Showing posts with label Paris. Show all posts
Showing posts with label Paris. Show all posts

02 August 2026

‘A little too gorgeous and complete’:
the Catholic church in Cambridge
owes much to a former ballerina

The Church of Our Lady of the Assumption and the English Martyrs (OLEM) stands on the corner of Hills Road and Lensfield Road in Cambridge (Photograph: Patrick Comerford, 2026)

Patrick Comerford

It is impossible not to notice the exuberantly massive Roman Catholic Church that stands tall on a prominent street corner on the way from the train station into the heart of Cambridge city centre.

This impressive – if not overpowering – castellated Gothic building is known locally as the Catholic church, or simply as ‘the Catholic,’ although local Cambridge Catholics often refer to it affectionately by its acronym, OLEM – Our Lady and the English Martyrs.

It was the first church my friend from Ireland and I visited during our walk-about in Cambridge two weeks ago. She was taking a short ‘top-up’ course in theology, and I was happy to show off the Cambridge I have known for almost 20 years.

The Church of Our Lady of the Assumption and the English Martyrs, also known as the Church of Our Lady and the English Martyrs (OLEM), stands on the corner of Hills Road and Lensfield Road, a busy junction facing Regent Street and Gonville Place and a prominent corner in south-east Cambridge sometimes known locally as ‘Hyde Park Corner’.

It is a large Gothic Revival church built in 1885-1890, a Grade I listed building and the tallest building in Cambridge at 65 metres (213 ft), including the spire.

The Church of Our Lady and the English Martyrs is a large Gothic Revival church in Cambridge designed by Archibald Dunn and Charles Hansom (Photograph: Patrick Comerford, 2026)

For the first quarter of the 19th century, the nearest place for Catholic worship in Cambridge was at Sawston Hall, about 10k m south of the city. Saint Andrew’s Church was designed in 1842-1843 by AWN Pugin (1812-1852), the great architect of the Gothic revival, and built on Union Road. At the same time, Pugin published his trenchant critique in the Ecclesiologist of the architecture and style of Saint Paul’s Church, close-by on Hills Road. A few years later, Pugin would play an important role in the restoration, decoration and furnishing of the mediaeval chapel in Jesus College in 1846-1849.

The parish priest Canon Thomas Quinlivan (1816-1885) was born in Co Clare, and arrived in Cambridge in 1843. He quickly became a popular figure and acquired additional adjacent land In 1865, but he could not raise adequate funds a new building project needed.

The ban on Roman Catholics attending the university, receiving degrees or holding fellowships in Cambridge colleges, was finally lifted in 1871. Until then, Saint Andrew’s had served the small Catholic community in Cambridge, but the increasing number of Catholic students at the University of Cambridge created the need for a new, much larger church.

With the aid of the Duke of Norfolk, the Lensfield estate was bought in 1879, and the task of raising more funds fell to Canon Quinlivan’s successor, Monsignor Christopher Scott. The new church was all made possible by Yolande Lyne-Stephens (1812-1894), a wealthy widow and famed French-born former ballerina at the Paris Opera and Drury Lane.

Monsignor Scott wished to commemorate the Catholic Martyrs who died between 1535 and 1681, over 30 of whom had been in residence at the University. On the Feast of the Assumption, 15 August 1884, she offered Scott £70,000 – the equivalent of almost £10 million today – to finance building the new church in its entirety, ensuring that it was to be built to her taste. She also paid for other churches, convents and schools in England and for the bishop’s house in Northampton.

Yolande Lyne-Stephens bankrolled the construction of the ‘mini-cathedral’ in Cambridge, one of the largest Catholic churches in England (Photograph: Patrick Comerford, 2026)

Yolande Lyne-Stephens was the widow of Stephens Lyne-Stephens (1801-1860), a wealthy landowner who was said to be the richest commoner in England, and she bankrolled the construction of this ‘mini-cathedral’ – one of the largest Catholic churches in England.

In her biographical study, The beauty of her age, Jenifer Roberts tells the dark side of the story of Yolande Lyne-Stephens. She was born Pauline Duvernay in poverty in Paris, and by today’s standards, the adults involved in her life in her teens would all be accused of abusing her and her fellow dancers.

Roberts describes how Yolande was sold for sexual assignations from puberty, gave birth to two children, and became the mistress of a succession of men by the age of 18, including Louis Veron, manager of the Paris Opera.

When Yolande married Stephens Lyne-Stephens, the wealthy heir to the Lyne-Stephens glass fortune, she retired from the stage. They were married for 23 years before Stephens Lyne-Stephens died. Numerous court cases followed but Yolande inherited the family fortune and became the wealthiest woman in England – even richer, it was said, than Queen Victoria.

She dedicated the rest of her life to philanthropy and Catholic piety, despite living in a barely disguised ménage-à-trois with General Edward Stopford Claremont (1819-1890) and his Frances Charlotte (Wetherall) – Stopford Claremont was an illegitimate grandson of the 2nd Earl of Courtown.

The church is designed in the Gothic revival style, inspired by the Early Decorated or Middle Pointed style of the late 13th century (Photograph: Patrick Comerford, 2026)

The new church was designed by the architects Archibald Dunn (1832-1912) and Charles Hansom (1842-1900) of Newcastle. Their work includes the tower of the Catholic cathedral in Newcastle (Grade I), and the chapel of Stonyhurst College (Grade II*).

The building work by Rattee and Kett began in 1885, and the foundation stone was laid in June 1887. Despite the ill health of Yolande Lyne-Stephens, the church was completed and then consecrated on 8 October 1890. By the time of its completion, the total cost had risen from £30,000 to £70,000.

The first Mass was attended by all the Roman Catholic bishops of England and Wales except for Cardinal Manning and Bishop Vaughan.

The church is one of the largest Catholic churches in the United Kingdom. Outside and inside, it is a riot of detail and decoration: Gothic gargoyles and sleeping dogs, angels and saints, apostles and martyrs, all decorate and embellish the church in stone and in glass.

It is designed in the Gothic revival style, inspired by the Early Decorated or Middle Pointed style of the last quarter of the 13th century, and follows the traditional cruciform layout. Although it is not traditionally oriented – the High Altar and liturgical east face the geographic south-east – my references follow the conventional liturgical compass points.

The church has a polygonal apse and a central lantern tower. Casterton stone was used for the foundation, Ancaster stone for the plinth, the remainder is Combe Down stone, while the interior is built in Bath stone, Plymouth marble and Newbiggin stone.

The spire, the tallest in Cambridge, is 65 metres (214 ft) high and can be seen for several miles. The approximate internal dimensions are: length 48 metres (157 ft), width across the aisles 16 metres (52 ft), width at the transepts 22 metres (72 ft), and the height of the nave 15 metres (49 ft).

The west front and west door of the church in Cambridge (Photograph: Patrick Comerford, 2026)

The (north) entrance porch is richly carved and ornamented, with a trumeau featuring Saint John Fisher (1469-1535), cardinal, Bishop of Rochester, Lady Margaret’s Professor of Divinity and Chancellor of the University of Cambridge, who was martyred on 22 June 1535. In the tympanum is a figure of the Virgin Mary surrounded by sensing angels and a scrolling vine populated by martyrs.

The best general impression of the interior is obtained from the gateway in the iron screen dividing the nave from the ante-chapel. Inside and over the west door stands the figure of Our Lady of the Assumption crowned with lilies and standing on the crescent moon with the vanquished serpent beneath. The west window shows the English Martyrs arranged in two principal groups, the clergy on the south side with Saint John Fisher in their midst and the laity on the north grouped round Saint Thomas More.

The depictions in the windows include the dedications of Cambridge Colleges and scenes from the lives of English martyrs, in particular Saint John Fisher. The nave windows depict saints connected with the Church in Britain, arranged in chronological order from east to west.

The aisle windows were almost completely destroyed when the church was struck by a bomb on 1941, but were later replaced in their original form. They represent the various sufferings of the English Martyrs, their being brought before the council, racked, hung, drawn and quartered in the sight and sympathy of the faithful.

The north aisle windows depict Carthusians, Saint Thomas Moore, Blessed Margaret Pole and others, while the south aisle is made a ‘Fisher Aisle’, devoted to scenes from the life of Saint John Fisher.

Inside the church, looking from the iron screen dividing the nave from the ante-chapel towards the rood and the liturgucal east end (Photograph: Patrick Comerford, 2026)

The Rood, between the nave and the sanctuary, is of the type known as Majestas, with the figure of Christ with glorified wounds, robed in alb, stole and pallium as High Priest and crowned as King ‘reigning from the Tree’. The oak cross is about 6 metres high, the figures of Christ, the Virgin Mary and Saint John are of Kauri pine. They were carved locally by B Maclean Leach and completed and blessed in 1914.

Beyond the present, modern altar is the High Altar with the relics of Saint Felix and Saint Constantia, early martyrs Church. The tabernacle and ornaments of the altar are French work from Lyons. The baldacchino above the High Altar is similar to one over the tomb of Robert the Wise (1275-1343) at Santa Chiara, Naples. The figure of Christ in glory at the top is supported by angels on each side.

The Chapel of the Holy Souls is at the west end of the south aisle. The sculpture above the altar depicts the solace and relief of the Holy Souls in Purgatory through the intercessions of the Virgin Mary and the angel who comforted Christ in Gethsemane.

The organ was built in 1890 by Abbott and Smith to a specification by the Dublin-born composer Charles Villiers Stanford (1852-1924), Professor of Music at Cambridge; his students included Herbert Howells, Gustav Holst and Ralph Vaughan Williams.

The north aisle of the church, looking towards the east end (Photograph: Patrick Comerford, 2026)

The belfry houses a ring of eight bells hung for change ringing, with a ninth for the Angelus. All the bells were cast in 1895 by John Taylor & Co of Loughborough. The tenor bell is believed to be the largest in Cambridgeshire. The chimes heard at each quarter-hour of the clock, made by Potts of Leeds, are based on the ‘Alleluia’ chant for the Easter Vigil.

