Borrowcop Gazebo stands at the top of Borrowcop Hill, the highest point in Lichfield (Photograph: Patrick Comerford, 2025)
Patrick Comerford
After an afternoon walk along Cross Hand in Lane on the northern fringes of Lichfield a few days ago, I decided to cross to the other side of Lichfield and to search for Borrowcop Hill and the Borrowcop Gazebo. The hill at around 113 metres AOD (above sea level) is the highest point in Lichfield and is shrouded in myth and legend.
I have known Lichfield for 50 or 60 years, to the point that I have felt at home there almost all my life. But this was my first time ever to search for Borrowcop Hill, even though when I first stayed in Lichfield in my teens it was nearby on Birmingham Road.
I knew even then about the legends and the myths surrounding Borrowcop Hill and about its history too. But, somehow, I had never visited the hill or searched for the gazebo. I thought I knew where they were, so I was surprised how difficult it was to find Borrowcop Hill last Friday afternoon, hidden in behind the houses off King’s Hill Road and Borrowcop Lane, both reached from Upper Saint John Street.
Things would have been easier had I gone up King’s Hill Road and found the narrow lane behind King Edward VI School. Instead, I ended up walking aimlessly in the summer heat up and down along Borrowcop Lane and could find no signs pointing to the hill. I might never have found either the hill or the gazebo but for the Google Maps app on my ’phone. Eventually I found a narrow, almost secret, lane off Hillside, running between the back gardens of houses and the school grounds.
Is it any wonder that the gazebo has been described as ‘one of Lichfield’s little know gems’? Yet its hilltop location offers views on clear days across Lichfield and out towards the Black Country and Charnwood Forest.
Borrowcop Gazebo is hidden among the trees at the top of Borrowcop Hill (Photograph: Patrick Comerford, 2025)
Local legend in Lichfield has it that three British kings were slain on there by the Romans in the year 288 and that they were buried in a ‘barrow’ on the hilltop. Other variations of the story say it is the traditional site of the graves of three Christian kings who were killed in battle with King Penda in 288.
In its earliest written forms, the name Borrowcop appears as ‘Burwey’ or ‘Burwhay’, incorporating the Old English element burh, suggesting a fortified place or that there may have been an Anglo-Saxon fortification on the site, according to David Horovitz in his study of Staffordshire placenames.
A Historic Character Assessment or Extensive Urban Survey of Lichfield for Staffordshire County Council in 2011 said excavations carried out by antiquarians on Borrowcop Hill in earlier centuries allegedly recovered burnt bone from the mound. However, more recent archaeological investigations have so far failed to recover any evidence for human activity’.
Although most historians now accept the story is a myth without historical foundation, it inspired for the City Seal adopted by Lichfield in 1549. The city seal became part of a large relief on the façade of the Guildhall, but it was later moved first to the Museum Gardens and then to the herbaceous borders in Beacon Park.
The legend of slain kings buried on Borrowcop Hill was perpetuated in the Lichfield City Seal, still seen on the railway bridge on Saint John Street (Photograph: Patrick Comerford, 2025)
A version of the seal is among the heraldic symbols decorating the railway bridge on Saint John Street, close to Lichfield City station, and the three golden crowns of the legendary kings were later incorporated into the emblems of Saxon Hill Academy.
The gazebo was built on the hill in 1804-1805, paid for by public subscription. Before that, buildings on the site included a late 17th century structure called the Temple, built in 1694, the ‘Temple’ of 1694, a summer-house, an arbour in the 1720s, an ‘observation turret’ and a gun store, probably built ca 1750.
There are accounts of Erasmus Darwin recovering bits of burnt bone on the hill in the 18th century. At times of celebrations and at times of threatened invasion, beacons were lit on top of the hill.
In a talk organised by Lichfield Discovered in 2014 on Philip Larkin’s connections with Lichfield, Peter Young, the former Town Clerk of Lichfield, said that Larkin wrote three poems when he was staying with relatives at Cherry Orchard in 1940-1941. Young suggested the arched field in ‘Christmas 1940’ refers to Borrowcop Hill.
