The former Welsh Chapel on Talbot Street, Dublin (Photograph: Patrick Comerford, 2025)
Patrick Comerford
During my visit to Dublin this week, I visited three churches in the north inner city: Saint Mary’s Cathedral, known for almost 200 years as the ‘Pro-Cathedral’, on Marlborough Street; Saint Francis Xavier Church, the Jesuit-run church popularly known as Gardiner Street Church, between Mountjoy Square and Dorset Street; and the former Welsh Church on Talbot Street.
I last wrote about the former Welsh Church on Talbot Street almost four years ago (5 January 2022), describing the sad decay of the building and how it was covered with graffiti.
In recent months, comments were posted saying my photographs of the building had become outdated and that work and painting of the two connecting buildings had been completed at the end of last year and the start of this year (2024-2025).
Another reader commented on how just before last Christmas the building had been greatly improved, many of its original fixtures could now be seen, including the stone carving with the words ‘Welsh Church’, graffiti had been removed, and further work was in progress.
So, after visiting the colourful murals by on ‘Memory Lane’ by Fionnuala Halpin in Talbot Lane, I returned to see the former Welsh Church that tells an important part of the story of the cultural diversity of church life in Dublin for many generations.
The lettering ‘Welsh Church’ has been restored on the pediment facing onto Talbot Street (Photograph: Patrick Comerford, 2025)
Welsh chapels are not confined to Wales. I once received a warm welcome in a Welsh chapel in Chester when I was in my teens, and I have since come across Welsh chapels and churches in London and Birmingham. But I was surprised to learn last week that there had been a Welsh chapel in Dublin from 1838 for more than a century.
For over a century, from 1838 to 1942, a Welsh chapel in Dublin, with services in the Welsh language, was a meeting place for sailors in Dublin port and a hub for Dublin’s resident Welsh community.
Before the chapel was built, religiously-motivated Welsh sea-captains, such as Israel Matthew from Holyhead and John Williams from Caer, went from ship to ship and pub to pub inviting Welsh seamen to prayer meetings on board ships in Dublin port. Then, a Welsh congregation began using the Dutch Lutheran chapel on Poolbeg Street, although all collections went to ‘the Dutch.’
The Calvinistic Methodists in North Wales, later known as the Presbyterian Church of Wales, decided in the 1830s to build a chapel in Talbot Street, Dublin, close to the junction with Lower Gardiner Street and close to the port. At first, it was mainly for visiting Welsh sailors, and it was hoped sailors from Holyhead would spend an extra hour in prayer and an hour less in the pubs.
The site for the chapel was secured by John Roberts, a Holyhead businessman, thanks mostly to the efforts of the first pastor, the Revd Robert Williams. The foundation stone of the chapel was laid in 1838, and the new church, named Bethel Church, was 40 ft x 27 ft, built of brick and cornerstone of Whitland granite from south-west Wales, at a cost of £500.
When the chapel opened in 1838, there were 18 registered city members, but it had a seating capacity of 300. Because it was so close to the docks, visiting Welsh seamen could go to church there, finding opportunities to meet other people from Wales and to socialise in their own language.
The sailors mainly worked on merchant and passenger ships from Holyhead, but some also came on ships carrying slate from quarries in Penrhyn and Y Felinheli, beside the Menai Strait. By the mid-19th century, the chapel attracted not only Calvinistic Methodists but sailors from other denominations.
The congregation also drew from the 300 Welsh soldiers stationed in Dublin, patients coming from Holyhead for treatment at the Adelaide Hospital, and Welsh people who moved to Dublin to work as maids, nurses, and other professionals, or who found Trinity College Dublin was the nearest university to many parts of North Wales.
The services were conducted in the Welsh language and the chapel remained under Welsh supervision throughout its existence. Ministers were normally sent from Wales, but at times when the chapel had no resident minister it relied on ministers sent for short periods or who travelled from Holyhead on Sundays to lead the service.
The chapel became a focal point for the small Welsh community in Dublin, and numbers reached 77 by 1861. By then, the chapel was too small for the numbers attending, and a gallery was built over the chapel door in 1862, with additional seating for another 60.
The background of the sailors who went to church there was reflected in the customs in the chapel. The ground floor was referred to as the ‘Main Deck,’ and there the men sat on the ‘starboard side’ to the right and the women on the ‘port side’ to the left. The gallery was known as the ‘Quarter Deck’ and only sailors were allowed to sit there. At each end of the gallery were spittoons filled with sawdust so sailors could smoke or chew tobacco during the services.
In fact, only sailors were allowed on this quarterdeck. The story is told of a captain visiting with his wife, but when she tried to enter the gallery she was told: ‘Main deck for you my girl!’
The Revd Evan Lloyd was the chaplain of the ‘Welch Methodist Preaching House’ in 1862. He was popular, although another city centre chaplain accused him of being ‘the father of all the Welsh girls in Dublin.’
The chapel was linked to Anglesey from 1865 on. Further building work in 1894 was supported by donations from Methodists across Wales, a ‘Wesleyan nobleman,’ and a member of the Moravian Church, and ‘even received help from the Papists.’
In the 1901 census, the chaplain, the Revd John Lewis (42), was living at 77 Talbot Street with his wife Elizabeth and their son Alun (1). Later, the Lewis family lived behind the church in Moland Place. Lewis was known to Dubliners as the ‘Welsh bishop,’ and wore a wide, flat hat on his missions around the city. His hat is said to have been hit by a bullet during the Civil War.
There were almost 40 members in 1902, and 60 in 1910. The chapel had 57 baptisms between 1839 and 1923 and 18 marriages, the first in 1892 and the last in 1936.
Members of the chapel came from all social classes. Clerks, domestic servants, sailors, hotel-owners and tailors featured in its records. For example, the chapel members in 1914 included the housekeeper, housemaid, parlourmaid and cook employed by Sir John Purser Griffith (1848-1938), a senior civil engineer and politician, at his home in Rathmines Castle. Almost all these servants were from Anglesey, like their employer. Purser Griffith did not belong to the chapel but he gave it substantial funds.
The housekeeper at Rathmines Castle, Caernarvon-born Mary Parry, married the Revd Owen Selwyn Jones, a widower and Minister of the Gospel with an address at Llanrhos, North Wales. The wedding took place in the Welsh chapel in 1916 and the witnesses were John Lloyd-Jones, who was Professor of Welsh in University College Dublin, and Elizabeth Roberts, the parlourmaid at Rathmines Castle.
The Welsh Chapel on Talbot Street closed in 1942 and was sold in 1944 (Photograph: Patrick Comerford, 2025)
Ernest Blythe (1889-1975), the Minister for Finance (1923-1932) and later managing director of the Abbey Theatre (1941-1967), also had an interest in the Welsh language. He was born into a Church of Ireland and Unionist family near Lisburn, and also became a key figure in the Blueshirts and other pro-fascist and antisemitic organisations.
When Blythe joined the Gaelic League to learn Irish, another member told him of the Welsh community in Dublin with its own church and services in the Welsh language. ‘I went there one Sunday morning to revel in the sound of a language closely related to Irish,’ he later recalled. To improve his knowledge of the Welsh language, Blythe occasionally attended the chapel and took Welsh classes in the 1930s from the minister, the Revd John Lewis.
Chapel membership declined during World War I and fell again after Irish independence, and the church may have been damaged during the War of Independence. There was an explosion outside nearby Moran’s Hotel in July 1922, and several houses and businesses on the street claimed compensation. The many claims in the area at the time include one from William Griffith, a boot merchant next door at 78 Talbot Street.
By the 1930s, the chapel had only about 20 members. The last resident minister, the Revd John Lewis, was minister from 1894 until 1934, when he retired to Wales after 40 years of ministry. After Lewis, visiting ministers came from Anglesey to conduct services in the chapel in Dublin. The last service was held in 1939, before the outbreak of World War II made the crossing between North Wales and Dublin too difficult.
A decision was taken to close the chapel in 1942. When it was sold in 1944, there were only 13 members.
In June 1944, the Irish Independent reported that ‘a regrettable break in the few remaining links binding the Irish people with their fellow Celts, the Welsh, will follow on the closing down of the Welsh Church, Talbot Street. This church, the only one of its kind in the country, will be offered for sale on June 20.’
Professor John Lloyd-Jones said that when the chapel closed ‘the heart of the Welsh community in Dublin had been taken out’. Howell Evans wrote in 1981 that ‘looking back … had there been no Welsh Church I would have lost my language and Welsh interest.’
For many years, the building was used as a shoe shop under the name Griffith’s. The name Griffith’s survives in the tiling at the entrance door.
Today the former chapel is a brightly-coloured ‘Five Star Internet Café,’ with a pool room upstairs. the outline of the original chapel can be seen on the Talbot Street façade. Inside, computers and telephones on the ground floor and pool tables upstairs hide the previous life of this former chapel.
Following a campaign by the Welsh Society in Ireland, the building now has protected status and the sign of the former ‘Welsh Church’ can be seen once again.
The Welsh Chapel on Talbot Street, Dublin, as it looked almost four years ago in January 2022 (Photograph: Patrick Comerford, 2022)
Additional reading:
Blythe, Earnan P, ‘The Welsh Chapel in Dublin,’ Dublin Historical Record, Vol 14, No 3, Old Dublin Society, 1957, pp 74-79, http://www.jstor.org/stable/30102651.
06 December 2025
An Advent Calendar with Patrick Comerford: 7, 6 December 2025
Santa in the window of Willis Flower Shop on Stony Stratford’s High Street (Photograph: Patrick Comerford, 2025)
Patrick Comerford
Advent began last Sunday with Advent Sunday (30 November 2025), and tomorrow is the Second Sunday of Advent (7 December 2025). The countdown to Christmas is well and truly under way. At noon each day in Advent this year, I am offering one image as part of my ‘Advent Calendar’ for 2025, and one Advent or Christmas carol, hymn or song.
My choice of a hymn, carol or song today is ‘Hark! a herald voice is calling’, which we sang as the recessional hymn in Saint Mary and Saint Giles Church, Stony Stratford, last Sunday (Advent I, 30 November 2025).
On this day (6 December), the Church traditionally remembers Saint Nicholas of Myra, who played a key role in formulating the agreements at the Council of Nicaea in 325 CE, leading to the Nicene Creed, whose 1700th anniversary we have been celebrating this year. But he is also the real, historical figure we remember today as Santa Claus.
For all who are children – and all of us who are children at heart – waiting for Santa’s visit is still a joyful anticipation. His free gifts and presents are tokens of the free giving and gifts of God in the present and presence of Christ at the incarnation, which we are preparing in Advent to welcome. This hymn, ‘Hark! a herald voice is calling’ is a reminder that we are all children at heart, ‘children of the day’.
This hymn is a translation of a fifth century Ambrosian hymn, Vox clara ecce intonate by Edward Caswall. The original words are probably an allusion to Saint John the Baptist, who said of himself: ‘I am the voice of one crying out in the wilderness, “Make straight the way of the Lord”.’ (John 1: 23).
The priest and hymnwriter Edward Caswall (1814-1878) was born at Yateley, Hampshire, the son of the Revd RC Caswall, sometime Vicar of Yateley, Hampshire. He was educated at Brasenose College, Oxford, and was ordained deacon (1838) and priest (1839) in the Church of England.
He was the curate of Saint Lawrence, Stratford-sub-Castle, near Salisbury, in 1840-1847. After visiting Ireland with his wife Louisa and his brother Tom in 1846, he resigned his curacy and was received into the Roman Catholic Church in Rome by Cardinal Januarius Acton in January 1847, a decision that estranged Caswall from some of his family.
His wife Louisa, who had also become a Roman Catholic, died of cholera on 14 September 1849 while they were staying at Torquay. The following year, Caswall joined the Oratory of Saint Philip Neri under John Henry Newman, and he was ordained priest in 1852. He died at the Birmingham Oratory, Edgbaston, on 2 January 1878.
The tune ‘Merton’ is by William Henry Monk (1823-1889), who also write the tunes for ‘Abide with Me’ and ‘All Things Bright and Beautiful’.
Hark! a herald voice is calling:
‘Christ is nigh,’ it seems to say;
‘Cast away the dreams of darkness,
O ye children of the day!’
Startled at the solemn warning,
Let the earth-bound soul arise;
Christ, her Sun, all sloth dispelling,
Shines upon the morning skies.
Lo! the Lamb, so long expected,
Comes with pardon down from heaven;
Let us haste, with tears of sorrow,
One and all to be forgiven;
So when next he comes with glory,
Wrapping all the earth in fear,
May he then as our defender
Of the clouds of heaven appear.
Honour, glory, virtue, merit,
To the Father and the Son,
With the co-eternal Spirit,
While unending ages run. Amen.
Patrick Comerford
Advent began last Sunday with Advent Sunday (30 November 2025), and tomorrow is the Second Sunday of Advent (7 December 2025). The countdown to Christmas is well and truly under way. At noon each day in Advent this year, I am offering one image as part of my ‘Advent Calendar’ for 2025, and one Advent or Christmas carol, hymn or song.
My choice of a hymn, carol or song today is ‘Hark! a herald voice is calling’, which we sang as the recessional hymn in Saint Mary and Saint Giles Church, Stony Stratford, last Sunday (Advent I, 30 November 2025).
On this day (6 December), the Church traditionally remembers Saint Nicholas of Myra, who played a key role in formulating the agreements at the Council of Nicaea in 325 CE, leading to the Nicene Creed, whose 1700th anniversary we have been celebrating this year. But he is also the real, historical figure we remember today as Santa Claus.
For all who are children – and all of us who are children at heart – waiting for Santa’s visit is still a joyful anticipation. His free gifts and presents are tokens of the free giving and gifts of God in the present and presence of Christ at the incarnation, which we are preparing in Advent to welcome. This hymn, ‘Hark! a herald voice is calling’ is a reminder that we are all children at heart, ‘children of the day’.
This hymn is a translation of a fifth century Ambrosian hymn, Vox clara ecce intonate by Edward Caswall. The original words are probably an allusion to Saint John the Baptist, who said of himself: ‘I am the voice of one crying out in the wilderness, “Make straight the way of the Lord”.’ (John 1: 23).