The church has a 16th-century oak statue of the Virgin Mary and the Christ Child beside the south aisle. The statue is said to have been found in Emmanuel College in 1850, and is said to be the same statue that Thomas Cromwell ordered to be removed in 1538. A notice under the statue the statue of was formerly in the Dominican priory that stood on the site of Emmanuel College.

The one additional donation Yolande Lyne-Stephens consented to was a mediaeval cross from the Austrian aristocrat Baron Anatole von Hügel (1854-1928), curator of the Museum of Archaeology and Anthropology and a prominent Catholic in Cambridge.

The north entrance porch is richly carved and ornamented, with a trumeau featuring Saint John Fisher (Photograph: Patrick Comerford, 2026)

The church was intended to make a strong, dramatic statement of faith in a city that had a strong Protestant tradition. This new Catholic church on such a prominent site, with its dedication to the Forty Martyrs of England and Wales, caused much controversy among local Anglicans and members of the university. The steeple was taller than the then recently-completed All Saints’ Church opposite Jesus College, and such a large church outside the Church of England ruffled the feathers of many people in Cambridge.

Perhaps for these reasons and many others, EM Forster says in The Longest Journey that the Catholic church ‘watches over the apostate city, taller by many a yard than anything within, and asserting, however wildly, that here is eternity, stability, and bubbles unbreakable upon a windless sea.’

After its opening, the church saw a great rise in the number of Catholics in the parish. This was partly due to Monsignor Scott’s pastoral work as parish priest and Father Robert Benson’s reputation as a preacher. Monsignor Robert Hugh Benson (1871-1914) was, perhaps, the best-known priest associated with the church is. He had studied classics and theology at Trinity College, Cambridge, in 1890-1893.

Benson was a son of Archbishop Edward White Benson of Canterbury, who had ordained him priest in 1895. But after some time with the Community of the Resurrection, he became a Roman Catholic in 1903, was ordained a priest a year later and was then sent to Cambridge, and was a curate there in 1905-1908.

He found the Church of Our Lady and the English Martyrs ‘a little too gorgeous and complete.’ But his impact on Cambridge undergraduates was so great that leading Cambridge Anglicans tried to put pressure on his family to make him leave.

Most of the windows were shattered and damaged during the Blitz in World War II (Photograph: Patrick Comerford, 2026)

During the Blitz in World War II, a small bomb struck the sacristy during an air raid in 1941, blowing a 6-ft hole in the roof and another in the wall of the Sacred Heart chapel. The blast also shattered most of the windows and collapsed part of the organ gallery.

To bring the sanctuary in line with the liturgical directives resulting from the Second Vatican Council (1962-1965), it was redesigned and reordered by Gerard Goalen (1918-1999), a major architect of the Liturgical Movement in Catholic church design. Bishop Charles Grant of Northampton consecrated a new central altar on 7 April 1973. The original high altar was later used mainly for reservation of the Blessed Sacrament.

The Stanford organ was renovated in 2002 by Nicholson & Co Ltd. The choir is semi-professional and includes former university choral scholars. A second choir, the Schola Cantorum, sings almost exclusively in Latin, and sings polyphony and Gregorian chant at the weekly solemn Latin Mass.

Looking out on Hills Road from the north porch (Photograph: Patrick Comerford, 2026)

The church was upgraded to a Grade I listed building from Grade II* in 2022. The rectory immediately to the south of the church dates from around 1890. In the Tudor style, of red brick with stone dressings and a castellated slate roof, it is a Grade II listed building.

Today, Cambridge is part of the Roman Catholic Diocese of East Anglia. Meanwhile, Pugin’s old church was dismantled and re-erected as the Church of the Sacred Heart in St Ives in Huntingdonshire and is now listed Grade II.

•The Right Revd Monsignor Provost Eugène Harkness is the Rector and parish priest. Mass times are: Saturday, 10 am and 6 pm (Vigil); Sunday, 8 am, 9:30, 11 am, 1 pm (Polish), 4:30 and 6: 30 (Latin); weekdays, 8 am and 12:15. The church is open daily

The rectory beside of the church is in the Tudor style, and is a Grade II listed building (Photograph: Patrick Comerford, 2026)

29 July 2026

45 million olive trees in Crete,
a €45 million scandal in Greece,
a €45 million resort in Fodele,
and 45 million blog readers

Olive groves near Loutra, in the hills above Rethymnon, near Arkadi Monastery … Crete has about 45 million olive trees (Photograph: Patrick Comerford)

Patrick Comerford

I keep on saying it, again and again, and it remains true: I am overwhelmed by the viewing and reading figures for this blog. These figures are about to reach 45 million this evening (29 July 2026), the third time this month the figures have passed the million mark, reaching 44 million less than a fortnight ago (16 July 2026), and 43 million 12 days earlier (4 July 2026).

These viewing and reading figures are overpowering at time, with this blog continuing to reach volumes of readers I never expected when I first started blogging 16 years ago. At the end of last year, this blog had 21 million hits (31 December 2025). So far this year, there have been more than 24 million hits or visitors in 2026 alone, and about 2.4 million hits before the end of July.

Half of all hits or reader figures have been within the past five or six months, with 22.5 million hits since 4 February 2026. I first began blogging back in 2010, and it took almost two years until July 2012 to reach half a million readers. Throughout this year and last, the daily figures continue to be overwhelming on many occasions. Of the ten days of busiest traffic on this blog, three were in May (1, 6 and 14 May 2026), three were the previous month (26, 29 and 30 April 2026), three in March, and one in February:

• 1,124,925 (1 May 2026)
• 525,719 (14 May 2026)
• 509,644 (29 April 2026)
• 344,003 (30 April 2026)
• 323,156 (27 March 2026)

• 322,038 (26 April 2026)
• 318,835 (6 May 2026)
• 318,307 (1 March 2026)
• 314,018 (28 February 2026)
• 301,449 (2 March 2026)

The daily average was over 187,000 throughout May, but that figure was distorted by the exceptionally high number of hits on three days. There were about 71,000 hits a day last month, and an average of about 80,000-90,000 a day so far this month. Yet, ten years ago, in 2016, the daily average was around 1,000.

A monument to El Greco in Iraklion … a new €45 million resort is being developed at Fodele, his birthplace west of Iraklion (Photograph: Patrick Comerford)

To put this latest figure of 45 million into perspective:

The continuing conflict in Iran and the Middle East has pushed an additional 45 million people into acute hunger and food insecurity because of price rises, including food, oil and shipping costs. These are 45 million people Trump does not care about.

Israel has launched a multi-million-dollar campaign to reshape public opinion in the US amid declining support for its policies, according to a Wall Street Journal report last month (July 2026). The report says the Israeli government has signed a contract worth more than $45 million with Brad Parscale, a long-time ally of Trump, as part of a broader effort that includes AI-powered messaging, digital outreach and media campaigns.

One element of the initiative involves AI-generated text messages sent to millions of Americans by a supposed group called ‘Friends for Peace,’ encouraging recipients to discuss Israel, Iran and regional security.

With all the hype about Christopher Nolan’s Odyssey, I am reminded that Homer called olive oil ‘Liquid Gold’ and it has been part of Greece’s history since antiquity. Crete has about 45 million olive trees that produce around 50% of all Greek olive oil. These olive trees outnumber the island’s human population by roughly 50 to 1. The groves produce more olive oil than all the rest of Greece combined, with the majority belonging to the highly regarded Koroneiki variety.

The world’s oldest olive tree is in the village of Ano Vouves near Kissamos in the Chania area. The tree is 3,000 years old and still produces olives. It has a trunk with a circumference of 12.5 metres and a diameter of 4.6 metres, and has been declared a Natural Monument.

A €45 million tourism development is being built in Fodele on the north coast of Crete, about 26 km west of Iraklion, on the road to Rethymnon. Fodele Hills is planned as a new tourist complex with a capacity for 298 people. Fodele is the birthplace of the artist El Greco and until now it has attracted visitors because of its orange and lemon groves, the house where it is said Doménikos Theotokópoulos (El Geco) was born, the Byzantine-era Panagia Church with its frescoes, and the monastery of Agiou Panteleimona with several 17th-century icons.

A widespread agricultural subsidy fraud ring in Greece siphoned off up to €45 million a year, with false claims to owning pastures, archaeological sites, and even non-existent land to collect European farming subsidies. The plot, uncovered by the European Public Prosecutor's Office (EPPO) and local authorities, reached all levels of political life in Greece. The 22 people charged included four sitting deputies in parliament from the ruling New Democracy party and former officials of the state agricultural payment agency.

The scheme exploited a poorly maintained land registry following EU policy changes in 2014. Fraudsters declared fictitious plots, fake livestock, and impossible locations – such as banana plantations on Mount Olympus – to siphon off millions.

The fraud went detected for years, and the Greek prime minister Kyriakos Mitsotakis was forced to admit the scandal had revealed ‘the state’s inadequacy’ in dealing with corruption. The scandal forced the resignation of five senior government officials, including the migration minister, Makis Voridis, a one-time far-right activist who was the agriculture minister when the scheme was being run.

Trump’s vanity parade last year, with a massive display of military might, cost $45 million. Although the parade was supposed celebrate the 250th birthday of the US army, Trump monopolised it to celebrate his own 79th birthday.

Larry Ellison, the billionaire co-founder of Oracle who now owns the Eagle and Child in Oxford, gave about $45 million to a nonprofit backing Trump’s 2024 election campaign. According to The Wall Street Journal. The funding was not subject to disclosure rules and was not been reported until a few weeks ago (June 2026). Meanwhile, the restoration work on the Eagle and Child in Oxford seems to be inadequately funded and remains closed, with the buildings covered in cladding and scaffolding.