When Larkin returned to Lichfield from Oxford for a Christmas holiday in 1940-1941, he regularly walked from Cherry Orchard into the centre of Lichfield to drink in the George and the Swan. During that time in Lichfield, he wrote three poems: ‘Christmas 1940’, ‘Out in the lane I pause’ and ‘Ghosts’.
Writing about ‘Christmas 1940’, Larkin told Jim Sutton: ‘I scribbled this in a coma at about 11.45 p.m. last night. The only thing is that its impulse is not purely negative – except for the last 2 lines, where I break off into mumblings of dotage.’
This poem was never published during Larkin’s own lifetime. It was first published in 1992 in Selected Letters of Philip Larkin, 1940-1985, edited by Anthony Thwaite (p 8). It was included in 2005 by AT Tolley in Philip Larkin: Early Poems and Juvenalia (p 135), and more recently it is included by Archie Burnett in Philip Larkin: The Complete Poems (p 171).
The Gazebo was in poor condition by 1963. John Sanders, then Principal of the School of Art and chair of a Lichfield Study Group for the preservation of buildings of interest, announced the group’s intention to enter a Civic Trust ‘improvement competition,’ hoping for a grant of £450.
Meanwhile, the grammar school, which dates from 1495, had moved to the area from Saint John Street in 1903, and it merged with the adjacent King’s Hill secondary modern school in 1971 to become King Edward VI School. Another school in the area, evocatively named Saxon Hill, opened in 1979.
Borrowcop Gazebo was restored in 1985 thanks to the persistence of Derrick Duval (Photograph: Patrick Comerford, 2025)
The gazebo is a square pavilion built of brick with two round arches no each side, a pyramidal tile roof and a ball finial on roof. The arches have square brick piers and pilasters, and narrow imposts on the proud brick arches. Inside, there is a spine wall with a on bench to each side and embossed-tile paving, and renewed roof timbers.
The condition of the gazebo was a cause of concern once again in 1981, when Derrick Duval, an architect who was then a newly elected city councillor (1980-1995), pushed for its restoration. He was the Mayor of Lichfield in 1982, I stayed in his home on Dam Street two or three times around 2009-2011, and he died on 16 December 2022.
Derrick’s dream for the gazebo was eventually achieved in 1985 through the Government’s Community Programme. Borrowcop Gazebo is now owned and maintained by Lichfield City Council.
Borrowcop Hill was once the venue for a Good Friday fair after the more sombre services in the cathedral. The hill was a place for walks and other entertainment, and until the late 20th century children enjoyed tobogganing and skiing down the slopes in the snow at winter.
The urban survey of Lichfield in 2011 pointed out the potential for archaeological deposits to survive at Borrowcop Hill and associated with the line of the Roman Road.
But, as I found on Friday afternoon, it is no longer possible to walk across fields from Cherry Orchard to Borrowcop, as Philip Larkin must have done 85 years ago. Now high railings have enclosed the school field and access to the Gazebo today is only possible along an enclosed, marrow footpath between King’s Hill Road and facing Minor’s Hill.
A hidden narrow pathway off King’s Hill Road leading to Borrowcop Hill (Photograph: Patrick Comerford, 2025)
Christmas 1940, by Philip Larkin
‘High on arched field I stand
Alone: the night is full of stars:
Enormous over tree and farm
The night extends,
And looks down equally to all on earth.
‘So I return their look; and laugh
To see as them my living stars
Flung from east to west across
A windless gulf?
– So much to say that I have never said,
Or ever could.’
‘High on arched field I stand / Alone’ (Philip Larkin) … a lone carved owl perched on books beneath the gazebo on Borrowcop Hill (Photograph: Patrick Comerford, 2025)
30 July 2025
Daily prayer in Ordinary Time 2025:
82, Wednesday 30 July 2025
A snatch of heaven? … evening lights at Stowe Pool and Lichfield Cathedral (Photograph: Patrick Comerford, 2024)
Patrick Comerford
We are continuing in Ordinary Time in the Church and this week began with the Sixth Sunday after Trinity (Trinity VI, 27 July 2025). The Calendar of the Church of England in Common Worship today (30 July) remembers William Wilberforce (1833), Social Reformer, Olaudah Equiano (1797) and Thomas Clarkson (1846), Anti–Slavery Campaigners.
