Eric Milner-White (1884-1963) … his prayers are so relevant today
Patrick Comerford
For many years, I maintained a website and Facebook page for a project I had called the Dead Anglican Theologians Society. The project has been moribund for the past five years, but should I ever have thoughts about breathing new life into it, some of the 20th century theologians I ought to include are Alfred Hope Patten (1885-1958), Bishop Mowbray Stephen O’Rorke (1869-1953) and Eric Milner-White (1884-1963), three key Anglican theologians in the first half of the 20th century.
I was reminded of their innovative contributions to Anglican theology when I was in Walsingham earlier this month as one of the speakers at the Ecumenical Pilgrimage (10-13 March 2026).
Among the other speakers that week was the Methodist minister and theologian, Canon Norman Wallwork of Exeter, who is an ecumenical canon of Wells Cathedral as Prebendary of Holcombe, and who spoke in the Catholic Church of the Anunciation in Walsingham on ‘The Marian Prayers of Eric Milner-Scott’.
The Very Revd Eric Milner Milner-White (1884-1963) was a priest, liturgist, academic and decorated military chaplain. He was a founder of the Oratory of the Good Shepherd, an Anglican dispersed community, and was its superior from 1923 to 1938, and he was the Dean of York from 1941 to 1963.
He is best-known for developing the Service of Nine Lessons and Carols at the end of World War I when he was the Dean of King’s College, Cambridge.
Eric Milner-White was the Dean of King’s College Chapel from 1918 to 1941 (Photograph: Patrick Comerford)
Eric Milner-White was born in Southampton on 23 April 1884, the son of Sir Henry Milner-White, a barrister and company chairman, and Kathleen Lucy (née Meeres). He was educated at Harrow and King’s College, Cambridge, where he had a scholarship to read history. He graduated in 1906 with a double-first and received the Lightfoot Scholarship.
After theological training at Cuddesdon College, Milner-White was ordained deacon in 1908 and priest in 1909 in Southwark Cathedral). His curacies were at Saint Paul’s, Newington (1908-1909), and Saint Mary Magdalen, Woolwich (1909-1912), before he returned to King’s College as chaplain in 1912, when he was also appointed a lecturer in history at Corpus Christi College, Cambridge.
He volunteered as an army chaplain at the outbreak of World War I in 1914, and was on the Western Front and in Italy. He was Mentioned in Despatches on 24 December 1917 and decorated with the Distinguished Service Order (DSO) in 1918.
He resigned his commission on 5 January 1918 and returned to Cambridge as the Dean and a Fellow of King’s College. He was re-appointed as an honorary chaplain to the armed forces in 1921. He was a founder of the Oratory of the Good Shepherd and also the order’s superior from 1923 to 1938.
During his time at King’s College, Milner-White introduced the Service of Nine Lessons and Carols. It was first broadcast in 1928 and has now become a major part of the BBC’s Christmas schedule.
His experience as an army chaplain led him to believe that more imaginative worship was needed by the Church of England, and the first Festival of Nine Lessons and Carols at King’s was held on Christmas Eve 1918. The order of service was adapted from the order created by Edward Benson, later Archbishop of Canterbury, for Truro Cathedral on Christmas Eve 1880.
That first service at King’s largely followed Benson’s original plan, including the Benedictions before each reading, several of which were later amalgamated by Milner-White into his Bidding Prayer.
The service was first broadcast from King’s by the BBC in 1928 and, except for 1930, has been broadcast every year since. Even throughout World War II, despite the stained glass having been removed from the Chapel at King’s and the lack of heating, the broadcasts continued. Since World War II, it has been estimated that each year millions of listeners worldwide listen to the service live on the BBC.
The bidding prayer, adapted by Eric Milner-White and now in use in King’s Chapel, prays:
‘Beloved in Christ, be it this Christmas Eve our care and delight to prepare ourselves to hear again the message of the angels; in heart and mind to go even unto Bethlehem and see this thing which is come to pass, and the Babe lying in a manger.
‘Let us read and mark in Holy Scripture the tale of the loving purposes of God from the first days of our disobedience unto the glorious Redemption brought us by this Holy Child; and let us make this Chapel, dedicated to Mary, his most blessèd Mother, glad with our carols of praise:
‘But first let us pray for the needs of his whole world; for peace and goodwill over all the earth; for unity and brotherhood within the Church he came to build, and especially in the dominions of our sovereign lady Queen Elizabeth, within this University and City of Cambridge, and in the two royal and religious Foundations of King Henry VI here and at Eton:
‘And because this of all things would rejoice his heart, let us at this time remember in his name the poor and the helpless, the cold, the hungry and the oppressed; the sick in body and in mind and them that mourn; the lonely and the unloved; the aged and the little children; all who know not the Lord Jesus, or who love him not, or who by sin have grieved his heart of love.
‘Lastly let us remember before God all those who rejoice with us, but upon another shore and in a greater light, that multitude which no man can number, whose hope was in the Word made flesh, and with whom, in this Lord Jesus, we for evermore are one.
‘These prayers and praises let us humbly offer up to the throne of heaven, in the words which Christ himself hath taught us:
‘Our Father …’
Milner-White was instrumental in inspiring the composer Herbert Howells to write his Collegium Regale service settings when he challenged Howells to write music for King’s College in 1941. Howells remarked that his composition was ‘the only Te Deum to be born of a decanal bet’. The settings have since become a well-known part of Anglican repertoire.
Collegium Regale: https://www.patrickcomerford.com/2014/12/hymns-for-advent-6-spotless-rose-by.html
York Minster was the Dean of York Minster from 1941 until he died in 1963 (Photograph: Patrick Comerford)
Milner-White remained at King’s until 1941, when he was appointed Dean of York by Archbishop William Temple. During his time as dean, he directed the replacement of many of York Minster’s windows and undertook a great deal of writing on liturgy and he was a member of the literary panel that produced the New English Bible in 1948-1962.
Milner-White’s honours included CBE (Commander of the Order of the British Empire, 1952), the Lambeth Doctorate of Divinity (1952), and an honorary Doctor of Letters (DLitt) from the University of Leeds (1962).
Milner-White died of cancer in the deanery of York Minster on 15 June 1963.
Milner-White realised during World War I that the ministry of the Church of England, particularly the services for the burial of the dead, did not meet the needs of the troops in the trenches. He made those views clear in an essay ‘Worship and services’ in The Church in the Furnace in 1918.
He continued to press for prayers additional to those in the Book of Common Prayer to meet the needs of modern congregations. Of his own prayer publications, probably the best known is Daily Prayer (1941), which he compiled with Canon George Wallace Briggs (1875-1959), and which includes a selection of prayers for public, private and school worship.
His other works include Occasional Prayer (1928), Memorials upon Several Occasions (1933), revised as After the Third Collect (1953), A Cambridge Bede Book (1936), and A Procession of Passion Prayers (1950), which became an important resource for Holy Week.
Towards the end of his life, he published two further books of prayers: My God, My Glory (1954) and Let Grace Reign (1960), dedicated to the Vicars Choral of York Minster ‘with my deep love and gratitude’.
During that week in Walsingham earlier this month, the US war against Iran was gathering pace, and the overpowering, intrusive and invasive noise of the overflights were a constant, persistent and pernicious reminder throughout each and every day of the presence of the US air force at the RAF bases nearby in Feltwell, Lakenheath and Mildenhall.
With that constant reminder of war and the threat of a conflagration that could yet engulf the world, it was good that morning to hear Norman Wallwork remind us of prayers for peace and in times of war written by Eric Milner-White, a much decorated and valiant army chaplain who knew the horrors of war at first-hand:
For the Peace of the World:
Eternal God, in whose perfect kingdom no sword is drawn but the sword of righteousness, and no strength known but the strength of love: we pray you so mightily spread abroad your Spirit, that all peoples may be gathered under one banner, of the Prince of Peace; as children of one God and Father of all; to whom be dominion and glory, now and for ever. Amen.
(Occasional Prayers, 1928)
For the Peace of the World:
O God, as you would fold both heaven and earth in a single peace: Let the design of your great love descend upon the waste of our anger and sorrow; and give peace to your Church, peace among the nations, peace in our dwellings, and peace in our hearts; through your Son our Savior Jesus Christ. Amen.
(< i>Memorials upon Several Occasions, 1933)
And there was a prayer, based on Psalm 141: 3, that reminded me of the way Donald Trump is, to say the least, economical with the truth:
Set a guard, Lord, upon our tongues:
that we never speak the cruel word which is not true;
or being true, is not the whole truth;
or being wholly true, is merciless;
for the love of Jesus Christ our Lord.
(Daily Prayer, 1941)
A year before his death, he wrote a prayer based on words by the poet John Donne (1572-1631) in a sermon preached at Whitehall on 29 February 1627. These words have also been provided with choral settings by many composers, including Peter R Hallock and William Harris:
Bring us, O Lord God, at our last awakening
into the house and gate of heaven,
to enter that gate and dwell in that house, where there shall be no darkness nor dazzling,
but one equal light;
no noise nor silence, but one equal music;
no fears nor hopes, but one equal possession;
no ends or beginnings, but one equal eternity;
in the habitations of your glory and dominion,
world without end.
King’s College Chapel is known for the Festival of Nine Lessons and Carols revived by Eric Milner-White (Photograph: Patrick Comerford)
Showing posts with label Carols. Show all posts
Showing posts with label Carols. Show all posts
30 March 2026
24 December 2025
An Advent Calendar with Patrick Comerford: 25, 24 December 2025
A Nativity image in Saint Laurence’s Church, Winslow, Buckinghamshire (Photograph: Patrick Comerford, 2025)
Patrick Comerford
We have come to the last day of Advent, and today is Christmas Eve. At noon each day throughout Advent this year, I have been offering an image or two as part of my own ‘Advent Calendar’ for 2025, and an Advent or Christmas carol, hymn or song.
My images for my Advent Calendar at noon today, Christmas Eve, are of a Nativity image on the south wall in Saint Laurence’s Church, Winslow, Buckinghamshire, and of the Nativity scenes on the triptych in the Lady Chapel in Lichfield Cathedral.
The carved wooden reredos in the Lady Chapel in Lichfield Cathedral dates from 1895. The triptych or three-part altarpiece with high relief scenes was carved by Oskar Zwink in Oberammergau, the Bavarian town that is better known for its Passion Play. The carvings were designed in England by the Tractarian artist Charles Eamer Kempe (1837-1907), best known for his stained-glass windows, some of which can also be seen in the cathedral. The Church Historian, Owen Chadwick, says Kempe’s work represents ‘the Victorian zenith’ of church decoration and stained glass windows.
My choice of a carol or hymn today, on Christmas Eve, is ‘O Holy Night’, a song about the night of the birth of ‘the dear Saviour’ and frequently sung on Christmas Evel. It is based on the French poem Minuit, chrétiens, written in 1847 by Placide Cappeau and set to music by composer Adolphe Adam.
Cappeau’s poem reflects his socialist and abolitionist views. The most popular English version was translated in 1855 by an American music critic and Unitarian minister, the Revd John Sullivan Dwight (1813-1893), in 1855, with some small changes to the initial melody.
For many years, the song was excluded from Catholic hymnals while critics derided Cappeau as a socialist and a drunk, and spread rumours that he was Jewish.
In the version I am sharing today, the choir of King’s College, Cambridge, sings John Rutter’s arrangement of ‘O Holy Night’.
The Nativity scene on the triptych in the Lady Chapel, Lichfield Cathedral (Photograph: Patrick Comerford / Lichfield Gazette)
O holy night, the stars are brightly shining;
It is the night of the dear Saviour’s birth.
Long lay the world in sin and error pining,
Till he appeared and the soul felt its worth.
A thrill of hope, the weary world rejoices,
For yonder breaks a new and glorious morn!
Fall on your knees! O hear the angel voices!
O night divine, O night when Christ was born!
O night divine! O night, O night divine!
Led by the light of faith serenely beaming,
With glowing hearts by his cradle we stand.
So led by light of a star sweetly gleaming,
Here came the wise men from the orient land.
The King of kings lay thus in lowly manger,
In all our trials born to be our friend.
He knows our need, to our weakness no stranger.
Behold your King, before him lowly bend!
Behold your King, your King, before him lowly bend!
Truly He taught us to love one another;
His law is love and his gospel is peace.
Chains shall he break, for the slave is our brother;
And in his name all oppression shall cease.
Sweet hymns of joy in grateful chorus raise we;
Let all within us praise his holy name.
Christ is the Lord! Then ever, ever praise we!
His power and glory evermore proclaim!
His power and glory evermore proclaim!
Patrick Comerford
We have come to the last day of Advent, and today is Christmas Eve. At noon each day throughout Advent this year, I have been offering an image or two as part of my own ‘Advent Calendar’ for 2025, and an Advent or Christmas carol, hymn or song.
My images for my Advent Calendar at noon today, Christmas Eve, are of a Nativity image on the south wall in Saint Laurence’s Church, Winslow, Buckinghamshire, and of the Nativity scenes on the triptych in the Lady Chapel in Lichfield Cathedral.
The carved wooden reredos in the Lady Chapel in Lichfield Cathedral dates from 1895. The triptych or three-part altarpiece with high relief scenes was carved by Oskar Zwink in Oberammergau, the Bavarian town that is better known for its Passion Play. The carvings were designed in England by the Tractarian artist Charles Eamer Kempe (1837-1907), best known for his stained-glass windows, some of which can also be seen in the cathedral. The Church Historian, Owen Chadwick, says Kempe’s work represents ‘the Victorian zenith’ of church decoration and stained glass windows.
My choice of a carol or hymn today, on Christmas Eve, is ‘O Holy Night’, a song about the night of the birth of ‘the dear Saviour’ and frequently sung on Christmas Evel. It is based on the French poem Minuit, chrétiens, written in 1847 by Placide Cappeau and set to music by composer Adolphe Adam.
Cappeau’s poem reflects his socialist and abolitionist views. The most popular English version was translated in 1855 by an American music critic and Unitarian minister, the Revd John Sullivan Dwight (1813-1893), in 1855, with some small changes to the initial melody.
