04 December 2025

‘Memory Lane’, colourful
street art on Talbot Lane,
brings new life to a corner
of north inner city Dublin

James Joyce depicted in ‘Memory Lane’ on Talbot Lane, off Talbot Street in Dublin (Photograph: Patrick Comerford, 2025)

Patrick Comerford

I was in north inner city Dublin earlier this week, to see the Pro-Cathedral on Marlborough Street, which has become Saint Mary’s Cathedral in recent weeks, to look again at the Welsh Chapel on Talbot Street, which is being saved from deterioration, and to visit Saint Francis Xavier Church on Upper Gardiner Street.

For too many years, Talbot Street has been a neglected, unattractive street in the northside inner city, and was hardly an inviting welcome to visitors to Dublin walking from Connolly Station on Amiens Street to O’Connell Street and the heart of the city centre.

But Dublin City Council is looking at the causes and effects of these realities. Dublin has a vibrant street art scene and the Talbot Lane Mural is a bright and colourful addition to Dulin’s public art scene and part of a positive initiative to make the area more attractive and inviting.

‘Memory Lane’ on Talbot Lane celebrates the area’s history and heritage of the inner city (Photograph: Patrick Comerford, 2025)

‘Memory Lane’ is a vibrant work of street art on Talbot Lane by Fionnuala Halpin that depicts the area’s history, with images of amusement arcades, a jarvey, Georgian doorways, literary figures such as James Joyce and Sean O’Casey, and the revolutionary suffragette Countess Markievicz.

The Talbot Lane mural was supported by Dublin City Council and celebrates the history, architecture and literary and political legacy of the north inner city, as well as recalling Barney’s Arcade in nearby Marlborough Place, the site in the 18th century of the Marlborough Green Synagogue, from about 1762 to 1790 or 1791.

Countess Markievicz depicted in ‘Memory Lane’ on Talbot Lane, off Talbot Street in Dublin (Photograph: Patrick Comerford, 2025)

Talbot Lane is a small, narrow cobbled alleyway between Talbot Street and Marlborough Place, features a collection of bright new street art murals, and this work of art is part of the city council’s regeneration project to brighten the area.

The artists who contributed to the art in the lane are Fionnuala Halpin, Inkfun, 23mGraphics, Kayde Middleton, and M50signs, working with the Lucky Bag collective as project manager and designer.

The artist Fionnuala Halpin works with businesses, schools, community groups and the city council to bring high quality art to the streets and neighbourhoods of Dublin.

Sean O’Casey depicted in ‘Memory Lane’ on Talbot Lane, off Talbot Street in Dublin (Photograph: Patrick Comerford, 2025)

Dublin City Council is rolling out its plans to revamp laneways in the north inner-city, and Talbot Lane is a colourful example of how this plan is working out. The council is also exploring the idea of opening up city-centre laneways for people to play cricket, inspired by a similar initiative in Melbourne, and Leinster Cricket has been invited to examine the viability of the ‘laneways cricket’ initiative.

A Green Party councillor Janet Horner said recently the initiative would be ideal for lanes that are closed to the public, like Harbour Court, which runs from Abbey Street to the quays. ‘We are starved of inner-city sports spaces,’ she said.

Brendan Doggett, a council administrative officer, pitched the idea for cricket in the laneways after people from Cricket Ireland pointed out that some laneways in Australia are used like this. Michael Darragh MacAuley, community sports engagement manager with the council, has pointed out that in Mountjoy Park the council organises tape ball, a kind of Pakistani street cricket that uses a tennis ball wrapped in electrical tape.

Dublin City Council is investing €2.5 million to revamp the Talbot Street area (Photograph: Patrick Comerford, 2025)

Dublin City Council is investing €2.5 million to revamp Talbot Street and plans to breathe new life into five nearby inner city laneways named in an action plan drawn up by the architect Seán Harrington. The idea is to get businesses that back onto laneways to open up their entrances, and to encourage people to make positive use of these smaller back streets, including Abbey Cottages, Byrne’s Lane, Coles Lane, Talbot Place and Jervis Lane Upper. Talbot Lane was the first of these laneways to be completed.

James Joyce went to school nearby in Belvedere and there is a sculpture of him by Marjorie Fitzgibbon at the O’Connell Street end of Talbot Street, while Sean O’Casey was born on Dorset Street. Constance Markievicz is quoted as saying: ‘Consciousness of their own dignity and worth should be encouraged in women.’ Sean O’Casey is depicted saying: ‘When it was dark … you carried the sun in your hand for me.’

Appropriately, the quotation from James Joyce that is part of his portrait by Fionnuala Halpin in ‘Memory Lane’ on Talbot Lane is: ‘When I die, Dublin will be written in my heart.’

‘Memory Lane’ is a vibrant work of street art on Talbot Lane, off Talbot Street by Fionnuala Halpin (Photograph: Patrick Comerford, 2025)

An Advent Calendar with Patrick Comerford: 5, 4 December 2025

Christmas decorations in the window of the Old George, Stony Stratford (Photograph: Patrick Comerford, 2025)

Patrick Comerford

Advent began this week with Advent Sunday, and the countdown to Christmas is well under way.

