17 August 2024

Aston Villa kicks off
a new season that
marks 150 years of
top-flight football

Aston Villa celebrates its 150th anniversary this year … and kicks off the new season this evening (Photograph: Patrick Comerford. 2024; click on imahges for full-screen views)

Patrick Comerford

The football season begins properly today, and Aston Villa have their first match of the season with an away fixture with West Ham at the London Stadium that kicked off at the at 5:30 – a Premier League match between two sides who play at home in claret and sky blue.

I became a fan of Aston Villa because of the accident of geography rather than any childhood obsessions – Villa Park and Aston are just 30 minutes by train from Lichfield, and Aston is the last but one stop on the train into Birmingham. There were other choices: Villa has a fierce local rivalry with both Birmingham City and West Bromwich Albion, and Walsall is closer to Lichfield, as the crow flies – but Lichfield is not in Birmingham, I’m not a crow, and, in any case, Lichfield is a Villa stronghold … the odd Albion and Walsall fan apart.

Aston Villa was formed in 1874, and the club is celebrating its 150th anniversary this year. I found myself on the same trainline between Birmingham and Lichfield again yesterday, and decided to visit Villa Park as this anniversary season kicks off.

Aston Villa is one of the oldest and most successful clubs in England, having won the Football League First Division seven times, the FA Cup seven times, the League Cup five times and the European Cup and the European Super Cup once. During its history over the last 150 years, Aston Villa has spent 110 seasons in the top-flight, the second highest of any club, and has provided 77 England internationals, also the second highest of any club.

Like many English football clubs, Aston Villa has its origins in church life in Victorian England. The club was formed on 21 November 1874, by members of the Villa Cross Wesleyan Chapel in Handsworth, which is now part of Birmingham and within walking distance of the site of Villa Park.

The story has long since been part of claret and blue folklore. Four gentlemen stood under a gas lamp on Heathfield Road in 1874 and their conversation brought about one of the greatest clubs in the world.

In different circumstances, Aston Villa might have become a rugby club. Four members of the Male Adult Bible Class at the Villa Cross Wesleyan Chapel – Jack Hughes, Frederick Matthews, Walter Price and William Scattergood – were also members of the chapel’s cricket team.

These four were looking for a way to stay fit during the winter months and a winter sporting activity to complement their thriving cricket section. They had just watched one of their colleagues, William Mason, in action with an oval ball at Heathfield Park. But they concluded that rugby was too physical a game, and decided instead that Association Football was their best option. And so, that conversation beneath the gas lamp resulted in the birth of a football institution.

Due to the lack of local football teams Aston Villa’s first match was against the local Aston Brook Saint Mary’s Rugby team. As a condition of the match, Villa had to agree to play the first half under Rugby rules and the second half under Association Football rules. Villa still won this first game 1-0.

Villa soon established itself as one of the best teams in the Midlands, winning its first honour, the Birmingham Senior Cupm in 1880. The club went on to lift the trophy nine times in the next 12 seasons.

Since the 1880s, Aston Villa has been a leading club and it was influential in the game’s move to professionalism in 1885, and the team pioneered the modern passing game. This short, quick combination passing style was introduced by a Scotsman George Ramsay, who was appointed as the world’s first professional football manager in 1886.

William McGregor, an Aston Villa director, founded the world’s first Football League in 1888 (Photograph: Patrick Comerford, 2024)

A Villa director, William McGregor, founded the world’s first Football League in 1888. Following the professionalisation of football, clubs needed regular income to pay players’ wages. Frequently friendlies were cancelled due to opponents’ FA Cup or county cup matches or clubs failed to honour a fixture in favour of a more lucrative match somewhere else.

McGregor took action after seeing Villa matches cancelled, on five consecutive Saturdays, to the increasing frustration of fans. He wrote to the committee of his own club and the committees of Blackburn Rovers, Bolton Wanderers, Preston North End and West Bromwich Albion in March 1888, proposing a league competition that would provide a number of guaranteed fixtures for its member clubs each season.

The world’s first Football League season began six months later in September 1888 with 12 member clubs from the Midlands and north of England: Accrington, Aston Villa, Blackburn Rovers, Bolton Wanderers, Burnley, Derby County, Everton, Notts County, Preston North End, Stoke, West Bromwich Albion and Wolverhampton Wanderers.

Villa won the Double in 1897, and that year it moved to its present home, the Aston Lower Grounds. Supporters coined the name Villa Park, although no official declaration listed the ground as Villa Park, and the club has remained there ever since.