For many years, the song was excluded from Catholic hymnals while critics derided Cappeau as a socialist and a drunk, and spread rumours that he was Jewish.
In the version I am sharing today, the choir of King’s College, Cambridge, sings John Rutter’s arrangement of ‘O Holy Night’.
The Nativity scene on the triptych in the Lady Chapel, Lichfield Cathedral (Photograph: Patrick Comerford / Lichfield Gazette)
O holy night, the stars are brightly shining;
It is the night of the dear Saviour’s birth.
Long lay the world in sin and error pining,
Till he appeared and the soul felt its worth.
A thrill of hope, the weary world rejoices,
For yonder breaks a new and glorious morn!
Fall on your knees! O hear the angel voices!
O night divine, O night when Christ was born!
O night divine! O night, O night divine!
Led by the light of faith serenely beaming,
With glowing hearts by his cradle we stand.
So led by light of a star sweetly gleaming,
Here came the wise men from the orient land.
The King of kings lay thus in lowly manger,
In all our trials born to be our friend.
He knows our need, to our weakness no stranger.
Behold your King, before him lowly bend!
Behold your King, your King, before him lowly bend!
Truly He taught us to love one another;
His law is love and his gospel is peace.
Chains shall he break, for the slave is our brother;
And in his name all oppression shall cease.
Sweet hymns of joy in grateful chorus raise we;
Let all within us praise his holy name.
Christ is the Lord! Then ever, ever praise we!
His power and glory evermore proclaim!
His power and glory evermore proclaim!
23 December 2025
An Advent Calendar with Patrick Comerford: 24, 23 December 2025
‘Snow had fallen, snow on snow … in the bleak midwinter’ … snow in Cloister Court, Sidney Sussex College, Cambridge, some years ago (Photograph: Patrick Comerford)
Patrick Comerford
We are in the last days of Advent, and tomorrow is Christmas Eve. At noon each day this Advent, I am offering an image or two as part of my own ‘Advent Calendar’ for 2025, and an Advent or Christmas carol, hymn or song.
I have been involved all morning with Santa's visit to the Christmas Market in Stony Stratford. It is great fun, and I am thankful it is not snowing. But in this cold winter weather and this costume, it feels like the bleak mid-winter despite all the warm responses of children and adults alike. So, my images for my Advent Calendar at noon today are of snow some years ago in Sidney Sussex College, Cambridge, on a bleak mid-winter morning during a weekend when I had been invited to preach in the college chapel.
My choice of a carol or hymn today is ‘In the Bleak Mid-Winter,’ by Christina Rossetti (1830-1894). For many it is closely associated with the Service of Nine Lessons with Carols, broadcast each Christmas Eve from the Chapel of King’s College, Cambridge.
Christina Rossetti’s poem, ‘In the Bleak Mid-Winter,’ became popular among choirs after it was included it in the BBC broadcasts of the Service of Nine Lessons with Carols by the Choir of King’s College, Cambridge, using the 1911 setting by Harold Edwin Darke (1888-1976). He had once been the conductor of the choir, and his setting of the poem as a carol included his beautiful and delicate organ accompaniment.
But the tune most often associated with ‘In the Bleak Midwinter’ is Cranham, composed in 1906 by Gustav Holst (1874-1934).
The poem had been published for the first time seven years earlier in Christina Rossetti’s Poetic Works, 10 years after her death. It was republished in 1906 The English Hymnal, edited by Percy Dearmer and Ralph Vaughan Williams, with Holst’s setting, and it quickly became a popular Christmas carol. Today ‘In the Bleak Midwinter’ is one of the most popular and best-loved carols.
Christina Rossetti was part of the Victorian arts-and-crafts movement and the pre-Raphaelite movement. She was a leading advocate of women’s rights, a campaigner against slavery and war, and a prominent member of the Anglo-Catholic movement. She wrote ‘In the Bleak Midwinter’ in 1872 in answer to a request from a magazine. But, like a lot of writers, she must have been frustrated that she never saw its publication.
So it took over 30 years, more than a generation, before this poem was first sung as a Christmas carol. Ever since then, though, it has been a firm Christmas favourite, and has been recorded by the King’s Singers, Julie Andrews, the Moody Blues, the Pet Shop Boys, James Taylor, Alison Crowe, Moya Brennan, Celtic Woman, Sarah McLachlan, Sarah Brightman and Loreena McKennitt.
But I still find this popularity surprising, because this is no popular, cosy, comfortable Christmas carol. Instead its images are harsh and bleak, and in the uncomfortable political climate in the world today tey are challenging and demanding once again.
‘In the bleak midwinter … snow had fallen, snow on snow’ … snow on Sidney Street, Cambridge, in front of the chapel of Sidney Sussex College (Photograph: Patrick Comerford)
In the bleak midwinter
frosty wind made moan,
earth stood hard as iron,
water like a stone:
snow had fallen, snow on snow,
snow on snow,
in the bleak midwinter,
long ago.
Our God, heav’n cannot hold him,
nor earth sustain;
heav’n and earth shall flee away
when he comes to reign:
in the bleak midwinter
a stable place sufficed
the Lord God almighty,
Jesus Christ.
Enough for him, whom cherubim
worship night and day,
a breast full of milk
and a manger-ful of hay;
enough for him, whom angels
fall down before,
the ox and ass and camel
which adore.
Angels and archangels
May have gathered there,
cherubim and seraphim
thronged the air;
but his mother only,
in her maiden bliss,
worshipped the beloved
with a kiss.
What can I give him,
poor as I am?
If I were a shepherd,
I would bring a lamb;
if I were a wise man
I would do my part;
yet what I can I give him —
give my heart.
Patrick Comerford
We are in the last days of Advent, and tomorrow is Christmas Eve. At noon each day this Advent, I am offering an image or two as part of my own ‘Advent Calendar’ for 2025, and an Advent or Christmas carol, hymn or song.
I have been involved all morning with Santa's visit to the Christmas Market in Stony Stratford. It is great fun, and I am thankful it is not snowing. But in this cold winter weather and this costume, it feels like the bleak mid-winter despite all the warm responses of children and adults alike. So, my images for my Advent Calendar at noon today are of snow some years ago in Sidney Sussex College, Cambridge, on a bleak mid-winter morning during a weekend when I had been invited to preach in the college chapel.
My choice of a carol or hymn today is ‘In the Bleak Mid-Winter,’ by Christina Rossetti (1830-1894). For many it is closely associated with the Service of Nine Lessons with Carols, broadcast each Christmas Eve from the Chapel of King’s College, Cambridge.
Christina Rossetti’s poem, ‘In the Bleak Mid-Winter,’ became popular among choirs after it was included it in the BBC broadcasts of the Service of Nine Lessons with Carols by the Choir of King’s College, Cambridge, using the 1911 setting by Harold Edwin Darke (1888-1976). He had once been the conductor of the choir, and his setting of the poem as a carol included his beautiful and delicate organ accompaniment.
But the tune most often associated with ‘In the Bleak Midwinter’ is Cranham, composed in 1906 by Gustav Holst (1874-1934).
The poem had been published for the first time seven years earlier in Christina Rossetti’s Poetic Works, 10 years after her death. It was republished in 1906 The English Hymnal, edited by Percy Dearmer and Ralph Vaughan Williams, with Holst’s setting, and it quickly became a popular Christmas carol. Today ‘In the Bleak Midwinter’ is one of the most popular and best-loved carols.
Christina Rossetti was part of the Victorian arts-and-crafts movement and the pre-Raphaelite movement. She was a leading advocate of women’s rights, a campaigner against slavery and war, and a prominent member of the Anglo-Catholic movement. She wrote ‘In the Bleak Midwinter’ in 1872 in answer to a request from a magazine. But, like a lot of writers, she must have been frustrated that she never saw its publication.
So it took over 30 years, more than a generation, before this poem was first sung as a Christmas carol. Ever since then, though, it has been a firm Christmas favourite, and has been recorded by the King’s Singers, Julie Andrews, the Moody Blues, the Pet Shop Boys, James Taylor, Alison Crowe, Moya Brennan, Celtic Woman, Sarah McLachlan, Sarah Brightman and Loreena McKennitt.
But I still find this popularity surprising, because this is no popular, cosy, comfortable Christmas carol. Instead its images are harsh and bleak, and in the uncomfortable political climate in the world today tey are challenging and demanding once again.
‘In the bleak midwinter … snow had fallen, snow on snow’ … snow on Sidney Street, Cambridge, in front of the chapel of Sidney Sussex College (Photograph: Patrick Comerford)
In the bleak midwinter
frosty wind made moan,
earth stood hard as iron,
water like a stone:
snow had fallen, snow on snow,
snow on snow,
in the bleak midwinter,
long ago.
Our God, heav’n cannot hold him,
nor earth sustain;
heav’n and earth shall flee away
when he comes to reign:
in the bleak midwinter
a stable place sufficed
the Lord God almighty,
Jesus Christ.
Enough for him, whom cherubim
worship night and day,
a breast full of milk
and a manger-ful of hay;
enough for him, whom angels
fall down before,
the ox and ass and camel
which adore.
Angels and archangels
May have gathered there,
cherubim and seraphim
thronged the air;
but his mother only,
in her maiden bliss,
worshipped the beloved
with a kiss.
What can I give him,
poor as I am?
If I were a shepherd,
I would bring a lamb;
if I were a wise man
I would do my part;
yet what I can I give him —
give my heart.
22 December 2025
An Advent Calendar with Patrick Comerford: 23, 22 December 2025
Snow some years ago at the Moat House, the former Comberford family home on Lichfield Street in Tamworth
Patrick Comerford
We are in the last days of Advent, and Christmas Day is next Thursday. At noon each day this Advent, I am offering an image or two as part of my own ‘Advent Calendar’ for 2025, and an Advent or Christmas carol, hymn or song.
My images for my Advent Calendar today is of snow some years ago at the Moat House, the former Comberford family home on Lichfield Street in Tamworth and a Christmas card with the former Church of Saint Mary and Saint George in Comberford, near Lichfield and Tamworth in a watercolour by Freda Morgan (2008).
My choice of a carol or hymn today is ‘While shepherds watched their flocks’, a traditional Christmas carol said to have been written by the Irish hymn-writer and England’s Poet Laureate, the Dublin-born Nahum Tate (1652-1715). It is one of the carols we sang yesterday afternoon at the Carol Service in Saunt Mary and Saint Giles Church in Stony Stratford.
The words were first published by Nahum Tate and Nicholas Brady in 1700 in their supplement to their New Version of the Psalms of David of 1696. It is based on the Gospel story of the angels appearing to the shepherds (see Luke 2: 8-14).
A Christmas card with the Church of Saint Mary and Saint George, Comberford, in a watercolour by Freda Morgan (2008)
While shepherds watched their flocks by night,
all seated on the ground,
the angel of the Lord came down,
And glory shone around.
‘Fear not,’ said he (for mighty dread
had seized their troubled mind);
‘Glad tidings of great joy I bring
to you and all mankind.
‘To you in David’s town this day
is born of David’s line
a Saviour, who is Christ the Lord;
And this shall be the sign:
‘The heav’nly Babe you there shall find
to human view displayed,
all meanly wrapped in swathing bands,
and in a manger laid.’
Thus spake the seraph; and forthwith
appeared a shining throng
of angels praising God, who thus
addressed their joyful song:
‘All glory be to God on high,
and to the earth be peace;
Goodwill henceforth from heav’n to men
begin and never cease.
Patrick Comerford
We are in the last days of Advent, and Christmas Day is next Thursday. At noon each day this Advent, I am offering an image or two as part of my own ‘Advent Calendar’ for 2025, and an Advent or Christmas carol, hymn or song.
My images for my Advent Calendar today is of snow some years ago at the Moat House, the former Comberford family home on Lichfield Street in Tamworth and a Christmas card with the former Church of Saint Mary and Saint George in Comberford, near Lichfield and Tamworth in a watercolour by Freda Morgan (2008).
My choice of a carol or hymn today is ‘While shepherds watched their flocks’, a traditional Christmas carol said to have been written by the Irish hymn-writer and England’s Poet Laureate, the Dublin-born Nahum Tate (1652-1715). It is one of the carols we sang yesterday afternoon at the Carol Service in Saunt Mary and Saint Giles Church in Stony Stratford.
The words were first published by Nahum Tate and Nicholas Brady in 1700 in their supplement to their New Version of the Psalms of David of 1696. It is based on the Gospel story of the angels appearing to the shepherds (see Luke 2: 8-14).
A Christmas card with the Church of Saint Mary and Saint George, Comberford, in a watercolour by Freda Morgan (2008)
While shepherds watched their flocks by night,
all seated on the ground,
the angel of the Lord came down,
And glory shone around.
‘Fear not,’ said he (for mighty dread
had seized their troubled mind);
‘Glad tidings of great joy I bring
to you and all mankind.
‘To you in David’s town this day
is born of David’s line
a Saviour, who is Christ the Lord;
And this shall be the sign:
‘The heav’nly Babe you there shall find
to human view displayed,
all meanly wrapped in swathing bands,
and in a manger laid.’
Thus spake the seraph; and forthwith
appeared a shining throng
of angels praising God, who thus
addressed their joyful song:
‘All glory be to God on high,
and to the earth be peace;
Goodwill henceforth from heav’n to men
begin and never cease.
21 December 2025
An Advent Calendar with Patrick Comerford: 22, 21 December 2025
Christmas lights in the churchyard at Saint Mary and Saint Giles Church in Stony Stratford (Photograph: Patrick Comerford, 2025)
Patrick Comerford
We are in the last week of Advent, and Christmas Day is next Thursday. At noon each day this Advent, I am offering an image as part of my own ‘Advent Calendar’ for 2025, and an Advent or Christmas carol, hymn or song.
My image for my Advent Calendar today is of the Christmas lights in the churchyard at Saint Mary and Saint Giles Church in Stony Stratford.
My choice of a carol or hymn today is ‘O come all ye faithful’, our closing carol at the Carol Service in Saint Mary and Saint Giles Church, Stony Stratford, this afternoon (4 pm, Sunday 21 December 2025).
