Feeding the 5,000 … a modern Greek Orthodox icon
Let us pray:
‘The Lord has looked down from heaven upon the children of earth’ (Psalm 14: 2):
Lord God, who hears the cry of the poor and the cry of creation,
we pray for the world, for the kingdoms and the nations of the world,
that they too may hear the cry of the poor and the cry of the earth,
that those with power and privilege may turn their hearts to justice, mercy and love.
We pray especially for those nations suffering
the destruction caused by climate change, by violence, racism and oppression.
We pray for justice, mercy and peace,
for all prisoners, especially prisoners of conscience,
for all people and families living with addictions.
We pray for Ireland, north and south,
We give thanks for all who are responding
to the pandemic crisis …
Lord have mercy,
Lord have mercy.
‘It is I; do not be afraid’ (John 6: 20):
Lord Jesus Christ,
we pray for the Church,
in ‘A Time Such as This’,
marked by pandemic, racism and violence,
that we may not be afraid to speak out
for those who need relief and deliverance.
We pray for our Bishop, Kenneth,
we pray for our neighbouring churches and parishes,
and people of faith everywhere,
that we may be blessed in our variety and diversity.
In the Anglican Cycle of Prayer,
we pray this week for the Scottish Episcopal Church,
and the Primus, the Most Revd Mark Strange,
Bishop of Moray, Ross and Caithness.
In the Church of Ireland this month,
we pray for the Diocese of Tuam, Killala and Achonry,
with which we will be united,
and for Bishop Patrick Rooke.
In the Diocesan Cycle of Prayer,
we pray for the Clonfert group of parishes,
the Revd Olive Henderson, and the congregations of
Saint Brendan’s Cathedral, Clonfert,
St Paul’s Church, Banagher,
Saint John the Baptist, Eyrecourt, and Christ Church Portumna.
We pray too for our own parishes and people …
and we pray for ourselves …
Christ have mercy,
Christ have mercy.
‘God is in the company of the righteous … the Lord shall be their refuge’ (Psalm 14: 5, 6):
Holy Spirit,
we pray for one another …
We pray for those we love and those who love us …
we pray for our families, friends and neighbours …
we pray for all on holidays …
and we pray for those we promised to pray for …
We prayer for those preparing for baptism and for marriage.
We pray for those who feel rejected and discouraged …
we pray for all in need and those who seek healing …
We pray for those who are sick or isolated,
at home, in hospital …
Ruby … Ann … Daphne … Sylvia …
Ajay … Adam … Pat … Trixie …
We pray for all who grieve and mourn at this time …
for all who are broken-hearted,
trying to come to terms with the loss of loved ones,
including the Killick, Gilliard and Blennerhassett families …
We remember and give thanks for those who have died …
giving thanks for the lives of Gill Killick … Arthur Gilliard … Yvonne Blennerhassett …
May their memories be a blessing …
Lord have mercy,
Lord have mercy.
The Anglican mission agency USPG (United Society Partners in the Gospel) held its annual conference this past week. On this, the Eighth Sunday after Trinity, USPG invites us to pray:
Almighty Lord,
May we rejoice in Your name.
Fill our mouths with laughter,
And our tongues with shouts of joy.
Merciful Father …
‘Where are we to buy bread for these people to eat?’ (John 6: 5) … bread on sale in a bakery in Platanias near Rethymnon in Crete (Photograph: Patrick Comerford)
Showing posts with label Clonfert. Show all posts
Showing posts with label Clonfert. Show all posts
25 July 2021
12 June 2021
Saint Brendan’s Cathedral,
Loughrea, is the jewel in
the crown of the Celtic Revival
Saint Brendan’s Cathedral, Loughrea, Co Galway … the cathedral of the Diocese of Clonfert, and the jewel in the crown of the Celtic Revival (Photograph: Patrick Comerford, 2021)
Patrick Comerford
Loughrea, Co Galway, is the cathedral town of Clonfert, the smallest Roman Catholic diocese in Ireland. The town takes its name from the Irish Baile Locha Riach, the town of the Grey Lake.
Lough Rea is a lake fed by springs and a stream and has one of Ireland’s few inland freshwater Blue Flag beaches. Some people say that the old town of Loughrea can be seen under the lake on a fine day.
There is a number of human-made island dwellings, or crannógs, on Lough Rea. Four of these islands were excavated in the 19th century and human-made structures, artefacts and animal remains were found.
Inside Saint Brendan’s Cathedral, Loughrea, designed by William Henry Byrne (Photograph: Patrick Comerford, 2021)
Saint Brendan’s Cathedral lies on the north-east shore of this beautiful lake, and faces onto Barrack Street, with a mediaeval gate tower forming the north-east corner of the site. This cathedral is worth visiting by anyone with an interest in architecture, the arts and crafts movement, and stained glass.
Saint Brendan’s Cathedral may be small in size but is magnificent in its interior. With its modern stained glass and interior decoration, it has been described as the jewel in the crown of the Celtic Revival.
Indeed, this cathedral is one of Ireland’s great contributions to European art of the 20th century.
The High Altar, Sanctuary and apse in Saint Brendan’s Cathedral (Photograph: Patrick Comerford, 2021)
Saint Brendan’s Cathedral was designed for Bishop John Healy of Clonfert in the neo-gothic style by the architect William Henry Byrne (1844-1917) in 1897. The foundation stone was laid on 10 October 1897 and the cathedral was completed five years later in 1902.
William Byrne had been a pupil of JJ McCarthy, the architect who claimed the mantle of AWN Pugin in Ireland, and practised from 52 Dame Street, Dublin. He is particularly associated with Catholic church architecture and was architect to the Catholic dioceses of Killala, Ossory, Tuam, and Achonry and to the Sisters of Charity.
He was also architect to the South City Markets Co Dublin, responsible for rebuilding the markets after the fire of 1893, and to Pim Brothers’ drapery shop on the opposite side of South Great George’s Street.
The Last Judgment (above) and the Ascension (below), two of the ten windows by Michael Healy (Photograph: Patrick Comerford, 2021)
Byrne’s design of Saint Brendan’s Cathedral, with its dramatic Gothic Revival style, is both a visual and social focus for the town, and the structure itself is of significant architectural and artistic merit. This was the first building in Ireland to be comprehensively decorated by the budding Irish Arts and Crafts Movement.
The Arts and Crafts Movement of the late 19th century sought to reunite the artist and the craftsman. It was born out of a reaction to the mass production of the industrial era and the soulless methods of industrial production that emphasised repetitive tasks and removed the link between the worker and the final product. This movement found fertile ground in Ireland during the Celtic Revival period from ca 1880 to 1930.
Saint Brendan’s Cathedral holds the most extensive collection of arts and crafts and Celtic Revival artefacts of any single building in Ireland. Most of the interior features date from the first decade on the 20th century, with the exception of the stained glass windows which continued to be commissioned until the 1950s.
Most notably, the cathedral has an extensive collection of stained-glass windows by the Dublin-based studio of An Túr Gloine studio.
The Baptism of Christ … a window by AE Child in the baptistry (Photograph: Patrick Comerford, 2021)
The origins of An Túr Gloine and that of the cathedral’s decorative scheme are inextricably linked. The studio’s first orders included three apse windows for the new cathedral in 1903. Virtually all of the studio’s artists are represented, including Michael Healy, Alfred E Child, Sarah Purser, Beatrice Elvery, Ethel Rhind, Hubert McGoldrick, Catherine O’Brien and Evie Hone.
There is a Saint Brigid window by Evie Hone, an Annunciation, Agony in the Garden, Resurrection, Baptism in the Jordan, Saint Ita, Saint Patrick and Centurion of Great Faith, all by Childe. Sarah Purser designed the Crucifixion and Nativity windows herself a small Saint Brendan window – a rarity, as she mostly confined herself to managing projects rather than glass-painting.
Saint Brigid in a window by Evie Hone (Photograph: Patrick Comerford, 2021)
There are 10 windows by Michael Healy, including the first one he both designed and executed, Saint Simeon, and also one of his undisputed finest, The Last Judgment, completed in 1940, a year before he died. His other windows include the Madonna and Child, Saint Anthony and Saint John, Christ the King (1930) and Our Lady Queen of Heaven (1934), the Ascension and Saint Joseph (1935).
The cathedral also has windows by Hubert McGoldrick and and window of Saint Brigid by Patrick Pye in the porch.
Apart from the windows, the sculpture and ironwork, the woodwork, statues and reliefs, altars and railings, pews and confessionals, sanctuary lamps and candelabra all have artistic merit and value. Sculptors represented are John Hughes and Michael Shortall. The architect William Alphonsus Scott also contributed designs for metalwork and woodwork.
Inside Saint Brendan’s Cathedral, facing the north or liturgical west end (Photograph: Patrick Comerford, 2021)
Michael Shortall designed the altar, altar rails, executed the corbels and capitals, the baptismal font, and a statue of Saint Brendan on the tower.
John Hughes is responsible for the marble Madonna and Child and the bronze relief of the Resurrection behind Scott’s plain but massively impressive high altar as well as a series of small bronze plaques on the altar rails and sanctuary gate, and on the bishop's confessional.
The Stations of the Cross in opus sectile, with inscriptions in Irish, were made by Ethel Mary Rhind of An Túr Gloine in 1928-1933.
The Saint Brendan window by Sarah Purser in the cathedral porch (Photograph: Patrick Comerford, 2021)
The post-Vatican II arrangements, including the bishop’s throne, ambo, altar and wooden bench, were designed by Ray Carroll, and enhance this treasury of Irish art.
This cruciform-plan gable-fronted cathedral is built on a south-north axis, with the altar at the south end, rather than the traditional east-west alignment.
The cathedral has an aisled nave of five bays, with lean-to side aisles, clerestory, double-pile transepts, a canted apse, a three-bay sacristy, a square-plan four-stage tower surmounted by an octagonal broach spire with lucarnes.
Jesus, Mary and Joseph and the Little Donkey … a panel in the Saint Joseph window by Michael Healy (Photograph: Patrick Comerford, 2021)
The Clonfert Diocesan Museum, in the grounds of Saint Brendan’s Cathedral, has an important collection of objects of ecclesiastical interest. There are also 24 embroidered banners, mostly depicting Irish saints as well as vestments by the Dun Emer Guild. The banners were designed by Jack B.Yeats, his wife Cottie, George William Russell and PC Smith.
The oldest chalice in the collection, the Matheus Macraith Chalice, is almost 500 years old. The collection of carved wooden figures includes the Kilcorban Madonna (ca 1180), the oldest surviving wooden statue in Ireland.
The site is enhanced by its gardens and WA Scott’s railings and gateway.
The mediaeval gate tower at the north-east corner of site is also known as Latimer Gate. It dates from the 15th century and was originally a castellated structure. It is the only remaining town gate in Loughrea.
Station VIII … the Stations of the Cross were made by Ethel Mary Rhind of An Túr Gloine in 1928-1933 (Photograph: Patrick Comerford, 2021)
Before Saint Brendan’s Cathedral was built, the town of Loughrea and the Diocese of Clonfert were served by the Pro-Cathedral or Saint Brigid’s Church, built ca 1740 and altered in 1787.
Father Anthony Fahy, a Loughrea-born missionary in Argentina and a friend of Admiral Browne, was the rector of the Pro-Cathedral in 1836.
The former Pro-Cathedral is now a funeral parlour. Kilboy’s Funeral Directors was established by Patrick Kilboy in 1903. A font dating to 1780 can be seen at this site.
The Pro-Cathedral or Saint Brigid’s Church was built ca 1740 (Photograph: Patrick Comerford, 2021)
For Saint Brendan's Cathedral, Clonfert, Co Galway, the Church of Ireland cathedral in the Diocese of Clonfert, see HERE.
Patrick Comerford
Loughrea, Co Galway, is the cathedral town of Clonfert, the smallest Roman Catholic diocese in Ireland. The town takes its name from the Irish Baile Locha Riach, the town of the Grey Lake.
Lough Rea is a lake fed by springs and a stream and has one of Ireland’s few inland freshwater Blue Flag beaches. Some people say that the old town of Loughrea can be seen under the lake on a fine day.
There is a number of human-made island dwellings, or crannógs, on Lough Rea. Four of these islands were excavated in the 19th century and human-made structures, artefacts and animal remains were found.
Inside Saint Brendan’s Cathedral, Loughrea, designed by William Henry Byrne (Photograph: Patrick Comerford, 2021)
Saint Brendan’s Cathedral lies on the north-east shore of this beautiful lake, and faces onto Barrack Street, with a mediaeval gate tower forming the north-east corner of the site. This cathedral is worth visiting by anyone with an interest in architecture, the arts and crafts movement, and stained glass.
Saint Brendan’s Cathedral may be small in size but is magnificent in its interior. With its modern stained glass and interior decoration, it has been described as the jewel in the crown of the Celtic Revival.
Indeed, this cathedral is one of Ireland’s great contributions to European art of the 20th century.
The High Altar, Sanctuary and apse in Saint Brendan’s Cathedral (Photograph: Patrick Comerford, 2021)
Saint Brendan’s Cathedral was designed for Bishop John Healy of Clonfert in the neo-gothic style by the architect William Henry Byrne (1844-1917) in 1897. The foundation stone was laid on 10 October 1897 and the cathedral was completed five years later in 1902.
William Byrne had been a pupil of JJ McCarthy, the architect who claimed the mantle of AWN Pugin in Ireland, and practised from 52 Dame Street, Dublin. He is particularly associated with Catholic church architecture and was architect to the Catholic dioceses of Killala, Ossory, Tuam, and Achonry and to the Sisters of Charity.
He was also architect to the South City Markets Co Dublin, responsible for rebuilding the markets after the fire of 1893, and to Pim Brothers’ drapery shop on the opposite side of South Great George’s Street.
The Last Judgment (above) and the Ascension (below), two of the ten windows by Michael Healy (Photograph: Patrick Comerford, 2021)
Byrne’s design of Saint Brendan’s Cathedral, with its dramatic Gothic Revival style, is both a visual and social focus for the town, and the structure itself is of significant architectural and artistic merit. This was the first building in Ireland to be comprehensively decorated by the budding Irish Arts and Crafts Movement.
The Arts and Crafts Movement of the late 19th century sought to reunite the artist and the craftsman. It was born out of a reaction to the mass production of the industrial era and the soulless methods of industrial production that emphasised repetitive tasks and removed the link between the worker and the final product. This movement found fertile ground in Ireland during the Celtic Revival period from ca 1880 to 1930.
Saint Brendan’s Cathedral holds the most extensive collection of arts and crafts and Celtic Revival artefacts of any single building in Ireland. Most of the interior features date from the first decade on the 20th century, with the exception of the stained glass windows which continued to be commissioned until the 1950s.
Most notably, the cathedral has an extensive collection of stained-glass windows by the Dublin-based studio of An Túr Gloine studio.
