‘Hear O Israel … שְׁמַע יִשְׂרָאֵל …’ (Deuteronomy 4) … the words of the ‘Shema’ once seen on the wall of the Beth El Synagogue near Bunclody, Co Wexford (Photograph: Patrick Comerford)
Patrick Comerford
We have passed the half-way point in Lent, which began three weeks ago on Ash Wednesday (18 February 2026). This week began with the Third Sunday in Lent (Lent III, 8 March 2026).
I have been staying for the last three nights at the Anglican Shrine of Our Lady of Walsingham in Norfolk, where I spoke yesterday at the Ecumenical Pilgrimage to Walsingham.
This ecumenical pilgrimage, which began on Tuesday (10 March) and ends today (13 March), has been organised with the support of the Fellowship of Saint Alban and Saint Sergius and the Society of Saint John Chrysostom and is in its 100th year. I was invited to speak yesterday on ‘A Priest along the Way of a Pilgrim’.
Today’s programme begins with the Catholic Mass at the Convent of the Little Sisters of Jesus, and there are talks this morning by Father Mark Woodruff, Chair, Society of Saint John Chrysostom; Dr Daniel Pratt Morris-Chapman of Wesley House, Cambridge. The day ends with the Anglican Eucharist in Saint Mary and All Saints’ Church, when the celebrant and preacher is Bishop Lindsay Urwin, Assistant Bishop, Diocese of Southwark, and the Ecumenical Office of the Blessed Virgin Mary, led by Canon Norman Wallwork and the Revd Dr Richard Clutterbuck.
Before today begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, reading today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
Teaching the Law and the Prophets … ‘Teacher and student’ by Judel Gerberhole (1904), in the Jewish Museum in the Old Synagogue, Kraków (Photograph: Patrick Comerford)
Mark 12: 28-34 (NRSVA):
28 One of the scribes came near and heard them disputing with one another, and seeing that he answered them well, he asked him, ‘Which commandment is the first of all?’ 29 Jesus answered, ‘The first is, “Hear, O Israel: the Lord our God, the Lord is one; 30 you shall love the Lord your God with all your heart, and with all your soul, and with all your mind, and with all your strength.” 31 The second is this, “You shall love your neighbour as yourself.” There is no other commandment greater than these.’ 32 Then the scribe said to him, ‘You are right, Teacher; you have truly said that “he is one, and besides him there is no other”; 33 and “to love him with all the heart, and with all the understanding, and with all the strength”, and “to love one’s neighbour as oneself”, – this is much more important than all whole burnt-offerings and sacrifices.’ 34 When Jesus saw that he answered wisely, he said to him, ‘You are not far from the kingdom of God.’ After that no one dared to ask him any question.
The Ten Commandments on two tablets in a synagogue in Thessaloniki (Photograph: Patrick Comerford)
Today’s Reflection:
‘Listen’ – the word is a call to listen to the groan and cry of creation, to listen to the cry of the dispossessed, and to listen to God’s voice on how we can live more simply so that others might simply live.
In my reflections on Wednesday morning (11 March 2026), I recalled the conversation in today’s Gospel reading (Mark 12: 28-34) between Jesus and the unnamed Scribe about the greatest of the commandments. Jesus begins to reply with the word ‘Listen’, or ‘Hear, O Israel …’
Saint Benedict begins his Rule with the word ‘Listen’, ausculta: ‘Listen carefully, child of God, to the guidance of your teacher. Attend to the message you hear and make sure it pierces your heart, so that you may accept it in willing freedom and fulfil by the way you live the directions that come from your loving Father’ (Rule of Saint Benedict, Prologue 1, translated by Patrick Barry). His advice is as short and as succinct a directive on how to prepare to pray as I can find.
Benedictine prayer became more accessible in popular culture over 20 years ago when the BBC screened the television series, The Monastery (2005), in which the then Abbot of Worth Abbey, Abbot Christopher Jamison, guided five men (and three million viewers) into a new approach to life at Worth Abbey in Sussex.
Since then, Dom Christopher’s best-selling books following the popular series, Finding Sanctuary (2007) and Finding Happiness (2008), have offered readers similar opportunities. He points out that no matter how hard we work, being too busy is not inevitable. Silence and contemplation are not just for monks and nuns, they are parts of the natural rhythm of life.
Yet, to keep hold of this truth in the rush of modern living we need the support of other people and sensible advice from wise guides. By learning to listen in new ways, people’s lives can change and Dom Christopher offers some monastic steps that help this transition to a more spiritual life.
Saint Benedict of Nursia wrote the first official western manual for praying the Hours over 1,500 years ago, in the year 525. Benedictine spirituality approaches life through an ordering by daily prayer that is biblical and reflective, and Benedictine spirituality is grounded in an approach to spiritual life that values ‘Stability, Obedience, and Conversion of Life.’
The major themes in the Rule are community, prayer, hospitality, study, work, humility, stability, peace and listening. This distinction between liturgical prayer and private prayer, which is familiar to modern spirituality, was unknown to the early monks. Apart from one short reference to prayer outside the office, Chapter 20 of the Rule is concerned with the silent prayer that is a response to the psalm. Listening to the word of God was a necessary prelude to every prayer, and prayer was the natural response to every psalm.
When the scribe asks Jesus which of the 613 traditional commandments in Judaism is the most important (see Matthew 22: 34-40; Mark 12: 28-34; Luke 10: 25-28), Christ offers not one but two commandments or laws, though neither is found in the Ten Commandments (see Exodus 20: 1-17 and Deuteronomy 5: 4-21). Instead, Christ steps outside the Ten Commandments when he quotes from two other sections in the Bible (Deuteronomy 6: 4-5, Leviticus 19: 18).
And the first command Christ quotes is the shema, ‘Hear, O Israel, …’ (שְׁמַע יִשְׂרָאֵל) (Mark 12: 29), recited twice daily by pious Jews. The shema, שְׁמַע יִשְׂרָאֵל יְהוָה אֱלֹהֵינוּ יְהוָה אֶחָֽד, is composed from two separate passages in the Book Deuteronomy (Deuteronomy 6: 4-9, 11: 13-21), and to this day it is recited twice daily in Jewish practice.
The Hebrew word Shema is translated as ‘listen’ or ‘hear.’ But it means more than to just hear the sound, it means ‘to pay attention to, or to ‘focus on’. In fact, it has an even deeper meaning, requiring the listener or hearer to ‘respond to what you hear’. It calls for a response to what I hear or I am told, to act upon or do something related to the command. In other words, shema often means ‘Listen and Obey.’ They are two sides of the same coin so that comes to my ear is understood and results in action. Not to take proper action, not to respond, not to follow in discipleship is to not listen at all.
For responding in this way, Christ tells this unnamed scribe that he has answered wisely and is near the kingdom of God (verse 34).
And that silenced everyone who was listening, and it put an end to the debates … for the moment.
Silent people, who are pushed to the margins, may have more to say about God, about truth, about love, and about the true meaning of religion if only we would allow them to move in from the margins and listen to what they have to say.
People who ask questions about religious values are not necessarily trying to upset our faith and beliefs. They may actually be calling us back to the core values.
Named or unnamed, male or female, insider or outsider, we each have a place and a part in God’s plans. Being open to love, especially to the love of others, is the key to finding ourselves in that place.
Reading and studying in the Scriptorum in Ealing Abbey … Saint Benedict begins his Rule with the word ‘Listen’ (Photograph: Patrick Comerford)
Today’s Prayers (Friday 13 March 2026):
The theme this week (8-14 March 2026) in ‘Pray With the World Church,’ the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Biblical Sisterhood’ (pp 36-37). This theme was introduced on Sunday with reflections by Dr Sanjana Das, PhD feminist theologian, advocate for the dignity and rights of trafficked and migrant working women.
The USPG Prayer Diary today (Friday 13 March 2026) invites us to pray:
Gracious God, we thank you for all who work with trafficked and migrant women. Grant protection, wisdom and courage as they tirelessly work to support vulnerable communities.
The Collect:
Almighty God,
whose most dear Son went not up to joy but first he suffered pain,
and entered not into glory before he was crucified:
mercifully grant that we, walking in the way of the cross,
may find it none other than the way of life and peace;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post Communion Prayer:
Merciful Lord,
grant your people grace to withstand the temptations
of the world, the flesh and the devil,
and with pure hearts and minds to follow you, the only God;
through Jesus Christ our Lord.
Additional Collect:
Eternal God,
give us insight
to discern your will for us,
to give up what harms us,
and to seek the perfection we are promised
in Jesus Christ our Lord.
Yesterday’s Reflections
Continued Tomorrow
Moses and the Law outside the Palais de Justice in Perpignan (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Showing posts with label Bunclody. Show all posts
Showing posts with label Bunclody. Show all posts
13 March 2026
Daily prayer in Lent 2026:
24, Friday 13 March 2026
Labels:
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23 June 2025
Marking the anniversaries of
James Comerford (1775-1825)
from Bunclody, a witness to
the events in the 1798 Rising
Patrick Comerford
I have been writing in recent weeks and months about key anniversaries this year in the history of the Comerford and Comberford families, including the tercentenary of the Comberford plaque, erected by Joseph Comerford in Saint Editha’s Church (1 April 2025); the tercentenary of the formal issuing in Spain of the death certificate of Major-General John Comerford on 18 May 1725; and the possible anniversary of Nicholas Comberford's map that named the Bay or Mexico or Gulf of Mexico in the mid-17th century.
I should also have noted that this year marks the 200th anniversary of the death in 1825 and the 250th anniversary of the birth in 1775 of my great-great-grandfather, James Comerford (1775-1825), of Ballyminane, Newtownbarry (Bunclody), Co Wexford.
When I was growing up, two aunts who lived in my grandmother’s house in Terenure reminded me on many occasions that I would grow up being able to say my grandfather could say his grandfather witnessed the events in 1798 in the Killanne and Bunclody areas of north-west Co Wexford.
They said he had seen the executions on Wexford Bridge, and had subsequently hidden by the banks of the Slaney near Bunclody to save his own life before the Rising came to end. When I was in my early 40s, I was presented with a hollowed walking stick with a blade that was said to be his during that eventful and revolutionary era.
I was told too that his portrait had been painted by the Kilkenny-born miniaturist John Comerford, who had also painted James’s uncle and aunt, James Comerford (1720-1809) and Anne (Langton) Comerford when he was their guest at the Butterslip in Kilkenny. However, many of the stories I was told about James, although part of oral tradition in the family, were without documentary support or evidence that could be verified in primary sources.
James Comerford, my grandfather’s grandfather, was born ca 1775, a son of Edmond Comerford (1722-1788), who in turn was a son of William Comerford of Langton House, The Butterslip, Kilkenny. Edmund may have moved to the Newtownbarry (Bunclody) area in north Co Wexford through connections with his aunt, Margaret O’Neal (ca 1705-1763), and other members of the Comerford family living in the area.
James Comerford, my grandfather’s grandfather, may have been named after Edmond Comerford’s brother, James Comerford of the Butterslip, Kilkenny.
By the 1790s, James Comerford was employed by Thomas Bates of Lermount or Lyrmount House, at Askinvillar, near Killanne, Co Wexford. James knew many of the local people in the Killanne and Kiltealy who were active in the 1798 Rising.
After the 1798 Rising, as James Cummerford, he was called as a witness in the trial of three rebels from the Killanne and Kiltealy area in Newtownbarry (Bunclody) on 5 November 1798. The evidence at the court martial stated that James knew the prisoners and had frequently seen them associating with the rebels, armed with firearms.
James Comerford, whose portrait was painted by the Kilkenny-born miniaturist John Comerford around 1808 [see Comerford Profiles 13: John Comerford (1770-1832), artist],was 50 when died on 6 November 1825. He is buried in the Church of Ireland churchyard at Saint Colman’s Church, Templeshanbo, Co Wexford with his father Edmond, his son Richard and his brother Thomas.
The grave of James Comerford (1775-1825) in Templeshanbo, where he is buried with his father, Edmond Comerford, and his son Richard Comerford (Photograph: Patrick Comerford)
James Comerford was the father of:
1, Richard Comerford (ca 1796-1848), of Newtownbarry.
2, Robert Comerford (ca 1806-1864), of Wexford and Newtownbarry.
3, Michael Comerford (ca 1808-1868), of Ryland Lower, Newtownbarry, who is buried in Saint Colman’s Church of Ireland churchyard, Templeshanbo.
4, James Comerford (ca 1817-1902), of Wexford and Dublin, my great-grandfather.
