‘Durham is one of the great experiences of Europe … and … can only be compared to Avignon and Prague’ (Nikolaus Pevsner) … Durham castle and cathedral above the River Wear (Photograph: Patrick Comerford, 2025)
Patrick Comerford
‘Durham is one of the great experiences of Europe to the eyes of those who appreciate architecture, and to the minds of those who understand architecture. The group of Cathedral, Castle, and Monastery on the rock can only be compared to Avignon and Prague.’
So wrote the architectural historian Sir Nikolaus Pevsner (1902-1983) in The Buildings of England.
Pevsner was still in his 20s and on his first English tour, when he wrote about his visit to Durham to his wife Lola (Carola Kurlbaum) in 1930: ‘From the bridge it is a Romantic dream, a fantasy by Schinkel. This morning in the mist it was wonderful … the first thing that has made my heart pound … the cathedral in itself, just like the Matterhorn in itself – gigantic, grey, on its own.’ He fled Nazi Germany three years later and settled in England in 1933.
More recently, Bill Bryson wrote in Notes from a Small Island: ‘I unhesitatingly gave Durham my vote for best cathedral on planet Earth.’
Durham Cathedral is a place of pilgrimage associated with Saint Cuthbert, the Venerable Bede and Saint Oswald (Photograph: Patrick Comerford, 2025)
Durham Cathedral has been a place of worship and learning continuously for more than 1,000 years, and through those centuries it has been a centre of prayer and pilgrimage associated with the relics of Saint Cuthbert and the Venerable Bede and the head of Saint Oswald of Northumbria.
It has been described as the ‘largest and most perfect monument of Norman style architecture in England.’ It is generally regarded as one of the finest Romanesque cathedrals in Europe and the rib vaulting in the nave marks the beginning of Gothic ecclesiastical architecture. Durham Cathedral and Durham Castle are both are Grade I listed buildings and together they became a Unesco World Heritage Site in 1986. The site is one of the most powerful symbols of the Norman Conquest of England.
Durham Cathedral is formally the Cathedral Church of Christ, Blessed Mary the Virgin and Saint Cuthbert of Durham. It attracts about 750,000 visitors a year, although my visit last weekend was curtailed and restricted. I was visiting Durham for the first time, and a day of ceremonies and commemorations meant I only had a short visit to the cathedral and never managed to visit the shrine of Saint Cuthbert.
The cathedral story dates back to the seventh century and the foundation of Lindisfarne Priory, founded ca 635. The See of Durham was founded by Saint Aidan as the Diocese of Lindisfarne at the invitation of King Oswald. The see was moved to York in 664, but it returned to Lindisfarne in 678. Saint Cuthbert, whose story is central to the development of Durham Cathedral, was Bishop of Lindisfarne from 685 until his death in 687.
After repeated Viking raids, the monks fled from Lindisfarne in 875, bringing Saint Cuthbert’s relics with them. They settled at Chester-le-Street from 882 until 995, when they moved to Durham. I was recalling the legend of the Dun Cow in a posting on Thursday evening (11 September 2025). Eventually, the monks arrived at a peninsula formed by a loop in the River Wear, and there they built a new shrine that marks the beginning of Durham, both the cathedral and the city.
The east end of Durham Cathedral, one of the finest Romanesque cathedrals in Europe (Photograph: Patrick Comerford, 2025)
The first shrine or church was a simple, temporary wooden structure built to house the relics of Saint Cuthbert. A sturdier, wooden building, known as the White Church, was itself replaced in 998 by a stone building also known as the White Church, which was complete in 1018 except for its tower.
The shrine of Saint Cuthbert soon made Durham a centre of pilgrimage, the early pilgrims included King Canute and a town grew up around the cathedral.
The present cathedral was built between 1093 and 1133 under Bishop William de St-Calais. He founded the Benedictine Priory at Durham in 1083, and replaced the secular canons with monks from the monasteries at Wearmouth and Jarrow, appointing Aldwin as the first prior.
Bishop William de St Calais demolished the old Saxon church, and he and Turgot of Durham, Aldwin’s successor as prior, laid the foundation stone of the new cathedral on 11 August 1093. Since then, there have been many additions and reconstructions, but the greater part of the cathedral remains the original Norman structure.
William de St-Calais died in 1096 and was succeeded by Ranulf Flambard, who built Framwellgate Bridge, the earliest crossing of the River Wear from the town.
The rib vaulting in the nave marks the beginning of Gothic ecclesiastical architecture (Photograph: Patrick Comerford, 2025)
The remains of Saint Cuthbert were transferred to the new shrine in the new cathedral in 1104. The walls of the nave were finished by 1128, the high vault by 1135, and the chapter house was built in 1133-1140. It is a significant example of the Romanesque architectural style, and the nave ceiling is the earliest surviving example of a pointed rib vault.
Hugh de Puiset added the Galilee Chapel at the west end of the cathedral in the 1170s. The five-aisled building occupies the position of a porch and functioned as a Lady Chapel with the great west door being blocked during the mediaeval period by an altar to the Virgin Mary. The west towers also date from the early 13th century and were built ca 1200.
Richard le Poore, Bishop of Salisbury, moved to Durham in 1228 after rebuilding Salisbury Cathedral in the Gothic style. He commissioned Richard Farnham to design the east end of the cathedral as a place where the monks could say the Daily Office together. The east end was expanded in the Early English Gothic style in the 1230s, and the building that was erected became the Chapel of the Nine Altars.
The Shrine of Saint Cuthbert was at the east end of the cathedral. The shrine was said to be one of the ‘most sumptuous in all England, so great were the offerings and jewels bestowed upon it, and endless the miracles that were wrought at it’.
The north aisle of Durham Cathedral (Photograph: Patrick Comerford, 2025)
The original roof was replaced in 1250 by a vault that is still in place. The central tower was damaged by lightning and was replaced by the Perpendicular Gothic central tower, built in two stages in the 15th century.
The cathedral is notable for the ribbed vault of the nave, with some of the earliest transverse pointed arches supported on relatively slender composite piers alternated with massive drum columns, and lateral abutments concealed within the triforium over the aisles.
The skilled use of the pointed arch and ribbed vault made it possible to cover far more elaborate and complicated ground plans than before. Buttressing made it possible to build taller buildings and open up the intervening wall spaces to create larger windows.
The main entrance to the cathedral is now on the north side, facing onto Palace Green and Durham Castle.
The shrine of Saint Bede in the Galilee Chapel (Photograph: Patrick Comerford, 2025)
The relics of Saint Bede were brought by a monk to Durham from Jarrow in 1022. At first they were placed with Saint Cuthbert’s remains, but they were moved to the Galilee Chapel around 1370. The simple Latin inscription on his tomb reads, ‘Here lie the bones of the Venerable Bede’.
The Galilee Chapel in front of the former great west door was home to the chantry, which Cardinal Thomas Langley opened in 1414 to provide free grammar and music lessons to children who could not afford them.
The Great West Door was blocked by Langley’s tomb after he died in 1437 and so the two doors were built to the north and south in the 19th century.
The Great West Door was blocked by Cardinal Thomas Langley’s tomb after he died in 1437 (Photograph: Patrick Comerford, 2025)
During the Tudor Reformation, Saint Cuthbert’s tomb was destroyed in 1538 and the monastery’s wealth was transferred to the crown. When Saint Cuthbert’s body was exhumed, it is said, it was discovered to be uncorrupted. It was reburied under a plain stone slab now worn smooth by the knees of pilgrims, but the ancient paving around it remains intact.
The Benedictine monastery at Durham was dissolved on 31 December 1540, and the last Prior of Durham, Hugh Whitehead, became the first dean in the cathedral’s new chapter.
After the Battle of Dunbar in 1650, Durham Cathedral was used by Cromwell as a makeshift prison to hold Scottish prisoners of war. As many as 3,000 were imprisoned in inhumane conditions, without food, water, or heat.
The prisoners destroyed much of the cathedral woodwork for firewood, and 1,700 of them died inside the cathedral. It is said the dead prisoners were buried in unmarked graves, and the survivors were shipped as slave labour to the American Colonies. The remains of some prisoners were identified recently in a mass grave uncovered during building works outside the cathedral precinct near Palace Green.
Durham Cathedral was used by Cromwell to hold up to 3,000 prisoners of war in inhumane conditions (Photograph: Patrick Comerford, 2025)
After the Caroline restoration, Bishop John Cosin was Bishop of Durham in 1660-1672. He set about restoring the damage and refurnishing the cathedral with new chapter and choir stalls, the litany desk, and the towering canopy over the font, while an oak screen replaced a stone screen pulled down in the 16th century. Dean John Sudbury founded a library of early printed books on the remains of the old refectory.
George Nicholson, who had completed Prebends’ Bridge across the Wear, persuaded the dean and chapter in 1777 to allow him to smooth off much of the outer stonework of the cathedral, altering its character. His successor William Morpeth demolished most of the chapter house.
James Wyatt drew up plans to transform the cathedral in 1794, including the demolition of the Galilee Chapel. But the chapter later rejected many of his proposed changes. Wyatt renewed the 15th century tracery of the Rose Window, inserting plain glass to replace glass that had been blown out in a storm.
The architect Anthony Salvin removed Cosin’s wooden organ screen in 1847, opening up the view of the east end from the nave, and he restored the cloisters in 1858.
The cathedral tower was restored in 1859-1860 by George Gilbert Scott (Photograph: Patrick Comerford, 2025)
The cathedral tower was restored in 1859-1860 by George Gilbert Scott, working with Edward Robert Robson. Scott was responsible for the marble choir screen and pulpit in the crossing in 1874. Scott’s pupil Charles Hodgson Fowler rebuilt the chapter house in 1892 as a memorial to Bishop Joseph Barber Lightfoot.
The great west window, depicting the Tree of Jesse, was the gift of Dean George Waddington (1867). It is the work of Clayton and Bell, who were also responsible for the Te Deum window in the south transept (1869), the Four Doctors window in the north transept (1875), and the Rose Window of Christ in Majesty (1876).
Dean Cyril Alington began restoring the Shrine of Saint Cuthbert behind the high altar in the 1930s, and the work resumed after World War II. The four candlesticks and overhanging tester (1950) were designed by Sir Ninian Comper. Two large batik banners by Thetis Blacker depicting Saint Cuthbert and Saint Oswald were added in 2001. Several stained glass windows by Hugh Ray Easton in the cathedral were added in the 1930s and 1940s.
A window by Alan Younger in the Galilee Chapel commemorates the 1300th anniversary of the birth of the Venerable Bede (Photograph: Patrick Comerford, 2025)
The artwork behind Saint Bede’s tomb in the Galilee Chapel is a wooden memorial with glistening gold writing and quotes from his commentary on the Book of Revelation: ‘Christ is the Morning Star who, when the night of this world is past, brings to his saints the promise of the light of life, and opens everlasting day.’
It was designed by Frank Roper (1914-2000).and George Pace (1915-1975) in 1971 as a memorial to Cyril Alington, Dean of Durham in 1933-1951, and his wife Hester.
A wooden statue of the Annunciation (1992) in the Galilee Chapel is by the Polish artist Josef Pyrz and Leonard Evetts’s Stella Maris window was added the sane year.
A window by Alan Younger was installed in the Galilee Chapel in 1973 to commemorate the 1300th anniversary of the birth of the Venerable Bede in 672/673 AD.
In the cloisters in Durham Cathedral (Photograph: Patrick Comerford, 2025)
At the beginning of the 21st century, two of the altars in the Nine Altars Chapel at the east end were re-dedicated to Saint Hild of Whitby and Saint Margaret of Scotland. Two wooden sculptures by Fenwick Lawson, Pietà and Tomb of Christ, were placed in the chapel in 2004, and a new stained glass window of the Transfiguration by Tom Denny was dedicated in 2010 in memory of Michael Ramsey, former Bishop of Durham and Archbishop of Canterbury.
The 17th century Smith organ was replaced in 1876 by ‘Father’ Willis (Henry Willis & Sons). Harrison & Harrison worked on the organ from 1880. It was restored in 1905-1935, rebuilt again in 1970, and there were more changes in 1981 and 1996.
The organists have included the composers Thomas Ebdon and Richard Hey Lloyd, editor of the Ancient and Modern Revised hymnbook John Dykes Bower, and the conductor David Hill. present Master of the Choristers and Organist is Daniel Cook. The Sub-Organist is Joseph Beech. There are ten bells in the central tower hung for change ringing in the English style.
The north transept and north door of Durham Cathedral (Photograph: Patrick Comerford, 2025)
Sir Walter Scott in his poem ‘Harold the Dauntless’ wrote in 1819:
Grey towers of Durham
Yet well I love thy mixed and massive piles
Half church of God, half castle ’gainst the Scot
And long to roam those venerable aisles
With records stored of deeds long since forgot.
Other listed churches and former churches I managed to see during my short visit to Durham include Saint Margaret of Antioch, Crossgate; Saint Mary-le-Bow, now Durham Heritage Centre; Saint Cuthbert’s Roman Catholic Church; and Saint Nicholas Church. But more about them another day, hopefully.
