31 March 2026

Saint Etheldreda’s Church,
a hidden church close to
Hatton Garden, was once
the chapel of the Bishops of Ely

Saint Etheldreda’s Church on Ely Place, once the chapel of the Bishops of Ely, is one of the oldest churches in England in use by the Catholic Church (Photograph: Patrick Comerford, 2026)

Patrick Comerford

On previous visits to the Holborn area in London, I have visited Hatton Garden and Ye Olde Mitre, which is one of the oldest, most hidden and discrete pubs in London. I found it down a narrow alleyway off Hatton Garden that is easy to walk by without noticing, yet it has a fascinating history.

Ye Olde Mitre was originally built in 1546 for the servants of nearby Ely Palace, although it was rebuilt in 1773. It is known for a cherry tree that Elizabeth I and Sir Christopher Hatton – who gave his name to Hatton Garden – are said to have danced around. A stone bishop’s mitre on one wall may be from either the old palace or the gatehouse.

But each time I visited Hatton Garden and Ye Olde Mitre in the past, I had neglected to continue on down the narrow alley to Ely Place. When I did so on my most recent visit to Holborn, I was rewarded not only with finding myself on Ely Place but also with a visit to Saint Etheldreda’s Church, once the chapel of the Bishops of Ely, who had their London residence at Ely Palace or Ely House. Today, it is one of the oldest churches in England in use by the Catholic Church.

Ye Olde Mitre in a hidden alley between Hatton Garden and Ely Place, is a reminder of the presence of the Bishops of Ely (Photograph: Patrick Comerford, 2026)

Ely Place is a gated cul-de-sac of terraced houses near Holborn Circus in the London Borough of Camden. The street is just a minute’s walk from the bustle of Holborn and the busy diamond and jewellery shops of Hatton Garden. The street is a quiet enclave and is privately managed by its own body of commissioners and beadles.

Ely Place sits on the site of Ely Palace or Ely House, the London residence of the Bishops of Ely from 1290 and 1772. The bishop’s palace and surrounding land was later sold and redeveloped into Ely Place, and only the bishop’s mediaeval chapel was preserved, which today is Saint Etheldreda’s Church.

John de Kirkby bought the land in this part of Holborn in 1280. He became Bishop of Ely in 1286 and he left the estate to the Diocese of Ely when he died in 1290. The mediaeval Bishops of Ely often held high offices of state requiring them to live in London and Ely Palace was their official residence.

The cloister steps leading to the upper chapel in Saint Etheldreda’s Church (Photograph: Patrick Comerford, 2026)

Shakespeare refers to Ely Palace or its grounds in two plays, Richard II and Richard III. John of Gaunt moved to the palace in 1381 after the Savoy Palace was destroyed during the Peasants’ Revolt. In King Richard II, this where he delivers the speech in which he refers to England as ‘this royal throne of Kings, this sceptre’d isle’.

Henry VIII and Catherine of Aragon attended a feast given in 1531 by the Bishop of Ely, Nicholas West, which is said to have lasted for five days. The sumptuous feast is rumoured to have been one of the first public signs of trouble in their marriage as Henry VIII and Queen Catherine dined in separate rooms.

James Butler (1496-1546), 9th Earl of Ormond, was visiting London with his household on 17 October 1546, when they were invited to dine at Ely Palace as guests of the Bishop of Ely. Butler, who had served in the household of Cardinal Wolsey in his youth, had crossed Sir Anthony St Leger, the Lord Deputy of Ireland, and was poisoned along with his steward, James Whyte, and 16 of his household, probably on St Leger’s instructions.

John Lesley, Bishop of Ross, was acting on behalf of Mary Queen of Scots when he was held at Ely House under house arrest from 14 May until 17 August 1571.

The crypt or lower chapel in Saint Etheldreda’s Church (Photograph: Patrick Comerford, 2026)

The estate was granted to Sir Christopher Hatton in 1577 and a new lease gave Hatton control of the freehold. He gave his name to Hatton Garden which now occupies part of the site.

The estate was sold to the Crown in 1772, and the cul-de-sac that is now Ely Place was built by Robert Taylor. Edmund Keene, Bishop of Ely, commissioned a new Ely House, built by Taylor on Dover Street, Mayfair.

Ely Place retained its anomalous status into 1920s, supposedly remaining under the jurisdiction of Ely in Cambridgeshire and not part of London. Beadles guarded the entrance and closed the gates to all strangers. Even the police had to ask permission to enter, and beadles’ voices could be heard calling out throughout the night.