5, Catherine, who married Philip Murphy of Mullawn, Kiltealy. In 1868, she erected a gravestone in Templeshanbo for her brother Michael and her uncle Thomas Comerford.
6?, Ellen, who married Michael Rowe in Saint Aidan’s, Enniscorthy on 24 September 1847. They first lived in Enniscorthy and later in Newtownbarry.
The brothers Richard, Robert and later James Comerford, my great-grandfather, worked throughout Co Wexford on the Gothic Revival churches built in the 1830s, 1840s and 1850s by the Wexford-born architect Richard Pierce and the English architect, Augustus Welby Northmore Pugin. These churches included Saint Aidan’s Cathedral, Enniscorthy, Saint Peter’s College, Wexford, and Wexford’s twin churches in Rowe Street and Bride Street.
My great-great grandfather James Comerford was a first cousin and a contemporary of James Comerford (ca 1788/1789-1859) of Clohamon and Newtownbarry (Bunclody), Co Wexford, and Brown Street, Carlow. He was born ca 1788, the first son of John Comerford (1760-1823) of Clonmullen and Newtownbarry.
This James Comerford moved to Carlow, where he was a pawnbroker at 11 Brown Street, Carlow, in 1842. He also owned property close to the Methodist Church in Charlotte Street, Carlow. He died in Carlow on 2 November 1859, and was buried beside his son John J Comerford (1827-1854) at Saint Aidan’s Cathedral, Enniscorthy.
Another son, the Right Revd Michael Comerford (1831-1895), was Coadjutor Bishop of Kildare and Leighlin. An archaeologist and historian of repute, he was a co-founder of the Ossory Archaeological Society and author of the definitive history of the Diocese of Kildare and Leighlin.
This James Comerford had another interesting link with the 1798 Rising: his eldest sister Eleanor (1783-1841) married James Whitty (1775-1863) of Tomgarrow, a first cousin of the rebel priest Father John Murphy of Boolavogue (1753-1798).
These two James Comerfords, first cousins, were namesakes and contemporaries of James Comerford (ca 1763-1798), one of the first people killed during the 1798 Rising in Co Wexford. This James Comerford was one of the four Protestants killed in the attack on Kyle Glebe in Oulart Village, along with Samuel Judd, Thomas Earl and Joseph Aston after the Rector of Kilmuckridge, the Revd Robert Burrowes, was murdered in front of the house prior to the Battle of Oulart Hill on Sunday 27 May 1798.
In his narrative of the 1798 Rising in Co Wexford, Sir Richard Musgrave indicates that James Comerford was a parishioner of Robert Burrowes, although the local historian, Brian Cleary from Oulart, states he was also a Yeoman.
James Comerford’s widow Elizabeth and their five children, who were at Kyle Glebe that morning, survived those horrifying events. They were probably taken with the Burrowes family to Castle Annesley, the home of the Clifford family in Kilmuckridge – Sally Clifford was a niece of Robert Burrowes.
From Castle Annesley in Kilmuckridge, it appears, the Comerford and Burrowes family were taken to Wexford town.
28 March 2025
Daily prayer in Lent 2025:
24, Friday 28 March 2025
‘Hear O Israel … שְׁמַע יִשְׂרָאֵל …’ (Deuteronomy 4) … the words of the ‘Shema’ once seen on the wall of the Beth El Synagogue near Bunclody, Co Wexford (Photograph: Patrick Comerford)
Patrick Comerford
We have passed the half-way point in Lent, which began three weeks ago on Ash Wednesday (5 March 2025). This week began with the Third Sunday in Lent (Lent III).
Before today begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, reading today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
Teaching the Law and the Prophets … ‘Teacher and student’ by Judel Gerberhole (1904), in the Jewish Museum in the Old Synagogue, Kraków (Photograph: Patrick Comerford)
Mark 12: 28-34 (NRSVA):
28 One of the scribes came near and heard them disputing with one another, and seeing that he answered them well, he asked him, ‘Which commandment is the first of all?’ 29 Jesus answered, ‘The first is, “Hear, O Israel: the Lord our God, the Lord is one; 30 you shall love the Lord your God with all your heart, and with all your soul, and with all your mind, and with all your strength.” 31 The second is this, “You shall love your neighbour as yourself.” There is no other commandment greater than these.’ 32 Then the scribe said to him, ‘You are right, Teacher; you have truly said that “he is one, and besides him there is no other”; 33 and “to love him with all the heart, and with all the understanding, and with all the strength”, and “to love one’s neighbour as oneself”, – this is much more important than all whole burnt-offerings and sacrifices.’ 34 When Jesus saw that he answered wisely, he said to him, ‘You are not far from the kingdom of God.’ After that no one dared to ask him any question.
The Ten Commandments on two tablets in a synagogue in Thessaloniki (Photograph: Patrick Comerford)
Today’s Reflection:
‘Listen’ – the word is a call to listen to the groan and cry of creation, to listen to the cry of the dispossessed, and to listen to God’s voice on how we can live more simply so that others might simply live.
In my reflections on Wednesday morning (26 March 2025), I recalled the conversation in today’s Gospel reading (Mark 12: 28-34) between Jesus and the unnamed Scribe about the greatest of the commandments. Jesus begins to reply with the word ‘Listen’, or ‘Hear, O Israel …’
Saint Benedict begins his Rule with the word ‘Listen’, ausculta: ‘Listen carefully, child of God, to the guidance of your teacher. Attend to the message you hear and make sure it pierces your heart, so that you may accept it in willing freedom and fulfil by the way you live the directions that come from your loving Father’ (Rule of Saint Benedict, Prologue 1, translated by Patrick Barry). His advice is as short and as succinct a directive on how to prepare to pray as I can find.
Benedictine prayer became more accessible in popular culture 20 years ago when the BBC screened the television series, The Monastery (2005), in which the then Abbot of Worth Abbey, Abbot Christopher Jamison, guided five men (and three million viewers) into a new approach to life at Worth Abbey in Sussex.
Since then, Dom Christopher’s best-selling books following the popular series, Finding Sanctuary (2007) and Finding Happiness (2008), have offered readers similar opportunities. He points out that no matter how hard we work, being too busy is not inevitable. Silence and contemplation are not just for monks and nuns, they are parts of the natural rhythm of life.
Yet, to keep hold of this truth in the rush of modern living we need the support of other people and sensible advice from wise guides. By learning to listen in new ways, people’s lives can change and Dom Christopher offers some monastic steps that help this transition to a more spiritual life.
Saint Benedict of Nursia wrote the first official western manual for praying the Hours 1,500 years ago, in the year 525. Benedictine spirituality approaches life through an ordering by daily prayer that is biblical and reflective, and Benedictine spirituality is grounded in an approach to spiritual life that values ‘Stability, Obedience, and Conversion of Life.’
The major themes in the Rule are community, prayer, hospitality, study, work, humility, stability, peace and listening. This distinction between liturgical prayer and private prayer, which is familiar to modern spirituality, was unknown to the early monks. Apart from one short reference to prayer outside the office, Chapter 20 of the Rule is concerned with the silent prayer that is a response to the psalm. Listening to the word of God was a necessary prelude to every prayer, and prayer was the natural response to every psalm.
When the scribe asks Jesus which of the 613 traditional commandments in Judaism is the most important (see Matthew 22: 34-40; Mark 12: 28-34; Luke 10: 25-28), Christ offers not one but two commandments or laws, though neither is found in the Ten Commandments (see Exodus 20: 1-17 and Deuteronomy 5: 4-21). Instead, Christ steps outside the Ten Commandments when he quotes from two other sections in the Bible (Deuteronomy 6: 4-5, Leviticus 19: 18).
And the first command Christ quotes is the shema, ‘Hear, O Israel, …’ (שְׁמַע יִשְׂרָאֵל) (Mark 12: 29), recited twice daily by pious Jews. The shema, שְׁמַע יִשְׂרָאֵל יְהוָה אֱלֹהֵינוּ יְהוָה אֶחָֽד, is composed from two separate passages in the Book Deuteronomy (Deuteronomy 6: 4-9, 11: 13-21), and to this day it is recited twice daily in Jewish practice.
The Hebrew word Shema is translated as ‘listen’ or ‘hear.’ But it means more than to just hear the sound, it means ‘to pay attention to, or to ‘focus on’. In fact, it has an even deeper meaning, requiring the listener or hearer to ‘respond to what you hear’. It calls for a response to what I hear or I am told, to act upon or do something related to the command. In other words, shema often means ‘Listen and Obey.’ They are two sides of the same coin so that comes to my ear is understood and results in action. Not to take proper action, not to respond, not to follow in discipleship is to not listen at all.
For responding in this way, Christ tells this unnamed scribe that he has answered wisely and is near the kingdom of God (verse 34).
And that silenced everyone who was listening, and it put an end to the debates … for the moment.
Silent people, who are pushed to the margins, may have more to say about God, about truth, about love, and about the true meaning of religion if only we would allow them to move in from the margins and listen to what they have to say.
People who ask questions about religious values are not necessarily trying to upset our faith and beliefs. They may actually be calling us back to the core values.
Named or unnamed, male or female, insider or outsider, we each have a place and a part in God’s plans. Being open to love, especially to the love of others, is the key to finding ourselves in that place.
Reading and studying in the Scriptorum in Ealing Abbey … Saint Benedict begins his Rule with the word ‘Listen’ (Photograph: Patrick Comerford)
Today’s Prayers (Friday 28 March 2025):
The theme this week in ‘Pray With the World Church’, the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Towards Reconciliation and Renewal’. This theme was introduced on Sunday with a programme update by the Revd Canon Dr Carlton J Turner, Anglican Tutor in Contextual Theology and Mission Studies and Deputy Director of Research at the Queen’s Foundation, Birmingham.
The USPG Prayer Diary today (Friday 28 March 2025) invites us to pray:
Father, we pray for the success and sustainability of the Codrington Project. Bless the Codrington Trust, USPG and their leaders and staff as well as the people it aims to serve. May it honour you as the God who restores and reconciles.
The Collect:
Almighty God,
whose most dear Son went not up to joy but first he suffered pain,
and entered not into glory before he was crucified:
mercifully grant that we, walking in the way of the cross,
may find it none other than the way of life and peace;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post Communion Prayer:
Merciful Lord,
grant your people grace to withstand the temptations
of the world, the flesh and the devil,
and with pure hearts and minds to follow you, the only God;
through Jesus Christ our Lord.
Additional Collect:
Eternal God,
give us insight
to discern your will for us,
to give up what harms us,
and to seek the perfection we are promised
in Jesus Christ our Lord.
Yesterday’s Reflection
Continued Tomorrow
Moses and the Law outside the Palais de Justice in Perpignan (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Patrick Comerford
We have passed the half-way point in Lent, which began three weeks ago on Ash Wednesday (5 March 2025). This week began with the Third Sunday in Lent (Lent III).
Before today begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, reading today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
Teaching the Law and the Prophets … ‘Teacher and student’ by Judel Gerberhole (1904), in the Jewish Museum in the Old Synagogue, Kraków (Photograph: Patrick Comerford)
Mark 12: 28-34 (NRSVA):
28 One of the scribes came near and heard them disputing with one another, and seeing that he answered them well, he asked him, ‘Which commandment is the first of all?’ 29 Jesus answered, ‘The first is, “Hear, O Israel: the Lord our God, the Lord is one; 30 you shall love the Lord your God with all your heart, and with all your soul, and with all your mind, and with all your strength.” 31 The second is this, “You shall love your neighbour as yourself.” There is no other commandment greater than these.’ 32 Then the scribe said to him, ‘You are right, Teacher; you have truly said that “he is one, and besides him there is no other”; 33 and “to love him with all the heart, and with all the understanding, and with all the strength”, and “to love one’s neighbour as oneself”, – this is much more important than all whole burnt-offerings and sacrifices.’ 34 When Jesus saw that he answered wisely, he said to him, ‘You are not far from the kingdom of God.’ After that no one dared to ask him any question.
The Ten Commandments on two tablets in a synagogue in Thessaloniki (Photograph: Patrick Comerford)
Today’s Reflection:
‘Listen’ – the word is a call to listen to the groan and cry of creation, to listen to the cry of the dispossessed, and to listen to God’s voice on how we can live more simply so that others might simply live.
In my reflections on Wednesday morning (26 March 2025), I recalled the conversation in today’s Gospel reading (Mark 12: 28-34) between Jesus and the unnamed Scribe about the greatest of the commandments. Jesus begins to reply with the word ‘Listen’, or ‘Hear, O Israel …’
Saint Benedict begins his Rule with the word ‘Listen’, ausculta: ‘Listen carefully, child of God, to the guidance of your teacher. Attend to the message you hear and make sure it pierces your heart, so that you may accept it in willing freedom and fulfil by the way you live the directions that come from your loving Father’ (Rule of Saint Benedict, Prologue 1, translated by Patrick Barry). His advice is as short and as succinct a directive on how to prepare to pray as I can find.