Saint Oswald’s’ head was buried in Durham Cathedral alongside Saint Cuthbert of Lindisfarne (Photograph: Patrick Comerford, 2025)
• The Very Revd Dr Philip Plyming has been the Dean of Durham since 2023. The chapter includes the vice-dean and precentor, treasurer, chancellor, canon pastor and the Van Mildert Professor of Divinity at Durham University, the Revd Canon Professor Simon Oliver. The Sung Eucharist on Sundays, the main service of Holy Communion, begins at 10 am. The cathedral church and the cloisters are open to visitors throughout the year.
Durham Cathedral glimpsed through the narrow, cobbled streets of Durham (Photograph: Patrick Comerford, 2025)
Showing posts with label Wyatt. Show all posts
Showing posts with label Wyatt. Show all posts
14 September 2025
09 April 2025
‘Peel on the outside’
of the Town Hall and
Peel everywhere on
the streets of Tamworth
Tamworth ‘where the town hall is like an orange, it has Peel on the outside’ … Robert Peel’s statue outside Tamworth Town Hall (Photograph: Patrick Comerford, 2025)
Patrick Comerford
Staffordshire’s first poet laureate Mal Dewhirst, in his poem ‘We are Tamworth’, repeats a popular one-liner about Tamworth ‘where the town hall is like an orange, it has Peel on the outside.’
The bronze statue on a stone plinth by Matthew Noble shows Sir Robert Peel with a long cloak standing on a plinth with inscribed panels. Sir Robert Peel is to be found everywhere throughout Tamworth. He was the MP for Tamworth and twice Prime Minister, and he delivered his ‘Tamworth Manifesto’ from the window of the Town Hall in 1834.
But Peel is not only outside the town hall – his memory is etched throughout the town.
I was writing on Monday about how the former Peel School on Lichfield Street and how it seems to be undergoing restoration and spring clean. This was the second Peel School in Tamworth, replacing an earlier school on Church Street. It was replaced, in turn, in 1850 by a third version of the school designed for Sir Robert Peel by the architect Sydney Smirke.
A ‘Tamworth Pig’ with a police helmet beneath Peel’s statue at the Town Hall in Market Street (Photograph: Patrick Comerford, 2025)
But other reminders of Peel on the streets of Tamworth include creative signs put in place by the Peel Society, and the names of pubs and hotels, along with memorial windows in Saint Editha’s Church.
A sculpture of a pig wearing a police helmet that is part of the street furniture in Tamworth stands beneath Peel’s statue in front of the Town Hall in Market Street.
It is known as the ‘Peel Pig’ and is part of a ‘Trotters Trail’ through the town, remembering both Sir Robert Peel and the town’s association with the Tamworth Pig. The trail was funded by an £8,000 grant from the Arts Council.
Two Tamworth pigs escaped from an abattoir in Wiltshire in 1998 and went on the run, earning them the nicknames ‘Butch Cassidy’ and ‘The Sundance Pig’. After their story was told in the national press, the Daily Mail bought the escaped pigs, reprieving them from slaughter in an animal sanctuary. The BBC dramatised the story in a film in 2004, The Legend of the Tamworth Two.
The Peel Pig was once decorated in purple and yellow – the Peel family colours – and it still wears a police helmet, a reminder of Peel’s role in establishing the Metropolitan Police.
The Sir Robert Peel on 13-15 Lower Gungate dates from the 17th or early 18th century (Photograph: Patrick Comerford, 2025)
Nearby, the Bow Street Runner on Market Street pub took its name from a police force that was a forerunner of Peel’s police. It was part of the Castle Hotel on the corner of Holloway and Market Street, but the pub and hotel closed suddenly when the owners Rest House Limited went into voluntary receivership at the end of January.
Yet another pub with Peel associations is the Sir Robert Peel on 13-15 Lower Gungate. This is a 17th or early 18th century Grade II listed building, with a large beer garden to the rear overlooked by Saint Editha’s Church. The garden’s ancient stone walls were once part of the mediaeval deanery of Saint Editha’s, a collegiate church that had its own dean and canons until the Reformation.
The Peel Aldergate and Christopher’s is a boutique hotel and restaurant in neighbouring Georgian town houses on Aldergate with 19 en-suite rooms, ranging from single right through to the bridal suite.
I was a guest there last year, speaking at the invitation of Tamworth and District Civic Society about the Wyatt architectural dynasty (11 April 2024).
The Peel Aldergate and Christopher’s … a boutique hotel and restaurant in Tamworth (Photograph: Patrick Comerford, 2025)
The Peel family is also commemorated in three windows in Saint Editha’s Church. The East Window by Sir Edward Burne-Jones and William Morris in Saint George’s Chapel, where I was speaking last week, is in memory of John Peel (1804-1872), Liberal MP for Tamworth in 1863-1868 and again in 1871-1872.
A window in the South Aisle depicting David, Rizpah and Solomon is in memory of William Yates Peel (1789-1858) and his wife Lady Jane Elizabeth Peel, who died in 1847. William Yates Peel was the second son of Sir Robert Peel and a younger brother of the Prime Minister Sir Robert Peel. He was MP for Bossiney (1817-1818), Tamworth (1818-1830, 1835-1837, 1847), Yarmouth (1830-1831) and Cambridge University (1831-1832), and was a Lord of the Treasury under Wellington and under his brother Sir Robert Peel.
A memorial window by Henry Holiday in the north aisle is dedicated ‘To the Glory of God and in affectionate memory of the Hon Maurice Berkeley Peel, BA, MC, vicar of this parish 1915-1917, who when Chaplain to the Forces in France, was killed whilst tending the wounded, May 1917. This window is placed by his family and the parishioners of Tamworth.’
The Revd Maurice Peel (1873-1917) was the son of Viscount Peel, Speaker of the House of Commons. He was educated at Winchester and New College, Oxford, and was ordained in 1899. At the outbreak of World War I, he became a chaplain in France with the 7th Division, and was awarded the Military Cross (MC) in 1915. He was wounded in action but refused medical attention until all the other men had been looked after. He was sent home to England and took a year to recover, and in the course of that year was appointed Vicar of Tamworth.
He volunteered again in 1917, and was sent to his old battalion. He was killed by a sniper shortly on 14 May 1917 at Bullecourt, while going to rescue a wounded man. The senior chaplain, the Revd Eric Milner-White, later Dean of York, set out to discover how he had died and where he was buried.
The East Window in Saint George’s Chapel in Saint Editha’s Church, Tamworth is by Sir Edward Burne-Jones and William Morris, in memory of John Peel MP (Photograph: Patrick Comerford)
I was speaking in Saint Editha’s Church later in the evening at a Comberford family commemoration, and I reminded myself, as I visited Comberford and Comberford Hall that afternoon, of two Peel family connections with Comberford.
The loans secured against Comberford Hall and other estates by the Chichester family, who held the title of Marquis of Donegall, seem to have been transferred by the banker Henry Hoare to Sir Robert Peel (1750-1830), MP for Tamworth (1790-1818) and father of Sir Robert Peel (1788-1850), who was Prime Minister (1834-1835, 1841-1846).
Robert Peel senior held the mortgages on a number of neighbouring estates in the Lichfield and Tamworth area, including some associated with families linked with the Comberford family over the generations, such as Dyott family estates in Freeford and Fulfen in Saint Michael’s Parish, Lichfield. He foreclosed the mortgages and sold the estates of Comberford and Wigginton to Richard Howard in 1809.
When James Comerford visited Comberford ca 1900-1902, William Felton Peel (1839-1907) was living at Comberford Hall, which was his family home from 1900 to 1903.
Visiting Comberford Hall last week … Sir Robert Peel (1750-1830) forclosed the mortgages on Comberford Hall in 1809 (Photograph: Patrick Comerford, 2025)
William Felton Peel, who was born in Tamworth on 13 February 1839, was a son of Captain Edmund Peel RN (1801-1871), and a great-grandson of William Peel (1745-1791), uncle of the Prime Minister, Sir Robert Peel (1788-1850). William Felton Peel worked as a cotton and foreign produce merchant in Alexandria and in Bombay, where five of his eight children were born between 1868 and 1874. He later returned to England, and was in business in Broughton, Salford, near Manchester, where the other three children were born between 1876 and 1879.
William Felton Peel lived at Comberford Hall until 1902, and in 1903 he moved with his family to Hawley Hill House, in Blackwater, Hawley, Hampshire. He died on 1 August 1907 following an accident while he was playing polo in Alexandria Egypt.
Not only is the town hall is like an orange because ‘it has Peel on the outside’, but reminders of Peel and his family can be found throughout the Tamworth area.
William Felton Peel was living at Comberford Hall until 1903, and was there when James Comerford visited a few years earlier (Photograph: Patrick Comerford, 2025)
Patrick Comerford
Staffordshire’s first poet laureate Mal Dewhirst, in his poem ‘We are Tamworth’, repeats a popular one-liner about Tamworth ‘where the town hall is like an orange, it has Peel on the outside.’
The bronze statue on a stone plinth by Matthew Noble shows Sir Robert Peel with a long cloak standing on a plinth with inscribed panels. Sir Robert Peel is to be found everywhere throughout Tamworth. He was the MP for Tamworth and twice Prime Minister, and he delivered his ‘Tamworth Manifesto’ from the window of the Town Hall in 1834.
But Peel is not only outside the town hall – his memory is etched throughout the town.
I was writing on Monday about how the former Peel School on Lichfield Street and how it seems to be undergoing restoration and spring clean. This was the second Peel School in Tamworth, replacing an earlier school on Church Street. It was replaced, in turn, in 1850 by a third version of the school designed for Sir Robert Peel by the architect Sydney Smirke.
A ‘Tamworth Pig’ with a police helmet beneath Peel’s statue at the Town Hall in Market Street (Photograph: Patrick Comerford, 2025)
But other reminders of Peel on the streets of Tamworth include creative signs put in place by the Peel Society, and the names of pubs and hotels, along with memorial windows in Saint Editha’s Church.
A sculpture of a pig wearing a police helmet that is part of the street furniture in Tamworth stands beneath Peel’s statue in front of the Town Hall in Market Street.
It is known as the ‘Peel Pig’ and is part of a ‘Trotters Trail’ through the town, remembering both Sir Robert Peel and the town’s association with the Tamworth Pig. The trail was funded by an £8,000 grant from the Arts Council.
Two Tamworth pigs escaped from an abattoir in Wiltshire in 1998 and went on the run, earning them the nicknames ‘Butch Cassidy’ and ‘The Sundance Pig’. After their story was told in the national press, the Daily Mail bought the escaped pigs, reprieving them from slaughter in an animal sanctuary. The BBC dramatised the story in a film in 2004, The Legend of the Tamworth Two.
The Peel Pig was once decorated in purple and yellow – the Peel family colours – and it still wears a police helmet, a reminder of Peel’s role in establishing the Metropolitan Police.
The Sir Robert Peel on 13-15 Lower Gungate dates from the 17th or early 18th century (Photograph: Patrick Comerford, 2025)
Nearby, the Bow Street Runner on Market Street pub took its name from a police force that was a forerunner of Peel’s police. It was part of the Castle Hotel on the corner of Holloway and Market Street, but the pub and hotel closed suddenly when the owners Rest House Limited went into voluntary receivership at the end of January.
Yet another pub with Peel associations is the Sir Robert Peel on 13-15 Lower Gungate. This is a 17th or early 18th century Grade II listed building, with a large beer garden to the rear overlooked by Saint Editha’s Church. The garden’s ancient stone walls were once part of the mediaeval deanery of Saint Editha’s, a collegiate church that had its own dean and canons until the Reformation.
The Peel Aldergate and Christopher’s is a boutique hotel and restaurant in neighbouring Georgian town houses on Aldergate with 19 en-suite rooms, ranging from single right through to the bridal suite.
I was a guest there last year, speaking at the invitation of Tamworth and District Civic Society about the Wyatt architectural dynasty (11 April 2024).
The Peel Aldergate and Christopher’s … a boutique hotel and restaurant in Tamworth (Photograph: Patrick Comerford, 2025)
The Peel family is also commemorated in three windows in Saint Editha’s Church. The East Window by Sir Edward Burne-Jones and William Morris in Saint George’s Chapel, where I was speaking last week, is in memory of John Peel (1804-1872), Liberal MP for Tamworth in 1863-1868 and again in 1871-1872.
A window in the South Aisle depicting David, Rizpah and Solomon is in memory of William Yates Peel (1789-1858) and his wife Lady Jane Elizabeth Peel, who died in 1847. William Yates Peel was the second son of Sir Robert Peel and a younger brother of the Prime Minister Sir Robert Peel. He was MP for Bossiney (1817-1818), Tamworth (1818-1830, 1835-1837, 1847), Yarmouth (1830-1831) and Cambridge University (1831-1832), and was a Lord of the Treasury under Wellington and under his brother Sir Robert Peel.
A memorial window by Henry Holiday in the north aisle is dedicated ‘To the Glory of God and in affectionate memory of the Hon Maurice Berkeley Peel, BA, MC, vicar of this parish 1915-1917, who when Chaplain to the Forces in France, was killed whilst tending the wounded, May 1917. This window is placed by his family and the parishioners of Tamworth.’
The Revd Maurice Peel (1873-1917) was the son of Viscount Peel, Speaker of the House of Commons. He was educated at Winchester and New College, Oxford, and was ordained in 1899. At the outbreak of World War I, he became a chaplain in France with the 7th Division, and was awarded the Military Cross (MC) in 1915. He was wounded in action but refused medical attention until all the other men had been looked after. He was sent home to England and took a year to recover, and in the course of that year was appointed Vicar of Tamworth.