This is one of the best-loved Christmas carols, and is sometimes known by its Latin name (Adeste Fideles), and this probably explains why it is often described as a mediaeval hymn. But while, the original author is unknown, the writer who made it popular in English was Frederick Oakeley (1802-1880), a priest in the Church of England, a canon of Lichfield Cathedral and an Oxford don for many years before following John Henry Newman into the Roman Catholic Church and becoming a canon of Westminster Cathedral.
O come, all ye faithful,
Joyful and triumphant,
O come ye, O come ye to Bethlehem;
Come and behold him
Born the King of Angels:
O come, let us adore him,
O come, let us adore him,
O come, let us adore him,
Christ the Lord.
God of God,
Light of Light,
Lo! he abhors not the Virgin’s womb;
Very God,
Begotten, not created:
Refrain
Sing, choirs of angels,
Sing in exultation,
Sing, all ye citizens of heav’n above;
Glory to God
In the highest:
Refrain
Yea, Lord, we greet thee,
Born that happy morning,
Jesu, to thee be glory giv’n!
Word of the Father,
Now in flesh appearing:
Refrain
Patrick Comerford
We are in the last week of Advent, and Christmas Day is next Thursday. At noon each day this Advent, I am offering an image as part of my own ‘Advent Calendar’ for 2025, and an Advent or Christmas carol, hymn or song.
My image for my Advent Calendar today is of the Christmas lights in the churchyard at Saint Mary and Saint Giles Church in Stony Stratford.
My choice of a carol or hymn today is ‘O come all ye faithful’, our closing carol at the Carol Service in Saint Mary and Saint Giles Church, Stony Stratford, this afternoon (4 pm, Sunday 21 December 2025).
This is one of the best-loved Christmas carols, and is sometimes known by its Latin name (Adeste Fideles), and this probably explains why it is often described as a mediaeval hymn. But while, the original author is unknown, the writer who made it popular in English was Frederick Oakeley (1802-1880), a priest in the Church of England, a canon of Lichfield Cathedral and an Oxford don for many years before following John Henry Newman into the Roman Catholic Church and becoming a canon of Westminster Cathedral.
O come, all ye faithful,
Joyful and triumphant,
O come ye, O come ye to Bethlehem;
Come and behold him
Born the King of Angels:
O come, let us adore him,
O come, let us adore him,
O come, let us adore him,
Christ the Lord.
God of God,
Light of Light,
Lo! he abhors not the Virgin’s womb;
Very God,
Begotten, not created:
Refrain
Sing, choirs of angels,
Sing in exultation,
Sing, all ye citizens of heav’n above;
Glory to God
In the highest:
Refrain
Yea, Lord, we greet thee,
Born that happy morning,
Jesu, to thee be glory giv’n!
Word of the Father,
Now in flesh appearing:
Refrain
Daily prayer in Advent 2025:
22, Sunday 21 December 2025,
Fourth Sunday of Advent (Advent IV)
Saint Joseph with the Christ Child and the Virgin Mary in a window in Saint Mary and Saint Giles Church, Stony Stratford (Photograph: Patrick Comerford, 2025)
Patrick Comerford
We are in the last week of Advent, and just days away from Christmas. Today is week the Fourth Sunday of Advent (Advent IV, 21 December 2025). In addition, tonight in the Jewish calendar is also the last night in Hanukkah, which began last Sunday night (21 December 2025).
Later this morning, I hope to be involved in the Parish Eucharist in Saint Mary and Saint Giles Church, Stony Stratford (9:30 am), to read one of the lessons at the Service of Nine Lessons and Carols (4 pm), and to sing with the choir at the carol service. Meanwhile, before this busy day begins, I am taking some quiet time this early morning to give thanks, to reflect, to pray and to read in these ways:
The Fourth Sunday of Advent (Advent IV, 21 December 2025)
A statue of Saint Joseph on the façade of Saint Joseph’s Church, Terenure, Dublin (Photograph: Patrick Comerford, 2024)
Matthew 1: 18-25 (NRSVA):
18 Now the birth of Jesus the Messiah took place in this way. When his mother Mary had been engaged to Joseph, but before they lived together, she was found to be with child from the Holy Spirit. 19 Her husband Joseph, being a righteous man and unwilling to expose her to public disgrace, planned to dismiss her quietly. 20 But just when he had resolved to do this, an angel of the Lord appeared to him in a dream and said, ‘Joseph, son of David, do not be afraid to take Mary as your wife, for the child conceived in her is from the Holy Spirit. 21 She will bear a son, and you are to name him Jesus, for he will save his people from their sins.’ 22 All this took place to fulfil what had been spoken by the Lord through the prophet:
23 ‘Look, the virgin shall conceive and bear a son,
and they shall name him Emmanuel’,
which means, ‘God is with us.’ 24 When Joseph awoke from sleep, he did as the angel of the Lord commanded him; he took her as his wife, 25 but had no marital relations with her until she had borne a son; and he named him Jesus.
A statue of Saint Joseph in the grounds of Saint Joseph’s Church, Singapore (Photograph: Patrick Comerford, 2024)
Today’s Reflections:
Christmas is upon us, the last of the purple candles on the Advent Wreath, the one representing the Virgin Mary, is lit this morning. Indeed, the Virgin Mary is likely to be the main figure in many sermons today focusing on the Gospel reading.
The readings this Sunday are about choices, about obedience to God’s plans, and about the fulfilment of God’s plans for all nations. They bring us into the last week of Advent.
So often we talk about the Virgin Mary and her obedience, about Mary’s ‘Yes’ to the birth of Christ But it means Joseph is often pushed to the side of the stage.
Joseph says ‘Yes’ too, but he says it silently; he has no scripted lines; he has no dramatic part or role; he is mute; but he is obedient.
And, like the earlier Joseph, his Biblical namesake who is named in this morning’s psalm (Psalm 80: 1-7, 17-19), he too is dreamer of dreams and a doer of deeds.
As I recalled when we had a similar reading last Thursday (Matthew 1: 18-24, 18 December 2025), Saint Matthew’s nativity story lacks the romantic imagery of Saint Luke’s account, whose heady mixture of heavenly angels with earthy shepherds is missing here. Instead, the hope of all the earth takes shape under the sign of arrangements being made for a betrothal that is apparently violated. The gifts of God’s grace and the promise of God’s reign are hidden, are to be searched for and to be found in the midst of what appears be a tawdry story.
The Virgin Mary may have been a mere teenager at the time, just 14 or 15. And, like so many other teenage brides, she turns up for her wedding – pregnant! Joseph knows he could not possibly be the father. He decides to do the right thing and take off, quietly dropping out of the arrangement.
If Joseph goes ahead, then this child is going to be known in his family, among his neighbours, perhaps by everyone who needs to know, as illegitimate for the rest of his life. His critics indelicately remind him of this in Saint John’s Gospel: ‘You are indeed doing what your father does.’ They said to him, ‘We are not illegitimate children; we have one father, God himself’ (John 8: 41). The original Greek is more direct, crude and blunt: they taunt him that they were not conceived through illicit intercourse.
These fears and sneers, those social judgments and wagging fingers, must have been confronting Joseph like a nightmare. Yet the angel of Joseph’s dream makes a startling suggestion. He tells him to marry Mary, and then he is to name the child. To take on naming the child means becoming his father. And this is suggested not as a nice thing to do, a courteous thing to do, a gallant or gentlemanly sort of thing to do. Joseph is told why: ‘You are to name him Jesus, for he will save his people from their sins’ (verse 21).
It is not a promise of immediate reward. Joseph is not promised that if he does this he is going to earn points towards the forgiveness of his own sins; that God will see him as a nice guy; or even that if he lives long enough, this child may grow up, be apprenticed to him, take over the family business, and act as a future pension plan.
If Joseph is not the father of the Child Jesus, he must have wondered what the angel meant by ‘his people’ and ‘their sins.’
But the forgiveness here is spoken of in apocalyptic terms. It is the declaration of a new future. To be forgiven is to receive a future. Forgiveness breaks the simple link between cause and effect, action and reaction, failure and disaster, rebellion and recrimination.
Advent is a time of, repentance, forgiveness and expectation. It is a time of preparation, anticipation and hope. It is a time for dreaming dreams, and putting behind us all our nightmares.
Joseph dreams something wonderful. God would enter the world; God would be born to his new, young wife, Mary. But to believe this, Joseph had to trust not only his dream, but to trust Mary, to trust the future child, to trust God.
Do you love the people you trust and trust the people you love?
To trust the Virgin Mary, Joseph must have truly loved her. But trust in this predicament must have gone beyond trust. Joseph must have truly glimpsed what it is to trust God, to have hope in God, to love God, to have faith in God.
Joseph dreams a dream not of his own salvation, but of the salvation of the world.
Sometimes, like Joseph, we are supposed to trust God and then get out of the way. Do you trust that God is working through the people you love? Do you trust that God is working through people you find it difficult not to love but merely to like … working through God’s people for their salvation?
Too often we forget about poor Joseph. Every year, we tend to focus on the story of the Virgin Mary. But this year, Year A, the Lectionary asks us to focus on Saint Joseph. The annunciation occurs not just to Mary, but to Joseph too. And they both say ‘Yes.’
And Joseph says a second ‘Yes’ too later in this Gospel, when he agrees to the angel’s prompting to flee with Mary and the Christ Child to Egypt.
Joseph listens, God sends a messenger again, Joseph dreams again, and he remains true to God, he answers God’s call.
Joseph has no speaking part; he just has a walk-on part in this drama. But his actions, his obedience to God’s call, speak louder than words.
Yes, God appears over and over again, to men, women, to ‘all sorts and conditions of people.’
Joseph’s ‘Yes’ is not only a ‘Yes’ to the Christ Child but a ‘Yes’ to all children who seem unwanted and who are easily pushed to one side. Joseph’s ‘Yes’ is not only a ‘Yes’ to the Christ Child but a ‘Yes’ to the promises the Coming Christ brings to all who are marginalised and in danger today, for because of his ‘Yes’ God is among us.
We have an opportunity to echo that ‘Yes’ this Advent and this Christmas and to say ‘Yes’ to the people who cross borders, who face a dangerous ‘No’ along the way, who face violence and the dangers of human trafficking, who face racism and rejection.
This is one way we can say ‘Yes’ to the coming Christ and the coming Christmas this Advent. In saying ‘Yes’ like this, we become signs of our faith, our hope, in the promises of the coming kingdom and the promises of Christ’s coming in Advent.
The Death of Saint Joseph depicted in a tableau in a side chapel in Saint Francis Xavier Church, Gardiner Street, Dublin (Photograph: Patrick Comerford, 2025)
Today’s Prayers (Sunday 21 December 2025, Advent IV):
The theme this week (21 to 27 December 2025) in Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Love Brings Life in Tanzania’ (pp 12-13). This theme is introduced today with a Programme Update by Imran Englefield, Individual Giving Manager, USPG:
‘As we edge towards Christmas, a season of hope, waiting, and light, we will focus on the Anglican Church of Tanzania and its impactful work of bringing care, protection, and hope to mothers and babies.
‘When I met Dr Albert Chalinzee, the Medical Officer in Charge, I was immediately struck by his quiet strength. Mvumi Hospital serves a vast rural area with very limited resources, yet the atmosphere is one of focus and dedication. Dr Chalinzee told me how, not long ago, infection rates among mothers living with HIV were close to 50 per cent. Through the Prevention of Mother-to-Child Transmission programme, that figure has now dropped to just 0.3 per cent.
‘He spoke with pride about the mothers who now come early for care following advice led by the church, and leave holding HIV-free babies. “It has changed everything,” he said. “We are now able to treat mothers and share our stories of success.”
‘Much of the equipment is old, and the staff are stretched thin, but what keeps Mvumi going is not machinery or funding, it’s faith. Every hospital staff member I met there serves out of love for their community. As I left, I realised that Mvumi is more than a hospital; it is a backbone and safety net for a community who need it most.’
The USPG Prayer Diary today (Sunday 21 December 2025, Advent IV) invites us to pray by reading and meditating on Matthew 1: 18-25.
The Collect:
God our redeemer,
who prepared the Blessed Virgin Mary
to be the mother of your Son:
grant that, as she looked for his coming as our saviour,
so we may be ready to greet him
when he comes again as our judge;
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post-Communion Prayer:
Heavenly Father,
who chose the Blessed Virgin Mary
to be the mother of the promised saviour:
fill us your servants with your grace,
that in all things we may embrace your holy will
and with her rejoice in your salvation;
through Jesus Christ our Lord.
Additional Collect:
Eternal God,
as Mary waited for the birth of your Son,
so we wait for his coming in glory;
bring us through the birth pangs of this present age
to see, with her, our great salvation
in Jesus Christ our Lord.
Yesterday’s Reflections
Continued Tomorrow
Saint Joseph with the Christ Child depicted in a mosaic in the pediment of Saint Joseph’s Church, Limerick (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Patrick Comerford
We are in the last week of Advent, and just days away from Christmas. Today is week the Fourth Sunday of Advent (Advent IV, 21 December 2025). In addition, tonight in the Jewish calendar is also the last night in Hanukkah, which began last Sunday night (21 December 2025).
Later this morning, I hope to be involved in the Parish Eucharist in Saint Mary and Saint Giles Church, Stony Stratford (9:30 am), to read one of the lessons at the Service of Nine Lessons and Carols (4 pm), and to sing with the choir at the carol service. Meanwhile, before this busy day begins, I am taking some quiet time this early morning to give thanks, to reflect, to pray and to read in these ways:
The Fourth Sunday of Advent (Advent IV, 21 December 2025)
A statue of Saint Joseph on the façade of Saint Joseph’s Church, Terenure, Dublin (Photograph: Patrick Comerford, 2024)
Matthew 1: 18-25 (NRSVA):
18 Now the birth of Jesus the Messiah took place in this way. When his mother Mary had been engaged to Joseph, but before they lived together, she was found to be with child from the Holy Spirit. 19 Her husband Joseph, being a righteous man and unwilling to expose her to public disgrace, planned to dismiss her quietly. 20 But just when he had resolved to do this, an angel of the Lord appeared to him in a dream and said, ‘Joseph, son of David, do not be afraid to take Mary as your wife, for the child conceived in her is from the Holy Spirit. 21 She will bear a son, and you are to name him Jesus, for he will save his people from their sins.’ 22 All this took place to fulfil what had been spoken by the Lord through the prophet:
23 ‘Look, the virgin shall conceive and bear a son,
and they shall name him Emmanuel’,
which means, ‘God is with us.’ 24 When Joseph awoke from sleep, he did as the angel of the Lord commanded him; he took her as his wife, 25 but had no marital relations with her until she had borne a son; and he named him Jesus.
