Showing posts with label Avoca. Show all posts
Showing posts with label Avoca. Show all posts

26 March 2022

Wexford, Dublin and
Kerry vie for celebrating
Thomas Moore’s ancestry

The Thomas Moore Tavern on Cornmarket, Wexford … the home of Thomas Moore’s mother, Anastasia Codd, until weeks before the poet was born (Photograph: Patrick Comerford, 2022)

Patrick Comerford

Who has the greatest claim to Tom Moore: Wexford or Dublin? Or even Co Kerry?

Sometimes, the ‘Meeting of the Waters’ in Avoca seems to claim Tom Moore all to himself, although he has no family connections with Co Wicklow.

After recent visits to Moore’s ancestral home in Wexford, his birthplace on Aungier Street in Dublin, and the Moore family graves in the ruins of Saint Kevin’s Church on Camden Row, Dublin, I am still wondering whether Wexford or Dublin – or even some unknown place in Co Kerry – has the first and foremost claim on the great poet and songwriter.

Two pubs compete for recognition as his ancestral home: the Thomas Moore Tavern on Cornmarket, Wexford; and the Thomas Moore Inn at 12 Aungier Street, Dublin.

Of course, Thomas Moore was born in Dublin on 28 May 1779, but he had no Dublin ancestry. His father, John Moore (1741-1825), was from Co Kerry, but there is no record of where in Co Kerry; his mother Anastasia Codd was from Cornmarket in Wexford Town, and she only moved to Dublin weeks before her son’s birth.

The bard’s father was born in Co Kerry, but where was he from?

A report in the Kerry People in 1904 recalled how Moore visited Ardfert in 1823, travelling in a party that included the Marquis and Marchioness of Lansdowne. Young and old flocked to see them when they arrived in Ardfert.

Michael Pierce, a local classical teacher in Ardfert, was the guide for the party. They visited Ardfert Cathedral and the graveyard, and also visited the ruined Franciscan Abbey.

The group travelled to Lixnaw and Listowel on the following day, when it was said Moore’s father was from the neighbourhood of Listowel, ‘where a few descendants of the family still reside.’ In Listowel, Moore was met his first cousin, Garrett Moore, a well-to-do farmer who introduced his three sons.

When the Listowel writer Bryan MacMahon (1909-1998) delivered a lecture delivered in 1952 to mark the centenary of Moore’s death, he claimed that Moore’s father came from Newtown Sandes, or Moyvane, and this detail has been narrowed down in more recent times to the townland of Cloonbrane – although it is open to debate whether Cloonbrane might be described as ‘the neighbourhood of Listowel.’

The Thomas Moore Tavern and still claims to be one of Wexford’s oldest bar (Photograph: Patrick Comerford, 2022)

But, while the poet knew little about his paternal ancestors, we can be more certain of his maternal links with Wexford and his family connections with the town.

His father John Moore married the considerably younger Wexford-born Anastasia Codd in 1778. She was the daughter of Thomas Codd, known as ‘Honest Tom Codd,’ of Cornmarket, Wexford. Thomas Codd lived in a three-storey house in Cornmarket in the centre of Wexford. From there he ran a grocery and spirits business. His future grandson Thomas Moore would refer to his grandfather as ‘my gouty old grandfather Tom Codd,’ and Anastasia Jane Codd was born in this house in 1764.

However, we know little about how John Moore met Anastasia, who was 23 years his junior. They married and lived above the shop in Cornmarket for some time before moving in 1779 to then fashionable Aungier Street in Dublin.

In Dublin, John Moore opened a grocery shop of his own on the ground floor in Aungier Street and he was also a barrack master in Islandbridge.

Thomas Moore, who was named after his Wexford grandfather, was born above the shop in Aungier Street in 1779, just weeks after his parents moved from Wexford to Dublin. This means Anastasia was only 15 when Thomas was born and John was 38.