George Ramsay’s trophy haul of six League Championships and six FA Cups established Aston Villa as the most successful club in England, a position it held from the 1890s until the 1970s.

Villa scored 128 goals in the 1930-1931 season, and this remains an all-time top-flight record. However, the club began its first decline in the mid-1930s. The 1940s and 1950s were generally mediocre, and were followed by a steep decline in the 1960s and then Villa’s first and only relegation to the third tier of English football in 1969-1970.

Villa returned to the elite ranks from the mid-1970s under Ron Saunders, who led the club to a seventh top-flight league title in 1980-1981. Villa became only the fourth English club to win the European Cup, in 1981-1982, followed by the European Super Cup in 1982.

The Holte End is the heart of the Aston Villa fan base (Photograph: Patrick Comerford, 2024)

Aston Villa was one of the founding members of the Premier League in 1992, one of just three clubs to have been founding members of both the Football League in 1888 and the Premier League, along with Blackburn Rovers and Everton. Villa regularly qualified for European football in the 1990s.

Doug Ellis sold his stake in the club to the American billionaire Randy Lerner, whose ownership of the club ended with Villa’s first and only relegation from the Premier League in 2015-2016.

The Chinese businessman Tony Xia bought the club for £76 million in 2016. But, following failure to secure promotion to the Premier League, the club faced significant financial difficulties, and there were rumours that administration was imminent. The NSWE Group, a consortium of the Egyptian billionaire Nassef Sawiris and the American billionaire Wes Edens, bought a controlling 55% stake in the club in 2018, and Sawiris took over as club chairman.

A year later, Villa gained promotion back into the Premier League after a three-year absence. On the eve of Villa’s return to the Premier League in 2019, NSWE bought out the Recon Group’s minority share, and Xia no longer had any stake in the club. The club is currently owned by V Sports, a company owned by Sawiris and Edens, and an American investment company Atairos.

To the confusion of David Cameron, the Aston Villa colours today are a claret shirt with sky blue sleeves (Photograph: Patrick Comerford, 2024)

In the early years, the team wore several different kits, from all white, blue and black, red and blue to plain green. By 1880, black jerseys with a Scottish lion on the chest were introduced by Villa’s Scottish leaders McGregor and Ramsay. The colours changed to chocolate and sky blue in 1886.

The chocolate colour later became claret, but nobody is quite sure why claret and sky blue became the colours. Several other football teams adopted these distinctive colours, including West Ham United, Burnley, Scunthorpe United and the Turkish club Trabzonspor; Crystal Palace also played in Villa’s colours until the 1970s. Perhaps that explains David Cameron’s gaffe in 2015 when he had claimed he was a Villa fan but spurted out that he was a West Ham fan.

Today, the club colours are a claret shirt with sky blue sleeves, white shorts with claret and blue trim, and sky blue socks with claret and white trim.

Villa’s famous and celebrity fans have included Prince William, the poet Benjamin Zephaniah, cricketers Ian Bell and Chris Woakes, television and film stars Tom Hanks, David Bradley, Oliver Phelps and Brendan Gleeson, musicians Ozzy Osbourne and Nigel Kennedy and Simon Le Bon and Roger Taylor of Duran Duran. The Irish players have included Paul McGrath, Steve Staunton, Andy Townsend abd Ray Houghton. But Aston Villa retains a loyal, locally-based core of supporters, who are mainly working class, and with a catchment area that extends as far north as Lichfield.

As this new season kicks off today, Aston Villa ranks fifth in the all-time English top flight table since its creation in 1888 and as the seventh most successful club in English football by competitive honours.

Aston Villa is planning an unforgettable 2024-2025 season to mark this year’s 150th anniversary (Photograph: Patrick Comerford, 2024)

To mark this year’s 150th anniversary, Aston Villa is planning an unforgettable 2024-2025 season that does justice to the club, its storied history and pays tribute to all fans, players and custodians of Aston Villa. This evening is the start of a season that promises to be an exciting one packed with anniversary events and celebrations.

One of these celebration events sees Aston Villa giving it name to a new beer from a Lichfield brewery. The Trinity Brew Co are launching the Up The Villa ale inspired by the team. The 5% New England IPA uses English hops and will see the likes of Gary Williams, Tony Morley and Gary Shaw involved in the brewing process. The brewery is named Trinity after the Trinity Road stand at Villa Park.

Up the Villa will be available at the Trinity Brew Co taproom as well as bars and pubs around the Midlands from 14 September. The brewery is also hoping to host a question and answer session with some of the stars of the team next month.