A statue of Saint Joseph in the grounds of Saint Joseph’s Church, Singapore (Photograph: Patrick Comerford, 2024)
Today’s Reflections:
Christmas is upon us, the last of the purple candles on the Advent Wreath, the one representing the Virgin Mary, is lit this morning. Indeed, the Virgin Mary is likely to be the main figure in many sermons today focusing on the Gospel reading.
The readings this Sunday are about choices, about obedience to God’s plans, and about the fulfilment of God’s plans for all nations. They bring us into the last week of Advent.
So often we talk about the Virgin Mary and her obedience, about Mary’s ‘Yes’ to the birth of Christ But it means Joseph is often pushed to the side of the stage.
Joseph says ‘Yes’ too, but he says it silently; he has no scripted lines; he has no dramatic part or role; he is mute; but he is obedient.
And, like the earlier Joseph, his Biblical namesake who is named in this morning’s psalm (Psalm 80: 1-7, 17-19), he too is dreamer of dreams and a doer of deeds.
As I recalled when we had a similar reading last Thursday (Matthew 1: 18-24, 18 December 2025), Saint Matthew’s nativity story lacks the romantic imagery of Saint Luke’s account, whose heady mixture of heavenly angels with earthy shepherds is missing here. Instead, the hope of all the earth takes shape under the sign of arrangements being made for a betrothal that is apparently violated. The gifts of God’s grace and the promise of God’s reign are hidden, are to be searched for and to be found in the midst of what appears be a tawdry story.
The Virgin Mary may have been a mere teenager at the time, just 14 or 15. And, like so many other teenage brides, she turns up for her wedding – pregnant! Joseph knows he could not possibly be the father. He decides to do the right thing and take off, quietly dropping out of the arrangement.
If Joseph goes ahead, then this child is going to be known in his family, among his neighbours, perhaps by everyone who needs to know, as illegitimate for the rest of his life. His critics indelicately remind him of this in Saint John’s Gospel: ‘You are indeed doing what your father does.’ They said to him, ‘We are not illegitimate children; we have one father, God himself’ (John 8: 41). The original Greek is more direct, crude and blunt: they taunt him that they were not conceived through illicit intercourse.
These fears and sneers, those social judgments and wagging fingers, must have been confronting Joseph like a nightmare. Yet the angel of Joseph’s dream makes a startling suggestion. He tells him to marry Mary, and then he is to name the child. To take on naming the child means becoming his father. And this is suggested not as a nice thing to do, a courteous thing to do, a gallant or gentlemanly sort of thing to do. Joseph is told why: ‘You are to name him Jesus, for he will save his people from their sins’ (verse 21).
It is not a promise of immediate reward. Joseph is not promised that if he does this he is going to earn points towards the forgiveness of his own sins; that God will see him as a nice guy; or even that if he lives long enough, this child may grow up, be apprenticed to him, take over the family business, and act as a future pension plan.
If Joseph is not the father of the Child Jesus, he must have wondered what the angel meant by ‘his people’ and ‘their sins.’
But the forgiveness here is spoken of in apocalyptic terms. It is the declaration of a new future. To be forgiven is to receive a future. Forgiveness breaks the simple link between cause and effect, action and reaction, failure and disaster, rebellion and recrimination.
Advent is a time of, repentance, forgiveness and expectation. It is a time of preparation, anticipation and hope. It is a time for dreaming dreams, and putting behind us all our nightmares.
Joseph dreams something wonderful. God would enter the world; God would be born to his new, young wife, Mary. But to believe this, Joseph had to trust not only his dream, but to trust Mary, to trust the future child, to trust God.
Do you love the people you trust and trust the people you love?
To trust the Virgin Mary, Joseph must have truly loved her. But trust in this predicament must have gone beyond trust. Joseph must have truly glimpsed what it is to trust God, to have hope in God, to love God, to have faith in God.
Joseph dreams a dream not of his own salvation, but of the salvation of the world.
Sometimes, like Joseph, we are supposed to trust God and then get out of the way. Do you trust that God is working through the people you love? Do you trust that God is working through people you find it difficult not to love but merely to like … working through God’s people for their salvation?
Too often we forget about poor Joseph. Every year, we tend to focus on the story of the Virgin Mary. But this year, Year A, the Lectionary asks us to focus on Saint Joseph. The annunciation occurs not just to Mary, but to Joseph too. And they both say ‘Yes.’
And Joseph says a second ‘Yes’ too later in this Gospel, when he agrees to the angel’s prompting to flee with Mary and the Christ Child to Egypt.
Joseph listens, God sends a messenger again, Joseph dreams again, and he remains true to God, he answers God’s call.
Joseph has no speaking part; he just has a walk-on part in this drama. But his actions, his obedience to God’s call, speak louder than words.
Yes, God appears over and over again, to men, women, to ‘all sorts and conditions of people.’
Joseph’s ‘Yes’ is not only a ‘Yes’ to the Christ Child but a ‘Yes’ to all children who seem unwanted and who are easily pushed to one side. Joseph’s ‘Yes’ is not only a ‘Yes’ to the Christ Child but a ‘Yes’ to the promises the Coming Christ brings to all who are marginalised and in danger today, for because of his ‘Yes’ God is among us.
We have an opportunity to echo that ‘Yes’ this Advent and this Christmas and to say ‘Yes’ to the people who cross borders, who face a dangerous ‘No’ along the way, who face violence and the dangers of human trafficking, who face racism and rejection.
This is one way we can say ‘Yes’ to the coming Christ and the coming Christmas this Advent. In saying ‘Yes’ like this, we become signs of our faith, our hope, in the promises of the coming kingdom and the promises of Christ’s coming in Advent.
The Death of Saint Joseph depicted in a tableau in a side chapel in Saint Francis Xavier Church, Gardiner Street, Dublin (Photograph: Patrick Comerford, 2025)
Today’s Prayers (Sunday 21 December 2025, Advent IV):
The theme this week (21 to 27 December 2025) in Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Love Brings Life in Tanzania’ (pp 12-13). This theme is introduced today with a Programme Update by Imran Englefield, Individual Giving Manager, USPG:
‘As we edge towards Christmas, a season of hope, waiting, and light, we will focus on the Anglican Church of Tanzania and its impactful work of bringing care, protection, and hope to mothers and babies.
‘When I met Dr Albert Chalinzee, the Medical Officer in Charge, I was immediately struck by his quiet strength. Mvumi Hospital serves a vast rural area with very limited resources, yet the atmosphere is one of focus and dedication. Dr Chalinzee told me how, not long ago, infection rates among mothers living with HIV were close to 50 per cent. Through the Prevention of Mother-to-Child Transmission programme, that figure has now dropped to just 0.3 per cent.
‘He spoke with pride about the mothers who now come early for care following advice led by the church, and leave holding HIV-free babies. “It has changed everything,” he said. “We are now able to treat mothers and share our stories of success.”
‘Much of the equipment is old, and the staff are stretched thin, but what keeps Mvumi going is not machinery or funding, it’s faith. Every hospital staff member I met there serves out of love for their community. As I left, I realised that Mvumi is more than a hospital; it is a backbone and safety net for a community who need it most.’
The USPG Prayer Diary today (Sunday 21 December 2025, Advent IV) invites us to pray by reading and meditating on Matthew 1: 18-25.
The Collect:
God our redeemer,
who prepared the Blessed Virgin Mary
to be the mother of your Son:
grant that, as she looked for his coming as our saviour,
so we may be ready to greet him
when he comes again as our judge;
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post-Communion Prayer:
Heavenly Father,
who chose the Blessed Virgin Mary
to be the mother of the promised saviour:
fill us your servants with your grace,
that in all things we may embrace your holy will
and with her rejoice in your salvation;
through Jesus Christ our Lord.
Additional Collect:
Eternal God,
as Mary waited for the birth of your Son,
so we wait for his coming in glory;
bring us through the birth pangs of this present age
to see, with her, our great salvation
in Jesus Christ our Lord.
Yesterday’s Reflections
Continued Tomorrow
Saint Joseph with the Christ Child depicted in a mosaic in the pediment of Saint Joseph’s Church, Limerick (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
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20 December 2025
An Advent Calendar with Patrick Comerford: 21, 20 December 2025
The Christmas decorations in the window of Peggy’s Sweet Shop on the High Street in Stony Stratford (Photograph: Patrick Comerford, 2025)
Patrick Comerford
There is less than a week to go to Christmas Day. At noon each day this Advent, I am offering an image as part of my own ‘Advent Calendar’ for 2025, and an Advent or Christmas carol, hymn or song.
My image for my Advent Calendar today is the decorations in the window of Peggy’s Sweet Shop at 75 High Street in Stony Stratford.
My choice of a carol or hymn today is ‘Christmas Lullaby’ by John Rutter, one of the carols or hymns being sung by the choir at the Carol Service in Saint Mary and Saint Giles Church, Stony Stratford, tomorrow afternoon (4 pm, Sunday 21 December 2025).
Rutter wrote both ‘Christmas Lullaby’ (1989) and ‘Star Carol’ (1972) for the Bach Choir and its then conductor, Sir David Willcocks, for performance at the choir’s popular Christmas concerts in the Royal Albert Hall, London.
These events had been part of Rutter’s life since his childhood, when he attended as a member of the audience. He later became involved in making last-minute musical arrangements backstage. He composed ‘Christmas Lullaby’ as part of a commission from the Bach Choir in 1989 for the 70th birthday of their conductor Sir David Willcocks.
Clear in the darkness a light shines in Bethlehem:
Angels are singing, their sound fills the air.
Wise men have journeyed to greet their Messiah;
But only a mother and baby lie there.
‘Ave Maria, ave Maria’:
Hear the soft lullaby the angel hosts sing.
‘Ave Maria, ave Maria,
Maiden, and mother of Jesus our King’.
Where are his courtiers, and who are his people?
Why does he bear neither sceptre nor crown?
Shepherds his courtiers, the poor for his people,
with peace as his sceptre and love for his crown.
What though your treasures are not gold or incense?
Lay them before him with hearts full of love.
Praise to the Christ child, and praise to his mother
who bore us a Saviour by grace from above.
Patrick Comerford
There is less than a week to go to Christmas Day. At noon each day this Advent, I am offering an image as part of my own ‘Advent Calendar’ for 2025, and an Advent or Christmas carol, hymn or song.
My image for my Advent Calendar today is the decorations in the window of Peggy’s Sweet Shop at 75 High Street in Stony Stratford.
My choice of a carol or hymn today is ‘Christmas Lullaby’ by John Rutter, one of the carols or hymns being sung by the choir at the Carol Service in Saint Mary and Saint Giles Church, Stony Stratford, tomorrow afternoon (4 pm, Sunday 21 December 2025).
Rutter wrote both ‘Christmas Lullaby’ (1989) and ‘Star Carol’ (1972) for the Bach Choir and its then conductor, Sir David Willcocks, for performance at the choir’s popular Christmas concerts in the Royal Albert Hall, London.
These events had been part of Rutter’s life since his childhood, when he attended as a member of the audience. He later became involved in making last-minute musical arrangements backstage. He composed ‘Christmas Lullaby’ as part of a commission from the Bach Choir in 1989 for the 70th birthday of their conductor Sir David Willcocks.
Clear in the darkness a light shines in Bethlehem:
Angels are singing, their sound fills the air.
Wise men have journeyed to greet their Messiah;
But only a mother and baby lie there.
‘Ave Maria, ave Maria’:
Hear the soft lullaby the angel hosts sing.
‘Ave Maria, ave Maria,
Maiden, and mother of Jesus our King’.
Where are his courtiers, and who are his people?
Why does he bear neither sceptre nor crown?
Shepherds his courtiers, the poor for his people,
with peace as his sceptre and love for his crown.
What though your treasures are not gold or incense?
Lay them before him with hearts full of love.
Praise to the Christ child, and praise to his mother
who bore us a Saviour by grace from above.
19 December 2025
An Advent Calendar with Patrick Comerford: 20, 19 December 2025
Advent wreaths seen on front doors at the north end or upper end of High Street in Stony Stratford (Photographs: Patrick Comerford, 2025)
Patrick Comerford
There is less than a week to go to Christmas Day. At noon each day this Advent, I am offering an image as part of my own ‘Advent Calendar’ for 2025, and an Advent or Christmas carol, hymn or song.
My image for my Advent Calendar today is a collage of Advent wreaths seen on front doors at the north end or upper end of High Street in Stony Stratford.
The Gospel reading at the Eucharist today (Luke 1: 5-25) tells of the birth of Saint John the Baptist. So, as my Advent hymn today, I have chosen ‘On Jordan’s bank the Baptist’s cry’.
This is one of the few Advent hymns to take account of Saint John the Baptist as the forerunner of the Coming Christ.
This hymn, which is based on the text in Luke 3: 1-18, was originally thought to be a mediaeval Latin hymn. But it was written by Charles Coffin (1676-1749), who became the Rector of the University of Paris in 1718, and first appeared in the Paris Breviary in 1736. It was translated by the Revd John Chandler (1806-1876), Vicar of Witley in Godalming, Surrey, and one of the early translators of Latin hymns into English with Anglican churches and parishes in mind.
The tune, ‘Winchester New,’ is a melody adapted from Georg Wittwe’s Musikalishes Hand-Buch (Hamburg, 1690) by Canon William Henry Havergal (1793-1870), one of the leading figures in reforming church psalmody in the Anglican tradition.