Before today begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, today’s Gospel reading;
2, a reflection on the Gospel reading;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
A snatch of heaven? … a beach walk in Dublin Bay (Photograph: Patrick Comerford, 2024)
Matthew 13: 44-46 (NRSVA):
[Jesus said:] 44 ‘The kingdom of heaven is like treasure hidden in a field, which someone found and hid; then in his joy he goes and sells all that he has and buys that field.
45 ‘Again, the kingdom of heaven is like a merchant in search of fine pearls; 46 on finding one pearl of great value, he went and sold all that he had and bought it.’
A snatch of heaven? … how would you describe Sorrento or the Bay of Naples to someone who has never been beyond these islands? (Photograph: Patrick Comerford)
This morning’s reflection:
I asked a few days ago whether you ever find yourself lost for words when it comes to describing a beautiful place you have visited?
If you have ever been to the Bay of Naples or Sorrento, how would you describe what you have seen to someone who has never travelled beyond these islands? For someone who has been to Dublin, and been on the DART, you might want to compare the Bay of Naples with the vista in Dalkey or Killiney … but that hardly catches the majestic scope of the view.
You might want to compare the church domes with the great copper dome in Rathmines … but that goes nowhere near describing the intricate artwork on those Italian domes.
You might compare the inside of the duomo in Amalfi with the inside of your favourite parish church … but you know you are getting nowhere near what you want to say.
And as for Capri … you are hardly going to write a romantic song about Dalkey Island, or even Howth Head.
Comparisons never match the beauty of any place that offers us a snatch or a glimpse of heaven.
And yet, we know that the photographs on our phones, no matter how good they seem to be when we are taking them, never do justice to the places we have been to once we get back home. We risk becoming bores either by trying to use inadequate words or inadequate images to describe experiences that we can never truly share with people unless they go there, unless they have been there too.
I suppose that helps to a degree to understand why Jesus keeps on trying to grasp at images that might help the Disciples and help us to understand what the Kingdom of God is like. He tries to offer us a taste of the kingdom with a number of parables in this chapter in Saint Matthew’s Gospel:
• The kingdom of heaven is like a mustard seed … (verse 31).
• The kingdom of heaven is like yeast … (verse 33).
• The kingdom of heaven is like treasure hidden in a field … (verse 44).
• The kingdom of heaven is like a merchant in search of fine pearls … (verse 45).
• The kingdom of heaven is like a net in the sea … (verse 47).
In the verses that follow, he asks: ‘Do they understand?’ They answer, ‘Yes.’ But how can they really understand, fully understand?
Many years ago, after a late Sunday lunch at the café in Mount Usher in Co Wicklow, I posted some photographs of the gardens on my blog. An American reader I have never met commented: ‘A little piece of heaven.’
We have a romantic imagination that confuses gardens with Paradise, and Paradise with the Kingdom of Heaven. But perhaps that is a good starting point, because I have a number of places where I find myself saying constantly: ‘This is a little snatch of heaven.’ They include:
• The road from Cappoquin out to my grandmother’s farm in West Waterford.
• The journey along the banks of the River Slaney between Ferns and Wexford.
• The view from the east end of Stowe Pool across to Lichfield Cathedral at sunset on a Spring evening.
• The Backs in Cambridge.
• Sunset behind at the Fortezza in Rethymnon on the Greek island of Crete.
• The sights and sounds on some of the many beaches I like to walk on regularly … beaches in Achill, Kerry, Clare, north Dublin, Crete … I could go on.
Already this year, I have managed to get back to some of these places.
At times, I imagine the Kingdom of Heaven must be so like so many of these places where I find myself constantly praising God and thanking God for creation and for re-creation.
But … but it’s not just that. And I start thinking that Christ does more than just paint a scene when he describes the kingdom of heaven. Looking at this morning’s Gospel reading again, I realise he is doing more than offering holiday snapshots or painting the scenery.