Aston Villas fans who know their team, who know their club, who know its history and who cherish its traditions, have an abiding affection for the Holte End of Villa Park. But more about Villa Park, hopefully, tomorrow, and more about Aston Hall and the Holte family – and their links with the Comberford family – in the days to come.

Aston Station is only 30 minutes from Lichfield (Photograph: Patrick Comerford, 2024)

Daily prayer in Ordinary Time 2024:
99, Saturday 17 August 2024

‘Let the little children come to me, and do not stop them; for it is to such as these that the kingdom of heaven belongs’ (Matthew 19: 14) … what does the future hold for the children on our streets? (Photograph: Patrick Comerford)

Patrick Comerford

We are continuing in Ordinary Time in the Church Calendar and tomorrow is the Twelfth Sunday after Trinity (Trinity XII).

Before today begins, I am taking some quiet time this morning to give thanks, for reflection, prayer and reading in these ways:

1, today’s Gospel reading;

2, a reflection on the Gospel reading;

3, a prayer from the USPG prayer diary;

4, the Collects and Post-Communion prayer of the day.

Melina Mercouri’s dream was of an ‘idealised place / Where a child might grow tall with European-ness, at home and in love’ (Thomas McCarthy) … the statue of Melina Mercouri near the Acropolis in Athens (Photograph: Patrick Comerford)

Matthew 19: 13-15 (NRSVA):

13 Then little children were being brought to him in order that he might lay his hands on them and pray. The disciples spoke sternly to those who brought them; 14 but Jesus said, ‘Let the little children come to me, and do not stop them; for it is to such as these that the kingdom of heaven belongs.’ 15 And he laid his hands on them and went on his way.


Melina Mercouri singing ‘The Children of Piraeus’

Today’s Reflection:

This morning’s Gospel reading continues on from yesterday’s difficult discussions about divorce and remarriage and the eunuchs ‘for the sake of the kingdom of heaven’ (Matthew 19: 3-12).

‘Little children’ are brought to Jesus, he reminds the disciples that it is ‘to such as these that the kingdom of heaven belongs’, and he then blesses them. The phrase used here twice for ‘little children’ is one word, παιδία (padía). It is a term of endearment, ‘my dear children,’ but it is also used, alongside a similar word τεκνία (teknía), in I John as a term of familiar address or endearment for adult members of the church – our equivalent today of men addressing their friends as ‘lads’, ‘boys’ or ‘guys’.

At the height of the financial crisis in Greece in 2015, I saw a parent on a protest in Athens with a T-shirt asking: «Γονεις χωρις δουλεια πωσ θα ζησουν τα παιδια», ‘If the parents don’t have jobs, how will the children survive?’

That evening, as Greeks prepared to vote in a referendum on their nation’s future, I wondered what was going to happen to the children of Greece after that Sunday? And I found myself thinking about the song ‘The Children of Piraeus’, written in Greek by Manos Hatzidakis as Τα Παιδιά του Πειραιά (Ta Pediá tou Pireá), and first sung by Melina Mercouri in the film Never on Sunday (1960), directed by Jules Dassin and starring Melina Mercouri.

The original song title Τα Παιδιά του Πειραιά is usually translated as ‘The Children of Piraeus’. But in Greek the word παιδιά (paidiá) can also have the same meaning as kids, guys or men.

Never on Sunday (Ποτέ Την Κυριακή, Pote Tin Kyriaki) is a Greek black-and-white romantic comedy film starring Melina Mercouri, who was one of the potent figures in resistance to the colonels’ junta in Greece more than half a century ago.

The title song of the film won the Academy Award for Best Original Song in 1960, a first for a foreign-language picture. The song won Manos Hatzidakis an Academy Award for Best Original Song and became a worldwide hit. But Hatzidakis, whose family was from Rethymnon, did not attend the Academy Award ceremony in 1961, and refused to collect his award, saying the film with a prostitute as its protagonist reflected negatively on Athens and misrepresented Athens.

The original Greek lyrics by Hadjidakis, as well as the foreign translations in German, French, Italian and Spanish sing of the Children of Piraeus, the port city of Athens – they do not mention ‘Never on Sunday’, which is only found in the English lyrics. The lyrics to the English version of the song were written by Billy Towne, with five versions reaching the UK Singles Chart.

In the original song, the main female character of the film, Illya (played by Melina Mercouri), sings of her joyful life in Piraeus:

If I search the world over
I’ll find no other port
Which has the magic
Of my Port Piraeus
.