On Jordan’s bank the Baptist’s cry by Charles Coffin
On Jordan’s bank the Baptist’s cry
announces that the Lord is nigh;
awake and hearken, for he brings
glad tidings of the King of kings.
Then cleansed be every breast from sin;
make straight the way for God within;
prepare we in our hearts a home
where such a mighty guest may come.
For thou art our salvation, Lord,
our refuge and our great reward;
without thy grace we waste away
like flowers that wither and decay.
To heal the sick stretch forth thine hand,
and bid the fallen sinner stand;
shine forth, and let thy light restore
earth’s own true loveliness once more.
All praise, eternal Son, to thee,
whose advent doth thy people free;
whom with the Father we adore
and Holy Ghost for evermore.
Patrick Comerford
There is less than a week to go to Christmas Day. At noon each day this Advent, I am offering an image as part of my own ‘Advent Calendar’ for 2025, and an Advent or Christmas carol, hymn or song.
My image for my Advent Calendar today is a collage of Advent wreaths seen on front doors at the north end or upper end of High Street in Stony Stratford.
The Gospel reading at the Eucharist today (Luke 1: 5-25) tells of the birth of Saint John the Baptist. So, as my Advent hymn today, I have chosen ‘On Jordan’s bank the Baptist’s cry’.
This is one of the few Advent hymns to take account of Saint John the Baptist as the forerunner of the Coming Christ.
This hymn, which is based on the text in Luke 3: 1-18, was originally thought to be a mediaeval Latin hymn. But it was written by Charles Coffin (1676-1749), who became the Rector of the University of Paris in 1718, and first appeared in the Paris Breviary in 1736. It was translated by the Revd John Chandler (1806-1876), Vicar of Witley in Godalming, Surrey, and one of the early translators of Latin hymns into English with Anglican churches and parishes in mind.
The tune, ‘Winchester New,’ is a melody adapted from Georg Wittwe’s Musikalishes Hand-Buch (Hamburg, 1690) by Canon William Henry Havergal (1793-1870), one of the leading figures in reforming church psalmody in the Anglican tradition.
On Jordan’s bank the Baptist’s cry by Charles Coffin
On Jordan’s bank the Baptist’s cry
announces that the Lord is nigh;
awake and hearken, for he brings
glad tidings of the King of kings.
Then cleansed be every breast from sin;
make straight the way for God within;
prepare we in our hearts a home
where such a mighty guest may come.
For thou art our salvation, Lord,
our refuge and our great reward;
without thy grace we waste away
like flowers that wither and decay.
To heal the sick stretch forth thine hand,
and bid the fallen sinner stand;
shine forth, and let thy light restore
earth’s own true loveliness once more.
All praise, eternal Son, to thee,
whose advent doth thy people free;
whom with the Father we adore
and Holy Ghost for evermore.
18 December 2025
An Advent Calendar with Patrick Comerford: 19, 18 December 2025
Christmas lights and greetings … from Dublin to Kuching (Photographs: Patrick Comerford, 2024/2025)
Patrick Comerford
There is just a week to go to Christmas Day. At noon each day this Advent, I am offering an image as part of my own ‘Advent Calendar’ for 2025, and an Advent or Christmas carol, hymn or song.
My image for my Advent Calendar today is of Christmas lights and greetings on O’Connell Street in Dublin and at the Grand Margherita Hotel in the heart of Kuching.
The Advent carol O come, O come, Emmanuel is a popular reworking of the seven ‘O Antiphons’. The seven majestic Messianic titles for Christ are based on Biblical prophecies, and they help the Church to recall the variety of the ills of humanity before the coming of the Redeemer as each antiphon in turn pleads with mounting impatience for Christ to save his people.
The first of these days, O Sapientia, or O Wisdom yesterday (17 December), is followed today (18 December) by O Adonai, by O Root of Jesse tomorrow (19 December), and then by O Key of David, O Dayspring, O King of the Nations, and, finally on 23 December, O Emmanuel.
Today, for my Advent music, I have chosen ‘The Advent Prose – Rorate caeli desuper’, also known as Rorate coeli (or Rorate Caeli) or by the opening words of its English translation, ‘Drop down ye heavens from above’ (see Isaiah 45: 8).
In the Roman Catholic tradition, the Advent Prose is used frequently during Advent as a plainsong at the Mass and in the Divine Office.
It expresses the longings of the Patriarchs and the Prophets, and symbolically of the Church, for the coming of the Messiah. Throughout Advent it occurs daily as the versicle and response after the hymn at Vespers.
℣ Rorate caeli desuper et nubes pluant justum
Drop down dew, ye heavens, from above, and let the clouds rain the Just One.
℟ Aperiatur terra et germinet salvatorem
Let the earth be opened and send forth a Saviour.
The text is also used as the Introit for the Fourth Sunday in Advent (next Sunday, 21 December 2025), for Wednesday in Ember Week, for the feast of the Expectation of the Blessed Virgin Mary today (18 December), and for votive Masses of the Blessed Virgin Mary during Advent.
In the Anglican Communion, Rorate Coeli is included in the music for Advent (see English Hymnal (1906), No 735; New English Hymnal, No 501, and Irish Church Hymnal, No 122).
The Advent Prose came into use in the 17th century, and draws on the prophecy of Isaiah, and a Latin text with a French translation was first published in Paris in 1673.
The version in the English Hymnal, the New English Hymnal and the Irish Church Hymnal omits the original but obscure third verse based on Isaiah 16: 1:
Behold, O Lord, the affliction of thy people
and send forth him who is to come:
send forth the Lamb, the ruler of the earth,
from the rock of the desert, to the mount of the daughter of Zion:
that he may take away the yoke of our captivity.
The editors replaced this with another verse drawn from Isaiah 40: 10-11.
The Advent Prose – Rorate caeli desuper
Refrain:
Drop down, ye heavens, from above,
and let the skies pour down righteousness.
Be not wroth very sore, O Lord,
neither remember iniquity for ever:
the holy cities are a wilderness,
Sion is a wilderness,
Jerusalem a desolation:
our holy and our beautiful house,
where our fathers praised thee.
We have sinned, and are as an unclean thing,
and we all do fade as a leaf:
and our iniquities, like the wind, have taken us away;
thou hast hid thy face from us:
and hast consumed us, because of our iniquities.
Ye are my witnesses, saith the Lord,
and my servant whom I have chosen;
that ye may know me and believe me:
I, even I, am the Lord, and beside me there is no Saviour:
and there is none that can deliver out of my hand.
Comfort ye, comfort ye, my people,
my salvation shall not tarry:
I have blotted out as a thick cloud thy transgressions:
Fear not, for I will save thee:
for I am the Lord thy God,
the Holy One of Israel, thy Redeemer.
Patrick Comerford
There is just a week to go to Christmas Day. At noon each day this Advent, I am offering an image as part of my own ‘Advent Calendar’ for 2025, and an Advent or Christmas carol, hymn or song.
My image for my Advent Calendar today is of Christmas lights and greetings on O’Connell Street in Dublin and at the Grand Margherita Hotel in the heart of Kuching.
The Advent carol O come, O come, Emmanuel is a popular reworking of the seven ‘O Antiphons’. The seven majestic Messianic titles for Christ are based on Biblical prophecies, and they help the Church to recall the variety of the ills of humanity before the coming of the Redeemer as each antiphon in turn pleads with mounting impatience for Christ to save his people.
The first of these days, O Sapientia, or O Wisdom yesterday (17 December), is followed today (18 December) by O Adonai, by O Root of Jesse tomorrow (19 December), and then by O Key of David, O Dayspring, O King of the Nations, and, finally on 23 December, O Emmanuel.
Today, for my Advent music, I have chosen ‘The Advent Prose – Rorate caeli desuper’, also known as Rorate coeli (or Rorate Caeli) or by the opening words of its English translation, ‘Drop down ye heavens from above’ (see Isaiah 45: 8).
In the Roman Catholic tradition, the Advent Prose is used frequently during Advent as a plainsong at the Mass and in the Divine Office.
It expresses the longings of the Patriarchs and the Prophets, and symbolically of the Church, for the coming of the Messiah. Throughout Advent it occurs daily as the versicle and response after the hymn at Vespers.
℣ Rorate caeli desuper et nubes pluant justum
Drop down dew, ye heavens, from above, and let the clouds rain the Just One.
℟ Aperiatur terra et germinet salvatorem
Let the earth be opened and send forth a Saviour.
The text is also used as the Introit for the Fourth Sunday in Advent (next Sunday, 21 December 2025), for Wednesday in Ember Week, for the feast of the Expectation of the Blessed Virgin Mary today (18 December), and for votive Masses of the Blessed Virgin Mary during Advent.
In the Anglican Communion, Rorate Coeli is included in the music for Advent (see English Hymnal (1906), No 735; New English Hymnal, No 501, and Irish Church Hymnal, No 122).
The Advent Prose came into use in the 17th century, and draws on the prophecy of Isaiah, and a Latin text with a French translation was first published in Paris in 1673.
The version in the English Hymnal, the New English Hymnal and the Irish Church Hymnal omits the original but obscure third verse based on Isaiah 16: 1:
Behold, O Lord, the affliction of thy people
and send forth him who is to come:
send forth the Lamb, the ruler of the earth,
from the rock of the desert, to the mount of the daughter of Zion:
that he may take away the yoke of our captivity.
The editors replaced this with another verse drawn from Isaiah 40: 10-11.
The Advent Prose – Rorate caeli desuper
Refrain:
Drop down, ye heavens, from above,
and let the skies pour down righteousness.
Be not wroth very sore, O Lord,
neither remember iniquity for ever:
the holy cities are a wilderness,
Sion is a wilderness,
Jerusalem a desolation:
our holy and our beautiful house,
where our fathers praised thee.
We have sinned, and are as an unclean thing,
and we all do fade as a leaf:
and our iniquities, like the wind, have taken us away;
thou hast hid thy face from us:
and hast consumed us, because of our iniquities.
Ye are my witnesses, saith the Lord,
and my servant whom I have chosen;
that ye may know me and believe me:
I, even I, am the Lord, and beside me there is no Saviour:
and there is none that can deliver out of my hand.
Comfort ye, comfort ye, my people,
my salvation shall not tarry:
I have blotted out as a thick cloud thy transgressions:
Fear not, for I will save thee:
for I am the Lord thy God,
the Holy One of Israel, thy Redeemer.
17 December 2025
An Advent Calendar with Patrick Comerford: 18, 17 December 2025
Christmas trees at our flat in Stony Stratford (Photographs: Patrick Comerford, 2025)
Patrick Comerford
There is just a week to go to Christmas Eve. At noon each day this Advent, I am offering an image as part of my own ‘Advent Calendar’ for 2025, and an Advent or Christmas carol, hymn or song.
My image for my Advent Calendar today is of the Christmas trees at our flat in Stony Stratford: one a small tree high on the wall facing down onto the High Street, the other in the flat, waiting to be full decorated and waiting in anticipation of Christmas. I know Christmas trees are a relatively recent innovation in England and Ireland, but to me they also hint at the Jesse Tree, the genealogy of the expected, promised and long-awaited Jesus, which I was discussing in my prayer diary this morning.
Today (17 December) marks the start of the week before the celebration of Christmas, the birth of Christ. At evensong, the great Song of Mary, the canticle Magnificat, has a refrain or antiphon attached to it proclaiming the ascriptions or ‘names’ given to God throughout the Hebrew Bible or Old Testament. Each name develops into a prophecy of the forthcoming and eagerly-anticipated Messiah, Jesus, the Son of God.
The Advent carol O come, O come, Emmanuel (New English Hymnal, No 11; Irish Church Hymnal, No 135) is a popular reworking of the seven ‘O Antiphons’, and is the opening carol at the Carol Service in Saint Mary and Saint Giles Church, Stony Stratford next Sunday afternoon (4 pm, 21 December 2025).
O Sapientia, or O Wisdom, is the first of these days, followed tomorrow (18 December) by O Adonai, then by O Root of Jesse, O Key of David, O Dayspring, O King of the Nations, and, finally on 23 December, O Emmanuel.
In the old Sarum rite, these were sung one day earlier, beginning on 16 December, requiring another ascription for 23 December, this being O Virgin of Virgins. Since this was clearly apposite to the Blessed Virgin Mary, and not a ‘title’ of God, it was not adopted much beyond Sarum and, with the revision of the Calendar, Anglicans have adopted the more widely-used formulæ and dating.
The seven majestic Messianic titles for Christ are based on Biblical prophecies, and they help the Church to recall the variety of the ills of humanity before the coming of the Redeemer as each antiphon in turn pleads with mounting impatience for Christ to save his people.
O come, O come, Emmanuel,
and ransom captive Israel,
that mourns in lonely exile here
until the Son of God appear:
Rejoice! Rejoice!
Emmanuel shall come to thee, O Israel.
O come, thou Wisdom from above,
who ord’rest all things through thy love;
to us the path of knowledge show,
and teach us in her ways to go:
O come, O come, thou Lord of might,
who to thy tribes, on Sinai’s height,
in ancient times didst give the law
in cloud and majesty and awe:
O come, thou Rod of Jesse, free
thine own from Satan’s tyranny;
from depths of hell thy people save,
and give them vict’ry o’er the grave:
O come, thou Key of David, come,
and open wide our heavenly home;
make safe the way that leads on high,
and close the path to misery:
O come, thou Dayspring, come and cheer
our spirits by thine advent here;
disperse the gloomy clouds of night,
and death’s dark shadows put to flight:
O come, Desire of Nations, bring
all peoples to their Saviour King;
thou Corner-stone, who makest one,
complete in us thy work begun:
O come, O come, Emmanuel,
and ransom captive Israel,
that mourns in lonely exile here
until the Son of God appear.
Patrick Comerford
There is just a week to go to Christmas Eve. At noon each day this Advent, I am offering an image as part of my own ‘Advent Calendar’ for 2025, and an Advent or Christmas carol, hymn or song.