In this chapter, Jesus tries to describe the Kingdom of Heaven in terms of doing, and not just in terms of being:
• Sowing a seed (verse 31);
• Giving a nest to the birds of the air (verse 32);
• Mixing yeast (verse 33);
• Turning small amounts of flour into generous portions of bread (verse 34);
• Finding hidden treasure (verse 44);
• Rushing out in joy (verse 44);
• Selling all that I have because something I have found is worth more – much, much more, again and again (verse 44, 46);
• Searching for pearls (verse 45);
• Finding just one pearl (verse 46);
• Casting a net into the sea (verse 47);
• Catching an abundance of fish (verse 47);
• Drawing the abundance of fish ashore, and realising there is too much there for personal needs (verse 48);
• Writing about it so that others can enjoy the benefit and rewards of treasures new and old (verse 52).
So there are, perhaps, four or five times as many active images of the kingdom than there are passive images.
One of my favourite T-shirts, one I bought in Athens some years ago, said: ‘To do is to be, Socrates. To be is to do, Plato. Do-be-do-be-do, Sinatra.’
The kingdom is more about doing than being.
I was sorry to miss the annual conference of USPG in Swanwick, Derbyshire, earlier this month (July 2025). Over the years, at these conferences in Swanwick and High Leigh, I have heard about a number of activities that, for me, offer snatches of what the kingdom is like:
• Working with refugees and asylum seekers who continue to arrive in inhospitable and strange places in desperate and heart-breaking circumstances;
• Listening to how the Bible relates to the work of the Church with victims of gender-based violence and people trafficking;
• the commitment of people in the church to challenging violence and working for peace;
• stories of people who work at lobbying politicians and empowering churches in the whole area of climate change;
• hearing how God creates out of chaos, how God’s pattern for growing the Church is about entering chaos and bringing about something creative, something new.
At those conferences, I have regularly been offered fresh and engaging signs of the ministry of Christ as he invites us to the banquet, as he invites us into the Kingdom – works that are little glimpses or snatches of what the Kingdom of Heaven is like.
This morning, could I challenge you once again to think of three places, three gifts in God’s creation, that offer you glimpses of the Kingdom of Heaven, and to think of three actions that for you symbolise Christ’s invitation into the Kingdom of Heaven.
Give thanks for these pearls beyond price, and share them with someone you love and cherish.
A snatch of heaven? … summer afternoon punting on the Backs in Cambridge (Photograph: Patrick Comerford, 2024)
Today’s Prayers (Wednesday 30 July 2025):
The theme this week (27 to 2 August) in Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Reunited at Last’. This theme was introduced yesterday with a programme update from Raja Moses, Programme Coordinator, Diocese of Durgapur, Church of North India.
The USPG prayer diary today (Wednesday 30 July 2025, World Day Against Trafficking in Persons) invites us to pray:
Lord, bring freedom to those at risk of trafficking, healing to survivors, and justice against those who exploit. Strengthen all who fight this evil and guide us to be voices for the voiceless.
The Collect:
God our deliverer,
who sent your Son Jesus Christ
to set your people free from the slavery of sin:
grant that, as your servants William Wilberforce, Olaudah Equiano and Thomas Clarkson
toiled against the sin of slavery,
so we may bring compassion to all
and work for the freedom of all the children of God;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
Post Communion Prayer:
God our redeemer,
who inspired William Wilberforce, Olaudah Equiano and Thomas Clarkson to witness to your love
and to work for the coming of your kingdom:
may we, who in this sacrament share the bread of heaven,
be fired by your Spirit to proclaim the gospel in our daily living
and never to rest content until your kingdom come,
on earth as it is in heaven;
through Jesus Christ our Lord.
Are our images of the kingdom passive or active? … a T-shirt in the Plaka in Athens (Photograph: Patrick Comerford)
Yesterday’s reflection
Continued tomorrow
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
A snatch of heaven? … sunset behind the Fortezza in Rethymnon at Easter (Patrick Comerford, 2025)
Patrick Comerford
We are continuing in Ordinary Time in the Church and this week began with the Sixth Sunday after Trinity (Trinity VI, 27 July 2025). The Calendar of the Church of England in Common Worship today (30 July) remembers William Wilberforce (1833), Social Reformer, Olaudah Equiano (1797) and Thomas Clarkson (1846), Anti–Slavery Campaigners.