Thomas>Moore’s birthplace at 12 Aungier Street, Dublin, is now the Thomas Moore Inn (Photograph: Patrick Comerford, 2022)

Thomas Moore studied at Trinity College Dublin, where he was a friend of Robert Emmet. He graduated in 1799 and moved to London to study law.

A prolific writer, poet, singer and balladeer, Moore set his poems to ancient Irish melodies. They later became known collectively as ‘Moore’s Melodies’. His works were hugely popular in Britain and Ireland and across Europe and America. They included ‘The Minstrel Boy,’ ‘The Last Rose of Summer,’ ‘The Harp That Once Through Tara’s Halls,’ ‘The Meeting of the Waters’ and ‘Oft in the Stilly Night.’ He became a close friend of the poets Byron and Shelley and .had many friends in inner circles of political life in England.

When he was on the stage in Kilkenny regularly in 1808-1810, Moore met the English actress Bessy Dyke, and they were married in Saint Martin in the Fields in London in 1811. They moved to Wiltshire in 1818 and went on to have five children.

Moore’s visit to his ancestral home in Wexford in 1835 seems to have been more successful than his visit to Co Kerry over a decade earlier, in 1823.

The grave of the Moore Family, the family of the poet songwriter Thomas Moore, in Saint Kevin’s churchyard, near Wexford Street, Dublin (Photograph: Patrick Comerford, 2022)

When Moore came to Wexford on 17 September 1835, he visited his mother's former home in Cornmarket. He also visited his friend Thomas Boyse at his recently completed Bannow House in Grange. On his visit he planted a myrtle tree in the grounds of the Presentation Convent where he played the organ and sang some of his lyrics.

Nicky Rossiter, in his book Wexford – Ireland in Old Photographs, notes how Moore avoided the bustle of the inn by staying at a private house of a Mr N Sparrow in the Bullring that his friend Boyse had sometimes used as lodgings. There he received visitors including the Mayor, a lawyer named Cooper who was an old friend of the family, a musician named PF White, and the editors of the ‘two liberal Wexford newspapers,’ Mr Greene and Mr Devereux.

John Moore was described as a former barrack master of Islandbridge, Co Dublin, when he died on 17 December 1825 aged 84; Anastasia (Codd) Moore died on 8 May 1832 aged 58 or 68; they were buried in nearby Saint Kevin’s Churchyard on Camden Row, off Wexford Street, Dublin.

The family gravestone in Saint Kevin’s churchyard records Moore’s parents and refers to six other children who died young and his sister Helen, who died 18 February 1846, ‘deeply mourned by her brother Thomas Moore, the bard of his much beloved country – Ireland.’

The e plaqueon the the house in Cornmarket, Wexford, where Anastasia Codd was born (Photograph: Patrick Comerford, 2022)

A cut-limestone plaque was erected in 1864 on the first floor of the house in Cornmarket where Anastasia Codd was born to mark the 100th anniversary of her birth.

The inscription reads:

‘In this house was born and lived to within a few weeks of the birth of her illustrious son Anastasia Codd, the wife of John Moore, and mother of the poet Thomas Moore, and to this house, on the 26 August 1836, came the poet in the zenith of his imperishable fame, to render homage to the memory of the mother he venerated and loved. These are his words, ‘one of the noblest-minded as well as most warm-hearted of all God’s creatures was born under that lowly roof.’

‘Erected Dec 27th 1864, John Greene, JP, Mayor of Wexford.

‘Erected by the Uí Ceinnsealaigh Historical Society May 16th 1926, to replace original tablet damaged by weathering.’

Thomas Moore and his wife Bessy (Dyke) were predeceased by all five of their children. This took its toll on Moore’s health and he eventually fell into senile dementia when he was 69 and died on 25 February 1852 aged 72. He is buried in the churchyard of Saint Nicholas’ Church, close to Sloperton Cottage, his country retreat at Bromham in Wiltshire for 35 years. Bessy died at Sloperton Cottage on 4 September 1865.

