new cathedral’s fiftieth anniversary celebrations.
The ‘Choir of Survivors’ is dedicated to civilians killed or injured in aerial bombing during wars past and present. During the act of dedication, specific reference was made to German civilians killed in the allied bombings in 1940-1945. A delegation and choir from the bombed German city of Dresden, led by the Bishop of Saxony, took part in the ceremony.
Bishop Christopher Cocksworth of Coventry said at the unveiling that this was a ‘very significant sculpture.’ He described it as ‘a symbol of hope; of new life rising out of destruction.’
Bishop Cocksworth added: ‘An amazing story of reconciliation has happened over the years between Coventry and Dresden, particularly between Coventry Cathedral and the Frauenkirche.’
The statue is the work of the German artist and sculptor Helmut Heinze, who was born on 24 April 1932. He also designed a memorial for the victims of the Bombing of Dresden in World War II.
Heinze interrupted his studies in 1953-1955 for a stone sculptor apprenticeship under Werner Hempel. During this time, Heinze took part in restoring the Dresden Kreuzkirche and Meissen Cathedral. He was professor for plastic arts at the Dresden Academy of Fine Arts from 1979 to 1997.
Yesterday: ‘Statue of Christ’ by Alain John
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