‘Grant me justice against my opponent’ (Luke 18: 3) … a painting by Una Heaton in a pub in Adare, Co Limerick (Photograph: Patrick Comerford)
Patrick Comerford
We are in the Kingdom Season, the time between All Saints and Advent, and tomorrow is the Second Sunday before Advent. The calendar of the Church of England in Common Worship today remembers Saint Margaret (1093), Queen of Scotland, Philanthropist, and Reformer of the Church; and Saint Edmund Rich of Abingdon (1240), Archbishop of Canterbury.
Before today begins, I am taking some quiet time early this morning to give thanks, and for reflection, prayer and reading in these ways:
1, today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
There is an emphasis on justice in today’s Gospel reading … the scales of justice depicted on the Precentor’s Stall in Lichfield Cathedral (Photograph: Patrick Comerford)
Luke 18: 1-8 (NRSVA):
1 Then Jesus told them a parable about their need to pray always and not to lose heart. 2 He said, ‘In a certain city there was a judge who neither feared God nor had respect for people. 3 In that city there was a widow who kept coming to him and saying, “Grant me justice against my opponent.” 4 For a while he refused; but later he said to himself, “Though I have no fear of God and no respect for anyone, 5 yet because this widow keeps bothering me, I will grant her justice, so that she may not wear me out by continually coming”.’ 6 And the Lord said, ‘Listen to what the unjust judge says. 7 And will not God grant justice to his chosen ones who cry to him day and night? Will he delay long in helping them? 8 I tell you, he will quickly grant justice to them. And yet, when the Son of Man comes, will he find faith on earth?’
‘Because this widow keeps bothering me, I will grant her justice’ (Luke 18: 5) … the sign at the Wig and Pen near the courthouse in Truro, Cornwall (Photograph: Patrick Comerford)
Today’s reflection:
The Gospel reading at the Eucharist this morning offers an opportunity to reflect on what we mean by law and justice. We read the well-known parable of the ‘Unjust Judge,’ a judge ‘who neither fears God nor has respect for people,’ and how he is forced to grant justice to a widow who keeps coming to him, saying, ‘Grant me justice against my opponent.’
Does the judge abandon his sense of impartiality when it comes to the administration of justice?
Or is he forced to realise the difference between what is legal and what is just, and the difference between justice and mercy?
We often know this parable as the ‘Parable of the Unjust Judge.’ But we might also call it the ‘Parable of the Persistent Widow,’ for we are told to take this woman and not the judge as our example: an example of how to pray to God, as opposed to an example of how to prey on people.
And yet, let us take some time first to look at the judge.
Are we asked to think that God behaves like an unjust or capricious judge?
Is this a judge who exercises his office without fear or favour?
Is justice about that?
Is justice about seeing that the law is enforced?
Or is it about seeing that justice is done, and is seen to be done?
How many judges implement the law without dispensing justice?
How many judges implement the law without dispensing mercy?
Is this not what happened in Nazi Germany, in apartheid South Africa, or in racist states in the American ‘Deep South’?
How many judges in Nazi Germany and apartheid South Africa merely applied the law?
Could a Jewish widow expect justice from a judge in Nazi Germany?
Could a black widow expect mercy from a judge in apartheid South Africa?
The woman in this parable is not asking for what is her legal right. She is not asking for her neighbour to be punished. But she may be asking for something she is not entitled to: justice.
When we find ourselves saying we cannot accept a judgmental God, is that because our image of a judge is of a distant figure who applies the full rigour of the law, rather than an accessible figure who dispenses justice and mercy?
Who chosen ones who cry to God day and night?
Certainly, a widow would fall into that category at the time of Christ. She would have no man to argue her case for her, and so would go unheard. All other cases – commercial, civil and criminal – would take priority in the courts before her request to be heard.
Who is the widow in this story?
We might consider parallels between a people who have turned their back on God or whose covenantal relationship with God has died, and a woman whose covenantal relationship, her marriage, has come to an end with death.
Without love, there is no covenant. Without love there is no true religion, and no true marriage.
A true relationship with God is marked by love – God’s love for us, our love for God, and our love for others. If that love is the foundation of our Christianity, then justice becomes more important than law, and mercy more important than rules, and God the Judge becomes a loving rather than a tyrannical image.
Inside Saint Margaret’s Church, the Anglican church in Budapest … Saint Margaret of Scotland is commemorated on 16 November (Photograph: Patrick Comerford, 2023)
Today’s Prayers (Saturday 16 November 2024):
The theme this week in ‘Pray With the World Church’, the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), has been ‘A Look at Education in the Church of the Province of Myanmar’. This theme was introduced on Sunday with a Programme Update by Nadia Sanchez, Regional Programme Coordinator, USPG.