Saint Etheldreda’s Church is dedicated to Æthelthryth or Etheldreda, the Anglo-Saxon saint who founded the monastery at Ely in 673 (Photograph: Patrick Comerford, 2026)

Saint Etheldreda’s Church was the chapel of Ely Palace or Ely House, the London residence of the Bishops of Ely. It is dedicated to Æthelthryth or Etheldreda, the Anglo-Saxon saint who founded the monastery at Ely in 673. The building dates from between 1250 and 1290 and is one of only two surviving in London from the reign of Edward I.

After the Tudor Reformations, the Bishops of Ely continued to oversee the chapel. Richard Cox, Bishop of Ely, leased part of the house and lands surrounding the chapel to Sir Christopher Hatton, a favourite of Elizabeth I, in 1576. Hatton borrowed extensively from the crown to pay for the refurbishment and upkeep of the property, and while he was the tenant the crypt was used as a tavern.

In the early 17th century, the chapel briefly became a haven for English Catholics when the upper church was granted to the Spanish ambassador, Diego Sarmiento de Acuña (1567-1626), Count of Gondomar, in 1620 to use as his private chapel. It was regarded as Spanish soil and so Catholics were allowed to use the church. But in the midst a diplomatic dispute between England and Spain, Gondomar was recalled to Spain two years later and his successor was not given use of the chapel.

Inside Saint Etheldreda’s Church, restored by Sir George Gilbert Scott (1811-1878) to its 13th century designs (Photograph: Patrick Comerford, 2026)

In an incident known as the ‘Fatal Vespers’, 95 people were killed on 26 October 1623 when the upper floor of Hunsdon House, the residence of the French ambassador in Blackfriars, collapsed when 300 people were gathered to hear a clandestine Catholic sermon; 19 of the victims were buried in the crypt of Saint Etheldreda’s.

Matthew Wren (1585-1667), Bishop of Ely (1638-1646, 1660-1667) and uncle of the architect Sir Christopher Wren, worshipped at Saint Etheldreda’s before he was imprisoned in 1641. The palace and the church were requisitioned by Parliament in 1642 for use as a prison and hospital during the English Civil War. During the Cromwellian era (1649-1660), most of the palace was demolished and the gardens were destroyed.

Legislation in 1772 allowed the Bishops of Ely to sell the property to the Crown. The site, including the chapel, was sold on to Charles Cole, a surveyor and architect. He demolished all the buildings on the site apart from the chapel and built Ely Place. The chapel was extensively refurbished in the Georgian style and was reopened in 1786. It was taken over in 1836 by the National Society for the Education of the Poor, which hoped to convert the Irish Catholic immigrants then moving into the area, but the church closed again a short time later.

The East Window by JE ‘Eddie’ Nuttgens is generally regarded as his finest work (Photograph: Patrick Comerford, 2026)

The Revd Alexander D’Arblay of Camden Town Chapel, a son of the novelist and diarist Fanny Burney, reopened Ely Chapel as a place of Anglican worship in 1836, but died within a year on 19 January 1837. The church was leased in 1843 to Welsh Anglicans, who held services there in the Welsh language.

When the chapel was put up for sale by auction in 1874, it was bought by Father William Lockhart, a former Anglican and a priest in the Rosminian order. The Institute of Charity or Rosminians had worked in Nottingham and Leicester and later in North London, and Cardinal Henry Manning wanted them to work in the slum areas of Holborn.

Lockhart, who was the Rector of the North London Mission, was chosen for the task. He had been a friend in Oxford of Cardinal John Henry Newman, and it is said that Lockhart’s decision had finally convinced Newman that he too should become a Roman Catholic.

Lockhart learned in December 1873 that Saint Etheldreda’s was about to be sold at auction. He faced competition from the Welsh Episcopalians, who had the backing of a Welsh steel magnate. But at the sale, the Welsh made a mistake: they thought Lockhart’s agent was theirs, they stopped bidding, and Saint Etheldreda’s was sold to the Rosminians for £5,400.

John Francis Bentley, the architect of Westminster Cathedral, designed the choir screen (Photograph: Patrick Comerford, 2026)

Under Lockhart’s direction, the crypt and upper church were restored by the prolific Gothic Revival architect Sir George Gilbert Scott (1811-1878) to their original 13th century designs. John Francis Bentley (1839-1902), the architect of Westminster Cathedral, designed a choir screen incorporating a confessional, an organ and a choir gallery; his other works include Holy Rood Church, Watford. The royal coat of arms, added during the reign of Charles I, was moved to the cloister. A relic donated by the Duke of Norfolk was said to be a piece of Saint Etheldreda’s hand, and is kept in a jewel cask to the right of the high altar.