The priest and hymnwriter Edward Caswall (1814-1878) was born at Yateley, Hampshire, the son of the Revd RC Caswall, sometime Vicar of Yateley, Hampshire. He was educated at Brasenose College, Oxford, and was ordained deacon (1838) and priest (1839) in the Church of England.
He was the curate of Saint Lawrence, Stratford-sub-Castle, near Salisbury, in 1840-1847. After visiting Ireland with his wife Louisa and his brother Tom in 1846, he resigned his curacy and was received into the Roman Catholic Church in Rome by Cardinal Januarius Acton in January 1847, a decision that estranged Caswall from some of his family.
His wife Louisa, who had also become a Roman Catholic, died of cholera on 14 September 1849 while they were staying at Torquay. The following year, Caswall joined the Oratory of Saint Philip Neri under John Henry Newman, and he was ordained priest in 1852. He died at the Birmingham Oratory, Edgbaston, on 2 January 1878.
The tune ‘Merton’ is by William Henry Monk (1823-1889), who also write the tunes for ‘Abide with Me’ and ‘All Things Bright and Beautiful’.
Hark! a herald voice is calling:
‘Christ is nigh,’ it seems to say;
‘Cast away the dreams of darkness,
O ye children of the day!’
Startled at the solemn warning,
Let the earth-bound soul arise;
Christ, her Sun, all sloth dispelling,
Shines upon the morning skies.
Lo! the Lamb, so long expected,
Comes with pardon down from heaven;
Let us haste, with tears of sorrow,
One and all to be forgiven;
So when next he comes with glory,
Wrapping all the earth in fear,
May he then as our defender
Of the clouds of heaven appear.
Honour, glory, virtue, merit,
To the Father and the Son,
With the co-eternal Spirit,
While unending ages run. Amen.
Daily prayer in Advent 2025:
7, Saturday 6 December 2025,
Saint Nicholas of Myra
An icon of Saint Nicholas in the tiny chapel on an islet off the coast at Georgioupoli in Crete … in time, he became Santa Claus (Photograph: Patrick Comerford)
Patrick Comerford
The Season of Advent – and the real countdown to Christmas – began last Sunday with the First Sunday of Advent (30 November 2025), and tomorrow is the Second Sunday of Advent. With less than three weeks to go to Christmas, the Church Calendar today celebrates Saint Nicholas of Myra (6 December), the ‘real Santa Claus’.
Later today, I hope to attend Το Στέκι Μας (Our Place), the pop-up Greek café at the Greek Orthodox Church on London Road, between 10:30 and 3 pm, with traditional Greek desserts and seasonal small gifts, as well as the usual: Greek coffees and delicacies. But, before the day begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
An icon of Saint Nicholas in the Church of Saint Nicholas near the harbour and the bus station in Rethymnon (Photograph: Patrick Comerford)
Mark 10: 13-16 (NRSVA):
13 People were bringing little children to him in order that he might touch them; and the disciples spoke sternly to them. 14 But when Jesus saw this, he was indignant and said to them, ‘Let the little children come to me; do not stop them; for it is to such as these that the kingdom of God belongs. 15 Truly I tell you, whoever does not receive the kingdom of God as a little child will never enter it.’ 16 And he took them up in his arms, laid his hands on them, and blessed them.
An icon of Saint Nicholas, the role model for Santa Claus, in a mosaic in the Monastery of Saint John the Baptist, Tolleshunt Knights, Essex (Photograph: Patrick Comerford)
Today’s reflection:
The Gospel reading in the Lectionary for the daily Eucharist today (Matthew 9: 35 to 10: 1, 6-8) tells of Jesus going through cities and villages, teaching, proclaiming the good news of the kingdom, and curing disease and sickness. When he sees the crowds, he sees they are harassed and helpless, like sheep without a shepherd, and tells the disciples: ‘The harvest is plentiful, but the labourers are few; therefore ask the Lord of the harvest to send out labourers into his harvest.’
Jesus gives the 12 authority to cast out unclean spirits and to cure every disease and every sickness. He tells them to go to the lost sheep of the house of Israel, to proclaim the good news that the kingdom of heaven has come near, to cure the sick, raise the dead, cleanse the lepers, and to cast out demons.
But the Gospel reading provided for celebrating Saint Nicholas of Myra (Mark 10: 13-16) is the story of little children being brought to Jesus for blessings, and his reminder that it is ‘to such as these that the kingdom of God belongs’ (verse 14).
Today is the Feast of Saint Nicholas of Myra (6 December 2025). He is, of course, the real Santa Claus, and he is so popular in Greece that almost every town and city in Greece has a church dedicated to Saint Nicholas.
Saint Nicholas is also the patron of sailors, and in the mediaeval period almost every coastal town and city in both England and Ireland also had a church dedicated to Saint Nicholas.
The celebration of Saint Nicholas today is a joyful, child-friendly interruption in the Advent preparations as we wait for Christmas and anticipate all its joys.
Saint Nicholas, whose name means ‘Victory of the People,’ was born in Myra in Lycia, now known as Demre, near Antalya on the south coast of Anatolia in present-day Turkey.
He had a reputation as a secret giver of gifts and the protector of children, so you can see why he has links with our Santa Claus today.
There are stories too of Saint Nicholas and the defence of true doctrine. In the year 325, the Emperor Constantine convened the Council of Nicaea, attended by more than 300 bishops, to debate the nature of the Holy Trinity.
It was one of the most intense theological debates in the early Church. Arius from Alexandria was teaching that Christ was the Son of God but was not equal to God the Father, not God incarnate. As Arius argued at length, Nicholas became agitated, crossed the room, and slapped Arius across the face.
The shocked bishops stripped Nicholas of his episcopal robes, chained him and jailed him. In the morning, the bishops found his chains on the floor and Nicholas dressed in his episcopal robes, quietly reading his Bible. Constantine ordered his release, and Nicholas was reinstated as the Bishop of Myra. Which probably also makes it appropriate that the Church of Saint Nicholas on the corner of Priskosoridi street and Emmanouil Kefalogianni avenue, near the bus station in Rethymnon, is not only close to both an old fishing harbour but also close to the Church of Saint Constantine and Saint Helen.
Saint Nicholas defended doctrines that are central to the Incarnation and that make Christmas worth celebrating … the word homoousios (ὁμοούσιος) means ‘same substance,’ while the word homoiousios (ὁμοιούσιος) means ‘similar substance’. As the debate went on, the Council of Nicaea agreed with Nicholas and his views and decided against Arius. The Council of Nicaea affirmed the Father, Son, and Holy Spirit are of the same substance, rather than of a similar substance, and agreed on the Nicene Creed, which remains the symbol of our faith.
This year marks the 1700th anniversary of the First Ecumenical Council of Nicaea in the year 325 CE and it has been another opportunity for the churches to bear witness to the growing communion that already exists among all who are baptised in the name of the Father and of the Son and of the Holy Spirit.
Ecumenical Patriarch Bartholomew and Pope Leo XIV signed a Joint Declaration in the Patriarchal Church of Saint George last weekend affirming their commitment to the path towards restoring full communion and rejecting the use of religion to justify violence.
In the text, they recalled the 1700th anniversary of the First Council of Nicaea, calling it ‘a providential event of unity’, and noted that Christians are united by the faith professed in the Nicene Creed: ‘This is the saving faith in the person of the Son of God, true God from true God, homoousios with the Father, who for us and our salvation was incarnate and dwelt among us, was crucified, died and was buried, arose on the third day, ascended into heaven, and will come again to judge the living and the dead.’
‘Endowed with this common confession, we can face our shared challenges in bearing witness to the faith expressed at Nicaea with mutual respect, and work together towards concrete solutions with genuine hope,’ they said in their Joint Declaration.
The First Council of Nicaea by Mikhail Damaskinos (1591) in the Museum of Christian Art, Iraklion … Saint Nicholas played a key role in the credal formulation at the council (Photograph: Patrick Comerford)
Today’s Prayers (Saturday 6 December 2025):
The theme this week (30 to 6 December 2025) in Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), has been ‘The Kingdom is for All’ (pp 6-7). This theme was introduced last Sunday with a programme update from the Revd Magela, Vicar of Cristo Redentor Parish in Tocantins, Brazil and coordinator of Casa A+, a place of hope and healing for people living with HIV.
The USPG Prayer Diary today (Saturday 6 December 2025) invites us to pray:
Let us pray for courage and compassion in public policies, so that governments, institutions and international organisations prioritise life over profits, and care over power.
The Collect:
Almighty Father, lover of souls,
who chose your servant Nicholas
to be a bishop in the Church,
that he might give freely out of the treasures of your grace:
make us mindful of the needs of others
and, as we have received, so teach us also to give;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post-Communion Prayer:
God, shepherd of your people,
whose servant Nicholas revealed the loving service of Christ
in his ministry as a pastor of your people:
by this eucharist in which we share
awaken within us the love of Christ
and keep us faithful to our Christian calling;
through him who laid down his life for us,
but is alive and reigns with you, now and for ever.
The Collect on the Eve of Advent II:
O Lord, raise up, we pray, your power
and come among us,
and with great might succour us;
that whereas, through our sins and wickedness
we are grievously hindered
in running the race that is set before us,
your bountiful grace and mercy
may speedily help and deliver us;
through Jesus Christ your Son our Lord,
to whom with you and the Holy Spirit,
be honour and glory, now and for ever.
Yesterday’s Reflections
Continued Tomorrow
Saint Nicholas in a stained-glass window in Saint Mary’s Cathedral, Limerick (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Patrick Comerford
The Season of Advent – and the real countdown to Christmas – began last Sunday with the First Sunday of Advent (30 November 2025), and tomorrow is the Second Sunday of Advent. With less than three weeks to go to Christmas, the Church Calendar today celebrates Saint Nicholas of Myra (6 December), the ‘real Santa Claus’.
Later today, I hope to attend Το Στέκι Μας (Our Place), the pop-up Greek café at the Greek Orthodox Church on London Road, between 10:30 and 3 pm, with traditional Greek desserts and seasonal small gifts, as well as the usual: Greek coffees and delicacies. But, before the day begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
An icon of Saint Nicholas in the Church of Saint Nicholas near the harbour and the bus station in Rethymnon (Photograph: Patrick Comerford)
Mark 10: 13-16 (NRSVA):
13 People were bringing little children to him in order that he might touch them; and the disciples spoke sternly to them. 14 But when Jesus saw this, he was indignant and said to them, ‘Let the little children come to me; do not stop them; for it is to such as these that the kingdom of God belongs. 15 Truly I tell you, whoever does not receive the kingdom of God as a little child will never enter it.’ 16 And he took them up in his arms, laid his hands on them, and blessed them.
An icon of Saint Nicholas, the role model for Santa Claus, in a mosaic in the Monastery of Saint John the Baptist, Tolleshunt Knights, Essex (Photograph: Patrick Comerford)
Today’s reflection:
The Gospel reading in the Lectionary for the daily Eucharist today (Matthew 9: 35 to 10: 1, 6-8) tells of Jesus going through cities and villages, teaching, proclaiming the good news of the kingdom, and curing disease and sickness. When he sees the crowds, he sees they are harassed and helpless, like sheep without a shepherd, and tells the disciples: ‘The harvest is plentiful, but the labourers are few; therefore ask the Lord of the harvest to send out labourers into his harvest.’
Jesus gives the 12 authority to cast out unclean spirits and to cure every disease and every sickness. He tells them to go to the lost sheep of the house of Israel, to proclaim the good news that the kingdom of heaven has come near, to cure the sick, raise the dead, cleanse the lepers, and to cast out demons.
But the Gospel reading provided for celebrating Saint Nicholas of Myra (Mark 10: 13-16) is the story of little children being brought to Jesus for blessings, and his reminder that it is ‘to such as these that the kingdom of God belongs’ (verse 14).
Today is the Feast of Saint Nicholas of Myra (6 December 2025). He is, of course, the real Santa Claus, and he is so popular in Greece that almost every town and city in Greece has a church dedicated to Saint Nicholas.
Saint Nicholas is also the patron of sailors, and in the mediaeval period almost every coastal town and city in both England and Ireland also had a church dedicated to Saint Nicholas.
The celebration of Saint Nicholas today is a joyful, child-friendly interruption in the Advent preparations as we wait for Christmas and anticipate all its joys.
Saint Nicholas, whose name means ‘Victory of the People,’ was born in Myra in Lycia, now known as Demre, near Antalya on the south coast of Anatolia in present-day Turkey.
He had a reputation as a secret giver of gifts and the protector of children, so you can see why he has links with our Santa Claus today.
There are stories too of Saint Nicholas and the defence of true doctrine. In the year 325, the Emperor Constantine convened the Council of Nicaea, attended by more than 300 bishops, to debate the nature of the Holy Trinity.
It was one of the most intense theological debates in the early Church. Arius from Alexandria was teaching that Christ was the Son of God but was not equal to God the Father, not God incarnate. As Arius argued at length, Nicholas became agitated, crossed the room, and slapped Arius across the face.
The shocked bishops stripped Nicholas of his episcopal robes, chained him and jailed him. In the morning, the bishops found his chains on the floor and Nicholas dressed in his episcopal robes, quietly reading his Bible. Constantine ordered his release, and Nicholas was reinstated as the Bishop of Myra. Which probably also makes it appropriate that the Church of Saint Nicholas on the corner of Priskosoridi street and Emmanouil Kefalogianni avenue, near the bus station in Rethymnon, is not only close to both an old fishing harbour but also close to the Church of Saint Constantine and Saint Helen.
Saint Nicholas defended doctrines that are central to the Incarnation and that make Christmas worth celebrating … the word homoousios (ὁμοούσιος) means ‘same substance,’ while the word homoiousios (ὁμοιούσιος) means ‘similar substance’. As the debate went on, the Council of Nicaea agreed with Nicholas and his views and decided against Arius. The Council of Nicaea affirmed the Father, Son, and Holy Spirit are of the same substance, rather than of a similar substance, and agreed on the Nicene Creed, which remains the symbol of our faith.
This year marks the 1700th anniversary of the First Ecumenical Council of Nicaea in the year 325 CE and it has been another opportunity for the churches to bear witness to the growing communion that already exists among all who are baptised in the name of the Father and of the Son and of the Holy Spirit.
Ecumenical Patriarch Bartholomew and Pope Leo XIV signed a Joint Declaration in the Patriarchal Church of Saint George last weekend affirming their commitment to the path towards restoring full communion and rejecting the use of religion to justify violence.