At noon each day in Advent this year, I am offering one image as part of my ‘Advent Calendar’ for 2025, and one Advent or Christmas carol or hymn.

‘People, Look East’, which we sang as the Offertory hymn in Saint Mary and Saint Giles Church, Stony Stratford, last Sunday (Advent I, 30 November 2025), was written by Eleanor Farjeon (1881-1965) and was first published in The Oxford Book of Carols (1928).

Eleanor (‘Nellie’) Farjeon, a native of London, was a devout Catholic who viewed her faith as ‘a progression toward which her spiritual life moved rather than a conversion experience.’ She was friends with many leading authors of her day, including DH Lawrence and Robert Frost. She won acclaim as an author of children’s nursery rhymes and singing games, including her best-known poem ‘Morning Has Broken’, made popular by Cat Stevens.

People, look east. The time is near
Of the crowning of the year.
Make your house fair as you are able,
Trim the hearth and set the table.
People, look east and sing today:
Love, the guest, is on the way.

Furrows, be glad. Though earth is bare,
One more seed is planted there:
Give up your strength the seed to nourish,
That in course the flower may flourish.
People, look east and sing today:
Love, the rose, is on the way.

Birds, though you long have ceased to build,
Guard the nest that must be filled.
Even the hour when wings are frozen
God for fledging time has chosen.
People, look east and sing today:
Love, the bird, is on the way.

Stars, keep the watch. When night is dim
One more light the bowl shall brim,
Shining beyond the frosty weather,
Bright as sun and moon together.
People, look east and sing today:
Love, the star, is on the way.

Angels, announce with shouts of mirth
Christ who brings new life to earth.
Set every peak and valley humming
With the word, the Lord is coming.
People, look east and sing today:
Love, the Lord, is on the way.



Daily prayer in Advent 2025:
5, Thursday 4 December 2024

The Acropolis at night, standing on a large rocky outcrop above Athens (Photograph: Patrick Comerford; click on images for full-screen view)

Patrick Comerford

The Season of Advent – and the real countdown to Christmas – began on Sunday with the First Sunday of Advent (30 November 2025), and today there are three weeks to go to Christmas Day. The calendar of the Church of England in Common Worship today remembers Saint John of Damascus (ca 749), Monk, Teacher of the Faith; and Nicholas Ferrar (1592-1637), Deacon, Founder of the Little Gidding Community.

I have a rehearsal with a play-reading group in the library in Stony Stratford later this afternoon. But, before the day begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:

1, today’s Gospel reading;

2, a short reflection;

3, a prayer from the USPG prayer diary;

4, the Collects and Post-Communion prayer of the day.

The Hill of the Areopagos and the Agora of Athens seen from the Acropolis (Photograph: Patrick Comerford)

Matthew 7: 21, 24-27 (NRSVA):

[Jesus said:] 21 ‘Not everyone who says to me, “Lord, Lord”, will enter the kingdom of heaven, but only one who does the will of my Father in heaven.

24 ‘Everyone then who hears these words of mine and acts on them will be like a wise man who built his house on rock. 25 The rain fell, the floods came, and the winds blew and beat on that house, but it did not fall, because it had been founded on rock. 26 And everyone who hears these words of mine and does not act on them will be like a foolish man who built his house on sand. 27 The rain fell, and the floods came, and the winds blew and beat against that house, and it fell – and great was its fall!’

The Acropolis seen from the new Acropolis Museum on Dionysiou Areopagitou Street, standing on a large rocky outcrop (Photograph: Patrick Comerford)

Today’s reflection:

During visits to Athens, I never fail to be impressed by the overpowering majesty of the Acropolis and the rock on which it is built.

Later in Saint Matthew’s Gospel, Christ uses the word πητρα (petra), meaning a giant rock, again when he says to the Apostle Peter: ‘I tell you, you are Peter, and on this rock I will build my church, and the gates of Hades will not prevail against it’ (Matthew 16: 18).

Other words for rocks in Greek at the time include the word λιθος (lithos), used for a small rock, a stone, or even a pebble – it is the Greek word that gives us words like lithograph and megalithic, meaning Great Stone Age – and πάγος (pagos), which in Ancient Greek, means ‘big piece of rock.’

The last word probably explains the name of the Areopagos in Athens, the prominent outcrop of rock immediately north-west of the Acropolis. Its English name is the composite form of the Greek name, Ἄρειος Πάγος (Areios Págos, ‘Rock of Ares’).

In classical Athens, this functioned as the court for trying deliberate homicide. It was said Ares was put on trial here by the gods for the murder of Halirrhothios, the son of Poseidon. The gods supposedly accepted his defence of justifiable deicide on the grounds that he was defending his daughter Alcippe from unwanted advances.

A temple dedicated to the Erinyes stood at the foot of this rocky outcrop, and murderers sought shelter to escape the consequences of their actions.