Before today begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, today’s Gospel reading;
2, a reflection on the Gospel reading;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
A snatch of heaven? … a beach walk in Dublin Bay (Photograph: Patrick Comerford, 2024)
Matthew 13: 44-46 (NRSVA):
[Jesus said:] 44 ‘The kingdom of heaven is like treasure hidden in a field, which someone found and hid; then in his joy he goes and sells all that he has and buys that field.
45 ‘Again, the kingdom of heaven is like a merchant in search of fine pearls; 46 on finding one pearl of great value, he went and sold all that he had and bought it.’
A snatch of heaven? … how would you describe Sorrento or the Bay of Naples to someone who has never been beyond these islands? (Photograph: Patrick Comerford)
This morning’s reflection:
I asked a few days ago whether you ever find yourself lost for words when it comes to describing a beautiful place you have visited?
If you have ever been to the Bay of Naples or Sorrento, how would you describe what you have seen to someone who has never travelled beyond these islands? For someone who has been to Dublin, and been on the DART, you might want to compare the Bay of Naples with the vista in Dalkey or Killiney … but that hardly catches the majestic scope of the view.
You might want to compare the church domes with the great copper dome in Rathmines … but that goes nowhere near describing the intricate artwork on those Italian domes.
You might compare the inside of the duomo in Amalfi with the inside of your favourite parish church … but you know you are getting nowhere near what you want to say.
And as for Capri … you are hardly going to write a romantic song about Dalkey Island, or even Howth Head.
Comparisons never match the beauty of any place that offers us a snatch or a glimpse of heaven.
And yet, we know that the photographs on our phones, no matter how good they seem to be when we are taking them, never do justice to the places we have been to once we get back home. We risk becoming bores either by trying to use inadequate words or inadequate images to describe experiences that we can never truly share with people unless they go there, unless they have been there too.
I suppose that helps to a degree to understand why Jesus keeps on trying to grasp at images that might help the Disciples and help us to understand what the Kingdom of God is like. He tries to offer us a taste of the kingdom with a number of parables in this chapter in Saint Matthew’s Gospel:
• The kingdom of heaven is like a mustard seed … (verse 31).
• The kingdom of heaven is like yeast … (verse 33).
• The kingdom of heaven is like treasure hidden in a field … (verse 44).
• The kingdom of heaven is like a merchant in search of fine pearls … (verse 45).
• The kingdom of heaven is like a net in the sea … (verse 47).
In the verses that follow, he asks: ‘Do they understand?’ They answer, ‘Yes.’ But how can they really understand, fully understand?
Many years ago, after a late Sunday lunch at the café in Mount Usher in Co Wicklow, I posted some photographs of the gardens on my blog. An American reader I have never met commented: ‘A little piece of heaven.’
We have a romantic imagination that confuses gardens with Paradise, and Paradise with the Kingdom of Heaven. But perhaps that is a good starting point, because I have a number of places where I find myself saying constantly: ‘This is a little snatch of heaven.’ They include:
• The road from Cappoquin out to my grandmother’s farm in West Waterford.
• The journey along the banks of the River Slaney between Ferns and Wexford.
• The view from the east end of Stowe Pool across to Lichfield Cathedral at sunset on a Spring evening.
• The Backs in Cambridge.
• Sunset behind at the Fortezza in Rethymnon on the Greek island of Crete.
• The sights and sounds on some of the many beaches I like to walk on regularly … beaches in Achill, Kerry, Clare, north Dublin, Crete … I could go on.
Already this year, I have managed to get back to some of these places.
At times, I imagine the Kingdom of Heaven must be so like so many of these places where I find myself constantly praising God and thanking God for creation and for re-creation.
But … but it’s not just that. And I start thinking that Christ does more than just paint a scene when he describes the kingdom of heaven. Looking at this morning’s Gospel reading again, I realise he is doing more than offering holiday snapshots or painting the scenery.