In the text, they recalled the 1700th anniversary of the First Council of Nicaea, calling it ‘a providential event of unity’, and noted that Christians are united by the faith professed in the Nicene Creed: ‘This is the saving faith in the person of the Son of God, true God from true God, homoousios with the Father, who for us and our salvation was incarnate and dwelt among us, was crucified, died and was buried, arose on the third day, ascended into heaven, and will come again to judge the living and the dead.’
‘Endowed with this common confession, we can face our shared challenges in bearing witness to the faith expressed at Nicaea with mutual respect, and work together towards concrete solutions with genuine hope,’ they said in their Joint Declaration.
The First Council of Nicaea by Mikhail Damaskinos (1591) in the Museum of Christian Art, Iraklion … Saint Nicholas played a key role in the credal formulation at the council (Photograph: Patrick Comerford)
Today’s Prayers (Saturday 6 December 2025):
The theme this week (30 to 6 December 2025) in Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), has been ‘The Kingdom is for All’ (pp 6-7). This theme was introduced last Sunday with a programme update from the Revd Magela, Vicar of Cristo Redentor Parish in Tocantins, Brazil and coordinator of Casa A+, a place of hope and healing for people living with HIV.
The USPG Prayer Diary today (Saturday 6 December 2025) invites us to pray:
Let us pray for courage and compassion in public policies, so that governments, institutions and international organisations prioritise life over profits, and care over power.
The Collect:
Almighty Father, lover of souls,
who chose your servant Nicholas
to be a bishop in the Church,
that he might give freely out of the treasures of your grace:
make us mindful of the needs of others
and, as we have received, so teach us also to give;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post-Communion Prayer:
God, shepherd of your people,
whose servant Nicholas revealed the loving service of Christ
in his ministry as a pastor of your people:
by this eucharist in which we share
awaken within us the love of Christ
and keep us faithful to our Christian calling;
through him who laid down his life for us,
but is alive and reigns with you, now and for ever.
The Collect on the Eve of Advent II:
O Lord, raise up, we pray, your power
and come among us,
and with great might succour us;
that whereas, through our sins and wickedness
we are grievously hindered
in running the race that is set before us,
your bountiful grace and mercy
may speedily help and deliver us;
through Jesus Christ your Son our Lord,
to whom with you and the Holy Spirit,
be honour and glory, now and for ever.
Yesterday’s Reflections
Continued Tomorrow
Saint Nicholas in a stained-glass window in Saint Mary’s Cathedral, Limerick (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
05 December 2025
Four boys growing up in
Dublin’s ‘Little Jerusalem’
and a synagogue fire
The former synagogue on Lennox Street in Little Jerusalem, Dublin … four children almost set it on fire 100 years ago in 1925 (Photograph: Patrick Comerford, 2025)
Patrick Comerford
As a boy in Dublin, Clanbrassil Street and the labyrinth of streets leading off it offered a certain mystique and intrigue that stirred my youthful imagination. The area between Leonard’s Corner and Kelly’s Corner, and the streets nearby, was still known as ‘Little Jerusalem,’ and was still the heart of Dublin’s Jewish community in the 1950s and into the 1960s.
Although the drift to the southern suburbs of Terenure, Rathfarnham and Churchtown was already happening in the mid-1960s, Little Jerusalem was still an area with small kosher shops, fascia signs in mixtures of English and Hebrew lettering, and small terraced houses that included synagogues for tiny congregations even after the new synagogue opened on Rathfarnham Road, a few doors from the house where I was born.
The Levitas brothers, Max, Morry and Sol, lived on Longwood Avenue and Warren Street in Little Jerusalem Their friend Chaim Herzog lived on Bloomfield Avenue. These four boys were of my father’s generation. The Levitas brothers were the sons of Harry Levitas from the shtetl of Akmeyan in Lithuania and his wife Leah Rick from Riga in Latvia. Both parents fled the pogroms in Tsarist Russia in 1913. They met in Dublin, where both had family members, and they were married in Camden Street Synagogue in August 1914.
Harry Levitas became a prominent activist in the Amalgamated Jewish Tailors’, Machinists’ and Pressers’ Union. It was known in Dublin as ‘the Jewish Union’ and had offices in the same building as the Camden Street Synagogue, so that the house was said to have ‘Jerusalem on one floor, and the New Jerusalem on another’.
The childhood years of the Levitas brothers was marked by poverty, hardship and discrimination. From 1915 to 1927, the family lived in rooms in one house after another in Little Jerusalem: 15 Longwood Avenue (1915), 8 Warren Street (1916-1925) and one single room at 13 Saint Kevin’s Parade (1925-1927).
Max Samuel Levitas was born at 15 Longwood Avenue on 1 June 1915; his brothers, Maurice (1917-2001) and Sol (1917-2001), were born at Warren Street. Another brother Isaac, who was born at Warren Street in 1922, died as a thirteen-month-old infant in a tragic accident in the family home in March 1923. A sister Celia was born at Warren Street in 1923, and a daughter Toby was born later after the family emigrated.
During those childhood years in Little Jerusalem, the Levitas boys attended Saint Peter’s Church of Ireland National School on New Bride Street, beside the Meath Hospital. Their father struggled to earn a living, sometimes dealing in scrap metal, at other times as a travelling salesman, but more often as a tailor’s presser. But he was always an active trade unionist.
The Camden Street Synagogue closed in 1916, and the Levitas family then attended Lennox Street Synagogue, around the corner from their home on Warren Street. It was founded in 1887, and was one of the many small hebroth or shuls in the area set up by recent immigrants from Lithuania and Poland.
Late one Saturday in 1925, the synagogue almost went up in smoke. It was not, however, attempted arson. Four young boys had been anxious to bring the Sabbath to a speedy conclusion in order to go back to playing on the street. They came back into the synagogue to hastily say the final prayers, and accidentally knocked over a candle that set a cloth alight. Other versions of the incident say they knocked over a candle while trying to access the synagogue wine. Whatever the cause, the small blaze was quickly extinguished.
The four ‘culprits’ were the three Levitas brothers – Max, Maurice and Sol Levitas – and Chaim Herzog, the son of the Chief Rabbi, Dr Yitzhak Herzog. The fourth boy, Chaim Herzog (1918-1997), was born in Belfast but had moved to Dublin with his parents in 1919 and lived on Bloomfield Avenue.
Chaim Herzog later went to secondary school in Wesley College, and would become the President of Israel (1983-1993). The other three boys in the incident, the Levitas brothers, moved with their parents that year to one room in 13 Saint Kevin’s Parade. A few doors away was another small shul, the ultra-orthodox Machzikei haDas, founded at No 7 in 1883. But the Levitas family stayed there for less than two years, and eventually moved to the East End of London, where the boys would become heroes in the Battle of Cable Street.
When Harry Levitas was blacklisted by employers for his union activism, the family was forced to move to Glasgow in 1927. In 1930, they moved to Whitechapel in the East End of London, where Harry had two sisters. As teenagers in the East End, the three Levitas boys from Dublin became active in politics. At 19, Max became an East End hero when he was arrested with Jack Clifford for daubing anti-Fascist slogans on Nelson’s Column in 1934.
When Oswald Mosley tried marching through the largely Jewish East End with his blackshirts in 1936, the Levitas brothers resisted and took part in the Battle of Cable Street. By then Max was 21, working as a tailor’s presser in a small workshop in Commercial Street, but Maurice and Sol were still in their teens.
Maurice ‘Morry’ Levitas joined the Connolly Column of the International Brigade in 1937 to fight against Franco in the Spanish Civil War. He spent eleven months in jail, where he suffered violent interrogations, arbitrary beatings, and mock executions before he was released in a prisoner exchange in 1939. During the Second World War, he served in India and Burma with the Royal Army Medical Corps. He later worked as a plumber, teacher and lecturer.
Max led a twenty-one-week rent strike in Whitechapel in 1939, and in September 1940 he led the occupation of the Savoy Hotel’s deep bomb shelters that were reserved for Savoy patrons. The protest forced the authorities to open up Underground stations as bomb shelters for the rest of World War II. Max was elected as a Communist borough councillor in Stepney in the East End in 1945, and he held his seat for a further seventeen years.
Members of the extended Levitas family suffered the fate of many Jews during the Holocaust. Their aunt Sara was burnt to death along with fellow-villagers in the synagogue of Akmeyan; their aunt Rachel was killed with her family by the Nazis in Riga; an uncle was murdered in Paris by the Gestapo.
Max and Maurice Levitas frequently returned to the Dublin of their childhood. Maurice was honoured with Spanish citizenship in 1996 and was among the surviving veterans of the International Brigade who received a civic reception in the Mansion House in 1997. He died in 2001.
Max was in Ireland for the last time in 2015 to re-visit Little Jerusalem, the houses that had been childhood homes, and the former synagogue on Lennox Street. He too received a civic reception in the Mansion House. Max celebrated his 100th birthday in Whitechapel in 2015, when he received personal greetings from President Michael D. Higgins. He died on 2 November 2018. A block of flats on Jubilee Street in Stepney was named Levitas House in 2020 in his honour.
As for the former synagogue that almost burned down 100 years ago, it closed its doors in 1974 and the congregation moved to Stratford College on Zion Road, Rathgar, where it continued to worship until 1981.
Further reading:
Nick Harris, Dublin’s Little Jerusalem (Dublin, 2002).
Cormac Ó Gráda, Jewish Ireland in the Age of Joyce: A Socioeconomic History (Princeton NJ and Oxford, 2006).
Manus O’Riordan, ‘Citizens of the Republic, Jewish History in Ireland,’ Dublin Review of Books, 2007, avaiable at: https://drb.ie/articles/citizens-of-the-republic-jewish-history-in-ireland/ (accessed 15 September 2025).
‘So Long, Max Levitas’, Spitalfields Life (4 November 2018), available at: https://spitalfieldslife.com/2018/11/04/so-long-max-levitas/ (accessed 15 September 2025)
The house on Bloomfield Avenue where Chaim Herzog lived as a child (Photograph: Patrick Comerford)
This essay was published as ‘Four Boys Growing up in Dublin’s ‘Little Jerusalem’ and a Synagogue Fire’, pp 153-156, Chapter 36 in Childhood and the Irish, A miscellany, ed Salvador Ryan (Dublin: Wordwell, 2025), xviii + 344 pp, ISBN: 978-1-916742-19-2, lauched at the Royal Irish Academy, Dublin, last Monday (1 December 2025)
Biographical note (p 340):
Patrick Comerford is an Anglican priest and a former professor in Trinity College Dublin and the Church of Ireland Theological Institute. He lives in retirement in Milton Keynes
With Professor Salvador Ryan (editor, second from left) and some of the other contributors at the launch of ‘Childhood and the Irish, A miscellany’ in the Royal Irish Academy, Dublin, last Monday (1 December 2025)
Patrick Comerford
As a boy in Dublin, Clanbrassil Street and the labyrinth of streets leading off it offered a certain mystique and intrigue that stirred my youthful imagination. The area between Leonard’s Corner and Kelly’s Corner, and the streets nearby, was still known as ‘Little Jerusalem,’ and was still the heart of Dublin’s Jewish community in the 1950s and into the 1960s.
Although the drift to the southern suburbs of Terenure, Rathfarnham and Churchtown was already happening in the mid-1960s, Little Jerusalem was still an area with small kosher shops, fascia signs in mixtures of English and Hebrew lettering, and small terraced houses that included synagogues for tiny congregations even after the new synagogue opened on Rathfarnham Road, a few doors from the house where I was born.
The Levitas brothers, Max, Morry and Sol, lived on Longwood Avenue and Warren Street in Little Jerusalem Their friend Chaim Herzog lived on Bloomfield Avenue. These four boys were of my father’s generation. The Levitas brothers were the sons of Harry Levitas from the shtetl of Akmeyan in Lithuania and his wife Leah Rick from Riga in Latvia. Both parents fled the pogroms in Tsarist Russia in 1913. They met in Dublin, where both had family members, and they were married in Camden Street Synagogue in August 1914.
Harry Levitas became a prominent activist in the Amalgamated Jewish Tailors’, Machinists’ and Pressers’ Union. It was known in Dublin as ‘the Jewish Union’ and had offices in the same building as the Camden Street Synagogue, so that the house was said to have ‘Jerusalem on one floor, and the New Jerusalem on another’.
The childhood years of the Levitas brothers was marked by poverty, hardship and discrimination. From 1915 to 1927, the family lived in rooms in one house after another in Little Jerusalem: 15 Longwood Avenue (1915), 8 Warren Street (1916-1925) and one single room at 13 Saint Kevin’s Parade (1925-1927).
Max Samuel Levitas was born at 15 Longwood Avenue on 1 June 1915; his brothers, Maurice (1917-2001) and Sol (1917-2001), were born at Warren Street. Another brother Isaac, who was born at Warren Street in 1922, died as a thirteen-month-old infant in a tragic accident in the family home in March 1923. A sister Celia was born at Warren Street in 1923, and a daughter Toby was born later after the family emigrated.
During those childhood years in Little Jerusalem, the Levitas boys attended Saint Peter’s Church of Ireland National School on New Bride Street, beside the Meath Hospital. Their father struggled to earn a living, sometimes dealing in scrap metal, at other times as a travelling salesman, but more often as a tailor’s presser. But he was always an active trade unionist.
The Camden Street Synagogue closed in 1916, and the Levitas family then attended Lennox Street Synagogue, around the corner from their home on Warren Street. It was founded in 1887, and was one of the many small hebroth or shuls in the area set up by recent immigrants from Lithuania and Poland.
Late one Saturday in 1925, the synagogue almost went up in smoke. It was not, however, attempted arson. Four young boys had been anxious to bring the Sabbath to a speedy conclusion in order to go back to playing on the street. They came back into the synagogue to hastily say the final prayers, and accidentally knocked over a candle that set a cloth alight. Other versions of the incident say they knocked over a candle while trying to access the synagogue wine. Whatever the cause, the small blaze was quickly extinguished.
The four ‘culprits’ were the three Levitas brothers – Max, Maurice and Sol Levitas – and Chaim Herzog, the son of the Chief Rabbi, Dr Yitzhak Herzog. The fourth boy, Chaim Herzog (1918-1997), was born in Belfast but had moved to Dublin with his parents in 1919 and lived on Bloomfield Avenue.