The Baptism of Christ … a window by AE Child in the baptistry (Photograph: Patrick Comerford, 2021)
The origins of An Túr Gloine and that of the cathedral’s decorative scheme are inextricably linked. The studio’s first orders included three apse windows for the new cathedral in 1903. Virtually all of the studio’s artists are represented, including Michael Healy, Alfred E Child, Sarah Purser, Beatrice Elvery, Ethel Rhind, Hubert McGoldrick, Catherine O’Brien and Evie Hone.
There is a Saint Brigid window by Evie Hone, an Annunciation, Agony in the Garden, Resurrection, Baptism in the Jordan, Saint Ita, Saint Patrick and Centurion of Great Faith, all by Childe. Sarah Purser designed the Crucifixion and Nativity windows herself a small Saint Brendan window – a rarity, as she mostly confined herself to managing projects rather than glass-painting.
Saint Brigid in a window by Evie Hone (Photograph: Patrick Comerford, 2021)
There are 10 windows by Michael Healy, including the first one he both designed and executed, Saint Simeon, and also one of his undisputed finest, The Last Judgment, completed in 1940, a year before he died. His other windows include the Madonna and Child, Saint Anthony and Saint John, Christ the King (1930) and Our Lady Queen of Heaven (1934), the Ascension and Saint Joseph (1935).
The cathedral also has windows by Hubert McGoldrick and and window of Saint Brigid by Patrick Pye in the porch.
Apart from the windows, the sculpture and ironwork, the woodwork, statues and reliefs, altars and railings, pews and confessionals, sanctuary lamps and candelabra all have artistic merit and value. Sculptors represented are John Hughes and Michael Shortall. The architect William Alphonsus Scott also contributed designs for metalwork and woodwork.
Inside Saint Brendan’s Cathedral, facing the north or liturgical west end (Photograph: Patrick Comerford, 2021)
Michael Shortall designed the altar, altar rails, executed the corbels and capitals, the baptismal font, and a statue of Saint Brendan on the tower.
John Hughes is responsible for the marble Madonna and Child and the bronze relief of the Resurrection behind Scott’s plain but massively impressive high altar as well as a series of small bronze plaques on the altar rails and sanctuary gate, and on the bishop's confessional.
The Stations of the Cross in opus sectile, with inscriptions in Irish, were made by Ethel Mary Rhind of An Túr Gloine in 1928-1933.
The Saint Brendan window by Sarah Purser in the cathedral porch (Photograph: Patrick Comerford, 2021)
The post-Vatican II arrangements, including the bishop’s throne, ambo, altar and wooden bench, were designed by Ray Carroll, and enhance this treasury of Irish art.
This cruciform-plan gable-fronted cathedral is built on a south-north axis, with the altar at the south end, rather than the traditional east-west alignment.
The cathedral has an aisled nave of five bays, with lean-to side aisles, clerestory, double-pile transepts, a canted apse, a three-bay sacristy, a square-plan four-stage tower surmounted by an octagonal broach spire with lucarnes.
Jesus, Mary and Joseph and the Little Donkey … a panel in the Saint Joseph window by Michael Healy (Photograph: Patrick Comerford, 2021)
The Clonfert Diocesan Museum, in the grounds of Saint Brendan’s Cathedral, has an important collection of objects of ecclesiastical interest. There are also 24 embroidered banners, mostly depicting Irish saints as well as vestments by the Dun Emer Guild. The banners were designed by Jack B.Yeats, his wife Cottie, George William Russell and PC Smith.
The oldest chalice in the collection, the Matheus Macraith Chalice, is almost 500 years old. The collection of carved wooden figures includes the Kilcorban Madonna (ca 1180), the oldest surviving wooden statue in Ireland.
The site is enhanced by its gardens and WA Scott’s railings and gateway.
The mediaeval gate tower at the north-east corner of site is also known as Latimer Gate. It dates from the 15th century and was originally a castellated structure. It is the only remaining town gate in Loughrea.
Station VIII … the Stations of the Cross were made by Ethel Mary Rhind of An Túr Gloine in 1928-1933 (Photograph: Patrick Comerford, 2021)
Before Saint Brendan’s Cathedral was built, the town of Loughrea and the Diocese of Clonfert were served by the Pro-Cathedral or Saint Brigid’s Church, built ca 1740 and altered in 1787.
Father Anthony Fahy, a Loughrea-born missionary in Argentina and a friend of Admiral Browne, was the rector of the Pro-Cathedral in 1836.
The former Pro-Cathedral is now a funeral parlour. Kilboy’s Funeral Directors was established by Patrick Kilboy in 1903. A font dating to 1780 can be seen at this site.
The Pro-Cathedral or Saint Brigid’s Church was built ca 1740 (Photograph: Patrick Comerford, 2021)
For Saint Brendan's Cathedral, Clonfert, Co Galway, the Church of Ireland cathedral in the Diocese of Clonfert, see HERE.
19 February 2021
Praying in Lent and Easter 2021:
3, Saint Brendan’s Cathedral, Clonfert
The great west door of Saint Brendan’s Cathedral, Clonfert, Co Galway, has been described as the ‘crowning achievement’ of the Hiberno-Romanesque style (Photograph: Patrick Comerford)
Patrick Comerford
During Lent and Easter this year, I am taking some time each morning to reflect in these ways:
1, a photograph of a church or place of worship that has been significant in my spiritual life;
2, the day’s Gospel reading;
3, a prayer from the prayer diary of the Anglican mission agency USPG (United Society, Partners in the Gospel).
This week, as Lent begins, I am offering photographs of the four cathedrals where I have been a chapter member. This morning’s photograph is of Saint Brendan’s Cathedral, Clonfert, Co Galway, where I have been the Precentor since my installation in the joint chapter of Limerick, Killaloe and Ardfert four years ago, on Sunday 19 March 2017.
Matthew 9: 14-15 (NRSVA):
14 Then the disciples of John came to him, saying, ‘Why do we and the Pharisees fast often, but your disciples do not fast?’ 15 And Jesus said to them, ‘The wedding-guests cannot mourn as long as the bridegroom is with them, can they? The days will come when the bridegroom is taken away from them, and then they will fast.’
Prayer in the USPG Prayer Diary:
The Prayer in the USPG Prayer Diary today (Friday 19 February 2021) invites us to pray:
Let us pray that during this season of prayer, fasting and giving, our world might experience a conversion of love for all.
Yesterday’s reflection
Continued tomorrow
The Precentor’s stall in the choir in Saint Brendan’s Cathedral, Clonfert, Co Galway (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Patrick Comerford
During Lent and Easter this year, I am taking some time each morning to reflect in these ways:
1, a photograph of a church or place of worship that has been significant in my spiritual life;
2, the day’s Gospel reading;
3, a prayer from the prayer diary of the Anglican mission agency USPG (United Society, Partners in the Gospel).
This week, as Lent begins, I am offering photographs of the four cathedrals where I have been a chapter member. This morning’s photograph is of Saint Brendan’s Cathedral, Clonfert, Co Galway, where I have been the Precentor since my installation in the joint chapter of Limerick, Killaloe and Ardfert four years ago, on Sunday 19 March 2017.
Matthew 9: 14-15 (NRSVA):
14 Then the disciples of John came to him, saying, ‘Why do we and the Pharisees fast often, but your disciples do not fast?’ 15 And Jesus said to them, ‘The wedding-guests cannot mourn as long as the bridegroom is with them, can they? The days will come when the bridegroom is taken away from them, and then they will fast.’
Prayer in the USPG Prayer Diary:
The Prayer in the USPG Prayer Diary today (Friday 19 February 2021) invites us to pray:
Let us pray that during this season of prayer, fasting and giving, our world might experience a conversion of love for all.
Yesterday’s reflection
Continued tomorrow
The Precentor’s stall in the choir in Saint Brendan’s Cathedral, Clonfert, Co Galway (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
24 November 2020
Finding one Saint Colman
after another, and then
a third Saint Colman
Saint Colman of Cloyne depicted in a window in Saint Colman’s Cathedral, Cobh, Co Cork (Photograph: Patrick Comerford, 2020)
Patrick Comerford
Today (24 November) is the feast of Saint Colman of Cloyne, who gives his name to both Saint Colman’s Cathedral in Cloyne in the Church of Ireland, and Saint Colman’s Cathedral in Cobh in the Roman Catholic Church.
But when I was visiting Saint Colman’s Church and monastic site in Kilcolman, west Limerick, I was told that the Saint Colman honoured there is Saint Colman who is associated with Templeshambo, Co Wexford, and whose feastday is on 27 October.
Indeed, there is at least one more Saint Colman among Irish monastic saints, Saint Colman Mac Duagh, who is associated with Kilmacduagh, Co Clare, a diocese that is incorporated along with Kilfenora, into the Diocese of Limerick and Killaloe in the Church of Ireland and, along with Kilefenora into the Diocese of Galway in the Roman Catholic Church.
Saint Colman of Cloyne (left) among the saints in a stained-glass window in Saint Mary’s Church, Buttevant, Co Cork … the window is the work Franz Mayer & Co in 1886 (Photograph: Patrick Comerford, 2020)
Saint Colmán of Cloyne (530-606), also known as Colmán mac Léníne, was a monk, founder and patron of Cluain Uama, now Cloyne, Co Cork, and one of the earliest-known Irish poets to write in the vernacular.
Irish genealogies generally agree that this Saint Colmán was the son of Lénín, and descended from the Rothrige, a people who lived in the Déisi or present-day Co Waterford. Irish genealogies also try to associate him with the Éoganachta, the leading ruling dynasty in Munster.
He is said to have been educated as a bard or file, and became attached to the court of Cashel where he remained until he was about 48 years. He and Saint Brendan of Clonfert are said to have settled a dispute in 570 between rival claimants to the throne of Cashel. Aodh Caomh was acknowledged as king, becoming the first Christian king of Cashel, and was enthroned by Saint Brendan.
Saint Brendan then ordained Colmán, giving him his name which is a diminutive of Colm, derived from the Latin columba (dove). According to tradition, Colmán is named as one of the three ‘ex-laymen’ (athláich) of Ireland, along with Énna of Aran and Móchammac of Inis Celtra, suggesting that Colmán was ordained at a later age than was usual at the time.
After some time in Saint Jarlath’s monastery in Tuam, Co Galway, Colman returned to east Co Cork. He is described as a ‘religious and holy priest, who afterwards became a famous bishop.’
Saint Colmán is remembered as the founder of the monastery at Cloyne (Cluain Uama), Co Cork, on land given not given by the local king, but by the King of Munster. The Prince of the Déise, in Co Waterford, presented his child to Colman for baptism. Colman baptised him the child who became Saint Declan of Ardmore.
Saint Colman is also said to have founded a monastery at what became Killagha Abbey in Co Kerry, and many places in Co Cork and Co Limerick are associated with his name.
Many accounts describe him as the ‘royal poet of Munster,’ and his poems include a metrical panegyric on Saint Brendan. His surviving verses date from the period 565 and 604, and are among the earliest examples of Irish writing in the Latin alphabet.
He died on 24 November, ca 600, and was probably buried in Cloyne.
Saint Colman of Templeshambo depicted in a window in Saint Colman’s Church, Co Limerick (Photograph: Patrick Comerford, 2020)
However, the people of Kilcolman in West Limerick insist that bith the mediaeval church and modern church there take their name from Saint Colman of Templeshambo or Templeshanbo, near Bunclody, Co Wexford.
This saint was from Connacht, the son of Eochaidh Brec, and Fearamhla, but lived and laboured mainly in wat is now Co Wexford. He was a contemporary of Saint Máedóc or Saint Aidan of Ferns, who appointed him Abbot of Templeshambo, originally called ‘Shanbo-Colman’ or Saint Colman’s booth.
There are many legends about Saint Colman and of his holy well with its sacred ducks. He is said to have laboured zealously at the foot of Mount Leinster. He died ca 595 on 27 October, according to the Martyrology of Donegal.
Saint Colman’s Church of Ireland Parish Church in Templeshambo, Co Wexford (Photograph: Patrick Comerford)
The third saint, Saint Colman mac Duagh (ca 560-632), was born at Corker, near Kiltartan, Co Galway, the son of Duac, a local chieftain, and Queen Rhinagh. He initially lived as a recluse, living in prayer and prolonged fastings, first at Saint Enda’s monastery on Inismore on the Aran Islands, then in a cave at the Burren in Co Clare.
With the support of his kinsman, King Guaire Aidne mac Colmáin of Connacht, who lived at Dungaire Castle, Kinvara, he founded the monastery of Kilmacduagh, (‘the church of the son of Duac’) in 610, and became its abbot-bishop. His monastery became the centre of the tribal Diocese of Aidhne, practically coextensive with the later Diocese of Kilmacduagh.
Local legend says Saint Colman declared that no person nor animal in the Diocese of Kilmacduagh would ever die of lightning strike. His abbatial crozier was used through the centuries for the swearing of oaths. It was in the custody of the O’Heyne family of Kiltartan and later the O’Shaughnessy family, and is now the National Museum in Dublin.
Other legends tell of Saint Colman and his love for birds and animals, and how he kept a pet rooster to call him in the morning, a pet mouse to call him to prayer in the middle of the night, and a pet fly who served as a bookmark.
When they died, he wrote about his loss to his friend Saint Columba, who replied: ‘You were too rich when you had them. That is why you are sad now. Trouble like that only comes where there are riches. Be rich no more.’
He died on 29 October 632. Although the Martyrology of Donegal assigns his feast to 2 February, tradition in the Diocese of Kilmacduagh pointed to 29 October, and an annual pilgrimage to his hermitage was associated with 21 October.
Saint Colman’s Cathedral, Cobh … he is the patron saint of the Diocese of Cloyne, and his feast day is on 24 November (Photograph: Patrick Comerford, 2020)
Patrick Comerford
Today (24 November) is the feast of Saint Colman of Cloyne, who gives his name to both Saint Colman’s Cathedral in Cloyne in the Church of Ireland, and Saint Colman’s Cathedral in Cobh in the Roman Catholic Church.
But when I was visiting Saint Colman’s Church and monastic site in Kilcolman, west Limerick, I was told that the Saint Colman honoured there is Saint Colman who is associated with Templeshambo, Co Wexford, and whose feastday is on 27 October.
Indeed, there is at least one more Saint Colman among Irish monastic saints, Saint Colman Mac Duagh, who is associated with Kilmacduagh, Co Clare, a diocese that is incorporated along with Kilfenora, into the Diocese of Limerick and Killaloe in the Church of Ireland and, along with Kilefenora into the Diocese of Galway in the Roman Catholic Church.
Saint Colman of Cloyne (left) among the saints in a stained-glass window in Saint Mary’s Church, Buttevant, Co Cork … the window is the work Franz Mayer & Co in 1886 (Photograph: Patrick Comerford, 2020)
Saint Colmán of Cloyne (530-606), also known as Colmán mac Léníne, was a monk, founder and patron of Cluain Uama, now Cloyne, Co Cork, and one of the earliest-known Irish poets to write in the vernacular.
