Dublin’s first ‘’, recalling six Irish Holocaust victims, outside St Catherine’s National School on Donore Avenue (photograph: Patrick Comerford)
Patrick Comerford
A series of memorials in a variety of languages in Auschwitz and Birkenau commemorate the victims of the Holocaust who were murdered in the two concentration camps. Over twenty languages appear on separate plaques, representing the languages and nationalities of the victims. Although there is no plaque in Irish, it would be wrong to think that the Holocaust was something that did not affect Ireland, and I was chilled by one exhibit in Auschwitz that shows how the Nazi plan to exterminate 11 million Jews in Europe included 4,000 Jews in Ireland.
When I was growing up, the area close to Donore Avenue was still Dublin’s ‘Little Jerusalem’. When I was about eleven or twelve, friends introduced me to a schoolboys’ soccer club called Port Vale. The clubhouse was in the Donore Avenue area, but home games were played in Bushy Park in Terenure. Later, at sixteen, I had a school summer holiday placement on Donore Avenue, working as a copyholder or proofreader’s assistant at Irish Printers. Dolphin’s Barn Synagogue was around the corner on the South Circular Road, though it finally closed in 1984.
So, I was moved when the first Stolpersteine or ‘stumbling stones’ in Dublin were put in place in 2022 outside Saint Catherine’s Church of Ireland National School on Donore Avenue. The ‘Stumbling Stones’ by the German artist Gunter Demnig are memorials to victims of the Nazis, including Jews, homosexuals, Romani and the disabled. His project has spread across Europe, with more than 90,000 Stolpersteine in 1,000 or more cities in almost thirty countries.
The six stones on Donore Avenue commemorate six victims of the Holocaust, including four who were born in Dublin or spent their childhood in the city: Ettie Steinberg Gluck, who grew up in Dublin, her husband Wojteck Gluck, and their baby son Leon; and Isaac Shishi, Ephraim Saks and his sister Jeanne (Lena) Saks.
Esther or Ettie Steinberg was one of seven children of Aaron Hirsh Steinberg and his wife Bertha Roth. Ettie was born in the former Czechoslovakia in 1914 and her family moved to Dublin in 1925 when she was 11. The family lived at 28 Raymond Terrace, off South Circular Road, and the children went to school at Saint Catherine’s on Donore Avenue.
Ettie married Vogtjeck Gluck, originally from Belgium, in the Greenville Hall Synagogue on South Circular Road on 22 July 1937. She was twenty-two, he was twenty-four, and they later moved to Antwerp. As the Second World War was looming, they moved to Paris, where their son Leon was born on 28 March 1939. By 1942, they were living in an hotel in Toulouse.
When the Vichy regime began rounding up Jews in southern France, Ettie’s family back in Dublin secured visas that allowed them to travel to Northern Ireland. But when the visas arrived in Toulouse, it was too late: Ettie, Vogtjeck and Leon had been arrested the day before. As they were being transported to the death camps, Ettie wrote a final postcard to her family and threw it out a train window. A passer-by found it and eventually it reached Dublin. Ettie, her husband and their son were taken first to Drancy, a transit camp outside Paris. They were then deported on 2 September 1942 and arrived in Auschwitz two days later. It is assumed they were murdered immediately.
Isaac Shishi, whose family came to Ireland from Lithuania, was bon Isaac Seesee born on 29 January 1891 in the family home at 36 St Alban’s Road, off South Circular Road, and spent his childhood there. He was murdered along with his wife Chana and their daughter Sheine by the Nazis in Vieksniai in Lithuania in 1941.
Ephraim Saks was born Ephraim Jackson on 19 April 1915 in Greenville House on South Circular Road, later the site of the Greenville Hall synagogue. His sister Jeanne (Lena) Saks was born on 2 February 1918. They too spent their childhood on St Alban’s Road. The family remained in Dublin throughout the First World War, but then moved to Antwerp. Ephraim was arrested in Paris in 1939 and was murdered in Auschwitz on 24 August 1942. Lena was taken captive in Antwerp and was murdered in Auschwits in 1942 or 1943. Their brother Jakob, who was born in Leeds in 1906, also spent his childhood in Dublin; he too perished in the Holocaust.
Many Holocaust refugees and survivors came as children to live in Ireland. Tomi Reichental, who was born in Bratislava, Slovakia, in 1935 and Suzi Diamond, who was born near Debrecen in Hungary in 1942, have both addressed Holocaust Memorial Day services in Dublin.