Benedictine prayer became more accessible in popular culture 20 years ago when the BBC screened the television series, The Monastery (2005), in which the then Abbot of Worth Abbey, Abbot Christopher Jamison, guided five men (and three million viewers) into a new approach to life at Worth Abbey in Sussex.
Since then, Dom Christopher’s best-selling books following the popular series, Finding Sanctuary (2007) and Finding Happiness (2008), have offered readers similar opportunities. He points out that no matter how hard we work, being too busy is not inevitable. Silence and contemplation are not just for monks and nuns, they are parts of the natural rhythm of life.
Yet, to keep hold of this truth in the rush of modern living we need the support of other people and sensible advice from wise guides. By learning to listen in new ways, people’s lives can change and Dom Christopher offers some monastic steps that help this transition to a more spiritual life.
Saint Benedict of Nursia wrote the first official western manual for praying the Hours 1,500 years ago, in the year 525. Benedictine spirituality approaches life through an ordering by daily prayer that is biblical and reflective, and Benedictine spirituality is grounded in an approach to spiritual life that values ‘Stability, Obedience, and Conversion of Life.’
The major themes in the Rule are community, prayer, hospitality, study, work, humility, stability, peace and listening. This distinction between liturgical prayer and private prayer, which is familiar to modern spirituality, was unknown to the early monks. Apart from one short reference to prayer outside the office, Chapter 20 of the Rule is concerned with the silent prayer that is a response to the psalm. Listening to the word of God was a necessary prelude to every prayer, and prayer was the natural response to every psalm.
When the scribe asks Jesus which of the 613 traditional commandments in Judaism is the most important (see Matthew 22: 34-40; Mark 12: 28-34; Luke 10: 25-28), Christ offers not one but two commandments or laws, though neither is found in the Ten Commandments (see Exodus 20: 1-17 and Deuteronomy 5: 4-21). Instead, Christ steps outside the Ten Commandments when he quotes from two other sections in the Bible (Deuteronomy 6: 4-5, Leviticus 19: 18).
And the first command Christ quotes is the shema, ‘Hear, O Israel, …’ (שְׁמַע יִשְׂרָאֵל) (Mark 12: 29), recited twice daily by pious Jews. The shema, שְׁמַע יִשְׂרָאֵל יְהוָה אֱלֹהֵינוּ יְהוָה אֶחָֽד, is composed from two separate passages in the Book Deuteronomy (Deuteronomy 6: 4-9, 11: 13-21), and to this day it is recited twice daily in Jewish practice.
The Hebrew word Shema is translated as ‘listen’ or ‘hear.’ But it means more than to just hear the sound, it means ‘to pay attention to, or to ‘focus on’. In fact, it has an even deeper meaning, requiring the listener or hearer to ‘respond to what you hear’. It calls for a response to what I hear or I am told, to act upon or do something related to the command. In other words, shema often means ‘Listen and Obey.’ They are two sides of the same coin so that comes to my ear is understood and results in action. Not to take proper action, not to respond, not to follow in discipleship is to not listen at all.
For responding in this way, Christ tells this unnamed scribe that he has answered wisely and is near the kingdom of God (verse 34).
And that silenced everyone who was listening, and it put an end to the debates … for the moment.
Silent people, who are pushed to the margins, may have more to say about God, about truth, about love, and about the true meaning of religion if only we would allow them to move in from the margins and listen to what they have to say.
People who ask questions about religious values are not necessarily trying to upset our faith and beliefs. They may actually be calling us back to the core values.
Named or unnamed, male or female, insider or outsider, we each have a place and a part in God’s plans. Being open to love, especially to the love of others, is the key to finding ourselves in that place.
Reading and studying in the Scriptorum in Ealing Abbey … Saint Benedict begins his Rule with the word ‘Listen’ (Photograph: Patrick Comerford)
Today’s Prayers (Friday 28 March 2025):
The theme this week in ‘Pray With the World Church’, the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Towards Reconciliation and Renewal’. This theme was introduced on Sunday with a programme update by the Revd Canon Dr Carlton J Turner, Anglican Tutor in Contextual Theology and Mission Studies and Deputy Director of Research at the Queen’s Foundation, Birmingham.
The USPG Prayer Diary today (Friday 28 March 2025) invites us to pray:
Father, we pray for the success and sustainability of the Codrington Project. Bless the Codrington Trust, USPG and their leaders and staff as well as the people it aims to serve. May it honour you as the God who restores and reconciles.
The Collect:
Almighty God,
whose most dear Son went not up to joy but first he suffered pain,
and entered not into glory before he was crucified:
mercifully grant that we, walking in the way of the cross,
may find it none other than the way of life and peace;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post Communion Prayer:
Merciful Lord,
grant your people grace to withstand the temptations
of the world, the flesh and the devil,
and with pure hearts and minds to follow you, the only God;
through Jesus Christ our Lord.
Additional Collect:
Eternal God,
give us insight
to discern your will for us,
to give up what harms us,
and to seek the perfection we are promised
in Jesus Christ our Lord.
Yesterday’s Reflection
Continued Tomorrow
Moses and the Law outside the Palais de Justice in Perpignan (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
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26 December 2024
Tracing James Comerford,
whose miniature portrait
was painted shortly before
his marriage in 1829
The miniature portrait of James Comerford (ca 1829) by François Theodore Rochard, in the Lady Cohen Collection at Kenwood House
Patrick Comerford
I recently came across a miniature portrait of James Comerford, dating from ca 1829, by the French miniaturist François Theodore Rochard and now in the Lady Cohen Collection at Kenwood House in Hampstead.
The miniature is a watercolour on ivory, and shows a young James Comerford with short curling brown hair, wearing a dark blue coat and top coat, checked cravat, with spy glass and fob seals, an ivy draped urn to his and right, a sunset sky.
The reverse of James Comerford’s portrait is inscribed in a later hand with the identification of James Comerford as the sitter, together with the information that he married ‘Ann Birrell’. An associated miniature of Ann Birrell by Rochard is fully signed by the artist and inscribed with his Howland Street address and the date 7 February 1829.
In an age before photography – and long before ‘selfies’ – these portable images served as intimate tokens of love and friendship or as reminders of lost, absent or deceased loved ones.
The miniature of James Comerford was part of the Lady Cohen Collection, featuring 65 miniatures by some of the leading artists of the 18th and 19th centuries. It was given to English Heritage through the Cultural Gift scheme of Arts Council England’s. Bryony Cohen is the wife of the retired High Court Judge, Sir Jonathan Lionel Cohen.
Louise Cooling, the English Heritage curator at Kenwood, said the collection was of outstanding art historical importance. The miniatures are mostly watercolour on ivory, and the miniatures include a double portrait of Mrs Wadham Wyndham and her sister Miss Slade by Andrew Robertson, a late miniature by Jeremiah Meyer, and a work by the last great Scottish miniaturist Robert Thorburn (1818-1885).
The heyday of the portrait miniature coincides with the time when Kenwood was home to the first three Earls of Mansfield and their families. For example, over eight years William Murray, 1st Earl of Mansfield, commissioned 13 miniature copies of his portrait by Joshua Reynolds. ‘A large number of the miniatures commissioned by people who lived at Kenwood are lost, having likely been given away as gifts,’ Louise Cooling says.
The French miniaturist François Theodore Rochard (1798-1857) moved to London ca 1820, joining his brother who was already living there. Rochard was a popular portrait painter specialising in miniatures and in water colours and won two silver medals from the new Society of British Artists in 1823. He retired after his marriage in 1850 and he died in London on 31 October 1857.
His brother, Simon Jacques Rochard (1788-1872), was a painter of portrait miniatures in France, England and Brussels. He was only 20 when he painted a portrait of the Empress Joséphine for Napoleon and later other portraits of the imperial family. After Napoleon’s return from Elba in 1815, he was drafted into the army but fled to Brussels. There he received commissions to paint miniatures, including at least one of the Duke of Wellington, who defeated Napoleon at Waterloo.
Shortly after this, he moved to London, and there he painted numerous miniatures of leading society figures such as Princess Charlotte (1766-1828).
Kenwood House is a stately home on the north fringes of Hampstead Heath. The house was built in the late 17th century and was remodelled in the 18th century for William Murray, 1st Earl of Mansfield, by Robert Adam. The house and part of the grounds were bought by Edward Guinness, 1st Earl of Iveagh, in 1925 and donated to the nation. It is now owned by London County Council and a popular visitor attraction, and holds a significant number of historic paintings and art works, including 63 Old Master paintings, while the gardens have sculptures by Barbara Hepworth, Henry Moore and Eugène Dodeigne.
James Comerford (1720-1808) and Anne (Langton) Comerford were pained by John Comerford (1720-1808) in 1794 and 1797 (Comerford family collection)
But I was curious to know the identity of this James Comerford whose portrait was painted in 1829 by the fashionable portraitist François Theodore Rochard, along with his future wife who is named at Kenwood in the catalogue of the Lady Cohen Collection as ‘Ann Birrell’.
My attention was drawn to this portrait last week as I was trying to trace an English artist in the 1950s who signed his work BP Comerford, and found myself researching the work and career of the artist Charles William (Bill) Comerford (1905-1961).
I am familiar with the work of the Irish miniaturist John Comerford (1770-1832), and some of his works are also the collection of miniatures in Kenwood House. John Comerford was a regular guest at the Langton House in the Butterslip, Kilkenny, of James Comerford (1720-1808) and Anne (Langton) Comerford, and painted miniature portraits of each of them in 1794 and again in 1797.
He probably also painted their nephew, James Comerford (1775-1825) of Newtownbarry (Bunclody), my great-great-grandfather, and James Comerford’s eldest son, Richard Comerford (1796-1848) of Newtownbarry, my great-grandfather’s eldest brother.
Richard Comerford (1796-1848) of Newtownbarry (left) and his uncle James Comerford (1775-1825, right) may have been painted by John Comerford ( Comerford family collection)
However, although they sat for John Comerford, neither James Comerford of Kilkenny nor James Comerford of Newtownbarry is the subject of the miniature portrait of James Comerford painted by Rochard in 1829 – both were dead by then.
I am now confident, however, that the sitter for Rochard’s portrait in 1829 was the Victorian book collector, antiquarian and notary James Comerford (1807-1881), who was married in 1829. This James Comerford was born at Holborn on 7 November 1807, in Castle Street, now Furnival Street, Holborn, and was baptised in Saint Andrew’s Church, Holborn, in March 1808.
He first practised as a notary public in partnership with TS Girdler as Comerford and Company at 27 Change Alley, Cornhill, London, from December 1827. Later, he practised from premises at 7 Tokenhouse Yard, Lothbury. James Comerford was also a magistrate or Justice of the Peace (JP), secretary to the Society of Public Notaries of London (1833), and a Fellow of the Society of Antiquarians (FSA, 1840).
He married 19-year-old Sarah Anne Bissett, daughter of Captain James Bissett, in Wilmington, Sussex, on 16 July 1828. So ‘Ann Birrell’ may be a misreading of Sarah Anne Bissett’s name in handwriting, and their portraits may have been commissioned in 1828, rather than 1829, in advance of their wedding.
Family tradition says that in his younger days James was something of a rake, who took fencing lessons from a fencing master, Henry Angelo, and fought a duel with a man named Atwood over his future wife. The adventurous and rakish spirit continued after their wedding, when Sarah and James Comerford took their honeymoon during the Belgian/Dutch civil war.
Sarah Anne Bissett was born in 1809, the daughter of a sea captain who died in the American war in 1812. Her eldest sister, Anna Maria Bissett, married the Revd Robert Philip Blake (1801-1841) curate of Wilmington, Sussex, and Stoke, near Guildford, at the time of Sarah’s wedding. He drowned at Niton, Isle of Wight, while swimming with his son, later the Revd Professor John Frederick Blake (1839-1906), lecturer in Comparative Anatomy, Charing Cross Hospital, London and Professor of Natural Science, University College Nottingham.
Between 1829 and 1851, James Comerford and his family were living at 7 Saint Andrew’s Place, Regent’s Park, London. By 1872, James Comerford was living in Framfield, Sussex.
Sarah and James Comerford were the parents of two sons and a daughter: James William Comerford (1829-1917), Charles Frederick Comerford (born 1831), and Emily Sarah (1842-1909), who married Henry Burchett in 1858 and later married the Revd Hamilton Brand.