Before the 5th century BCE, the Areopagos was the council of elders of Athens, similar to the Roman Senate. But in 462 BCE, Ephialtes put through reforms that deprived the Areopagos of almost all its functions except that of a murder tribunal. The centre of decision-making shifted to the ecclesia or ekklesia (ἐκκλησία), the principal assembly of the democracy of ancient Athens which met at the Theatre of Dionysus from about 300 BCE.

In the play The Eumenides (458 BCE), Aeschylus places the Areopagos as the site of the trial of Orestes for killing his mother Clytemnestra and her lover Aegisthus.

Phryne, the hetaerae or courtesan famed for her beauty, appeared before the Areopagos in the 4th century BCE, accused of profaning the Eleusinian mysteries. One story says she was acquitted when she let her cloak drop, impressing the judges with her physical beauty.

The Areopagos continued to function in Roman times, and the Romans referred to the rocky outcrop as Mars Hill, identifying Ares with Mars, the Roman god of war.

Here too was the Athenian altar to the Unknown God, where the Apostle Paul delivered his speech below the Acropolis in which he says:

22 ‘Athenians, I see how extremely religious you are in every way. 23 For as I went through the city and looked carefully at the objects of your worship, I found among them an altar with the inscription, ‘To an unknown god.’ What therefore you worship as unknown, this I proclaim to you. 24 The God who made the world and everything in it, he who is Lord of heaven and earth, does not live in shrines made by human hands, 25 nor is he served by human hands, as though he needed anything, since he himself gives to all mortals life and breath and all things. 26 From one ancestor he made all nations to inhabit the whole earth, and he allotted the times of their existence and the boundaries of the places where they would live, 27 so that they would search for God and perhaps grope for him and find him – though indeed he is not far from each one of us. 28 For ‘In him we live and move and have our being’; as even some of your own poets have said,

‘For we too are his offspring.’

29 Since we are God’s offspring, we ought not to think that the deity is like gold, or silver, or stone, an image formed by the art and imagination of mortals. 30 While God has overlooked the times of human ignorance, now he commands all people everywhere to repent, 31 because he has fixed a day on which he will have the world judged in righteousness by a man whom he has appointed, and of this he has given assurance to all by raising him from the dead.’(Acts 17: 22-31)

This is the most dramatic and fullest reported sermon or speech in the missionary career of the Apostle Paul. Saint Paul is quoting the Cretan philosopher Epimenides, but the location of his speech has important cultural contexts, including justice, deicide and the hidden God.

After his sermon, a number of people in Athens became followers of Saint Paul. They include a woman named Damaris, and Dionysius the Areopagite (Διονύσιος ὁ Ἀρεωπαγίτης), a judge at the court of the Areopagos who is said to have become the first Bishop of Athens. The street that runs along the southern slope of the Acropolis is Dionysiou Areopagitou. There I have had breakfast before climbing the Acropolis.

Tertullian asked rhetorically, ‘What has Athens to do with Jerusalem?’ (De praescriptione, vii), meaning ‘What has Greek thinking to do with Christianity, or philosophy with theology?’ But Tertullian was strongly influenced by Stoic philosophy, and without that approach he might never have posed his question. His thinking was founded on the two mighty rocks of both philosophy and theology.

But despite all this, do I have the simple but rock-solid faith of Saint Peter, summarised in his simple, direct statement: ‘You are the Messiah, the Son of the living God’ (Matthew 16: 16)?

The Stoa of Attalos beneath the Acropolis at night … Tertullian, who was strongly influenced by Stoic philosophy, asked rhetorically, ‘What has Athens to do with Jerusalem?’ (Photograph: Patrick Comerford)

Today’s Prayers (Thursday 4 December 2025):

The theme this week (30 to 6 December 2025) in Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘The Kingdom is for All’ (pp 6-7). This theme was introduced on Sunday with a programme update from the Revd Magela, Vicar of Cristo Redentor Parish in Tocantins, Brazil and coordinator of Casa A+, a place of hope and healing for people living with HIV.

The USPG Prayer Diary today (Thursday 4 December 2025) invites us to pray:

Let us pray that the Church remains steadfast in its prophetic mission, breaking the silence, welcoming without judgement, and courageously defending life in the face of structures of exclusion.

The Collect:

Almighty God,
Give us grace to cast away the works of darkness
and to put on the armour of light
now in the time of this mortal life,
in which your Son Jesus Christ came to us in great humility;
that on the last day,
when he shall come again in his glorious majesty
to judge the living and the dead,
we may rise to the life immortal;
through him who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

The Post-Communion Prayer:

O Lord our God,
make us watchful and keep us faithful
as we await the coming of your Son our Lord;
that, when he shall appear,
he may not find us sleeping in sin
but active in his service
and joyful in his praise;
through Jesus Christ our Lord.

Additional Collect:

Almighty God,
as your kingdom dawns,
turn us from the darkness of sin
to the light of holiness,
that we may be ready to meet you
in our Lord and Saviour, Jesus Christ.

Yesterday’s Reflections

Continued Tomorrow

On the corner of Dionysiou Areopagitou and Vyronos (Byron) streets in Athens (Photograph: Patrick Comerford)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org