Geoffrey (Günther) Phillips was born in Germany in 1925, and was 13 when he escaped on the Kindertransports to England in 1938. He moved to Ireland in 1951 with his wife Phyllis (Moore) and their three sons. He set up a textiles factory in Dublin, and died in 2011.
Rosel Siev was twelve when Hitler came to power. She escaped from Germany to England, but almost all her family died in the Holocaust. When she was a widow, Rosel married a widowed Irish solicitor, Stanley Siev, and they lived in Rathgar, Dublin, until 2012 when they moved to Manchester. Stanley died in 2014. Rosel’s sister Laura was saved by Oskar Schindler and is included on the scroll of names at the end of the film Schindler’s List.
Inge Radford (1936-2016), who was born in Vienna, escaped to England on the Kindertransports in 1939 at the age of three, and later moved to Belfast. Her widowed mother and five of her brothers were murdered in the Holocaust. Inge was a social worker, a probation officer, and worked in the Royal Victoria Hospital, Belfast. Her husband, Professor Colin Buchanan Radford, was dean of the Faculty of Arts at the Queen’s University of Belfast. Inge lived in Northern Ireland until she died in 2016.
Edith Zinn-Collis was brought to Ireland as a child in 1946 with her brother Zoltan by Dr Bob Collis. She lived in Wicklow and died in 2012. Her brother, Zoltan Zinn-Collis was born around 1940 in Czechoslovakia and was sent to Ravensbruck and Bergen Belsen with his sister and brothers. He died in 2012.
Doris Segal was born Dorathea (Dorli) Klepperova in Czechoslovakia in 1932 and escaped to Ireland with her parents in 1939 when she was seven. She later lived in Dublin and married Jack Segal in 1958. They lived in Terenure and she died in 2018.
Jan Kaminski was born in Poland in 1932. At the age of ten, he escaped a round-up of local Jews, fled into the forests and spent the war on the run. He survived but his entire family perished. He lived most of his life in Dublin and died in 2019.
Dr Ernst Scheyer (1890-1958) brought his son and daughter to Dublin from Germany in the late 1930s. He was rounded up after Krtistallnacht and spent almost a month in Sachsenhausen, a concentration camp near Berlin. He arrived in Dublin on 14 January 1939, and the Scheyer family made their home at 67 Kenilworth Square. He later taught German at Saint Columba’s College, Rathfarnham, and in Trinity College Dublin.
His daughter Renate married another refugee, Robert Weil (1924-1989), in 1948. It was the first wedding in the newly-established Progressive Jewish Synagogue in Dublin. Robert Weil had arrived in Ireland in 1939 as a young Jewish refugee. He went to school at Newtown in Waterford, studied at TCD, and became a teacher of modern languages, especially German, in Belfast.
The Holocaust touched every family in Europe. We should remember that there was a hardly a family that did not lose cousins, neighbours, friends, work colleagues or school friends.
Detail on one of the stumbling stones (photograph: Patrick Comerford)
Sources and further reading:
‘Ireland and the Holocaust’, Holocaust Education Ireland, available at https://www.holocausteducationireland.org/ireland-and-the-holocaust (accessed 1 June 2025).
‘Stumbling stones’ in memory of Irish Holocaust victims unveiled, RTÉ News, 1 June 2022, available at https://www.rte.ie/news/2022/0601/1302393-stumbling-stones/ (accessed 1 June 2025)
Ronan McGreevy, Bryan O’Brien, ‘Stumbling stones’ unveiled in Dublin to remember Irish Holocaust victims, The Irish Times, 1 June 2022 , available at: https://www.irishtimes.com/history/2022/06/01/stumbling-stones-unveiled-in-dublin-to-remember-irish-holocaust-victims/ (accessed 1 June 2025).
Biographical note (p 340)
Patrick Comerford is an Anglican priest and a former professor in Trinity College Dublin and the Church of Ireland Theological Institute. He lives in retirement in Milton Keynes
This essay was published as ‘The children of the Holocaust who called Ireland home, pp 166-170, Chapter 39 in Childhood and the Irish, A miscellany, ed Salvador Ryan (Dublin: Wordwell, 2025), xviii + 344 pp, ISBN: 978-1-916742-19-2, lauched at the Royal Irish Academy, Dublin, earlier this month week (1 December 2025)
With Professor Salvador Ryan (editor, second from left) and some of the other contributors at the launch of ‘Childhood and the Irish, A miscellany’ in the Royal Irish Academy, Dublin, last week (1 December 2025)
pp chaptee 39, pp 166-170
12 December 2025
An Advent Calendar with Patrick Comerford: 13, 12 December 2025
Santa’s workshop in the window of the Vaults Bar at the Bull Hotel on the High Street in Stony Stratford (Photographs: Patrick Comerford, 2025)
Patrick Comerford
We are half-way through Advent this year and the week began with the Second Sunday of Advent (Advent II, 7 December 2025). Yet I am sure many of us still have lists that need to be revised, presents that have still not been bought are wrapped, and cards that have yet to be sent.