My image for my Advent Calendar today is of the Christmas trees at our flat in Stony Stratford: one a small tree high on the wall facing down onto the High Street, the other in the flat, waiting to be full decorated and waiting in anticipation of Christmas. I know Christmas trees are a relatively recent innovation in England and Ireland, but to me they also hint at the Jesse Tree, the genealogy of the expected, promised and long-awaited Jesus, which I was discussing in my prayer diary this morning.
Today (17 December) marks the start of the week before the celebration of Christmas, the birth of Christ. At evensong, the great Song of Mary, the canticle Magnificat, has a refrain or antiphon attached to it proclaiming the ascriptions or ‘names’ given to God throughout the Hebrew Bible or Old Testament. Each name develops into a prophecy of the forthcoming and eagerly-anticipated Messiah, Jesus, the Son of God.
The Advent carol O come, O come, Emmanuel (New English Hymnal, No 11; Irish Church Hymnal, No 135) is a popular reworking of the seven ‘O Antiphons’, and is the opening carol at the Carol Service in Saint Mary and Saint Giles Church, Stony Stratford next Sunday afternoon (4 pm, 21 December 2025).
O Sapientia, or O Wisdom, is the first of these days, followed tomorrow (18 December) by O Adonai, then by O Root of Jesse, O Key of David, O Dayspring, O King of the Nations, and, finally on 23 December, O Emmanuel.
In the old Sarum rite, these were sung one day earlier, beginning on 16 December, requiring another ascription for 23 December, this being O Virgin of Virgins. Since this was clearly apposite to the Blessed Virgin Mary, and not a ‘title’ of God, it was not adopted much beyond Sarum and, with the revision of the Calendar, Anglicans have adopted the more widely-used formulæ and dating.
The seven majestic Messianic titles for Christ are based on Biblical prophecies, and they help the Church to recall the variety of the ills of humanity before the coming of the Redeemer as each antiphon in turn pleads with mounting impatience for Christ to save his people.
O come, O come, Emmanuel,
and ransom captive Israel,
that mourns in lonely exile here
until the Son of God appear:
Rejoice! Rejoice!
Emmanuel shall come to thee, O Israel.
O come, thou Wisdom from above,
who ord’rest all things through thy love;
to us the path of knowledge show,
and teach us in her ways to go:
O come, O come, thou Lord of might,
who to thy tribes, on Sinai’s height,
in ancient times didst give the law
in cloud and majesty and awe:
O come, thou Rod of Jesse, free
thine own from Satan’s tyranny;
from depths of hell thy people save,
and give them vict’ry o’er the grave:
O come, thou Key of David, come,
and open wide our heavenly home;
make safe the way that leads on high,
and close the path to misery:
O come, thou Dayspring, come and cheer
our spirits by thine advent here;
disperse the gloomy clouds of night,
and death’s dark shadows put to flight:
O come, Desire of Nations, bring
all peoples to their Saviour King;
thou Corner-stone, who makest one,
complete in us thy work begun:
O come, O come, Emmanuel,
and ransom captive Israel,
that mourns in lonely exile here
until the Son of God appear.
16 December 2025
An Advent Calendar with Patrick Comerford: 17, 16 December 2025
Christmas stars on a plate of mince pies in Stony Stratford (Photograph: Patrick Comerford, 2025)
Patrick Comerford
There are just nine days away from Christmas. At noon each day this Advent, I am offering one image as part of my ‘Advent Calendar’ for 2025, and one Advent or Christmas carol, hymn or song.
My image for my Advent Calendar today is of Christmas stars on a plate of mince pies in Stony Stratford, and my choice of an Advent carol today is ‘Star Carol’ (1972) by Sir John Rutter.
Rutter wrote both ‘Christmas Lullaby’ (1989) and ‘Star Carol’ (1972) for the Bach Choir and its then conductor, Sir David Willcocks, for performance at the choir’s popular Christmas concerts in the Royal Albert Hall, London.
These events had been part of Rutter’s life since his childhood, when he attended as a member of the audience. He later became involved in making last-minute musical arrangements backstage. ‘Star Carol’ answered the brief to write a piece with a refrain that could be learnt and sung by children during the concert – they were to enter at the point ‘See his star shining bright’.
‘Star Carol’ was later published in Carols for Choirs 3 and 100 Carols for Choirs.
Star Carol by John Rutter:
Sing this night, for a boy is born in Bethlehem,
Christ our Lord in a lowly manger lies;
Bring your gifts, come and worship at his cradle,
Hurry to Bethlehem and see the son of Mary!
See his star shining bright
In the sky this Christmas night!
Follow me joyfully;
Hurry to Bethlehem and see the son of Mary!
Angels bright, come from heaven’s highest glory,
Bear the news with its message of good cheer:
‘Sing, rejoice, for a King is come to save us,
Hurry to Bethlehem to see the son of Mary!’
See his star etc …
See, he lies in his mother's tender keeping;
Jesus Christ in her loving arms asleep.
Shepherds poor, come to worship and adore him,
Offer their humble gifts before the son of Mary.
See his star etc …
Let us all pay our homage at the manger,
Sing his praise on this joyful Christmas Night;
Christ is come, bringing promise of salvation;
Hurry to Bethlehem and see the son of Mary!
See his star etc …
Star Carol lyrics © Oxford University Press
Patrick Comerford
There are just nine days away from Christmas. At noon each day this Advent, I am offering one image as part of my ‘Advent Calendar’ for 2025, and one Advent or Christmas carol, hymn or song.
My image for my Advent Calendar today is of Christmas stars on a plate of mince pies in Stony Stratford, and my choice of an Advent carol today is ‘Star Carol’ (1972) by Sir John Rutter.
Rutter wrote both ‘Christmas Lullaby’ (1989) and ‘Star Carol’ (1972) for the Bach Choir and its then conductor, Sir David Willcocks, for performance at the choir’s popular Christmas concerts in the Royal Albert Hall, London.
These events had been part of Rutter’s life since his childhood, when he attended as a member of the audience. He later became involved in making last-minute musical arrangements backstage. ‘Star Carol’ answered the brief to write a piece with a refrain that could be learnt and sung by children during the concert – they were to enter at the point ‘See his star shining bright’.
‘Star Carol’ was later published in Carols for Choirs 3 and 100 Carols for Choirs.
Star Carol by John Rutter:
Sing this night, for a boy is born in Bethlehem,
Christ our Lord in a lowly manger lies;
Bring your gifts, come and worship at his cradle,
Hurry to Bethlehem and see the son of Mary!
See his star shining bright
In the sky this Christmas night!
Follow me joyfully;
Hurry to Bethlehem and see the son of Mary!
Angels bright, come from heaven’s highest glory,
Bear the news with its message of good cheer:
‘Sing, rejoice, for a King is come to save us,
Hurry to Bethlehem to see the son of Mary!’
See his star etc …
See, he lies in his mother's tender keeping;
Jesus Christ in her loving arms asleep.
Shepherds poor, come to worship and adore him,
Offer their humble gifts before the son of Mary.
See his star etc …
Let us all pay our homage at the manger,
Sing his praise on this joyful Christmas Night;
Christ is come, bringing promise of salvation;
Hurry to Bethlehem and see the son of Mary!
See his star etc …
Star Carol lyrics © Oxford University Press
15 December 2025
An Advent Calendar with Patrick Comerford: 16, 15 December 2025
‘And the Word was made flesh and dwelt among us’ (John 1: 14) … the east window in the south aisle of Saint Laurence’s Church, Winslow, Buckinghamshire (Photograph: Patrick Comerford, 2025)
Patrick Comerford
There are ten days to go to Christmas, and yesterday was the Third Sunday of Advent (Advent III, 14 December 2025) or Gaudete Sunday.
At noon each day this Advent, I am offering one image as part of my ‘Advent Calendar’ for 2025, and one Advent or Christmas carol, hymn or song.
My image for my Advent Calendar today is the four-light east window in the south aisle of Saint Laurence’s Church in Winslow, Buckinghamshire, which I visited once again at the weekend. This window by Heaton Butler & Bayne was made in 1908 and shows the Nativity, with the inscription: ‘And the Word was made flesh and dwelt among us’ (John 1: 14).
For an Avent carol today I have chosen is ‘This is the Truth Sent from Above,’ or the Herefordshire Christmas Carol, one of several folk tunes preserved and popularised by Ralph Vaughan-Williams.
In 1909, he transcribed it from Ella Mary Leather, a collector of Herefordshire folk music, who had herself received it from a Mr W Jenkins, a folk singer from King’s Pyon.
This English folk carol was collected in the early 20th century by many English folk song collectors in Shropshire and Herefordshire and a number of variations on the tune exist, although the texts remains broadly similar.
Cecil Sharp collected an eight stanza version of the carol from Seth Vandrell and Samuel Bradley of Donninglon Wood in Shropshire, although Sharp notes that a longer version existed in a locally-printed carol book.
Vaughan Williams collected a different, Dorian mode version of the carol at King’s Pyon, Herefordshire, in July 1909 from Ella Mary Leather, a folk singer who learned the carol through the oral tradition. This version, which contains only four stanzas, is sometimes known as the Herefordshire Carol.
Vaughan Williams first published the melody in the Folk-Song Society Journal in 1909, but he credited it as being sung by a Mr W Jenkins of King’s Pyon.
Vaughan Williams later used the carol to open his Fantasia on Christmas Carols in 1912.Gerald Finzi, with permission from Vaughan Williams and Ella Leather, also used the melody as the basis of his 1925 choral work The Brightness of This Day, substituting the text for a poem by George Herbert.
The descant is by Sir Thomas Armstrong (1898-1994), who studied at the Royal College of Music with Gustav Holst and Vaughan Williams, who became a life-long friend. Later, he was the organist of Exeter Cathedral, the organist of Christ Church, Oxford, and the Principal of the Royal Academy of Music.
The text of this carol recalls the fall from grace of Adam, and the promise of redemption by Jesus. However, in almost all printed editions, several of the verses are missing. The missing text leads to a presumably unintended faux pas, with the second verse ending ‘Woman was made with man to dwell,’ and the next verse starting ‘Thus we were heirs to endless woes.’
Of course, man’s woes do not stem simply from dwelling with woman. The full version reads:
This is the truth sent from above,
The truth of God, the God of love:
Therefore don’t turn me from your door,
But hearken all, both rich and poor.
The first thing which I do relate
Is that God did man create,
The next thing which to you I’ll tell,
Woman was made with man to dwell.
Then, after this, ’twas God’s own choice
To place them both in Paradise,
There to remain, from evil free,
Except they ate of such a tree.
But they did eat, which was a sin,
And thus their ruin did begin.
Ruined themselves, both you and me,
And all of their posterity.
Thus we were heirs to endless woes,
Till God the Lord did interpose,
And so a promise soon did run,
That he would redeem us by his Son.
And at this season of the year
Our blest Redeemer did appear,
Here he did live, and here did preach,
and many thousands he did teach.
Thus he in love to us behaved,
To show us how we must be saved;
And if you want to know the way,
Be pleased to hear what he did say:
‘Go preach the Gospel,’ now he said,
‘To all the nations that are made!
And he that does believe on me,
From all his sins I'll set him free.’
O seek! O seek of God above
That saving faith that works by love!
And, if he’s pleased to grant thee this,
Thou ’rt sure to have eternal bliss.
God grant to all within this place
True saving faith, that special grace
Which to his people doth belong:
And thus I close my Christmas song.
Patrick Comerford
There are ten days to go to Christmas, and yesterday was the Third Sunday of Advent (Advent III, 14 December 2025) or Gaudete Sunday.
At noon each day this Advent, I am offering one image as part of my ‘Advent Calendar’ for 2025, and one Advent or Christmas carol, hymn or song.
My image for my Advent Calendar today is the four-light east window in the south aisle of Saint Laurence’s Church in Winslow, Buckinghamshire, which I visited once again at the weekend. This window by Heaton Butler & Bayne was made in 1908 and shows the Nativity, with the inscription: ‘And the Word was made flesh and dwelt among us’ (John 1: 14).
For an Avent carol today I have chosen is ‘This is the Truth Sent from Above,’ or the Herefordshire Christmas Carol, one of several folk tunes preserved and popularised by Ralph Vaughan-Williams.
In 1909, he transcribed it from Ella Mary Leather, a collector of Herefordshire folk music, who had herself received it from a Mr W Jenkins, a folk singer from King’s Pyon.
This English folk carol was collected in the early 20th century by many English folk song collectors in Shropshire and Herefordshire and a number of variations on the tune exist, although the texts remains broadly similar.
Cecil Sharp collected an eight stanza version of the carol from Seth Vandrell and Samuel Bradley of Donninglon Wood in Shropshire, although Sharp notes that a longer version existed in a locally-printed carol book.
Vaughan Williams collected a different, Dorian mode version of the carol at King’s Pyon, Herefordshire, in July 1909 from Ella Mary Leather, a folk singer who learned the carol through the oral tradition. This version, which contains only four stanzas, is sometimes known as the Herefordshire Carol.
Vaughan Williams first published the melody in the Folk-Song Society Journal in 1909, but he credited it as being sung by a Mr W Jenkins of King’s Pyon.
Vaughan Williams later used the carol to open his Fantasia on Christmas Carols in 1912.Gerald Finzi, with permission from Vaughan Williams and Ella Leather, also used the melody as the basis of his 1925 choral work The Brightness of This Day, substituting the text for a poem by George Herbert.
The descant is by Sir Thomas Armstrong (1898-1994), who studied at the Royal College of Music with Gustav Holst and Vaughan Williams, who became a life-long friend. Later, he was the organist of Exeter Cathedral, the organist of Christ Church, Oxford, and the Principal of the Royal Academy of Music.
The text of this carol recalls the fall from grace of Adam, and the promise of redemption by Jesus. However, in almost all printed editions, several of the verses are missing. The missing text leads to a presumably unintended faux pas, with the second verse ending ‘Woman was made with man to dwell,’ and the next verse starting ‘Thus we were heirs to endless woes.’
Of course, man’s woes do not stem simply from dwelling with woman. The full version reads:
This is the truth sent from above,
The truth of God, the God of love:
Therefore don’t turn me from your door,
But hearken all, both rich and poor.
The first thing which I do relate
Is that God did man create,
The next thing which to you I’ll tell,
Woman was made with man to dwell.