James Comerford was a book collector and antiquarian. He built on his father’s earlier book collection, and amassed a library that included a large collection of county histories, local topographies and books of Catholic religious piety. He died on 8 March 1881 in the last cholera epidemic in London, and has many living descendants.
James Comerford’s bookplates have become collectors’ items … they perpetuate the claims of the Comerford family in Ireland to descent from the Comberford family of Staffordshire
After his death, his son, Colonel James William Comerford (1829-1917), sold his library and antiquarian collection at a Sotheby’s auction on 16-20 November 1881. His books occasionally come back on the market, but more often they are valued for his heraldic bookplates with the motto So Ho Ho Dea Ne, than as antique books.
The most notable object of antiquarian interest in James Comerford’s private collection was the ‘Bosworth Crucifix.’ This 15th century bronze processional crucifix, measuring 585 mm x 280 mm, is now in the collection of the Society of Antiquaries of London.
The Bosworth Crucifix is said to have been dug up on the Field of Bosworth in Leicestershire around the year 1778, and came into the possession of the Comerford family around the year 1810.
I have still to see Rochard’s portrait of James Comerford’s wife Sarah Anne Bissett or ‘Ann Birrell’.
The Bosworth Crucifix … the most notable antiquarian item in James Comerford’s private collection, now in the collection of the Society of Antiquarians
Patrick Comerford
I recently came across a miniature portrait of James Comerford, dating from ca 1829, by the French miniaturist François Theodore Rochard and now in the Lady Cohen Collection at Kenwood House in Hampstead.
The miniature is a watercolour on ivory, and shows a young James Comerford with short curling brown hair, wearing a dark blue coat and top coat, checked cravat, with spy glass and fob seals, an ivy draped urn to his and right, a sunset sky.
The reverse of James Comerford’s portrait is inscribed in a later hand with the identification of James Comerford as the sitter, together with the information that he married ‘Ann Birrell’. An associated miniature of Ann Birrell by Rochard is fully signed by the artist and inscribed with his Howland Street address and the date 7 February 1829.
In an age before photography – and long before ‘selfies’ – these portable images served as intimate tokens of love and friendship or as reminders of lost, absent or deceased loved ones.
The miniature of James Comerford was part of the Lady Cohen Collection, featuring 65 miniatures by some of the leading artists of the 18th and 19th centuries. It was given to English Heritage through the Cultural Gift scheme of Arts Council England’s. Bryony Cohen is the wife of the retired High Court Judge, Sir Jonathan Lionel Cohen.
Louise Cooling, the English Heritage curator at Kenwood, said the collection was of outstanding art historical importance. The miniatures are mostly watercolour on ivory, and the miniatures include a double portrait of Mrs Wadham Wyndham and her sister Miss Slade by Andrew Robertson, a late miniature by Jeremiah Meyer, and a work by the last great Scottish miniaturist Robert Thorburn (1818-1885).
The heyday of the portrait miniature coincides with the time when Kenwood was home to the first three Earls of Mansfield and their families. For example, over eight years William Murray, 1st Earl of Mansfield, commissioned 13 miniature copies of his portrait by Joshua Reynolds. ‘A large number of the miniatures commissioned by people who lived at Kenwood are lost, having likely been given away as gifts,’ Louise Cooling says.
The French miniaturist François Theodore Rochard (1798-1857) moved to London ca 1820, joining his brother who was already living there. Rochard was a popular portrait painter specialising in miniatures and in water colours and won two silver medals from the new Society of British Artists in 1823. He retired after his marriage in 1850 and he died in London on 31 October 1857.
His brother, Simon Jacques Rochard (1788-1872), was a painter of portrait miniatures in France, England and Brussels. He was only 20 when he painted a portrait of the Empress Joséphine for Napoleon and later other portraits of the imperial family. After Napoleon’s return from Elba in 1815, he was drafted into the army but fled to Brussels. There he received commissions to paint miniatures, including at least one of the Duke of Wellington, who defeated Napoleon at Waterloo.
Shortly after this, he moved to London, and there he painted numerous miniatures of leading society figures such as Princess Charlotte (1766-1828).
Kenwood House is a stately home on the north fringes of Hampstead Heath. The house was built in the late 17th century and was remodelled in the 18th century for William Murray, 1st Earl of Mansfield, by Robert Adam. The house and part of the grounds were bought by Edward Guinness, 1st Earl of Iveagh, in 1925 and donated to the nation. It is now owned by London County Council and a popular visitor attraction, and holds a significant number of historic paintings and art works, including 63 Old Master paintings, while the gardens have sculptures by Barbara Hepworth, Henry Moore and Eugène Dodeigne.
James Comerford (1720-1808) and Anne (Langton) Comerford were pained by John Comerford (1720-1808) in 1794 and 1797 (Comerford family collection)
But I was curious to know the identity of this James Comerford whose portrait was painted in 1829 by the fashionable portraitist François Theodore Rochard, along with his future wife who is named at Kenwood in the catalogue of the Lady Cohen Collection as ‘Ann Birrell’.
My attention was drawn to this portrait last week as I was trying to trace an English artist in the 1950s who signed his work BP Comerford, and found myself researching the work and career of the artist Charles William (Bill) Comerford (1905-1961).
I am familiar with the work of the Irish miniaturist John Comerford (1770-1832), and some of his works are also the collection of miniatures in Kenwood House. John Comerford was a regular guest at the Langton House in the Butterslip, Kilkenny, of James Comerford (1720-1808) and Anne (Langton) Comerford, and painted miniature portraits of each of them in 1794 and again in 1797.
He probably also painted their nephew, James Comerford (1775-1825) of Newtownbarry (Bunclody), my great-great-grandfather, and James Comerford’s eldest son, Richard Comerford (1796-1848) of Newtownbarry, my great-grandfather’s eldest brother.
Richard Comerford (1796-1848) of Newtownbarry (left) and his uncle James Comerford (1775-1825, right) may have been painted by John Comerford ( Comerford family collection)
However, although they sat for John Comerford, neither James Comerford of Kilkenny nor James Comerford of Newtownbarry is the subject of the miniature portrait of James Comerford painted by Rochard in 1829 – both were dead by then.
I am now confident, however, that the sitter for Rochard’s portrait in 1829 was the Victorian book collector, antiquarian and notary James Comerford (1807-1881), who was married in 1829. This James Comerford was born at Holborn on 7 November 1807, in Castle Street, now Furnival Street, Holborn, and was baptised in Saint Andrew’s Church, Holborn, in March 1808.
He first practised as a notary public in partnership with TS Girdler as Comerford and Company at 27 Change Alley, Cornhill, London, from December 1827. Later, he practised from premises at 7 Tokenhouse Yard, Lothbury. James Comerford was also a magistrate or Justice of the Peace (JP), secretary to the Society of Public Notaries of London (1833), and a Fellow of the Society of Antiquarians (FSA, 1840).
He married 19-year-old Sarah Anne Bissett, daughter of Captain James Bissett, in Wilmington, Sussex, on 16 July 1828. So ‘Ann Birrell’ may be a misreading of Sarah Anne Bissett’s name in handwriting, and their portraits may have been commissioned in 1828, rather than 1829, in advance of their wedding.
Family tradition says that in his younger days James was something of a rake, who took fencing lessons from a fencing master, Henry Angelo, and fought a duel with a man named Atwood over his future wife. The adventurous and rakish spirit continued after their wedding, when Sarah and James Comerford took their honeymoon during the Belgian/Dutch civil war.
Sarah Anne Bissett was born in 1809, the daughter of a sea captain who died in the American war in 1812. Her eldest sister, Anna Maria Bissett, married the Revd Robert Philip Blake (1801-1841) curate of Wilmington, Sussex, and Stoke, near Guildford, at the time of Sarah’s wedding. He drowned at Niton, Isle of Wight, while swimming with his son, later the Revd Professor John Frederick Blake (1839-1906), lecturer in Comparative Anatomy, Charing Cross Hospital, London and Professor of Natural Science, University College Nottingham.
Between 1829 and 1851, James Comerford and his family were living at 7 Saint Andrew’s Place, Regent’s Park, London. By 1872, James Comerford was living in Framfield, Sussex.
Sarah and James Comerford were the parents of two sons and a daughter: James William Comerford (1829-1917), Charles Frederick Comerford (born 1831), and Emily Sarah (1842-1909), who married Henry Burchett in 1858 and later married the Revd Hamilton Brand.
James Comerford was a book collector and antiquarian. He built on his father’s earlier book collection, and amassed a library that included a large collection of county histories, local topographies and books of Catholic religious piety. He died on 8 March 1881 in the last cholera epidemic in London, and has many living descendants.
James Comerford’s bookplates have become collectors’ items … they perpetuate the claims of the Comerford family in Ireland to descent from the Comberford family of StaffordshireAfter his death, his son, Colonel James William Comerford (1829-1917), sold his library and antiquarian collection at a Sotheby’s auction on 16-20 November 1881. His books occasionally come back on the market, but more often they are valued for his heraldic bookplates with the motto So Ho Ho Dea Ne, than as antique books.
The most notable object of antiquarian interest in James Comerford’s private collection was the ‘Bosworth Crucifix.’ This 15th century bronze processional crucifix, measuring 585 mm x 280 mm, is now in the collection of the Society of Antiquaries of London.
The Bosworth Crucifix is said to have been dug up on the Field of Bosworth in Leicestershire around the year 1778, and came into the possession of the Comerford family around the year 1810.
I have still to see Rochard’s portrait of James Comerford’s wife Sarah Anne Bissett or ‘Ann Birrell’.
The Bosworth Crucifix … the most notable antiquarian item in James Comerford’s private collection, now in the collection of the Society of Antiquarians11 April 2024
The Wyatt Family of Weeford:
a Staffordshire
architectural dynasty
James Wyatt (1746-1813) of Weeford … the most famous member of the Wyatt architectural dynasty, his work on Lichfield Cathedral was condemned by AWN Pugin
Patrick Comerford
Tamworth and District Civic Society,
Christopher’s, Peel Hotel,
Aldergate, Tamworth
7:30 p.m., 11 April 2024
Introduction
There are several interesting architectural dynasties in the 19th century, including the Hardwick, Barry, Pugin and Scott families. But the Wyatt family tree stretches back much further than any of these, and the Wyatt family stands out for the variety and influence of its work by five or six generations of influential English architects in the 17th, 18th and 19th centuries.
The best-known member of this dynasty was, perhaps, James Wyatt (1746-1813), although his work on rebuilding and restoring Lichfield Cathedral at the end of the 18th century drew the opprobrium of the greatest Gothic Revival architect of them all, AWN Pugin, when he visited Lichfield.
I am familiar with the work of the Wyatt family, not only because of my research on Pugin’s work, and because my family had worked on Pugin churches in the 19th century, but also because of their strong family links with the Tamworth and Lichfield area, because of Wyatt contributions to the architectural shape of Sidney Sussex College in Cambridge, and because of one unique architectural feature – Wyatt Windows – which are found in large measure in two towns in Ireland: in Bunclody, Co Wexford, which was the Irish home town of my father’s ancestors, and Rathkeale, the principal town in the group of parishes in the Diocese of Limerick in south-west Ireland where I was the priest-in-charge for five years (2017-2022).
Visiting Weeford
Saint Mary’s Church in Weeford … generations of the Wyatt family were baptised, married and buried there (Photograph: Patrick Comerford)
I was reminded once again of the Wyatt family’s prolific work and unique contribution throughout these islands on a visit some time ago to Weeford, between Tamworth and Lichfield, which has been associated with the Wyatt family for almost six centuries.
Weeford is one of the five original ‘prebends’ in Lichfield Cathedral (Photograph: Patrick Comerford)
Weeford is 9 km (5.6 miles) west of Tamworth and 6 km (four miles) south of Lichfield, close to Toll 4 on the M6, but is in quiet rural Staffordshire. It is mentioned in the Domesday Book and it was one of the five original ‘prebends’ that paid ‘wax Scot’ or ‘Plough Alms’ to Lichfield Cathedral from the beginning of the 12th century. Indeed, there was a church in Weeford for many centuries, and there is still a stall for the Prebendary of Weeford in the chapter stalls in Lichfield Cathedral.
The Weeford Parish Registers are a valuable tool for genealogists and local historian (Photograph: Patrick Comerford)
In Lichfield, I recently bought a copy of the old parish registers for Saint Mary’s, dating back to 1562. The Weeford Parish Register was prepared for the Staffordshire Parish Register Society and edited by the society secretary, Norman W Tildesley of Somerford Place, Willenhall, and printed privately in Wednesbury around 1954-1956.