At noon each day this Advent, I am offering one image as part of my ‘Advent Calendar’ for 2025, and one Advent or Christmas carol, hymn or song. Most of the windows in shops on the High Street in Stony Stratford have taken the theme of Christmas sweets, which was also the theme in the town’s Lantern Parade (29 November 2025), just before Adent began.
My image today is Santa’s workshop, depicted in the window of the Vaults Bar at the Bull Hotel on the High Street in Stony Stratford, Stony Stratford.
My choice today is not so much an Advent hymn or carol today but a song that captures the sweet childish joy of anticipating and waiting for Santa at Christmas time.
‘Santa Claus is coming to town’ was written by J Fred Coots (1897-1985) and Henry Gillespie (1898-1975) and it was first recorded by Harry Reser and His Orchestra in 1934.
You better watch out
You better not cry
Better not pout
I’m telling you why
Santa Claus is coming to town
He’s making a list,
And checking it twice;
Gonna find out who’s naughty or nice.
Santa Claus is coming to town
He sees you when you are sleeping
He knows when you’re awake
He knows if you've been bad or good
So be good for goodness sake!
O! You better watch out!
You better not cry.
Better not pout, I'm telling you why.
Santa Claus is coming to town.
You better watch out
You better not cry
Better not pout
I’m telling you why
Santa Claus is coming to town.
He’s making a list,
And checking it twice;
Gonna find out who’s naughty and nice.
Santa Claus is coming to town.
He sees you when you’re sleeping
He knows when you’re awake
He knows if you’ve been bad or good
So be good for goodness sake!
O! You better watch out!
You better not cry.
Better not pout, I’m telling you why.
Santa Claus is coming to town.
Santa Claus is coming to town.
Patrick Comerford
We are half-way through Advent this year and the week began with the Second Sunday of Advent (Advent II, 7 December 2025). Yet I am sure many of us still have lists that need to be revised, presents that have still not been bought are wrapped, and cards that have yet to be sent.
At noon each day this Advent, I am offering one image as part of my ‘Advent Calendar’ for 2025, and one Advent or Christmas carol, hymn or song. Most of the windows in shops on the High Street in Stony Stratford have taken the theme of Christmas sweets, which was also the theme in the town’s Lantern Parade (29 November 2025), just before Adent began.
My image today is Santa’s workshop, depicted in the window of the Vaults Bar at the Bull Hotel on the High Street in Stony Stratford, Stony Stratford.
My choice today is not so much an Advent hymn or carol today but a song that captures the sweet childish joy of anticipating and waiting for Santa at Christmas time.
‘Santa Claus is coming to town’ was written by J Fred Coots (1897-1985) and Henry Gillespie (1898-1975) and it was first recorded by Harry Reser and His Orchestra in 1934.
You better watch out
You better not cry
Better not pout
I’m telling you why
Santa Claus is coming to town
He’s making a list,
And checking it twice;
Gonna find out who’s naughty or nice.
Santa Claus is coming to town
He sees you when you are sleeping
He knows when you’re awake
He knows if you've been bad or good
So be good for goodness sake!
O! You better watch out!
You better not cry.
Better not pout, I'm telling you why.
Santa Claus is coming to town.
You better watch out
You better not cry
Better not pout
I’m telling you why
Santa Claus is coming to town.
He’s making a list,
And checking it twice;
Gonna find out who’s naughty and nice.
Santa Claus is coming to town.
He sees you when you’re sleeping
He knows when you’re awake
He knows if you’ve been bad or good
So be good for goodness sake!
O! You better watch out!
You better not cry.
Better not pout, I’m telling you why.
Santa Claus is coming to town.
Santa Claus is coming to town.