Then, after this, ’twas God’s own choice
To place them both in Paradise,
There to remain, from evil free,
Except they ate of such a tree.
But they did eat, which was a sin,
And thus their ruin did begin.
Ruined themselves, both you and me,
And all of their posterity.
Thus we were heirs to endless woes,
Till God the Lord did interpose,
And so a promise soon did run,
That he would redeem us by his Son.
And at this season of the year
Our blest Redeemer did appear,
Here he did live, and here did preach,
and many thousands he did teach.
Thus he in love to us behaved,
To show us how we must be saved;
And if you want to know the way,
Be pleased to hear what he did say:
‘Go preach the Gospel,’ now he said,
‘To all the nations that are made!
And he that does believe on me,
From all his sins I'll set him free.’
O seek! O seek of God above
That saving faith that works by love!
And, if he’s pleased to grant thee this,
Thou ’rt sure to have eternal bliss.
God grant to all within this place
True saving faith, that special grace
Which to his people doth belong:
And thus I close my Christmas song.
14 December 2025
An Advent Calendar with Patrick Comerford: 15, 14 December 2025
Advent wreaths on front doors along Wolverton Road in Stony Stratford (Photographs: Patrick Comerford, 2025)
Patrick Comerford
There are less than two weeks left in Advent this year and today is the Third Sunday of Advent (Advent III, 14 December 2025) or Gaudete Sunday.
At noon each day this Advent, I am offering one image as part of my ‘Advent Calendar’ for 2025, and one Advent or Christmas carol, hymn or song.
My image for my Advent Calendar today is a collage of wreaths on front doors along Wolverton Road in Stony Stratford and on ‘Gaudete Sunday’ for an Avent carol I have chosen Gaudete! gaudete! Christus est natus, which reached No 14 in the British charts with Steeleye Span in the early 1970s.
This song, which was popular in the early 1970s, and I first heard it around the same time as I was introduced to English folk rock while I was in the Midlands and writing for the Lichfield Mercury. On Gaudete Sunday, I think the story of the song is worth telling once again.
The notes on the album sleeve say:
Mist takes the morning path to wreath the willows -
Rejoice, rejoice -
small birds sing as the early rising monk takes to his sandals -
Christ is born of the Virgin Mary –
cloistered, the Benedictine dawn threads timelessly the needle’s eye –
rejoice.
Steeleye Span was formed in 1969, and they often performed as the opening act for Jethro Tull. A year after recording Below the Salt, it came as a surprise to many when they had a Christmas hit single with Gaudete, when it made No 14 in the charts in 1973.
This a capella motet, sung entirely in Latin, is neither representative of Steeleye Span’s repertoire nor of the album. Yet this was their first big breakthrough and it brought them onto Top of the Pops for the first time.
It is one of only three top 50 hits to be sung in Latin. The others are two recordings of Pie Jesu from Andrew Lloyd Webber’s Requiem by Sarah Brightman and Paul Miles-Kingston in 1986, and by the then 12-year-old Charlotte Church in 1998.
Gaudete may have been composed in the 16th century, but may date from the late mediaeval period. The song was published in Piae Cantiones, a collection of Finnish and Swedish sacred songs in 1582.
The Latin text is a typical mediaeval song of praise, following the standard pattern of the time – a uniform series of four-line stanzas, each preceded by a two-line refrain (in the early English carol this was known as the burden).
The reference in verse 3, which puzzled many fans at the time, is to the east gate of the city in Ezekiel’s vision (Ezekiel 44: 2). The gate is a traditional symbol of the Virgin Mary.
Since the mid-1970s, Steeleye Span often include Gaudete as a concert encore, and it was published in 1992 in the New Oxford Book of Carols.
The original is here: Gaudete by Steeleye Span.
A more recent recording is available here from the ‘World Tour’ 35th Anniversary DVD.
There are other arrangements by Michel McGlynn, recorded by Anuna, and an arrangement by Bob Chilcott which is part of the Advent and Christmas repertoire of the choir of Christ Church Cathedral, Dublin.
Let us rejoice in good memories, let us rejoice that Christmas is coming, and in the midst of the present gloom let us rejoice that the coming of Christ holds out the promise of hope, the promise of his Kingdom, the promise that even in darkness the light of Christ shines on us all.
Gaudete, gaudete! Christus est natus
Ex Maria virginae, gaudete!
Tempus adest gratiæ
Hoc quod optabamus,
Carmina lætiticiæ
Devote reddamus.
Gaudete, gaudete! Christus est natus
Ex Maria virginae, gaudete!
Deus homo factus est
Natura mirante,
Mundus renovatus est
A Christo regnante.
Gaudete, gaudete! Christus est natus
Ex Maria virginae, gaudete!
Ezechielis porta
Clausa pertransitur,
Unde Lux est orta
Salus invenitur.
Gaudete, gaudete! Christus est natus
Ex Maria virginae, gaudete!
Ergo nostra contio
Psallat jam in lustro;
Benedicat Domino:
Salus Regi nostro.
Gaudete, gaudete! Christus est natus
Ex Maria virginae, gaudete.
Rejoice, rejoice! Christ is born
of the Virgin Mary, rejoice!
The time of grace has come
that we have desired;
let us devoutly return
joyful verses.
Rejoice, rejoice! Christ is born
of the Virgin Mary, rejoice!
God has become man,
and nature marvels;
the world has been renewed
by Christ who is King.
Rejoice, rejoice! Christ is born
of the Virgin Mary, rejoice!
The closed gate of Ezekiel
has been passed through;
whence the light is born,
salvation is found.
Rejoice, rejoice! Christ is born
of the Virgin Mary, rejoice!
Therefore let our gathering
now sing in brightness,
let it give praise to the Lord:
Greetings to our King.
Rejoice, rejoice! Christ is born
of the Virgin Mary, rejoice!
Patrick Comerford
There are less than two weeks left in Advent this year and today is the Third Sunday of Advent (Advent III, 14 December 2025) or Gaudete Sunday.
At noon each day this Advent, I am offering one image as part of my ‘Advent Calendar’ for 2025, and one Advent or Christmas carol, hymn or song.
My image for my Advent Calendar today is a collage of wreaths on front doors along Wolverton Road in Stony Stratford and on ‘Gaudete Sunday’ for an Avent carol I have chosen Gaudete! gaudete! Christus est natus, which reached No 14 in the British charts with Steeleye Span in the early 1970s.
This song, which was popular in the early 1970s, and I first heard it around the same time as I was introduced to English folk rock while I was in the Midlands and writing for the Lichfield Mercury. On Gaudete Sunday, I think the story of the song is worth telling once again.
The notes on the album sleeve say:
Mist takes the morning path to wreath the willows -
Rejoice, rejoice -
small birds sing as the early rising monk takes to his sandals -
Christ is born of the Virgin Mary –
cloistered, the Benedictine dawn threads timelessly the needle’s eye –
rejoice.
Steeleye Span was formed in 1969, and they often performed as the opening act for Jethro Tull. A year after recording Below the Salt, it came as a surprise to many when they had a Christmas hit single with Gaudete, when it made No 14 in the charts in 1973.
This a capella motet, sung entirely in Latin, is neither representative of Steeleye Span’s repertoire nor of the album. Yet this was their first big breakthrough and it brought them onto Top of the Pops for the first time.
It is one of only three top 50 hits to be sung in Latin. The others are two recordings of Pie Jesu from Andrew Lloyd Webber’s Requiem by Sarah Brightman and Paul Miles-Kingston in 1986, and by the then 12-year-old Charlotte Church in 1998.
Gaudete may have been composed in the 16th century, but may date from the late mediaeval period. The song was published in Piae Cantiones, a collection of Finnish and Swedish sacred songs in 1582.
The Latin text is a typical mediaeval song of praise, following the standard pattern of the time – a uniform series of four-line stanzas, each preceded by a two-line refrain (in the early English carol this was known as the burden).
The reference in verse 3, which puzzled many fans at the time, is to the east gate of the city in Ezekiel’s vision (Ezekiel 44: 2). The gate is a traditional symbol of the Virgin Mary.
Since the mid-1970s, Steeleye Span often include Gaudete as a concert encore, and it was published in 1992 in the New Oxford Book of Carols.
The original is here: Gaudete by Steeleye Span.
A more recent recording is available here from the ‘World Tour’ 35th Anniversary DVD.
There are other arrangements by Michel McGlynn, recorded by Anuna, and an arrangement by Bob Chilcott which is part of the Advent and Christmas repertoire of the choir of Christ Church Cathedral, Dublin.
Let us rejoice in good memories, let us rejoice that Christmas is coming, and in the midst of the present gloom let us rejoice that the coming of Christ holds out the promise of hope, the promise of his Kingdom, the promise that even in darkness the light of Christ shines on us all.
Gaudete, gaudete! Christus est natus
Ex Maria virginae, gaudete!
Tempus adest gratiæ
Hoc quod optabamus,
Carmina lætiticiæ
Devote reddamus.
Gaudete, gaudete! Christus est natus
Ex Maria virginae, gaudete!
Deus homo factus est
Natura mirante,
Mundus renovatus est
A Christo regnante.
Gaudete, gaudete! Christus est natus
Ex Maria virginae, gaudete!
Ezechielis porta
Clausa pertransitur,
Unde Lux est orta
Salus invenitur.
Gaudete, gaudete! Christus est natus
Ex Maria virginae, gaudete!
Ergo nostra contio
Psallat jam in lustro;
Benedicat Domino:
Salus Regi nostro.
Gaudete, gaudete! Christus est natus
Ex Maria virginae, gaudete.
Rejoice, rejoice! Christ is born
of the Virgin Mary, rejoice!
The time of grace has come
that we have desired;
let us devoutly return
joyful verses.
Rejoice, rejoice! Christ is born
of the Virgin Mary, rejoice!
God has become man,
and nature marvels;
the world has been renewed
by Christ who is King.
Rejoice, rejoice! Christ is born
of the Virgin Mary, rejoice!
The closed gate of Ezekiel
has been passed through;
whence the light is born,
salvation is found.
Rejoice, rejoice! Christ is born
of the Virgin Mary, rejoice!
Therefore let our gathering
now sing in brightness,
let it give praise to the Lord:
Greetings to our King.
Rejoice, rejoice! Christ is born
of the Virgin Mary, rejoice!
13 December 2025
An Advent Calendar with Patrick Comerford: 14, 13 December 2025
Samuel Johnson amid the Christmas lights in the Market Square, Lichfield (Photograph: Patrick Comerford)
Patrick Comerford
We are more than half-way through Advent this year and tomorrow is the Third Sunday of Advent (Advent III, 14 December 2025).
At noon each day this Advent, I am offering one image as part of my ‘Advent Calendar’ for 2025, and one Advent or Christmas carol, hymn or song.
The church calendar of the Church of England today remembers Saint Lucy of Syracuse and Samuel Johnson of Lichfield, both of whom are associated with eyesight problems: Saint Lucy, according to legend, had her eyes plucked out as she was being martyred, and became the patron saint of the blind, eye illnesses, and opticians, often depicted holding her eyes on a platter; Samuel Johnson had poor eyesight, and was almost blind in his left eye from childhood, yet wrote legibly and prolifically.
My image for my Advent Calendar today is of Samuel Johnson’s statue in Lichfield among the Christmas lights in the Market Square, facing the house where he was born. My choice of hymn today is ‘See, amid the winter’s snow’ by the priest and hymnwriter Edward Caswall (1814-1878) who also wrote ‘Hark! a herald voice is calling’, the Advent carol I chose last Saturday (6 December 2025).
See, amid the winter’s snow,
born for us on earth below,
see the tender Lamb appears,
promised from eternal years.
Refrain:
Hail, thou ever blessed morn!
Hail, redemption’s happy dawn!
Sing through all Jerusalem,
‘Christ is born in Bethlehem.’
Lo, within a manger lies
He who built the starry skies;
He who, throned in height sublime,
sits amid the cherubim! [Refrain]
Say, ye holy shepherds, say,
what’s your joyful news today?
Wherefore have ye left your sheep
on the lonely mountain steep? [Refrain]
‘As we watched at dead of night,
Lo! we saw a wondrous light;
angels singing ‘Peace on earth’
told us of the Saviour’s birth.’ [Refrain]
Sacred Infant, all divine,
what a tender love was thine,
thus to come from highest bliss
down to such a world as this! [Refrain]
Teach, O teach us, Holy Child,
by thy face so meek and mild,
teach us to resemble thee,
in thy sweet humility! [Refrain]
Patrick Comerford
We are more than half-way through Advent this year and tomorrow is the Third Sunday of Advent (Advent III, 14 December 2025).
At noon each day this Advent, I am offering one image as part of my ‘Advent Calendar’ for 2025, and one Advent or Christmas carol, hymn or song.
The church calendar of the Church of England today remembers Saint Lucy of Syracuse and Samuel Johnson of Lichfield, both of whom are associated with eyesight problems: Saint Lucy, according to legend, had her eyes plucked out as she was being martyred, and became the patron saint of the blind, eye illnesses, and opticians, often depicted holding her eyes on a platter; Samuel Johnson had poor eyesight, and was almost blind in his left eye from childhood, yet wrote legibly and prolifically.
My image for my Advent Calendar today is of Samuel Johnson’s statue in Lichfield among the Christmas lights in the Market Square, facing the house where he was born. My choice of hymn today is ‘See, amid the winter’s snow’ by the priest and hymnwriter Edward Caswall (1814-1878) who also wrote ‘Hark! a herald voice is calling’, the Advent carol I chose last Saturday (6 December 2025).
See, amid the winter’s snow,
born for us on earth below,
see the tender Lamb appears,
promised from eternal years.
Refrain:
Hail, thou ever blessed morn!
Hail, redemption’s happy dawn!
Sing through all Jerusalem,
‘Christ is born in Bethlehem.’
Lo, within a manger lies
He who built the starry skies;
He who, throned in height sublime,
sits amid the cherubim! [Refrain]
Say, ye holy shepherds, say,
what’s your joyful news today?