Irish genealogies generally agree that this Saint Colmán was the son of Lénín, and descended from the Rothrige, a people who lived in the Déisi or present-day Co Waterford. Irish genealogies also try to associate him with the Éoganachta, the leading ruling dynasty in Munster.
He is said to have been educated as a bard or file, and became attached to the court of Cashel where he remained until he was about 48 years. He and Saint Brendan of Clonfert are said to have settled a dispute in 570 between rival claimants to the throne of Cashel. Aodh Caomh was acknowledged as king, becoming the first Christian king of Cashel, and was enthroned by Saint Brendan.
Saint Brendan then ordained Colmán, giving him his name which is a diminutive of Colm, derived from the Latin columba (dove). According to tradition, Colmán is named as one of the three ‘ex-laymen’ (athláich) of Ireland, along with Énna of Aran and Móchammac of Inis Celtra, suggesting that Colmán was ordained at a later age than was usual at the time.
After some time in Saint Jarlath’s monastery in Tuam, Co Galway, Colman returned to east Co Cork. He is described as a ‘religious and holy priest, who afterwards became a famous bishop.’
Saint Colmán is remembered as the founder of the monastery at Cloyne (Cluain Uama), Co Cork, on land given not given by the local king, but by the King of Munster. The Prince of the Déise, in Co Waterford, presented his child to Colman for baptism. Colman baptised him the child who became Saint Declan of Ardmore.
Saint Colman is also said to have founded a monastery at what became Killagha Abbey in Co Kerry, and many places in Co Cork and Co Limerick are associated with his name.
Many accounts describe him as the ‘royal poet of Munster,’ and his poems include a metrical panegyric on Saint Brendan. His surviving verses date from the period 565 and 604, and are among the earliest examples of Irish writing in the Latin alphabet.
He died on 24 November, ca 600, and was probably buried in Cloyne.
Saint Colman of Templeshambo depicted in a window in Saint Colman’s Church, Co Limerick (Photograph: Patrick Comerford, 2020)
However, the people of Kilcolman in West Limerick insist that bith the mediaeval church and modern church there take their name from Saint Colman of Templeshambo or Templeshanbo, near Bunclody, Co Wexford.
This saint was from Connacht, the son of Eochaidh Brec, and Fearamhla, but lived and laboured mainly in wat is now Co Wexford. He was a contemporary of Saint Máedóc or Saint Aidan of Ferns, who appointed him Abbot of Templeshambo, originally called ‘Shanbo-Colman’ or Saint Colman’s booth.
There are many legends about Saint Colman and of his holy well with its sacred ducks. He is said to have laboured zealously at the foot of Mount Leinster. He died ca 595 on 27 October, according to the Martyrology of Donegal.
Saint Colman’s Church of Ireland Parish Church in Templeshambo, Co Wexford (Photograph: Patrick Comerford)The third saint, Saint Colman mac Duagh (ca 560-632), was born at Corker, near Kiltartan, Co Galway, the son of Duac, a local chieftain, and Queen Rhinagh. He initially lived as a recluse, living in prayer and prolonged fastings, first at Saint Enda’s monastery on Inismore on the Aran Islands, then in a cave at the Burren in Co Clare.
With the support of his kinsman, King Guaire Aidne mac Colmáin of Connacht, who lived at Dungaire Castle, Kinvara, he founded the monastery of Kilmacduagh, (‘the church of the son of Duac’) in 610, and became its abbot-bishop. His monastery became the centre of the tribal Diocese of Aidhne, practically coextensive with the later Diocese of Kilmacduagh.
Local legend says Saint Colman declared that no person nor animal in the Diocese of Kilmacduagh would ever die of lightning strike. His abbatial crozier was used through the centuries for the swearing of oaths. It was in the custody of the O’Heyne family of Kiltartan and later the O’Shaughnessy family, and is now the National Museum in Dublin.
Other legends tell of Saint Colman and his love for birds and animals, and how he kept a pet rooster to call him in the morning, a pet mouse to call him to prayer in the middle of the night, and a pet fly who served as a bookmark.
When they died, he wrote about his loss to his friend Saint Columba, who replied: ‘You were too rich when you had them. That is why you are sad now. Trouble like that only comes where there are riches. Be rich no more.’
He died on 29 October 632. Although the Martyrology of Donegal assigns his feast to 2 February, tradition in the Diocese of Kilmacduagh pointed to 29 October, and an annual pilgrimage to his hermitage was associated with 21 October.
Saint Colman’s Cathedral, Cobh … he is the patron saint of the Diocese of Cloyne, and his feast day is on 24 November (Photograph: Patrick Comerford, 2020)
11 August 2020
Archdeacon Wayne Carney
(1952-2020), a priest,
a friend and a colleague
With Archdeacon Wayne Carney (left) and the then Dean of Killaloe, the Very Revd Gary Paulsen (right), when the Church of Ireland General Synod met in Limerick
Patrick Comerford
It is sad to learn of the sudden death of my friend and colleague, the Ven Wayne Carney, who was Archdeacon of Killaloe, Rector of Birr, Co Offaly, and Prebendary of Taney in the Chapter of Saint Patrick’s Cathedral, Dublin.
Wayne’s sudden death on Monday (10 August 2020) robs the Church and the Diocese of a priest of the highest calibre and an outstanding pastor.
Wayne Carney has been Archdeacon of Killaloe, Kilfenora, Clonfert and Kilmacduagh since 2002.
Wayne Carney was born in 1952 and grew up in south-west Ontario.
After graduating BA from the University of Toronto, he taught in primary schools in Toronto for eight years. After receiving a Master of Divinity from Trinity College Toronto, in 1984, he was ordained deacon in 1984 and priest in 1985.
He was a curate in Scarborough, Toronto, and then the incumbent at Roche’s Point, Newmarket, Ontario, in the Diocese of Toronto from 1984. He came to Ireland in 1995, first as Rector of the Clonfert Cathedral Group of Parishes (1995-2003) and then as Rector of the Birr Group of Parish from 2003.
He was appointed Archdeacon of Killaloe and Clonfert in 2002. He became the Limerick and Killaloe diocesan member of the Chapter of Saint Patrick’s Cathedral, Dublin, as Prebendary of Taney, in 2012.
His many roles in the Diocese of Limerick and Killaloe included those of president of the United Diocesan Youth Council, Warden of Lay Readers, and Diocesan Director of Ordinands. He was a keen supporter of the Anglican mission agency USPG (United Society Partners in the Gospel). Wayne was a supportive and active participant in the monthly seminars and training days I organised for clergy and readers in the diocese.
Wayne married Norma-Jean in 1973, and they are the parents of two adult children: Kathleen, who is married and living in France with two children, and Brian, who is married and living in Canada with two children.
Bishop Kenneth Kearon said: ‘It’s impossible to describe the shock and sadness we all feel at Wayne’s sudden passing. He was a good and loyal friend, a true pastor and an able and caring Archdeacon. He will be greatly missed by the church communities in Birr and beyond where his ecumenical commitment and community engagement was well known. He served his diocese in many roles and was widely known and respected throughout the church and in wider society.’
The Dean of Killaloe, the Very Revd Rod Smyth, is working with the family on the funeral arrangements which will be announced later.
Patrick Comerford
It is sad to learn of the sudden death of my friend and colleague, the Ven Wayne Carney, who was Archdeacon of Killaloe, Rector of Birr, Co Offaly, and Prebendary of Taney in the Chapter of Saint Patrick’s Cathedral, Dublin.
Wayne’s sudden death on Monday (10 August 2020) robs the Church and the Diocese of a priest of the highest calibre and an outstanding pastor.
Wayne Carney has been Archdeacon of Killaloe, Kilfenora, Clonfert and Kilmacduagh since 2002.
Wayne Carney was born in 1952 and grew up in south-west Ontario.
After graduating BA from the University of Toronto, he taught in primary schools in Toronto for eight years. After receiving a Master of Divinity from Trinity College Toronto, in 1984, he was ordained deacon in 1984 and priest in 1985.
He was a curate in Scarborough, Toronto, and then the incumbent at Roche’s Point, Newmarket, Ontario, in the Diocese of Toronto from 1984. He came to Ireland in 1995, first as Rector of the Clonfert Cathedral Group of Parishes (1995-2003) and then as Rector of the Birr Group of Parish from 2003.
He was appointed Archdeacon of Killaloe and Clonfert in 2002. He became the Limerick and Killaloe diocesan member of the Chapter of Saint Patrick’s Cathedral, Dublin, as Prebendary of Taney, in 2012.
His many roles in the Diocese of Limerick and Killaloe included those of president of the United Diocesan Youth Council, Warden of Lay Readers, and Diocesan Director of Ordinands. He was a keen supporter of the Anglican mission agency USPG (United Society Partners in the Gospel). Wayne was a supportive and active participant in the monthly seminars and training days I organised for clergy and readers in the diocese.
Wayne married Norma-Jean in 1973, and they are the parents of two adult children: Kathleen, who is married and living in France with two children, and Brian, who is married and living in Canada with two children.
Bishop Kenneth Kearon said: ‘It’s impossible to describe the shock and sadness we all feel at Wayne’s sudden passing. He was a good and loyal friend, a true pastor and an able and caring Archdeacon. He will be greatly missed by the church communities in Birr and beyond where his ecumenical commitment and community engagement was well known. He served his diocese in many roles and was widely known and respected throughout the church and in wider society.’
The Dean of Killaloe, the Very Revd Rod Smyth, is working with the family on the funeral arrangements which will be announced later.
02 June 2020
A crumbling old house near
Rathkeale is a reminder of
an extended clerical family
The gates into the former Elm Hill estate near Rathkeale, Co Limerick (Photograph: Patrick Comerford)
Patrick Comerford
One of the houses I pass regularly in this parish is Elm Hill, a mid-18th century house on a difficult bend on the road between Rathkeale and Ardagh in west Limerick. This once elegant house, built by Maurice Studdert, a volunteer captain and magistrate, has an interesting link with a large clerical family and with the Studdert family who once owned Bunratty Castle, Co Clare.
The Studdert family traces its origins to Yorkshire, Suffolk and Cumberland in England. But the Studdert families of Rathkeale and Bunratty were descended from Canon George Studdert (1652-1738), who was born in Armagh and educated at Trinity College Dublin.
George Studdert was ordained deacon in 1678, and while he was still a deacon and not yet ordained priest, he was appointed Prebendary of Kilpeacon in 1678. He was ordained priest in 1679, and went on to become Vicar of Crecoragh (1680-1692), Chancellor Limerick and Rector of Rathkeale and Kilscannell (1687-1738).
During the Williamite wars, he was a chaplain to William III and preached before the him before the Siege of Limerick in 1690 from Psalm 45: 4-5:
In your majesty ride on victoriously
for the cause of truth and to defend the right;
let your right hand teach you dread deeds.
Your arrows are sharp
in the heart of the king’s enemies;
the peoples fall under you.
Later, George Studdert married Millicent Rose, a sister of the Chief Justice, and he was granted large tracts of land at Ardlaman (Alemond) in Co Limerick.
His eldest son, Thomas Studdert, acquired Bunratty Castle and was High Sheriff of Co Clare. A younger son, Maurice Studdert, married Anne Hewitt, an heiress, and was the first member of the family to live at Elm Hill, outside Rathkeale, held on a lease from Lord Southwell of Castle Matrix, Rathkeale.
Maurice Studdert’s youngest son, Canon George Studdert (1759-1813), was the curate in Rathkeale in 1792 and later became Prebendary of Kilpeacon in Limerick. George married Elizabeth Massy of Stoneville, near Rathkeale, and died on 21 December 1813 after an accidental fall into an unprotected area of a new building.
Canon George Studdert was a brother of William Studdert who married Elizabeth Dowdall, and they were the parents of one of my predecessors as Precentor of Killaloe in the 19th century, Canon John Studdert, a grandson of Maurice Studdert of Elm Hill, Rathkeale, Co Limerick.
Another brother, Canon Lancelot Studdert (1809-1873), was Chancellor of the Diocese of Killaloe. Their sister, Anne Studdert, married the Very Revd Robert Mitchell Kennedy, who later became Dean of Saint Brendan’s Cathedral, Clonfert, Co Galway (1850-1864).
Maurice Studdert’s eldest son, also Maurice Studdert of Elm Hill, donated the site for Saint Molua’s Church in Ardagh, Co Limerick, on 2 April 1813, to the parish priest of Ardagh, Father James Corbett, along with a subscription of £10 to the building fund. The neighbouring landowners followed his example, and building was completed before the end of 1814. This Maurice Studdert was the father of Ion Studdert (1788-1860), who inherited Elm Hill and was a Justice of the Peace and Deputy Lieutenant for Co Limerick.
The Great Famine brought the Studdert family to the brink of bankruptcy and forced the sale of Elm Hill (Photograph: Patrick Comerford)
Ion Studdert was living at Elm Hill in the mid-19th century, when the buildings were valued at £27. The Great Famine had taken its toll on the family and the estate, and they were bankrupt by 1855.
The house and the estate of about 1,500 acres were advertised for sale in June 1855. A lithograph of the house was included with the rental, when Elm Hill was described: ‘The Mansion House of Elm Hill stands on this lot, and contains a spacious and lofty parlour, drawing room and hall; nine capital bedrooms, large kitchen and servants’ hall, besides larder, dairy, closet and cellars of a superior description and in thorough repair.’
Outside, there was stabling for 15 horses, a forge, coach house, laundry, barn, and fowl and cow houses, a walled garden with fruit trees and vegetables, paddocks, and a demesne with valuable timber, including oak, ash, elm, beech and larch.
Ion Studdert of Elm Hill died in 1860, and by the 1870s his son George Studdert was living at Elm Hill, with an estate of 423 acres. Elm Hill was advertised for sale once again in June 1877 and again in January 1884.
Elm Hill then passed through the Wandesforde and Magner families, and was bought in 1931 by the Woulfe family, who moved to Elm Hill around 1932.
A member of this family, Catherine Woulfe, married Thomas Griffin. They were first cousins and eloped and went to the US. Their son, James A Griffin (1883-1948), was Bishop of Springfield, Illinois.
Two brothers, Dick and John Woulfe, lived at the Elm House until Dick died in 2000 and John went into a nursing home.
Elm Hill House is now in a sad, neglected state (Photograph: Patrick Comerford)
Elm Hill House is now in a sad, neglected state, with a large hole in the roof. It is fast becoming derelict, with rain pouring in through the roof, and the floorboards rotting. Who knows what has happened to the plastered ceilings?
Yet, looking at this once-imposing house, it is possible to imagine its former grandeur. A high level of technical and artistic skill went into its design, including its tooled limestone doorcase, the carved timber door and the slate-hung elevations.