Because Moore’s children all died in his own lifetime, he had no direct descendants to clarify any recollections of his family origins in Co Kerry. On the other hand, the house where his mother was born and where his parents once lived has survived, and when I lived in Wexford it was known as Molly Mythen’s.

Thomas Moore’s birthplace in Aungier Street is now known as the Thomas Moore Inn. However, this hardly qualifies as an ancestral home. Nor has an ancestral home been identified in Co Kerry either. So, this honour must fall to the house in Wexford where his mother lived even in the months she was pregnant.

The bar on Cornmarket, in the heart of Wexford Town, has been restored in recent years as the Thomas Moore Tavern and still claims to be one of Wexford’s oldest bars.

The middle house is the birthplace of Anastasia Codd in Cornmarket and was known as Molly Mythen’s from the late 19th century (Photograph: Famous Wexford People in History)

29 August 2021

Sunday intercessions on
29 August 2021, Trinity XIII

‘Why do your disciples … eat with defiled hands?’ (Mark 7: 5) … preparing to eat lunch at a restaurant in Piskopianó in Crete (Photograph: Patrick Comerford)

Let us pray:

‘You love righteousness and hate iniquity’ (Psalm 45: 7)

Heavenly Father,
we pray for the nations of the world,
and for all who live in fear and hunger for mercy, peace and justice.

A prayer for the people of Afghanistan:

For those who are fleeing: sanctuary
For those who are staying: safety
For those who fighting: peace
For those whose hearts are breaking: comfort
For those who see no future: hope.

We pray too for the people of Haiti, Greece and Turkey.
We pray for Ireland, north and south …

Lord have mercy,
Lord have mercy.

‘Listen to me, all of you, and understand’ (Mark 7: 14):

Lord Jesus Christ,
we pray for the Church,
that we may not worship in vain,
teaching human precepts as doctrines,
abandoning the commandment of God
in favour of human tradition.

We pray for our Bishop, Kenneth, as he prepares to retire,
we pray for our neighbouring churches and parishes,
and people of faith everywhere,
that we may be blessed in our variety and diversity.

In the Anglican Cycle of Prayer,
we pray this week for the Province of the Episcopal Church of South Sudan,
and the Primate, Archbishop Justin Badi Arimi, Bishop Juba.

In the Church of Ireland this month,
we pray for the Diocese of Dublin and Glendalough
and Archbishop Michael Jackson.

In the Diocesan Cycle of Prayer,
we pray for growth, unity, and service
in the future united dioceses of Tuam, Limerick and Killaloe.

In our community,
we pray for all who are working in the harvest and in the fields
we pray for all about to begin a new term in school, college, university …
we pray for Raylene, who has been appointed Diocesan Registrar …

We pray for our parishes and people …
and we pray for ourselves …

Christ have mercy,
Christ have mercy.

‘Arise, my love, my fair one, and come away’ (Song of Solomon 2: 13):

Holy Spirit, we pray for one another …

We pray for those we love and those who love us …
we pray for our families, friends and neighbours …
we pray for all on holidays …
and we pray for those we promised to pray for …

We pray for those who have been baptised, married and ordained this month …

We pray for families where children, partners and those who are vulnerable
suffer violence, abuse or neglect …

We pray for those who feel rejected and discouraged …
we pray for all in need and those who seek healing …

We pray for all who are sick or isolated,
at home, in hospital …

Ruby … Ann … Daphne … Sylvia … Hilary …
Ajay … Adam … Pat … Trixie … Brian …

We remember all who grieve and mourn at this time …
all who are broken-hearted,
Myles ‘Miley’ Harty, who was buried in Askeaton this week,
his fiancée and his family …

We remember Linda, whose birthday is today …

May their memories be a blessing …

Lord have mercy,
Lord have mercy.