The Weeford parish registers of baptisms, marriages and burials date from 1562 and continue until 1812. They were transcribed by HR Thomas of Wolverhampton. On the back of the fly leaf of the first register are two interesting prayers written in an unformed hand:
By thy crucified body deliver me from the body of this death.
O let this blood of thine purge my conscience from vain works to serve the living God.
A footbridge over the Blackbrook River in Weeford (Photograph: Patrick Comerford)
The registers record not just baptisms, marriages and burials, but the events too that led to these rites of passage. An entry in 1614 records: ‘Buried: Roger Whately, a Carrier, that was murthered at Weeford Park on Sundaie the 27th November, buried the last of November.’
There is a moving entry from 13 February 1745: ‘Buried a woman that came to ask charity at Packington Hall and died in the fold there.’
On 13 March 1758, the registers record the death of ‘James Holmes who was kill’d by a waggon wheel at Mr Manley’s of Swinfen.’ An unnamed ‘Travelling Irishman’ is recorded as being baptised on 15 August 1759, although this must surely refer to a burial. On 24 February 1760, we read of the death of ‘Mr Joseph Grundy from Swinfen Hall, who was killed by being ‘thrown off a load of Hay.’
Some of the entries record family tragedies in very simple terms. Jone (Joan) Basford, the daughter of Raphe Basford, was baptised on 28 January 1571, ‘and was burried [sic] the morrow after.’ An unknown stranger is buried on 3 February 1578 without being named. Thomas Thickbrome’s two daughters, Margaret and Ellin, are buried within ten days of each other in October 1580. Robert and Constance Turner, brother and sister, were baptised on 7 March 1586 – and both were buried five days later. Charles, the son of Joseph and Mary Wyatt, was baptised on 27 November 1757, and buried the next day.
To read this high rate of infant mortality, even centuries later, is heart-rending.
Thomas Tew and Ales Mustard were married on 2 December 1574, and their son William was baptised three weeks later, on Christmas Day 25 December 1574. The registers can be quite blunt, or even cruel, in commenting on domestic situations. A child baptised in 1576, and another in 1578, are each described as spurius, while a child baptised in 1584 is said to be ‘baseborne.’
There are three sad entries, one after another, on 2 August 1591, beginning with the burial of Elizabeth Maxfield, noting ‘The said Elizabeth Maxfield a little before her death of two sonnes, the name of the first is Edward, the other Thomas, the father of the said children is unknown.’ The writer then goes on to record the baptisms that day of each new-born child.
A child found in the church porch ‘was baptized by the name of Anne, according to the Cannon [sic]’ on 31 December 1637.
There are few entries for baptisms during the Cromwellian era (1649-1660) and the entries are poorly organised, indicating the strong Puritan streak among the ministers appointed to the parish, although this does not necessarily mean the parishioners agreed with the ministers imposed on them.
The four main families in the parish were Swinfen of Swinfen Hall, Levett of Packington Hall, Manley of Manley Hall and Lawley of Canwell Hall. Packington Hall had been built by James Wyatt for the Babington family, and later passed by marriage to the Levett family.
Early Wyatts in Weeford
An outline of the Wyatt family tree (Wikipedia)
As an indication of the social prejudices of the day, families like these tend to receive more attentive entries in the register. John and Ann Swinfen were witnesses on 14 October 1790 at the marriage of ‘The Honourable John Colvill, eldest son and heir apparent of the Right Honourable John, Lord Colvill of Culrooss in Scotland and Elizabeth Ford of Swinfen.’ It is interesting to note that Elizabeth’s parentage is not referred to.
These registers show that the Wyatt family was living in the parish since at least as early as 1540, if not earlier. The baptism of Thomas Wyatt, son of Robert Wyatt, on 29 July 1562, is the fifth entry recorded in the registers, and is followed by two daughters, Margery in 1565 and Margaret in 1567.
Entries for members of the Wyatt family, including inter-marriages within the family, continue for generations and for centuries. There are Wyatt memorials in the parish church and Wyatt graves scattered throughout the churchyard.
There were Wyatts in Weeford from before 1540, when William Wyatt was the father of Humphrey Wyatt, and the Wyatt architectural dynasty can be traced back to William Wyatt of Thickbroom, near Weeford, who died in 1572.
The Wyatt dynasty was consolidated by a great number of marriages between cousins – over 20 in all, with eight in one generation alone. Wyatt family members often worked together in the architectural world. But the family also includes artists, painters, sculptors and journalists.
The grave in the churchyard in Weeford of John Wyatt (1675-1742), his wife Jane (1677-1739), their son Benjamin Wyatt (1709-1772) and other family members (Photograph: Patrick Comerford)
Edward Wyatt, who was buried in Weeford in 1572, was the great-great-grandfather of Edward Wyatt (1632-1705), whose son, John Wyatt (1675-1742) from Thickbroom in Weeford, was the immediate ancestor of this outstanding architectural dynasty.
This John Wyatt married Jane Jackson (1677-1739) on 4 June 1699, and they were the parents of at least nine children, eight sons and one daughter. Their eldest son, John Wyatt (1700-1766), who was probably born in Thickbroom and baptised in Weeford parish church, was also related to Sarah Ford, the mother of Dr Samuel Johnson.
John was a carpenter by trade, and worked in Birmingham, where he became a talented inventor. His inventions included a compound lever weighing machine for weighing loaded wagons, and he developed a spinning machine that predated Richard Arkwright’s ‘Spinning Jenny.’
The second son of John and Jane Wyatt of Thickbroom was William Wyatt (1701-1772) of Sinai Park House, near Burton-upon-Trent. A surveyor, who was steward to the Paget family, and was involved in their unpopular enclosures of land in Staffordshire.
I shall return to his descendants and their architectural legacy later on.
Architectural genius
Swinfen Hall … the finest architectural achievement of Benjamin Wyatt (1709-1772)
Among John Wyatt’s eight sons, the first to work as an architect was Benjamin Wyatt I (1709-1772). He too was baptised in Weeford, in 1709, and in the same church he married Mary Wright on 27 May 1731.
He was a ‘farmer, timber merchant, building contractor and sometime architect.’ Benjamin and Mary Wyatt were living at Coton, near Tamworth, before he built his own house, Blackbrook in Weeford, which was home to seven generations of the Wyatt family.
Benjamin Wyatt’s finest architectural achievement was Swinfen Hall, between Weeford and Lichfield, which he built in 1757 for Samuel Swinfen and his wife. Half a century ago, Sir Nikolaus Pevsner observed in 1974: ‘Much more ought to be found out about the house.’ I think this has been rectified in recent decades.
Around 1769, Benjamin Wyatt built Soho House in Handsworth (then in Staffordshire), the Birmingham home of Matthew Boulton (1728-1809), a Birmingham industrialist and a member of the Lunar Society. Later work on the house was carried out by two of John’s sons, Samuel Wyatt (1737-1807), who extended the house in 1789, and James Wyatt (1746-1813), who added the main entrance (1796).
Other works in Staffordshire by Benjamin Wyatt senior include the General Hospital in Foregate Street, Stafford (1766-1771).
The gate lodge of Sidney Sussex College, Cambridge … part of the alterations by Sir Jeffry Wyatville in 1832 (Photograph: Patrick Comerford)
Benjamin and Mary Wyatt had a large family. Their eldest son, William Wyatt (1734-1781), was a land surveyor and inclosure commissioner, and he married his first cousin, Sarah Wyatt of Sinai Park.
Their second son, John Wyatt (1735-1797), was a successful surgeon in London. He returned to Weeford to marry Catherine Anderson on 31 March 1761, when his parents were still living at Blackbrook Farm, and when he died in 1797 he was buried in Weeford too.
Another son, Samuel Wyatt (1737-1807), nicknamed ‘Chip’ because he was also a carpenter, was an architect and builder. He married his cousin, Jane Wyatt. His works include Trinity House on Tower Hill, which has been described as ‘the last word in Georgian elegance.’
Pevsner says Samuel Wyatt was ‘the best architect to work at Shugborough’, which was originally built in 1693. He designed what Pevsner calls the ‘grandest portico in Staffordshire by far,’ the eight-column giant portico set in front of the house in 1794.
He also added the awkwardly projecting saloon, former dining room and drawing room, and the elliptical entrance hall, and designed the Milford Lodges at the entrance.
The next son, Joseph Wyatt (1739-1785), who married his cousin Myrtilla Wyatt, was the father of Sir Jeffry Wyatville (1766-1840). He changed his surname from Wyatt to Wyatville (frequently misspelled Wyattville in south Dublin housing estates), and Sir Jeffry Wyatville was responsible for significant works at Windsor Castle and Chatsworth House.
I have first-hand familiarity with Jeffry Wyatville’s alterations to Sidney Sussex College, Cambridge, in 1832, including the gatehouse. Under his supervision, the exterior brick of Sidney Sussex College was covered with a layer of cement, the existing buildings were heightened slightly, and the architectural effect was also heightened.
Benjamin and Mary Wyatt were also the parents of Benjamin Wyatt II (1744-1818), who moved to Wales in 1785 and was the agent to Lord Penrhyn.
James Wyatt and Lichfield Cathedral
Lichfield Cathedral … Pugin called James Wyatt a ‘wretch,’ a ‘pest’ and a ‘monster of architectural depravity’ (Photograph: Patrick Comerford)
But the most famous son of Benjamin and Mary Wyatt was James Wyatt (1746-1813), who was born at Blackbrook Farmhouse near Weeford, and became the most acclaimed and influential architect of his age.
His first major building, the Pantheon in Oxford Street, London, was described by Horace Walpole as ‘the most beautiful edifice in England.’ Sadly, this building burned to the ground in a spectacular fire in 1792, only 20 years after its opening. The site is now occupied by the Oxford Street branch of Marks and Spencer.
James Wyatt became the Surveyor General and was involved in the Radcliffe Observatory in Oxford (Photograph: Patrick Comerford)
In 1792, James Wyatt was appointed the Surveyor General, which effectively made him England’s most prominent architect. He was also involved in works at Windsor Castle, Kew Gardens, the Radcliffe Observatory in Oxford, and the restoration of the House of Lords. His other acclaimed works include Fonthill Abbey near Hindon, in Wiltshire, Broadway Tower in Worcestershire, the folly on the second highest point of the Cotswolds, Heveningham Hall in Suffolk, Ashbridge Park in Hertfordshire, and the Royal Military Academy at Woolwich.
He also worked on Alton Towers for the Earls of Shrewsbury, although Pevsner was unable to determine the extent of his contribution.
James Wyatt rebuilt Saint Mary’s Church in Weeford in 1802-1804, now a Grade 2 Listed Building, and donated the altar, pulpit, screens, font and ornamental furnishings. Other family members involved in rebuilding the church included James Wyatt’s nephew, Lewis William Wyatt (1777-1853), son of Benjamin Wyatt II (1744-1853).
James Wyatt began working on the restoration of Lichfield Cathedral in 1788 – his first cathedral task – and worked until here 1795. He oversaw work to remove 500 tons of stone from the nave roof, replacing it with lath and plaster, and effectively saving the cathedral from collapse. He blocked up the four western choir arches, removed or altered the screen, put a glass screen in the east arch of the crossing, and added the two heavy buttresses outside the south transept. He also largely rebuilt the central spire.
The architect on the site was Joseph Potter senior.
When the great figure in the Gothic Revival, AWN Pugin, first visited Lichfield in 1834, over 20 years after James Wyatt had died, he was taken aback by his refurbishment of the cathedral 30 years earlier and believed the fabric of the cathedral had been mutilated by James Wyatt – and he also described Lichfield as ‘a dull place – without anything remarkable.’
Pugin described Wyatt as a ‘Wretch,’ a ‘pest,’ an ‘accursed tutor’ and a ‘monster.’ He declared: ‘Yes – this monster of architectural depravity, this pest of Cathedral architecture, has been here. need I say more.’
Referring to another Lichfield architect, Joseph Potter, Pugin said: ‘The man I am sorry to say – who executes the repairs of the building was a pupil of the Wretch himself and has imbibed all the vicious propensities of his accursed tutor without one spark of even practical ability to atone for his misdeeds.’
James Wyatt’s major neoclassical country houses include Packington Hall, two miles from Lichfield and 4.5 miles from Tamworth, and the home of the Babington and then the Levett family for generations.
James Wyatt’s major works in Ireland include Castle Coole, the Enniskillen home of the Earls of Belmore, Lady Anne Dawson’s mausoleum in Dartrey, Co Monaghan, the interiors of Curraghmore for Lord Waterford, and Avondale House, Co Wicklow, the family home of the Irish patriot Charles Stewart Parnell.