Wherefore have ye left your sheep
on the lonely mountain steep? [Refrain]
‘As we watched at dead of night,
Lo! we saw a wondrous light;
angels singing ‘Peace on earth’
told us of the Saviour’s birth.’ [Refrain]
Sacred Infant, all divine,
what a tender love was thine,
thus to come from highest bliss
down to such a world as this! [Refrain]
Teach, O teach us, Holy Child,
by thy face so meek and mild,
teach us to resemble thee,
in thy sweet humility! [Refrain]
12 December 2025
Daily prayer in Advent 2025:
13, Friday 12 December 2025
‘We played the flute for you, and you did not dance; we wailed, and you did not mourn’ (Matthew 11: 17) … traditional musicians in Nevşehir in Turkey (Photograph: Patrick Comerford)
Patrick Comerford
We have passed the half-way into the Season of Advent, and the countdown to Christmas seems to be gathering pace. This week began with the Second Sunday of Advent (Advent II, 7 December 2025). Before today begins and before I catch my buses to Oxford, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
‘We played the flute for you, and you did not dance; we wailed, and you did not mourn’ (Matthew 11: 17) … ‘Τα κάλαντα’ (‘Carols’), Νικηφόρος Λύτρας (Nikiphoros Lytras)
Matthew 11: 16-19 (NRSVA):
[Jesus said:] 16 ‘But to what will I compare this generation? It is like children sitting in the market-places and calling to one another,
17 “We played the flute for you, and you did not dance;
we wailed, and you did not mourn.”
18 For John came neither eating nor drinking, and they say, “He has a demon”; 19 the Son of Man came eating and drinking, and they say, “Look, a glutton and a drunkard, a friend of tax-collectors and sinners!” Yet wisdom is vindicated by her deeds.’
Marc Chagall’s painting ‘The Fiddler’ (1913) … inspired the title of the film ‘Fiddler on the Roof’ (1971)
Today’s reflection:
The theme in the lectionary readings last Sunday for Advent II (7 December 2025) was the Prophets, while next Sunday the theme is Saint John the Baptist (Advent III, 14 December 2025). Those two themes continue to be linked in this morning’s Gospel reading at the Eucharist (Matthew 11: 11-19), when Christ contrasts the reasons John was rejected with the reasons he is criticised.
Have you ever stayed up late, far too late, too late into the night, watching your favourite sport late at night on the television?
The World Cup qualifiers, the Test matches in Australia, late-night golf and tennis – they all offer gripping entertainment.
And even when the team we support or the players we identify with do not qualify, we keep on watching, waiting and hoping.
If this is you, if you sit on the edge of your chair rather than resting back on a comfortable cushion, then you know the difference between being a spectator and being a participant.
You don’t have to fly any flags from your window, or have your face painted to still enter into the spirit of great sporting events.
Entering into the spirit of a game moves us from being mere spectators to feeling we truly are participants … that every shout and every roar is a passionate response, is true encouragement, is wish fulfilment … the more passion the more we not only hope but believe that our team is going to win.
When we go to baptisms, weddings and funerals, the attitude we go with makes a world of difference: do I go as a spectator or as a participant?
Imagine going to a funeral and failing to offer sympathy to those who are grieving and mourning.
Imagine going to a wedding reception, but not taking your place at the table, not cheering the bride and groom, not getting onto the floor and dancing.
Sometimes we can get a little too precious, a little too worried about sending out the wrong signals. If we stand back, then like John the Baptist in this morning’s Gospel reading are we in danger of being reproached for being aloof from others (see Matthew 11: 18)? If we enjoy ourselves, then, like Jesus in this morning’s Gospel reading, are we going to be seen as too interested in eating and drinking (verse 19; cf Romans 7: 15-16)?
When we go to church on Sundays, we have to ask ourselves whether we are here as spectators or as participants.
When we join in waves and chants at a football match, when join in the dance at weddings, when we sing the hymns and enter into the prayers in church on a Sunday, we are moving from being observers and spectators to being participants.
The great opportunity for this transformation is provided Sunday after Sunday, in the invitation to move from being at the Liturgy to being in the Liturgy.
If you have been to the Middle East, or you have seen Fiddler on the Roof, you know that dancing at Jewish weddings is traditionally a male celebration.
At funerals in many Mediterranean countries, open mourning and weeping is a sign not just of individual grief, but of public grief, and of the esteem the community holds for the person who has died.
These traditions were passed on through the generations – by children learning from adults, and by children teaching each other.
In this morning’s Gospel reading, we see how Christ has noticed this in the streets and the back alleys as he moves through the towns and cities.
He sees the children playing, the boys playing wedding dances, and the girls playing funeral wailing and mourning.
He notices the ways in which children can reproach each other for not joining in their playfulness:
We played the flute for you, and you did not dance;
we wailed, and you did not mourn. (verse 17)
Even as he speaks there is playfulness in the way Jesus phrases his observation, there is humour in the way he uses words that rhyme for dance and mourn at the end of each line of the children’s taunts.
Perhaps he is repeating an everyday rebuke at the time for people who stand back from what others are doing.
The boys playing tin whistles and tin drums are learning to become adult men. The girls wailing and beating their breasts in mock weeping are learning to become adult women. Each group is growing into the roles and rituals that will be expected of them when they mature.
Like all good children’s games, the point is the game, not who wins.
When we refuse to take part in the game, in the ritual, we refuse to take part in the shaping of society, we are in danger of denying our shared culture, denying our shared humanity.
If I stand back detached, and remain a mere observer of the joys and sorrow in the lives of others, I am not sharing in their humanity.
And in not sharing in your humanity, I am failing to acknowledge that you too are made in the image and likeness of God.
But when we rejoice with people in their joys, and when we mourn with people in their sorrows, we are putting into practice what the doctrine of the Trinity teaches us about us being not only made in the image and likeness of God individually but communally and collectively too as humanity.
Imagine going to a wedding but not getting onto the floor and dancing (Photograph: Patrick Comerford)
Today’s Prayers (Friday 12 December 2025):
The theme this week (7 to 13 December 2025) in Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Divine Sufficiency’ (pp 8-9). This theme was introduced on Sunday with Reflections from the Revd Neli Miranda, Vicar at Saint James the Apostle in Guatemala City and Professor of Theology at the University Mariano Gálvez of Guatemala.
The USPG Prayer Diary today (Friday 12 December 2025) invites us to pray:
We pray for justice in Guatemala, asking that leaders act with integrity, end corruption, and promote policies that allow all people to live with dignity.
Collect:
O Lord, raise up, we pray, your power
and come among us,
and with great might succour us;
that whereas, through our sins and wickedness
we are grievously hindered
in running the race that is set before us,
your bountiful grace and mercy
may speedily help and deliver us;
through Jesus Christ your Son our Lord,
to whom with you and the Holy Spirit,
be honour and glory, now and for ever.
Post Communion:
Father in heaven,
who sent your Son to redeem the world
and will send him again to be our judge:
give us grace so to imitate him
in the humility and purity of his first coming
that, when he comes again,
we may be ready to greet him
with joyful love and firm faith;
through Jesus Christ our Lord.
Additional Collect:
Almighty God,
purify our hearts and minds,
that when your Son Jesus Christ comes again
as judge and saviour
we may be ready to receive him,
who is our Lord and our God.
Yesterday’s Reflections
Continued Tomorrow
Peter Brueghel the Younger, ‘A Peasant Wedding’ (1620), in the National Gallery of Ireland (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Patrick Comerford
We have passed the half-way into the Season of Advent, and the countdown to Christmas seems to be gathering pace. This week began with the Second Sunday of Advent (Advent II, 7 December 2025). Before today begins and before I catch my buses to Oxford, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
‘We played the flute for you, and you did not dance; we wailed, and you did not mourn’ (Matthew 11: 17) … ‘Τα κάλαντα’ (‘Carols’), Νικηφόρος Λύτρας (Nikiphoros Lytras)
Matthew 11: 16-19 (NRSVA):
[Jesus said:] 16 ‘But to what will I compare this generation? It is like children sitting in the market-places and calling to one another,
17 “We played the flute for you, and you did not dance;
we wailed, and you did not mourn.”
18 For John came neither eating nor drinking, and they say, “He has a demon”; 19 the Son of Man came eating and drinking, and they say, “Look, a glutton and a drunkard, a friend of tax-collectors and sinners!” Yet wisdom is vindicated by her deeds.’
Marc Chagall’s painting ‘The Fiddler’ (1913) … inspired the title of the film ‘Fiddler on the Roof’ (1971)
Today’s reflection:
The theme in the lectionary readings last Sunday for Advent II (7 December 2025) was the Prophets, while next Sunday the theme is Saint John the Baptist (Advent III, 14 December 2025). Those two themes continue to be linked in this morning’s Gospel reading at the Eucharist (Matthew 11: 11-19), when Christ contrasts the reasons John was rejected with the reasons he is criticised.
Have you ever stayed up late, far too late, too late into the night, watching your favourite sport late at night on the television?
The World Cup qualifiers, the Test matches in Australia, late-night golf and tennis – they all offer gripping entertainment.
And even when the team we support or the players we identify with do not qualify, we keep on watching, waiting and hoping.
If this is you, if you sit on the edge of your chair rather than resting back on a comfortable cushion, then you know the difference between being a spectator and being a participant.
You don’t have to fly any flags from your window, or have your face painted to still enter into the spirit of great sporting events.
Entering into the spirit of a game moves us from being mere spectators to feeling we truly are participants … that every shout and every roar is a passionate response, is true encouragement, is wish fulfilment … the more passion the more we not only hope but believe that our team is going to win.
When we go to baptisms, weddings and funerals, the attitude we go with makes a world of difference: do I go as a spectator or as a participant?
Imagine going to a funeral and failing to offer sympathy to those who are grieving and mourning.
Imagine going to a wedding reception, but not taking your place at the table, not cheering the bride and groom, not getting onto the floor and dancing.
Sometimes we can get a little too precious, a little too worried about sending out the wrong signals. If we stand back, then like John the Baptist in this morning’s Gospel reading are we in danger of being reproached for being aloof from others (see Matthew 11: 18)? If we enjoy ourselves, then, like Jesus in this morning’s Gospel reading, are we going to be seen as too interested in eating and drinking (verse 19; cf Romans 7: 15-16)?
When we go to church on Sundays, we have to ask ourselves whether we are here as spectators or as participants.
When we join in waves and chants at a football match, when join in the dance at weddings, when we sing the hymns and enter into the prayers in church on a Sunday, we are moving from being observers and spectators to being participants.
The great opportunity for this transformation is provided Sunday after Sunday, in the invitation to move from being at the Liturgy to being in the Liturgy.
If you have been to the Middle East, or you have seen Fiddler on the Roof, you know that dancing at Jewish weddings is traditionally a male celebration.
At funerals in many Mediterranean countries, open mourning and weeping is a sign not just of individual grief, but of public grief, and of the esteem the community holds for the person who has died.
These traditions were passed on through the generations – by children learning from adults, and by children teaching each other.
In this morning’s Gospel reading, we see how Christ has noticed this in the streets and the back alleys as he moves through the towns and cities.
He sees the children playing, the boys playing wedding dances, and the girls playing funeral wailing and mourning.
He notices the ways in which children can reproach each other for not joining in their playfulness:
We played the flute for you, and you did not dance;
we wailed, and you did not mourn. (verse 17)
Even as he speaks there is playfulness in the way Jesus phrases his observation, there is humour in the way he uses words that rhyme for dance and mourn at the end of each line of the children’s taunts.
Perhaps he is repeating an everyday rebuke at the time for people who stand back from what others are doing.
The boys playing tin whistles and tin drums are learning to become adult men. The girls wailing and beating their breasts in mock weeping are learning to become adult women. Each group is growing into the roles and rituals that will be expected of them when they mature.
Like all good children’s games, the point is the game, not who wins.
When we refuse to take part in the game, in the ritual, we refuse to take part in the shaping of society, we are in danger of denying our shared culture, denying our shared humanity.
If I stand back detached, and remain a mere observer of the joys and sorrow in the lives of others, I am not sharing in their humanity.
And in not sharing in your humanity, I am failing to acknowledge that you too are made in the image and likeness of God.
But when we rejoice with people in their joys, and when we mourn with people in their sorrows, we are putting into practice what the doctrine of the Trinity teaches us about us being not only made in the image and likeness of God individually but communally and collectively too as humanity.
Imagine going to a wedding but not getting onto the floor and dancing (Photograph: Patrick Comerford)
Today’s Prayers (Friday 12 December 2025):
The theme this week (7 to 13 December 2025) in Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Divine Sufficiency’ (pp 8-9). This theme was introduced on Sunday with Reflections from the Revd Neli Miranda, Vicar at Saint James the Apostle in Guatemala City and Professor of Theology at the University Mariano Gálvez of Guatemala.
The USPG Prayer Diary today (Friday 12 December 2025) invites us to pray:
We pray for justice in Guatemala, asking that leaders act with integrity, end corruption, and promote policies that allow all people to live with dignity.
Collect:
O Lord, raise up, we pray, your power
and come among us,
and with great might succour us;
that whereas, through our sins and wickedness
we are grievously hindered
in running the race that is set before us,
your bountiful grace and mercy
may speedily help and deliver us;
through Jesus Christ your Son our Lord,
to whom with you and the Holy Spirit,
be honour and glory, now and for ever.
Post Communion:
Father in heaven,
who sent your Son to redeem the world
and will send him again to be our judge:
give us grace so to imitate him
in the humility and purity of his first coming
that, when he comes again,
we may be ready to greet him
with joyful love and firm faith;
through Jesus Christ our Lord.
Additional Collect:
Almighty God,
purify our hearts and minds,
that when your Son Jesus Christ comes again
as judge and saviour
we may be ready to receive him,
who is our Lord and our God.
Yesterday’s Reflections
Continued Tomorrow
Peter Brueghel the Younger, ‘A Peasant Wedding’ (1620), in the National Gallery of Ireland (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Labels:
Art,
Carols,
Chagall,
Dance,
Mission,
Music,
Nevşehir,
Prayer,
Saint Matthew's Gospel,
USPG,
Weddings
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