Chaim Herzog later went to secondary school in Wesley College, and would become the President of Israel (1983-1993). The other three boys in the incident, the Levitas brothers, moved with their parents that year to one room in 13 Saint Kevin’s Parade. A few doors away was another small shul, the ultra-orthodox Machzikei haDas, founded at No 7 in 1883. But the Levitas family stayed there for less than two years, and eventually moved to the East End of London, where the boys would become heroes in the Battle of Cable Street.
When Harry Levitas was blacklisted by employers for his union activism, the family was forced to move to Glasgow in 1927. In 1930, they moved to Whitechapel in the East End of London, where Harry had two sisters. As teenagers in the East End, the three Levitas boys from Dublin became active in politics. At 19, Max became an East End hero when he was arrested with Jack Clifford for daubing anti-Fascist slogans on Nelson’s Column in 1934.
When Oswald Mosley tried marching through the largely Jewish East End with his blackshirts in 1936, the Levitas brothers resisted and took part in the Battle of Cable Street. By then Max was 21, working as a tailor’s presser in a small workshop in Commercial Street, but Maurice and Sol were still in their teens.
Maurice ‘Morry’ Levitas joined the Connolly Column of the International Brigade in 1937 to fight against Franco in the Spanish Civil War. He spent eleven months in jail, where he suffered violent interrogations, arbitrary beatings, and mock executions before he was released in a prisoner exchange in 1939. During the Second World War, he served in India and Burma with the Royal Army Medical Corps. He later worked as a plumber, teacher and lecturer.
Max led a twenty-one-week rent strike in Whitechapel in 1939, and in September 1940 he led the occupation of the Savoy Hotel’s deep bomb shelters that were reserved for Savoy patrons. The protest forced the authorities to open up Underground stations as bomb shelters for the rest of World War II. Max was elected as a Communist borough councillor in Stepney in the East End in 1945, and he held his seat for a further seventeen years.
Members of the extended Levitas family suffered the fate of many Jews during the Holocaust. Their aunt Sara was burnt to death along with fellow-villagers in the synagogue of Akmeyan; their aunt Rachel was killed with her family by the Nazis in Riga; an uncle was murdered in Paris by the Gestapo.
Max and Maurice Levitas frequently returned to the Dublin of their childhood. Maurice was honoured with Spanish citizenship in 1996 and was among the surviving veterans of the International Brigade who received a civic reception in the Mansion House in 1997. He died in 2001.
Max was in Ireland for the last time in 2015 to re-visit Little Jerusalem, the houses that had been childhood homes, and the former synagogue on Lennox Street. He too received a civic reception in the Mansion House. Max celebrated his 100th birthday in Whitechapel in 2015, when he received personal greetings from President Michael D. Higgins. He died on 2 November 2018. A block of flats on Jubilee Street in Stepney was named Levitas House in 2020 in his honour.
As for the former synagogue that almost burned down 100 years ago, it closed its doors in 1974 and the congregation moved to Stratford College on Zion Road, Rathgar, where it continued to worship until 1981.
Further reading:
Nick Harris, Dublin’s Little Jerusalem (Dublin, 2002).
Cormac Ó Gráda, Jewish Ireland in the Age of Joyce: A Socioeconomic History (Princeton NJ and Oxford, 2006).
Manus O’Riordan, ‘Citizens of the Republic, Jewish History in Ireland,’ Dublin Review of Books, 2007, avaiable at: https://drb.ie/articles/citizens-of-the-republic-jewish-history-in-ireland/ (accessed 15 September 2025).
‘So Long, Max Levitas’, Spitalfields Life (4 November 2018), available at: https://spitalfieldslife.com/2018/11/04/so-long-max-levitas/ (accessed 15 September 2025)
The house on Bloomfield Avenue where Chaim Herzog lived as a child (Photograph: Patrick Comerford)
This essay was published as ‘Four Boys Growing up in Dublin’s ‘Little Jerusalem’ and a Synagogue Fire’, pp 153-156, Chapter 36 in Childhood and the Irish, A miscellany, ed Salvador Ryan (Dublin: Wordwell, 2025), xviii + 344 pp, ISBN: 978-1-916742-19-2, lauched at the Royal Irish Academy, Dublin, last Monday (1 December 2025)
Biographical note (p 340):
Patrick Comerford is an Anglican priest and a former professor in Trinity College Dublin and the Church of Ireland Theological Institute. He lives in retirement in Milton Keynes
With Professor Salvador Ryan (editor, second from left) and some of the other contributors at the launch of ‘Childhood and the Irish, A miscellany’ in the Royal Irish Academy, Dublin, last Monday (1 December 2025)
An Advent Calendar with Patrick Comerford: 6, 5 December 2025
Christmas lights in the Market Square, Stony Stratford (Photograph: Patrick Comerford, 2025)
Patrick Comerford
Advent began last Sunday with Advent Sunday (30 November 2025), and the countdown to Christmas is and truly now well under way.
At noon each day in Advent this year, I am offering one image as part of my ‘Advent Calendar’ for 2025, and one Advent or Christmas carol or hymn. My choice today is ‘Hills of the north, rejoice’ by the Revd Charles Edward Oakley (1832-1865).
Charles Oakley, a lawyer and a Church of England priest, wrote this hymn in the mid 19th century, expressing the Advent message of the coming of Christ to all four corners of the world.
Oakley was educated at Oxford and was ordained in 1855. He became Rector of Wickwar in 1856, and later Rector of Saint Paul’s, Covent Garden. He died on 15 September 1865 before his hymn ever acquired popularity. The hymn first appeared in Bishop TV French’s Hymns Adapted to the Christian Seasons, and the Hymnal Companion to the Book of Common Prayer in 1870.
Oakley’s hymn gained new popularity after 1915, when Martin Shaw (1832-1865) wrote for it his leaping tune ‘Little Cornard,’ and the hymn and the tune became inseparable.
Martin Shaw had studied under Charles Villiers Stanford and Hubert Parry, and worked closely with Ralph Vaughan Williams. His influence on Anglican hymnody comes from his being the organist in Saint Mary’s, Primrose Hill, London, where the Vicar was Canon Percy Dearmer, who edited the English Hymnal in 1906.
Hills of the North, rejoice,
river and mountain-spring,
hark to the advent voice;
valley and lowland, sing.
Christ comes in righteousness and love,
he brings salvation from above.
Isles of the Southern seas,
sing to the listening earth,
carry on every breeze
hope of a world’s new birth:
In Christ shall all be made anew,
his word is sure, his promise true.
Lands of the East, arise,
he is your brightest morn,
greet him with joyous eyes,
praise shall his path adorn:
your seers have longed to know their Lord;
to you he comes, the final word.
Shores of the utmost West,
lands of the setting sun,
welcome the heavenly guest
in whom the dawn has come:
he brings a never-ending light
who triumphed o'er our darkest night.
Shout, as you journey home,
songs be in every mouth,
lo, from the North they come,
from East and West and South:
in Jesus all shall find their rest,
in him the universe be blest.
Patrick Comerford
Advent began last Sunday with Advent Sunday (30 November 2025), and the countdown to Christmas is and truly now well under way.
At noon each day in Advent this year, I am offering one image as part of my ‘Advent Calendar’ for 2025, and one Advent or Christmas carol or hymn. My choice today is ‘Hills of the north, rejoice’ by the Revd Charles Edward Oakley (1832-1865).
Charles Oakley, a lawyer and a Church of England priest, wrote this hymn in the mid 19th century, expressing the Advent message of the coming of Christ to all four corners of the world.
Oakley was educated at Oxford and was ordained in 1855. He became Rector of Wickwar in 1856, and later Rector of Saint Paul’s, Covent Garden. He died on 15 September 1865 before his hymn ever acquired popularity. The hymn first appeared in Bishop TV French’s Hymns Adapted to the Christian Seasons, and the Hymnal Companion to the Book of Common Prayer in 1870.
Oakley’s hymn gained new popularity after 1915, when Martin Shaw (1832-1865) wrote for it his leaping tune ‘Little Cornard,’ and the hymn and the tune became inseparable.
Martin Shaw had studied under Charles Villiers Stanford and Hubert Parry, and worked closely with Ralph Vaughan Williams. His influence on Anglican hymnody comes from his being the organist in Saint Mary’s, Primrose Hill, London, where the Vicar was Canon Percy Dearmer, who edited the English Hymnal in 1906.
Hills of the North, rejoice,
river and mountain-spring,
hark to the advent voice;
valley and lowland, sing.
Christ comes in righteousness and love,
he brings salvation from above.
Isles of the Southern seas,
sing to the listening earth,
carry on every breeze
hope of a world’s new birth:
In Christ shall all be made anew,
his word is sure, his promise true.
Lands of the East, arise,
he is your brightest morn,
greet him with joyous eyes,
praise shall his path adorn:
your seers have longed to know their Lord;
to you he comes, the final word.
Shores of the utmost West,
lands of the setting sun,
welcome the heavenly guest
in whom the dawn has come:
he brings a never-ending light
who triumphed o'er our darkest night.
Shout, as you journey home,
songs be in every mouth,
lo, from the North they come,
from East and West and South:
in Jesus all shall find their rest,
in him the universe be blest.
Daily prayer in Advent 2025:
6, Friday 5 December 2025
Jesus heals two blind men (Matthew 9: 27-31) … a modern icon
Patrick Comerford
The Season of Advent – and the real countdown to Christmas – began on Sunday with the First Sunday of Advent (30 December 2025).
Before the day begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
‘Christ Healing the Blind’ (ca 1570) by El Greco (Domenikos Theotokopoulos) … in the Met, New York
Matthew 9: 27-31 (NRSVA):
27 As Jesus went on from there, two blind men followed him, crying loudly, ‘Have mercy on us, Son of David!’ 28 When he entered the house, the blind men came to him; and Jesus said to them, ‘Do you believe that I am able to do this?’ They said to him, ‘Yes, Lord.’ 29 Then he touched their eyes and said, ‘According to your faith let it be done to you.’ 30 And their eyes were opened. Then Jesus sternly ordered them, ‘See that no one knows of this.’ 31 But they went away and spread the news about him throughout that district.
Jesus heals two blind men … a ninth century mosaic in the Basilica in Ravenna
Today’s reflection:
The Gospel reading in the Lectionary for the daily Eucharist today (Matthew 9: 27-31), is a short passage of only five verses and is found only in Saint Matthew’s Gospel.
In this reading, Jesus heals two blind men who then go throughout their district spreading the news about Jesus.
The context of this reading is important, though. This chapter (Matthew 9) includes a series of healings that are unique to Saint Matthew: a paralysed man, whose sins are forgiven (verses 2-7); the daughter of a leader of the synagogue (verses 18-19, 23-26); and a woman who has been suffering from haemorrhages for 12 years (verses 20-22).
These two blind men – the Greek allows for the possibility that they are a man and a woman, perhaps a couple – seem to have been following Jesus all along the road, hoping for healing. But instead of healing them in the public glare, Jesus waits until he is indoors, after they follow him into a house.
Without sight, how did they know this was Jesus, how did they follow him, how did they know he was going into the house, and how did they manage to follow him into the house and find them there?
They are asking not for sight or healing, but for mercy – the very foundation of the Jesus Prayer: ‘Lord Jesus Christ, Son of God, have mercy me.’
Jesus turns to the pair and asks them if they believe that he is able to do this. They answer with two simple words, ‘Yes, Lord’ (verse 28). He touches their eyes and tells them it is their faith that has opened their eyes.
He then tells them sternly not to tell anyone what has happened. But they go out and ‘spread the news about him throughout that district’.
Why did Jesus chose not to respond to them outside, on the street? Their cries seem to fall on deaf ears, but they are, in fact, heard and answered in ways and at times that are unseen to those outside.
Why does Jesus ask these two to stay silent?
Why do they do quite the opposite?
Am I blind to Jesus when I am blind and deaf to the needs of others?
Shortly after these healing stories, Jesus tells the disciples of Saint John the Baptist, as evidence of who he is, that ‘the blind receive their sight, the lame walk, the lepers are cleansed, the deaf hear, the dead are raised, and the poor have good news brought to them. And blessed is anyone who takes no offence at me’ (Matthew 11: 5-6).
In the darkness of winter, in the darkness of Advent, in the dark moment in my life, when others see darkness or fear, I am invited to see God at work around me in my own life and in the lives of others.
The healing of a blind man depicted in a Byzantine-style fresco in Analipsi Church or the Church of the Ascension in Georgioupoli, Crete … those looking on can hardly believe what they see (Photograph: Patrick Comerford)
Today’s Prayers (Friday 5 December 2025):
The theme this week (30 to 6 December 2025) in Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘The Kingdom is for All’ (pp 6-7). This theme was introduced on Sunday with a programme update from the Revd Magela, Vicar of Cristo Redentor Parish in Tocantins, Brazil and coordinator of Casa A+, a place of hope and healing for people living with HIV.
The USPG Prayer Diary today (Friday 5 December 2025) invites us to pray:
Let us pray for health workers and communities, especially in fragile regions, that they receive the care, support, and resources they need.
The Collect:
Almighty God,
Give us grace to cast away the works of darkness
and to put on the armour of light
now in the time of this mortal life,
in which your Son Jesus Christ came to us in great humility;
that on the last day,
when he shall come again in his glorious majesty
to judge the living and the dead,
we may rise to the life immortal;
through him who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post-Communion Prayer:
O Lord our God,
make us watchful and keep us faithful
as we await the coming of your Son our Lord;
that, when he shall appear,
he may not find us sleeping in sin
but active in his service
and joyful in his praise;
through Jesus Christ our Lord.
Additional Collect:
Almighty God,
as your kingdom dawns,
turn us from the darkness of sin
to the light of holiness,
that we may be ready to meet you
in our Lord and Saviour, Jesus Christ.
Yesterday’s Reflections
Continued Tomorrow
The window depicting Christ the healer in the Chapel of Saint John’s Hospital, Lichfield (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Patrick Comerford
The Season of Advent – and the real countdown to Christmas – began on Sunday with the First Sunday of Advent (30 December 2025).