He volunteered again in 1917, and was sent to his old battalion. He was killed by a sniper shortly on 14 May 1917 at Bullecourt, while going to rescue a wounded man. The senior chaplain, the Revd Eric Milner-White, later Dean of York, set out to discover how he had died and where he was buried.
The East Window in Saint George’s Chapel in Saint Editha’s Church, Tamworth is by Sir Edward Burne-Jones and William Morris, in memory of John Peel MP (Photograph: Patrick Comerford)
I was speaking in Saint Editha’s Church later in the evening at a Comberford family commemoration, and I reminded myself, as I visited Comberford and Comberford Hall that afternoon, of two Peel family connections with Comberford.
The loans secured against Comberford Hall and other estates by the Chichester family, who held the title of Marquis of Donegall, seem to have been transferred by the banker Henry Hoare to Sir Robert Peel (1750-1830), MP for Tamworth (1790-1818) and father of Sir Robert Peel (1788-1850), who was Prime Minister (1834-1835, 1841-1846).
Robert Peel senior held the mortgages on a number of neighbouring estates in the Lichfield and Tamworth area, including some associated with families linked with the Comberford family over the generations, such as Dyott family estates in Freeford and Fulfen in Saint Michael’s Parish, Lichfield. He foreclosed the mortgages and sold the estates of Comberford and Wigginton to Richard Howard in 1809.
When James Comerford visited Comberford ca 1900-1902, William Felton Peel (1839-1907) was living at Comberford Hall, which was his family home from 1900 to 1903.
Visiting Comberford Hall last week … Sir Robert Peel (1750-1830) forclosed the mortgages on Comberford Hall in 1809 (Photograph: Patrick Comerford, 2025)
William Felton Peel, who was born in Tamworth on 13 February 1839, was a son of Captain Edmund Peel RN (1801-1871), and a great-grandson of William Peel (1745-1791), uncle of the Prime Minister, Sir Robert Peel (1788-1850). William Felton Peel worked as a cotton and foreign produce merchant in Alexandria and in Bombay, where five of his eight children were born between 1868 and 1874. He later returned to England, and was in business in Broughton, Salford, near Manchester, where the other three children were born between 1876 and 1879.
William Felton Peel lived at Comberford Hall until 1902, and in 1903 he moved with his family to Hawley Hill House, in Blackwater, Hawley, Hampshire. He died on 1 August 1907 following an accident while he was playing polo in Alexandria Egypt.
Not only is the town hall is like an orange because ‘it has Peel on the outside’, but reminders of Peel and his family can be found throughout the Tamworth area.
William Felton Peel was living at Comberford Hall until 1903, and was there when James Comerford visited a few years earlier (Photograph: Patrick Comerford, 2025)
04 March 2025
The Friary Clock Tower in
Lichfield continues to
tell the 700-year story
of a clean water supply
The Lichfield Clock Tower or Friary Clock Tower was first erected in 1863 and was moved west to its present location in 1928 (Photograph: Patrick Comerford, 2025)
Patrick Comerford
Sometimes the places and things we see every day are the ones we pay least attention to in life. The Lichfield Clock Tower or Friary Clock Tower has been a familiar sight and sound for me for almost six decades now. It looks like an old friend I have known since my teens, and I still remember how when I was first staying in Lichfield in my teens, I could hear it peal out the hour, half hour and quarter hours, even in my sleep.
I have walked by this landmark in Lichfield constantly and regularly for half a century and more. But it was only on a recent afternoon, in the past few daysm that I had a close look at this Grade II listed 19th-century clock tower on The Friary, close to the Bowling Green roundabout.
The clock tower was first erected in 1863 at the junction of Bird Street and Bore Street on the site of the ancient Crucifix Conduit that had supplied water to the Friary since 1301.
The clock tower was first built in 1863 on the site of the ancient Crucifix Conduit (Photograph: Patrick Comerford, 2025)
The Franciscans came to Lichfield in 1237 and built the Franciscan Friary on property granted by Alexander de Stavenby, Bishop of Lichfield. A large fire in Lichfield in 1291 destroyed the Friary, but it was promptly rebuilt.
The Crucifix Conduit was built at the gates of the Friary at the corner of Bore Street and Bird Street in 1301 when Henry Champanar, son of Michael de Lichfield, bellfounder, granted the Franciscans the right to build a conduit head over a spring and to pipe water from Aldershaw to the Friary. The water was supposed to be for the friars’ use only, but a public conduit was built outside the Friary gates.
When John Comberford of Comberford died in 1414, his bequests included 10 shillings for masses to the Franciscan mendicant friary in Lichfield.
During the Tudor Reformations, the Franciscan Friary in Lichfield was dissolved in 1538. The estate and remaining buildings were sold in 1544 to Gregory Stonyng, Master of the Guild of Saint Mary and Saint John the Baptist. The Crucifix Conduit and the related assets of the Guild were transferred in 1545 to the Conduits Lands Trust, which assumed responsibility for maintaining the water supply to Lichfield when the spring at Aldershaw was granted to the Burgesses, Citizens and Commonalty of the City of Lichfield.
While the Friary estate and its buildings were bought, sold and leased to many different people and families until 1920, the Crucifix Conduit remained in position until the 19th century.
The tower was designed by Joseph Potter jr (1797-1875) in a Norman style (Photograph: Patrick Comerford, 2025)
Building clock towers had become a fashion in England by the mid-19th century. After Big Ben was built in London in 1858, Lichfield City Council decided to follow fashion and to building its own clock tower in Lichfield.
A number of locations were suggested for the clock tower including the roof of the Guildhall and the Market Square, where it would incorporate the statue of Samuel Johnson into its structure. These proposals were dismissed eventually and instead the council agreed to build the tower at the junction of Bore Street and Bird Street, on the site of the former Crucifix Conduit.
The tower was designed by Joseph Potter jr (1797-1875), who also designed the Guildhall (1846-1848). His father, the Lichfield architect Joseph Potter (1756-1842), had worked closely with James Wyatt (1746-1813), supervising alterations to Lichfield Cathedral (1788-1793), Hereford Cathedral (1790-1793), and Saint Michael’s, Coventry (1794), as well as carrying out alterations (1816-1830) to the Gothic hall at Beaudesert House, on the edges of Cannock Chase, for the Paget family. He was also the architect for Newton’s College (1800) in the Cathedral Close in Lichfield and the Causeway Bridge at Bird Street (1816).
A round-headed niche with a scalloped bowl and the remains of a drinking fountain (Photograph: Patrick Comerford, 2025)
Joseph Potter jr designed the clock tower in a Norman style and it was financed by the Lichfield Conduit Lands Trust. When the tower was complete it had cost the trust £1,200. When the tower was built in 1863 it also marked the 300th anniversary of the Conduit Lands Trust.
Some accounts say Potter adapted the Crucifix Conduit as the base of his clock tower and that the conduit was still used as a public water supply after that date. Originally the clock had only three clock faces. At first, a west face was considered unnecessary as it would only look out unto one property, the Friary. However, the tenant in the Friary, John Godfrey-Fausett, complained and a fourth face was added.
During its early years, the clock developed many problems with its timekeeping accuracy, until its mechanism was overhauled in 1898 by JB Joyce & Co, clockmakers, of Whitchurch, Shropshire. The company, founded in 1690, claims to be the world’s oldest surviving clockmakers. Its clocks include the Joseph Chamberlain Memorial Clock Tower, Birmingham; Liverpool Lime Street railway station; and clocks in the cathedrals in Lichfield, Chester, Chichester, Oxford and Salisbury.
A quatrefoil panel records the foundation of the Crucifix Conduit in 1301 (Photograph: Patrick Comerford, 2025)
Much of the west side of Lichfield was still undeveloped by 1920 and Lichfield barely extended beyond St John’s Street to the west. Sir Richard Ashmole Cooper (1874-1946) of Shenstone Court, MP for Walsall in 1910-1922, bought the 11-acre Friary estate in 1920, and gave the Friary to the city to develop the area and to lay out a new road. The new Friary Girls’ School was built in 1921, and the Bishop’s Lodging was incorporated into the building.
Meanwhile, Bird Street and Bore Street were becoming increasingly congested with traffic because of the narrow layout of the streets. These problems were magnified in the 1920s, and the position of the clock tower only helped to make matters worse.
When a new road named The Friary was built across the former Friary site in 1928, linking Lichfield and Burntwood, the clock tower had to be relocated. It was dismantled in 1927-1928 and it was moved 400 metres west along the new road to its present site beside the Bowling Green roundabout.
The Friary Clock Tower was restored in 1991 (Photograph: Patrick Comerford, 2025)
Potter designed the four-stage tower in the Norman style, and it is built of ashlar with a swept slate pyramidal roof. The lowest stage has a cornice with zig-zag and weathering over. The east face has a round-headed entrance of one order with zig-zag to the arch, an enriched tympanum, a door with enriched strap hinges, and a plaque above records the history of the Crucifix Conduit.
A bronze plaque on the south side records the gift of the Friary estate to the City Council. On the west side, a plaque records the removal of the tower from its original site. On the north side, a quatrefoil panel records the foundation of the conduit and there flanking round-headed niches that once were with drinking fountains – the niche to the left has a scalloped bowl, but the bowl is missing from the shallower niche on the right. The two round-headed lights above have grilles.
The second stage has a cornice with weathering over. There are three three-light blind window with colonnettes, enriched arches and glazed slits, and one five-light window above with a zig-zag sill band and two slits. There are three single-chamfered lights on the west face.
The third stage has a round clock face on each face. The top stage has nook shafts and a corbel table, and a bell-opening of four lights with louvres on each side. The roof has a finial.
The tower was repaired and restored in 1991 with the assistance of the Conduit Lands Trust. Lichfield City Council now has responsibility for maintaining the clock tower.
The blue plaque above the fountain and tap at the corner of St John Street and the Friary (Photograph: Patrick Comerford, 2025)
The original site of the Clock Tower was at the junction of St John Street, Bore Street and Bird Street, Lichfield. Some sources say its precise location was outside what was once the National and Provincial Bank and that became the Brewhouse and Kitchen pub and restaurant.
However, a blue plaque above a public fountain and tap on the opposite corner, at the corner of St John Street and the Friary, says: ‘The Crucifix Conduit stood very near this place. It brought water from Aldershawe to Lichfield between 1301 and 1928. This area was landscaped in 2001 by Lichfield City Council with support from Lichfield Conduit Lands Trust and Lichfield District Council.’
The water is no longer suitable for drinking, but it is a reminder of the water supply that was once available there from 1301 on.
The fountain at the Friary corner is a reminder of the water supply available to Lichfield since 1301 (Photograph: Patrick Comerford, 2025)
Patrick Comerford
Sometimes the places and things we see every day are the ones we pay least attention to in life. The Lichfield Clock Tower or Friary Clock Tower has been a familiar sight and sound for me for almost six decades now. It looks like an old friend I have known since my teens, and I still remember how when I was first staying in Lichfield in my teens, I could hear it peal out the hour, half hour and quarter hours, even in my sleep.
I have walked by this landmark in Lichfield constantly and regularly for half a century and more. But it was only on a recent afternoon, in the past few daysm that I had a close look at this Grade II listed 19th-century clock tower on The Friary, close to the Bowling Green roundabout.
The clock tower was first erected in 1863 at the junction of Bird Street and Bore Street on the site of the ancient Crucifix Conduit that had supplied water to the Friary since 1301.
The clock tower was first built in 1863 on the site of the ancient Crucifix Conduit (Photograph: Patrick Comerford, 2025)
The Franciscans came to Lichfield in 1237 and built the Franciscan Friary on property granted by Alexander de Stavenby, Bishop of Lichfield. A large fire in Lichfield in 1291 destroyed the Friary, but it was promptly rebuilt.
The Crucifix Conduit was built at the gates of the Friary at the corner of Bore Street and Bird Street in 1301 when Henry Champanar, son of Michael de Lichfield, bellfounder, granted the Franciscans the right to build a conduit head over a spring and to pipe water from Aldershaw to the Friary. The water was supposed to be for the friars’ use only, but a public conduit was built outside the Friary gates.
When John Comberford of Comberford died in 1414, his bequests included 10 shillings for masses to the Franciscan mendicant friary in Lichfield.
During the Tudor Reformations, the Franciscan Friary in Lichfield was dissolved in 1538. The estate and remaining buildings were sold in 1544 to Gregory Stonyng, Master of the Guild of Saint Mary and Saint John the Baptist. The Crucifix Conduit and the related assets of the Guild were transferred in 1545 to the Conduits Lands Trust, which assumed responsibility for maintaining the water supply to Lichfield when the spring at Aldershaw was granted to the Burgesses, Citizens and Commonalty of the City of Lichfield.
While the Friary estate and its buildings were bought, sold and leased to many different people and families until 1920, the Crucifix Conduit remained in position until the 19th century.
The tower was designed by Joseph Potter jr (1797-1875) in a Norman style (Photograph: Patrick Comerford, 2025)
Building clock towers had become a fashion in England by the mid-19th century. After Big Ben was built in London in 1858, Lichfield City Council decided to follow fashion and to building its own clock tower in Lichfield.