The USPG Prayer Diary today (Saturday 16 November 2024) invites us to pray reflecting on these words:
He is the source of your life in Christ Jesus, who became for us wisdom from God, and righteousness and sanctification and redemption (I Corinthians 1: 30).
The Collect:
God, the ruler of all,
who called your servant Margaret to an earthly throne
and gave her zeal for your Church and love for your people
that she might advance your heavenly kingdom:
mercifully grant that we who commemorate her example
may be fruitful in good works
and attain to the glorious crown of your saints;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
Post Communion Prayer:
God our redeemer,
who inspired Margaret to witness to your love
and to work for the coming of your kingdom:
may we, who in this sacrament share the bread of heaven,
be fired by your Spirit to proclaim the gospel in our daily living
and never to rest content until your kingdom come,
on earth as it is in heaven;
through Jesus Christ our Lord.
Collect on the Eve of the Second Sunday before Advent:
Heavenly Father,
whose blessed Son was revealed
to destroy the works of the devil
and to make us the children of God and heirs of eternal life:
grant that we, having this hope,
may purify ourselves even as he is pure;
that when he shall appear in power and great glory
we may be made like him in his eternal and glorious kingdom;
where he is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
Yesterday’s Reflection
Continued Tomorrow
A sculpture by Rodney Munday at St Edmund Hall, Oxford, of Saint Edmund Rich … he is remembered in ‘Common Worship’ on 16 November (Photograph: Patrick Comerford, 2023)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
15 November 2024
Hampstead Synagogue,
designed by Delissa Joseph
in ‘an Eclectic French
Gothic-Romanesque style’
Hampstead Synagogue on Dennington Park Road … designed by Delissa Joseph in ‘an Eclectic French Gothic-Romanesque style’ (Photograph: Patrick Comerford, 2024)
Patrick Comerford
Hampstead, Saint John’s Wood, and – above all – Golders Green and Stamford Hill – are the heart of London’s Jewish life, with a large number if synagogues and many kosher shops.
At the end of the 19th century, as the Jewish population gradually left the East End in London, some moved to Hampstead. Several associations came together to create a synagogue that would follow the German and Polish rites, and the Hampstead Synagogue was built in 1892.
During my recent but very short visit to Hampstead, I had all-too-brief look at Hampstead Synagogue on Dennington Park Road, West Hampstead.
Hampstead Synagogue is a brick building designed in the Neo-Romanesque style by the architect Nathaniel Delissa Isaac Joseph (1859-1927), known as Delissa Joseph. He was a nephew of the Jewish philanthropist, social reformer and architect Nathan Solomon Joseph (1834-1909), whose work included the Great Victoria Street synagogue in Belfast and Sandys Row Synagogue in Bishopsgate, London.
The doorway of Hampstead Synagogue has a stepped semicircular arched architrave (Photograph: Patrick Comerford, 2024)
Delissa Joseph attended Durham House School and the Jews’ College, and began to practice as an architect in 1882. He designed a number of synagogues, including the Hammersmith and West Kensington synagogue on Brook Green (1890, now the Chinese Church in London); Cardiff Synagogue (1896-1897, now demolished), South Hackney Synagogue (1897, now closed); Finsbury Park Synagogue (1901, now closed); South-East London Synagogue, New Cross (1904, destroyed in a German air raid, 1940); and the Sephardi synagogue, South Manchester (1925-1927).
He designed superstructures over the booking halls of many London Underground stations, including Moorgate Station Chambers, Oxford Circus House and Coburg Court Hotel above Queensway station.
He also designed a number of blocks of mansion flats in London, including those on Fitzgeorge and Fitzjames Avenue in West Kensington, Rutland Court and Rutland Gardens in Knightsbridge, and Chelsea Court and Chelsea Embankment Gardens.
His wife the artist and social campaigner Lily Delissa (Solomon) Joseph (1863-1940) was also an eminent figure in late 19th and early 20th century London. She trained at the South Kensington School of Art, and exhibited regularly at the Royal Academy. She was also a suffragette and in 1912 was detained at Holloway prison as a result of her campaigning. She was a leading figure in the Hammersmith Synagogue, setting up its Ladies’ Guild.
Delissa was supportive of her political activities, and the Jewish Chronicle described him as an ‘ardent supporter of the cause of women’s suffrage in synagogue affairs’.
The upper stages of the synagogue façade are dominated by a moulded semicircular arch with a large window (Photograph: Patrick Comerford, 2024)
Delissa Joseph designed Hampstead Synagogue in what has been described as an Eclectic French Gothic-Romanesque style. It is built in red brick with slate roofs and its plan is of an entrance hall to the front of centralised auditorium.