45 million sq metres is 45,000 sq km. Although Estonia, the most northerly of the three Baltic States, is often described as a small country, it has an area of 45,000 sq km and is larger than Belgium, the Netherlands, Denmark or Switzerland.

Paris is one of the most popular tourist destinations in the world, with 45 million tourists every year in the Paris Region. With 45 million tourists a year, Mexico is the sixth most visited country in the world, according to UN statistics. France is top of the list, followed by Spain, the US, Turkey, Italy and then Mexico. Forecasts by VisitBritain predict over 45 million inbound visitors to the UK in 2026.

Six publishers turned down The Tale of Peter Rabbit by Beatrix Potter, but it went on to sell 45 million copies.

45 million minutes is equal to 85 years, 7 months, 15 days and 16 hours. In other words, if this blog was getting only one hit a minute, it would take over 85½ years, from mid-December 1940, to reach today’s figure of 45 million.

I retired from active parish ministry over four years ago, on 30 March 2022. These days, though, about 150 people on average are reading my daily prayer diary posted on this blog each morning. I imagine many of my priest-colleagues would be prayerfully thankful if the congregations in their churches totalled 1,000 or more people each week.

This evening, I am truly grateful to the real readers among those 45 million hits on this blog to date, and in particular I am thankful for the faithful core group of 150 or so people who join me in prayer, reading and reflections each morning.

Paris is one of the most popular tourist destinations in the world, with 45 million tourists every year in the Paris Region (Photograph: Patrick Comerford)

25 April 2026

33 million visitors to Paris,
33 million trapped in Sudan,
33 million books in a library,
and 33 million blog readers

Les Deux Magots, the celebrated literary café and restaurant at Place Saint-Germain-des-Prés in Paris … Paris has 33 million visitors a year (Photograph: Patrick Comerford)

Patrick Comerford

The viewing and reading figures for this blog continue to surprise me. These figures have passed the million mark three times this month, reaching the 33 million mark this evening (25 April 2026), having reached 32 million at the beginning of this week (19 April 2026) and 31 million earlier this month (8 April 2026).

This blog had already passed the million figure in readership numbers five times last month, reaching the 30 million mark by 29 March, 29 million four days earlier (25 March), 28 million on 20 March, 27 million on 12 March, and 26 million at the beginning of that month (1 March). The number of hits on two days last month were the highest daily figures I have ever recorded: 323,156 on 27 March 2026 and 318,307 on 1 March.

This year so far has seen a phenomenal amount of traffic on this blog, and continues to reach a volume of readers that I could never have expected when I first started blogging 16 years ago. Half the total hits (16.5 million) have been within little more than seven months, since 19 September 2025. The total hits last month were the highest monthly total ever (4,523,648), following the previous month’s record total of 3,386,504 in February 2026.

At the end of last year, this blog had 21 million hits (31 December 2025). So far this year, there have been more than 12 million hits or visitors in 2026, with about 2.5 million hits so far in April.

I first began blogging in 2010, and it took almost two years until July 2012 to reach half a million readers. Throughout this year and last, the daily figures continue to be overwhelming on many occasions. Of the 12 days of busiest traffic on this blog, two were this month (18 and 22 April 2026), five were last month, three were in February, one was in January, and two were in January 2025:

• 323,156 (27 March 2026)
• 318,307 (1 March 2026)
• 314,018 (28 February 2026)
• 301,449 (2 March 2026)
• 289,076 (11 January 2025)
• 285,366 (12 January 2025)

• 280,802 (26 February 2026)
• 273,022 (27 February 2026)
• 270,983 (25 March 2026)
• 267,134 (22 April 2026)
• 261,422 (13 January 2026)
• 256,384 (18 April 2026)

The number of readers continues to be overpowering and the daily averages are running at 100,000 or more hits a day so far this month. Ten years ago, the daily average was around 1,000.

More than 33 million people are trapped in Sudan in the largest humanitarian crisis in the world (Photograph: Medecins Sans Frontieres)

To put today’s figure of 33 million in context:

About 33 million people visit Paris each year.

More than 33 million people are trapped in Sudan in what Medecins Sans Frontieres (MSF) describes as the largest humanitarian crisis in the world. More than 33 million people now require assistance, while nearly half the population faces acute food insecurity.

The metropolitan area of Tokyo in Japan has a population of about 33 million, making it the world’s third most populous megapolis, after Jakarta in Indonesia with 42 million people and Dhaka in Bangladesh with 37 million.

More than 33 million people were affected by floods in Pakistan in September 2022, and more than 1,700 people died, including more than 400 children.

33 million people in the US live with food allergies – 1 in 10 adults and 1 in 15 children.

The biggest library in the world is the Library of Congress in Washington DC with 33 million volumes of books … the world could be a little safer, I imagine, if the present incumbent of the White House had read even a tiny number of books

33 million square metres is 33,000 sq km and 33 million metres is 33,000 km.

Hainan Island in China is 33,000 sq km and is the 42nd largest island in the world. It was one of the last Nationalist strongholds to be taken over by the Communists in 1950. This is also size of the Odess oblast in Ukraine and the extent of Lake Tanganyika Lake i between Tanzania, Democratic Republic of the Congo, Burundi and Zambia and second deepest lake in the world.

Giorgio Fouarge became the first man to travel around the world on a wooden bike. On his epic journey, Giorgio cycled over 33,000 km, across four continents and through 31 countries in 378 days. He has documented his journey in his book 33,000 km on a piece of wood.

Astronomers last year uncovered record-breaking supersonic winds on exoplanet WASP-127b, with speeds reaching up to 33,000 km per hour. This marks the first time such high-speed winds have been measured on a planet outside our solar system, setting a new record for the fastest jet stream winds observed on any planet.

WASP-127b is approximately 520 light years from Earth in the Milky Way galaxy. The jet streams on WASP-127b move almost six times faster than the planet rotates, reaching speeds of 9 km per second, approximately 33,000 km per hour.

33 million minutes is about 62 years, 9 months and 12 days. In other words, if this blog was getting only one hit a minute, it would take almost 63 years, from July 1963, to reach today’s latest figure of 33 million.

It is now more than four years since I retired from active parish ministry on 30 March 2022. These days, though, about 120-140 people on average are reading my daily prayer diary posted on this blog each morning. A similar number are reading my current series of postings on churches in the Rugeley and Stafford areas, and were reading my recent series of postings on the churches and chapels of Walsingham. I imagine many of my priest-colleagues would be prayerfully thankful if the congregations in their churches totalled 800-1,000 or more people each week.

This evening, I am very grateful to the real readers among those 33 million hits on this blog to date, and in particular I remain thankful to the faithful core group of about 100-120 people who join me in prayer, reading and reflections each day.

The biggest library in the world is the Library of Congress in Washington DC with 33 million volumes of books … how many have been read by Donald Trump? (Photograph: Patrick Comerford, 2026)

20 March 2026

Daily prayer in Lent 2026:
31, Friday 20 March 2026

Jesus goes to Jerusalem for the Festival of Booths (see John 7) … Sukkot ceremonies recall the willow ceremony in the Temple in Jerusalem … a willow tree at Ye Olde Swan Inn in Woughton on the Green (Photograph: Patrick Comerford)

Patrick Comerford

This week began with the Fourth Sunday in Lent (Lent IV) and Mothering Sunday (15 March 2026). The calendar of the Church of England in Common Worship today remembers Saint Cuthbert (640-687), Bishop of Lindisfarne and Missionary.

Before today begins, though, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:

1, reading today’s Gospel reading;

2, a short reflection;

3, a prayer from the USPG prayer diary;

4, the Collects and Post-Communion prayer of the day.

Shaking a lulav and an etrog at Sukkot … a figure in a shop window in the Ghetto in Venice (Photograph: Patrick Comerford)

John 7: 1-2, 10, 25-30 (NRSVA):

1 After this Jesus went about in Galilee. He did not wish to go about in Judea because the Jews were looking for an opportunity to kill him. 2 Now the Jewish festival of Booths was near.

10 But after his brothers had gone to the festival, then he also went, not publicly but as it were in secret.

25 Now some of the people of Jerusalem were saying, ‘Is not this the man whom they are trying to kill? 26 And here he is, speaking openly, but they say nothing to him! Can it be that the authorities really know that this is the Messiah? 27 Yet we know where this man is from; but when the Messiah comes, no one will know where he is from.’ 28 Then Jesus cried out as he was teaching in the temple, ‘You know me, and you know where I am from. I have not come on my own. But the one who sent me is true, and you do not know him. 29 I know him, because I am from him, and he sent me.’ 30 Then they tried to arrest him, but no one laid hands on him, because his hour had not yet come.

‘Just as the etrog has a both a beautiful taste as well as a beautiful fragrance, so there are (those) who are learned and who do good deeds …’ (Midrash Vayikra Rabbah 30:12) … lemons on a tree in Cordoba (Photograph: Patrick Comerford)

Today’s Reflections:

It is just over a week until the beginning of Holy Week, when we remember the events leading to the passion, death and resurrection of Jesus. The Gospel readings now begin to have a more ominous tone, and in the Gospel at the Eucharist today (John 7: 1-2, 10, 25-30), we move from the readings in John 5 during this week to John 7, skipping John 6 and the passage on the Bread of Life, which we read next month (John 6: 35-40, 22 April 2026).

In today’s reading, we hear how Jesus’ enemies want to arrest him and to kill him. He has been confining his activities to Galilee, and does not want to go to Judea and the vicinity of Jerusalem because there are people there who want to kill him. He does not expose himself unnecessarily to danger. He knows the time is coming when the final conflict will be inevitable, but that time is not yet.