A number of locations were suggested for the clock tower including the roof of the Guildhall and the Market Square, where it would incorporate the statue of Samuel Johnson into its structure. These proposals were dismissed eventually and instead the council agreed to build the tower at the junction of Bore Street and Bird Street, on the site of the former Crucifix Conduit.
The tower was designed by Joseph Potter jr (1797-1875), who also designed the Guildhall (1846-1848). His father, the Lichfield architect Joseph Potter (1756-1842), had worked closely with James Wyatt (1746-1813), supervising alterations to Lichfield Cathedral (1788-1793), Hereford Cathedral (1790-1793), and Saint Michael’s, Coventry (1794), as well as carrying out alterations (1816-1830) to the Gothic hall at Beaudesert House, on the edges of Cannock Chase, for the Paget family. He was also the architect for Newton’s College (1800) in the Cathedral Close in Lichfield and the Causeway Bridge at Bird Street (1816).
A round-headed niche with a scalloped bowl and the remains of a drinking fountain (Photograph: Patrick Comerford, 2025)
Joseph Potter jr designed the clock tower in a Norman style and it was financed by the Lichfield Conduit Lands Trust. When the tower was complete it had cost the trust £1,200. When the tower was built in 1863 it also marked the 300th anniversary of the Conduit Lands Trust.
Some accounts say Potter adapted the Crucifix Conduit as the base of his clock tower and that the conduit was still used as a public water supply after that date. Originally the clock had only three clock faces. At first, a west face was considered unnecessary as it would only look out unto one property, the Friary. However, the tenant in the Friary, John Godfrey-Fausett, complained and a fourth face was added.
During its early years, the clock developed many problems with its timekeeping accuracy, until its mechanism was overhauled in 1898 by JB Joyce & Co, clockmakers, of Whitchurch, Shropshire. The company, founded in 1690, claims to be the world’s oldest surviving clockmakers. Its clocks include the Joseph Chamberlain Memorial Clock Tower, Birmingham; Liverpool Lime Street railway station; and clocks in the cathedrals in Lichfield, Chester, Chichester, Oxford and Salisbury.
A quatrefoil panel records the foundation of the Crucifix Conduit in 1301 (Photograph: Patrick Comerford, 2025)
Much of the west side of Lichfield was still undeveloped by 1920 and Lichfield barely extended beyond St John’s Street to the west. Sir Richard Ashmole Cooper (1874-1946) of Shenstone Court, MP for Walsall in 1910-1922, bought the 11-acre Friary estate in 1920, and gave the Friary to the city to develop the area and to lay out a new road. The new Friary Girls’ School was built in 1921, and the Bishop’s Lodging was incorporated into the building.
Meanwhile, Bird Street and Bore Street were becoming increasingly congested with traffic because of the narrow layout of the streets. These problems were magnified in the 1920s, and the position of the clock tower only helped to make matters worse.
When a new road named The Friary was built across the former Friary site in 1928, linking Lichfield and Burntwood, the clock tower had to be relocated. It was dismantled in 1927-1928 and it was moved 400 metres west along the new road to its present site beside the Bowling Green roundabout.
The Friary Clock Tower was restored in 1991 (Photograph: Patrick Comerford, 2025)
Potter designed the four-stage tower in the Norman style, and it is built of ashlar with a swept slate pyramidal roof. The lowest stage has a cornice with zig-zag and weathering over. The east face has a round-headed entrance of one order with zig-zag to the arch, an enriched tympanum, a door with enriched strap hinges, and a plaque above records the history of the Crucifix Conduit.
A bronze plaque on the south side records the gift of the Friary estate to the City Council. On the west side, a plaque records the removal of the tower from its original site. On the north side, a quatrefoil panel records the foundation of the conduit and there flanking round-headed niches that once were with drinking fountains – the niche to the left has a scalloped bowl, but the bowl is missing from the shallower niche on the right. The two round-headed lights above have grilles.
The second stage has a cornice with weathering over. There are three three-light blind window with colonnettes, enriched arches and glazed slits, and one five-light window above with a zig-zag sill band and two slits. There are three single-chamfered lights on the west face.
The third stage has a round clock face on each face. The top stage has nook shafts and a corbel table, and a bell-opening of four lights with louvres on each side. The roof has a finial.
The tower was repaired and restored in 1991 with the assistance of the Conduit Lands Trust. Lichfield City Council now has responsibility for maintaining the clock tower.
The blue plaque above the fountain and tap at the corner of St John Street and the Friary (Photograph: Patrick Comerford, 2025)
The original site of the Clock Tower was at the junction of St John Street, Bore Street and Bird Street, Lichfield. Some sources say its precise location was outside what was once the National and Provincial Bank and that became the Brewhouse and Kitchen pub and restaurant.
However, a blue plaque above a public fountain and tap on the opposite corner, at the corner of St John Street and the Friary, says: ‘The Crucifix Conduit stood very near this place. It brought water from Aldershawe to Lichfield between 1301 and 1928. This area was landscaped in 2001 by Lichfield City Council with support from Lichfield Conduit Lands Trust and Lichfield District Council.’
The water is no longer suitable for drinking, but it is a reminder of the water supply that was once available there from 1301 on.
The fountain at the Friary corner is a reminder of the water supply available to Lichfield since 1301 (Photograph: Patrick Comerford, 2025)
11 April 2024
The Wyatt Family of Weeford:
a Staffordshire
architectural dynasty
James Wyatt (1746-1813) of Weeford … the most famous member of the Wyatt architectural dynasty, his work on Lichfield Cathedral was condemned by AWN Pugin
Patrick Comerford
Tamworth and District Civic Society,
Christopher’s, Peel Hotel,
Aldergate, Tamworth
7:30 p.m., 11 April 2024
Introduction
There are several interesting architectural dynasties in the 19th century, including the Hardwick, Barry, Pugin and Scott families. But the Wyatt family tree stretches back much further than any of these, and the Wyatt family stands out for the variety and influence of its work by five or six generations of influential English architects in the 17th, 18th and 19th centuries.
The best-known member of this dynasty was, perhaps, James Wyatt (1746-1813), although his work on rebuilding and restoring Lichfield Cathedral at the end of the 18th century drew the opprobrium of the greatest Gothic Revival architect of them all, AWN Pugin, when he visited Lichfield.
I am familiar with the work of the Wyatt family, not only because of my research on Pugin’s work, and because my family had worked on Pugin churches in the 19th century, but also because of their strong family links with the Tamworth and Lichfield area, because of Wyatt contributions to the architectural shape of Sidney Sussex College in Cambridge, and because of one unique architectural feature – Wyatt Windows – which are found in large measure in two towns in Ireland: in Bunclody, Co Wexford, which was the Irish home town of my father’s ancestors, and Rathkeale, the principal town in the group of parishes in the Diocese of Limerick in south-west Ireland where I was the priest-in-charge for five years (2017-2022).
Visiting Weeford
Saint Mary’s Church in Weeford … generations of the Wyatt family were baptised, married and buried there (Photograph: Patrick Comerford)
I was reminded once again of the Wyatt family’s prolific work and unique contribution throughout these islands on a visit some time ago to Weeford, between Tamworth and Lichfield, which has been associated with the Wyatt family for almost six centuries.
Weeford is one of the five original ‘prebends’ in Lichfield Cathedral (Photograph: Patrick Comerford)
Weeford is 9 km (5.6 miles) west of Tamworth and 6 km (four miles) south of Lichfield, close to Toll 4 on the M6, but is in quiet rural Staffordshire. It is mentioned in the Domesday Book and it was one of the five original ‘prebends’ that paid ‘wax Scot’ or ‘Plough Alms’ to Lichfield Cathedral from the beginning of the 12th century. Indeed, there was a church in Weeford for many centuries, and there is still a stall for the Prebendary of Weeford in the chapter stalls in Lichfield Cathedral.
The Weeford Parish Registers are a valuable tool for genealogists and local historian (Photograph: Patrick Comerford)
In Lichfield, I recently bought a copy of the old parish registers for Saint Mary’s, dating back to 1562. The Weeford Parish Register was prepared for the Staffordshire Parish Register Society and edited by the society secretary, Norman W Tildesley of Somerford Place, Willenhall, and printed privately in Wednesbury around 1954-1956.
The Weeford parish registers of baptisms, marriages and burials date from 1562 and continue until 1812. They were transcribed by HR Thomas of Wolverhampton. On the back of the fly leaf of the first register are two interesting prayers written in an unformed hand:
By thy crucified body deliver me from the body of this death.
O let this blood of thine purge my conscience from vain works to serve the living God.
A footbridge over the Blackbrook River in Weeford (Photograph: Patrick Comerford)
The registers record not just baptisms, marriages and burials, but the events too that led to these rites of passage. An entry in 1614 records: ‘Buried: Roger Whately, a Carrier, that was murthered at Weeford Park on Sundaie the 27th November, buried the last of November.’
There is a moving entry from 13 February 1745: ‘Buried a woman that came to ask charity at Packington Hall and died in the fold there.’
On 13 March 1758, the registers record the death of ‘James Holmes who was kill’d by a waggon wheel at Mr Manley’s of Swinfen.’ An unnamed ‘Travelling Irishman’ is recorded as being baptised on 15 August 1759, although this must surely refer to a burial. On 24 February 1760, we read of the death of ‘Mr Joseph Grundy from Swinfen Hall, who was killed by being ‘thrown off a load of Hay.’
Some of the entries record family tragedies in very simple terms. Jone (Joan) Basford, the daughter of Raphe Basford, was baptised on 28 January 1571, ‘and was burried [sic] the morrow after.’ An unknown stranger is buried on 3 February 1578 without being named. Thomas Thickbrome’s two daughters, Margaret and Ellin, are buried within ten days of each other in October 1580. Robert and Constance Turner, brother and sister, were baptised on 7 March 1586 – and both were buried five days later. Charles, the son of Joseph and Mary Wyatt, was baptised on 27 November 1757, and buried the next day.
To read this high rate of infant mortality, even centuries later, is heart-rending.
Thomas Tew and Ales Mustard were married on 2 December 1574, and their son William was baptised three weeks later, on Christmas Day 25 December 1574. The registers can be quite blunt, or even cruel, in commenting on domestic situations. A child baptised in 1576, and another in 1578, are each described as spurius, while a child baptised in 1584 is said to be ‘baseborne.’
There are three sad entries, one after another, on 2 August 1591, beginning with the burial of Elizabeth Maxfield, noting ‘The said Elizabeth Maxfield a little before her death of two sonnes, the name of the first is Edward, the other Thomas, the father of the said children is unknown.’ The writer then goes on to record the baptisms that day of each new-born child.
A child found in the church porch ‘was baptized by the name of Anne, according to the Cannon [sic]’ on 31 December 1637.
There are few entries for baptisms during the Cromwellian era (1649-1660) and the entries are poorly organised, indicating the strong Puritan streak among the ministers appointed to the parish, although this does not necessarily mean the parishioners agreed with the ministers imposed on them.
The four main families in the parish were Swinfen of Swinfen Hall, Levett of Packington Hall, Manley of Manley Hall and Lawley of Canwell Hall. Packington Hall had been built by James Wyatt for the Babington family, and later passed by marriage to the Levett family.
Early Wyatts in Weeford
An outline of the Wyatt family tree (Wikipedia)
As an indication of the social prejudices of the day, families like these tend to receive more attentive entries in the register. John and Ann Swinfen were witnesses on 14 October 1790 at the marriage of ‘The Honourable John Colvill, eldest son and heir apparent of the Right Honourable John, Lord Colvill of Culrooss in Scotland and Elizabeth Ford of Swinfen.’ It is interesting to note that Elizabeth’s parentage is not referred to.
These registers show that the Wyatt family was living in the parish since at least as early as 1540, if not earlier. The baptism of Thomas Wyatt, son of Robert Wyatt, on 29 July 1562, is the fifth entry recorded in the registers, and is followed by two daughters, Margery in 1565 and Margaret in 1567.
Entries for members of the Wyatt family, including inter-marriages within the family, continue for generations and for centuries. There are Wyatt memorials in the parish church and Wyatt graves scattered throughout the churchyard.
There were Wyatts in Weeford from before 1540, when William Wyatt was the father of Humphrey Wyatt, and the Wyatt architectural dynasty can be traced back to William Wyatt of Thickbroom, near Weeford, who died in 1572.
The Wyatt dynasty was consolidated by a great number of marriages between cousins – over 20 in all, with eight in one generation alone. Wyatt family members often worked together in the architectural world. But the family also includes artists, painters, sculptors and journalists.
The grave in the churchyard in Weeford of John Wyatt (1675-1742), his wife Jane (1677-1739), their son Benjamin Wyatt (1709-1772) and other family members (Photograph: Patrick Comerford)
Edward Wyatt, who was buried in Weeford in 1572, was the great-great-grandfather of Edward Wyatt (1632-1705), whose son, John Wyatt (1675-1742) from Thickbroom in Weeford, was the immediate ancestor of this outstanding architectural dynasty.
This John Wyatt married Jane Jackson (1677-1739) on 4 June 1699, and they were the parents of at least nine children, eight sons and one daughter. Their eldest son, John Wyatt (1700-1766), who was probably born in Thickbroom and baptised in Weeford parish church, was also related to Sarah Ford, the mother of Dr Samuel Johnson.