In this chapter, Jesus tries to describe the Kingdom of Heaven in terms of doing, and not just in terms of being:
• Sowing a seed (verse 31);
• Giving a nest to the birds of the air (verse 32);
• Mixing yeast (verse 33);
• Turning small amounts of flour into generous portions of bread (verse 34);
• Finding hidden treasure (verse 44);
• Rushing out in joy (verse 44);
• Selling all that I have because something I have found is worth more – much, much more, again and again (verse 44, 46);
• Searching for pearls (verse 45);
• Finding just one pearl (verse 46);
• Casting a net into the sea (verse 47);
• Catching an abundance of fish (verse 47);
• Drawing the abundance of fish ashore, and realising there is too much there for personal needs (verse 48);
• Writing about it so that others can enjoy the benefit and rewards of treasures new and old (verse 52).
So there are, perhaps, four or five times as many active images of the kingdom than there are passive images.
One of my favourite T-shirts, one I bought in Athens some years ago, said: ‘To do is to be, Socrates. To be is to do, Plato. Do-be-do-be-do, Sinatra.’
The kingdom is more about doing than being.
I was sorry to miss the annual conference of USPG in Swanwick, Derbyshire, earlier this month (July 2025). Over the years, at these conferences in Swanwick and High Leigh, I have heard about a number of activities that, for me, offer snatches of what the kingdom is like:
• Working with refugees and asylum seekers who continue to arrive in inhospitable and strange places in desperate and heart-breaking circumstances;
• Listening to how the Bible relates to the work of the Church with victims of gender-based violence and people trafficking;
• the commitment of people in the church to challenging violence and working for peace;
• stories of people who work at lobbying politicians and empowering churches in the whole area of climate change;
• hearing how God creates out of chaos, how God’s pattern for growing the Church is about entering chaos and bringing about something creative, something new.
At those conferences, I have regularly been offered fresh and engaging signs of the ministry of Christ as he invites us to the banquet, as he invites us into the Kingdom – works that are little glimpses or snatches of what the Kingdom of Heaven is like.
This morning, could I challenge you once again to think of three places, three gifts in God’s creation, that offer you glimpses of the Kingdom of Heaven, and to think of three actions that for you symbolise Christ’s invitation into the Kingdom of Heaven.
Give thanks for these pearls beyond price, and share them with someone you love and cherish.
A snatch of heaven? … summer afternoon punting on the Backs in Cambridge (Photograph: Patrick Comerford, 2024)
Today’s Prayers (Wednesday 30 July 2025):
The theme this week (27 to 2 August) in Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Reunited at Last’. This theme was introduced yesterday with a programme update from Raja Moses, Programme Coordinator, Diocese of Durgapur, Church of North India.
The USPG prayer diary today (Wednesday 30 July 2025, World Day Against Trafficking in Persons) invites us to pray:
Lord, bring freedom to those at risk of trafficking, healing to survivors, and justice against those who exploit. Strengthen all who fight this evil and guide us to be voices for the voiceless.
The Collect:
God our deliverer,
who sent your Son Jesus Christ
to set your people free from the slavery of sin:
grant that, as your servants William Wilberforce, Olaudah Equiano and Thomas Clarkson
toiled against the sin of slavery,
so we may bring compassion to all
and work for the freedom of all the children of God;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
Post Communion Prayer:
God our redeemer,
who inspired William Wilberforce, Olaudah Equiano and Thomas Clarkson to witness to your love
and to work for the coming of your kingdom:
may we, who in this sacrament share the bread of heaven,
be fired by your Spirit to proclaim the gospel in our daily living
and never to rest content until your kingdom come,
on earth as it is in heaven;
through Jesus Christ our Lord.
Are our images of the kingdom passive or active? … a T-shirt in the Plaka in Athens (Photograph: Patrick Comerford)
Yesterday’s reflection
Continued tomorrow
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
A snatch of heaven? … sunset behind the Fortezza in Rethymnon at Easter (Patrick Comerford, 2025)
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