Before the day begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
‘Christ Healing the Blind’ (ca 1570) by El Greco (Domenikos Theotokopoulos) … in the Met, New York
Matthew 9: 27-31 (NRSVA):
27 As Jesus went on from there, two blind men followed him, crying loudly, ‘Have mercy on us, Son of David!’ 28 When he entered the house, the blind men came to him; and Jesus said to them, ‘Do you believe that I am able to do this?’ They said to him, ‘Yes, Lord.’ 29 Then he touched their eyes and said, ‘According to your faith let it be done to you.’ 30 And their eyes were opened. Then Jesus sternly ordered them, ‘See that no one knows of this.’ 31 But they went away and spread the news about him throughout that district.
Jesus heals two blind men … a ninth century mosaic in the Basilica in Ravenna
Today’s reflection:
The Gospel reading in the Lectionary for the daily Eucharist today (Matthew 9: 27-31), is a short passage of only five verses and is found only in Saint Matthew’s Gospel.
In this reading, Jesus heals two blind men who then go throughout their district spreading the news about Jesus.
The context of this reading is important, though. This chapter (Matthew 9) includes a series of healings that are unique to Saint Matthew: a paralysed man, whose sins are forgiven (verses 2-7); the daughter of a leader of the synagogue (verses 18-19, 23-26); and a woman who has been suffering from haemorrhages for 12 years (verses 20-22).
These two blind men – the Greek allows for the possibility that they are a man and a woman, perhaps a couple – seem to have been following Jesus all along the road, hoping for healing. But instead of healing them in the public glare, Jesus waits until he is indoors, after they follow him into a house.
Without sight, how did they know this was Jesus, how did they follow him, how did they know he was going into the house, and how did they manage to follow him into the house and find them there?
They are asking not for sight or healing, but for mercy – the very foundation of the Jesus Prayer: ‘Lord Jesus Christ, Son of God, have mercy me.’
Jesus turns to the pair and asks them if they believe that he is able to do this. They answer with two simple words, ‘Yes, Lord’ (verse 28). He touches their eyes and tells them it is their faith that has opened their eyes.
He then tells them sternly not to tell anyone what has happened. But they go out and ‘spread the news about him throughout that district’.
Why did Jesus chose not to respond to them outside, on the street? Their cries seem to fall on deaf ears, but they are, in fact, heard and answered in ways and at times that are unseen to those outside.
Why does Jesus ask these two to stay silent?
Why do they do quite the opposite?
Am I blind to Jesus when I am blind and deaf to the needs of others?
Shortly after these healing stories, Jesus tells the disciples of Saint John the Baptist, as evidence of who he is, that ‘the blind receive their sight, the lame walk, the lepers are cleansed, the deaf hear, the dead are raised, and the poor have good news brought to them. And blessed is anyone who takes no offence at me’ (Matthew 11: 5-6).
In the darkness of winter, in the darkness of Advent, in the dark moment in my life, when others see darkness or fear, I am invited to see God at work around me in my own life and in the lives of others.
The healing of a blind man depicted in a Byzantine-style fresco in Analipsi Church or the Church of the Ascension in Georgioupoli, Crete … those looking on can hardly believe what they see (Photograph: Patrick Comerford)
Today’s Prayers (Friday 5 December 2025):
The theme this week (30 to 6 December 2025) in Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘The Kingdom is for All’ (pp 6-7). This theme was introduced on Sunday with a programme update from the Revd Magela, Vicar of Cristo Redentor Parish in Tocantins, Brazil and coordinator of Casa A+, a place of hope and healing for people living with HIV.
The USPG Prayer Diary today (Friday 5 December 2025) invites us to pray:
Let us pray for health workers and communities, especially in fragile regions, that they receive the care, support, and resources they need.
The Collect:
Almighty God,
Give us grace to cast away the works of darkness
and to put on the armour of light
now in the time of this mortal life,
in which your Son Jesus Christ came to us in great humility;
that on the last day,
when he shall come again in his glorious majesty
to judge the living and the dead,
we may rise to the life immortal;
through him who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post-Communion Prayer:
O Lord our God,
make us watchful and keep us faithful
as we await the coming of your Son our Lord;
that, when he shall appear,
he may not find us sleeping in sin
but active in his service
and joyful in his praise;
through Jesus Christ our Lord.
Additional Collect:
Almighty God,
as your kingdom dawns,
turn us from the darkness of sin
to the light of holiness,
that we may be ready to meet you
in our Lord and Saviour, Jesus Christ.
Yesterday’s Reflections
Continued Tomorrow
The window depicting Christ the healer in the Chapel of Saint John’s Hospital, Lichfield (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
04 December 2025
‘Memory Lane’, colourful
street art on Talbot Lane,
brings new life to a corner
of north inner city Dublin
James Joyce depicted in ‘Memory Lane’ on Talbot Lane, off Talbot Street in Dublin (Photograph: Patrick Comerford, 2025)
Patrick Comerford
I was in north inner city Dublin earlier this week, to see the Pro-Cathedral on Marlborough Street, which has become Saint Mary’s Cathedral in recent weeks, to look again at the Welsh Chapel on Talbot Street, which is being saved from deterioration, and to visit Saint Francis Xavier Church on Upper Gardiner Street.
For too many years, Talbot Street has been a neglected, unattractive street in the northside inner city, and was hardly an inviting welcome to visitors to Dublin walking from Connolly Station on Amiens Street to O’Connell Street and the heart of the city centre.
But Dublin City Council is looking at the causes and effects of these realities. Dublin has a vibrant street art scene and the Talbot Lane Mural is a bright and colourful addition to Dulin’s public art scene and part of a positive initiative to make the area more attractive and inviting.
‘Memory Lane’ on Talbot Lane celebrates the area’s history and heritage of the inner city (Photograph: Patrick Comerford, 2025)
‘Memory Lane’ is a vibrant work of street art on Talbot Lane by Fionnuala Halpin that depicts the area’s history, with images of amusement arcades, a jarvey, Georgian doorways, literary figures such as James Joyce and Sean O’Casey, and the revolutionary suffragette Countess Markievicz.
The Talbot Lane mural was supported by Dublin City Council and celebrates the history, architecture and literary and political legacy of the north inner city, as well as recalling Barney’s Arcade in nearby Marlborough Place, the site in the 18th century of the Marlborough Green Synagogue, from about 1762 to 1790 or 1791.
Countess Markievicz depicted in ‘Memory Lane’ on Talbot Lane, off Talbot Street in Dublin (Photograph: Patrick Comerford, 2025)
Talbot Lane is a small, narrow cobbled alleyway between Talbot Street and Marlborough Place, features a collection of bright new street art murals, and this work of art is part of the city council’s regeneration project to brighten the area.
The artists who contributed to the art in the lane are Fionnuala Halpin, Inkfun, 23mGraphics, Kayde Middleton, and M50signs, working with the Lucky Bag collective as project manager and designer.
The artist Fionnuala Halpin works with businesses, schools, community groups and the city council to bring high quality art to the streets and neighbourhoods of Dublin.
Sean O’Casey depicted in ‘Memory Lane’ on Talbot Lane, off Talbot Street in Dublin (Photograph: Patrick Comerford, 2025)
Dublin City Council is rolling out its plans to revamp laneways in the north inner-city, and Talbot Lane is a colourful example of how this plan is working out. The council is also exploring the idea of opening up city-centre laneways for people to play cricket, inspired by a similar initiative in Melbourne, and Leinster Cricket has been invited to examine the viability of the ‘laneways cricket’ initiative.
A Green Party councillor Janet Horner said recently the initiative would be ideal for lanes that are closed to the public, like Harbour Court, which runs from Abbey Street to the quays. ‘We are starved of inner-city sports spaces,’ she said.
Brendan Doggett, a council administrative officer, pitched the idea for cricket in the laneways after people from Cricket Ireland pointed out that some laneways in Australia are used like this. Michael Darragh MacAuley, community sports engagement manager with the council, has pointed out that in Mountjoy Park the council organises tape ball, a kind of Pakistani street cricket that uses a tennis ball wrapped in electrical tape.
Dublin City Council is investing €2.5 million to revamp the Talbot Street area (Photograph: Patrick Comerford, 2025)
Dublin City Council is investing €2.5 million to revamp Talbot Street and plans to breathe new life into five nearby inner city laneways named in an action plan drawn up by the architect Seán Harrington. The idea is to get businesses that back onto laneways to open up their entrances, and to encourage people to make positive use of these smaller back streets, including Abbey Cottages, Byrne’s Lane, Coles Lane, Talbot Place and Jervis Lane Upper. Talbot Lane was the first of these laneways to be completed.
James Joyce went to school nearby in Belvedere and there is a sculpture of him by Marjorie Fitzgibbon at the O’Connell Street end of Talbot Street, while Sean O’Casey was born on Dorset Street. Constance Markievicz is quoted as saying: ‘Consciousness of their own dignity and worth should be encouraged in women.’ Sean O’Casey is depicted saying: ‘When it was dark … you carried the sun in your hand for me.’
Appropriately, the quotation from James Joyce that is part of his portrait by Fionnuala Halpin in ‘Memory Lane’ on Talbot Lane is: ‘When I die, Dublin will be written in my heart.’
‘Memory Lane’ is a vibrant work of street art on Talbot Lane, off Talbot Street by Fionnuala Halpin (Photograph: Patrick Comerford, 2025)
Patrick Comerford
I was in north inner city Dublin earlier this week, to see the Pro-Cathedral on Marlborough Street, which has become Saint Mary’s Cathedral in recent weeks, to look again at the Welsh Chapel on Talbot Street, which is being saved from deterioration, and to visit Saint Francis Xavier Church on Upper Gardiner Street.
For too many years, Talbot Street has been a neglected, unattractive street in the northside inner city, and was hardly an inviting welcome to visitors to Dublin walking from Connolly Station on Amiens Street to O’Connell Street and the heart of the city centre.
But Dublin City Council is looking at the causes and effects of these realities. Dublin has a vibrant street art scene and the Talbot Lane Mural is a bright and colourful addition to Dulin’s public art scene and part of a positive initiative to make the area more attractive and inviting.
‘Memory Lane’ on Talbot Lane celebrates the area’s history and heritage of the inner city (Photograph: Patrick Comerford, 2025)
‘Memory Lane’ is a vibrant work of street art on Talbot Lane by Fionnuala Halpin that depicts the area’s history, with images of amusement arcades, a jarvey, Georgian doorways, literary figures such as James Joyce and Sean O’Casey, and the revolutionary suffragette Countess Markievicz.
The Talbot Lane mural was supported by Dublin City Council and celebrates the history, architecture and literary and political legacy of the north inner city, as well as recalling Barney’s Arcade in nearby Marlborough Place, the site in the 18th century of the Marlborough Green Synagogue, from about 1762 to 1790 or 1791.
Countess Markievicz depicted in ‘Memory Lane’ on Talbot Lane, off Talbot Street in Dublin (Photograph: Patrick Comerford, 2025)
Talbot Lane is a small, narrow cobbled alleyway between Talbot Street and Marlborough Place, features a collection of bright new street art murals, and this work of art is part of the city council’s regeneration project to brighten the area.
The artists who contributed to the art in the lane are Fionnuala Halpin, Inkfun, 23mGraphics, Kayde Middleton, and M50signs, working with the Lucky Bag collective as project manager and designer.
The artist Fionnuala Halpin works with businesses, schools, community groups and the city council to bring high quality art to the streets and neighbourhoods of Dublin.
Sean O’Casey depicted in ‘Memory Lane’ on Talbot Lane, off Talbot Street in Dublin (Photograph: Patrick Comerford, 2025)
Dublin City Council is rolling out its plans to revamp laneways in the north inner-city, and Talbot Lane is a colourful example of how this plan is working out. The council is also exploring the idea of opening up city-centre laneways for people to play cricket, inspired by a similar initiative in Melbourne, and Leinster Cricket has been invited to examine the viability of the ‘laneways cricket’ initiative.
A Green Party councillor Janet Horner said recently the initiative would be ideal for lanes that are closed to the public, like Harbour Court, which runs from Abbey Street to the quays. ‘We are starved of inner-city sports spaces,’ she said.
Brendan Doggett, a council administrative officer, pitched the idea for cricket in the laneways after people from Cricket Ireland pointed out that some laneways in Australia are used like this. Michael Darragh MacAuley, community sports engagement manager with the council, has pointed out that in Mountjoy Park the council organises tape ball, a kind of Pakistani street cricket that uses a tennis ball wrapped in electrical tape.
Dublin City Council is investing €2.5 million to revamp the Talbot Street area (Photograph: Patrick Comerford, 2025)
Dublin City Council is investing €2.5 million to revamp Talbot Street and plans to breathe new life into five nearby inner city laneways named in an action plan drawn up by the architect Seán Harrington. The idea is to get businesses that back onto laneways to open up their entrances, and to encourage people to make positive use of these smaller back streets, including Abbey Cottages, Byrne’s Lane, Coles Lane, Talbot Place and Jervis Lane Upper. Talbot Lane was the first of these laneways to be completed.
James Joyce went to school nearby in Belvedere and there is a sculpture of him by Marjorie Fitzgibbon at the O’Connell Street end of Talbot Street, while Sean O’Casey was born on Dorset Street. Constance Markievicz is quoted as saying: ‘Consciousness of their own dignity and worth should be encouraged in women.’ Sean O’Casey is depicted saying: ‘When it was dark … you carried the sun in your hand for me.’
Appropriately, the quotation from James Joyce that is part of his portrait by Fionnuala Halpin in ‘Memory Lane’ on Talbot Lane is: ‘When I die, Dublin will be written in my heart.’
‘Memory Lane’ is a vibrant work of street art on Talbot Lane, off Talbot Street by Fionnuala Halpin (Photograph: Patrick Comerford, 2025)
An Advent Calendar with Patrick Comerford: 5, 4 December 2025
Christmas decorations in the window of the Old George, Stony Stratford (Photograph: Patrick Comerford, 2025)
Patrick Comerford
Advent began this week with Advent Sunday, and the countdown to Christmas is well under way.
At noon each day in Advent this year, I am offering one image as part of my ‘Advent Calendar’ for 2025, and one Advent or Christmas carol or hymn.
‘People, Look East’, which we sang as the Offertory hymn in Saint Mary and Saint Giles Church, Stony Stratford, last Sunday (Advent I, 30 November 2025), was written by Eleanor Farjeon (1881-1965) and was first published in The Oxford Book of Carols (1928).