John was a carpenter by trade, and worked in Birmingham, where he became a talented inventor. His inventions included a compound lever weighing machine for weighing loaded wagons, and he developed a spinning machine that predated Richard Arkwright’s ‘Spinning Jenny.’
The second son of John and Jane Wyatt of Thickbroom was William Wyatt (1701-1772) of Sinai Park House, near Burton-upon-Trent. A surveyor, who was steward to the Paget family, and was involved in their unpopular enclosures of land in Staffordshire.
I shall return to his descendants and their architectural legacy later on.
Architectural genius
Swinfen Hall … the finest architectural achievement of Benjamin Wyatt (1709-1772)
Among John Wyatt’s eight sons, the first to work as an architect was Benjamin Wyatt I (1709-1772). He too was baptised in Weeford, in 1709, and in the same church he married Mary Wright on 27 May 1731.
He was a ‘farmer, timber merchant, building contractor and sometime architect.’ Benjamin and Mary Wyatt were living at Coton, near Tamworth, before he built his own house, Blackbrook in Weeford, which was home to seven generations of the Wyatt family.
Benjamin Wyatt’s finest architectural achievement was Swinfen Hall, between Weeford and Lichfield, which he built in 1757 for Samuel Swinfen and his wife. Half a century ago, Sir Nikolaus Pevsner observed in 1974: ‘Much more ought to be found out about the house.’ I think this has been rectified in recent decades.
Around 1769, Benjamin Wyatt built Soho House in Handsworth (then in Staffordshire), the Birmingham home of Matthew Boulton (1728-1809), a Birmingham industrialist and a member of the Lunar Society. Later work on the house was carried out by two of John’s sons, Samuel Wyatt (1737-1807), who extended the house in 1789, and James Wyatt (1746-1813), who added the main entrance (1796).
Other works in Staffordshire by Benjamin Wyatt senior include the General Hospital in Foregate Street, Stafford (1766-1771).
The gate lodge of Sidney Sussex College, Cambridge … part of the alterations by Sir Jeffry Wyatville in 1832 (Photograph: Patrick Comerford)
Benjamin and Mary Wyatt had a large family. Their eldest son, William Wyatt (1734-1781), was a land surveyor and inclosure commissioner, and he married his first cousin, Sarah Wyatt of Sinai Park.
Their second son, John Wyatt (1735-1797), was a successful surgeon in London. He returned to Weeford to marry Catherine Anderson on 31 March 1761, when his parents were still living at Blackbrook Farm, and when he died in 1797 he was buried in Weeford too.
Another son, Samuel Wyatt (1737-1807), nicknamed ‘Chip’ because he was also a carpenter, was an architect and builder. He married his cousin, Jane Wyatt. His works include Trinity House on Tower Hill, which has been described as ‘the last word in Georgian elegance.’
Pevsner says Samuel Wyatt was ‘the best architect to work at Shugborough’, which was originally built in 1693. He designed what Pevsner calls the ‘grandest portico in Staffordshire by far,’ the eight-column giant portico set in front of the house in 1794.
He also added the awkwardly projecting saloon, former dining room and drawing room, and the elliptical entrance hall, and designed the Milford Lodges at the entrance.
The next son, Joseph Wyatt (1739-1785), who married his cousin Myrtilla Wyatt, was the father of Sir Jeffry Wyatville (1766-1840). He changed his surname from Wyatt to Wyatville (frequently misspelled Wyattville in south Dublin housing estates), and Sir Jeffry Wyatville was responsible for significant works at Windsor Castle and Chatsworth House.
I have first-hand familiarity with Jeffry Wyatville’s alterations to Sidney Sussex College, Cambridge, in 1832, including the gatehouse. Under his supervision, the exterior brick of Sidney Sussex College was covered with a layer of cement, the existing buildings were heightened slightly, and the architectural effect was also heightened.
Benjamin and Mary Wyatt were also the parents of Benjamin Wyatt II (1744-1818), who moved to Wales in 1785 and was the agent to Lord Penrhyn.
James Wyatt and Lichfield Cathedral
Lichfield Cathedral … Pugin called James Wyatt a ‘wretch,’ a ‘pest’ and a ‘monster of architectural depravity’ (Photograph: Patrick Comerford)
But the most famous son of Benjamin and Mary Wyatt was James Wyatt (1746-1813), who was born at Blackbrook Farmhouse near Weeford, and became the most acclaimed and influential architect of his age.
His first major building, the Pantheon in Oxford Street, London, was described by Horace Walpole as ‘the most beautiful edifice in England.’ Sadly, this building burned to the ground in a spectacular fire in 1792, only 20 years after its opening. The site is now occupied by the Oxford Street branch of Marks and Spencer.
James Wyatt became the Surveyor General and was involved in the Radcliffe Observatory in Oxford (Photograph: Patrick Comerford)
In 1792, James Wyatt was appointed the Surveyor General, which effectively made him England’s most prominent architect. He was also involved in works at Windsor Castle, Kew Gardens, the Radcliffe Observatory in Oxford, and the restoration of the House of Lords. His other acclaimed works include Fonthill Abbey near Hindon, in Wiltshire, Broadway Tower in Worcestershire, the folly on the second highest point of the Cotswolds, Heveningham Hall in Suffolk, Ashbridge Park in Hertfordshire, and the Royal Military Academy at Woolwich.
He also worked on Alton Towers for the Earls of Shrewsbury, although Pevsner was unable to determine the extent of his contribution.
James Wyatt rebuilt Saint Mary’s Church in Weeford in 1802-1804, now a Grade 2 Listed Building, and donated the altar, pulpit, screens, font and ornamental furnishings. Other family members involved in rebuilding the church included James Wyatt’s nephew, Lewis William Wyatt (1777-1853), son of Benjamin Wyatt II (1744-1853).
James Wyatt began working on the restoration of Lichfield Cathedral in 1788 – his first cathedral task – and worked until here 1795. He oversaw work to remove 500 tons of stone from the nave roof, replacing it with lath and plaster, and effectively saving the cathedral from collapse. He blocked up the four western choir arches, removed or altered the screen, put a glass screen in the east arch of the crossing, and added the two heavy buttresses outside the south transept. He also largely rebuilt the central spire.
The architect on the site was Joseph Potter senior.
When the great figure in the Gothic Revival, AWN Pugin, first visited Lichfield in 1834, over 20 years after James Wyatt had died, he was taken aback by his refurbishment of the cathedral 30 years earlier and believed the fabric of the cathedral had been mutilated by James Wyatt – and he also described Lichfield as ‘a dull place – without anything remarkable.’
Pugin described Wyatt as a ‘Wretch,’ a ‘pest,’ an ‘accursed tutor’ and a ‘monster.’ He declared: ‘Yes – this monster of architectural depravity, this pest of Cathedral architecture, has been here. need I say more.’
Referring to another Lichfield architect, Joseph Potter, Pugin said: ‘The man I am sorry to say – who executes the repairs of the building was a pupil of the Wretch himself and has imbibed all the vicious propensities of his accursed tutor without one spark of even practical ability to atone for his misdeeds.’
James Wyatt’s major neoclassical country houses include Packington Hall, two miles from Lichfield and 4.5 miles from Tamworth, and the home of the Babington and then the Levett family for generations.
James Wyatt’s major works in Ireland include Castle Coole, the Enniskillen home of the Earls of Belmore, Lady Anne Dawson’s mausoleum in Dartrey, Co Monaghan, the interiors of Curraghmore for Lord Waterford, and Avondale House, Co Wicklow, the family home of the Irish patriot Charles Stewart Parnell.
It interesting to note his broad and sweeping influence on the design of houses in towns such as Carlow, Bunclody (Newtownbarry), Co Wexford, and Rathkeale, Co Limerick, for example.
Wyatt windows can be seen in many buildings in Bunclody, including the former Comerford family home (until recently the Post Office). The rectory, built in 1808, has windows that diminish in scale on each floor in the classical manner, producing a graduated visual impression, once again in a style inspired by James Wyatt. Wyatt windows can be seen too in some of the many once-elegant Georgian townhouses in Rathkeale.
James Wyatt was also briefly the President of the Royal Academy (1804). His life came to an abrupt end on 4 September 1813, when the chariot-and-four in which he was travelling overturned on the Marlborough Downs. He was buried in the South Transept in Westminster Abbey.
James Wyatt’s second son and pupil, Benjamin Dean Wyatt (1775-1852), built the Theatre Royal in Drury Lane, London, and was also the Surveyor at Westminster Abbey. Another son was the sculptor Matthew Cotes Wyatt (1778-1862).
The Irish work of the dynasty
Thomas Henry Wyatt built Saint Bartholomew’s Church, Ballsbridge, in 1864-1867 (Photograph: Patrick Comerford)
I said I would return to William Wyatt (1701-1772), the elder brother of Benjamin Wyatt (1709-1772). This William Wyatt was the grandfather of Matthew Wyatt (1773-1831), who studied law instead of architecture. He moved briefly to Ireland when he was appointed a barrister and police magistrate in Roscommon.
Matthew Wyatt’s son, Thomas Henry Wyatt (1807-1880), was born at Loughlynn House, Co Roscommon, on 9 May 1807. Although he was born in Ireland, he is often regarded as an English architect.
When Thomas was about 11, the Wyatt family returned to England in 1818, and his brother, Sir Matthew Digby Wyatt (1820-1877), was born in Rowde, Wiltshire. By 1825, the family was living in Lambeth.
Thomas Wyatt first began a career as a merchant sailing to the Mediterranean. But he returned to the family’s tradition of architecture, and his early training was in the office of Philip Hardwick. There he worked until 1832, and was involved in work on Goldsmiths Hall, Euston Station and the warehouses at Saint Katharine Docks.
He began to practice on his own as an architect in 1832, and became the District Surveyor for Hackney, a post he held until 1861.
He married his first cousin, Arabella Montagu Wyatt (1807-1875), a daughter of his uncle, Arthur Wyatt, who was the agent of the Duke of Beaufort. By 1838, he had acquired substantial patronage from the Duke of Beaufort, the Earl of Denbigh and Sidney Herbert (1810-1861). David Brandon joined Wyatt as a partner, and this partnership lasted until 1851. Their works included Saint John the Baptist Church, Tixall, commissioned by the Hon John Chetwynd Talbot, and the now lost Saint Thomas Church in Wednesfield. In 1860, Thomas Wyatt’s son, Matthew Wyatt (1840-1892), became his partner.
Thomas Wyatt’s practice at 77 Great Russell Street, London, was extensive with a large amount of work in Wiltshire, thanks to the patronage of the Herbert family, and in Monmouthshire through the Beaufort connection. Wyatt worked in many styles ranging from the Italianate of Wilton through to the Gothic of many of his churches.
Inside Saint Bartholomew’s Church, Ballsbridge … the church has a unique place in the history of Victorian church architecture in Ireland (Photograph: Patrick Comerford)
Wyatt probably received the commission for Saint Bartholomew’s Church, Ballsbridge, in the expanding, comfortable Victorian suburbs of south Dublin, through the patronage of the Herbert family who were the landlords of that part of Dublin. As the Earls of Pembroke, they give their name to a new township based on Ballsbridge. Wyatt worked closely with Sidney Herbert, younger brother of the Earl of Pembroke, who administered the family estates and donated the site for the ‘Pembroke District Church.’
Sidney Herbert was a brother-in-law of Thomas Vesey (1803-1875), the 3rd Viscount de Vesci, who married Lady Emma, daughter of George Herbert, 11th Earl of Pembroke. Lord de Vesci had commissioned Wyatt to restore Abbeyleix House, Co Laois, and to design the parish church of Saint Michael and All Angels in Abbeyleix.
Sidney Herbert, who had sent Florence Nightingale to Scutari during the Crimean War, was the father-in-law of both the theologian Friedrich von Hügel and the composer Hubert Parry. He lived at Mount Merrion in south Dublin and was managing the Pembroke estates when the site for Saint Bartholomew’s was donated and Wyatt was commissioned to design the new church.
Wyatt’s also enlarged and altered Saint Mary’s Church in Gowran, Co Kilkenny. He also reported on the completion of the restoration of Saint Canice’s Cathedral, Kilkenny, and worked on several Irish country houses, including Abbeyleix, Co Laois, for Lord de Vesci, Ramsfort, Co Wexford, for Stephen Ram, Lissadell House, Co Sligo, for the Gore-Booth family, and Palmerstown House, Co Kildare, for the de Burgh family.
The font in Saint Bartholomew’s was a personal gift to the church by Thomas Henry Wyatt (Photograph: Patrick Comerford)
The font in Saint Bartholomew’s Church was his personal gift to the church. He died on 5 August 1880 leaving an estate of £30,000, and is buried at Weston Patrick.
Sir Matthew Digby Wyatt of Cambridge designed 24-25 Grafton Street, Dublin … today it is stripped of its original ground-floor shopfront (Photograph: Patrick Comerford)
Thomas Wyatt’s younger brother and former pupil, Sir Matthew Digby Wyatt (1820-1877), was an art historian and the first Slade Professor of Fine Art at Cambridge. He too also worked in Ireland, and he designed Nos 24-25 Grafton Street, Dublin, in the ‘Celtic revival’ style for William Longfield.