Inside, the house had many interesting features, including the spoked fanlight, slate fireplaces, plastered ceilings, sliding sash windows, slate-hung walls and terracotta ridge tiles. The outbuildings included a coach house with a carriage arch, a red-brick dovecote and a walled garden. One of the outbuildings was said until recently to retain a pencil inscription dating from 1911 with the signatures of farm workers.
Local lore talks about a ghost outside the old house. Several people reportedly claim to have seen a ghostly little girl run up the front stairs and tug at the door as if she is trying to get in. Legend says the girl was run over by a carriage in the drive in front of the house.
As for the extended Studdert family, many members of the Bunratty and Elm Hill branches were Anglican priests in Ireland, England, and further afield. The Revd Thomas de Clare Studdert (1870-1948), whose father was from Co Limerick, was a missionary in Fuzhou in China (1897-1912) before returning to parish ministry in Co Limerick. Some of his children were born in Fuzhou, including Archdeacon Augustine John de Clare Studdert, whose ministry included being curate of Saint Martin in the Fields, London, an assistant chaplain in the British embassy in Paris, and Archdeacon of Surrey; and Canon Charles Studdert, Precentor of Leighlin (1962-1978) and Precentor of Ossory (1968-1978).
The Revd Geoffrey Anketell Studdert Kennedy (‘Woodbine Willie’) was descended from the Studdert family of Elm Hill and always regarded himself as Irish
As for Dean Kennedy of Clonfert and his wife Anne Studdert, they were the parents of William Studdert Kennedy, vicar of Saint Mary’s, Quarry Hill in Leeds, and grandfather of the Revd Geoffrey Anketell Studdert Kennedy, MC (1883-1929), the Anglican priest-poet who was known as ‘Woodbine Willie’ for giving cigarettes along with spiritual pastoral care to injured and dying soldiers in the trenches in World War I.
‘Woodbine Willie’ always regarded himself as Irish, and studied theology and classics at Trinity College Dublin before training for ordination at Ripon College.
As a chaplain in World War I, he was decorated with the Military Cross at Messines Ridge after running into no-man’s-land in 1917 to help the wounded during an attack on the German frontline.
After the war, Kennedy was appointed to the Church of Saint Edmund, King and Martyr, in Lombard Street, London. But he soon moved to work for the Industrial Christian Fellowship, travelling throughout Britain on speaking tours.
He addressed the Anglo-Catholic Congress in London in July 1923, when he said:
‘It is not enough to make the devotional life our main concern, and allow an occasional lecture or preachment on social matters to be added as a make-weight. The social life must be brought right into the heart of our devotion, and our devotion right into the heart of our social life. There is only one spiritual life, and that is the sacramental life – sacramental in its fullest, its widest, and its deepest sense, which means the consecration of the whole man and all his human relationships to God.
‘There must be free and open passage between the sanctuary and the street. We must destroy within ourselves our present feeling that we descend to a lower level when we leave the song of the angels and the archangels and begin to study economic conditions, questions of wages, hours and housing. It is hard, very hard, but it must be done. It must be done not only for the sake of the street, but for the sake of the sanctuary, too. If the Real Presence of Christ in the Sacrament obscures the Omnipresence of God in the world, then the Sacrament is idolatrous, and our worship is actual sin, for all sin at its roots is the denial of the Omnipresence of God.
‘I have been to Mass in churches where I felt it was sinful – sinful because there was no passion for social righteousness behind it. When ye spread forth your hands I will hide mine eyes from you; yea, when ye make long prayers I will not hear you; your hands are full of blood … Cease to do evil, learn to do well. Seek judgement. Relieve the oppressed. Judge the fatherless, plead for the widow. Little children, keep yourselves from idols.
‘Remember that medieval ritual was a natural expression of medieval life, which, at any rate, tried to consecrate all things to God – tried to build the Kingdom of God on earth, and dedicated all arts and crafts, all human activities to him. In that setting it meant much; apart from that setting it means nothing, and worse than nothing – it is a hollow mockery. The way out is not to destroy ritual, but to restore righteousness, and make our flaming colours the banners of a Church militant here on earth …’
When he died in Liverpool in 1929, exhausted at the age of 45, it is said the Dean of Westminster refused his burial at Westminster Abbey because, he said, Studdert Kennedy was ‘a socialist,’ although he had distrusted politicians and had never joined a political party. His funeral took place, instead in Worcester, where he had been a vicar before the war, and poor people flocked to pay him their respects.
Every time I pass through Birmingham on my way to and from Lichfield, I recall his poem ‘Indifference’, or ‘When Jesus came to Birmingham,’ written while he was a war chaplain. In this poem, he compares the behaviour of Christ’s contemporaries with our behaviour today towards the stranger and the outcast, and challenges us to consider whether we are following Christ to Golgotha.
Kennedy once wrote: ‘We have taught our people to use prayer too much as a means of comfort – not in the original and heroic sense of uplifting, inspiring, strengthening, but in the more modern and baser sense of soothing sorrow, dulling pain, and drying tears – the comfort of the cushion, not the comfort of the Cross.’
Elm Hill stands at a difficult junction, and the Studdert family is fading from memory (Photograph: Patrick Comerford)
Patrick Comerford
One of the houses I pass regularly in this parish is Elm Hill, a mid-18th century house on a difficult bend on the road between Rathkeale and Ardagh in west Limerick. This once elegant house, built by Maurice Studdert, a volunteer captain and magistrate, has an interesting link with a large clerical family and with the Studdert family who once owned Bunratty Castle, Co Clare.
The Studdert family traces its origins to Yorkshire, Suffolk and Cumberland in England. But the Studdert families of Rathkeale and Bunratty were descended from Canon George Studdert (1652-1738), who was born in Armagh and educated at Trinity College Dublin.
George Studdert was ordained deacon in 1678, and while he was still a deacon and not yet ordained priest, he was appointed Prebendary of Kilpeacon in 1678. He was ordained priest in 1679, and went on to become Vicar of Crecoragh (1680-1692), Chancellor Limerick and Rector of Rathkeale and Kilscannell (1687-1738).
During the Williamite wars, he was a chaplain to William III and preached before the him before the Siege of Limerick in 1690 from Psalm 45: 4-5:
In your majesty ride on victoriously
for the cause of truth and to defend the right;
let your right hand teach you dread deeds.
Your arrows are sharp
in the heart of the king’s enemies;
the peoples fall under you.
Later, George Studdert married Millicent Rose, a sister of the Chief Justice, and he was granted large tracts of land at Ardlaman (Alemond) in Co Limerick.
His eldest son, Thomas Studdert, acquired Bunratty Castle and was High Sheriff of Co Clare. A younger son, Maurice Studdert, married Anne Hewitt, an heiress, and was the first member of the family to live at Elm Hill, outside Rathkeale, held on a lease from Lord Southwell of Castle Matrix, Rathkeale.
Maurice Studdert’s youngest son, Canon George Studdert (1759-1813), was the curate in Rathkeale in 1792 and later became Prebendary of Kilpeacon in Limerick. George married Elizabeth Massy of Stoneville, near Rathkeale, and died on 21 December 1813 after an accidental fall into an unprotected area of a new building.
Canon George Studdert was a brother of William Studdert who married Elizabeth Dowdall, and they were the parents of one of my predecessors as Precentor of Killaloe in the 19th century, Canon John Studdert, a grandson of Maurice Studdert of Elm Hill, Rathkeale, Co Limerick.
Another brother, Canon Lancelot Studdert (1809-1873), was Chancellor of the Diocese of Killaloe. Their sister, Anne Studdert, married the Very Revd Robert Mitchell Kennedy, who later became Dean of Saint Brendan’s Cathedral, Clonfert, Co Galway (1850-1864).
Maurice Studdert’s eldest son, also Maurice Studdert of Elm Hill, donated the site for Saint Molua’s Church in Ardagh, Co Limerick, on 2 April 1813, to the parish priest of Ardagh, Father James Corbett, along with a subscription of £10 to the building fund. The neighbouring landowners followed his example, and building was completed before the end of 1814. This Maurice Studdert was the father of Ion Studdert (1788-1860), who inherited Elm Hill and was a Justice of the Peace and Deputy Lieutenant for Co Limerick.
The Great Famine brought the Studdert family to the brink of bankruptcy and forced the sale of Elm Hill (Photograph: Patrick Comerford)
Ion Studdert was living at Elm Hill in the mid-19th century, when the buildings were valued at £27. The Great Famine had taken its toll on the family and the estate, and they were bankrupt by 1855.
The house and the estate of about 1,500 acres were advertised for sale in June 1855. A lithograph of the house was included with the rental, when Elm Hill was described: ‘The Mansion House of Elm Hill stands on this lot, and contains a spacious and lofty parlour, drawing room and hall; nine capital bedrooms, large kitchen and servants’ hall, besides larder, dairy, closet and cellars of a superior description and in thorough repair.’
Outside, there was stabling for 15 horses, a forge, coach house, laundry, barn, and fowl and cow houses, a walled garden with fruit trees and vegetables, paddocks, and a demesne with valuable timber, including oak, ash, elm, beech and larch.
Ion Studdert of Elm Hill died in 1860, and by the 1870s his son George Studdert was living at Elm Hill, with an estate of 423 acres. Elm Hill was advertised for sale once again in June 1877 and again in January 1884.
Elm Hill then passed through the Wandesforde and Magner families, and was bought in 1931 by the Woulfe family, who moved to Elm Hill around 1932.
A member of this family, Catherine Woulfe, married Thomas Griffin. They were first cousins and eloped and went to the US. Their son, James A Griffin (1883-1948), was Bishop of Springfield, Illinois.
Two brothers, Dick and John Woulfe, lived at the Elm House until Dick died in 2000 and John went into a nursing home.
Elm Hill House is now in a sad, neglected state (Photograph: Patrick Comerford)
Elm Hill House is now in a sad, neglected state, with a large hole in the roof. It is fast becoming derelict, with rain pouring in through the roof, and the floorboards rotting. Who knows what has happened to the plastered ceilings?
Yet, looking at this once-imposing house, it is possible to imagine its former grandeur. A high level of technical and artistic skill went into its design, including its tooled limestone doorcase, the carved timber door and the slate-hung elevations.
Inside, the house had many interesting features, including the spoked fanlight, slate fireplaces, plastered ceilings, sliding sash windows, slate-hung walls and terracotta ridge tiles. The outbuildings included a coach house with a carriage arch, a red-brick dovecote and a walled garden. One of the outbuildings was said until recently to retain a pencil inscription dating from 1911 with the signatures of farm workers.
Local lore talks about a ghost outside the old house. Several people reportedly claim to have seen a ghostly little girl run up the front stairs and tug at the door as if she is trying to get in. Legend says the girl was run over by a carriage in the drive in front of the house.
As for the extended Studdert family, many members of the Bunratty and Elm Hill branches were Anglican priests in Ireland, England, and further afield. The Revd Thomas de Clare Studdert (1870-1948), whose father was from Co Limerick, was a missionary in Fuzhou in China (1897-1912) before returning to parish ministry in Co Limerick. Some of his children were born in Fuzhou, including Archdeacon Augustine John de Clare Studdert, whose ministry included being curate of Saint Martin in the Fields, London, an assistant chaplain in the British embassy in Paris, and Archdeacon of Surrey; and Canon Charles Studdert, Precentor of Leighlin (1962-1978) and Precentor of Ossory (1968-1978).
The Revd Geoffrey Anketell Studdert Kennedy (‘Woodbine Willie’) was descended from the Studdert family of Elm Hill and always regarded himself as Irish
As for Dean Kennedy of Clonfert and his wife Anne Studdert, they were the parents of William Studdert Kennedy, vicar of Saint Mary’s, Quarry Hill in Leeds, and grandfather of the Revd Geoffrey Anketell Studdert Kennedy, MC (1883-1929), the Anglican priest-poet who was known as ‘Woodbine Willie’ for giving cigarettes along with spiritual pastoral care to injured and dying soldiers in the trenches in World War I.
‘Woodbine Willie’ always regarded himself as Irish, and studied theology and classics at Trinity College Dublin before training for ordination at Ripon College.
As a chaplain in World War I, he was decorated with the Military Cross at Messines Ridge after running into no-man’s-land in 1917 to help the wounded during an attack on the German frontline.
After the war, Kennedy was appointed to the Church of Saint Edmund, King and Martyr, in Lombard Street, London. But he soon moved to work for the Industrial Christian Fellowship, travelling throughout Britain on speaking tours.
He addressed the Anglo-Catholic Congress in London in July 1923, when he said:
‘It is not enough to make the devotional life our main concern, and allow an occasional lecture or preachment on social matters to be added as a make-weight. The social life must be brought right into the heart of our devotion, and our devotion right into the heart of our social life. There is only one spiritual life, and that is the sacramental life – sacramental in its fullest, its widest, and its deepest sense, which means the consecration of the whole man and all his human relationships to God.
‘There must be free and open passage between the sanctuary and the street. We must destroy within ourselves our present feeling that we descend to a lower level when we leave the song of the angels and the archangels and begin to study economic conditions, questions of wages, hours and housing. It is hard, very hard, but it must be done. It must be done not only for the sake of the street, but for the sake of the sanctuary, too. If the Real Presence of Christ in the Sacrament obscures the Omnipresence of God in the world, then the Sacrament is idolatrous, and our worship is actual sin, for all sin at its roots is the denial of the Omnipresence of God.
‘I have been to Mass in churches where I felt it was sinful – sinful because there was no passion for social righteousness behind it. When ye spread forth your hands I will hide mine eyes from you; yea, when ye make long prayers I will not hear you; your hands are full of blood … Cease to do evil, learn to do well. Seek judgement. Relieve the oppressed. Judge the fatherless, plead for the widow. Little children, keep yourselves from idols.
‘Remember that medieval ritual was a natural expression of medieval life, which, at any rate, tried to consecrate all things to God – tried to build the Kingdom of God on earth, and dedicated all arts and crafts, all human activities to him. In that setting it meant much; apart from that setting it means nothing, and worse than nothing – it is a hollow mockery. The way out is not to destroy ritual, but to restore righteousness, and make our flaming colours the banners of a Church militant here on earth …’
When he died in Liverpool in 1929, exhausted at the age of 45, it is said the Dean of Westminster refused his burial at Westminster Abbey because, he said, Studdert Kennedy was ‘a socialist,’ although he had distrusted politicians and had never joined a political party. His funeral took place, instead in Worcester, where he had been a vicar before the war, and poor people flocked to pay him their respects.
Every time I pass through Birmingham on my way to and from Lichfield, I recall his poem ‘Indifference’, or ‘When Jesus came to Birmingham,’ written while he was a war chaplain. In this poem, he compares the behaviour of Christ’s contemporaries with our behaviour today towards the stranger and the outcast, and challenges us to consider whether we are following Christ to Golgotha.