The restoration was completed in 1878, the year Scott died, and a Catholic Mass was celebrated in Saint Ethelreda’s for the first time in over 200 years. The upper church was reopened on the Feast of Saint Etheldreda, 23 June 1879.

Saint Etheldreda’s includes a chapel or upper church, and a crypt or undercroft, and is used for Masses, Baptisms, weddings and funerals. Because Saint Etheldreda was traditionally invoked for help with throat infections, the Blessing of the Throats is held annually in the chapel.

The Royal Commission on Historical Monuments scheduled the chapel as an ancient monument in 1925. But during the Blitz, the church was hit in May 1941 by a bomb that tore a hole in the roof and destroyed the Victorian stained glass windows. It took seven years to repair the structural damage.

The West Window by Charles Blakeman (1964) depicts Catholic martyrs during the Reformation era (Photograph: Patrick Comerford, 2026)

The interior of Saint Etheldreda’s is said to have the largest expanse of stained glass in London. The east window by JE ‘Eddie’ Nuttgens, generally regarded as his finest work, one of the few in which he ‘let his imagination take command and soar’, was installed in 1952. It depicts the Trinity (centre), the four evangelists Matthew, Mark, Luke and John (top row), as well as the Virgin Mary (left) and Saint Joseph (right), with Saint Etheldreda of Ely (far left) and Saint Bridget of Kildare (far right). At the base, Nuttgens has placed a sturdy version of the Last Supper mostly in bright golds and reds whose clearly articulated composition surely reveals the influence of his friend and neighbour Eric Gill.

Later, his pupil and friend Charles Blakeman created stained glass for the nave, west window and crypt. The West Window by Blakeman was added in 1964, depicting Catholic suffering during the Reformation. Three Carthusian monks and two other priests were put to death for refusing to acknowledge Henry Vlll as head of the Church are shown in the centre of the window, while Christ triumphant hangs on the Cross above the Tyburn Gallows.

The windows in the south wall depict scenes from the Old Testament, and the windows in the north wall show scenes from the New Testament.

Two groups of four statues of English Catholic martyrs from the reign of Henry VIII and Elizabeth I were installed along the north and south walls In the 1960s. They include Saint Edmund Gennings, Saint Swithun Wells, Saint Margaret Ward, Blessed John Forest, Blessed Edward Jones, Blessed John Roche, Saint Anne Line and Saint John Houghton.

For many years, Saint Etheldreda’s was the oldest Catholic church building in England, but since 1971 that place has been taken by the 12th-century church of Saint Leonard and Saint Mary in Malton, North Yorkshire. Saint Etheldreda’s has been fully restored and is an active church today. The crypt, also used as a chapel, is a popular, atmospheric venue for baptisms.

The steps leading down to the crypt in Saint Etheldreda’s Church (Photograph: Patrick Comerford, 2026)

Pilgrims visit the church as a stopping point on the London Martyrs’ Way, a pilgrimage route developed by the British Pilgrimage Trust and to venerate the hand relic of Saint Etheldreda.

Saint Etheldreda’s Church is open Monday to Saturday, 8 am to 5 pm, and Sunday 8 am to 12:30 pm. The nearest tube stations are Chancery Lane (Central Line) and Farringdon (Circle, Hammersmith and City and Metropolitan Lines). Ye Old Mitre is only open Monday to Friday.

Sunday Masses in Saint Etheldreda’s Church are at 9 am (English) and 11 am (Sung Latin); Weekday Masses are at 1 pm, Monday to Friday; Masses on holy days are at 1 pm and 6 pm.

Ely Court, a narrow alley running between Ely Place and Hatton Garden (Photograph: Patrick Comerford, 2026)

Daily prayer in Lent 2026:
42, Tuesday 31 March 2026,
Tuesday of Holy Week

‘Some Greeks … came to Philip, who was from Bethsaida in Galilee’ (see John 12: 20-21) … a carving of Saint Philip on the pulpit in Saint Philip’s Church, Leicester (Photograph: Patrick Comerford)

Patrick Comerford

We are in Holy Week, the last week in Lent, as we prepare for Good Friday and Easter, and today is the Tuesday of Holy Week (31 March 2026). In addition, Passover begins tomorrow evening (1 April 2026) and continues until Thursday 9 April 2026.