This building had one of the finest Romanesque façades until the ground floor was vandalised to make way for modern shopfronts. The original shopfront combined details from many churches and cathedrals, including the doorway in Saint Lachtain’s Church, Freshford, Co Kilkenny, crosses from Monasterboice, Co Louth, and the chancel arch and crosses from Saint Mary’s Cathedral, Tuam, Co Galway.
The first and second floors, which have survived, have two super-imposed Romanesque arcades. Above them, the third floor looks like a Venetian loggia. The rich details throughout these three floors include interlaced capitals, keystone masks, foliated string courses, and chevron or saw-tooth ornamentation.
In 1863, the Irish Builder hoped Wyatt would ‘stimulate many an Irish architect to … recreate a national style,’ and praised the building for being ‘at once novel and successful.’
A continuing link
The grave of John Wyatt (died 1820) in Weeford Churchyard (Photograph: Patrick Comerford)
The grave of the journalist Woodrow Wyatt in Weeford Churchyard (Photograph: Patrick Comerford)
As I strolled through Saint Mary’s churchyard in Weeford, I came across other interesting members of the Wyatt family, and more recent family members, including the former amateur cricketer and captain of Warwickshire, Worcestershire and England, Robert Elliott Storey (Bob) Wyatt (1901-1995), and the politician, journalist and chairman of the Tote, Woodrow Wyatt (1918-1997), who was made Lord Wyatt of Weeford by Margaret Thatcher and who is also buried in the churchyard.
The Old Schoolhouse in Weeford continues to celebrate the Wyatt name (Photograph: Patrick Comerford)
Across the country lane from the churchyard, the Wyatt dynasty is remembered in the Wyatt Pavilion, a popular wedding venue incorporated into the bar and restaurant in the old schoolhouse.
Conclusions:
Wyatt windows in a terrace of houses in Rathkeale, Co Limerick (Photograph: Patrick Comerford)
Wyatt windows in the Mall House, the former Comerford family home in Bunclody, Co Wexford (Photograph: Patrick Comerford)
Thomas Wyatt has been described unfairly by John Betjeman as ‘one of the dullest Victorian architects.’ On the other hand, despite Pugin’s scorn and contempt for James Wyatt, John Betjeman has praised him for his ‘symphony’ of ‘exquisite plaster, marble and painted details.’
James Wyatt has been acclaimed both as ‘the successor to Robert Adam as England’s most fashionable architect in the classical idiom,’ and for his ‘mastery of the Gothic style.’ Sir Nikolaus Pevsner has called his work at Woolwich ‘one of the most important pieces of military architecture’ in Britain.
But James Wyatt is also controversial, because he is also taken to task for having followed fashions in a superficial way, and to Pugin he was ‘a monster of architectural depravity’ for his insensitive work at Lichfield and other cathedrals.
Little of Wyatt’s work at Lichfield Cathedral survived the later Victorian restoration and rebuilding. Pevsner has pointed out that much of Lichfield Cathedral, as it is today, is George Gilbert Scott’s work, including mouldings, capitals and statues, and most of the window tracery.
The finest surviving works by the Wyatt family in Staffordshire are Shugborough and Swinfen Hall.
If you wish to see their legacy in this part of Staffordshire, then visit Swinfen Hall, take a stroll through Weeford, or admire the work in Lichfield of James Wyatt’s pupil, Joseph Potter (1756-1842), including Newtown’s College in the Close (1800), the Causeway Bridge at Bird Street (1816), and Holy Cross Church, Upper Saint John Street, Lichfield (1835).
Potter’s other works in Lichfield and the surrounding area include:
● Christ Church, Burntwood (1819-1820);
● Chetwynd Bridge, Alrewas (1824);
● Freeford Hall, enlarged for the Dyott family (1826-1827);
● The High Bridge, Armitage (1829-1830);
● Saint John Baptist Roman Catholic Church, Tamworth (1829-1830).
His son, Joseph Potter Jnr. (1797-1875), took over his architectural practice and designed the Guildhall (1846-1848) and the Clock Tower (1863) in Lichfield.
Appendix 1: Wyatt works in Staffordshire:
Benjamin Wyatt I (1709-1772):
Blackbrook Farmhouse, Weeford (pre 1750), Wyatt family home in Weeford.
Swinfen Hall (1755-1757), for Samuel Swinfen.
Soho House, Handsworth (1769) for Matthew Boulton.
Benjamin Wyatt senior’s other works in Staffordshire include the General Hospital in Foregate Street, Stafford (1766-1771).
Samuel Wyatt (1737-1807):
Soho House (1789), extended for Matthew Boulton.
Shugborough House (1790, 1806), Milford Lodges and portico 1794 in front of 1693 house.
James Wyatt (1746-1813):
Lichfield Cathedral (1788-1795): restoration work.
Packington Hall, for the Babington and Levett families.
Little Aston Hall (late 18th century), rebuilt by Edward J Payne (1857-1859).
Soho House (1796), added main entrance front for Matthew Boulton.
Saint Mary’s Church, Weeford (1802).
Alton Towers (Pevsner is unable to determine the extent of his contribution).
Canwell Hall: added two wings (demolished 1957).
Thomas Wyatt (1807):
Saint John the Baptist Church, Tixall (1849), Wyatt and Brandon, commissioned by John Chetwynd Talbot.
Saint Thomas Church, Wednesfield (1842-1843), chancel by Wyatt and Brandon, burnt in 1902, rebuilt by FT Beck (1903).
Appendix 2: A search in vain
The Weeford Parish Register records the four children of James Wyatt (1717-1783) and his wife Elizabeth Somerford or Sommerford. This James Wyatt was a son of John Wyatt (1675-1742) and Jane Jackson (1677-1739). He was the youngest child in a family of eight sons and one daughter, and he was a younger brother of William Wyatt (1702-1772) and Benjamin Wyatt (1709-1772), the ancestors of the Wyatt architectural dynasty.
James Wyatt and John Wyatt, probably twins, the sons of James Wyatt and Elizabeth Somerford, were baptised on 22 January 1760. Infant mortality also struck this couple, and the two boys died later that year: John was buried on 23 September and James was buried on 20 December 1760. The baptism of a daughter Mary in 1762 is not noted, although the register records her burial in Weeford later that year on 22 October 1762, without naming her parents. A third son, also James Wyatt, son of James Wyatt and Elizabeth Somerford, was baptised on 24 May 1763. A fourth son, John Wyatt, son of James Wyatt and Elizabeth Sommerford, was baptised in Weeford on 27 December 1765.
Despite the heartbreak of infant mortality, James and Elizabeth appear to have been determined to keep the names James and John in the family. The second John Wyatt died in 1791.
James Wyatt was buried in Weeford on 15 August 1783. An entry on 23 February 1804 records: ‘Elizabeth Somerford from Lichfield, bur[ied], Copied to here.’ This is probably his widow, although this is not clear from the burial register; if she is his widow, one wonders why her married name is not used.
Weeford is less than 10 miles south of Comberford, in the neighbouring parish of Wigginton, and there is at least one record showing how close the two villages are with the burial of ‘John, s[on] of Edw[ard] Lakin of Cumberford’ on 27 November 1726.
As the register shows, the spelling of surnames did not become standardised until later in the 19th century, and I wondered whether some descendants of the Comberford family of Comberford that I had not known of may have continued to live in this part of Staffordshire for longer than my researches had shown.
Indeed, it would have been interesting to come across a marriage between the Wyatt and Comerford families, just at a time when the Comerfords were introducing Wyatt-style windows to the domestic architecture of Newtownbarry (Bunclody).
But I was quickly dissuaded. Perhaps Sommerford and Somerford were not misspellinsg for Comberford or Comerford, but derived from Somerford, about 18 miles west of Weeford and a mile east of Brewood, the same Somerford that also gave its name to Somerford Place in Willenhall, where Norman W Tildesley, the editor of this volume, lived in the 1950s.
Thomas Somerford of Somerford Hall, his wife, his mother and his children were Quakers by the 1680s. But the Somerford family had sold or lost Somerford Hall by 1705. If Elizabeth Wyatt is descended from that family I have yet to discover how.
Some sources:
‘The Wyatt Dynasty’, the Victorian Web, http://www.victorianweb.org/art/architecture/misc/wyattdyn.html (last accessed 22 April 2018).
Rosemary Hill, God’s Architect: Pugin and the Building of Romantic Britain (London: Penguin, 2007).
(Sir) Nikolaus Pevsner, Staffordshire, The Buildings of England (Harmondsworth Penguin, 1974).
John Martin Robinson, The Wyatts: An Architectural Dynasty (Oxford: Oxford University Press, 1979).
Norman W Tildesley (ed), Weeford Parish Registers, Baptism, Marriages, Burials 1562-1812 (Wednesbury: Staffordshire Parish Registers Society, 1955).
Reginald Turnor, Nineteenth Century Architecture in Britain (London: Batsford, 1950).
Chris Woodcock, Notes on a line of the Galloway Family (2016).
Biographical Note:
(Revd Canon Professor) Patrick Comerford is an Anglican priest living in retirement in Stony Stratford, Buckinghamshire. He is a former professor at Trinity College Dublin, lectured in church history and liturgy at the Church of Ireland Theological Institute, and spent many years in ministry in the Church of Ireland. He has family links with the Tamworth area that stretch back generations and centuries. He blogs daily at www.patrickcomerford.com, where many of his postings are about life, history and architecture in the Tamworth and Lichfield area.
Patrick Comerford
Tamworth and District Civic Society,
Christopher’s, Peel Hotel,
Aldergate, Tamworth
7:30 p.m., 11 April 2024
Introduction
There are several interesting architectural dynasties in the 19th century, including the Hardwick, Barry, Pugin and Scott families. But the Wyatt family tree stretches back much further than any of these, and the Wyatt family stands out for the variety and influence of its work by five or six generations of influential English architects in the 17th, 18th and 19th centuries.
The best-known member of this dynasty was, perhaps, James Wyatt (1746-1813), although his work on rebuilding and restoring Lichfield Cathedral at the end of the 18th century drew the opprobrium of the greatest Gothic Revival architect of them all, AWN Pugin, when he visited Lichfield.
I am familiar with the work of the Wyatt family, not only because of my research on Pugin’s work, and because my family had worked on Pugin churches in the 19th century, but also because of their strong family links with the Tamworth and Lichfield area, because of Wyatt contributions to the architectural shape of Sidney Sussex College in Cambridge, and because of one unique architectural feature – Wyatt Windows – which are found in large measure in two towns in Ireland: in Bunclody, Co Wexford, which was the Irish home town of my father’s ancestors, and Rathkeale, the principal town in the group of parishes in the Diocese of Limerick in south-west Ireland where I was the priest-in-charge for five years (2017-2022).
Visiting Weeford
Saint Mary’s Church in Weeford … generations of the Wyatt family were baptised, married and buried there (Photograph: Patrick Comerford)
I was reminded once again of the Wyatt family’s prolific work and unique contribution throughout these islands on a visit some time ago to Weeford, between Tamworth and Lichfield, which has been associated with the Wyatt family for almost six centuries.
Weeford is one of the five original ‘prebends’ in Lichfield Cathedral (Photograph: Patrick Comerford)
Weeford is 9 km (5.6 miles) west of Tamworth and 6 km (four miles) south of Lichfield, close to Toll 4 on the M6, but is in quiet rural Staffordshire. It is mentioned in the Domesday Book and it was one of the five original ‘prebends’ that paid ‘wax Scot’ or ‘Plough Alms’ to Lichfield Cathedral from the beginning of the 12th century. Indeed, there was a church in Weeford for many centuries, and there is still a stall for the Prebendary of Weeford in the chapter stalls in Lichfield Cathedral.
The Weeford Parish Registers are a valuable tool for genealogists and local historian (Photograph: Patrick Comerford)
In Lichfield, I recently bought a copy of the old parish registers for Saint Mary’s, dating back to 1562. The Weeford Parish Register was prepared for the Staffordshire Parish Register Society and edited by the society secretary, Norman W Tildesley of Somerford Place, Willenhall, and printed privately in Wednesbury around 1954-1956.
The Weeford parish registers of baptisms, marriages and burials date from 1562 and continue until 1812. They were transcribed by HR Thomas of Wolverhampton. On the back of the fly leaf of the first register are two interesting prayers written in an unformed hand:
By thy crucified body deliver me from the body of this death.
O let this blood of thine purge my conscience from vain works to serve the living God.
A footbridge over the Blackbrook River in Weeford (Photograph: Patrick Comerford)
The registers record not just baptisms, marriages and burials, but the events too that led to these rites of passage. An entry in 1614 records: ‘Buried: Roger Whately, a Carrier, that was murthered at Weeford Park on Sundaie the 27th November, buried the last of November.’
There is a moving entry from 13 February 1745: ‘Buried a woman that came to ask charity at Packington Hall and died in the fold there.’
On 13 March 1758, the registers record the death of ‘James Holmes who was kill’d by a waggon wheel at Mr Manley’s of Swinfen.’ An unnamed ‘Travelling Irishman’ is recorded as being baptised on 15 August 1759, although this must surely refer to a burial. On 24 February 1760, we read of the death of ‘Mr Joseph Grundy from Swinfen Hall, who was killed by being ‘thrown off a load of Hay.’