Outside, it has a three-stage central tower with a tall hipped roof, a moulded parapet and clasped buttresses that are continued as octagonal broached ogee-capped turrets.
The doorway has a stepped semicircular arched architrave. Its upper stages are dominated by a moulded semicircular arch with foliate capitals to engaged shafts of three orders flanking a large window set over two order shafts of flanking interlaced arches over narrow lancets.
The tower is flanked by two-storey blocks each having four round-arched lancets above moulded semicircular arched doorway. The two-storey outer blocks each have hood moulds over two round-arched windows to the rear of single-storey ranges each with three round-arched lancets.
The central dome to the rear, which I could not see during my short, brief visit, has lunettes with graduated arched lights to a central drum.
Inside the synagogue, the entrance hall has a coffered ceiling, a mosaic tile floor, two-bay semicircular arched arcades with foliate capitals to the outer bays and decorative wrought-iron balusters on the staircases.
Galleries flank the polygonal-plan centre with the ribs of the panelled dome springing from cast-iron columns with waterleaf capitals supported on octagonal marble piers with moulded abaci. These support the panelled balcony fronts on three sides.
The barrel-vaulted ark area has segmental-arched archivolts. The marble ark is in a classical style, with decorative wrought-iron doors and an overlight set in a semicircular arch flanked by Ionic columns and quadrants that terminate in coupled Ionic pilasters to the dentilled entablature and balustraded parapet.
A marble pulpit is in a similar style with balusters to the front and it is flanked by swept marble steps. I also understand the building has good stained glass.
Inside Hampstead Synagogue (Photograph: Stephen Levrant Heritage Architecture / Hampstead Synagogue)
Hampstead Synagogue was completed in 1901. It was designated a Grade II* Listed Building in 1989, and was restored in 2009-2011. The first service in the newly renovated synagogue building was held on Saturday 12 September 2009
Hampstead Synagogue is known for the beauty of the building, and the power of its choral services on High Holydays, and holds some of the largest seasonal celebrations in the area.
It is a member of the United Synagogue and has been led by Rabbi Dr Michael Harris since 1995. The synagogue holds learning events, concerts, and social meetings for the members and visitors.
Notable members in the past have included the philosopher Sir Isaiah Berlin (1909-1997), who known for his conversational brilliance, his defence of liberalism and pluralism, his opposition to political extremism and intellectual fanaticism, and his accessible writings on people and ideas. An annual Isaiah Berlin Lecture is held at Hampstead Synagogue, at Wolfson College, Oxford, at the British Academy, and in Riga.
Hampstead Synagogue describes itself as a friendly, modern orthodox community characterised by a rich mixture of tradition and forward thinking, which it calls ‘Minhag Hampstead’. Under Rabbi Michael Harris, it combines an inclusive outlook with a belief in the importance of education and cross-community dialogue.
The Shabbat services embrace a lower-key, less formal style, where members of the community share the davening with the chazan Rabbi Shlomo Gerzi. On Friday nights, he leads services in the style of Rabbi Shlomo Carlebach.
Hampstead Synagogue is a fairtrade synagogue.
Shabbat Shalom, שבת שלום
Notable members of Hampstead Synagogue in the past have included Sir Isaiah Berlin (Photograph: Patrick Comerford, 2024)
Patrick Comerford
Hampstead, Saint John’s Wood, and – above all – Golders Green and Stamford Hill – are the heart of London’s Jewish life, with a large number if synagogues and many kosher shops.
At the end of the 19th century, as the Jewish population gradually left the East End in London, some moved to Hampstead. Several associations came together to create a synagogue that would follow the German and Polish rites, and the Hampstead Synagogue was built in 1892.
During my recent but very short visit to Hampstead, I had all-too-brief look at Hampstead Synagogue on Dennington Park Road, West Hampstead.
Hampstead Synagogue is a brick building designed in the Neo-Romanesque style by the architect Nathaniel Delissa Isaac Joseph (1859-1927), known as Delissa Joseph. He was a nephew of the Jewish philanthropist, social reformer and architect Nathan Solomon Joseph (1834-1909), whose work included the Great Victoria Street synagogue in Belfast and Sandys Row Synagogue in Bishopsgate, London.
The doorway of Hampstead Synagogue has a stepped semicircular arched architrave (Photograph: Patrick Comerford, 2024)
Delissa Joseph attended Durham House School and the Jews’ College, and began to practice as an architect in 1882. He designed a number of synagogues, including the Hammersmith and West Kensington synagogue on Brook Green (1890, now the Chinese Church in London); Cardiff Synagogue (1896-1897, now demolished), South Hackney Synagogue (1897, now closed); Finsbury Park Synagogue (1901, now closed); South-East London Synagogue, New Cross (1904, destroyed in a German air raid, 1940); and the Sephardi synagogue, South Manchester (1925-1927).