It is the time of the Feast of Tabernacles or Booths, and his family are urging Jesus to go up to Jerusalem for the feast and show himself to the world. He tells them the time is not ripe for him to do this, but later on, after his family have left for the city, he goes privately, unknown to others.

While Jesus is in Jerusalem, he goes to the Temple area and begins to teach openly, to the amazement of those who hear him. For, in the past they have asked: ‘How does this man have such learning, when he has never been taught?’ (see John 5:15).

Sukkot, also known as the Feast of Tabernacles, is a seven-day autumn holiday that falls sometime around September-October. This year, Sukkot is six months away: it begins at sundown on Friday 25 September and continues until Friday 2 October.

Sukkot commemorates the time the people lived in temporary shelters, booths or tabernacles, during their journey through the desert after fleeing slavery in Egypt. It is one of the three central pilgrimage festivals in Judaism, along with Passover and Shavuot. It is traditional in Jewish families and homes to mark this festival by building a sukkah or a temporary hut to stay over in during the holiday.

The customs include buying a lulav and etrog and shaking them daily throughout the festival: the lulav is a palm branch joined with myrtle and willow branches; an etrog is a citron fruit, usually a lemon.

A sukkah is a temporary dwelling in which farmers once lived during the harvest. Today, it is also a reminder of the type of the fragile dwellings in which the people lived during their 40 years wandering through the wilderness after fleeing slavery in Egypt.

Throughout the holiday, meals are eaten inside the sukkah and some people even sleep there as well. On each day of the holiday, it is traditional to perform a waving ceremony with the ‘Four Species’ or specified plants: citrus trees, palm trees, thick or leafy trees and willows.

On each day of the festival, worshippers walk around the synagogue carrying the ‘Four Species’ while reciting special prayers known as Hoshanot.  This ceremony recalls the willow ceremony in the Temple in Jerusalem, when willow branches were piled beside the altar with worshippers parading around the altar reciting prayers.

Sukkot is a joyous and upbeat celebration, and is celebrated today with its own customs and practices.

Another custom is to recite the ushpizin prayer to invite one of seven ‘exalted guests’ into the sukkah. These ushpizin or guests represent the seven shepherds of Israel: Abraham, Isaac, Jacob, Joseph, Moses, Aaron and David. According to tradition, each night a different guest enters the sukkah followed by the other six. Each of the ushpizin has a unique lesson that teaches the parallels of the spiritual focus of the day on which they visit.

Some streams of Judaism today also recognise a set of seven female shepherds of Israel, known as ushpizot or ushpizata. At times, they are listed as the seven women prophets: Sarah, Miriam, Deborah, Hannah, Abigail, Hulda and Esther. Other lists name seven matriarchs: Ruth, Sarah, Rebecca, Miriam, Deborah, Tamar and Rachel.

Saint John’s Gospel is known for the seven ‘I AM’ sayings, the seven ‘Signs’, the seven ‘Claims’ and the seven ‘witnesses’. It would be interesting to explore wonder whether the Festival of Sukkot in this chapter also offers a link to the seven ushpizin or even ushpizata.

But this morning, as a I think of Jesus celebrating Sukkot in his own way in Jerusalem, I think of all those people who are forced into exile in the world today, living in temporary accommodation, not knowing where they going to sleep over the next seven days or when their exile is going to end in safety, in a new home.

And as I reflect on how the authorities tried to arrest Jesus that week, yet no one laid hands on him because his hour had not yet come, I think of the many exiles and refugees who are arrested and deported, without ever being given a proper hearing, without their personal dignity being respected, and facing death once again wherever they deported to, or living in dread of the next time racist and far-right protesters turn up outside their temporary accommodation.

A glimpse inside a 19th century painted sukkah or booth in the Jewish Museum of Art and History (mahJ) in Paris, used for the festival of Sukkot (Photograph: Patrick Comerford)

Today’s Prayers (Friday 20 March 2026):

The theme this week (15-21 March 2026) in ‘Pray With the World Church,’ the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Lament and Hope’ (pp 38-39). This theme was introduced on Sunday with a programme update by Kennedy Jones, Church Engagement and Fundraising Officer, USPG.

The USPG Prayer Diary today (Friday 20 March 2026) invites us to pray:

We pray for churches and faith communities striving to be anti-racist. Grant them wisdom, persistence, and grace as they seek to challenge prejudice and build inclusive communities.

The Collect:

Almighty God, who called your servant Cuthbert from following the flock
to follow your Son and to be a shepherd of your people:
in your mercy, grant that we, following his example,
may bring those who are lost home to your fold;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

The Post Communion Prayer:

Holy Father,
who gathered us here around the table of your Son
to share this meal with the whole household of God:
in that new world where you reveal
the fullness of your peace,
gather people of every race and language
to share with Cuthbert and all your saints
in the eternal banquet of Jesus Christ our Lord.

Yesterday’s Reflections

Continued Tomorrow

Lemons in a restaurant in York (Photograph: Patrick Comerford)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org

02 March 2026

Daily prayer in Lent 2026:
14, Tuesday 3 March 2026

‘They love to have the place of honour at banquets’ (Matthew 23: 6) … in Tai Tai Restaurant in Kuching, Sarawak (Photograph: Patrick Comerford, 2026)

Patrick Comerford

Lent began almost two weeks ago on Ash Wednesday (18 February 2026), and this week began with the Second Sunday in Lent (Lent II). In the Jewish calendar, today is the holiday of Purim, and the Chinese New Year celebrations here in Kuching come to a dramatic finale today with Chap Goh Mei.

Before today begins, I am taking some quiet time in Kuching this morning to give thanks, to reflect, to pray and to read in these ways:

1, reading today’s Gospel reading;

2, a short reflection;

3, a prayer from the USPG prayer diary;

4, the Collects and Post-Communion prayer of the day.

‘They love to have the place of honour at banquets’ (Matthew 23: 6) … tables waiting for diners in the old town in Rethymnon, Crete (Photograph: Patrick Comerford)

Matthew 23: 1-12 (NRSVA):

23 Then Jesus said to the crowds and to his disciples, 2 ‘The scribes and the Pharisees sit on Moses’ seat; 3 therefore, do whatever they teach you and follow it; but do not do as they do, for they do not practise what they teach. 4 They tie up heavy burdens, hard to bear, and lay them on the shoulders of others; but they themselves are unwilling to lift a finger to move them. 5 They do all their deeds to be seen by others; for they make their phylacteries broad and their fringes long. 6 They love to have the place of honour at banquets and the best seats in the synagogues, 7 and to be greeted with respect in the market-places, and to have people call them rabbi. 8 But you are not to be called rabbi, for you have one teacher, and you are all students. 9 And call no one your father on earth, for you have one Father – the one in heaven. 10 Nor are you to be called instructors, for you have one instructor, the Messiah. 11 The greatest among you will be your servant. 12 All who exalt themselves will be humbled, and all who humble themselves will be exalted.’

‘They love to have the place of honour at banquets’ (Matthew 23: 6) … in Le Procope in Paris, one of the oldest cafés in the world (Photograph: Patrick Comerford)

Today’s Reflection:

In the Gospel reading in the lectionary at the Eucharist today (Matthew 23: 1-12), we are in the Temple with Christ in Holy Week, the week leading up to his Passion, Death and Resurrection. There in the Temple, Christ has silenced his critics among the Sadducees and the Pharisees, showing their lack of understanding of the core messages of the Prophets and the Law in the Bible.

In today’s Gospel reading, Christ turns to speak ‘to the crowds and to his disciples’ about the scribes and the Pharisees, and their attitude to and teaching of the Law and the Bible.

Christ tells the people in the Temple that the Pharisees have authority to teach the Law, and he concedes that they are in an unbroken chain that goes back to Moses, for they ‘sit on Moses’ seat’ (verse 2).

But while honouring their teachings, the people should be wary of their practices. In their interpretation of the Law, they impose heavy burdens on others, yet do not follow the Law themselves.

Externally, they appear pious. They wear teffelin or phylacteries, small, black, leather boxes, on their left arms and foreheads with four Biblical passages as a ‘sign’ and ‘remembrance’ that God liberated their ancestors from slavery in Egypt (see Exodus 13: 1-10; Exodus 13: 11-16; Deuteronomy 6: 4-9; and Deuteronomy 11: 13-21). They also have lengthy fringes or tassels on their prayer shawls (tallitot, singular talit), as visible reminders of the 613 commandments in the Law (see Numbers 15: 38, Deuteronomy 22: 12).

Christ gives four examples of vanity (verse 6-7): they love places of honour at banquets, the best seats in the synagogues, being greeted with respect publicly, and being called ‘Rabbi,’ which means master and later becomes a title for the leaders in the synagogues.

We are warned about the dangers built into loving honorific titles, such as ‘teacher,’ ‘father’ and instructor (see verses 8-10) – perhaps for me that means canon and professor – because, of course, we are all students, we are all brothers and sisters, we are all disciples and children of God.

Yet I too am a father and have been a teacher and a tutor. Is Christ warning against the position? Or is he warning against seeking honours that have not been earned? I think immediately of Donald Trump’s petulant that he ought to receive the Nobel Peace Prize and have the Kennedy Centre named after him, without ever ending an actual war or having any gravitas or earned respect in the arts world.

It is a truism that politicians must earn the trust of their voters and that parents must earn the respect of their children, not seek or demand it. Most parents have, at one time or another, said to their children: ‘Do what I tell you, not what I do.’ Needless to say, children never listen to parents when we say something so silly.

All parents know, on the other hand, that actions speak louder than words.

Perhaps this reading reflects later tensions between the Jewish synagogue and the new Christian community. But, in Christ’s own days, people expected a Pharisee to be a careful observer of the Law.

Unlike the Temple priests and village elders, the Pharisees did not have a high social status. Before the destruction of the Temple in 70 CE, the Pharisees were a relatively modest group of people without political power and they tried to live out Jewish tradition and the Torah seriously and conscientiously in their daily lives. The Pharisees saw the Law as applying not only to every aspect of public life, but to every aspect of private, domestic, daily life too.