Daily prayer in Advent 2025:
13, Friday 12 December 2025
‘We played the flute for you, and you did not dance; we wailed, and you did not mourn’ (Matthew 11: 17) … traditional musicians in Nevşehir in Turkey (Photograph: Patrick Comerford)
Patrick Comerford
We have passed the half-way into the Season of Advent, and the countdown to Christmas seems to be gathering pace. This week began with the Second Sunday of Advent (Advent II, 7 December 2025). Before today begins and before I catch my buses to Oxford, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
‘We played the flute for you, and you did not dance; we wailed, and you did not mourn’ (Matthew 11: 17) … ‘Τα κάλαντα’ (‘Carols’), Νικηφόρος Λύτρας (Nikiphoros Lytras)
Matthew 11: 16-19 (NRSVA):
[Jesus said:] 16 ‘But to what will I compare this generation? It is like children sitting in the market-places and calling to one another,
17 “We played the flute for you, and you did not dance;
we wailed, and you did not mourn.”
18 For John came neither eating nor drinking, and they say, “He has a demon”; 19 the Son of Man came eating and drinking, and they say, “Look, a glutton and a drunkard, a friend of tax-collectors and sinners!” Yet wisdom is vindicated by her deeds.’
Marc Chagall’s painting ‘The Fiddler’ (1913) … inspired the title of the film ‘Fiddler on the Roof’ (1971)
Today’s reflection:
The theme in the lectionary readings last Sunday for Advent II (7 December 2025) was the Prophets, while next Sunday the theme is Saint John the Baptist (Advent III, 14 December 2025). Those two themes continue to be linked in this morning’s Gospel reading at the Eucharist (Matthew 11: 11-19), when Christ contrasts the reasons John was rejected with the reasons he is criticised.
Have you ever stayed up late, far too late, too late into the night, watching your favourite sport late at night on the television?
The World Cup qualifiers, the Test matches in Australia, late-night golf and tennis – they all offer gripping entertainment.
And even when the team we support or the players we identify with do not qualify, we keep on watching, waiting and hoping.
If this is you, if you sit on the edge of your chair rather than resting back on a comfortable cushion, then you know the difference between being a spectator and being a participant.
You don’t have to fly any flags from your window, or have your face painted to still enter into the spirit of great sporting events.
Entering into the spirit of a game moves us from being mere spectators to feeling we truly are participants … that every shout and every roar is a passionate response, is true encouragement, is wish fulfilment … the more passion the more we not only hope but believe that our team is going to win.
When we go to baptisms, weddings and funerals, the attitude we go with makes a world of difference: do I go as a spectator or as a participant?
Imagine going to a funeral and failing to offer sympathy to those who are grieving and mourning.
Imagine going to a wedding reception, but not taking your place at the table, not cheering the bride and groom, not getting onto the floor and dancing.
Sometimes we can get a little too precious, a little too worried about sending out the wrong signals. If we stand back, then like John the Baptist in this morning’s Gospel reading are we in danger of being reproached for being aloof from others (see Matthew 11: 18)? If we enjoy ourselves, then, like Jesus in this morning’s Gospel reading, are we going to be seen as too interested in eating and drinking (verse 19; cf Romans 7: 15-16)?
When we go to church on Sundays, we have to ask ourselves whether we are here as spectators or as participants.
When we join in waves and chants at a football match, when join in the dance at weddings, when we sing the hymns and enter into the prayers in church on a Sunday, we are moving from being observers and spectators to being participants.
The great opportunity for this transformation is provided Sunday after Sunday, in the invitation to move from being at the Liturgy to being in the Liturgy.
If you have been to the Middle East, or you have seen Fiddler on the Roof, you know that dancing at Jewish weddings is traditionally a male celebration.
At funerals in many Mediterranean countries, open mourning and weeping is a sign not just of individual grief, but of public grief, and of the esteem the community holds for the person who has died.
These traditions were passed on through the generations – by children learning from adults, and by children teaching each other.
In this morning’s Gospel reading, we see how Christ has noticed this in the streets and the back alleys as he moves through the towns and cities.
He sees the children playing, the boys playing wedding dances, and the girls playing funeral wailing and mourning.
He notices the ways in which children can reproach each other for not joining in their playfulness:
We played the flute for you, and you did not dance;
we wailed, and you did not mourn. (verse 17)
Even as he speaks there is playfulness in the way Jesus phrases his observation, there is humour in the way he uses words that rhyme for dance and mourn at the end of each line of the children’s taunts.
Perhaps he is repeating an everyday rebuke at the time for people who stand back from what others are doing.
The boys playing tin whistles and tin drums are learning to become adult men. The girls wailing and beating their breasts in mock weeping are learning to become adult women. Each group is growing into the roles and rituals that will be expected of them when they mature.
