04 January 2026

The Swiss Church in the heart
of Covent Garden has been
serving Swiss people in
London since the 1760s

The Swiss Church in London at 79 Endell Street is in the heart of Covent Garden and the West End (Photograph: Patrick Comerford, 2025)

Patrick Comerford

The news of the disaster in the Swiss ski resort of Crans-Montana is heart-breaking and tragic. I cannot begin to imagine the painful grief that so many families are living with this weekend.

A verse from Saint John’s Gospel, ‘Anyone who comes to me I will never drive away’ (John 6: 37) is inscribed in French in the apse of the Swiss Church in London and expresses God’s unconditional love. It also summarises the calling of the Swiss Church in London to be a place of hope and belonging in the heart of the West End.

The Swiss Church in London is an inclusive community rooted in the Reformed tradition and open to people of all faiths and none. The church at 79 Endell Street sees itself as a place where worship, hospitality and creativity meet in the heart of Covent Garden. The work of the church is guided by its mission, enriched by its history, and sustained by the people who make up its congregation and by the wider community.

The Swiss Church in London, in its use of the many languages that reflect Swiss identity, also uses the names Eglise Suisse de Londres, Schweizerkirche in London, Chiesa Svizzera a Londra and Baselgia svizra a Londra.

The church is a place of worship, a community hub and a cultural venue for Swiss people and the wider London public and has served the Swiss community in London for more than 250 years.

The Swiss Church in London was designed by the architect George John Vulliamy in 1853-1855 (Photograph: Patrick Comerford, 2025)

The Swiss Church in London was formed in 1762 by a group of Swiss exiles, although most of them at that time were not officially Swiss as they had mainly come from Geneva, Vaud and Neuchâtel, then not part of the Swiss Confederation: Vaud joined as a full canton in 1803; Geneva, Neuchâtel and Valais joined the Swiss Confederation at the Congress of Vienna in 1815. This is the same part of Switzerland that includes Crans-Montana, a municipality and ski resort in the predominantly French-speaking district of Sierre in the canton of Valais, and the scene of the recent tragedy.

An early, significant family in the life of the church was the Vulliamy family, who originated in Switzerland. They included royal clockmakers in the 18th and 19th centuries, architects and engineers in the 19th and 20th centuries, and writers, artists and journalists in the 20th and 21st centuries.

The church was formed through the inspiration of the Swiss-born clockmaker (François) Justin Vulliamy (1712-1797) and the first Consistoire or Group of Anciens as they were then known. They rented a large room in Castle Street, Leicester Fields, and appointed Antoine Bugnion from Lausanne as their first pastor. The church soon became a spiritual home for Swiss expatriates and a centre of help for poor Swiss migrants in London.

After appeals for funds and some financial aid from Geneva and Berne, the first purpose-built ‘Helvetic Chapel’ was built in 1775 near Moor Street in Soho. It remained the focal point for the Swiss community in London for 80 years, when the congregation was mainly French-speaking.

The church played an important role at the time in the protection of the Swiss abroad. They had no consular representation until 1817, and they relied on the pastor to sign any important documents regarding their status, including ‘pass-ports’.

The present church on Endell Street dates from 1853-1855 and was built after much planning and fundraising in England and Switzerland. The Swiss Church is a Grade II listed building designed by the architect George Vulliamy and built in 1853-1854.

Endell Street, originally known as Belton Street, runs from High Holborn in the north to Long Acre and Bow Street, Covent Garden, in the south. Other buildings on the street from this time include the Cross Keys, a well-known pub in Covent Garden, a long tall narrow building built on the west side of the street in the 1840s.

George John Vulliamy (1817-1886) designed some buildings in Victoria Street London, several fire-brigade stations, the pedestal and sphinxes for Cleopatra’s Needle on the Thames Embankment, the sturgeon lamp posts or ‘Dolphin Lamp Posts’ that line the Embankment, and the camel benches by the Embankment that were inspired by his travels to Egypt in the 1840s.