It interesting to note his broad and sweeping influence on the design of houses in towns such as Carlow, Bunclody (Newtownbarry), Co Wexford, and Rathkeale, Co Limerick, for example.
Wyatt windows can be seen in many buildings in Bunclody, including the former Comerford family home (until recently the Post Office). The rectory, built in 1808, has windows that diminish in scale on each floor in the classical manner, producing a graduated visual impression, once again in a style inspired by James Wyatt. Wyatt windows can be seen too in some of the many once-elegant Georgian townhouses in Rathkeale.
James Wyatt was also briefly the President of the Royal Academy (1804). His life came to an abrupt end on 4 September 1813, when the chariot-and-four in which he was travelling overturned on the Marlborough Downs. He was buried in the South Transept in Westminster Abbey.
James Wyatt’s second son and pupil, Benjamin Dean Wyatt (1775-1852), built the Theatre Royal in Drury Lane, London, and was also the Surveyor at Westminster Abbey. Another son was the sculptor Matthew Cotes Wyatt (1778-1862).
The Irish work of the dynasty
Thomas Henry Wyatt built Saint Bartholomew’s Church, Ballsbridge, in 1864-1867 (Photograph: Patrick Comerford)
I said I would return to William Wyatt (1701-1772), the elder brother of Benjamin Wyatt (1709-1772). This William Wyatt was the grandfather of Matthew Wyatt (1773-1831), who studied law instead of architecture. He moved briefly to Ireland when he was appointed a barrister and police magistrate in Roscommon.
Matthew Wyatt’s son, Thomas Henry Wyatt (1807-1880), was born at Loughlynn House, Co Roscommon, on 9 May 1807. Although he was born in Ireland, he is often regarded as an English architect.
When Thomas was about 11, the Wyatt family returned to England in 1818, and his brother, Sir Matthew Digby Wyatt (1820-1877), was born in Rowde, Wiltshire. By 1825, the family was living in Lambeth.
Thomas Wyatt first began a career as a merchant sailing to the Mediterranean. But he returned to the family’s tradition of architecture, and his early training was in the office of Philip Hardwick. There he worked until 1832, and was involved in work on Goldsmiths Hall, Euston Station and the warehouses at Saint Katharine Docks.
He began to practice on his own as an architect in 1832, and became the District Surveyor for Hackney, a post he held until 1861.
He married his first cousin, Arabella Montagu Wyatt (1807-1875), a daughter of his uncle, Arthur Wyatt, who was the agent of the Duke of Beaufort. By 1838, he had acquired substantial patronage from the Duke of Beaufort, the Earl of Denbigh and Sidney Herbert (1810-1861). David Brandon joined Wyatt as a partner, and this partnership lasted until 1851. Their works included Saint John the Baptist Church, Tixall, commissioned by the Hon John Chetwynd Talbot, and the now lost Saint Thomas Church in Wednesfield. In 1860, Thomas Wyatt’s son, Matthew Wyatt (1840-1892), became his partner.
Thomas Wyatt’s practice at 77 Great Russell Street, London, was extensive with a large amount of work in Wiltshire, thanks to the patronage of the Herbert family, and in Monmouthshire through the Beaufort connection. Wyatt worked in many styles ranging from the Italianate of Wilton through to the Gothic of many of his churches.
Inside Saint Bartholomew’s Church, Ballsbridge … the church has a unique place in the history of Victorian church architecture in Ireland (Photograph: Patrick Comerford)
Wyatt probably received the commission for Saint Bartholomew’s Church, Ballsbridge, in the expanding, comfortable Victorian suburbs of south Dublin, through the patronage of the Herbert family who were the landlords of that part of Dublin. As the Earls of Pembroke, they give their name to a new township based on Ballsbridge. Wyatt worked closely with Sidney Herbert, younger brother of the Earl of Pembroke, who administered the family estates and donated the site for the ‘Pembroke District Church.’
Sidney Herbert was a brother-in-law of Thomas Vesey (1803-1875), the 3rd Viscount de Vesci, who married Lady Emma, daughter of George Herbert, 11th Earl of Pembroke. Lord de Vesci had commissioned Wyatt to restore Abbeyleix House, Co Laois, and to design the parish church of Saint Michael and All Angels in Abbeyleix.
Sidney Herbert, who had sent Florence Nightingale to Scutari during the Crimean War, was the father-in-law of both the theologian Friedrich von Hügel and the composer Hubert Parry. He lived at Mount Merrion in south Dublin and was managing the Pembroke estates when the site for Saint Bartholomew’s was donated and Wyatt was commissioned to design the new church.
Wyatt’s also enlarged and altered Saint Mary’s Church in Gowran, Co Kilkenny. He also reported on the completion of the restoration of Saint Canice’s Cathedral, Kilkenny, and worked on several Irish country houses, including Abbeyleix, Co Laois, for Lord de Vesci, Ramsfort, Co Wexford, for Stephen Ram, Lissadell House, Co Sligo, for the Gore-Booth family, and Palmerstown House, Co Kildare, for the de Burgh family.
The font in Saint Bartholomew’s was a personal gift to the church by Thomas Henry Wyatt (Photograph: Patrick Comerford)
The font in Saint Bartholomew’s Church was his personal gift to the church. He died on 5 August 1880 leaving an estate of £30,000, and is buried at Weston Patrick.
Sir Matthew Digby Wyatt of Cambridge designed 24-25 Grafton Street, Dublin … today it is stripped of its original ground-floor shopfront (Photograph: Patrick Comerford)
Thomas Wyatt’s younger brother and former pupil, Sir Matthew Digby Wyatt (1820-1877), was an art historian and the first Slade Professor of Fine Art at Cambridge. He too also worked in Ireland, and he designed Nos 24-25 Grafton Street, Dublin, in the ‘Celtic revival’ style for William Longfield.
This building had one of the finest Romanesque façades until the ground floor was vandalised to make way for modern shopfronts. The original shopfront combined details from many churches and cathedrals, including the doorway in Saint Lachtain’s Church, Freshford, Co Kilkenny, crosses from Monasterboice, Co Louth, and the chancel arch and crosses from Saint Mary’s Cathedral, Tuam, Co Galway.
The first and second floors, which have survived, have two super-imposed Romanesque arcades. Above them, the third floor looks like a Venetian loggia. The rich details throughout these three floors include interlaced capitals, keystone masks, foliated string courses, and chevron or saw-tooth ornamentation.
In 1863, the Irish Builder hoped Wyatt would ‘stimulate many an Irish architect to … recreate a national style,’ and praised the building for being ‘at once novel and successful.’
A continuing link
The grave of John Wyatt (died 1820) in Weeford Churchyard (Photograph: Patrick Comerford)
The grave of the journalist Woodrow Wyatt in Weeford Churchyard (Photograph: Patrick Comerford)
As I strolled through Saint Mary’s churchyard in Weeford, I came across other interesting members of the Wyatt family, and more recent family members, including the former amateur cricketer and captain of Warwickshire, Worcestershire and England, Robert Elliott Storey (Bob) Wyatt (1901-1995), and the politician, journalist and chairman of the Tote, Woodrow Wyatt (1918-1997), who was made Lord Wyatt of Weeford by Margaret Thatcher and who is also buried in the churchyard.
The Old Schoolhouse in Weeford continues to celebrate the Wyatt name (Photograph: Patrick Comerford)
Across the country lane from the churchyard, the Wyatt dynasty is remembered in the Wyatt Pavilion, a popular wedding venue incorporated into the bar and restaurant in the old schoolhouse.
Conclusions:
Wyatt windows in a terrace of houses in Rathkeale, Co Limerick (Photograph: Patrick Comerford)
Wyatt windows in the Mall House, the former Comerford family home in Bunclody, Co Wexford (Photograph: Patrick Comerford)
Thomas Wyatt has been described unfairly by John Betjeman as ‘one of the dullest Victorian architects.’ On the other hand, despite Pugin’s scorn and contempt for James Wyatt, John Betjeman has praised him for his ‘symphony’ of ‘exquisite plaster, marble and painted details.’
James Wyatt has been acclaimed both as ‘the successor to Robert Adam as England’s most fashionable architect in the classical idiom,’ and for his ‘mastery of the Gothic style.’ Sir Nikolaus Pevsner has called his work at Woolwich ‘one of the most important pieces of military architecture’ in Britain.
But James Wyatt is also controversial, because he is also taken to task for having followed fashions in a superficial way, and to Pugin he was ‘a monster of architectural depravity’ for his insensitive work at Lichfield and other cathedrals.
Little of Wyatt’s work at Lichfield Cathedral survived the later Victorian restoration and rebuilding. Pevsner has pointed out that much of Lichfield Cathedral, as it is today, is George Gilbert Scott’s work, including mouldings, capitals and statues, and most of the window tracery.
The finest surviving works by the Wyatt family in Staffordshire are Shugborough and Swinfen Hall.
If you wish to see their legacy in this part of Staffordshire, then visit Swinfen Hall, take a stroll through Weeford, or admire the work in Lichfield of James Wyatt’s pupil, Joseph Potter (1756-1842), including Newtown’s College in the Close (1800), the Causeway Bridge at Bird Street (1816), and Holy Cross Church, Upper Saint John Street, Lichfield (1835).
Potter’s other works in Lichfield and the surrounding area include:
● Christ Church, Burntwood (1819-1820);
● Chetwynd Bridge, Alrewas (1824);
● Freeford Hall, enlarged for the Dyott family (1826-1827);
● The High Bridge, Armitage (1829-1830);
● Saint John Baptist Roman Catholic Church, Tamworth (1829-1830).
His son, Joseph Potter Jnr. (1797-1875), took over his architectural practice and designed the Guildhall (1846-1848) and the Clock Tower (1863) in Lichfield.
Appendix 1: Wyatt works in Staffordshire:
Benjamin Wyatt I (1709-1772):
Blackbrook Farmhouse, Weeford (pre 1750), Wyatt family home in Weeford.
Swinfen Hall (1755-1757), for Samuel Swinfen.
Soho House, Handsworth (1769) for Matthew Boulton.
Benjamin Wyatt senior’s other works in Staffordshire include the General Hospital in Foregate Street, Stafford (1766-1771).
Samuel Wyatt (1737-1807):
Soho House (1789), extended for Matthew Boulton.
Shugborough House (1790, 1806), Milford Lodges and portico 1794 in front of 1693 house.
James Wyatt (1746-1813):
Lichfield Cathedral (1788-1795): restoration work.
Packington Hall, for the Babington and Levett families.
Little Aston Hall (late 18th century), rebuilt by Edward J Payne (1857-1859).
Soho House (1796), added main entrance front for Matthew Boulton.
Saint Mary’s Church, Weeford (1802).
Alton Towers (Pevsner is unable to determine the extent of his contribution).
Canwell Hall: added two wings (demolished 1957).
Thomas Wyatt (1807):
Saint John the Baptist Church, Tixall (1849), Wyatt and Brandon, commissioned by John Chetwynd Talbot.
Saint Thomas Church, Wednesfield (1842-1843), chancel by Wyatt and Brandon, burnt in 1902, rebuilt by FT Beck (1903).
Appendix 2: A search in vain
The Weeford Parish Register records the four children of James Wyatt (1717-1783) and his wife Elizabeth Somerford or Sommerford. This James Wyatt was a son of John Wyatt (1675-1742) and Jane Jackson (1677-1739). He was the youngest child in a family of eight sons and one daughter, and he was a younger brother of William Wyatt (1702-1772) and Benjamin Wyatt (1709-1772), the ancestors of the Wyatt architectural dynasty.
James Wyatt and John Wyatt, probably twins, the sons of James Wyatt and Elizabeth Somerford, were baptised on 22 January 1760. Infant mortality also struck this couple, and the two boys died later that year: John was buried on 23 September and James was buried on 20 December 1760. The baptism of a daughter Mary in 1762 is not noted, although the register records her burial in Weeford later that year on 22 October 1762, without naming her parents. A third son, also James Wyatt, son of James Wyatt and Elizabeth Somerford, was baptised on 24 May 1763. A fourth son, John Wyatt, son of James Wyatt and Elizabeth Sommerford, was baptised in Weeford on 27 December 1765.
Despite the heartbreak of infant mortality, James and Elizabeth appear to have been determined to keep the names James and John in the family. The second John Wyatt died in 1791.
James Wyatt was buried in Weeford on 15 August 1783. An entry on 23 February 1804 records: ‘Elizabeth Somerford from Lichfield, bur[ied], Copied to here.’ This is probably his widow, although this is not clear from the burial register; if she is his widow, one wonders why her married name is not used.