He designed superstructures over the booking halls of many London Underground stations, including Moorgate Station Chambers, Oxford Circus House and Coburg Court Hotel above Queensway station.
He also designed a number of blocks of mansion flats in London, including those on Fitzgeorge and Fitzjames Avenue in West Kensington, Rutland Court and Rutland Gardens in Knightsbridge, and Chelsea Court and Chelsea Embankment Gardens.
His wife the artist and social campaigner Lily Delissa (Solomon) Joseph (1863-1940) was also an eminent figure in late 19th and early 20th century London. She trained at the South Kensington School of Art, and exhibited regularly at the Royal Academy. She was also a suffragette and in 1912 was detained at Holloway prison as a result of her campaigning. She was a leading figure in the Hammersmith Synagogue, setting up its Ladies’ Guild.
Delissa was supportive of her political activities, and the Jewish Chronicle described him as an ‘ardent supporter of the cause of women’s suffrage in synagogue affairs’.
The upper stages of the synagogue façade are dominated by a moulded semicircular arch with a large window (Photograph: Patrick Comerford, 2024)
Delissa Joseph designed Hampstead Synagogue in what has been described as an Eclectic French Gothic-Romanesque style. It is built in red brick with slate roofs and its plan is of an entrance hall to the front of centralised auditorium.
Outside, it has a three-stage central tower with a tall hipped roof, a moulded parapet and clasped buttresses that are continued as octagonal broached ogee-capped turrets.
The doorway has a stepped semicircular arched architrave. Its upper stages are dominated by a moulded semicircular arch with foliate capitals to engaged shafts of three orders flanking a large window set over two order shafts of flanking interlaced arches over narrow lancets.
The tower is flanked by two-storey blocks each having four round-arched lancets above moulded semicircular arched doorway. The two-storey outer blocks each have hood moulds over two round-arched windows to the rear of single-storey ranges each with three round-arched lancets.
The central dome to the rear, which I could not see during my short, brief visit, has lunettes with graduated arched lights to a central drum.
Inside the synagogue, the entrance hall has a coffered ceiling, a mosaic tile floor, two-bay semicircular arched arcades with foliate capitals to the outer bays and decorative wrought-iron balusters on the staircases.
Galleries flank the polygonal-plan centre with the ribs of the panelled dome springing from cast-iron columns with waterleaf capitals supported on octagonal marble piers with moulded abaci. These support the panelled balcony fronts on three sides.
The barrel-vaulted ark area has segmental-arched archivolts. The marble ark is in a classical style, with decorative wrought-iron doors and an overlight set in a semicircular arch flanked by Ionic columns and quadrants that terminate in coupled Ionic pilasters to the dentilled entablature and balustraded parapet.
A marble pulpit is in a similar style with balusters to the front and it is flanked by swept marble steps. I also understand the building has good stained glass.
Inside Hampstead Synagogue (Photograph: Stephen Levrant Heritage Architecture / Hampstead Synagogue)
Hampstead Synagogue was completed in 1901. It was designated a Grade II* Listed Building in 1989, and was restored in 2009-2011. The first service in the newly renovated synagogue building was held on Saturday 12 September 2009
Hampstead Synagogue is known for the beauty of the building, and the power of its choral services on High Holydays, and holds some of the largest seasonal celebrations in the area.
It is a member of the United Synagogue and has been led by Rabbi Dr Michael Harris since 1995. The synagogue holds learning events, concerts, and social meetings for the members and visitors.
Notable members in the past have included the philosopher Sir Isaiah Berlin (1909-1997), who known for his conversational brilliance, his defence of liberalism and pluralism, his opposition to political extremism and intellectual fanaticism, and his accessible writings on people and ideas. An annual Isaiah Berlin Lecture is held at Hampstead Synagogue, at Wolfson College, Oxford, at the British Academy, and in Riga.
Hampstead Synagogue describes itself as a friendly, modern orthodox community characterised by a rich mixture of tradition and forward thinking, which it calls ‘Minhag Hampstead’. Under Rabbi Michael Harris, it combines an inclusive outlook with a belief in the importance of education and cross-community dialogue.
The Shabbat services embrace a lower-key, less formal style, where members of the community share the davening with the chazan Rabbi Shlomo Gerzi. On Friday nights, he leads services in the style of Rabbi Shlomo Carlebach.
Hampstead Synagogue is a fairtrade synagogue.
Shabbat Shalom, שבת שלום
Notable members of Hampstead Synagogue in the past have included Sir Isaiah Berlin (Photograph: Patrick Comerford, 2024)
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