Vulliamy was a son of the royal clockmaker Benjamin Lewis Vulliamy (1780-1854), a nephew of the architect Lewis Vulliamy (1791-1871), and great-grandson of Justin Vulliamy (1712-1797), one of the founding figures in the Swiss Church in London.

George Vulliamy was born in London on 19 May 1817 and was educated at Westminster School before being articled to Joseph Bramah & Son, engineers, in 1833. In July 1836 he joined the office of Sir Charles Barry, and remained there until 1841. He then went abroad, and visited France, Italy, Greece, Asia Minor, and Egypt. While travelling, he was employed by Henry Gally Knight to make drawings for his Ecclesiastical Architecture of Italy (1842-1844).

Vulliamy returned to England in 1843, began practising as an architect, later assisting his uncle, Lewis Vulliamy. He designed the Swiss Protestant church on Endell Street in 1853-1855. He became superintending architect to the Metropolitan Board of Works in 1861, and his work for the board included designing some buildings in Victoria Street, several fire-brigade stations, and the pedestal and sphinxes for Cleopatra’s Needle on the Embankment. He died on 12 November 1886.

Inside the Swiss Church after the renovations and transformations in 2008-2011 (Photograph: Swiss Church in London)

The centenary celebrations of the founding of the Swiss Church brought together several hundred Swiss at the church in 1862.

German-speaking churches in London were closed during World War I in 1914-1918, and a growing number of German Swiss exiles came to the church in Endell Street to worship. Swiss German speakers branched out in 1924 to form a separate church, the Schweizerkirche, but without their own building. They began renting the Church of Saint Agnes and Saint Anne in the City of London, and had their own governing body, the Kirchenpflege.

A major fire in 1930 almost destroyed the Endell Street church, which had to be virtually rebuilt. The French and German churches merged in 1938, but still they continued to function as two separate parishes. The church building suffered from bomb damage during the Blitz in World War II and underwent major rebuilding in 1946-1949.

The church continued to have a pastor and an assistant pastor as did the Schweizerkirche. But numbers began to decline at the end of the 20th century. By 1969, one pastor sufficed for both language communities, and both French and German Swiss worshipped at Endell Street.

A major building project began in 2000, leading to a renovation and transformation in 2008-2011. The project, designed by Christ & Gantenbein, restored and enhanced the building, making it versatile and extending it beyond the traditional use of a church. The church is now a light, quiet and spacious place in the busyness of London life.

A central and striking feature of the renovation is the new, fully mechanical organ, built by Späth Orgelbau from Rapperswil. The new organ has 676 pipes made of wood, spruce or tin, varying in length from 1.8 cm to 2.4 metres.

The Swiss Church says its lives its faith openly, humbly and generously, welcoming people from all faith traditions and none. ‘We are a place of belonging for people regardless of age, race, gender or sexual orientation.’

The Sunday services, concerts and art exhibitions create opportunities to explore the Christian faith, and the church says it seeks to respond to the question posed by Dietrich Bonhoeffer: ‘Who Christ is for us today?’

The Revd Manuel Zimmermann Grey is the Minister of the Swiss Church in London. He studied theology at the University of Bern and Durham University, where he met his wife, the theologian Professor Carmody Grey of Durham University and the Laudato Si’ Research Institute at Campion Hall, Oxford. He was ordained in the Reformed Church in Bern in 2023.

Services are on the first and third Sunday of the month at 11 am. The service on the first Sunday includes Holy Communion, sermons are in English, and some parts of the liturgy are in French and German. The hymns are accompanied by the Director of Music, Peter Yardley Jones, and include traditional and modern hymns in German, French and English.