Kennedy once wrote: ‘We have taught our people to use prayer too much as a means of comfort – not in the original and heroic sense of uplifting, inspiring, strengthening, but in the more modern and baser sense of soothing sorrow, dulling pain, and drying tears – the comfort of the cushion, not the comfort of the Cross.’
Elm Hill stands at a difficult junction, and the Studdert family is fading from memory (Photograph: Patrick Comerford)
11 November 2018
Three poems by war poets
for Remembrance Sunday
Wilting poppies in Comberford (Photograph: Patrick Comerford)
Patrick Comerford
Sunday 11 November 2018,
11 a.m., Remembrance Sunday,
Holy Trinity Church, Rathkeale, Co Limerick
May I speak to you in the name of God, + Father, Son and Holy Spirit, Amen.
Instead of preaching a sermon this morning, I thought it would be more appropriate to read three short poems by three war poets of World War I.
One was English-born but was posted to Limerick during World War I; the second was English-born but had strong family roots in these dioceses and regarded himself as Irish; and the third was an Irish Nationalist MP before he enlisted and died in the trenches in 1916.
1, ‘Aftermath’ by Siegfried Sassoon
The first poem, ‘Aftermath,’ was written by Siegfried Sassoon (1886-1967) in 1919, during the time of his demobilisation. He was born to a Jewish father and an Anglo-Catholic mother and was much-decorated in World War I. During the war, he was stationed for some time in Limerick, along with his close friend Robert Graves (1895-1985), a grandson of Charles Graves (1812-1899), Bishop of Limerick (1866-1899).
During this time in Limerick during the war, Siegfried Sassoon wrote about his impressions of the streets of Limerick, and of his time riding to hounds in west Limerick.
In the years immediately after World War I, his poem ‘Aftermath’ was often broadcast on Armistice Day. It is rich, haunting, and bursting with the enormities of war:
Have you forgotten yet?...
For the world’s events have rumbled on since those gagged days,
Like traffic checked while at the crossing of city-ways:
And the haunted gap in your mind has filled with thoughts that flow
Like clouds in the lit heaven of life; and you’re a man reprieved to go,
Taking your peaceful share of Time, with joy to spare.
But the past is just the same – and War’s a bloody game...
Have you forgotten yet?...
Look down, and swear by the slain of the War that you’ll never forget.
Do you remember the dark months you held the sector at Mametz –
The nights you watched and wired and dug and piled sandbags on parapets?
Do you remember the rats; and the stench
Of corpses rotting in front of the front-line trench –
And dawn coming, dirty-white, and chill with a hopeless rain?
Do you ever stop and ask, ‘Is it all going to happen again?’
Do you remember that hour of din before the attack –
And the anger, the blind compassion that seized and shook you then
As you peered at the doomed and haggard faces of your men?
Do you remember the stretcher-cases lurching back
With dying eyes and lolling heads – those ashen-grey
Masks of the lads who once were keen and kind and gay?
Have you forgotten yet?...
Look up, and swear by the green of the spring that you’ll never forget.
2, ‘Waste,’ by Geoffrey Studdert Kennedy
The Revd Geoffrey Anketell Studdert Kennedy, MC (1883-1929), was an Anglican priest and poet who was known as ‘Woodbine Willie’ during World War I because he gave away cigarettes along with spiritual and pastoral assistance to injured and dying soldiers.
His father, the Revd William Studdert Kennedy, Vicar of Saint Mary’s, Quarry Hill, in Leeds, was from Blackrock, Co Dublin, and was the Rector of Saint Doulagh’s in north Co Dublin for 14 years before moving to England. Woodbine Willie’s mother, Jeanette (née Anketell), was from Co Clare.
His grandfather, the Very Revd Robert Mitchell Kennedy (1798-1864), had preceded Bishop Graves as Dean of Saint Brendan’s Cathedral, Clonfert, Co Galway (1850-1864), and was also Precentor of Saint Patrick’s Cathedral, Dublin.
Woodbine Willie always saw himself as an Irishman, and he graduated in classics and divinity from Trinity College Dublin in 1904. At the outbreak of World War I, he volunteered as a chaplain on the Western Front. He was decorated with the Military Cross after he ran through shells into ‘no man’s land’ to obtain supplies of morphine.
His turning point came when he stopped talking to and started listened to the troops and their views on war, the monarchy and poverty. After his discharge in 1919, he spoke throughout Britain against war and calling for an end to unemployment and poverty, and he published several volumes of religious poetry and a collection of sermons.
His later poems and prose work express his Christian socialism and pacifism. He gave away his possessions and donated the large royalties from his poems to charity.
On one of his speaking tours on behalf of the Industrial Christian Fellowship, he died in Liverpool in 1929. He was exhausted although he was only 45. The Dean of Westminster Abbey refused him a burial because, he said, he was a socialist. But, still, poor people flocked to his funeral in Worcester.
Robert Graves, Siegfried Sassoon and Wilfred Owen were among 16 Great War poets commemorated on a slate stone unveiled in Poets’ Corner in Westminster Abbey on this day 33 years ago 11 November 1985 – but not ‘Woodbine Willie.’ Yet his close friend William Temple became Archbishop of Canterbury in 1942, and his writings have inspired many modern theologians, including Desmond Tutu and Jürgen Moltmann.
Towards the end of World War I, Woodbine Willie wrote his poem ‘Waste.’
Waste of Muscle, waste of Brain,
Waste of Patience, waste of Pain,
Waste of Manhood, waste of Health,
Waste of Beauty, waste of Wealth,
Waste of Blood and waste of Tears,
Waste of Youth's most precious years,
Waste of ways the Saints have trod,
Waste of Glory, waste of God –
War!
3, ‘To My Daughter Betty, the Gift of God,’ by Tom Kettle
Thomas Michael Kettle (1880-1916) was an economist, journalist, barrister, writer, poet, soldier and Home Rule politician. As a member of the Irish Parliamentary Party, Tom Kettle, was MP for East Tyrone (1906-1910).
His close friends included James Joyce, Francis Sheehy-Skeffington and Oliver St John Gogarty.
He joined the Irish Volunteers in 1913, and then enlisted in the army on the outbreak of World War I in 1914. He was killed in action on the Western Front in Autumn 1916.
Kettle’s best-known poem is a sonnet, ‘To My Daughter Betty, the Gift of God,’ written just days before his death. The last lines are an answer to those who criticised Irishmen for fighting in the army:
In wiser days, my darling rosebud, blown
To beauty proud as was your Mother’s prime.
In that desired, delayed, incredible time,
You’ll ask why I abandoned you, my own,
And the dear heart that was your baby throne,
To die with death. And oh! they’ll give you rhyme
And reason: some will call the thing sublime,
And some decry it in a knowing tone.
So here, while the mad guns curse overhead,
And tired men sigh with mud for couch and floor,
Know that we fools, now with the foolish dead,
Died not for flag, nor King, nor Emperor,
But for a dream, born in a a herdsman’s shed,
And for the secret Scripture of the poor.
And so, may all we think, say and do be to the praise, honour and glory of God, + Father, Son and Holy Spirit, Amen.
A prayer for peace in Westminster Abbey (Photograph: Patrick Comerford)
Patrick Comerford
Sunday 11 November 2018,
11 a.m., Remembrance Sunday,
Holy Trinity Church, Rathkeale, Co Limerick
May I speak to you in the name of God, + Father, Son and Holy Spirit, Amen.
Instead of preaching a sermon this morning, I thought it would be more appropriate to read three short poems by three war poets of World War I.
One was English-born but was posted to Limerick during World War I; the second was English-born but had strong family roots in these dioceses and regarded himself as Irish; and the third was an Irish Nationalist MP before he enlisted and died in the trenches in 1916.
1, ‘Aftermath’ by Siegfried Sassoon
The first poem, ‘Aftermath,’ was written by Siegfried Sassoon (1886-1967) in 1919, during the time of his demobilisation. He was born to a Jewish father and an Anglo-Catholic mother and was much-decorated in World War I. During the war, he was stationed for some time in Limerick, along with his close friend Robert Graves (1895-1985), a grandson of Charles Graves (1812-1899), Bishop of Limerick (1866-1899).
During this time in Limerick during the war, Siegfried Sassoon wrote about his impressions of the streets of Limerick, and of his time riding to hounds in west Limerick.
In the years immediately after World War I, his poem ‘Aftermath’ was often broadcast on Armistice Day. It is rich, haunting, and bursting with the enormities of war:
Have you forgotten yet?...
For the world’s events have rumbled on since those gagged days,
Like traffic checked while at the crossing of city-ways:
And the haunted gap in your mind has filled with thoughts that flow
Like clouds in the lit heaven of life; and you’re a man reprieved to go,
Taking your peaceful share of Time, with joy to spare.
But the past is just the same – and War’s a bloody game...
Have you forgotten yet?...
Look down, and swear by the slain of the War that you’ll never forget.
Do you remember the dark months you held the sector at Mametz –
The nights you watched and wired and dug and piled sandbags on parapets?
Do you remember the rats; and the stench
Of corpses rotting in front of the front-line trench –
And dawn coming, dirty-white, and chill with a hopeless rain?
Do you ever stop and ask, ‘Is it all going to happen again?’
Do you remember that hour of din before the attack –
And the anger, the blind compassion that seized and shook you then
As you peered at the doomed and haggard faces of your men?
Do you remember the stretcher-cases lurching back
With dying eyes and lolling heads – those ashen-grey
Masks of the lads who once were keen and kind and gay?
Have you forgotten yet?...
Look up, and swear by the green of the spring that you’ll never forget.
2, ‘Waste,’ by Geoffrey Studdert Kennedy
The Revd Geoffrey Anketell Studdert Kennedy, MC (1883-1929), was an Anglican priest and poet who was known as ‘Woodbine Willie’ during World War I because he gave away cigarettes along with spiritual and pastoral assistance to injured and dying soldiers.
His father, the Revd William Studdert Kennedy, Vicar of Saint Mary’s, Quarry Hill, in Leeds, was from Blackrock, Co Dublin, and was the Rector of Saint Doulagh’s in north Co Dublin for 14 years before moving to England. Woodbine Willie’s mother, Jeanette (née Anketell), was from Co Clare.
His grandfather, the Very Revd Robert Mitchell Kennedy (1798-1864), had preceded Bishop Graves as Dean of Saint Brendan’s Cathedral, Clonfert, Co Galway (1850-1864), and was also Precentor of Saint Patrick’s Cathedral, Dublin.
Woodbine Willie always saw himself as an Irishman, and he graduated in classics and divinity from Trinity College Dublin in 1904. At the outbreak of World War I, he volunteered as a chaplain on the Western Front. He was decorated with the Military Cross after he ran through shells into ‘no man’s land’ to obtain supplies of morphine.
His turning point came when he stopped talking to and started listened to the troops and their views on war, the monarchy and poverty. After his discharge in 1919, he spoke throughout Britain against war and calling for an end to unemployment and poverty, and he published several volumes of religious poetry and a collection of sermons.
His later poems and prose work express his Christian socialism and pacifism. He gave away his possessions and donated the large royalties from his poems to charity.
On one of his speaking tours on behalf of the Industrial Christian Fellowship, he died in Liverpool in 1929. He was exhausted although he was only 45. The Dean of Westminster Abbey refused him a burial because, he said, he was a socialist. But, still, poor people flocked to his funeral in Worcester.
Robert Graves, Siegfried Sassoon and Wilfred Owen were among 16 Great War poets commemorated on a slate stone unveiled in Poets’ Corner in Westminster Abbey on this day 33 years ago 11 November 1985 – but not ‘Woodbine Willie.’ Yet his close friend William Temple became Archbishop of Canterbury in 1942, and his writings have inspired many modern theologians, including Desmond Tutu and Jürgen Moltmann.
Towards the end of World War I, Woodbine Willie wrote his poem ‘Waste.’
Waste of Muscle, waste of Brain,
Waste of Patience, waste of Pain,
Waste of Manhood, waste of Health,
Waste of Beauty, waste of Wealth,
Waste of Blood and waste of Tears,
Waste of Youth's most precious years,
Waste of ways the Saints have trod,
Waste of Glory, waste of God –
War!
3, ‘To My Daughter Betty, the Gift of God,’ by Tom Kettle
Thomas Michael Kettle (1880-1916) was an economist, journalist, barrister, writer, poet, soldier and Home Rule politician. As a member of the Irish Parliamentary Party, Tom Kettle, was MP for East Tyrone (1906-1910).
His close friends included James Joyce, Francis Sheehy-Skeffington and Oliver St John Gogarty.
He joined the Irish Volunteers in 1913, and then enlisted in the army on the outbreak of World War I in 1914. He was killed in action on the Western Front in Autumn 1916.
Kettle’s best-known poem is a sonnet, ‘To My Daughter Betty, the Gift of God,’ written just days before his death. The last lines are an answer to those who criticised Irishmen for fighting in the army:
In wiser days, my darling rosebud, blown
To beauty proud as was your Mother’s prime.
In that desired, delayed, incredible time,
You’ll ask why I abandoned you, my own,
And the dear heart that was your baby throne,
To die with death. And oh! they’ll give you rhyme
And reason: some will call the thing sublime,
And some decry it in a knowing tone.
So here, while the mad guns curse overhead,
And tired men sigh with mud for couch and floor,
Know that we fools, now with the foolish dead,
Died not for flag, nor King, nor Emperor,
But for a dream, born in a a herdsman’s shed,
And for the secret Scripture of the poor.
And so, may all we think, say and do be to the praise, honour and glory of God, + Father, Son and Holy Spirit, Amen.
A prayer for peace in Westminster Abbey (Photograph: Patrick Comerford)
06 June 2018
Continuing Ministerial Education:
Visiting three cathedrals
The ‘field trip’ ended with a lively discussion in the churchyard at Saint Brendan’s Cathedral, Clonfert (Photograph: Patrick Comerford)
The following half-page news report and photographs are published in the current [July 2018] edition of ‘Newslink, the Diocesan Magazine in Limerick, Killaloe and Ardfert:
A large group of priests and readers visited the three cathedrals in the united dioceses as part of the diocesan programme of training and education in ministry. These three cathedrals function in a variety of ways, from city cathedral to parish church, to a church in a rural setting. Each has a unique story and historical dimension and attracts tourists for very different reasons.
The field trip began in Saint Mary’s Cathedral, Limerick, where Noreen Ellerker brought the group on a tour of the cathedral, which is celebrating its 850th anniversary. She introduced the history of the cathedral, from its foundation in 1168, to recent changes and innovations introduced by the Dean, the Very Revd Niall Sloane.
In Killaloe, Co Clare, the group was taken on a tour of Saint Flannan’s Cathedral by the Dean, the Very Revd Gary Paulsen, and climbed the cathedral tower for views of Saint Flannan’s Oratory and sweeping, breath-taking views of the River Shannon, before enjoying lunch in the town.