Some of the entries record family tragedies in very simple terms. Jone (Joan) Basford, the daughter of Raphe Basford, was baptised on 28 January 1571, ‘and was burried [sic] the morrow after.’ An unknown stranger is buried on 3 February 1578 without being named. Thomas Thickbrome’s two daughters, Margaret and Ellin, are buried within ten days of each other in October 1580. Robert and Constance Turner, brother and sister, were baptised on 7 March 1586 – and both were buried five days later. Charles, the son of Joseph and Mary Wyatt, was baptised on 27 November 1757, and buried the next day.
To read this high rate of infant mortality, even centuries later, is heart-rending.
Thomas Tew and Ales Mustard were married on 2 December 1574, and their son William was baptised three weeks later, on Christmas Day 25 December 1574. The registers can be quite blunt, or even cruel, in commenting on domestic situations. A child baptised in 1576, and another in 1578, are each described as spurius, while a child baptised in 1584 is said to be ‘baseborne.’
There are three sad entries, one after another, on 2 August 1591, beginning with the burial of Elizabeth Maxfield, noting ‘The said Elizabeth Maxfield a little before her death of two sonnes, the name of the first is Edward, the other Thomas, the father of the said children is unknown.’ The writer then goes on to record the baptisms that day of each new-born child.
A child found in the church porch ‘was baptized by the name of Anne, according to the Cannon [sic]’ on 31 December 1637.
There are few entries for baptisms during the Cromwellian era (1649-1660) and the entries are poorly organised, indicating the strong Puritan streak among the ministers appointed to the parish, although this does not necessarily mean the parishioners agreed with the ministers imposed on them.
The four main families in the parish were Swinfen of Swinfen Hall, Levett of Packington Hall, Manley of Manley Hall and Lawley of Canwell Hall. Packington Hall had been built by James Wyatt for the Babington family, and later passed by marriage to the Levett family.
Early Wyatts in Weeford
An outline of the Wyatt family tree (Wikipedia)
As an indication of the social prejudices of the day, families like these tend to receive more attentive entries in the register. John and Ann Swinfen were witnesses on 14 October 1790 at the marriage of ‘The Honourable John Colvill, eldest son and heir apparent of the Right Honourable John, Lord Colvill of Culrooss in Scotland and Elizabeth Ford of Swinfen.’ It is interesting to note that Elizabeth’s parentage is not referred to.
These registers show that the Wyatt family was living in the parish since at least as early as 1540, if not earlier. The baptism of Thomas Wyatt, son of Robert Wyatt, on 29 July 1562, is the fifth entry recorded in the registers, and is followed by two daughters, Margery in 1565 and Margaret in 1567.
Entries for members of the Wyatt family, including inter-marriages within the family, continue for generations and for centuries. There are Wyatt memorials in the parish church and Wyatt graves scattered throughout the churchyard.
There were Wyatts in Weeford from before 1540, when William Wyatt was the father of Humphrey Wyatt, and the Wyatt architectural dynasty can be traced back to William Wyatt of Thickbroom, near Weeford, who died in 1572.
The Wyatt dynasty was consolidated by a great number of marriages between cousins – over 20 in all, with eight in one generation alone. Wyatt family members often worked together in the architectural world. But the family also includes artists, painters, sculptors and journalists.
The grave in the churchyard in Weeford of John Wyatt (1675-1742), his wife Jane (1677-1739), their son Benjamin Wyatt (1709-1772) and other family members (Photograph: Patrick Comerford)
Edward Wyatt, who was buried in Weeford in 1572, was the great-great-grandfather of Edward Wyatt (1632-1705), whose son, John Wyatt (1675-1742) from Thickbroom in Weeford, was the immediate ancestor of this outstanding architectural dynasty.
This John Wyatt married Jane Jackson (1677-1739) on 4 June 1699, and they were the parents of at least nine children, eight sons and one daughter. Their eldest son, John Wyatt (1700-1766), who was probably born in Thickbroom and baptised in Weeford parish church, was also related to Sarah Ford, the mother of Dr Samuel Johnson.
John was a carpenter by trade, and worked in Birmingham, where he became a talented inventor. His inventions included a compound lever weighing machine for weighing loaded wagons, and he developed a spinning machine that predated Richard Arkwright’s ‘Spinning Jenny.’
The second son of John and Jane Wyatt of Thickbroom was William Wyatt (1701-1772) of Sinai Park House, near Burton-upon-Trent. A surveyor, who was steward to the Paget family, and was involved in their unpopular enclosures of land in Staffordshire.
I shall return to his descendants and their architectural legacy later on.
Architectural genius
Swinfen Hall … the finest architectural achievement of Benjamin Wyatt (1709-1772)
Among John Wyatt’s eight sons, the first to work as an architect was Benjamin Wyatt I (1709-1772). He too was baptised in Weeford, in 1709, and in the same church he married Mary Wright on 27 May 1731.
He was a ‘farmer, timber merchant, building contractor and sometime architect.’ Benjamin and Mary Wyatt were living at Coton, near Tamworth, before he built his own house, Blackbrook in Weeford, which was home to seven generations of the Wyatt family.
Benjamin Wyatt’s finest architectural achievement was Swinfen Hall, between Weeford and Lichfield, which he built in 1757 for Samuel Swinfen and his wife. Half a century ago, Sir Nikolaus Pevsner observed in 1974: ‘Much more ought to be found out about the house.’ I think this has been rectified in recent decades.
Around 1769, Benjamin Wyatt built Soho House in Handsworth (then in Staffordshire), the Birmingham home of Matthew Boulton (1728-1809), a Birmingham industrialist and a member of the Lunar Society. Later work on the house was carried out by two of John’s sons, Samuel Wyatt (1737-1807), who extended the house in 1789, and James Wyatt (1746-1813), who added the main entrance (1796).
Other works in Staffordshire by Benjamin Wyatt senior include the General Hospital in Foregate Street, Stafford (1766-1771).
The gate lodge of Sidney Sussex College, Cambridge … part of the alterations by Sir Jeffry Wyatville in 1832 (Photograph: Patrick Comerford)
Benjamin and Mary Wyatt had a large family. Their eldest son, William Wyatt (1734-1781), was a land surveyor and inclosure commissioner, and he married his first cousin, Sarah Wyatt of Sinai Park.
Their second son, John Wyatt (1735-1797), was a successful surgeon in London. He returned to Weeford to marry Catherine Anderson on 31 March 1761, when his parents were still living at Blackbrook Farm, and when he died in 1797 he was buried in Weeford too.
Another son, Samuel Wyatt (1737-1807), nicknamed ‘Chip’ because he was also a carpenter, was an architect and builder. He married his cousin, Jane Wyatt. His works include Trinity House on Tower Hill, which has been described as ‘the last word in Georgian elegance.’
Pevsner says Samuel Wyatt was ‘the best architect to work at Shugborough’, which was originally built in 1693. He designed what Pevsner calls the ‘grandest portico in Staffordshire by far,’ the eight-column giant portico set in front of the house in 1794.
He also added the awkwardly projecting saloon, former dining room and drawing room, and the elliptical entrance hall, and designed the Milford Lodges at the entrance.
The next son, Joseph Wyatt (1739-1785), who married his cousin Myrtilla Wyatt, was the father of Sir Jeffry Wyatville (1766-1840). He changed his surname from Wyatt to Wyatville (frequently misspelled Wyattville in south Dublin housing estates), and Sir Jeffry Wyatville was responsible for significant works at Windsor Castle and Chatsworth House.
I have first-hand familiarity with Jeffry Wyatville’s alterations to Sidney Sussex College, Cambridge, in 1832, including the gatehouse. Under his supervision, the exterior brick of Sidney Sussex College was covered with a layer of cement, the existing buildings were heightened slightly, and the architectural effect was also heightened.
Benjamin and Mary Wyatt were also the parents of Benjamin Wyatt II (1744-1818), who moved to Wales in 1785 and was the agent to Lord Penrhyn.
James Wyatt and Lichfield Cathedral
Lichfield Cathedral … Pugin called James Wyatt a ‘wretch,’ a ‘pest’ and a ‘monster of architectural depravity’ (Photograph: Patrick Comerford)
But the most famous son of Benjamin and Mary Wyatt was James Wyatt (1746-1813), who was born at Blackbrook Farmhouse near Weeford, and became the most acclaimed and influential architect of his age.
His first major building, the Pantheon in Oxford Street, London, was described by Horace Walpole as ‘the most beautiful edifice in England.’ Sadly, this building burned to the ground in a spectacular fire in 1792, only 20 years after its opening. The site is now occupied by the Oxford Street branch of Marks and Spencer.
James Wyatt became the Surveyor General and was involved in the Radcliffe Observatory in Oxford (Photograph: Patrick Comerford)
In 1792, James Wyatt was appointed the Surveyor General, which effectively made him England’s most prominent architect. He was also involved in works at Windsor Castle, Kew Gardens, the Radcliffe Observatory in Oxford, and the restoration of the House of Lords. His other acclaimed works include Fonthill Abbey near Hindon, in Wiltshire, Broadway Tower in Worcestershire, the folly on the second highest point of the Cotswolds, Heveningham Hall in Suffolk, Ashbridge Park in Hertfordshire, and the Royal Military Academy at Woolwich.
He also worked on Alton Towers for the Earls of Shrewsbury, although Pevsner was unable to determine the extent of his contribution.
James Wyatt rebuilt Saint Mary’s Church in Weeford in 1802-1804, now a Grade 2 Listed Building, and donated the altar, pulpit, screens, font and ornamental furnishings. Other family members involved in rebuilding the church included James Wyatt’s nephew, Lewis William Wyatt (1777-1853), son of Benjamin Wyatt II (1744-1853).
James Wyatt began working on the restoration of Lichfield Cathedral in 1788 – his first cathedral task – and worked until here 1795. He oversaw work to remove 500 tons of stone from the nave roof, replacing it with lath and plaster, and effectively saving the cathedral from collapse. He blocked up the four western choir arches, removed or altered the screen, put a glass screen in the east arch of the crossing, and added the two heavy buttresses outside the south transept. He also largely rebuilt the central spire.
The architect on the site was Joseph Potter senior.
When the great figure in the Gothic Revival, AWN Pugin, first visited Lichfield in 1834, over 20 years after James Wyatt had died, he was taken aback by his refurbishment of the cathedral 30 years earlier and believed the fabric of the cathedral had been mutilated by James Wyatt – and he also described Lichfield as ‘a dull place – without anything remarkable.’
Pugin described Wyatt as a ‘Wretch,’ a ‘pest,’ an ‘accursed tutor’ and a ‘monster.’ He declared: ‘Yes – this monster of architectural depravity, this pest of Cathedral architecture, has been here. need I say more.’
Referring to another Lichfield architect, Joseph Potter, Pugin said: ‘The man I am sorry to say – who executes the repairs of the building was a pupil of the Wretch himself and has imbibed all the vicious propensities of his accursed tutor without one spark of even practical ability to atone for his misdeeds.’
James Wyatt’s major neoclassical country houses include Packington Hall, two miles from Lichfield and 4.5 miles from Tamworth, and the home of the Babington and then the Levett family for generations.
James Wyatt’s major works in Ireland include Castle Coole, the Enniskillen home of the Earls of Belmore, Lady Anne Dawson’s mausoleum in Dartrey, Co Monaghan, the interiors of Curraghmore for Lord Waterford, and Avondale House, Co Wicklow, the family home of the Irish patriot Charles Stewart Parnell.
It interesting to note his broad and sweeping influence on the design of houses in towns such as Carlow, Bunclody (Newtownbarry), Co Wexford, and Rathkeale, Co Limerick, for example.
Wyatt windows can be seen in many buildings in Bunclody, including the former Comerford family home (until recently the Post Office). The rectory, built in 1808, has windows that diminish in scale on each floor in the classical manner, producing a graduated visual impression, once again in a style inspired by James Wyatt. Wyatt windows can be seen too in some of the many once-elegant Georgian townhouses in Rathkeale.
James Wyatt was also briefly the President of the Royal Academy (1804). His life came to an abrupt end on 4 September 1813, when the chariot-and-four in which he was travelling overturned on the Marlborough Downs. He was buried in the South Transept in Westminster Abbey.
James Wyatt’s second son and pupil, Benjamin Dean Wyatt (1775-1852), built the Theatre Royal in Drury Lane, London, and was also the Surveyor at Westminster Abbey. Another son was the sculptor Matthew Cotes Wyatt (1778-1862).
The Irish work of the dynasty
Thomas Henry Wyatt built Saint Bartholomew’s Church, Ballsbridge, in 1864-1867 (Photograph: Patrick Comerford)
I said I would return to William Wyatt (1701-1772), the elder brother of Benjamin Wyatt (1709-1772). This William Wyatt was the grandfather of Matthew Wyatt (1773-1831), who studied law instead of architecture. He moved briefly to Ireland when he was appointed a barrister and police magistrate in Roscommon.
Matthew Wyatt’s son, Thomas Henry Wyatt (1807-1880), was born at Loughlynn House, Co Roscommon, on 9 May 1807. Although he was born in Ireland, he is often regarded as an English architect.
When Thomas was about 11, the Wyatt family returned to England in 1818, and his brother, Sir Matthew Digby Wyatt (1820-1877), was born in Rowde, Wiltshire. By 1825, the family was living in Lambeth.