Weeford is less than 10 miles south of Comberford, in the neighbouring parish of Wigginton, and there is at least one record showing how close the two villages are with the burial of ‘John, s[on] of Edw[ard] Lakin of Cumberford’ on 27 November 1726.
As the register shows, the spelling of surnames did not become standardised until later in the 19th century, and I wondered whether some descendants of the Comberford family of Comberford that I had not known of may have continued to live in this part of Staffordshire for longer than my researches had shown.
Indeed, it would have been interesting to come across a marriage between the Wyatt and Comerford families, just at a time when the Comerfords were introducing Wyatt-style windows to the domestic architecture of Newtownbarry (Bunclody).
But I was quickly dissuaded. Perhaps Sommerford and Somerford were not misspellinsg for Comberford or Comerford, but derived from Somerford, about 18 miles west of Weeford and a mile east of Brewood, the same Somerford that also gave its name to Somerford Place in Willenhall, where Norman W Tildesley, the editor of this volume, lived in the 1950s.
Thomas Somerford of Somerford Hall, his wife, his mother and his children were Quakers by the 1680s. But the Somerford family had sold or lost Somerford Hall by 1705. If Elizabeth Wyatt is descended from that family I have yet to discover how.
Some sources:
‘The Wyatt Dynasty’, the Victorian Web, http://www.victorianweb.org/art/architecture/misc/wyattdyn.html (last accessed 22 April 2018).
Rosemary Hill, God’s Architect: Pugin and the Building of Romantic Britain (London: Penguin, 2007).
(Sir) Nikolaus Pevsner, Staffordshire, The Buildings of England (Harmondsworth Penguin, 1974).
John Martin Robinson, The Wyatts: An Architectural Dynasty (Oxford: Oxford University Press, 1979).
Norman W Tildesley (ed), Weeford Parish Registers, Baptism, Marriages, Burials 1562-1812 (Wednesbury: Staffordshire Parish Registers Society, 1955).
Reginald Turnor, Nineteenth Century Architecture in Britain (London: Batsford, 1950).
Chris Woodcock, Notes on a line of the Galloway Family (2016).
Biographical Note:
(Revd Canon Professor) Patrick Comerford is an Anglican priest living in retirement in Stony Stratford, Buckinghamshire. He is a former professor at Trinity College Dublin, lectured in church history and liturgy at the Church of Ireland Theological Institute, and spent many years in ministry in the Church of Ireland. He has family links with the Tamworth area that stretch back generations and centuries. He blogs daily at www.patrickcomerford.com, where many of his postings are about life, history and architecture in the Tamworth and Lichfield area.
Patrick Comerford
Tamworth and District Civic Society,
Christopher’s, Peel Hotel,
Aldergate, Tamworth
7:30 p.m., 11 April 2024
Introduction
There are several interesting architectural dynasties in the 19th century, including the Hardwick, Barry, Pugin and Scott families. But the Wyatt family tree stretches back much further than any of these, and the Wyatt family stands out for the variety and influence of its work by five or six generations of influential English architects in the 17th, 18th and 19th centuries.
The best-known member of this dynasty was, perhaps, James Wyatt (1746-1813), although his work on rebuilding and restoring Lichfield Cathedral at the end of the 18th century drew the opprobrium of the greatest Gothic Revival architect of them all, AWN Pugin, when he visited Lichfield.
I am familiar with the work of the Wyatt family, not only because of my research on Pugin’s work, and because my family had worked on Pugin churches in the 19th century, but also because of their strong family links with the Tamworth and Lichfield area, because of Wyatt contributions to the architectural shape of Sidney Sussex College in Cambridge, and because of one unique architectural feature – Wyatt Windows – which are found in large measure in two towns in Ireland: in Bunclody, Co Wexford, which was the Irish home town of my father’s ancestors, and Rathkeale, the principal town in the group of parishes in the Diocese of Limerick in south-west Ireland where I was the priest-in-charge for five years (2017-2022).
Visiting Weeford
Saint Mary’s Church in Weeford … generations of the Wyatt family were baptised, married and buried there (Photograph: Patrick Comerford)
I was reminded once again of the Wyatt family’s prolific work and unique contribution throughout these islands on a visit some time ago to Weeford, between Tamworth and Lichfield, which has been associated with the Wyatt family for almost six centuries.
Weeford is one of the five original ‘prebends’ in Lichfield Cathedral (Photograph: Patrick Comerford)
Weeford is 9 km (5.6 miles) west of Tamworth and 6 km (four miles) south of Lichfield, close to Toll 4 on the M6, but is in quiet rural Staffordshire. It is mentioned in the Domesday Book and it was one of the five original ‘prebends’ that paid ‘wax Scot’ or ‘Plough Alms’ to Lichfield Cathedral from the beginning of the 12th century. Indeed, there was a church in Weeford for many centuries, and there is still a stall for the Prebendary of Weeford in the chapter stalls in Lichfield Cathedral.
The Weeford Parish Registers are a valuable tool for genealogists and local historian (Photograph: Patrick Comerford)
In Lichfield, I recently bought a copy of the old parish registers for Saint Mary’s, dating back to 1562. The Weeford Parish Register was prepared for the Staffordshire Parish Register Society and edited by the society secretary, Norman W Tildesley of Somerford Place, Willenhall, and printed privately in Wednesbury around 1954-1956.
The Weeford parish registers of baptisms, marriages and burials date from 1562 and continue until 1812. They were transcribed by HR Thomas of Wolverhampton. On the back of the fly leaf of the first register are two interesting prayers written in an unformed hand:
By thy crucified body deliver me from the body of this death.
O let this blood of thine purge my conscience from vain works to serve the living God.
A footbridge over the Blackbrook River in Weeford (Photograph: Patrick Comerford)
The registers record not just baptisms, marriages and burials, but the events too that led to these rites of passage. An entry in 1614 records: ‘Buried: Roger Whately, a Carrier, that was murthered at Weeford Park on Sundaie the 27th November, buried the last of November.’
There is a moving entry from 13 February 1745: ‘Buried a woman that came to ask charity at Packington Hall and died in the fold there.’
On 13 March 1758, the registers record the death of ‘James Holmes who was kill’d by a waggon wheel at Mr Manley’s of Swinfen.’ An unnamed ‘Travelling Irishman’ is recorded as being baptised on 15 August 1759, although this must surely refer to a burial. On 24 February 1760, we read of the death of ‘Mr Joseph Grundy from Swinfen Hall, who was killed by being ‘thrown off a load of Hay.’
Some of the entries record family tragedies in very simple terms. Jone (Joan) Basford, the daughter of Raphe Basford, was baptised on 28 January 1571, ‘and was burried [sic] the morrow after.’ An unknown stranger is buried on 3 February 1578 without being named. Thomas Thickbrome’s two daughters, Margaret and Ellin, are buried within ten days of each other in October 1580. Robert and Constance Turner, brother and sister, were baptised on 7 March 1586 – and both were buried five days later. Charles, the son of Joseph and Mary Wyatt, was baptised on 27 November 1757, and buried the next day.
To read this high rate of infant mortality, even centuries later, is heart-rending.
Thomas Tew and Ales Mustard were married on 2 December 1574, and their son William was baptised three weeks later, on Christmas Day 25 December 1574. The registers can be quite blunt, or even cruel, in commenting on domestic situations. A child baptised in 1576, and another in 1578, are each described as spurius, while a child baptised in 1584 is said to be ‘baseborne.’
There are three sad entries, one after another, on 2 August 1591, beginning with the burial of Elizabeth Maxfield, noting ‘The said Elizabeth Maxfield a little before her death of two sonnes, the name of the first is Edward, the other Thomas, the father of the said children is unknown.’ The writer then goes on to record the baptisms that day of each new-born child.
A child found in the church porch ‘was baptized by the name of Anne, according to the Cannon [sic]’ on 31 December 1637.
There are few entries for baptisms during the Cromwellian era (1649-1660) and the entries are poorly organised, indicating the strong Puritan streak among the ministers appointed to the parish, although this does not necessarily mean the parishioners agreed with the ministers imposed on them.
The four main families in the parish were Swinfen of Swinfen Hall, Levett of Packington Hall, Manley of Manley Hall and Lawley of Canwell Hall. Packington Hall had been built by James Wyatt for the Babington family, and later passed by marriage to the Levett family.
Early Wyatts in Weeford
An outline of the Wyatt family tree (Wikipedia)
As an indication of the social prejudices of the day, families like these tend to receive more attentive entries in the register. John and Ann Swinfen were witnesses on 14 October 1790 at the marriage of ‘The Honourable John Colvill, eldest son and heir apparent of the Right Honourable John, Lord Colvill of Culrooss in Scotland and Elizabeth Ford of Swinfen.’ It is interesting to note that Elizabeth’s parentage is not referred to.
These registers show that the Wyatt family was living in the parish since at least as early as 1540, if not earlier. The baptism of Thomas Wyatt, son of Robert Wyatt, on 29 July 1562, is the fifth entry recorded in the registers, and is followed by two daughters, Margery in 1565 and Margaret in 1567.
Entries for members of the Wyatt family, including inter-marriages within the family, continue for generations and for centuries. There are Wyatt memorials in the parish church and Wyatt graves scattered throughout the churchyard.
There were Wyatts in Weeford from before 1540, when William Wyatt was the father of Humphrey Wyatt, and the Wyatt architectural dynasty can be traced back to William Wyatt of Thickbroom, near Weeford, who died in 1572.
The Wyatt dynasty was consolidated by a great number of marriages between cousins – over 20 in all, with eight in one generation alone. Wyatt family members often worked together in the architectural world. But the family also includes artists, painters, sculptors and journalists.
The grave in the churchyard in Weeford of John Wyatt (1675-1742), his wife Jane (1677-1739), their son Benjamin Wyatt (1709-1772) and other family members (Photograph: Patrick Comerford)
Edward Wyatt, who was buried in Weeford in 1572, was the great-great-grandfather of Edward Wyatt (1632-1705), whose son, John Wyatt (1675-1742) from Thickbroom in Weeford, was the immediate ancestor of this outstanding architectural dynasty.
This John Wyatt married Jane Jackson (1677-1739) on 4 June 1699, and they were the parents of at least nine children, eight sons and one daughter. Their eldest son, John Wyatt (1700-1766), who was probably born in Thickbroom and baptised in Weeford parish church, was also related to Sarah Ford, the mother of Dr Samuel Johnson.
John was a carpenter by trade, and worked in Birmingham, where he became a talented inventor. His inventions included a compound lever weighing machine for weighing loaded wagons, and he developed a spinning machine that predated Richard Arkwright’s ‘Spinning Jenny.’
The second son of John and Jane Wyatt of Thickbroom was William Wyatt (1701-1772) of Sinai Park House, near Burton-upon-Trent. A surveyor, who was steward to the Paget family, and was involved in their unpopular enclosures of land in Staffordshire.
I shall return to his descendants and their architectural legacy later on.
Architectural genius
Swinfen Hall … the finest architectural achievement of Benjamin Wyatt (1709-1772)
Among John Wyatt’s eight sons, the first to work as an architect was Benjamin Wyatt I (1709-1772). He too was baptised in Weeford, in 1709, and in the same church he married Mary Wright on 27 May 1731.
He was a ‘farmer, timber merchant, building contractor and sometime architect.’ Benjamin and Mary Wyatt were living at Coton, near Tamworth, before he built his own house, Blackbrook in Weeford, which was home to seven generations of the Wyatt family.
Benjamin Wyatt’s finest architectural achievement was Swinfen Hall, between Weeford and Lichfield, which he built in 1757 for Samuel Swinfen and his wife. Half a century ago, Sir Nikolaus Pevsner observed in 1974: ‘Much more ought to be found out about the house.’ I think this has been rectified in recent decades.
Around 1769, Benjamin Wyatt built Soho House in Handsworth (then in Staffordshire), the Birmingham home of Matthew Boulton (1728-1809), a Birmingham industrialist and a member of the Lunar Society. Later work on the house was carried out by two of John’s sons, Samuel Wyatt (1737-1807), who extended the house in 1789, and James Wyatt (1746-1813), who added the main entrance (1796).
Other works in Staffordshire by Benjamin Wyatt senior include the General Hospital in Foregate Street, Stafford (1766-1771).
The gate lodge of Sidney Sussex College, Cambridge … part of the alterations by Sir Jeffry Wyatville in 1832 (Photograph: Patrick Comerford)
Benjamin and Mary Wyatt had a large family. Their eldest son, William Wyatt (1734-1781), was a land surveyor and inclosure commissioner, and he married his first cousin, Sarah Wyatt of Sinai Park.