Although she earns her living as a prostitute, she longs to meet a man who is just as full of joie de vivre as she is. A love-smitten American, Homer Thrace (Jules Dassin), and a handsome Greek-Italian dockhand, Tonio (George Foundas), compete to win her heart and find they are learning lessons about the secret of happiness and life itself.

The film made Melina Mercouri an international star, won her an Academy Award and introduced Greek bouzouki music to the rest of the world. In the original soundtrack, the bouzouki solo sections were played by Giorgos Zampetas, one of the greatest bouzouki artists of the rebetiko era of Greek music. He began his career as a songwriter in 1952, and was popular in Greece throughout the 1950s and 1960s.

Melina Mercouri was also an acclaimed classical actor. She played the title role in Phaedra (Φαίδρα), an adaptation by Margarita Lymberaki of Hippolytus, the tragic drama by Euripides about how the wilful actions of parents can have devastating and deathly consequences for their children.

The film is set in Paris, London and the Greek island of Hydra. The music was composed by Mikis Theodorakis and her recording of Αστέρι μου φεγγάρι μου (Asteri mou, Fengari mou, ‘My Star, My Moonlight’) remains a popular song in Greece.

Melina Mercouri became one of the potent figures in resistance to the oppressive junta of the colonels in Greece following their coup in 1967. Melina and Jules fled Greece and in 1970 they were accused of financing a plot to overthrow the regime. The charges were dropped but the interior minister, Colonel Stylianos Pattakos, revoked her Greek citizenship and confiscated her property.

When she was stripped of her citizenship, she said: ‘I was born a Greek and I will die a Greek. Pattakos was born a fascist and he will die a fascist.’

Later, she was a founding member of PASOK and became a prominent politician. She was elected to Parliament for Piraeus, became Minister of Culture in Andreas Papandreou’s cabinet, and devoted much of her career to demanding the return of the Parthenon Marbles from the British Museum to Athens.

The title of her autobiography, I was born a Greek, comes from her celebrated riposte when her Greek citizenship was revoked by the colonels.

In his poem ‘Athens 2005’, the Cappoquin-born poet Thomas McCarthy writes of

… Melina Mercouri’s dream, her idealised place
Where a child might grow tall with European-ness, at home and in love

From the Shannon river to the Danube Volga, or Vistula; consoled
By culture for all the horrors of war and exile …


It is a dream for children that is a reminder that it is ‘to such as these that the kingdom of heaven belongs’


Melina Mercouri sings ‘My Star, My Moonlight’, composed by Mikis Theodorakis for Phaedra

Today’s Prayers (Saturday 17 August 2024):

The theme this week in ‘Pray With the World Church,’ the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), has been ‘Whom Shall I Send?’ This theme was introduced last Sunday with a programme update from the Revd Davidson Solanki, Regional Manager Asia and Middle East, USPG, on the Episcopal Province of Jerusalem and the Middle East’s new programme launched in accompaniment with USPG, ‘Whom Shall I Send.’

The USPG Prayer Diary today (Saturday 17 August 2024) invites us to pray reflecting on these words:

Peace I leave with you; my peace I give to you. I do not give to you as the world gives. Do not let your hearts be troubled, and do not let them be afraid (John 14: 27).

The Collect:

O God, you declare your almighty power
most chiefly in showing mercy and pity:
mercifully grant to us such a measure of your grace,
that we, running the way of your commandments,
may receive your gracious promises,
and be made partakers of your heavenly treasure;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

The Post Communion Prayer:

Lord of all mercy,
we your faithful people have celebrated that one true sacrifice
which takes away our sins and brings pardon and peace:
by our communion
keep us firm on the foundation of the gospel
and preserve us from all sin;
through Jesus Christ our Lord.

Additional Collect:

God of glory,
the end of our searching,
help us to lay aside
all that prevents us from seeking your kingdom,
and to give all that we have
to gain the pearl beyond all price,
through our Saviour Jesus Christ.

Collect on the Eve of Trinity XII:

Almighty and everlasting God,
you are always more ready to hear than we to pray
and to give more than either we desire or deserve:
pour down upon us the abundance of your mercy,
forgiving us those things of which our conscience is afraid
and giving us those good things
which we are not worthy to ask
but through the merits and mediation
of Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

Christ with the children … a stained glass window in the Comberford Chapel in Saint Editha’s Church, Tamworth (Photograph: Patrick Comerford)

Yesterday’s reflection

Continued tomorrow

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org