The field trip continued on by road to Saint Brendan’s Cathedral, Clonfert, Co Galway, with its unique Hiberno-Romanesque doorway and the grave of Saint Brendan. The visit concluded with a celebration of the Eucharist.
Later, Clonfert parishioners welcomed the visiting group with tea and coffee.
During the day, the participants crossed the Shannon many times, and travelled through all three provinces and many of the counties embraced by this diocese.
‘This was an interesting way to get to know and understand the different dimensions of cathedral life in our dioceses,’ said Canon Patrick Comerford, who organised the day. ‘The best way to learn history is to visit the very places where history was made and to experience it at first-hand. We saw sites associated with the early Celtic church and saints, the Viking invasions, and the Anglo-Norman and mediaeval churches, as well as seeing the changes made to these buildings as the needs and fashions of liturgy and worship changed over the centuries.’
The ‘field trip’ participants enjoy coffee with the parishioners of Saint Brendan’s Cathedral, Clonfert (Photograph: Patrick Comerford)
The following half-page news report and photographs are published in the current [July 2018] edition of ‘Newslink, the Diocesan Magazine in Limerick, Killaloe and Ardfert:
A large group of priests and readers visited the three cathedrals in the united dioceses as part of the diocesan programme of training and education in ministry. These three cathedrals function in a variety of ways, from city cathedral to parish church, to a church in a rural setting. Each has a unique story and historical dimension and attracts tourists for very different reasons.
The field trip began in Saint Mary’s Cathedral, Limerick, where Noreen Ellerker brought the group on a tour of the cathedral, which is celebrating its 850th anniversary. She introduced the history of the cathedral, from its foundation in 1168, to recent changes and innovations introduced by the Dean, the Very Revd Niall Sloane.
In Killaloe, Co Clare, the group was taken on a tour of Saint Flannan’s Cathedral by the Dean, the Very Revd Gary Paulsen, and climbed the cathedral tower for views of Saint Flannan’s Oratory and sweeping, breath-taking views of the River Shannon, before enjoying lunch in the town.
The field trip continued on by road to Saint Brendan’s Cathedral, Clonfert, Co Galway, with its unique Hiberno-Romanesque doorway and the grave of Saint Brendan. The visit concluded with a celebration of the Eucharist.
Later, Clonfert parishioners welcomed the visiting group with tea and coffee.
During the day, the participants crossed the Shannon many times, and travelled through all three provinces and many of the counties embraced by this diocese.
‘This was an interesting way to get to know and understand the different dimensions of cathedral life in our dioceses,’ said Canon Patrick Comerford, who organised the day. ‘The best way to learn history is to visit the very places where history was made and to experience it at first-hand. We saw sites associated with the early Celtic church and saints, the Viking invasions, and the Anglo-Norman and mediaeval churches, as well as seeing the changes made to these buildings as the needs and fashions of liturgy and worship changed over the centuries.’
The ‘field trip’ participants enjoy coffee with the parishioners of Saint Brendan’s Cathedral, Clonfert (Photograph: Patrick Comerford)
01 May 2018
When the Precentor came
to Killlaloe Cathedral and
Jesus came to Birmingham
Inside Saint Flannan’s Cathedral, Killaloe, Co Clare (Photograph: Patrick Comerford, 2018)
Patrick Comerford
The ‘field-trip’ with clergy and readers of the Diocese of Limerick and Killaloe yesterday [30 April 2018] brought us to the three functioning cathedrals in the diocese: Saint Mary’s Cathedral, Limerick, Saint Flannan’s Cathedral, Killaloe, Co Clare, and Saint Brendan’s Cathedral, Clonfert, Co Galway.
Although I have visited the cathedrals in Killaloe and Clonfert in the past, and have preached in Saint Flannan’s at an ordination in 1999 and again in 2016, this was my first time to visit both these cathedrals since I was installed as Precentor in the joint chapter of the three cathedrals last year [19 February 2017], and my first opportunity to see the precentor’s stall in both Killaloe and Clonfert.
Saint Flannan’s Cathedral stands on Royal Parade in the centre of Killaloe, near the banks of the River Shannon and on the south end of Lough Derg. This cathedral has been in continuous use since the 12th century, and the cathedral dates from the transition between the Romanesque and Gothic periods ca 1200.
A Romanesque cathedral was built in the 1180s by Donal Mór O’Brien, who also built Saint Mary’s Cathedral, Limerick. However, this first cathedral was destroyed soon afterwards by forces under Cathal Carrach of Connaught in a revenge attack in 1185.
A new cathedral in the Gothic style was completed on the same site, and the nave was completed ca 1225. The Romanesque doorway of the original cathedral is preserved in the south wall of its successor.
The cathedral was restored in the early 17th century by Bishop John Rider (1613-1632), and further restoration works were carried out in 1676 and 1707-1711. Bishop William Knox (1794-1803) continued these restoration projects.
The central tower was raised in the 18th and 19th centuries when the belfry and castellations were added. The turrets and battlements were added in the 1790s and a further elevation to create the belfry was made in the 1890s.
Until the 19th century, the chapter of Killaloe consisted of the Dean, the Precentor, the Chancellor, the Treasurer and the Archdeacon. In addition, there were seven prebendaries – Tomgrany, Lackeen, Clondagad, Dysert, Tulloh, Iniscattery and Rath – but they had no voice in the chapter.
Samuel Lewis in 1837 counted 108 parishes in the Diocese of Killaloe, divided into 41 unions and 19 single benefices, with 56 churches, five other places of worship, and 39 glebe houses.
In the early 19th century, the duties of the Precentor of Killaloe included preaching in the cathedral four times. The crops of the dignity – the parishes whose tithes provided the precentor’s stipend – included the parish of Latteragh, Co Clare, and part of the parish of Kilmore, four miles south of Nenagh, Co Tipperary. The parishes of Innisdadrom and Kilmurry, in Co Clare also belonged to the Precentor of Killaloe, but ‘are illegally withheld from him’ and although held by former Precentors were held in the early 19th century by another priest.
The Precentor’s stall in the choir in Saint Flannan’s Cathedral, Killaloe, Co Clare (Photograph: Patrick Comerford, 2018)
Although the Precentor’s stall, at the west end of the stalls on the north side of the choir, is also labelled ‘Preb de Tomgrany’, it was easy to identify its place in the cathedral yesterday, opposite the Dean’s stall.
In his history of the Diocese of Killaloe published in 1878, Canon Philip Dwyer (1822-1905) described the chapter and choir stalls in Saint Flannan’s Cathedral, Killaloe: ‘Passing from the nave, you enter the choir under an organ loft, the Dean’s stall on your right, the Precentor’s on your left, and the three other dignitaries and the seven prebendaries having also their several stalls ranged respectively on either side.’
One of my predecessors as Precentor of Killaloe in the 19th century was Canon John Studdert (d. 1849), a grandson of Maurice Studdert (d. 1798) of Elm Hill, Rathkeale, Co Limerick, and a nephew of the Revd George Studdert, Rector of Kilpeacon, Co Limerick, who married Elizabeth Massy of Stoneville, near Rathkeale.
Canon John Studdert’s brother, Lancelot Studdert (1809-1873), was Chancellor of the Diocese of Killaloe, and in 1822 their sister, Anne Studdert, married the Very Revd Robert Mitchell Kennedy, who later became Dean of Saint Brendan’s Cathedral, Clonfert (1850-1864).
Dean Kennedy of Clonfert was the father of William Studdert Kennedy, vicar of Saint Mary’s, Quarry Hill in Leeds, and grandfather of the Revd Geoffrey Anketell Studdert Kennedy, MC (1883-1929), the Anglican priest poet who was known as ‘Woodbine Willie’ for giving cigarettes along with spiritual pastoral care to injured and dying soldiers in the trenches in World War I.
‘Woodbine Willie’ always regarded himself as Irish. He studied theology and classics at Trinity College Dublin before training for ordination at Ripon College.
As a chaplain in World War I, he was decorated with the Military Cross at Messines Ridge after running into no-man’s-land in 1917 to help the wounded during an attack on the German frontline.
After the war, Kennedy was appointed to the Church of Saint Edmund, King and Martyr in Lombard Street, London. But he soon moved to work for the Industrial Christian Fellowship, travelling throughout Britain on speaking tours.
He addressed the Anglo-Catholic Congress in London in July 1923, when he said:
‘It is not enough to make the devotional life our main concern, and allow an occasional lecture or preachment on social matters to be added as a make-weight. The social life must be brought right into the heart of our devotion, and our devotion right into the heart of our social life. There is only one spiritual life, and that is the sacramental life – sacramental in its fullest, its widest, and its deepest sense, which means the consecration of the whole man and all his human relationships to God.
‘There must be free and open passage between the sanctuary and the street. We must destroy within ourselves our present feeling that we descend to a lower level when we leave the song of the angels and the archangels and begin to study economic conditions, questions of wages, hours and housing. It is hard, very hard, but it must be done. It must be done not only for the sake of the street, but for the sake of the sanctuary, too. If the Real Presence of Christ in the Sacrament obscures the Omnipresence of God in the world, then the Sacrament is idolatrous, and our worship is actual sin, for all sin at its roots is the denial of the Omnipresence of God.
‘I have been to Mass in churches where I felt it was sinful – sinful because there was no passion for social righteousness behind it. When ye spread forth your hands I will hide mine eyes from you; yea, when ye make long prayers I will not hear you; your hands are full of blood ... Cease to do evil, learn to do well. Seek judgement. Relieve the oppressed. Judge the fatherless, plead for the widow. Little children, keep yourselves from idols.
‘Remember that medieval ritual was a natural expression of medieval life, which, at any rate, tried to consecrate all things to God – tried to build the Kingdom of God on earth, and dedicated all arts and crafts, all human activities to him. In that setting it meant much; apart from that setting it means nothing, and worse than nothing – it is a hollow mockery. The way out is not to destroy ritual, but to restore righteousness, and make our flaming colours the banners of a Church militant here on earth ...’
Appropriate thoughts, indeed, to think about on May Day.
When he died in Liverpool in 1929, exhausted at the age of 45, it is said the Dean of Westminster refused his burial at Westminster Abbey because, he said, Studdert Kennedy was a socialist,’ although he had distrusted politicians and had never joined a political party. His funeral took place, instead in Worcester, where he had been a vicar before the war, and poor people flocked to pay him their respects.
Every time I pass through Birmingham on my way to and from Lichfield, I recall his poem ‘Indifference’, or ‘When Jesus came to Birmingham,’ written while he was a war chaplain. In this poem, he compares the behaviour of Christ’s contemporaries with our behaviour today towards the stranger and the outcast, and challenges us in Lent to consider whether we are following Christ to Golgotha.
Kennedy once wrote: ‘We have taught our people to use prayer too much as a means of comfort – not in the original and heroic sense of uplifting, inspiring, strengthening, but in the more modern and baser sense of soothing sorrow, dulling pain, and drying tears – the comfort of the cushion, not the comfort of the Cross.’
Saint Paul’s Chapel in the south transept in Saint Flannan’s Cathedral, Killaloe, Co Clare (Photograph: Patrick Comerford, 2018)
Indifference, by GA Studdert Kennedy
When Jesus came to Golgotha, they hanged Him on a tree,
They drove great nails through hands and feet, and made a Calvary;
They crowned Him with a crown of thorns, red were His wounds and deep,
For those were crude and cruel days, and human flesh was cheap.
When Jesus came to Birmingham, they simply passed Him by.
They would not hurt a hair of Him, they only let Him die;
For men had grown more tender, and they would not give Him pain,
They only just passed down the street, and left Him in the rain.
Still Jesus cried, ‘Forgive them, for they know not what they do,’
And still it rained the winter rain that drenched Him through and through;
The crowds went home and left the streets without a soul to see,
And Jesus crouched against a wall, and cried for Calvary.
The nave in Saint Flannan’s Cathedral, Killaloe, Co Clare (Photograph: Patrick Comerford, 2018)
Patrick Comerford
The ‘field-trip’ with clergy and readers of the Diocese of Limerick and Killaloe yesterday [30 April 2018] brought us to the three functioning cathedrals in the diocese: Saint Mary’s Cathedral, Limerick, Saint Flannan’s Cathedral, Killaloe, Co Clare, and Saint Brendan’s Cathedral, Clonfert, Co Galway.
Although I have visited the cathedrals in Killaloe and Clonfert in the past, and have preached in Saint Flannan’s at an ordination in 1999 and again in 2016, this was my first time to visit both these cathedrals since I was installed as Precentor in the joint chapter of the three cathedrals last year [19 February 2017], and my first opportunity to see the precentor’s stall in both Killaloe and Clonfert.
Saint Flannan’s Cathedral stands on Royal Parade in the centre of Killaloe, near the banks of the River Shannon and on the south end of Lough Derg. This cathedral has been in continuous use since the 12th century, and the cathedral dates from the transition between the Romanesque and Gothic periods ca 1200.
A Romanesque cathedral was built in the 1180s by Donal Mór O’Brien, who also built Saint Mary’s Cathedral, Limerick. However, this first cathedral was destroyed soon afterwards by forces under Cathal Carrach of Connaught in a revenge attack in 1185.
A new cathedral in the Gothic style was completed on the same site, and the nave was completed ca 1225. The Romanesque doorway of the original cathedral is preserved in the south wall of its successor.
The cathedral was restored in the early 17th century by Bishop John Rider (1613-1632), and further restoration works were carried out in 1676 and 1707-1711. Bishop William Knox (1794-1803) continued these restoration projects.
The central tower was raised in the 18th and 19th centuries when the belfry and castellations were added. The turrets and battlements were added in the 1790s and a further elevation to create the belfry was made in the 1890s.
Until the 19th century, the chapter of Killaloe consisted of the Dean, the Precentor, the Chancellor, the Treasurer and the Archdeacon. In addition, there were seven prebendaries – Tomgrany, Lackeen, Clondagad, Dysert, Tulloh, Iniscattery and Rath – but they had no voice in the chapter.
Samuel Lewis in 1837 counted 108 parishes in the Diocese of Killaloe, divided into 41 unions and 19 single benefices, with 56 churches, five other places of worship, and 39 glebe houses.
In the early 19th century, the duties of the Precentor of Killaloe included preaching in the cathedral four times. The crops of the dignity – the parishes whose tithes provided the precentor’s stipend – included the parish of Latteragh, Co Clare, and part of the parish of Kilmore, four miles south of Nenagh, Co Tipperary. The parishes of Innisdadrom and Kilmurry, in Co Clare also belonged to the Precentor of Killaloe, but ‘are illegally withheld from him’ and although held by former Precentors were held in the early 19th century by another priest.
The Precentor’s stall in the choir in Saint Flannan’s Cathedral, Killaloe, Co Clare (Photograph: Patrick Comerford, 2018)
Although the Precentor’s stall, at the west end of the stalls on the north side of the choir, is also labelled ‘Preb de Tomgrany’, it was easy to identify its place in the cathedral yesterday, opposite the Dean’s stall.