Services in the Swiss Church are on the first and third Sunday of the month at 11 am (Photograph: Patrick Comerford, 2025)

Christmas Cards from Patrick Comerford: 11, 4 January 2026

The Incarnation by Eleftheria Syrianoglou, who exhibited a number of ‘table icons’ in olive wood in an exhibition in Rethymnon (Photograph: Patrick Comerford)

Patrick Comerford

I sent out very few Christmas cards this year. Instead, at noon each day throughout the Twelve Days of Christmas, I am offering an image or two as my virtual Christmas cards, without comment.

My image for my Christmas Card at noon today (4 January 2026) is an icon of ‘The Incarnation’ by Eleftheria Syrianoglou, a ‘table icon’ in olive wood that was part of an exhibition in the Fortezza in Rethymnon.

My photograph of ‘The Incarnation’ by Eleftheria Syrianoglou, a ‘table icon’ in an exhibition in Rethymnon, featured on the cover of the Christmas edition of ‘Koinonia’ in 2013

Daily prayer in Christmas 2025-2026:
11, Sunday 4 January 2026,
Second Sunday of Christmas (Christmas II)

‘Eleven pipers piping’ … the organ by JW Walker in the west gallery of Saint Martin-in-the-Fields Church in Trafalgar Square in London (Photograph: Patrick Comerford)

Patrick Comerford

On the Eleventh day of Christmas my true love sent to me … ‘eleven pipers piping, ten lords a-leaping, nine ladies dancing, eight maids a-milking, seven swans a-swimming, six geese a-laying, five golden rings, four colly birds, three French hens, two turtle doves, and a partridge in a pear tree’.

We are still in the season of Christmas, which is a 40-day season that lasts not until Epiphany (6 January), which some parishes may celebrate tomorrow, but until Candlemas or the Feast of the Presentation (2 February).

Today is the Second Sunday of Christmas (Christmas II), although many parishes and churches may transfer their celebrations of Epiphany to today. I hope to be singing with the choir at the Epiphany Eucharist in Saint Mary and Giles Church, Stony Stratford, later this morning. The celebrations hopefully include the traditional Epiphany ‘chalking’ of the church doors.

Before today begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:

1, today’s Gospel reading;

2, a short reflection;

3, a prayer from the USPG prayer diary;

4, the Collects and Post-Communion prayer of the day.

‘Eleven pipers piping’ … a lone piper busking at Waverley Bridge in Edinburgh (Photograph: Patrick Comerford)

John 1: [1-9,] 10-18 (NRSVA):

1 In the beginning was the Word, and the Word was with God, and the Word was God. 2 He was in the beginning with God. 3 All things came into being through him, and without him not one thing came into being. What has come into being 4 in him was life, and the life was the light of all people. 5 The light shines in the darkness, and the darkness did not overcome it.

6 There was a man sent from God, whose name was John. 7 He came as a witness to testify to the light, so that all might believe through him. 8 He himself was not the light, but he came to testify to the light. 9 The true light, which enlightens everyone, was coming into the world.

10 He was in the world, and the world came into being through him; yet the world did not know him. 11 He came to what was his own, and his own people did not accept him. 12 But to all who received him, who believed in his name, he gave power to become children of God, 13 who were born, not of blood or of the will of the flesh or of the will of man, but of God.

14 And the Word became flesh and lived among us, and we have seen his glory, the glory as of a father’s only son, full of grace and truth. 15 (John testified to him and cried out, ‘This was he of whom I said, “He who comes after me ranks ahead of me because he was before me”.’) 16 From his fullness we have all received, grace upon grace. 17 The law indeed was given through Moses; grace and truth came through Jesus Christ. 18 No one has ever seen God. It is God the only Son, who is close to the Father’s heart, who has made him known.

‘Eleven pipers piping’ … a pipe band in a parade in Doonbeg, Co Clare (Photograph: Patrick Comerford)

Today’s Reflections:

The Christian interpretations of the song ‘The 12 Days of Christmas’ often see the 11 pipers piping as figurative representations of the 11 faithful disciples, counting out Judas: Peter, Andrew, James, John, Philip, Bartholomew, Matthew, Thomas, James son of Alphaeus, Simon the Zealot and Jude.