There is another well-worn statement: ‘It’s not where you start out but where you end up.’ The Pharisees started out with good intentions, but some of them ended by seeking to be great, seeking to be exalted (verses 11-12). They started out being concerned for holiness, but some ended at exclusion. They started out seeking to recognise God in all aspects of life, but some of them ended by seeking recognition at banquets and in the synagogue (verses 6-7).

Christ calls us to live in such a way that we can say to the world: ‘Do as we say and do as we do.’

The problem here may not so much be a conflict between words and actions, but the need to make the connection between words and actions. Words must mean what they point to, and the actions must be capable of being described in words.

Most of us, as children, learned by watching how adults behave, we learn as members of the human community. As a child, when I needed to learn how to use a fork, I did not need a lecture on the hygienic and sanitary contributions that forks have made to the benefit of European lifestyles since the introduction of the fork through Byzantium and Venice to mediaeval Europe; I did not need an engineering lecture on the practicalities and difficulties of balancing the prongs and the handle; I would have been too young to read a delightful chapter by Judith Herrin in one of her books on how the fork-using Byzantines were much more sophisticated than their western allies or rivals who ate with their hands (Judith Herrin, Byzantium – the Surprising Life of a Mediaeval Empire, London: Allen Lane, 2007, Chapter 19).

The same principle applies to everything else, as is pointed out by Andrew Davison, now Regius Professor of Divinity at the University of Oxford. In Imaginative Apologetics (London: SCM Press, 2011), he points out how the same principle applies to how we learn about everything else in life – cups, books, bicycles and so on. He might have added love – the love of God and the love of one another.

Over the years, I have often visited the National Botanic Gardens in Glasnevin, Dublin. There, in the Great Palm House, are the steps on which the great German philosopher Ludwig Wittgenstein regularly sat in contemplation and thought while he was living in Dublin in the late 1940s.

Even if we find Wittgenstein difficult to read, we can find useful insights in his writings.

Wittgenstein teaches us that thinking and language must be inter-connected. ‘Words have meaning only in the stream of life,’ he says. Thinking requires language, language is a communal experience, and, as Davison points out, we learn language as members of a human community and through induction into common human practices.

We can talk to others about prayer, forgiveness, and most of all about love itself. But if it only remains talk and has no application, then the words have no meaning.

In the verses before this reading (Matthew 22: 34-46), Christ tells the lawyer sent by the Pharisees and the Sadducees that the greatest commandments are to ‘love the Lord your God with all your heart, and with all your soul, and with all your mind’ and to ‘love your neighbour as yourself.’ And, he adds: ‘On these two commandments hang all the law and the prophets.’

If the Pharisees, the Sadducees and the young lawyer were teaching and acting in conformity with these laws, if their words and actions were inter-connected, then there would have been an unassailable ring of authenticity to their teaching.

We may say we believe in the two great commandments, but we only show we believe in them with credibility when we live them out in our lives. There must be no gap that separates what we teach and how we live out what we teach in our lives.

Ludwig Wittgenstein’s steps in the Great Palm House in the National Botanic Gardens, Glasnevin, Dublin (Photograph: Patrick Comerford)

Today’s Prayers (Tuesday 3 March 2026):

The theme this week (1-7 March 2026) in ‘Pray With the World Church,’ the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is: ‘Saint David’s Day’ (pp 34-35). This theme was introduced on Sunday with Reflections by the Revd Sarah Rosser, Team Vicar in the Netherwent Ministry Area, Diocese of Monmouth, Church in Wales.

The USPG Prayer Diary today (Tuesday 3 March 2026) invites us to pray:

We pray for the people of Wales and the Church in Wales. May the Church serve local communities with compassion. Lord, open our eyes to the needs around us and fill us with love for all your children.

The Collect:

Almighty God,
you show to those who are in error the light of your truth,
that they may return to the way of righteousness:
grant to all those who are admitted
into the fellowship of Christ’s religion,
that they may reject those things
that are contrary to their profession,
and follow all such things as are agreeable to the same;
through our Lord Jesus Christ,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

The Post Communion Prayer:

Almighty God,
you see that we have no power of ourselves to help ourselves:
keep us both outwardly in our bodies,
and inwardly in our souls;
that we may be defended from all adversities
which may happen to the body,
and from all evil thoughts which may assault and hurt the soul;
through Jesus Christ our Lord.

Additional Collect:

Almighty God,
by the prayer and discipline of Lent
may we enter into the mystery of Christ’s sufferings,
and by following in his Way
come to share in his glory;
through Jesus Christ our Lord.

Yesterday’s Reflections

Continued Tomorrow

The table remains bare if our words and our actions are not inter-connected … the Long Gallery or Dining Hall in the Moat House, the former Comberford family home on Lichfield Street, Tamworth (Photograph: Patrick Comerford)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org

25 January 2026

A ‘virtual tour’ of a dozen
churches dedicated to
Saint Paul on the feast of
the conversion of Saint Paul

Saint Paul’s Cathedral, London, rebuilt by Sir Christopher Wren … 25 January is the Feast of the Conversion of Saint Paul (Photograph: Patrick Comerford)

Patrick Comerford

Today is the Third Sunday of Epiphany (Epiphany III, 25 January 2026), and is also the Festival of the Conversion of Saint Paul, which also marks the last day of the Week of Prayer for Christian Unity.

Because this feast falls on a Sunday this year, the calendar of the Church of England in Common Worship recommends transferring its celebration to the tomorrow (Monday 26 January). But I still thought it would be worth marking this day in the Church Calendar this afternoon with a ‘virtual tour’ of a dozen churches dedicated to Saint Paul.

Many churches with Saint Paul’s name have double dedications to Saint Peter and Saint Paul, from Athlone and Ennis in Ireland, to Buckingham, Newport Pagnell and Olney in this part of England, to Aston in Birmingham and to churches I know in Iraklion in Crete and in Singapore. The little chapel of Saint Peter and Saint Paul in Vlatádon Monastery stands on the very spot where the Apostle Paul preached when he visited Thessaloniki in the year 50.

I know too of one peculiar double dedication, to Saint Catherine and Saint Paul, in Hoddesdon, Hertfordshire, originally built as Saint Paul’s and close to the High Leigh Conference Centre.

Churches with Saint Paul’s name alone are still many in number, though. In Ireland, for example, I have visited churches named after Saint Paul in Ardmore, Co Waterford, Glin, Co Limerick, Cahir, Co Tipperary, Emo, Co Laois, and Glenageary, Co Dublin, although Saint Paul’s at Mount Argus in Dublin is probably named after the Passionist monk and preacher Saint Paul of the Cross.

The chapel at the former Saint Paul’s School in Stony Stratford is now an Indian restaurant.

The churches I am looking at this afternoon are in England, Scotland, France, Greece, Malta and Scotland, and are a small selection of many churches I know, so this is a very limited selection indeed.

1, Saint Paul’s Cathedral, London:

Saint Paul’s Cathedral, London … rebuilt by Sir Christopher Wren after the Great Fire (Photograph: Patrick Comerford)

For many years, I strolled through London, from Liverpool Street Station to the USPG offices on my way to meetings of trustees. These walks offered opportunities for early morning or late afternoon visits to Wren churches, the sites of former Wren churches, churches designed by Nicholas Hawksmoor, or guild and city churches. They gave me views of buildings such as Saint Paul’s Cathedral, the Bank of England, the Royal Exchange, the Mansion House, the Globe Theatre and the Tate Modern, and allowed me to enjoy the cafés, buskers and bookshops, with new opportunities on each walk to discover parts of London I had not known before.

After the Great Fire of London in 1666, Sir Christopher Wren (1632-1723) restored 51 churches in the city, concluding with Saint Andrew-by-the-Wardrobe, which he rebuilt in 1695.

The vista from the south side of the Millennium Bridge across to Saint Paul’s Cathedral (Photograph: Patrick Comerford)

Saint Paul’s Cathedral, the cathedral of the Diocese of London, sits on Ludgate Hill at the highest point of the City. Its dedication to Saint Paul the Apostle dates back to the original church on the site, founded in the year 604.

The present cathedral, dating from the late 17th century, was designed in the English Baroque style by Wren; it was built in 1669-1711 and was completed in Wren’s own lifetime.

The earlier Gothic cathedral, Old Saint Paul’s Cathedral, largely destroyed in the Great Fire, was a central focus for mediaeval and early modern London, including Paul’s Walk and Saint Paul’s Churchyard being the site of Saint Paul’s Cross.

The dome of Saint Paul’s, framed by the spires of Wren’s City churches, has dominated London’s skyline for over 300 years. At a height of 111 metres (365 ft), it was the tallest building in London from 1710 until 1963. The dome remains among the highest in the world, and Saint Paul’s is the second-largest church building in area in the United Kingdom after Liverpool Cathedral.

2, Saint Paul’s Church, Bedford:

Saint Paul’s Church on Saint Paul’s Square is the largest Church of England parish church in Bedford (Photograph: Patrick Comerford)

Saint Paul’s Church on Saint Paul’s Square, Bedford, is the largest Church of England parish church in Bedfordshire. The former mediaeval collegiate church is a grade I listed building of cathedral proportions. With its size and tall spire, Saint Paul’s dominates Bedford.

During World War II, Saint Paul’s was the home for the BBC’s daily worship and hosted the Service for the National Day of Prayer in 1941.

Today, it is the Civic Church of the Borough of Bedford and of the County of Bedfordshire. It works closely with three other churches in Bedford – Saint Peter de Merton, Saint Martin’s and Saint Andrew’s – and welcomes thousands of visitors and pilgrims throughout the year.