Before today begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:

1, reading today’s Gospel reading;

2, a short reflection;

3, a prayer from the USPG prayer diary;

4, the Collects and Post-Communion prayer of the day.

‘Some Greeks … came to Philip, who was from Bethsaida in Galilee’ (see John 12: 20-21) … Saint Philip (left) in a stained glass window in the Chapel of Saint John’s Hospital, Lichfield (Photograph: Patrick Comerford)

John 12: 20-36 (NRSVA):

20 Now among those who went up to worship at the festival were some Greeks. 21 They came to Philip, who was from Bethsaida in Galilee, and said to him, ‘Sir, we wish to see Jesus.’ 22 Philip went and told Andrew; then Andrew and Philip went and told Jesus. 23 Jesus answered them, ‘The hour has come for the Son of Man to be glorified. 24 Very truly, I tell you, unless a grain of wheat falls into the earth and dies, it remains just a single grain; but if it dies, it bears much fruit. 25 Those who love their life lose it, and those who hate their life in this world will keep it for eternal life. 26 Whoever serves me must follow me, and where I am, there will my servant be also. Whoever serves me, the Father will honour.

27 ‘Now my soul is troubled. And what should I say – “Father, save me from this hour”? No, it is for this reason that I have come to this hour. 28 Father, glorify your name.’ Then a voice came from heaven, ‘I have glorified it, and I will glorify it again.’ 29 The crowd standing there heard it and said that it was thunder. Others said, ‘An angel has spoken to him.’ 30 Jesus answered, ‘This voice has come for your sake, not for mine. 31 Now is the judgement of this world; now the ruler of this world will be driven out. 32 And I, when I am lifted up from the earth, will draw all people to myself.’ 33 He said this to indicate the kind of death he was to die. 34 The crowd answered him, ‘We have heard from the law that the Messiah remains for ever. How can you say that the Son of Man must be lifted up? Who is this Son of Man?’ 35 Jesus said to them, ‘The light is with you for a little longer. Walk while you have the light, so that the darkness may not overtake you. If you walk in the darkness, you do not know where you are going. 36 While you have the light, believe in the light, so that you may become children of light.’

After Jesus had said this, he departed and hid from them.

Inside the Church of Aghios Philippos off Adrianou Street in Athens … for a Jewish family to give their son the Greek name Philip at the time may have been risqué (Photograph: Patrick Comerford) (Photograph: Patrick Comerford)

Today’s Reflection:

In today’s Gospel reading at the Eucharist today (John 12: 20-36), it is Palm Sunday and some Greeks are in Jerusalem for the festival of Passover. This year, Passover begins tomorrow evening [1 April 2026], so that Passover this year overlaps with Holy Week and Easter.

These visiting Greeks in Jerusalem are trying to find Jesus. They approach Philip, whose Greek name indicates he probably understands them, and they say to him, ‘Sir, we wish to see Jesus.’

For a Jewish family to call their son Philip in those days might have been risqué – if not scandalous. The Greek name Philip (Φίλιππος) means ‘one who loves horses.’ But it is not as simple as that. The name represents much more.

Philip of Macedon, who died in 336 BCE, was the father of Alexander the Great. A century later, Philip V (Φίλιππος Ε) of Macedon (221-179 BCE) was an attractive and charismatic young man and a dashing and courageous warrior, and the inevitable comparisons with Alexander the Great gave him the nickname ‘beloved of all Greece’ (ἐρώμενος τῶν Ἑλλήνων).

Philip was also a common name in the Seleucid dynasty, which inherited the Eastern portion of Alexander’s Empire. The Seleucid Empire, based in Babylon and then in Antioch, was a major centre of Hellenistic culture that maintained the dominance of Greek culture, customs and politics.

Antiochus IV Epiphanes imposed aggressive Hellenising (or forcible de-Judaising) policies that provoked the Maccabean Revolt in Judea. A century later, two of the last four Seleucid rulers, before their kingdom fell to the Romans, were Philip I and his son Philip II.

So the name Philip would be associated with a family that had been fully Hellenised and that was opposed to the Maccabees and the Hasmoneans.

At the time of Christ, we find the confusing figure of Herod I or Herod Philip I, the husband of Herodias and father of Salome; and Herod the Great’s son, Philip the Tetrarch or Herod Philip II, who married Salome and who gave his name to Caesarea Philippi (Καισαρεία Φιλίππεια), in the Golan Heights.