In his history of the Diocese of Killaloe published in 1878, Canon Philip Dwyer (1822-1905) described the chapter and choir stalls in Saint Flannan’s Cathedral, Killaloe: ‘Passing from the nave, you enter the choir under an organ loft, the Dean’s stall on your right, the Precentor’s on your left, and the three other dignitaries and the seven prebendaries having also their several stalls ranged respectively on either side.’
One of my predecessors as Precentor of Killaloe in the 19th century was Canon John Studdert (d. 1849), a grandson of Maurice Studdert (d. 1798) of Elm Hill, Rathkeale, Co Limerick, and a nephew of the Revd George Studdert, Rector of Kilpeacon, Co Limerick, who married Elizabeth Massy of Stoneville, near Rathkeale.
Canon John Studdert’s brother, Lancelot Studdert (1809-1873), was Chancellor of the Diocese of Killaloe, and in 1822 their sister, Anne Studdert, married the Very Revd Robert Mitchell Kennedy, who later became Dean of Saint Brendan’s Cathedral, Clonfert (1850-1864).
Dean Kennedy of Clonfert was the father of William Studdert Kennedy, vicar of Saint Mary’s, Quarry Hill in Leeds, and grandfather of the Revd Geoffrey Anketell Studdert Kennedy, MC (1883-1929), the Anglican priest poet who was known as ‘Woodbine Willie’ for giving cigarettes along with spiritual pastoral care to injured and dying soldiers in the trenches in World War I.
‘Woodbine Willie’ always regarded himself as Irish. He studied theology and classics at Trinity College Dublin before training for ordination at Ripon College.
As a chaplain in World War I, he was decorated with the Military Cross at Messines Ridge after running into no-man’s-land in 1917 to help the wounded during an attack on the German frontline.
After the war, Kennedy was appointed to the Church of Saint Edmund, King and Martyr in Lombard Street, London. But he soon moved to work for the Industrial Christian Fellowship, travelling throughout Britain on speaking tours.
He addressed the Anglo-Catholic Congress in London in July 1923, when he said:
‘It is not enough to make the devotional life our main concern, and allow an occasional lecture or preachment on social matters to be added as a make-weight. The social life must be brought right into the heart of our devotion, and our devotion right into the heart of our social life. There is only one spiritual life, and that is the sacramental life – sacramental in its fullest, its widest, and its deepest sense, which means the consecration of the whole man and all his human relationships to God.
‘There must be free and open passage between the sanctuary and the street. We must destroy within ourselves our present feeling that we descend to a lower level when we leave the song of the angels and the archangels and begin to study economic conditions, questions of wages, hours and housing. It is hard, very hard, but it must be done. It must be done not only for the sake of the street, but for the sake of the sanctuary, too. If the Real Presence of Christ in the Sacrament obscures the Omnipresence of God in the world, then the Sacrament is idolatrous, and our worship is actual sin, for all sin at its roots is the denial of the Omnipresence of God.
‘I have been to Mass in churches where I felt it was sinful – sinful because there was no passion for social righteousness behind it. When ye spread forth your hands I will hide mine eyes from you; yea, when ye make long prayers I will not hear you; your hands are full of blood ... Cease to do evil, learn to do well. Seek judgement. Relieve the oppressed. Judge the fatherless, plead for the widow. Little children, keep yourselves from idols.
‘Remember that medieval ritual was a natural expression of medieval life, which, at any rate, tried to consecrate all things to God – tried to build the Kingdom of God on earth, and dedicated all arts and crafts, all human activities to him. In that setting it meant much; apart from that setting it means nothing, and worse than nothing – it is a hollow mockery. The way out is not to destroy ritual, but to restore righteousness, and make our flaming colours the banners of a Church militant here on earth ...’
Appropriate thoughts, indeed, to think about on May Day.
When he died in Liverpool in 1929, exhausted at the age of 45, it is said the Dean of Westminster refused his burial at Westminster Abbey because, he said, Studdert Kennedy was a socialist,’ although he had distrusted politicians and had never joined a political party. His funeral took place, instead in Worcester, where he had been a vicar before the war, and poor people flocked to pay him their respects.
Every time I pass through Birmingham on my way to and from Lichfield, I recall his poem ‘Indifference’, or ‘When Jesus came to Birmingham,’ written while he was a war chaplain. In this poem, he compares the behaviour of Christ’s contemporaries with our behaviour today towards the stranger and the outcast, and challenges us in Lent to consider whether we are following Christ to Golgotha.
Kennedy once wrote: ‘We have taught our people to use prayer too much as a means of comfort – not in the original and heroic sense of uplifting, inspiring, strengthening, but in the more modern and baser sense of soothing sorrow, dulling pain, and drying tears – the comfort of the cushion, not the comfort of the Cross.’
Saint Paul’s Chapel in the south transept in Saint Flannan’s Cathedral, Killaloe, Co Clare (Photograph: Patrick Comerford, 2018)
Indifference, by GA Studdert Kennedy
When Jesus came to Golgotha, they hanged Him on a tree,
They drove great nails through hands and feet, and made a Calvary;
They crowned Him with a crown of thorns, red were His wounds and deep,
For those were crude and cruel days, and human flesh was cheap.
When Jesus came to Birmingham, they simply passed Him by.
They would not hurt a hair of Him, they only let Him die;
For men had grown more tender, and they would not give Him pain,
They only just passed down the street, and left Him in the rain.
Still Jesus cried, ‘Forgive them, for they know not what they do,’
And still it rained the winter rain that drenched Him through and through;
The crowds went home and left the streets without a soul to see,
And Jesus crouched against a wall, and cried for Calvary.
The nave in Saint Flannan’s Cathedral, Killaloe, Co Clare (Photograph: Patrick Comerford, 2018)
Visiting Clonfert Cathedral
for the first time since
becoming Precentor
A detail in the great west doorway of Saint Brendan’s Cathedral, Clonfert, Co Galway (Photograph: Patrick Comerford, 2018)
Patrick Comerford
The Diocesan Training Programme for priests and readers in Limerick and Killaloe had a lively field trip yesterday [30 April 2018] to the three functioning cathedrals in the diocese.
We began in the morning in Saint Mary’s Cathedral, Limerick, moved on to Saint Flannan’s Cathedral, Killaloe, Co Clare, where we were shown around by the Dean of Killaloe, the Very Revd Gary Paulsen, before lunch, and finished at Saint Brendan’s Cathedral, Clonfert, Co Galway, where local parishioners welcomed us warmly and where I presided at our closing Eucharist.
It was a long day that no only took us to three cathedral, but also brought us through three provinces – Munster, Leinster and Connaught – and through five counties: Limerick, Clare, Tipperary, Offaly and Galway.
Although I have visited the cathedrals in Killaloe and Clonfert in the past, and have preached in Saint Flannan’s at an ordination in 1999 and again in 2016, this was my first time to visit both these cathedrals since I was installed as Precentor in the joint chapter of the three cathedrals on 19 February 2017, and my first opportunity to see the precentor’s stall in both Killaloe and Clonfert.
Saint Brendan’s Cathedral, Clonfert, was built in the 12th century at the site of an earlier 6th century monastic church said to have been founded by Saint Brendan.
The Diocese of Clonfert was definitively mapped out at the Synod of Rath Breasail in 1111, but the first stone cathedral on this site was not built for another half a century, ca 1167-1180.
The great west door of the cathedral has been described as the ‘crowning achievement’ of the Hiberno-Romanesque style (Photograph: Patrick Comerford, 2018)
The great west door of the cathedral has been described as the ‘crowning achievement’ of the Hiberno-Romanesque style in architecture and Irish Romanesque carving. It is a scheme depicting Christ in creation, with the Trinitarian theme of the pediment repeated in the triangles separating the human faces of the redeemed that project above animal heads, vegetable forms, animal-like inter-lacings, and the solid, mineral world.
The doorway consists of eight orders of jambs, all inclined inwards, surmounted first by seven orders of arches and then by a triangular pediment, bordered by carvings similar to rolled ropes or cables.
The rest of this doorway is an extraordinary mediaeval picture gallery. Above the apex of the pediment, two human heads protrude from the wall. In the pediment itself, ten more human heads – some bearded, some young and unshaven – appear between triangles with richly-carved ornamentations. Below this stage, more human heads are contained in the arches of a blind arcade immediately above the outermost order of the arch.
The orders of the arches display a variety of ornament, including flowers and beasts’ heads. The capitals are a veritable zoo of animal heads, including cats, horses, donkeys and dragons.
The innermost order is a replacement dating from the 15th century, and is a blue-grey limestone. Here, the carvings include an abbot, a bishop, a scroll of vine leaves and an angel.
Above the doorway, a pointed hood encloses triangles alternating with bizarre human heads. Below this, an arcade encloses more human heads. The supporting arches of the tower at the west end of the cathedral are also decorated with 15th century heads.
The chancel, altar and Romanesque windows in the chancel of Saint Brendan’s Cathedral, Clonfert (Photograph: Patrick Comerford, 2018)
I robed in the barrel-vaulted sacristy, off the north side of the chancel. This sacristy dates from the 15th century and has a fireplace as an unusual feature.
In the chancel, the early 13th century east windows are fine examples of late Romanesque windows. The stained-glass windows, depicting Saint Peter on the north and Saint Paul on the south, were donated by Thomas O’Connor in 1897 to celebrate Queen Victoria’s diamond jubilee.
The chancel arch was inserted in the 15th century, and is decorated with angels, a rosette and a mermaid holding a comb and mirror – perhaps a reference to the stories that grew up around Saint Brendan’s fabled voyages. The chancel floor is covered with encaustic tiles dating from 1870-1880.
A mermaid on the chancel arch in Saint Brendan’s Cathedral, Clonfert, Co Galway (Photograph: Patrick Comerford, 2018)
The cathedral had a Romanesque south transept, which is now in ruins, and a Gothic north transept, which has been removed.
The soft sandstone structure had weathered severely over the centuries. In 2000, Clonfert Cathedral was included in the 2000 World Monuments Watch by the World Monuments Fund. Because the cathedral has a small congregation and few parishioners with limited resources, outside support has been received from many organisations.
The bishop’s throne on the south side of the chancel dates from about 1850, and the altar, chapter stalls and pulpit date from around the same time, all beautifully carved in local oak.
The Precentor’s stall in the choir in Saint Brendan’s Cathedral, Clonfert, Co Galway (Photograph: Patrick Comerford, 2018)
The 16 stalls do not bear the titles of dignitaries or the names of prebendaries, but the Precentor’s stall is presumably the stall on the north side of the choir, opposite the dean’s stall.
Indeed, many reports in the 1830s and 1840s said repeatedly: ‘In the chapters of Tuam, Derry, Raphoe and Clonfert, there is neither precentor, chancellor, nor treasurer; in those of Elphin, Killalla and Achonry, there is neither chancellor nor treasurer; in those of Clogher and Emly, there is no treasurer; in those of Kildare and Waterford, the archdeacons are not members of the chapters.’
However, there is long list of Precentors of Clonfert, and one of my predecessors in this office was Robert Taylour (1689-1744), who built Ardgillan Castle, near Balbriggan, Co Dublin, in 1738.
Taylor was born in Cheshire, and studied at Trinity College, Dublin, before he was appointed Archdeacon of Kilmacduagh in 1714. He was appointed Precentor of Clonfert in 1722, while his brother-in-law, William Fitzgerald, was Bishop of Clonfert. Four years later , he was appointed Dean of Clonfert in 1726 succession to John Burdett.
Robert Taylor died unmarried in May 1744 and Ardgillan, together with its estate, passed to his eldest brother Sir Thomas Taylor (1686-1757), 2nd Baronet, of Headfort House, father of Thomas Taylor (1724-1795), 1st Earl of Bective.
The second earl became Marquess of Headfort and generations of the main branch of the Taylor or Taylour family continued to live at Headfort, Co Meath, and in Virginia, Co Cavan, while another branch of the family continued to live at Ardgillan Castle until 1962. The estate was sold in 1982 to Fingal County Council, which renovated the house, and it officially opened to the public in 1992.
Inside Saint Brendan’s Cathedral, Clonfert, Co Galway (Photograph: Patrick Comerford, 2018)
Patrick Comerford
The Diocesan Training Programme for priests and readers in Limerick and Killaloe had a lively field trip yesterday [30 April 2018] to the three functioning cathedrals in the diocese.
We began in the morning in Saint Mary’s Cathedral, Limerick, moved on to Saint Flannan’s Cathedral, Killaloe, Co Clare, where we were shown around by the Dean of Killaloe, the Very Revd Gary Paulsen, before lunch, and finished at Saint Brendan’s Cathedral, Clonfert, Co Galway, where local parishioners welcomed us warmly and where I presided at our closing Eucharist.
It was a long day that no only took us to three cathedral, but also brought us through three provinces – Munster, Leinster and Connaught – and through five counties: Limerick, Clare, Tipperary, Offaly and Galway.
Although I have visited the cathedrals in Killaloe and Clonfert in the past, and have preached in Saint Flannan’s at an ordination in 1999 and again in 2016, this was my first time to visit both these cathedrals since I was installed as Precentor in the joint chapter of the three cathedrals on 19 February 2017, and my first opportunity to see the precentor’s stall in both Killaloe and Clonfert.
Saint Brendan’s Cathedral, Clonfert, was built in the 12th century at the site of an earlier 6th century monastic church said to have been founded by Saint Brendan.
The Diocese of Clonfert was definitively mapped out at the Synod of Rath Breasail in 1111, but the first stone cathedral on this site was not built for another half a century, ca 1167-1180.
The great west door of the cathedral has been described as the ‘crowning achievement’ of the Hiberno-Romanesque style (Photograph: Patrick Comerford, 2018)
The great west door of the cathedral has been described as the ‘crowning achievement’ of the Hiberno-Romanesque style in architecture and Irish Romanesque carving. It is a scheme depicting Christ in creation, with the Trinitarian theme of the pediment repeated in the triangles separating the human faces of the redeemed that project above animal heads, vegetable forms, animal-like inter-lacings, and the solid, mineral world.
The doorway consists of eight orders of jambs, all inclined inwards, surmounted first by seven orders of arches and then by a triangular pediment, bordered by carvings similar to rolled ropes or cables.
The rest of this doorway is an extraordinary mediaeval picture gallery. Above the apex of the pediment, two human heads protrude from the wall. In the pediment itself, ten more human heads – some bearded, some young and unshaven – appear between triangles with richly-carved ornamentations. Below this stage, more human heads are contained in the arches of a blind arcade immediately above the outermost order of the arch.
The orders of the arches display a variety of ornament, including flowers and beasts’ heads. The capitals are a veritable zoo of animal heads, including cats, horses, donkeys and dragons.