It is interesting that when artists depict the pipers piping they seem to opt for Scottish pipers or pipers in military bands, but never draw on the pipes of church organs.

The Gospel reading this morning (John 1: [1-9,] 10-18) should be familiar reading for most of us during these weeks: the third option for the Gospel reading at the Eucharist on Christmas morning was John 1: 1-14; and on New Year’s Eve (31 December 2025), the Gospel reading was John 1: 1-18.

The first chapter of Saint John’s Gospel can be divided in two parts: the Prologue (verses 1-18) and a second part (verses 19-50) that shows that Saint John the Baptist was preparing for the coming of the Messiah.

The Prologue is an introduction to the Gospel as a whole. It tells us that the Logos is God and acts as the mouthpiece (Word) of God ‘made flesh’, sent to the world in order to be able to intercede for humanity and to forgive human sins.

The Prologue is of central significance to the doctrine of the Incarnation. The Prologue can be compared with Genesis 1, where the same phrase, ‘In the beginning …’, first occurs along with the emphasis on the difference between the darkness and the light.

The opening phrase, Ἐν ἀρχῇ ἦν ὁ λόγος (En arche en ho logos), ‘In the beginning was the Word’, is one of the most dramatic opening lines in any great work of literature. And for many, the Fourth Gospel, Saint John’s Gospel, is one of the great works of literature, as well as being my favourite book in the Bible.

The author of this Gospel was identified by Saint Irenaeus as Saint John the Beloved, Saint John the Divine, or Saint John the Theologian, who lived in Ephesus until the imperial reign of Trajan (ca 98 CE).

As a boy, Irenaeus had known Saint Polycarp, who was Bishop of Smyrna, near Ephesus, and who is said to have been a disciple of Saint John. Ever since then, the tradition of the Church has identified this John as the author of the Fourth Gospel.

The narrative translations with which we are so familiar often miss the poetic and dramatic presentations of this Gospel. We are all familiar with the dramatic presentation of the Prologue to this Gospel as the Gospel reading on Christmas Day. But the Prologue is first and foremost poetry. It is a hymn – a poetic summary – of the whole theology of this Gospel, as well as an introduction to it.

Raymond Brown has presented a translation from the Greek of the Prologue in poetic format:

1 In the beginning was the Word;
the Word was in God’s presence,
and the Word was God.
2 He was present with God in the beginning.
3 Through him all things came into being,
and apart from him not a thing came to be.
4 That which came to be found life in him,
and this life was the light of the human race.
5 The light shines on in the darkness,
for the darkness did not overcome it.

(6 Now there was a man sent by God, named John 7 who came as a witness to testify to the light, so that through him all might believe – 8 but only to testify to the light, for he himself was not the light.)

9 He was the real light
that gives light to everyone;
he was coming into the world.
10 He was in the world,
and the world was made by him;
yet the world did not recognise him.
11 To his own he came;
yet his own people did not accept him.
12 But all those who did accept him,
he empowered to become God’s children –
those who believe in his name,
13 those who were begotten,
not by blood,
nor the flesh,
nor human desire,
but by God.
14 And the Word became flesh
and made his dwelling among us.
And we have seen his glory,
the glory as of an only Son coming from the Father,
rich in kindness and fidelity.

The Prologue lays the foundations for the development of the ‘realised eschatology’ of the Fourth Gospel. When Saint John speaks later of life in the sense of ‘eternal’ life, the Prologue has already established that from the beginning in Christ the eternal God and source of life is present and is among men and women for that purpose. In Christ, God enters into all the ambiguities, difficulties, and trials of human life. He comes to live among his people as one of them, revealing God at first hand, and offering new life as the source of life from the beginning.