Like all good children’s games, the point is the game, not who wins.
When we refuse to take part in the game, in the ritual, we refuse to take part in the shaping of society, we are in danger of denying our shared culture, denying our shared humanity.
If I stand back detached, and remain a mere observer of the joys and sorrow in the lives of others, I am not sharing in their humanity.
And in not sharing in your humanity, I am failing to acknowledge that you too are made in the image and likeness of God.
But when we rejoice with people in their joys, and when we mourn with people in their sorrows, we are putting into practice what the doctrine of the Trinity teaches us about us being not only made in the image and likeness of God individually but communally and collectively too as humanity.
Imagine going to a wedding but not getting onto the floor and dancing (Photograph: Patrick Comerford)
Today’s Prayers (Friday 12 December 2025):
The theme this week (7 to 13 December 2025) in Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Divine Sufficiency’ (pp 8-9). This theme was introduced on Sunday with Reflections from the Revd Neli Miranda, Vicar at Saint James the Apostle in Guatemala City and Professor of Theology at the University Mariano Gálvez of Guatemala.
The USPG Prayer Diary today (Friday 12 December 2025) invites us to pray:
We pray for justice in Guatemala, asking that leaders act with integrity, end corruption, and promote policies that allow all people to live with dignity.
Collect:
O Lord, raise up, we pray, your power
and come among us,
and with great might succour us;
that whereas, through our sins and wickedness
we are grievously hindered
in running the race that is set before us,
your bountiful grace and mercy
may speedily help and deliver us;
through Jesus Christ your Son our Lord,
to whom with you and the Holy Spirit,
be honour and glory, now and for ever.
Post Communion:
Father in heaven,
who sent your Son to redeem the world
and will send him again to be our judge:
give us grace so to imitate him
in the humility and purity of his first coming
that, when he comes again,
we may be ready to greet him
with joyful love and firm faith;
through Jesus Christ our Lord.
Additional Collect:
Almighty God,
purify our hearts and minds,
that when your Son Jesus Christ comes again
as judge and saviour
we may be ready to receive him,
who is our Lord and our God.
Yesterday’s Reflections
Continued Tomorrow
Peter Brueghel the Younger, ‘A Peasant Wedding’ (1620), in the National Gallery of Ireland (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Patrick Comerford
We have passed the half-way into the Season of Advent, and the countdown to Christmas seems to be gathering pace. This week began with the Second Sunday of Advent (Advent II, 7 December 2025). Before today begins and before I catch my buses to Oxford, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
‘We played the flute for you, and you did not dance; we wailed, and you did not mourn’ (Matthew 11: 17) … ‘Τα κάλαντα’ (‘Carols’), Νικηφόρος Λύτρας (Nikiphoros Lytras)
Matthew 11: 16-19 (NRSVA):
[Jesus said:] 16 ‘But to what will I compare this generation? It is like children sitting in the market-places and calling to one another,
17 “We played the flute for you, and you did not dance;
we wailed, and you did not mourn.”
18 For John came neither eating nor drinking, and they say, “He has a demon”; 19 the Son of Man came eating and drinking, and they say, “Look, a glutton and a drunkard, a friend of tax-collectors and sinners!” Yet wisdom is vindicated by her deeds.’
Marc Chagall’s painting ‘The Fiddler’ (1913) … inspired the title of the film ‘Fiddler on the Roof’ (1971)
Today’s reflection:
The theme in the lectionary readings last Sunday for Advent II (7 December 2025) was the Prophets, while next Sunday the theme is Saint John the Baptist (Advent III, 14 December 2025). Those two themes continue to be linked in this morning’s Gospel reading at the Eucharist (Matthew 11: 11-19), when Christ contrasts the reasons John was rejected with the reasons he is criticised.
Have you ever stayed up late, far too late, too late into the night, watching your favourite sport late at night on the television?
The World Cup qualifiers, the Test matches in Australia, late-night golf and tennis – they all offer gripping entertainment.
And even when the team we support or the players we identify with do not qualify, we keep on watching, waiting and hoping.
If this is you, if you sit on the edge of your chair rather than resting back on a comfortable cushion, then you know the difference between being a spectator and being a participant.
You don’t have to fly any flags from your window, or have your face painted to still enter into the spirit of great sporting events.
Entering into the spirit of a game moves us from being mere spectators to feeling we truly are participants … that every shout and every roar is a passionate response, is true encouragement, is wish fulfilment … the more passion the more we not only hope but believe that our team is going to win.