Saint Paul’s is in the Diocese of St Albans. It has a cathedral-style choral tradition with a modern catholic liturgy, and it is a member of the Major Churches Network and of the Cathedrals Plus network.

Inside Saint Paul’s Church, Bedford, facing east (Photograph: Patrick Comerford)

Evidence suggests that Saint Paul’s Church was founded as a new minster by King Offa, who died in 796 CE, to serve the inhabitants of his new fortified urban burgh. Offa is said to have been buried in Bedford, and his minster church of Saint Paul has been identified as a probable site of his grave.

Most of the present church – the fifth on the site – was built or rebuilt in the 15th century in the Perpendicular style. The roofs were raised, clerestories added, windows enlarged, a second storey was added to south porch, as were the north and south windows, the oak roofs, the parclose screen, the priest’s two-storey vestry, misericords in the quire or chancel and the Trinity Chapel.

John Bunyan, the author of The Pilgrim’s Progress, preached in Saint Paul’s on 23 May 1656. In the 19th century Saint Paul’s became part of the Anglo-Catholic tradition, in which it remains. The architectural work in the church in the 19th century includes the tower and spire, transepts, choir stalls, quire and quire roof.

Late 19th and early 20th century work in the church includes the rood screen designed by the Gothic Revival architect George Frederick Bodley (1827-1907), who also reordered the chancel and restored the choir stalls. The Trinity Chapel was restored by the Bedford-based architect Charles Edward Mallows (1864-1915), who was part of the Arts and Craft movement. The English Altar and altar rails were designed by the Bromsgrove Guild, a company of artists and designers associated with the Arts and Crafts Movement and founded by Walter Gilbert (1871-1946).

Later in the 20th century, from the mid-1970s to 1982, the church was restored and improved. Further work was completed on a narthex at the west end of the church in 2014.

3, Saint Paul’s Church, Lisson Street, Marylebone:

Saint Paul’s Church on Lisson Street and Rossmore Road replaced the former Bentinck Chapel on Lisson Street (Photograph: Patrick Comerford)

Saint Paul’s Church, on Lisson Street and Rossmore Road in North Marylebone, was designed by JW Higgins and was built by voluntary contributions as Saint Paul’s Chapel in 1837-1838, soon after the closure of the Bentinck Chapel on Lisson Street. It was consecrated in 1838 and was assigned a district.

After World War II, Saint Paul’s parish was united with Emmanuel, Maida Hill, and Saint Matthew, Maida Hill, to form the parish of Saint Paul with Saint Matthew and Emmanuel. The parish was united with Christ Church, Cosway Street, in 1971. Saint Paul’s Church became one of the parish churches of the parish of Christ Church and Saint Paul, St Marylebone, until Christ Church was closed in September 1977.

The interior of Saint Paul’s has been subdivided and refurbished, but the reredos remains in place (Photograph: Patrick Comerford)

In recent years, the interior of Saint Paul’s has been subdivided and refurbished, the galleries have been removed, and the worship space is in part of the nave and the sanctuary area. The reredos and the windows remain in place.

Canon Clare Dowding is the Rector of Saint Paul’s, Priest in Charge of Saint Cyprian’s and Area Dean of Marylebone; the Revd Rachel Sheppard is the Assistant Curate; and the Revd Michele Lee is the Associate Priest.

The Parish Eucharist is celebrated in Saint Paul’s on Sunday sat 10 am, Morning Prayer is said on Mondays, Tuesdays and Wednesdays at 9:15, Evening Prayer is said on Mondays at 4:30, and Holy Communion is celebrated on Friday at 8:30 am. Through a partnership with West London Synagogue and Foodcycle, Saint Paul’s offers a free community meal every Wednesday night to over 70 people at the church.

4, (former) Saint Paul’s Church, Walton Street, Oxford:

The former Saint Paul’s Church on Walton Street, Oxford, looks like a Greek temple (Photograph: Patrick Comerford)

The former Saint Paul’s Church is a distinctive building that looks like a Greek temple on Walton Street, Oxford, facing onto Great Clarendon Street. It stands opposite the Oxford University Press and beside the Blavatnik School of Government. It is surrounded by the Radcliffe Observatory Quarter of the University of Oxford, formerly the Radcliffe Infirmary site, and in recent years it has been a café and arts venue.

Saint Paul’s was the first new parish to be created in Oxford and the first new church to be built in Oxford since the Reformation. The church and the parish came as responses to the first outbreak of cholera in this part of Oxford in 1831, and to serve both the growing new suburb of Jericho and the new industrial area growing up round the University Press.

Saint Paul’s Parish was carved out of the parishes of Saint Thomas and Saint Giles. It covered an area from Saint Giles Road West (now the south end of Woodstock Road) to the canal, and from Workhouse Lane (now Little Clarendon Street) to the end of Walton Street, which then turned west to end outside Carter’s Ironworks.

Saint Paul’s was the first new church built in Oxford since the Reformation (Photograph: Patrick Comerford)

When it was formed, the parish included the University Press the Radcliffe Infirmary and the Radcliffe Observatory with Observatory Street. The Radcliffe Trustees made a gift of part of the old burial ground of the Radcliffe Infirmary as a site for the new church. The church was built in 1834 at a cost of about £3,500, and the money was raised by public subscription.

Saint Paul’s is a rectangular stone building in the Greek Classic style with a west portico of the Ionic order and a bell turret. The church was designed by the Oxford-based architect Henry Jones Underwood (1804-1852), best known for his Gothic Revival architecture, and his church at Littlemore for John Henry Newman became a model for other churches. The church was enlarged in 1853 with the addition of an apsidal chancel at the east end designed by the Oxford architect Edward George Bruton (1826-1899).

The parish was committed to the liturgical and social values and ideals of the Oxford Movement, emphasising the importance of personal responsibility in promoting education, health reform and social justice, and raising awareness of the living conditions of many people.

The Pre-Raphaelite stained glass windows in were installed in 1888-1889. Six of the windows are by Charles Eamer Kempe (1837-1907), three depicting the Nativity, two the Resurrection and one the Ascension. As more people moved out of Jericho in the post-war decades, the congregation dwindled to a handful. The decline was hastened in the 1950s by the rise of the neighbouring church of Saint Mary Magdalen as the centre of Anglo-Catholicism in Oxford.

The parishes of Saint Paul and Saint Barnabas were united in 1963, and Saint Paul’s was closed in 1969. The building was acquired in 1988 by Secession Ltd to prevent its demolition, and it opened that year as Freud’s Arts Café, a café bar created by David Freud that offered live music, including jazz, punk, post-punk and blues. The name is written in Roman-style capital letters as ‘FREVD’ above the main entrance door.

5, Église Saint-Paul-Saint-Louis, Marais, Paris:

The Église Saint-Paul-Saint-Louis on rue Saint-Antoine is the parish church in the Marais in Paris (Photograph: Patrick Comerford)

the Église Saint-Paul-Saint-Louis on rue Saint-Antoine, the Catholic parish church in the Marais. The church gives its name to Rue Saint-Paul Place Saint-Paul and the nearest Metro station, Saint-Paul.

A shrine dedicated to Saint Paul in the Fields, Saint-Paul-des-Champs, was built on this site in 632-642, and served as a chapel for the cemetery of a convent founded by Saint Eloi and Saint Aure on Ile de la Cité during the reign of King Dagobert. Prominent figures buried in the old cemetery included François Rabelais and the architect François Mansart. The monastic cemetery disappeared and the old church was demolished in 1799.

The chapel was replaced by the first church on the site, Saint-Paul-des-Champs, built ca 1125, when the neighbourhood became a parish, and the dedication of the church was changed from Saint Paul the Hermit, a monk in Egypt in the third-fourth century, to Saint Paul the Apostle.

Charles V designated the Hôtel Saint-Pol on Rue Saint-Paul as his royal palace in 1358. Charles VI and Charles VII were baptised at Saint-Paul. The church was rebuilt in the Gothic style in 1431, and remained as the king’s parish up to 1559, when Henry II was mortally wounded in a jousting tournament on rue Saint-Antoine.

Cardinal Charles de Bourbon, uncle of Henry IV, bought the Hôtel de La Rochepot in 1580 and donated it to the Jesuits, who established their first house in Paris there and built a chapel dedicated to King Louis IX (Saint Louis) close to the present church.

The first stone of a new building was laid by Louis XIII in 1627. The new church was given the name of the king’s ancestor, Louis IX, and became the église Saint-Louis de la maison professe des Jésuites, a reference to the Maison Professe des Jésuites beside it. The first Mass in the new church was celebrated in 1641 by Cardinal Richelieu in the presence of Louis XIII.

Inside the Église Saint-Paul-Saint-Louis, the first church in Paris built in the Baroque style (Photograph: Patrick Comerford)

The new church was designed by the Jesuit architects Étienne Martellange, who drew the initial plans, and François Derand, who was responsible for the design of the façade. The plan is inspired by the Chiesa del Gesù in Rome.

The dome which is 55 meters high was an unusual feature for a Jesuit building and was one of the first domes built in Paris. Both the dome and the bell tower are largely hidden from view from the street by the very high façade. The dome served as a model for other domes, including those of Les Invalides and Val-de-Grace.

During the French Revolution, the church was closed and used to store works of art and books plundered from other churches in the area. Five priests were killed in the church during the September Massacres on 2 September 1792. They are commemorated with a plaque.

The church was then used as a temple of the Cult of Reason and the Supreme Being. In 1793, Robespierre preached the cult of the goddess Reason in the church against the atheism promoted by Hébert. The chemist Antoine Lavoisier, who was an important patron of the church, was guillotined in 1794. The old Saint Paul’s Church was demolished in 1798, but a section of the wall of the square tower is still visible on rue Saint-Paul.