Thomas Wyatt first began a career as a merchant sailing to the Mediterranean. But he returned to the family’s tradition of architecture, and his early training was in the office of Philip Hardwick. There he worked until 1832, and was involved in work on Goldsmiths Hall, Euston Station and the warehouses at Saint Katharine Docks.
He began to practice on his own as an architect in 1832, and became the District Surveyor for Hackney, a post he held until 1861.
He married his first cousin, Arabella Montagu Wyatt (1807-1875), a daughter of his uncle, Arthur Wyatt, who was the agent of the Duke of Beaufort. By 1838, he had acquired substantial patronage from the Duke of Beaufort, the Earl of Denbigh and Sidney Herbert (1810-1861). David Brandon joined Wyatt as a partner, and this partnership lasted until 1851. Their works included Saint John the Baptist Church, Tixall, commissioned by the Hon John Chetwynd Talbot, and the now lost Saint Thomas Church in Wednesfield. In 1860, Thomas Wyatt’s son, Matthew Wyatt (1840-1892), became his partner.
Thomas Wyatt’s practice at 77 Great Russell Street, London, was extensive with a large amount of work in Wiltshire, thanks to the patronage of the Herbert family, and in Monmouthshire through the Beaufort connection. Wyatt worked in many styles ranging from the Italianate of Wilton through to the Gothic of many of his churches.
Inside Saint Bartholomew’s Church, Ballsbridge … the church has a unique place in the history of Victorian church architecture in Ireland (Photograph: Patrick Comerford)
Wyatt probably received the commission for Saint Bartholomew’s Church, Ballsbridge, in the expanding, comfortable Victorian suburbs of south Dublin, through the patronage of the Herbert family who were the landlords of that part of Dublin. As the Earls of Pembroke, they give their name to a new township based on Ballsbridge. Wyatt worked closely with Sidney Herbert, younger brother of the Earl of Pembroke, who administered the family estates and donated the site for the ‘Pembroke District Church.’
Sidney Herbert was a brother-in-law of Thomas Vesey (1803-1875), the 3rd Viscount de Vesci, who married Lady Emma, daughter of George Herbert, 11th Earl of Pembroke. Lord de Vesci had commissioned Wyatt to restore Abbeyleix House, Co Laois, and to design the parish church of Saint Michael and All Angels in Abbeyleix.
Sidney Herbert, who had sent Florence Nightingale to Scutari during the Crimean War, was the father-in-law of both the theologian Friedrich von Hügel and the composer Hubert Parry. He lived at Mount Merrion in south Dublin and was managing the Pembroke estates when the site for Saint Bartholomew’s was donated and Wyatt was commissioned to design the new church.
Wyatt’s also enlarged and altered Saint Mary’s Church in Gowran, Co Kilkenny. He also reported on the completion of the restoration of Saint Canice’s Cathedral, Kilkenny, and worked on several Irish country houses, including Abbeyleix, Co Laois, for Lord de Vesci, Ramsfort, Co Wexford, for Stephen Ram, Lissadell House, Co Sligo, for the Gore-Booth family, and Palmerstown House, Co Kildare, for the de Burgh family.
The font in Saint Bartholomew’s was a personal gift to the church by Thomas Henry Wyatt (Photograph: Patrick Comerford)
The font in Saint Bartholomew’s Church was his personal gift to the church. He died on 5 August 1880 leaving an estate of £30,000, and is buried at Weston Patrick.
Sir Matthew Digby Wyatt of Cambridge designed 24-25 Grafton Street, Dublin … today it is stripped of its original ground-floor shopfront (Photograph: Patrick Comerford)
Thomas Wyatt’s younger brother and former pupil, Sir Matthew Digby Wyatt (1820-1877), was an art historian and the first Slade Professor of Fine Art at Cambridge. He too also worked in Ireland, and he designed Nos 24-25 Grafton Street, Dublin, in the ‘Celtic revival’ style for William Longfield.
This building had one of the finest Romanesque façades until the ground floor was vandalised to make way for modern shopfronts. The original shopfront combined details from many churches and cathedrals, including the doorway in Saint Lachtain’s Church, Freshford, Co Kilkenny, crosses from Monasterboice, Co Louth, and the chancel arch and crosses from Saint Mary’s Cathedral, Tuam, Co Galway.
The first and second floors, which have survived, have two super-imposed Romanesque arcades. Above them, the third floor looks like a Venetian loggia. The rich details throughout these three floors include interlaced capitals, keystone masks, foliated string courses, and chevron or saw-tooth ornamentation.
In 1863, the Irish Builder hoped Wyatt would ‘stimulate many an Irish architect to … recreate a national style,’ and praised the building for being ‘at once novel and successful.’
A continuing link
The grave of John Wyatt (died 1820) in Weeford Churchyard (Photograph: Patrick Comerford)
The grave of the journalist Woodrow Wyatt in Weeford Churchyard (Photograph: Patrick Comerford)
As I strolled through Saint Mary’s churchyard in Weeford, I came across other interesting members of the Wyatt family, and more recent family members, including the former amateur cricketer and captain of Warwickshire, Worcestershire and England, Robert Elliott Storey (Bob) Wyatt (1901-1995), and the politician, journalist and chairman of the Tote, Woodrow Wyatt (1918-1997), who was made Lord Wyatt of Weeford by Margaret Thatcher and who is also buried in the churchyard.
The Old Schoolhouse in Weeford continues to celebrate the Wyatt name (Photograph: Patrick Comerford)
Across the country lane from the churchyard, the Wyatt dynasty is remembered in the Wyatt Pavilion, a popular wedding venue incorporated into the bar and restaurant in the old schoolhouse.
Conclusions:
Wyatt windows in a terrace of houses in Rathkeale, Co Limerick (Photograph: Patrick Comerford)
Wyatt windows in the Mall House, the former Comerford family home in Bunclody, Co Wexford (Photograph: Patrick Comerford)
Thomas Wyatt has been described unfairly by John Betjeman as ‘one of the dullest Victorian architects.’ On the other hand, despite Pugin’s scorn and contempt for James Wyatt, John Betjeman has praised him for his ‘symphony’ of ‘exquisite plaster, marble and painted details.’
James Wyatt has been acclaimed both as ‘the successor to Robert Adam as England’s most fashionable architect in the classical idiom,’ and for his ‘mastery of the Gothic style.’ Sir Nikolaus Pevsner has called his work at Woolwich ‘one of the most important pieces of military architecture’ in Britain.
But James Wyatt is also controversial, because he is also taken to task for having followed fashions in a superficial way, and to Pugin he was ‘a monster of architectural depravity’ for his insensitive work at Lichfield and other cathedrals.
Little of Wyatt’s work at Lichfield Cathedral survived the later Victorian restoration and rebuilding. Pevsner has pointed out that much of Lichfield Cathedral, as it is today, is George Gilbert Scott’s work, including mouldings, capitals and statues, and most of the window tracery.
The finest surviving works by the Wyatt family in Staffordshire are Shugborough and Swinfen Hall.
If you wish to see their legacy in this part of Staffordshire, then visit Swinfen Hall, take a stroll through Weeford, or admire the work in Lichfield of James Wyatt’s pupil, Joseph Potter (1756-1842), including Newtown’s College in the Close (1800), the Causeway Bridge at Bird Street (1816), and Holy Cross Church, Upper Saint John Street, Lichfield (1835).
Potter’s other works in Lichfield and the surrounding area include:
● Christ Church, Burntwood (1819-1820);
● Chetwynd Bridge, Alrewas (1824);
● Freeford Hall, enlarged for the Dyott family (1826-1827);
● The High Bridge, Armitage (1829-1830);
● Saint John Baptist Roman Catholic Church, Tamworth (1829-1830).
His son, Joseph Potter Jnr. (1797-1875), took over his architectural practice and designed the Guildhall (1846-1848) and the Clock Tower (1863) in Lichfield.
Appendix 1: Wyatt works in Staffordshire:
Benjamin Wyatt I (1709-1772):
Blackbrook Farmhouse, Weeford (pre 1750), Wyatt family home in Weeford.
Swinfen Hall (1755-1757), for Samuel Swinfen.
Soho House, Handsworth (1769) for Matthew Boulton.
Benjamin Wyatt senior’s other works in Staffordshire include the General Hospital in Foregate Street, Stafford (1766-1771).
Samuel Wyatt (1737-1807):
Soho House (1789), extended for Matthew Boulton.
Shugborough House (1790, 1806), Milford Lodges and portico 1794 in front of 1693 house.
James Wyatt (1746-1813):
Lichfield Cathedral (1788-1795): restoration work.
Packington Hall, for the Babington and Levett families.
Little Aston Hall (late 18th century), rebuilt by Edward J Payne (1857-1859).
Soho House (1796), added main entrance front for Matthew Boulton.
Saint Mary’s Church, Weeford (1802).
Alton Towers (Pevsner is unable to determine the extent of his contribution).
Canwell Hall: added two wings (demolished 1957).
Thomas Wyatt (1807):
Saint John the Baptist Church, Tixall (1849), Wyatt and Brandon, commissioned by John Chetwynd Talbot.
Saint Thomas Church, Wednesfield (1842-1843), chancel by Wyatt and Brandon, burnt in 1902, rebuilt by FT Beck (1903).
Appendix 2: A search in vain
The Weeford Parish Register records the four children of James Wyatt (1717-1783) and his wife Elizabeth Somerford or Sommerford. This James Wyatt was a son of John Wyatt (1675-1742) and Jane Jackson (1677-1739). He was the youngest child in a family of eight sons and one daughter, and he was a younger brother of William Wyatt (1702-1772) and Benjamin Wyatt (1709-1772), the ancestors of the Wyatt architectural dynasty.
James Wyatt and John Wyatt, probably twins, the sons of James Wyatt and Elizabeth Somerford, were baptised on 22 January 1760. Infant mortality also struck this couple, and the two boys died later that year: John was buried on 23 September and James was buried on 20 December 1760. The baptism of a daughter Mary in 1762 is not noted, although the register records her burial in Weeford later that year on 22 October 1762, without naming her parents. A third son, also James Wyatt, son of James Wyatt and Elizabeth Somerford, was baptised on 24 May 1763. A fourth son, John Wyatt, son of James Wyatt and Elizabeth Sommerford, was baptised in Weeford on 27 December 1765.
Despite the heartbreak of infant mortality, James and Elizabeth appear to have been determined to keep the names James and John in the family. The second John Wyatt died in 1791.
James Wyatt was buried in Weeford on 15 August 1783. An entry on 23 February 1804 records: ‘Elizabeth Somerford from Lichfield, bur[ied], Copied to here.’ This is probably his widow, although this is not clear from the burial register; if she is his widow, one wonders why her married name is not used.
Weeford is less than 10 miles south of Comberford, in the neighbouring parish of Wigginton, and there is at least one record showing how close the two villages are with the burial of ‘John, s[on] of Edw[ard] Lakin of Cumberford’ on 27 November 1726.
As the register shows, the spelling of surnames did not become standardised until later in the 19th century, and I wondered whether some descendants of the Comberford family of Comberford that I had not known of may have continued to live in this part of Staffordshire for longer than my researches had shown.
Indeed, it would have been interesting to come across a marriage between the Wyatt and Comerford families, just at a time when the Comerfords were introducing Wyatt-style windows to the domestic architecture of Newtownbarry (Bunclody).
But I was quickly dissuaded. Perhaps Sommerford and Somerford were not misspellinsg for Comberford or Comerford, but derived from Somerford, about 18 miles west of Weeford and a mile east of Brewood, the same Somerford that also gave its name to Somerford Place in Willenhall, where Norman W Tildesley, the editor of this volume, lived in the 1950s.
Thomas Somerford of Somerford Hall, his wife, his mother and his children were Quakers by the 1680s. But the Somerford family had sold or lost Somerford Hall by 1705. If Elizabeth Wyatt is descended from that family I have yet to discover how.
Some sources:
‘The Wyatt Dynasty’, the Victorian Web, http://www.victorianweb.org/art/architecture/misc/wyattdyn.html (last accessed 22 April 2018).
Rosemary Hill, God’s Architect: Pugin and the Building of Romantic Britain (London: Penguin, 2007).
(Sir) Nikolaus Pevsner, Staffordshire, The Buildings of England (Harmondsworth Penguin, 1974).
John Martin Robinson, The Wyatts: An Architectural Dynasty (Oxford: Oxford University Press, 1979).
Norman W Tildesley (ed), Weeford Parish Registers, Baptism, Marriages, Burials 1562-1812 (Wednesbury: Staffordshire Parish Registers Society, 1955).
Reginald Turnor, Nineteenth Century Architecture in Britain (London: Batsford, 1950).
Chris Woodcock, Notes on a line of the Galloway Family (2016).
Biographical Note:
(Revd Canon Professor) Patrick Comerford is an Anglican priest living in retirement in Stony Stratford, Buckinghamshire. He is a former professor at Trinity College Dublin, lectured in church history and liturgy at the Church of Ireland Theological Institute, and spent many years in ministry in the Church of Ireland. He has family links with the Tamworth area that stretch back generations and centuries. He blogs daily at www.patrickcomerford.com, where many of his postings are about life, history and architecture in the Tamworth and Lichfield area.
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