The innermost order is a replacement dating from the 15th century, and is a blue-grey limestone. Here, the carvings include an abbot, a bishop, a scroll of vine leaves and an angel.
Above the doorway, a pointed hood encloses triangles alternating with bizarre human heads. Below this, an arcade encloses more human heads. The supporting arches of the tower at the west end of the cathedral are also decorated with 15th century heads.
The chancel, altar and Romanesque windows in the chancel of Saint Brendan’s Cathedral, Clonfert (Photograph: Patrick Comerford, 2018)
I robed in the barrel-vaulted sacristy, off the north side of the chancel. This sacristy dates from the 15th century and has a fireplace as an unusual feature.
In the chancel, the early 13th century east windows are fine examples of late Romanesque windows. The stained-glass windows, depicting Saint Peter on the north and Saint Paul on the south, were donated by Thomas O’Connor in 1897 to celebrate Queen Victoria’s diamond jubilee.
The chancel arch was inserted in the 15th century, and is decorated with angels, a rosette and a mermaid holding a comb and mirror – perhaps a reference to the stories that grew up around Saint Brendan’s fabled voyages. The chancel floor is covered with encaustic tiles dating from 1870-1880.
A mermaid on the chancel arch in Saint Brendan’s Cathedral, Clonfert, Co Galway (Photograph: Patrick Comerford, 2018)
The cathedral had a Romanesque south transept, which is now in ruins, and a Gothic north transept, which has been removed.
The soft sandstone structure had weathered severely over the centuries. In 2000, Clonfert Cathedral was included in the 2000 World Monuments Watch by the World Monuments Fund. Because the cathedral has a small congregation and few parishioners with limited resources, outside support has been received from many organisations.
The bishop’s throne on the south side of the chancel dates from about 1850, and the altar, chapter stalls and pulpit date from around the same time, all beautifully carved in local oak.
The Precentor’s stall in the choir in Saint Brendan’s Cathedral, Clonfert, Co Galway (Photograph: Patrick Comerford, 2018)
The 16 stalls do not bear the titles of dignitaries or the names of prebendaries, but the Precentor’s stall is presumably the stall on the north side of the choir, opposite the dean’s stall.
Indeed, many reports in the 1830s and 1840s said repeatedly: ‘In the chapters of Tuam, Derry, Raphoe and Clonfert, there is neither precentor, chancellor, nor treasurer; in those of Elphin, Killalla and Achonry, there is neither chancellor nor treasurer; in those of Clogher and Emly, there is no treasurer; in those of Kildare and Waterford, the archdeacons are not members of the chapters.’
However, there is long list of Precentors of Clonfert, and one of my predecessors in this office was Robert Taylour (1689-1744), who built Ardgillan Castle, near Balbriggan, Co Dublin, in 1738.
Taylor was born in Cheshire, and studied at Trinity College, Dublin, before he was appointed Archdeacon of Kilmacduagh in 1714. He was appointed Precentor of Clonfert in 1722, while his brother-in-law, William Fitzgerald, was Bishop of Clonfert. Four years later , he was appointed Dean of Clonfert in 1726 succession to John Burdett.
Robert Taylor died unmarried in May 1744 and Ardgillan, together with its estate, passed to his eldest brother Sir Thomas Taylor (1686-1757), 2nd Baronet, of Headfort House, father of Thomas Taylor (1724-1795), 1st Earl of Bective.
The second earl became Marquess of Headfort and generations of the main branch of the Taylor or Taylour family continued to live at Headfort, Co Meath, and in Virginia, Co Cavan, while another branch of the family continued to live at Ardgillan Castle until 1962. The estate was sold in 1982 to Fingal County Council, which renovated the house, and it officially opened to the public in 1992.
Inside Saint Brendan’s Cathedral, Clonfert, Co Galway (Photograph: Patrick Comerford, 2018)
30 April 2018
We are counted in when
others would count us out
Saint Philip (left) in a stained glass window in the Chapel of Saint John’s Hospital, Lichfield (Photograph: Patrick Comerford, 2018)
Patrick Comerford
Monday, 30 April 2018,
Saint Brendan’s Cathedral, Clonfert, Co Galway.
3.30 p.m.: The Eucharist,
Readings: Acts 8: 26-40; Psalm 22: 25-31; I John 4: 7-21; John 15: 1-8.
May I speak to you in the name of God, + Father, Son and Holy Spirit, Amen.
We have come to the end of our road trip as priests and readers in the Diocese of Limerick and Killaloe, visiting the three working, functioning, cathedrals in the diocese.
It has been a long road trip, we have learned a lot on the journey, and now it seems appropriate to celebrate the Eucharist together at the end of our journey together.
The readings we have shared are those for yesterday [29 April 2018], the Fifth Sunday of Easter, and in the reading from the Acts of the Apostles (Acts 8: 26-40) we are reminded of two other great Biblical journeys:
The journey the unnamed Ethiopian eunuch is making from Jerusalem back through Gaza and Egypt to his home in Ethiopia; and the journey the Apostle Philip (tomorrow is the feast of Saint Philip and Saint James) is told to make from Jerusalem to Gaza, which is out of his way, quite a diversion on the road to Caesarea.
If you have used your ‘sat navs’ to get to Limerick, then to Killaloe, and finally here to Clonfert, you have probably been told a few times that your ‘sat nav’ needs to ‘recalculate’ or ‘recalibrate.’ Image how confused ‘sat navs’ would have been trying to make sense of the journeys these two men were making!
If there is a lesson in this reading that has meaning this afternoon, it is not to travel like either of these two men. Nor is it to drive like the Ethiopian, reading and leaving the work to some modern-day horses, automatic drivers, without keeping our eyes on the road (see verse 28).
But the Ethiopian is an important figure in the New Testament story of the mission of the Apostolic Church.
There is no reason to assume that he was a Gentile. He may well have been a Jew. There was a group of black Ethiopian Jews, the Falasha or Beta Israel, who migrated en masse to Israel from 1979 on.
But he could not worship fully in Jerusalem, despite his best intentions (see verse 27), because he was eunuch. He could never have been what some people describe as a ‘muscular Christian.’
In addition, he may have been discriminated against because he was black and because he was a court official – in an occupied country, the people could see any foreign courtier as a collaborator with the occupying power.
We are not told what happened to the Ethiopian court official afterwards. We are not even told his name.
What is important is not his present, nor his past. What is important is what happens now: he is baptised, he is grafted onto the vine that is Christ, he is counted in.
We matter to Christ not because of who we are or how others see us, but because we abide in Christ and because he abides in us.
Christ is Risen!
John 15: 1-8
[Jesus said:] 1 ‘I am the true vine, and my Father is the vine-grower. 2 He removes every branch in me that bears no fruit. Every branch that bears fruit he prunes to make it bear more fruit. 3 You have already been cleansed by the word that I have spoken to you. 4 Abide in me as I abide in you. Just as the branch cannot bear fruit by itself unless it abides in the vine, neither can you unless you abide in me. 5 I am the vine, you are the branches. Those who abide in me and I in them bear much fruit, because apart from me you can do nothing. 6 Whoever does not abide in me is thrown away like a branch and withers; such branches are gathered, thrown into the fire, and burned. 7 If you abide in me, and my words abide in you, ask for whatever you wish, and it will be done for you. 8 My Father is glorified by this, that you bear much fruit and become my disciples.’
Liturgical colour: White.
The Greeting (from Easter Day until Pentecost):
Christ is risen!
The Lord is risen indeed. Alleluia!
Penitential Kyries:
Lord God,
you raised your Son from the dead.
Lord, have mercy.
Lord, have mercy.
Lord Jesus,
through you we are more than conquerors.
Christ, have mercy.
Christ, have mercy.
Holy Spirit,
you help us in our weakness.
Lord, have mercy.
Lord, have mercy.
The Collect of the Day (Easter V):
Lord of all life and power,
who through the mighty resurrection of your Son
overcame the old order of sin and death
to make all things new in him:
Grant that we, being dead to sin
and alive to you in Jesus Christ,
may reign with him in glory;
to whom with you and the Holy Spirit
be praise and honour, glory and might,
now and in all eternity.
Introduction to the Peace:
The risen Christ came and stood among his disciples and said, Peace be with you. Then were they glad when they saw the Lord. (John 20: 19, 20).
Preface:
Above all we praise you
for the glorious resurrection of your Son
Jesus Christ our Lord,
the true paschal lamb who was sacrificed for us;
by dying he destroyed our death;
by rising he restored our life:
Post-Communion Prayer:
Eternal God,
in word and sacrament
we proclaim your truth in Jesus Christ and share his life.
In his strength may we ever walk in his way,
who is alive and reigns with you and the Holy Spirit,
one God, now and for ever.
Blessing:
The God of peace,
who brought again from the dead our Lord Jesus
that great shepherd of the sheep,
through the blood of the eternal covenant,
make you perfect in every good work to do his will,
working in you that which is well-pleasing in his sight:
or:
God the Father,
by whose glory Christ was raised from the dead,
raise you up to walk with him in the newness of his risen life:
Dismissal: (from Easter Day to Pentecost):
Go in the peace of the Risen Christ. Alleluia! Alleluia!
Thanks be to God. Alleluia! Alleluia!
Hymns:
This reflection was prepared for Monday 30 April 2018.
Scripture quotations are taken from the New Revised Standard Version Bible, copyright © 1989 by the Division of Christian Education of the National Council of Churches of Christ in the USA, and are used by permission. All rights reserved.
Patrick Comerford
Monday, 30 April 2018,
Saint Brendan’s Cathedral, Clonfert, Co Galway.
3.30 p.m.: The Eucharist,
Readings: Acts 8: 26-40; Psalm 22: 25-31; I John 4: 7-21; John 15: 1-8.
May I speak to you in the name of God, + Father, Son and Holy Spirit, Amen.
We have come to the end of our road trip as priests and readers in the Diocese of Limerick and Killaloe, visiting the three working, functioning, cathedrals in the diocese.
It has been a long road trip, we have learned a lot on the journey, and now it seems appropriate to celebrate the Eucharist together at the end of our journey together.
The readings we have shared are those for yesterday [29 April 2018], the Fifth Sunday of Easter, and in the reading from the Acts of the Apostles (Acts 8: 26-40) we are reminded of two other great Biblical journeys:
The journey the unnamed Ethiopian eunuch is making from Jerusalem back through Gaza and Egypt to his home in Ethiopia; and the journey the Apostle Philip (tomorrow is the feast of Saint Philip and Saint James) is told to make from Jerusalem to Gaza, which is out of his way, quite a diversion on the road to Caesarea.
If you have used your ‘sat navs’ to get to Limerick, then to Killaloe, and finally here to Clonfert, you have probably been told a few times that your ‘sat nav’ needs to ‘recalculate’ or ‘recalibrate.’ Image how confused ‘sat navs’ would have been trying to make sense of the journeys these two men were making!
If there is a lesson in this reading that has meaning this afternoon, it is not to travel like either of these two men. Nor is it to drive like the Ethiopian, reading and leaving the work to some modern-day horses, automatic drivers, without keeping our eyes on the road (see verse 28).
But the Ethiopian is an important figure in the New Testament story of the mission of the Apostolic Church.
There is no reason to assume that he was a Gentile. He may well have been a Jew. There was a group of black Ethiopian Jews, the Falasha or Beta Israel, who migrated en masse to Israel from 1979 on.
But he could not worship fully in Jerusalem, despite his best intentions (see verse 27), because he was eunuch. He could never have been what some people describe as a ‘muscular Christian.’
In addition, he may have been discriminated against because he was black and because he was a court official – in an occupied country, the people could see any foreign courtier as a collaborator with the occupying power.
We are not told what happened to the Ethiopian court official afterwards. We are not even told his name.
What is important is not his present, nor his past. What is important is what happens now: he is baptised, he is grafted onto the vine that is Christ, he is counted in.
We matter to Christ not because of who we are or how others see us, but because we abide in Christ and because he abides in us.
Christ is Risen!
John 15: 1-8
[Jesus said:] 1 ‘I am the true vine, and my Father is the vine-grower. 2 He removes every branch in me that bears no fruit. Every branch that bears fruit he prunes to make it bear more fruit. 3 You have already been cleansed by the word that I have spoken to you. 4 Abide in me as I abide in you. Just as the branch cannot bear fruit by itself unless it abides in the vine, neither can you unless you abide in me. 5 I am the vine, you are the branches. Those who abide in me and I in them bear much fruit, because apart from me you can do nothing. 6 Whoever does not abide in me is thrown away like a branch and withers; such branches are gathered, thrown into the fire, and burned. 7 If you abide in me, and my words abide in you, ask for whatever you wish, and it will be done for you. 8 My Father is glorified by this, that you bear much fruit and become my disciples.’
Liturgical colour: White.
The Greeting (from Easter Day until Pentecost):
Christ is risen!
The Lord is risen indeed. Alleluia!
Penitential Kyries:
Lord God,
you raised your Son from the dead.
Lord, have mercy.
Lord, have mercy.
Lord Jesus,
through you we are more than conquerors.
Christ, have mercy.
Christ, have mercy.
Holy Spirit,
you help us in our weakness.
Lord, have mercy.
Lord, have mercy.
The Collect of the Day (Easter V):
Lord of all life and power,
who through the mighty resurrection of your Son
overcame the old order of sin and death
to make all things new in him:
Grant that we, being dead to sin
and alive to you in Jesus Christ,
may reign with him in glory;
to whom with you and the Holy Spirit
be praise and honour, glory and might,
now and in all eternity.
Introduction to the Peace:
The risen Christ came and stood among his disciples and said, Peace be with you. Then were they glad when they saw the Lord. (John 20: 19, 20).
Preface:
Above all we praise you
for the glorious resurrection of your Son
Jesus Christ our Lord,
the true paschal lamb who was sacrificed for us;
by dying he destroyed our death;
by rising he restored our life:
Post-Communion Prayer:
Eternal God,
in word and sacrament
we proclaim your truth in Jesus Christ and share his life.
In his strength may we ever walk in his way,
who is alive and reigns with you and the Holy Spirit,
one God, now and for ever.
Blessing:
The God of peace,
who brought again from the dead our Lord Jesus
that great shepherd of the sheep,
through the blood of the eternal covenant,
make you perfect in every good work to do his will,
working in you that which is well-pleasing in his sight:
or:
God the Father,
by whose glory Christ was raised from the dead,
raise you up to walk with him in the newness of his risen life:
Dismissal: (from Easter Day to Pentecost):
Go in the peace of the Risen Christ. Alleluia! Alleluia!
Thanks be to God. Alleluia! Alleluia!
Hymns:
This reflection was prepared for Monday 30 April 2018.
Scripture quotations are taken from the New Revised Standard Version Bible, copyright © 1989 by the Division of Christian Education of the National Council of Churches of Christ in the USA, and are used by permission. All rights reserved.
Subscribe to:
Posts (Atom)


