Eleanor (‘Nellie’) Farjeon, a native of London, was a devout Catholic who viewed her faith as ‘a progression toward which her spiritual life moved rather than a conversion experience.’ She was friends with many leading authors of her day, including DH Lawrence and Robert Frost. She won acclaim as an author of children’s nursery rhymes and singing games, including her best-known poem ‘Morning Has Broken’, made popular by Cat Stevens.
People, look east. The time is near
Of the crowning of the year.
Make your house fair as you are able,
Trim the hearth and set the table.
People, look east and sing today:
Love, the guest, is on the way.
Furrows, be glad. Though earth is bare,
One more seed is planted there:
Give up your strength the seed to nourish,
That in course the flower may flourish.
People, look east and sing today:
Love, the rose, is on the way.
Birds, though you long have ceased to build,
Guard the nest that must be filled.
Even the hour when wings are frozen
God for fledging time has chosen.
People, look east and sing today:
Love, the bird, is on the way.
Stars, keep the watch. When night is dim
One more light the bowl shall brim,
Shining beyond the frosty weather,
Bright as sun and moon together.
People, look east and sing today:
Love, the star, is on the way.
Angels, announce with shouts of mirth
Christ who brings new life to earth.
Set every peak and valley humming
With the word, the Lord is coming.
People, look east and sing today:
Love, the Lord, is on the way.
Patrick Comerford
Advent began this week with Advent Sunday, and the countdown to Christmas is well under way.
At noon each day in Advent this year, I am offering one image as part of my ‘Advent Calendar’ for 2025, and one Advent or Christmas carol or hymn.
‘People, Look East’, which we sang as the Offertory hymn in Saint Mary and Saint Giles Church, Stony Stratford, last Sunday (Advent I, 30 November 2025), was written by Eleanor Farjeon (1881-1965) and was first published in The Oxford Book of Carols (1928).
Eleanor (‘Nellie’) Farjeon, a native of London, was a devout Catholic who viewed her faith as ‘a progression toward which her spiritual life moved rather than a conversion experience.’ She was friends with many leading authors of her day, including DH Lawrence and Robert Frost. She won acclaim as an author of children’s nursery rhymes and singing games, including her best-known poem ‘Morning Has Broken’, made popular by Cat Stevens.
People, look east. The time is near
Of the crowning of the year.
Make your house fair as you are able,
Trim the hearth and set the table.
People, look east and sing today:
Love, the guest, is on the way.
Furrows, be glad. Though earth is bare,
One more seed is planted there:
Give up your strength the seed to nourish,
That in course the flower may flourish.
People, look east and sing today:
Love, the rose, is on the way.
Birds, though you long have ceased to build,
Guard the nest that must be filled.
Even the hour when wings are frozen
God for fledging time has chosen.
People, look east and sing today:
Love, the bird, is on the way.
Stars, keep the watch. When night is dim
One more light the bowl shall brim,
Shining beyond the frosty weather,
Bright as sun and moon together.
People, look east and sing today:
Love, the star, is on the way.
Angels, announce with shouts of mirth
Christ who brings new life to earth.
Set every peak and valley humming
With the word, the Lord is coming.
People, look east and sing today:
Love, the Lord, is on the way.
Daily prayer in Advent 2025:
5, Thursday 4 December 2024
The Acropolis at night, standing on a large rocky outcrop above Athens (Photograph: Patrick Comerford; click on images for full-screen view)
Patrick Comerford
The Season of Advent – and the real countdown to Christmas – began on Sunday with the First Sunday of Advent (30 November 2025), and today there are three weeks to go to Christmas Day. The calendar of the Church of England in Common Worship today remembers Saint John of Damascus (ca 749), Monk, Teacher of the Faith; and Nicholas Ferrar (1592-1637), Deacon, Founder of the Little Gidding Community.
I have a rehearsal with a play-reading group in the library in Stony Stratford later this afternoon. But, before the day begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
The Hill of the Areopagos and the Agora of Athens seen from the Acropolis (Photograph: Patrick Comerford)
Matthew 7: 21, 24-27 (NRSVA):
[Jesus said:] 21 ‘Not everyone who says to me, “Lord, Lord”, will enter the kingdom of heaven, but only one who does the will of my Father in heaven.
24 ‘Everyone then who hears these words of mine and acts on them will be like a wise man who built his house on rock. 25 The rain fell, the floods came, and the winds blew and beat on that house, but it did not fall, because it had been founded on rock. 26 And everyone who hears these words of mine and does not act on them will be like a foolish man who built his house on sand. 27 The rain fell, and the floods came, and the winds blew and beat against that house, and it fell – and great was its fall!’
The Acropolis seen from the new Acropolis Museum on Dionysiou Areopagitou Street, standing on a large rocky outcrop (Photograph: Patrick Comerford)
Today’s reflection:
During visits to Athens, I never fail to be impressed by the overpowering majesty of the Acropolis and the rock on which it is built.
Later in Saint Matthew’s Gospel, Christ uses the word πητρα (petra), meaning a giant rock, again when he says to the Apostle Peter: ‘I tell you, you are Peter, and on this rock I will build my church, and the gates of Hades will not prevail against it’ (Matthew 16: 18).
Other words for rocks in Greek at the time include the word λιθος (lithos), used for a small rock, a stone, or even a pebble – it is the Greek word that gives us words like lithograph and megalithic, meaning Great Stone Age – and πάγος (pagos), which in Ancient Greek, means ‘big piece of rock.’
The last word probably explains the name of the Areopagos in Athens, the prominent outcrop of rock immediately north-west of the Acropolis. Its English name is the composite form of the Greek name, Ἄρειος Πάγος (Areios Págos, ‘Rock of Ares’).
In classical Athens, this functioned as the court for trying deliberate homicide. It was said Ares was put on trial here by the gods for the murder of Halirrhothios, the son of Poseidon. The gods supposedly accepted his defence of justifiable deicide on the grounds that he was defending his daughter Alcippe from unwanted advances.
A temple dedicated to the Erinyes stood at the foot of this rocky outcrop, and murderers sought shelter to escape the consequences of their actions.
Before the 5th century BCE, the Areopagos was the council of elders of Athens, similar to the Roman Senate. But in 462 BCE, Ephialtes put through reforms that deprived the Areopagos of almost all its functions except that of a murder tribunal. The centre of decision-making shifted to the ecclesia or ekklesia (ἐκκλησία), the principal assembly of the democracy of ancient Athens which met at the Theatre of Dionysus from about 300 BCE.
In the play The Eumenides (458 BCE), Aeschylus places the Areopagos as the site of the trial of Orestes for killing his mother Clytemnestra and her lover Aegisthus.
Phryne, the hetaerae or courtesan famed for her beauty, appeared before the Areopagos in the 4th century BCE, accused of profaning the Eleusinian mysteries. One story says she was acquitted when she let her cloak drop, impressing the judges with her physical beauty.
The Areopagos continued to function in Roman times, and the Romans referred to the rocky outcrop as Mars Hill, identifying Ares with Mars, the Roman god of war.
Here too was the Athenian altar to the Unknown God, where the Apostle Paul delivered his speech below the Acropolis in which he says:
22 ‘Athenians, I see how extremely religious you are in every way. 23 For as I went through the city and looked carefully at the objects of your worship, I found among them an altar with the inscription, ‘To an unknown god.’ What therefore you worship as unknown, this I proclaim to you. 24 The God who made the world and everything in it, he who is Lord of heaven and earth, does not live in shrines made by human hands, 25 nor is he served by human hands, as though he needed anything, since he himself gives to all mortals life and breath and all things. 26 From one ancestor he made all nations to inhabit the whole earth, and he allotted the times of their existence and the boundaries of the places where they would live, 27 so that they would search for God and perhaps grope for him and find him – though indeed he is not far from each one of us. 28 For ‘In him we live and move and have our being’; as even some of your own poets have said,
‘For we too are his offspring.’
29 Since we are God’s offspring, we ought not to think that the deity is like gold, or silver, or stone, an image formed by the art and imagination of mortals. 30 While God has overlooked the times of human ignorance, now he commands all people everywhere to repent, 31 because he has fixed a day on which he will have the world judged in righteousness by a man whom he has appointed, and of this he has given assurance to all by raising him from the dead.’(Acts 17: 22-31)
This is the most dramatic and fullest reported sermon or speech in the missionary career of the Apostle Paul. Saint Paul is quoting the Cretan philosopher Epimenides, but the location of his speech has important cultural contexts, including justice, deicide and the hidden God.
After his sermon, a number of people in Athens became followers of Saint Paul. They include a woman named Damaris, and Dionysius the Areopagite (Διονύσιος ὁ Ἀρεωπαγίτης), a judge at the court of the Areopagos who is said to have become the first Bishop of Athens. The street that runs along the southern slope of the Acropolis is Dionysiou Areopagitou. There I have had breakfast before climbing the Acropolis.
Tertullian asked rhetorically, ‘What has Athens to do with Jerusalem?’ (De praescriptione, vii), meaning ‘What has Greek thinking to do with Christianity, or philosophy with theology?’ But Tertullian was strongly influenced by Stoic philosophy, and without that approach he might never have posed his question. His thinking was founded on the two mighty rocks of both philosophy and theology.
But despite all this, do I have the simple but rock-solid faith of Saint Peter, summarised in his simple, direct statement: ‘You are the Messiah, the Son of the living God’ (Matthew 16: 16)?
The Stoa of Attalos beneath the Acropolis at night … Tertullian, who was strongly influenced by Stoic philosophy, asked rhetorically, ‘What has Athens to do with Jerusalem?’ (Photograph: Patrick Comerford)
Today’s Prayers (Thursday 4 December 2025):
The theme this week (30 to 6 December 2025) in Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘The Kingdom is for All’ (pp 6-7). This theme was introduced on Sunday with a programme update from the Revd Magela, Vicar of Cristo Redentor Parish in Tocantins, Brazil and coordinator of Casa A+, a place of hope and healing for people living with HIV.
The USPG Prayer Diary today (Thursday 4 December 2025) invites us to pray:
Let us pray that the Church remains steadfast in its prophetic mission, breaking the silence, welcoming without judgement, and courageously defending life in the face of structures of exclusion.
The Collect:
Almighty God,
Give us grace to cast away the works of darkness
and to put on the armour of light
now in the time of this mortal life,
in which your Son Jesus Christ came to us in great humility;
that on the last day,
when he shall come again in his glorious majesty
to judge the living and the dead,
we may rise to the life immortal;
through him who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post-Communion Prayer:
O Lord our God,
make us watchful and keep us faithful
as we await the coming of your Son our Lord;
that, when he shall appear,
he may not find us sleeping in sin
but active in his service
and joyful in his praise;
through Jesus Christ our Lord.
Additional Collect:
Almighty God,
as your kingdom dawns,
turn us from the darkness of sin
to the light of holiness,
that we may be ready to meet you
in our Lord and Saviour, Jesus Christ.
Yesterday’s Reflections
Continued Tomorrow
On the corner of Dionysiou Areopagitou and Vyronos (Byron) streets in Athens (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Patrick Comerford
The Season of Advent – and the real countdown to Christmas – began on Sunday with the First Sunday of Advent (30 November 2025), and today there are three weeks to go to Christmas Day. The calendar of the Church of England in Common Worship today remembers Saint John of Damascus (ca 749), Monk, Teacher of the Faith; and Nicholas Ferrar (1592-1637), Deacon, Founder of the Little Gidding Community.
I have a rehearsal with a play-reading group in the library in Stony Stratford later this afternoon. But, before the day begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
The Hill of the Areopagos and the Agora of Athens seen from the Acropolis (Photograph: Patrick Comerford)
Matthew 7: 21, 24-27 (NRSVA):
[Jesus said:] 21 ‘Not everyone who says to me, “Lord, Lord”, will enter the kingdom of heaven, but only one who does the will of my Father in heaven.
24 ‘Everyone then who hears these words of mine and acts on them will be like a wise man who built his house on rock. 25 The rain fell, the floods came, and the winds blew and beat on that house, but it did not fall, because it had been founded on rock. 26 And everyone who hears these words of mine and does not act on them will be like a foolish man who built his house on sand. 27 The rain fell, and the floods came, and the winds blew and beat against that house, and it fell – and great was its fall!’
The Acropolis seen from the new Acropolis Museum on Dionysiou Areopagitou Street, standing on a large rocky outcrop (Photograph: Patrick Comerford)
Today’s reflection:
During visits to Athens, I never fail to be impressed by the overpowering majesty of the Acropolis and the rock on which it is built.
Later in Saint Matthew’s Gospel, Christ uses the word πητρα (petra), meaning a giant rock, again when he says to the Apostle Peter: ‘I tell you, you are Peter, and on this rock I will build my church, and the gates of Hades will not prevail against it’ (Matthew 16: 18).
Other words for rocks in Greek at the time include the word λιθος (lithos), used for a small rock, a stone, or even a pebble – it is the Greek word that gives us words like lithograph and megalithic, meaning Great Stone Age – and πάγος (pagos), which in Ancient Greek, means ‘big piece of rock.’
The last word probably explains the name of the Areopagos in Athens, the prominent outcrop of rock immediately north-west of the Acropolis. Its English name is the composite form of the Greek name, Ἄρειος Πάγος (Areios Págos, ‘Rock of Ares’).
In classical Athens, this functioned as the court for trying deliberate homicide. It was said Ares was put on trial here by the gods for the murder of Halirrhothios, the son of Poseidon. The gods supposedly accepted his defence of justifiable deicide on the grounds that he was defending his daughter Alcippe from unwanted advances.
A temple dedicated to the Erinyes stood at the foot of this rocky outcrop, and murderers sought shelter to escape the consequences of their actions.
Before the 5th century BCE, the Areopagos was the council of elders of Athens, similar to the Roman Senate. But in 462 BCE, Ephialtes put through reforms that deprived the Areopagos of almost all its functions except that of a murder tribunal. The centre of decision-making shifted to the ecclesia or ekklesia (ἐκκλησία), the principal assembly of the democracy of ancient Athens which met at the Theatre of Dionysus from about 300 BCE.
In the play The Eumenides (458 BCE), Aeschylus places the Areopagos as the site of the trial of Orestes for killing his mother Clytemnestra and her lover Aegisthus.