The Anglican mission agency USPG (United Society Partners in the Gospel) in its Prayer Diary this morning, the Thirteenth Sunday after Trinity, invites us to pray:

Living God,
may we embrace new ways of
worship and praise.
Let us balance tradition and innovation,
placing you at the centre of all we do.

Merciful Father …

‘My tongue is like the pen of a ready scribe’ (Psalm 45: 1) … old letters in a collection of family papers (Photograph: Patrick Comerford)

‘There are also many other traditions that they observe, the washing of cups, pots, and bronze kettles’ (Mark 7: 4) … cups in the Avoca Café in Citywest, Dublin (Photograph: Patrick Comerford)

16 August 2014

Afternoons by a lake near Ireland’s highest
village and a museum in the oldest barracks

The Varty Reservoir at Roundwood, Co Wicklow, in the evening lights (Photograph: Patrick Comerford, 2014)

Patrick Comerford

I spent some time yesterday [15 August 2014] in Roundwood, the Co Wicklow village that claims to be the highest village in Ireland.

Earlier in the afternoon, we met up with two friends who are visiting Dublin for the weekend. They live in Saffron Walden, and he and I have been friends for the past 30 years, since we began studying for a Maynooth BD at the same theological college in 1984.

Since then, we have kept in touch across the continents and through family changes and house moves, and we continue to meet regularly, whether it is in Saffron Walden, in Cambridge or in Dublin.

Four of us met for lunch in the early afternoon in the Happy Pear in Greystones, Co Wicklow, and although we seemed to linger for some time over our coffees, reminiscing about friends and life events over the past three decades, we eventually went for a walk on the beach and then for a stroll through Greystones.

Grey skies, grey rocks and grey waters at Greystones on Friday afternoon (Photograph: Patrick Comerford, 2014)

This ought to be summer, and there were clear views across Dublin Bay as far as Howth. But the clouds were grey, and while some families were on the beach, there was only one yacht out at sea and it certainly did not feel like the beginning of a summer weekend.

Later, we decided to drive south to Kilcoole, but by now the tide was coming in and there was little opportunity for walking on the beach there.

After noticing the new location for the stone and plaque commemorating Sir Thomas Myles and the Kilcoole gun-runners of 100 years ago, we decided to head inland to see some of the villages and the countryside in Co Wicklow – which is, after all, known as the “Garden of Ireland.”

A lone angler on the waters at Vartry Reservoir, near Roundwood, Co Wicklow (Photograph: Patrick Comerford, 2014)

We drove past Druid’s Glen and through Newcastle up to the Vartry Reservoir, near Roundwood. Out on the water, one lone angler was moving under the bridge from one lake to the other, using a silent engine as he cast his line in the evening lights.

From the Vartry Reservoir, water from the River Vartry is piped from the Wicklow Mountains to a large reservoir in Stillorgan in south Dublin.

The Vartry Reservoir scheme was a major Victorian undertaking that involved redirecting and damming the River Vartry, and building a series of water piping and filtering systems to carry fresh water down to the city.

A Dublin Water Works Committee was established in the 1860s to develop a new water supply to Dublin and the suburbs. Between 1862 and 1868, the lower reservoir was formed by building an earthen dam across the valley of the River Vartry.

The committee was chaired by Sir John Gray (1815-1875), a surgeon who was also the proprietor of the Freeman’s Journal, Liberal MP for Kilkenny, and a supporter of Charles Stuart Parnell’s Home Rule Party.

In James Joyce’s Ulysses, Leopold Bloom is employed by the Freeman’s Journal, selling advertisements for the paper. The Freeman’s Journal ceased publication in 1924, when it was merged with the Irish Independent. Until the 1990s, the masthead of the Irish Independent included the words “Incorporating the Freeman’s Journal.”

Grey’s efforts to establish the Vartry scheme were honoured with a knighthood in his lifetime and with a statue in Dublin’s O’Connell Street after his death.

The Vartry scheme was formally opened over 150 years ago, on 30 June 1863, and quickly improved living conditions and public health in Dublin, reducing outbreaks of cholera, typhus and other diseases.