Under the Concordat of 1801, the church was restored as a Catholic parish church in 1802, with a new dedication to Saint Paul and Saint Louis, recalling the older church that had been demolished in 1798. A bell from old Saint Paul’s was salvaged as well as the great clock on the façade.

The church was restored by the architect Victor Baltard in 1850, and the white marble high altar was moved and rebuilt under Louis-Philippe I with fragments from Napoleon’s tomb at Les Invalides. On the right side of the nave, one pillar has an inscription that is almost erased, République française ou la mort (‘French Republic or death’), scrawled during the Paris Commune in 1871.

The two clam-shell holy water vessels or stoups at the entrance were donated by Victor Hugo (1802-1885), author of The Hunchback of Notre-Dame (1831) and Les Misérables(1862). They mark the baptism of his daughter Adele in 1830 and in memory of his daughter Léopoldine. She was 18 when she secretly married Charles Vacquerie, then 25, in the church on 15 February 1843. Seven months later, Léopoldine was pregnant when she drowned after their boat capsized on the Seine . Her wet, heavy skirts pulled her down, and Charles drowned as he made six attempts to save her. They were buried in the same coffin. The tragedy had a significant and measurable impact on the work and personality of Victor Hugo, and he dedicated numerous poems and a book to the memory of his drowned daughter.

6, Saint Paul’s Monastery, Mount Athos:

Saint Paul’s Monastery on Mount Athos was endowed by the Serbian-born wife of the Sultan Murat II, who brought the gifts of the Three Wise Men (Photograph: Patrick Comerford)

Saint Paul or Aghiou Pavlou is one of the working monasteries on Mount Athos in Greece, and has a community of 30 monks. It was founded by Saint Paul of Xeropotamou, who also founded Xeropotamou. The monastery was deserted in the 14th century, but was restored by Serbian nobles, Byzantine emperors, Danubian princes and Romanian and Greek benefactors. Catastrophes in 20th century included a fire in 1902 and a flood in 1911.

The monastery’s oldest building, the chapel of Saint George, has frescoes painted by members of the Cretan School. The monastery treasures are said to include the gifts of the Three Wise Men, donated by the Serbian-born wife of the Sultan Murat II. She is said to be the only woman to have set foot on the shore at the monastery harbour. Other relics include the foot of Saint Gregory the Theologian, and a piece of the True Cross.

One of the spiritual writers associated with Saint Paul’s is Saint Sophrony (1896-1993), was the disciple and biographer of Saint Silouan the Athonite. He was born Sergei Symeonovich Sakharov in Russia in 1896, and it is said that as a child he experienced the Uncreated Light. He was ordained a deacon in 1930 and became a disciple of Saint Silouan.

After Saint Silouan died in 1938, Saint Sophrony left the monastery at Saint Panteleimon and went to live in the wilderness on Mount Athos, first at Karoulia and then at a cave near Saint Paul’s Monastery. He was ordained priest in 1941 and became the spiritual father of many monks on Mount Athos. He was a founding figure in the Monastery of Saint John the Baptist at Tolleshunt Knights in 1959, and died there in 1993. He was proclaimed a saint in 2019.

7, Saint Paul’s Church (Anglican), Athens:

Saint Paul’s Church on the corner of Philellenon Street and Queen Amalia Avenue in Athens (Photograph: Patrick Comerford)

Saint Paul’s Church Anglican Church in Athens is an early Victorian Gothic church on the corner of Philellenon Street and Queen Amalia Avenue, opposite the National Gardens. The early story of Saint Paul’s is intimately associated with the life of a Cork-born hero of the Greek War of independence, Sir Richard Church.

For decades, the congregation has included a considerable number of Irish, Americans, Canadians, Australians and South Africans, and in recent years they have been enriched by new arrivals. In recent years, Saint Paul’s has provides 800 meals a day for homeless people on the streets of Athens, and raised huge sums to help victims of the Greek crisis and refugees.

The church was built on land bought from the Turks before the Greek War of independence, and the foundation stone was laid on Easter Monday, 1838, by the British Minister in Athens, Sir Edmund Lyons, later Lord Lyons (1790-1838), whose family had emigrated from Ireland to Antigua in the previous century. Saint Paul’s stands within sight of Hadrian’s Gate, which marked the end of the old Hellenistic and classical city of Athens and the new city built by the Emperor Hadrian.

Philellenon Street was only laid out in 1855, so the church once had an unimpeded view of the Acropolis rising over the old city. Today, Saint Paul’s is within easy walking of many of the main tourist attractions in Athens, including the Plaka and the Acropolis, and is only a block away from the Greek Parliament and Syndagma Square.

Philelleon Street is an appropriate location for an English-speaking church – the street was named after those English-speaking lovers of Hellenic civilisation and culture, including Palmerston, Codrington and the poet Byron, who actively supported the Greek struggle for independence.

Sir Richard Church’s image on his grave in Athens (Photograph: Patrick Comerford)

Two windows in Saint Paul’s commemorate one of those Philhellenes, the Irish adventurer, Richard Church (1784-1875). Sir Richard Church was born in Cork, the second son of Massey Church, a prosperous Quaker butter merchant and exporter. Church ran away from his Quaker school to join the army, and served under Abercrombie in Egypt in 1801. Later that year, he accompanied the expedition to the Ionian Islands, where he raised a Greek regiment that included Theodoros Kolokotronis and other future Greek leaders.

In vain, Church pleaded the Greek cause in London and at the Congress of Vienna in 1814-1815. He lived in Naples and Sicily until his expulsion in 1820, and in 1822 he was knighted by King George IV. But he soon returned to Greece, to join the War of Independence, and in April 1827 he was appointed commander in chief of the Greek forces.

Church insisted on Greek unity before accepting his command, and his pressure resulted in the election of Kapodistrias as president in 1827 and the adoption of a new, liberal constitution. Church played a conspicuous part in the revolt of 1843 and lived on in Greece becoming a Greek citizen, a senator and member of the council of state, inspector general of the Greek Army, and a pillar of the Anglican church in Athens. When he died in Athens on 20 March 1873, he was buried in the First Cemetery, alongside great Greek heroes and leaders.

Two windows in Saint Paul’s Church, the north window and the south window, are dedicated to his memory.

The two-light north window, presented by the British Government in 1875, depicts the figures of Caleb and Joshua. It is said that the inscription on the brass tablet beneath was written in honour of Church by the British Prime Minister, Gladstone, a personal friend of his nephew, the Very Rev Richard William Church, Dean of Saint Paul’s Cathedral, London, from 1871 to 1890.

Dean Church (1815-1890) and other members of Sir Richard’s family presented the south window in 1875. The window depicts Gideon and David, the story of the dew and the fleece, and David slaying Goliath.

Dean Church, who became the leader of the High Church party in the Church of England after Pusey’s death, was a reforming force in Saint Paul’s Cathedral along with Liddon and Lightfoot, who were two of his canons.

A previous treasurer of Saint Paul’s has been Dr David Green, an Irishman working in Athens for the University of Glamorgan and married to a Greek woman. Recent Irish members of the congregation included John O’Carroll, general manager of the Inter-Continental Hotel, and his Esther, and Geoffrey Mayes, who was a lay assistant in Saint Paul’s. When I first visited the church, the organist, Dr Richard Witt, a classicist working with the Open University, greeted me with the news that he was a great fan of Myles na Gopaleen and The Irish Times.

8, The Church of Saint Paul’s Shipwreck, Valletta, Malta:

The Church of Saint Paul’s Shipwreck is one of the oldest churches in Valletta (Photograph: Patrick Comerford)

Saint Paul the Apostle is the patron saint of Malta, the country with the most holidays in the European Union, and 10 February is the Feast of Saint Paul’s Shipwreck in Malta (‘Nawfraġju ta' San Pawl’).

The Collegiate Parish Church of Saint Paul’s Shipwreck, Valletta, also known as simply the Church of Saint Paul’s Shipwreck, is a parish church in Valletta and one of the oldest churches in the Maltese capital. Saint Paul’s shipwreck on Malta is described in the Acts of the Apostles, where Saint Luke writes: ‘After we had reached safety, we then learned that the island was called Malta’ (see Acts 28: 1).

The Church of Saint Paul’s Shipwreck traces its origins to 1570s. It was designed by the Maltese architect Girolamo Cassar, and completed in December 1582. The church was handed over to the Jesuits and a new church was started in 1639.

The statue of Saint Paul above the door into the Church of Saint Paul’s Shipwreck (Photograph: Patrick Comerford)

The church hosts fine artistic works, including a magnificent altarpiece by Matteo Perez d’Aleccio and paintings by Attilio Palombi, and Giuseppe Calì. A wooden statue of Saint Paul was carved in 1659 by Melchiorre Cafà, a brother of Lorenzo Gafà, who designed the dome. The statue is paraded through the streets of Valletta on the feast day of Saint Paul’s Shipwreck (10 February), sometimes during heavy rain.

The church also claims to hold the relic of the right wrist-bone of Saint Paul, and part of the column from San Paolo alle Tre Fontane, on which the saint was beheaded in Rome. The façade of the church was rebuilt in 1885 to a design by Nicholas Zammit. The church building is listed on the National Inventory of the Cultural Property of the Maltese Islands.

9, Saint Paul’s Cathedral, Mdina:

Saint Paul’s Cathedral, Mdina, in central Malta, facing onto Saint Paul’s Square (Photograph: Patrick Comerford)

The Metropolitan Cathedral of Saint Paul (Il-Katidral Metropolitan ta’ San Pawl), commonly known as Saint Paul’s Cathedral or the Mdina Cathedral, is the Roman Catholic cathedral in Mdina, in central Malta. The cathedral was founded in the 12th century. It is the seat of the Roman Catholic Archdiocese of Malta, although since the 19th century it has shared this function with Saint John’s Co-Cathedral in Valletta.