Phryne, the hetaerae or courtesan famed for her beauty, appeared before the Areopagos in the 4th century BCE, accused of profaning the Eleusinian mysteries. One story says she was acquitted when she let her cloak drop, impressing the judges with her physical beauty.
The Areopagos continued to function in Roman times, and the Romans referred to the rocky outcrop as Mars Hill, identifying Ares with Mars, the Roman god of war.
Here too was the Athenian altar to the Unknown God, where the Apostle Paul delivered his speech below the Acropolis in which he says:
22 ‘Athenians, I see how extremely religious you are in every way. 23 For as I went through the city and looked carefully at the objects of your worship, I found among them an altar with the inscription, ‘To an unknown god.’ What therefore you worship as unknown, this I proclaim to you. 24 The God who made the world and everything in it, he who is Lord of heaven and earth, does not live in shrines made by human hands, 25 nor is he served by human hands, as though he needed anything, since he himself gives to all mortals life and breath and all things. 26 From one ancestor he made all nations to inhabit the whole earth, and he allotted the times of their existence and the boundaries of the places where they would live, 27 so that they would search for God and perhaps grope for him and find him – though indeed he is not far from each one of us. 28 For ‘In him we live and move and have our being’; as even some of your own poets have said,
‘For we too are his offspring.’
29 Since we are God’s offspring, we ought not to think that the deity is like gold, or silver, or stone, an image formed by the art and imagination of mortals. 30 While God has overlooked the times of human ignorance, now he commands all people everywhere to repent, 31 because he has fixed a day on which he will have the world judged in righteousness by a man whom he has appointed, and of this he has given assurance to all by raising him from the dead.’(Acts 17: 22-31)
This is the most dramatic and fullest reported sermon or speech in the missionary career of the Apostle Paul. Saint Paul is quoting the Cretan philosopher Epimenides, but the location of his speech has important cultural contexts, including justice, deicide and the hidden God.
After his sermon, a number of people in Athens became followers of Saint Paul. They include a woman named Damaris, and Dionysius the Areopagite (Διονύσιος ὁ Ἀρεωπαγίτης), a judge at the court of the Areopagos who is said to have become the first Bishop of Athens. The street that runs along the southern slope of the Acropolis is Dionysiou Areopagitou. There I have had breakfast before climbing the Acropolis.
Tertullian asked rhetorically, ‘What has Athens to do with Jerusalem?’ (De praescriptione, vii), meaning ‘What has Greek thinking to do with Christianity, or philosophy with theology?’ But Tertullian was strongly influenced by Stoic philosophy, and without that approach he might never have posed his question. His thinking was founded on the two mighty rocks of both philosophy and theology.
But despite all this, do I have the simple but rock-solid faith of Saint Peter, summarised in his simple, direct statement: ‘You are the Messiah, the Son of the living God’ (Matthew 16: 16)?
The Stoa of Attalos beneath the Acropolis at night … Tertullian, who was strongly influenced by Stoic philosophy, asked rhetorically, ‘What has Athens to do with Jerusalem?’ (Photograph: Patrick Comerford)
Today’s Prayers (Thursday 4 December 2025):
The theme this week (30 to 6 December 2025) in Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘The Kingdom is for All’ (pp 6-7). This theme was introduced on Sunday with a programme update from the Revd Magela, Vicar of Cristo Redentor Parish in Tocantins, Brazil and coordinator of Casa A+, a place of hope and healing for people living with HIV.
The USPG Prayer Diary today (Thursday 4 December 2025) invites us to pray:
Let us pray that the Church remains steadfast in its prophetic mission, breaking the silence, welcoming without judgement, and courageously defending life in the face of structures of exclusion.
The Collect:
Almighty God,
Give us grace to cast away the works of darkness
and to put on the armour of light
now in the time of this mortal life,
in which your Son Jesus Christ came to us in great humility;
that on the last day,
when he shall come again in his glorious majesty
to judge the living and the dead,
we may rise to the life immortal;
through him who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post-Communion Prayer:
O Lord our God,
make us watchful and keep us faithful
as we await the coming of your Son our Lord;
that, when he shall appear,
he may not find us sleeping in sin
but active in his service
and joyful in his praise;
through Jesus Christ our Lord.
Additional Collect:
Almighty God,
as your kingdom dawns,
turn us from the darkness of sin
to the light of holiness,
that we may be ready to meet you
in our Lord and Saviour, Jesus Christ.
Yesterday’s Reflections
Continued Tomorrow
On the corner of Dionysiou Areopagitou and Vyronos (Byron) streets in Athens (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
03 December 2025
A return visit to Saint Francis Xavier,
the Jesuits’ classical-style church
on Upper Gardiner Street, Dublin
Saint Francis Xavier Church, or Gardiner Street Church, Dublin … designed by Bartholomew Esmonde and Joseph B Keane (Photograph: Patrick Comerford, 2025)
Patrick Comerford
Today, the Church Calendar remembers the great Jesuit saint and missionary, Saint Francis Xavier. During my visit to Dublin this week, I visited Saint Francis Xavier Church, popularly known as Gardiner Street Church, the Jesuit-run church on Upper Gardiner Street, near Mountjoy Square.
Gardiner Street Church has associations with many famous Dubliners, including James Joyce, but this was my first time to visit the church since the funeral of Seán MacBride almost 40 years ago in January 1988.
The church was one of the first to be built in Dublin after Catholic Emancipation in 1829. The church was designed by the Jesuit priest Father Bartholomew Esmonde working with the architect Joseph B Keane, as a classical cut granite stone essay. An earlier chapel at 30 Hardwicke Street was opened by Father Charles Aylmer SJ in 1816, the first public chapel of the restored Society of Jesus.
Inside Saint Francis Xavier Church facing east … the church was built in 1829-1835 (Photograph: Patrick Comerford, 2025)
The four founders of Gardiner Street church were Father Peter Kenny, Father Bartholomew Esmonde, Father Charles Aylmer and Archbishop Daniel Murray. The foundation stone was laid by Father Charles Aylmer on 2 July 1829, the year of Catholic Emancipation, and Archbishop Murray on 3 May 1832 celebrated the first Mass in the church on 3 May 1832 at a temporary altar. The church was solemnly blessed by Archbishop Murray on 12 February 1835 in the presence of 14 bishops and a large congregation.
The church is considered one of the best executed churches of the period. The architectural historian Christine Casey describes it in her book Dublin as ‘the most elegant church of the period in Dublin’. The building is known for its sculpted altar piece and paintings, mostly Italian in origin and dating from the Victorian period.
Father Bartholomew Esmonde (1789-1862) was a Jesuit priest, educator, and amateur architect. He was superior of the Society of Jesus in Ireland briefly in 1820. He was born on 12 December 1789, the second son of Dr John Esmonde and Helen (née O’Callan) of Sallins, Co Kildare. His father was executed by hanging on 13 June 1798 for his part in leading the United Irishmen at the Battle of Prosperous in Co Kildare in the 1798 Rising.
The High Altar and sanctuary in Saint Francis Xavier Church … the high altar was designed in Rome by Bartholomew Esmonde (Photograph: Patrick Comerford, 2025)
Bartholomew Esmonde was a younger brother of Sir Thomas Esmonde (1786-1868), 9th Baronet, MP for Wexford. He was educated at the Jesuit novitiate at Stonyhurst College, England and studied philosophy and theology in Palermo, Italy. Esmonde returned to Ireland as Master of Novices at Clongowes Wood College and later served as Rector of Clongowes, where his nephews, Sir John Esmonde (1826-1876), later the tenth baronet, and Colonel Thomas Esmonde VC (1829-1872), went to school.
Bartholomew Esmonde lived in Rome from 1842 and then in Malta, returning to Ireland in 1850. He died on 15 December 1862. His brother Sir Thomas Esmonde commissioned a portrait of him in the Jesuit building in Gardner Street and a monument in Saint Michael’s Church, Gorey, Co Wexford.
His nephew, Colonel Thomas Esmonde (1829-1872), was decorated with the Victoria Cross for his role in the siege of Sebastopol during the Crimean War. His daughter Eva Esmonde married James Charles Comerford (1842-1907), of Ardavon, Rathdrum, Co Wicklow, and their children included the Irish Republican activist Maire Comerford (1893-1982).
Inside Saint Francis Xavier Church facing west … the organ is played in the 1991 film ‘The Commitments’ (Photograph: Patrick Comerford, 2025)
The Dublin-born architect John Benjamin Keane, who worked closely with Esmonde in designing Gardiner Street Church, also designed courthouses in Tralee, Co Kerry (1828), Tullamore, Co Offaly (1832), Downpatrick, Co Down (1832-1834), and Nenagh, Co Tipperary (1842). It is said he designed the courthouse in Carlow (1830-1834), but this was designed by William Vitruvius Morrison and is modelled on the Temple on the Ilissus in Athens.
Keane also designed Saint Mel’s Cathedral, Longford, and Saint John’s Roman Catholic Church, Waterford. He also worked with Sir Richard Morrison on the Pro-Cathedral in Dublin and with AWN Pugin and Patrick Byrne on the designs for the Loreto Convent chapel and lantern in Rathfarnham.
He first appears in records in 1819, as an assistant to Richard Morrison. Some biographical sources say that Keane was trained as an architect at the Office of Works, Dublin, but this has been questioned. By 1823, he was working independently. He exhibited regularly with the Royal Hibernian Academy from 1828 to 1841.
Keane designed the Gothic Revival quadrangle at Queen’s College, Galway (now NUI Galway) in 1845 very much in the fashion of Christ Church College, Oxford. His other buildings include Ballybay House, Co Monaghan (1830), Belleek Manor, Ballina, Co Mayo (1831), Tullamore Courthouse (1835), the Mausoleum at Oak Park, Co Carlow (1841), the courthouses in Nenagh (1843), Waterford (1849) and Ennis (1852), Saint John’s Church, Waterford (1845), and Barmouth Castle, Co Louth.
He was the engineer on the River Suir navigation in 1846-1848. Towards the end of his life, it appears Keane suffered from alcoholism, falling into debt and was jailed in Marshalsea gaol. He died on 7 October 1859.
The cast-iron foliated pulpit with the ‘IHS’ monogram of the Society of Jesus (Photograph: Patrick Comerford, 2025)
Esmonde’s design of Gardiner Street church is informed by his knowledge of the temples of Italy when he lived there. Esmonde and Keane based their designs on Notre-Dame-de-Lorette in Paris, designed by Louis-Hippolyte Lebas ca1824, and on the Jesuits’ mother church in Rome, the Church of the Gesù, with a nave with low side chapels, shallow transepts and a deep apsidal chancel.
There are differences, however, with the roof in Saint Francis Xavier’s flat and coffered, while at the Gesù, it is barrel-vaulted.
The church is significant for its use of native granite for the portico and the fact that it was completed within a relatively short period of time. The apse was originally rectangular and shallow, but was enlarged in 1851, and this was further influenced by the style of the Gesù.
‘Saint Francis Xavier preaching in Japan’ (1860) over the High Altar by Bernardo Celantano (1835-1863) (Photograph: Patrick Comerford, 2025)
Outside, the figures on top of the front pediment, the Sacred Heart, Saint Ignatius and Saint Francis Xavier, are by the sculptor Terence Farrell (1798-1876). The Latin text on the pediment is Deo Uni Et Trino Sub Invoc S Francisci Xaverii , ‘To God one and Three under the invocation of Saint Francis Xavier’.
It is said Father Esmonde designed and assembled the High Altar in Rome. The paintings and sculpture inside the church include the ‘Madonna and Child’ by Ignazio Jacometti (1881), ‘The Agony in the Garden’ by Jacques Augustin Dieudonne (1848, bought in 1853) and ‘Saint Francis Xavier preaching in Japan’ (1860) over the High Altar by Bernardo Celantano (1835-1863).
There is a cast-iron foliated pulpit, with the ‘IHS’ monogram of the Society of Jesus and gilded portrait heads of ‘Christ Crowned with Thorns’ and the ‘Sorrowful Mother of Christ’, and a balustraded timber rail between the nave and the transept. The retention of these interior fittings is of considerable importance in church architecture.
Four oil paintings in the nave are attributed to Pietro Gagliardi (Rome) and were hung in church when Father Nicholas Walsh was the rector (1877-1884).
The organ has been rebuilt several times, always in original organ case. The original instrument was made by Flight and Robson (London) in 1836, and was bought by the Jesuits for 800 guineas.
The Sacred Heart Chapel in Gardiner Street Church (Photograph: Patrick Comerford, 2025)
The presbytery is on the north side of the church and the Convent of the Sisters of Charity is on the south side. Together, these three form part of a group of impressive ecclesiastical buildings that standing out among the Georgian terraces on the street.
The Jesuits opened a school at Hardwicke Street close to Gardiner Street church in 1832, and this later became Belvedere College on Denmark Street. The church also has close associations with Mother Mary Aikenhead and the early days of the Irish Sisters of Charity.
Over the years, many well-known people have been associated with Saint Francis Xavier’s Church. Matt Talbot, regarded by some as the patron of people struggling with alcoholism, prayed there each morning. John Henry Newman celebrated Mass there when he lived on Dorset Street in 1854. The funeral of the poet Gerard Manley Hopkins was held in the church in 1889.
The church was also the place where Father James Cullen founded the Pioneer Total Abstinence Association in 1898.
The church features in James Joyce’s short story ‘Grace’ in Dubliners and in the 1991 film The Commitments, the church organ is used to play A Whiter Shade of Pale. Many Dubliners also know the church hall, known as the SFX Hall.
The shrine of Blessed John Sullivan in the Sacred Heart Chapel in Gardiner Street Church (Photograph: Patrick Comerford, 2025)
Father John Sullivan, who was based at the church for a short time in 1907, was beatified (declared blessed) in the church, and he is now buried in the church.
John Sullivan (1861-1933) was a Jesuit priest known for his life of deep spiritual reflection and personal sacrifice, and for his dedicated work among the poor. He taught at Clongowes Wood College, Clane, Co Kildare, from 1907 until he died in 1933.
He was born on 8 May 1861 at 41 Eccles Street, Dublin, a son of Sir Edward Sullivan (1822-1885), later the Lord Chancellor of Ireland, and he was baptised in Saint George’s Church of Ireland parish church, Hardwicke Place, on 15 July 1861. Later that year, the family moved to 32 Fitzwilliam Place, Dublin.