The writer relates the Logos in turn to God (verses 1, 2); creation (verses 3-5); the world and its response (verses 6-9); his own people (verses 10, 11); his children (verses 12-13); a specific circle of disciples and witnesses (verse 14); and, later in the Prologue, to a particular historical person, Jesus Christ (verse 17). Finally, in verse 18, the intimacy of the relationship of the Logos to the Father is re-emphasised in language similar to that used in John 13: 23-25 to describe the intimacy between ‘the beloved disciple’ and Christ himself.

The Prologue is a model and a summons to us to think carefully and deeply about the implications of the Incarnation and to apply this concept in all its comprehensiveness to our life and our world. For all its broad, cosmic scope, the Prologue presents a direct and personal question to readers of all times: will the one who reads believe, and share in the fullness of grace given by the One who has come from the Father to dwell among us?

Pages from Saint John’s Gospel in the first complete hand-written and illuminated Bible since the Renaissance, in the Holy Writ exhibition in Lichfield Cathedral in 2014 (Photograph: Patrick Comerford)

Today’s Prayers (Sunday 4 January 2026, Christmas II):

The theme this week (4-10 January 2026) in Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Hidden Histories’ (pp 16-17). This theme is introduced today with a Programme Update by Matthew Anns, Senior Communications and Engagement Manager at USPG, who writes:

‘We cannot overlook the importance of the spiritual dimension of reparative justice.’

Reparations to atone for the era of empire and the transatlantic slave trade have gained more mainstream support in recent years. But conversations too often miss out on the fact that spirituality is at the very root of human healing and reconciliation – the core tenets of reparation.

Daniel Eshun, Senior Lecturer, Chaplain, and Dean of Chapel at Whitelands College, University of Roehampton, London, highlights that it is almost impossible to talk about reconciliation or forgiveness, or to even make an apology, without understanding the spiritual foundation of these concepts. Only then will post-traumatic growth be accessible for those who have been traumatised.

At the launch of Renewal and Reconciliation: The Codrington Project in 2024, Daniel led an interfaith liturgy to recognise that people worship God in different ways and that God’s dignity is reflected in everyone. Interfaith liturgy is important for reparative justice because it listens to and values different voices, helps heal relationships, and reminds us that respecting each person is part of true reconciliation.

The 10-15-year project between USPG and the Codrington Trust aims to take reparative action in response to USPG’s shameful links to slavery through its ownership of the Codrington Estates – one of the largest sugar plantations in Barbados – which included over 300 enslaved people.

Since the launch of the project, land transfers have been completed, and several tenants are now living on the grounds of Codrington College, archaeological field schools using cutting-edge technology have discovered several burial sites, and digitised archives have given the local community unprecedented access to important historical documents to being the process of reconciliation and healing.

The USPG Prayer Diary today (Sunday 4 January 2026, Christmas II) invites us to read Colossians 3: 13 and meditate on the importance of forgiveness: Bear with one another and, if anyone has a complaint against another, forgive each other; just as the Lord has forgiven you, so you also must forgive.

The Collect:

Almighty God,
in the birth of your Son
you have poured on us the new light of your incarnate Word,
and shown us the fullness of your love:
help us to walk in his light and dwell in his love
that we may know the fullness of his joy;
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

The Post-Communion Prayer:

All praise to you,
almighty God and heavenly king,
who sent your Son into the world
to take our nature upon him
and to be born of a pure virgin:
grant that, as we are born again in him,
so he may continually dwell in us
and reign on earth as he reigns in heaven,
now and for ever.

Additional Collect:

God our Father,
in love you sent your Son
that the world may have life:
lead us to seek him among the outcast
and to find him in those in need,
for Jesus Christ’s sake.

Yesterday’s Reflections

Continued Tomorrow

‘The light shines in the darkness, and the darkness did not overcome it’ (John 1: 5) … sunset on the Sarawak River in Kuching (Photograph: Patrick Comerford)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org