According to tradition, the site of Mdina cathedral was originally occupied by a palace belonging to Saint Publius, the Roman governor of Melite who greeted the Apostle Paul after he was shipwrecked in Malta. According to the Acts of the Apostles, Saint Paul cured Publius’ father and many other sick people on the island (see Acts 28: 1-10).

The first cathedral on the site is said to have been dedicated to the Blessed Virgin Mary. But it fell into disrepair during the Arab period, when the churches in Melite were looted after the Aghlabid invasion in 870. In Arab times, the site was used as a mosque.

After the Norman invasion in 1091, Christianity was re-established on the Maltese Islands, and a cathedral dedicated to Saint Paul was built in the 12th and 13th centuries. The cathedral was built in the Gothic and Romanesque styles, and was enlarged and modified a number of times.

Inside Saint Paul’s Cathedral in Mdina (Photograph: Patrick Comerford)

Bishop Miguel Jerónimo de Molina and the cathedral chapter decided in 1679 to replace the mediaeval choir with one built in the Baroque style. The architect Lorenzo Gafà was designed and oversaw the new building.

The cathedral was severely damaged a few years later in the 1693 Sicily earthquake. Although parts of the building were not damaged, it was decided to dismantle the old cathedral and rebuild it in the Baroque style to a design of Lorenzo Gafà, incorporating the choir and sacristy, which had survived the earthquake, into the new cathedral. Work began in 1696, and it was consecrated on 8 October 1702. The cathedral was fully completed on 24 October 1705, when work on the dome was finished. The building is regarded as Gafà's masterpiece.

Saint Paul’s Cathedral is built in the Baroque style, with some influences from native Maltese architecture. The main façade faces Saint Paul’s Square and it is set on a low parvis approached by three steps.

The frescoes in the ceiling depict the life of Saint Paul and were painted by the Sicilian painters Vincenzo, Antonio and Francesco Manno in 1794. The altarpiece by Mattia Preti depicts the Conversion of Saint Paul on the Road to Damascus.

10, Saint Paul’s Cathedral, Valletta, Malta:

Saint Paul’s Cathedral, Valletta … a landmark building above the harbour in Malta’s capital (Photograph: Patrick Comerford)

Saint Paul's Pro-Cathedral (Il-Pro-Katridral ta’ San Pawl) in Independence Square, Valletta, is officially the Pro-Cathedral and Collegiate Church of Saint Paul. It is an Anglican pro-cathedral of the Diocese in Europe situated in Independence Square, Valletta.

Saint Paul’s is a pro-cathedral in the Anglican Diocese in Europe, and one of three cathedrals of the Anglican Diocese of Gibraltar in Europe. The main cathedral of the diocese is Holy Trinity Cathedral, Gibraltar, and there is a second pro-cathedral, Holy Trinity Cathedral, in Brussels.

The cathedral was commissioned by the Dowager Queen Adelaide during a visit to Malta in the 19th century, when she learned there was no place of Anglican worship on the island. Before her visit, Anglican services were held in a room in the Grand Master’s Palace.

Saint Paul’s was built on the site of the Auberge d’Allemagne, or the conventual home of the German Knights Hospitaller. The cathedral was designed by William Scamp and was built in 1839-1844.

Queen Adelaide laid the foundation stone on 20 March 1839 and her banner hangs above the choir stalls. The original plans were designed by Richard Lankasheer. However, when the building proved unstable, work had to resume on plans by William Scamp in 1841. Scamp's designs located the altar on the west side of the church, but the Bishop of Gibraltar had a more conservative view. The designs were altered, and Scamp designed an apse inside the great doors to hold the sanctuary on the east side.

The cathedral is built with Maltese limestone in a neo-classical style. The cathedral has columns with capitals of the Corinthian order while the capitals of the six columns of the portico are of the Ionic order. The internal dimensions of the building are 33.5 metres x 20.4 metres.

The cathedral is a landmark in Valletta, thanks to its spire rising to a height of over 60 metres, and is clearly visible in the Marsamxett Harbour.

Saint Paul’s Cathedral, Valletta … Queen Adelaide laid the foundation stone on 20 March 1839 (Photograph: Patrick Comerford)

During World War II, the cathedral suffered minor damage and the roof collapsed, but most of the structure remained intact. During restoration works, the original designs by Scump started to take shape. A quire and rood screen were built on the west side of the cathedral. A pulpit was also incorporated with the screen dedicated to Sir Winston Churchill.

The organ came from Chester Cathedral, where there is a long-held tradition that it was played by George Frederick Handel when he was on his way to Dublin for the first public performance of his Messiah.

The painting behind the High Altar, Ecce Homo, is the work of AE Chalon and was donated in 2014. The oak panels around the High Altar are a memorial to the Allied units that took part in the defence of Malta in 1940-1943. Twelve flags in the aisles represent, among others, the Royal Air Force, the British Merchant Navy, and the Royal Navy.

The new chancery was dedicated by Archbishop Geoffrey Fisher of Canterbury on 2 December 1949 in the presence of Princess Elizabeth, later Queen Elizabeth II.

The undercroft was built from the remains of the basement of the Auberge d’Allemagne, and was used as a gas-proof air raid shelter during days War II.

11, Saint Paul’s Church, Saint Paul’s Bay, Malta:

Saint Paul’s Church, Saint Paul’s Bay, Malta (Photograph: Patrick Comerford)

The town of Saint Paul’s Bay (San Pawl il-Baħar) is about 16 km north-west of Valletta. This is the largest town in the Northern Region and the seat of the Northern Regional Committee, along with being the most populous town in Malta.

The name of the town refers to the shipwreck of Saint Paul as recounted in the Acts of the Apostles on Saint Paul’s Islands near St Paul's Bay, on his voyage from Caesarea to Rome. Saint Paul’s stay is said to have laid the foundations of Christianity on the island.

Saint Luke recounts in Acts 27 to 28 how Saint Paul’s ship was lost at sea for two weeks during winter storms. Eventually, the ship ran aground on the island of Malta and was dashed to pieces by the surf, but all of the occupants survived and made it to shore.

Saint Paul’s Island, an uninhabited, rocky islet at the entrance to Saint Paul’s Bay, is thought to be the site where the ship wrecked. Acts 27: 41 states the ship ran aground on a piece of land ‘with sea on both sides.’

Saint Paul’s Church above the Menqa or boat shelter at the harbour in Saint Paul’s Bay (Photograph: Patrick Comerford)

Saint Paul’s Church stands on the water’s edge in the town of Saint Paul’s Bay. The church is also known as St. Paul’s Bonfire Church and commemorates the traditional site where the shipwreck survivors, including Saint Paul, swam ashore and a bonfire was built for them.

The church was first built in the 14th century, but was rebuilt after a bomb destroyed the original building during World War II. The parish is run by the Franciscan Conventuals.

12, Old Saint Paul’s Church, Edinburgh

Old Saint Paul’s Church traces its story back to 1689, when Bishop Alexander Rose left Saint Giles’ Cathedral with much of the congregation (Photograph: Patrick Comerford)

The Diocese of Edinburgh is one of seven in the Scottish Episcopal Church (SEC),, although Edinburgh was originally part of the Archdiocese of St Andrews. When Charles I formed the Diocese of Edinburgh in 1633, William Forbes became the first bishop and Knox’s former church, Saint Giles’, became the cathedral.

When episcopacy was abolished yet again in 1637, Saint Giles’ lost its status as a cathedral, but it was restored as a cathedral when episcopacy was reintroduced in 1661. When the Church of Scotland reverted to Presbyterianism in 1688, Saint Giles’ became the ‘High Kirk’ once again.

The last bishop at Saint Giles’, Bishop Alexander Rose of Edinburgh, left the cathedral in 1689 accompanied by much of his congregation, finding a new place of worship in an old wool store in Carrubber’s Close, close to the present site of Old Saint Paul’s Church.

Later Bishops of Edinburgh included Daniel Sandford (1806-1830), who was born in Dublin in 1766, and John Dowden (1886-1910), who was born in Cork in 1840.

For centuries, the SEC had no cathedrals and many churches, including Old Saint Paul’s and Saint Paul’s in York Place, served as the ‘pro-cathedral’ in Edinburgh until Saint Mary’s Cathedral was built in Palmerston Place in the 1870s.

The sisters Barbara and Mary Walker left all their property for building a new cathedral, and Sir George Gilbert Scott was chosen as the architect. Scott’s design was inspired by the early Gothic churches and abbeys of Scotland. The foundation stone was laid in 1874 and the cathedral was consecrated in 1879. The Chapter House was added in 1890 and the west spires in 1913-1917.

With the Revd Dr Alan McCormack (then Dean of Residence, Trinity College Dublin), and Archbishop Nikitas of Thyateira and Great Britain (then Archbishop of Hong Kong) at Saint Paul Outside the Walls in Rome in 2005

There were so many other churches named after Saint Paul that I could have looked at this afternoon. I have often passed by Saint Paul’s Church in Cambridge on my way from the railway station to Sidney Sussex, and its story includes an interesting Irish connection that I must write about at some stage. I have memories of visiting Saint Paul Outside the Walls in Rome in 2005 when I was chair of the Dublin University Far Eastern Mission (DUFEM) and took part in a conference on the Church in China.

There are memories too of visiting Saint Paul’s, Cordoba, and of Saint Paul’s Cathedral, Nicosia, where they named me in the intercessions on the mornings of my ordination as deacon in 2000 and priest in 2001.

The small Church of Saint Paul (Agios Pavlos) in the Rethymnon region in Crete is near a secluded bay and beach associated with the Apostle Paul’s journey to Rome. But my closing image this afternoon is of sunset at Pavlos Beach in Platanias, east of Rethymnon, on the north coast of Crete.


30 seconds at sunset at Pavlos Beach in Platanias, east of Rethymnon on the north coast of Crete (Patrick Comerford)