He attended Portora Royal School, Enniskillen, studied classics at Trinity College Dublin, and studied for the Bar at Lincoln’s Inn, London. He then travelled across Europe, visiting southern Italy, Macedonia, Greece and Asia Minor, and spent several months in a monastery on Mount Athos.
As a barrister, he was appointed in 1895 to a commission to investigate the massacre of Armenians in Adana, Asia Minor. He joined the Roman Catholic Church at Farm Street Church in Mayfair, London, on 21 December 1896.
From 1900, Sullivan studied with the Jesuits at Tullabeg, near Tullamore, Co Offaly, Stonyhurst and Milltown Park. Archbishop William Walsh of Dublin ordained Sullivan priest in the chapel at Milltown Park in 1907. He said his first Mass at Mount Saint Anne’s convent, Milltown, and was based in Gardiner Street. He then taught at Clongowes Wood College, a Jesuit-run school near Clane, Co Kildare. For five years he was the rector of the Jesuit house at Rathfarnham Castle (1919-1924), but then returned to teaching at Clongowes Wood.
He died in Saint Vincent’s Nursing Home, Lower Leeson Street, Dublin, on 19 February 1933 with his brother Sir William Sullivan at his side. He was buried at Clongowes Wood, but his body was moved to the Sacred Heart Chapel in Gardiner Street Church in 1960.
The chapel of the Virgin Mary in Saint Francis Xavier Church (Photograph: Patrick Comerford, 2025)
Archbishop George Simms spoke at a memorial service on 8 May 1983, to honour Sullivan’s life and work in Saint George’s Church, where Sullivan was baptised. The Catholic Auxiliary Bishop of Dublin, Bishop James Kavanagh, brought greetings from Pope John Paul II.
His beatification was celebrated in Dublin in Saint Francis Xavier Church on 13 May 2017, the first ever beatification to take place in Ireland.
• The Church Co-ordinator (parish priest) is Father Brendan Comerford SJ. Sunday Masses are Sunday 9:15 am, 11 am and 7.30 pm; weekday Masses (Monday to Friday) are at 11 am and 1 pm; Saturday Masses are at 11 am, 1 pm and 6 pm. Gardiner Street Gospel Choir sings at the 7:30 Sunday Mass, except on bank holiday weekends.
A statue of Saint Patrick in Gardiner Street Church (Photograph: Patrick Comerford, 2025)
Patrick Comerford
Today, the Church Calendar remembers the great Jesuit saint and missionary, Saint Francis Xavier. During my visit to Dublin this week, I visited Saint Francis Xavier Church, popularly known as Gardiner Street Church, the Jesuit-run church on Upper Gardiner Street, near Mountjoy Square.
Gardiner Street Church has associations with many famous Dubliners, including James Joyce, but this was my first time to visit the church since the funeral of Seán MacBride almost 40 years ago in January 1988.
The church was one of the first to be built in Dublin after Catholic Emancipation in 1829. The church was designed by the Jesuit priest Father Bartholomew Esmonde working with the architect Joseph B Keane, as a classical cut granite stone essay. An earlier chapel at 30 Hardwicke Street was opened by Father Charles Aylmer SJ in 1816, the first public chapel of the restored Society of Jesus.
Inside Saint Francis Xavier Church facing east … the church was built in 1829-1835 (Photograph: Patrick Comerford, 2025)
The four founders of Gardiner Street church were Father Peter Kenny, Father Bartholomew Esmonde, Father Charles Aylmer and Archbishop Daniel Murray. The foundation stone was laid by Father Charles Aylmer on 2 July 1829, the year of Catholic Emancipation, and Archbishop Murray on 3 May 1832 celebrated the first Mass in the church on 3 May 1832 at a temporary altar. The church was solemnly blessed by Archbishop Murray on 12 February 1835 in the presence of 14 bishops and a large congregation.
The church is considered one of the best executed churches of the period. The architectural historian Christine Casey describes it in her book Dublin as ‘the most elegant church of the period in Dublin’. The building is known for its sculpted altar piece and paintings, mostly Italian in origin and dating from the Victorian period.
Father Bartholomew Esmonde (1789-1862) was a Jesuit priest, educator, and amateur architect. He was superior of the Society of Jesus in Ireland briefly in 1820. He was born on 12 December 1789, the second son of Dr John Esmonde and Helen (née O’Callan) of Sallins, Co Kildare. His father was executed by hanging on 13 June 1798 for his part in leading the United Irishmen at the Battle of Prosperous in Co Kildare in the 1798 Rising.
The High Altar and sanctuary in Saint Francis Xavier Church … the high altar was designed in Rome by Bartholomew Esmonde (Photograph: Patrick Comerford, 2025)
Bartholomew Esmonde was a younger brother of Sir Thomas Esmonde (1786-1868), 9th Baronet, MP for Wexford. He was educated at the Jesuit novitiate at Stonyhurst College, England and studied philosophy and theology in Palermo, Italy. Esmonde returned to Ireland as Master of Novices at Clongowes Wood College and later served as Rector of Clongowes, where his nephews, Sir John Esmonde (1826-1876), later the tenth baronet, and Colonel Thomas Esmonde VC (1829-1872), went to school.
Bartholomew Esmonde lived in Rome from 1842 and then in Malta, returning to Ireland in 1850. He died on 15 December 1862. His brother Sir Thomas Esmonde commissioned a portrait of him in the Jesuit building in Gardner Street and a monument in Saint Michael’s Church, Gorey, Co Wexford.
His nephew, Colonel Thomas Esmonde (1829-1872), was decorated with the Victoria Cross for his role in the siege of Sebastopol during the Crimean War. His daughter Eva Esmonde married James Charles Comerford (1842-1907), of Ardavon, Rathdrum, Co Wicklow, and their children included the Irish Republican activist Maire Comerford (1893-1982).
Inside Saint Francis Xavier Church facing west … the organ is played in the 1991 film ‘The Commitments’ (Photograph: Patrick Comerford, 2025)
The Dublin-born architect John Benjamin Keane, who worked closely with Esmonde in designing Gardiner Street Church, also designed courthouses in Tralee, Co Kerry (1828), Tullamore, Co Offaly (1832), Downpatrick, Co Down (1832-1834), and Nenagh, Co Tipperary (1842). It is said he designed the courthouse in Carlow (1830-1834), but this was designed by William Vitruvius Morrison and is modelled on the Temple on the Ilissus in Athens.
Keane also designed Saint Mel’s Cathedral, Longford, and Saint John’s Roman Catholic Church, Waterford. He also worked with Sir Richard Morrison on the Pro-Cathedral in Dublin and with AWN Pugin and Patrick Byrne on the designs for the Loreto Convent chapel and lantern in Rathfarnham.
He first appears in records in 1819, as an assistant to Richard Morrison. Some biographical sources say that Keane was trained as an architect at the Office of Works, Dublin, but this has been questioned. By 1823, he was working independently. He exhibited regularly with the Royal Hibernian Academy from 1828 to 1841.
Keane designed the Gothic Revival quadrangle at Queen’s College, Galway (now NUI Galway) in 1845 very much in the fashion of Christ Church College, Oxford. His other buildings include Ballybay House, Co Monaghan (1830), Belleek Manor, Ballina, Co Mayo (1831), Tullamore Courthouse (1835), the Mausoleum at Oak Park, Co Carlow (1841), the courthouses in Nenagh (1843), Waterford (1849) and Ennis (1852), Saint John’s Church, Waterford (1845), and Barmouth Castle, Co Louth.
He was the engineer on the River Suir navigation in 1846-1848. Towards the end of his life, it appears Keane suffered from alcoholism, falling into debt and was jailed in Marshalsea gaol. He died on 7 October 1859.
The cast-iron foliated pulpit with the ‘IHS’ monogram of the Society of Jesus (Photograph: Patrick Comerford, 2025)
Esmonde’s design of Gardiner Street church is informed by his knowledge of the temples of Italy when he lived there. Esmonde and Keane based their designs on Notre-Dame-de-Lorette in Paris, designed by Louis-Hippolyte Lebas ca1824, and on the Jesuits’ mother church in Rome, the Church of the Gesù, with a nave with low side chapels, shallow transepts and a deep apsidal chancel.
There are differences, however, with the roof in Saint Francis Xavier’s flat and coffered, while at the Gesù, it is barrel-vaulted.
The church is significant for its use of native granite for the portico and the fact that it was completed within a relatively short period of time. The apse was originally rectangular and shallow, but was enlarged in 1851, and this was further influenced by the style of the Gesù.
‘Saint Francis Xavier preaching in Japan’ (1860) over the High Altar by Bernardo Celantano (1835-1863) (Photograph: Patrick Comerford, 2025)
Outside, the figures on top of the front pediment, the Sacred Heart, Saint Ignatius and Saint Francis Xavier, are by the sculptor Terence Farrell (1798-1876). The Latin text on the pediment is Deo Uni Et Trino Sub Invoc S Francisci Xaverii , ‘To God one and Three under the invocation of Saint Francis Xavier’.
It is said Father Esmonde designed and assembled the High Altar in Rome. The paintings and sculpture inside the church include the ‘Madonna and Child’ by Ignazio Jacometti (1881), ‘The Agony in the Garden’ by Jacques Augustin Dieudonne (1848, bought in 1853) and ‘Saint Francis Xavier preaching in Japan’ (1860) over the High Altar by Bernardo Celantano (1835-1863).
There is a cast-iron foliated pulpit, with the ‘IHS’ monogram of the Society of Jesus and gilded portrait heads of ‘Christ Crowned with Thorns’ and the ‘Sorrowful Mother of Christ’, and a balustraded timber rail between the nave and the transept. The retention of these interior fittings is of considerable importance in church architecture.
Four oil paintings in the nave are attributed to Pietro Gagliardi (Rome) and were hung in church when Father Nicholas Walsh was the rector (1877-1884).
The organ has been rebuilt several times, always in original organ case. The original instrument was made by Flight and Robson (London) in 1836, and was bought by the Jesuits for 800 guineas.
The Sacred Heart Chapel in Gardiner Street Church (Photograph: Patrick Comerford, 2025)
The presbytery is on the north side of the church and the Convent of the Sisters of Charity is on the south side. Together, these three form part of a group of impressive ecclesiastical buildings that standing out among the Georgian terraces on the street.
The Jesuits opened a school at Hardwicke Street close to Gardiner Street church in 1832, and this later became Belvedere College on Denmark Street. The church also has close associations with Mother Mary Aikenhead and the early days of the Irish Sisters of Charity.
Over the years, many well-known people have been associated with Saint Francis Xavier’s Church. Matt Talbot, regarded by some as the patron of people struggling with alcoholism, prayed there each morning. John Henry Newman celebrated Mass there when he lived on Dorset Street in 1854. The funeral of the poet Gerard Manley Hopkins was held in the church in 1889.
The church was also the place where Father James Cullen founded the Pioneer Total Abstinence Association in 1898.
The church features in James Joyce’s short story ‘Grace’ in Dubliners and in the 1991 film The Commitments, the church organ is used to play A Whiter Shade of Pale. Many Dubliners also know the church hall, known as the SFX Hall.
The shrine of Blessed John Sullivan in the Sacred Heart Chapel in Gardiner Street Church (Photograph: Patrick Comerford, 2025)
Father John Sullivan, who was based at the church for a short time in 1907, was beatified (declared blessed) in the church, and he is now buried in the church.
John Sullivan (1861-1933) was a Jesuit priest known for his life of deep spiritual reflection and personal sacrifice, and for his dedicated work among the poor. He taught at Clongowes Wood College, Clane, Co Kildare, from 1907 until he died in 1933.
He was born on 8 May 1861 at 41 Eccles Street, Dublin, a son of Sir Edward Sullivan (1822-1885), later the Lord Chancellor of Ireland, and he was baptised in Saint George’s Church of Ireland parish church, Hardwicke Place, on 15 July 1861. Later that year, the family moved to 32 Fitzwilliam Place, Dublin.
He attended Portora Royal School, Enniskillen, studied classics at Trinity College Dublin, and studied for the Bar at Lincoln’s Inn, London. He then travelled across Europe, visiting southern Italy, Macedonia, Greece and Asia Minor, and spent several months in a monastery on Mount Athos.
As a barrister, he was appointed in 1895 to a commission to investigate the massacre of Armenians in Adana, Asia Minor. He joined the Roman Catholic Church at Farm Street Church in Mayfair, London, on 21 December 1896.
From 1900, Sullivan studied with the Jesuits at Tullabeg, near Tullamore, Co Offaly, Stonyhurst and Milltown Park. Archbishop William Walsh of Dublin ordained Sullivan priest in the chapel at Milltown Park in 1907. He said his first Mass at Mount Saint Anne’s convent, Milltown, and was based in Gardiner Street. He then taught at Clongowes Wood College, a Jesuit-run school near Clane, Co Kildare. For five years he was the rector of the Jesuit house at Rathfarnham Castle (1919-1924), but then returned to teaching at Clongowes Wood.
He died in Saint Vincent’s Nursing Home, Lower Leeson Street, Dublin, on 19 February 1933 with his brother Sir William Sullivan at his side. He was buried at Clongowes Wood, but his body was moved to the Sacred Heart Chapel in Gardiner Street Church in 1960.
The chapel of the Virgin Mary in Saint Francis Xavier Church (Photograph: Patrick Comerford, 2025)
Archbishop George Simms spoke at a memorial service on 8 May 1983, to honour Sullivan’s life and work in Saint George’s Church, where Sullivan was baptised. The Catholic Auxiliary Bishop of Dublin, Bishop James Kavanagh, brought greetings from Pope John Paul II.
His beatification was celebrated in Dublin in Saint Francis Xavier Church on 13 May 2017, the first ever beatification to take place in Ireland.
• The Church Co-ordinator (parish priest) is Father Brendan Comerford SJ. Sunday Masses are Sunday 9:15 am, 11 am and 7.30 pm; weekday Masses (Monday to Friday) are at 11 am and 1 pm; Saturday Masses are at 11 am, 1 pm and 6 pm. Gardiner Street Gospel Choir sings at the 7:30 Sunday Mass, except on bank holiday weekends.
A statue of Saint Patrick in Gardiner Street Church (Photograph: Patrick Comerford, 2025)
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