When we go to baptisms, weddings and funerals, the attitude we go with makes a world of difference: do I go as a spectator or as a participant?
Imagine going to a funeral and failing to offer sympathy to those who are grieving and mourning.
Imagine going to a wedding reception, but not taking your place at the table, not cheering the bride and groom, not getting onto the floor and dancing.
Sometimes we can get a little too precious, a little too worried about sending out the wrong signals. If we stand back, then like John the Baptist in this morning’s Gospel reading are we in danger of being reproached for being aloof from others (see Matthew 11: 18)? If we enjoy ourselves, then, like Jesus in this morning’s Gospel reading, are we going to be seen as too interested in eating and drinking (verse 19; cf Romans 7: 15-16)?
When we go to church on Sundays, we have to ask ourselves whether we are here as spectators or as participants.
When we join in waves and chants at a football match, when join in the dance at weddings, when we sing the hymns and enter into the prayers in church on a Sunday, we are moving from being observers and spectators to being participants.
The great opportunity for this transformation is provided Sunday after Sunday, in the invitation to move from being at the Liturgy to being in the Liturgy.
If you have been to the Middle East, or you have seen Fiddler on the Roof, you know that dancing at Jewish weddings is traditionally a male celebration.
At funerals in many Mediterranean countries, open mourning and weeping is a sign not just of individual grief, but of public grief, and of the esteem the community holds for the person who has died.
These traditions were passed on through the generations – by children learning from adults, and by children teaching each other.
In this morning’s Gospel reading, we see how Christ has noticed this in the streets and the back alleys as he moves through the towns and cities.
He sees the children playing, the boys playing wedding dances, and the girls playing funeral wailing and mourning.
He notices the ways in which children can reproach each other for not joining in their playfulness:
We played the flute for you, and you did not dance;
we wailed, and you did not mourn. (verse 17)
Even as he speaks there is playfulness in the way Jesus phrases his observation, there is humour in the way he uses words that rhyme for dance and mourn at the end of each line of the children’s taunts.
Perhaps he is repeating an everyday rebuke at the time for people who stand back from what others are doing.
The boys playing tin whistles and tin drums are learning to become adult men. The girls wailing and beating their breasts in mock weeping are learning to become adult women. Each group is growing into the roles and rituals that will be expected of them when they mature.
Like all good children’s games, the point is the game, not who wins.
When we refuse to take part in the game, in the ritual, we refuse to take part in the shaping of society, we are in danger of denying our shared culture, denying our shared humanity.
If I stand back detached, and remain a mere observer of the joys and sorrow in the lives of others, I am not sharing in their humanity.
And in not sharing in your humanity, I am failing to acknowledge that you too are made in the image and likeness of God.
But when we rejoice with people in their joys, and when we mourn with people in their sorrows, we are putting into practice what the doctrine of the Trinity teaches us about us being not only made in the image and likeness of God individually but communally and collectively too as humanity.
Imagine going to a wedding but not getting onto the floor and dancing (Photograph: Patrick Comerford)
Today’s Prayers (Friday 12 December 2025):
The theme this week (7 to 13 December 2025) in Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Divine Sufficiency’ (pp 8-9). This theme was introduced on Sunday with Reflections from the Revd Neli Miranda, Vicar at Saint James the Apostle in Guatemala City and Professor of Theology at the University Mariano Gálvez of Guatemala.
The USPG Prayer Diary today (Friday 12 December 2025) invites us to pray:
We pray for justice in Guatemala, asking that leaders act with integrity, end corruption, and promote policies that allow all people to live with dignity.
Collect:
O Lord, raise up, we pray, your power
and come among us,
and with great might succour us;
that whereas, through our sins and wickedness
we are grievously hindered
in running the race that is set before us,
your bountiful grace and mercy
may speedily help and deliver us;
through Jesus Christ your Son our Lord,
to whom with you and the Holy Spirit,
be honour and glory, now and for ever.
Post Communion:
Father in heaven,
who sent your Son to redeem the world
and will send him again to be our judge:
give us grace so to imitate him
in the humility and purity of his first coming
that, when he comes again,
we may be ready to greet him
with joyful love and firm faith;
through Jesus Christ our Lord.
Additional Collect:
Almighty God,
purify our hearts and minds,
that when your Son Jesus Christ comes again
as judge and saviour
we may be ready to receive him,
who is our Lord and our God.
Yesterday’s Reflections
Continued Tomorrow
Peter Brueghel the Younger, ‘A Peasant Wedding’ (1620), in the National Gallery of Ireland (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
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