The original or lower reservoir at Roundwood was finished in 1863, and has a capacity of 11.3 billion litres and a maximum depth of 18.3 metres. A second embankment, 3.5 km upstream, was completed in 1923 to form the upper reservoir. This has a capacity of 5.6 billion litres and a maximum depth of 13.4 metres.

‘There is not in this wide world a valley so sweet’ … the Meeting of the Waters in the Vale of Avoca (Photograph: Patrick Comerford, 2014)

From Roundwood, we drove south the Meeting of the Waters in the Vale of Avoca, where the Avonmore and Avonbeg rivers meet to form the Avoca River. It was here that Thomas Moore wrote his song, ‘The Meeting of the Waters’:

There is not in this wide world a valley so sweet
As that vale in whose bosom the bright waters meet!
Oh the last rays of feeling and life must depart
Ere the bloom of that valley shall fade from my heart.


From there, we returned through Rathdrum to Roundwood, which claims to be the highest village in Ireland. But it also has a climbing population: it had a population of 518 in the 2002 census, and 833 in the 2011 census.

We stopped for a few glasses of wine in the Roundwood Inn, a pub and restaurant in a 17th century house, and by the time we left to head back to Dublin darkness was beginning to envelop the Wicklow Mountains.

Roundwood has a close association with two former Presidents: Seán T O’Kelly lived nearby and Erskine Childers is buried in the Church of Ireland churchyard nearby in Derralossary.

The Asgard … on display in the National Museum at Collins Barracks (Photograph: Patrick Comerford, 2014)

Erskine Childers and the Kilcoole gunrunners of 100 years ago came to mind this afternoon when two of us visited the national Museum at Collins Barracks to see the Asgard, the yacht used by Erskine and Molly Childers in the Howth gunrunning on 26 July 1914, shortly before the Kilcoole gunrunning on 2 August 1914.

Before the foundation of the Irish Free State, Collins Barracks was the Royal Barracks. After Christ Church Cathedral, Saint Patrick’s Cathedral, Dublin Castle, and the Royal Hospital Kilmainham, this is one of the earliest public buildings in Dublin, and was built from 1701 on the site of an asylum where the Duke of Ormonde originally planned a place on the edges of Dublin.

The main square in Collins Barracks has arcaded colonnades on the east and west sides (Photograph: Patrick Comerford, 2014)

Before visiting the Asgard display, which is housed in a separate display area in the museum, we had a late lunch and coffee in the café looking out onto the main square of the old Royal Barracks.

The complex has several large squares, each open on the south side. The largest square, Clarke’s Square, has arcaded colonnades on the east and west sides, and the main buildings are faced with granite.

The Royal Barracks was once the oldest inhabited barracks in Europe, and over time the Irish regiments based here included various regiments of foot, the King’s Royal Irish Hussars, the Queen’s Royal Hussars, and the Royal Dublin Fusiliers. During World War I, 4,777 members of the Royal Dublin Fusiliers were killed in action.

Collins Barracks is home to collections of the National Museum of Ireland since 1997 (Photograph: Patrick Comerford, 2014)

Since 1997, Collins Barracks is home to collections of the National Museum of Ireland, and the original buildings have received architectural awards for the redevelopment and conservation work carried out to house this new role.

To date, some of the historic barracks in Dublin I can list include:

● The Royal Barracks (Collins Barracks)

● Wellington Barracks (later Griffith Barracks, now Griffith College)

● Portobello Barracks, Rathmines (now Cathal Brugha Barracks)

● Richmond Barracks, Inchicore (later Keogh Barracks, but now demolished and rebuilt as Saint Michael’s Estate)

● Beggar’s Bush Barracks

● Islandbridge Barracks (later Clancy Barracks, but since closed)

● Marlborough Barracks (now McKee Barracks)

It may be an interesting exercise to see how many of these are open to visitors during the 1914-1918 commemorations.