Philip the Apostle is very much a Hellenised Jew, perhaps from a non-practising Jewish family in Bethsaida, which was part of the territory of the Tetrarch Philip II. He may represent the very antithesis of Nathanael, the guileless Jews waiting for the expected Messiah.

Yet Philip the Greek seeks out Nathanael the Jew (see John 1: 43-46), just as Andrew, with a Greek name, seeks out Simon, his brother with the Hebrew name (see John 1: 40-42). At the very beginning of Christ’s mission, the barriers between Hebrew and Greek, Jew and Gentile, are already broken down. And their calling, Andrew and Simon, Philip and Nathanael, shows how we are called both individually and in community.

Did Philip join Jesus at the wedding in Cana (see John 2: 1-11)? Probably, although we cannot know with certainty.

Philip figures most prominently in Saint John’s Gospel. Christ asks Philip about feeding the 5,000. Later, Philip is a link to Greek speakers when they approach Philip and say: ‘Sir, we wish to see Jesus.’ Philip advises Andrew and together these two tell Jesus of this request (see John 12: 21-26), which we read about today. At the Last Supper, Philip’s question (John 14: 8) leads to the great Farwell Discourse (John 14: 9 to John 17: 26).

In the second part of this Gospel story, we are pointed not just to the Cross, but to the resurrection. This is not just a story for Lent, but a story filled with the Easter promise of the Resurrection.

In the long run, the conclusion to this story is found in the experience of Greeks visiting Jerusalem after the Resurrection, just 50 days later, at Pentecost, when the Holy Spirit is poured out on devout people of every nation, and the disciples find they are heard by each one present in their own language. It becomes a foundational experience for the Church.

Saint Paul finds it so transforming that he reminds his readers that in Christ: ‘There is no longer Jew or Greek (οὐκ ἔνι Ἰουδαῖος οὐδὲ Ἕλλην), there is no longer slave or free, there is no longer male and female; for all of you are one in Christ Jesus’ (Galatians 3: 28).

Am I like Philip and Andrew, too comfortable with a Christ who fits my own cultural comforts, my own demands and expectations?

Do I all too easily lock Christ away in my own ‘churchiness,’ to the point that the stone might never have been rolled away from the tomb on Easter morning?

What prejudices from the past do I use to dress up my image of Christ today?

If Saint Paul is right, then Christ reaches out too to those who are marginalised in our society because of their gender, sexuality, marital status, colour, language or religious background.

In Christ there is no Catholic nor Protestant, no male and female, no black and white, no gay and straight, no distinction between those born on these islands and those who arrive here as immigrants, migrants, asylum seekers or refugees.

And every time I reduce Christ to my own comfortable categories I keep him behind that stone rolled across the tomb.

‘Some Greeks came to Philip … and said to him, ‘Sir, we wish to see Jesus’ (John 12: 20-21) … the monument of Alexander the Great in Thessaloniki, looking out towards Mount Olympus (Photograph: Patrick Comerford)

Today’s Prayers (Tuesday 31 March 2026, Tuesday of Holy Week):

The theme this week (29 March-4 April 2026) in ‘Pray With the World Church’, the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is a ‘Holy Week’ reflection’ (pp 42-43). This theme was introduced on Sunday with reflections by the Revd Kenson Li, Assistant Curate of Manchester Cathedral and a Trustee of USPG.

The USPG Prayer Diary today (Tuesday 31 March 2026, Tuesday of Holy Week) invites us to pray:

Lord of the Sabbath, help us to trust in you, cast our burdens upon you, and know you sustain us in life’s pilgrimage. When darkness falls or the road is hard, send your Spirit to comfort us and assure us of your presence.

The Collect:

Almighty and everlasting God,
who in your tender love towards the human race
sent your Son our Saviour Jesus Christ
to take upon him our flesh
and to suffer death upon the cross:
grant that we may follow the example of his patience and humility,
and also be made partakers of his resurrection;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

The Post Communion Prayer:

Lord Jesus Christ,
you humbled yourself in taking the form of a servant,
and in obedience died on the cross for our salvation:
give us the mind to follow you
and to proclaim you as Lord and King,
to the glory of God the Father.

Additional Collect:

True and humble king,
hailed by the crowd as Messiah:
grant us the faith to know you and love you,
that we may be found beside you
on the way of the cross,
which is the path of glory.

Yesterday’s Reflections

Continued Tomorrow

‘Some Greeks … came to Philip, who was from Bethsaida in Galilee’ (see John 12: 20-21) … Saint Philip depicted in a stained-glass window in Saint Andrew’s Church, Rugby (Photograph: Patrick Comerford)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org