Their second son, John Wyatt (1735-1797), was a successful surgeon in London. He returned to Weeford to marry Catherine Anderson on 31 March 1761, when his parents were still living at Blackbrook Farm, and when he died in 1797 he was buried in Weeford too.
Another son, Samuel Wyatt (1737-1807), nicknamed ‘Chip’ because he was also a carpenter, was an architect and builder. He married his cousin, Jane Wyatt. His works include Trinity House on Tower Hill, which has been described as ‘the last word in Georgian elegance.’
Pevsner says Samuel Wyatt was ‘the best architect to work at Shugborough’, which was originally built in 1693. He designed what Pevsner calls the ‘grandest portico in Staffordshire by far,’ the eight-column giant portico set in front of the house in 1794.
He also added the awkwardly projecting saloon, former dining room and drawing room, and the elliptical entrance hall, and designed the Milford Lodges at the entrance.
The next son, Joseph Wyatt (1739-1785), who married his cousin Myrtilla Wyatt, was the father of Sir Jeffry Wyatville (1766-1840). He changed his surname from Wyatt to Wyatville (frequently misspelled Wyattville in south Dublin housing estates), and Sir Jeffry Wyatville was responsible for significant works at Windsor Castle and Chatsworth House.
I have first-hand familiarity with Jeffry Wyatville’s alterations to Sidney Sussex College, Cambridge, in 1832, including the gatehouse. Under his supervision, the exterior brick of Sidney Sussex College was covered with a layer of cement, the existing buildings were heightened slightly, and the architectural effect was also heightened.
Benjamin and Mary Wyatt were also the parents of Benjamin Wyatt II (1744-1818), who moved to Wales in 1785 and was the agent to Lord Penrhyn.
James Wyatt and Lichfield Cathedral
Lichfield Cathedral … Pugin called James Wyatt a ‘wretch,’ a ‘pest’ and a ‘monster of architectural depravity’ (Photograph: Patrick Comerford)
But the most famous son of Benjamin and Mary Wyatt was James Wyatt (1746-1813), who was born at Blackbrook Farmhouse near Weeford, and became the most acclaimed and influential architect of his age.
His first major building, the Pantheon in Oxford Street, London, was described by Horace Walpole as ‘the most beautiful edifice in England.’ Sadly, this building burned to the ground in a spectacular fire in 1792, only 20 years after its opening. The site is now occupied by the Oxford Street branch of Marks and Spencer.
James Wyatt became the Surveyor General and was involved in the Radcliffe Observatory in Oxford (Photograph: Patrick Comerford)
In 1792, James Wyatt was appointed the Surveyor General, which effectively made him England’s most prominent architect. He was also involved in works at Windsor Castle, Kew Gardens, the Radcliffe Observatory in Oxford, and the restoration of the House of Lords. His other acclaimed works include Fonthill Abbey near Hindon, in Wiltshire, Broadway Tower in Worcestershire, the folly on the second highest point of the Cotswolds, Heveningham Hall in Suffolk, Ashbridge Park in Hertfordshire, and the Royal Military Academy at Woolwich.
He also worked on Alton Towers for the Earls of Shrewsbury, although Pevsner was unable to determine the extent of his contribution.
James Wyatt rebuilt Saint Mary’s Church in Weeford in 1802-1804, now a Grade 2 Listed Building, and donated the altar, pulpit, screens, font and ornamental furnishings. Other family members involved in rebuilding the church included James Wyatt’s nephew, Lewis William Wyatt (1777-1853), son of Benjamin Wyatt II (1744-1853).
James Wyatt began working on the restoration of Lichfield Cathedral in 1788 – his first cathedral task – and worked until here 1795. He oversaw work to remove 500 tons of stone from the nave roof, replacing it with lath and plaster, and effectively saving the cathedral from collapse. He blocked up the four western choir arches, removed or altered the screen, put a glass screen in the east arch of the crossing, and added the two heavy buttresses outside the south transept. He also largely rebuilt the central spire.
The architect on the site was Joseph Potter senior.
When the great figure in the Gothic Revival, AWN Pugin, first visited Lichfield in 1834, over 20 years after James Wyatt had died, he was taken aback by his refurbishment of the cathedral 30 years earlier and believed the fabric of the cathedral had been mutilated by James Wyatt – and he also described Lichfield as ‘a dull place – without anything remarkable.’
Pugin described Wyatt as a ‘Wretch,’ a ‘pest,’ an ‘accursed tutor’ and a ‘monster.’ He declared: ‘Yes – this monster of architectural depravity, this pest of Cathedral architecture, has been here. need I say more.’
Referring to another Lichfield architect, Joseph Potter, Pugin said: ‘The man I am sorry to say – who executes the repairs of the building was a pupil of the Wretch himself and has imbibed all the vicious propensities of his accursed tutor without one spark of even practical ability to atone for his misdeeds.’
James Wyatt’s major neoclassical country houses include Packington Hall, two miles from Lichfield and 4.5 miles from Tamworth, and the home of the Babington and then the Levett family for generations.
James Wyatt’s major works in Ireland include Castle Coole, the Enniskillen home of the Earls of Belmore, Lady Anne Dawson’s mausoleum in Dartrey, Co Monaghan, the interiors of Curraghmore for Lord Waterford, and Avondale House, Co Wicklow, the family home of the Irish patriot Charles Stewart Parnell.
It interesting to note his broad and sweeping influence on the design of houses in towns such as Carlow, Bunclody (Newtownbarry), Co Wexford, and Rathkeale, Co Limerick, for example.
Wyatt windows can be seen in many buildings in Bunclody, including the former Comerford family home (until recently the Post Office). The rectory, built in 1808, has windows that diminish in scale on each floor in the classical manner, producing a graduated visual impression, once again in a style inspired by James Wyatt. Wyatt windows can be seen too in some of the many once-elegant Georgian townhouses in Rathkeale.
James Wyatt was also briefly the President of the Royal Academy (1804). His life came to an abrupt end on 4 September 1813, when the chariot-and-four in which he was travelling overturned on the Marlborough Downs. He was buried in the South Transept in Westminster Abbey.
James Wyatt’s second son and pupil, Benjamin Dean Wyatt (1775-1852), built the Theatre Royal in Drury Lane, London, and was also the Surveyor at Westminster Abbey. Another son was the sculptor Matthew Cotes Wyatt (1778-1862).
The Irish work of the dynasty
Thomas Henry Wyatt built Saint Bartholomew’s Church, Ballsbridge, in 1864-1867 (Photograph: Patrick Comerford)
I said I would return to William Wyatt (1701-1772), the elder brother of Benjamin Wyatt (1709-1772). This William Wyatt was the grandfather of Matthew Wyatt (1773-1831), who studied law instead of architecture. He moved briefly to Ireland when he was appointed a barrister and police magistrate in Roscommon.
Matthew Wyatt’s son, Thomas Henry Wyatt (1807-1880), was born at Loughlynn House, Co Roscommon, on 9 May 1807. Although he was born in Ireland, he is often regarded as an English architect.
When Thomas was about 11, the Wyatt family returned to England in 1818, and his brother, Sir Matthew Digby Wyatt (1820-1877), was born in Rowde, Wiltshire. By 1825, the family was living in Lambeth.
Thomas Wyatt first began a career as a merchant sailing to the Mediterranean. But he returned to the family’s tradition of architecture, and his early training was in the office of Philip Hardwick. There he worked until 1832, and was involved in work on Goldsmiths Hall, Euston Station and the warehouses at Saint Katharine Docks.
He began to practice on his own as an architect in 1832, and became the District Surveyor for Hackney, a post he held until 1861.
He married his first cousin, Arabella Montagu Wyatt (1807-1875), a daughter of his uncle, Arthur Wyatt, who was the agent of the Duke of Beaufort. By 1838, he had acquired substantial patronage from the Duke of Beaufort, the Earl of Denbigh and Sidney Herbert (1810-1861). David Brandon joined Wyatt as a partner, and this partnership lasted until 1851. Their works included Saint John the Baptist Church, Tixall, commissioned by the Hon John Chetwynd Talbot, and the now lost Saint Thomas Church in Wednesfield. In 1860, Thomas Wyatt’s son, Matthew Wyatt (1840-1892), became his partner.
Thomas Wyatt’s practice at 77 Great Russell Street, London, was extensive with a large amount of work in Wiltshire, thanks to the patronage of the Herbert family, and in Monmouthshire through the Beaufort connection. Wyatt worked in many styles ranging from the Italianate of Wilton through to the Gothic of many of his churches.
Inside Saint Bartholomew’s Church, Ballsbridge … the church has a unique place in the history of Victorian church architecture in Ireland (Photograph: Patrick Comerford)
Wyatt probably received the commission for Saint Bartholomew’s Church, Ballsbridge, in the expanding, comfortable Victorian suburbs of south Dublin, through the patronage of the Herbert family who were the landlords of that part of Dublin. As the Earls of Pembroke, they give their name to a new township based on Ballsbridge. Wyatt worked closely with Sidney Herbert, younger brother of the Earl of Pembroke, who administered the family estates and donated the site for the ‘Pembroke District Church.’
Sidney Herbert was a brother-in-law of Thomas Vesey (1803-1875), the 3rd Viscount de Vesci, who married Lady Emma, daughter of George Herbert, 11th Earl of Pembroke. Lord de Vesci had commissioned Wyatt to restore Abbeyleix House, Co Laois, and to design the parish church of Saint Michael and All Angels in Abbeyleix.
Sidney Herbert, who had sent Florence Nightingale to Scutari during the Crimean War, was the father-in-law of both the theologian Friedrich von Hügel and the composer Hubert Parry. He lived at Mount Merrion in south Dublin and was managing the Pembroke estates when the site for Saint Bartholomew’s was donated and Wyatt was commissioned to design the new church.
Wyatt’s also enlarged and altered Saint Mary’s Church in Gowran, Co Kilkenny. He also reported on the completion of the restoration of Saint Canice’s Cathedral, Kilkenny, and worked on several Irish country houses, including Abbeyleix, Co Laois, for Lord de Vesci, Ramsfort, Co Wexford, for Stephen Ram, Lissadell House, Co Sligo, for the Gore-Booth family, and Palmerstown House, Co Kildare, for the de Burgh family.
The font in Saint Bartholomew’s was a personal gift to the church by Thomas Henry Wyatt (Photograph: Patrick Comerford)
The font in Saint Bartholomew’s Church was his personal gift to the church. He died on 5 August 1880 leaving an estate of £30,000, and is buried at Weston Patrick.
Sir Matthew Digby Wyatt of Cambridge designed 24-25 Grafton Street, Dublin … today it is stripped of its original ground-floor shopfront (Photograph: Patrick Comerford)
Thomas Wyatt’s younger brother and former pupil, Sir Matthew Digby Wyatt (1820-1877), was an art historian and the first Slade Professor of Fine Art at Cambridge. He too also worked in Ireland, and he designed Nos 24-25 Grafton Street, Dublin, in the ‘Celtic revival’ style for William Longfield.
This building had one of the finest Romanesque façades until the ground floor was vandalised to make way for modern shopfronts. The original shopfront combined details from many churches and cathedrals, including the doorway in Saint Lachtain’s Church, Freshford, Co Kilkenny, crosses from Monasterboice, Co Louth, and the chancel arch and crosses from Saint Mary’s Cathedral, Tuam, Co Galway.
The first and second floors, which have survived, have two super-imposed Romanesque arcades. Above them, the third floor looks like a Venetian loggia. The rich details throughout these three floors include interlaced capitals, keystone masks, foliated string courses, and chevron or saw-tooth ornamentation.
In 1863, the Irish Builder hoped Wyatt would ‘stimulate many an Irish architect to … recreate a national style,’ and praised the building for being ‘at once novel and successful.’
A continuing link
The grave of John Wyatt (died 1820) in Weeford Churchyard (Photograph: Patrick Comerford)
The grave of the journalist Woodrow Wyatt in Weeford Churchyard (Photograph: Patrick Comerford)
As I strolled through Saint Mary’s churchyard in Weeford, I came across other interesting members of the Wyatt family, and more recent family members, including the former amateur cricketer and captain of Warwickshire, Worcestershire and England, Robert Elliott Storey (Bob) Wyatt (1901-1995), and the politician, journalist and chairman of the Tote, Woodrow Wyatt (1918-1997), who was made Lord Wyatt of Weeford by Margaret Thatcher and who is also buried in the churchyard.
The Old Schoolhouse in Weeford continues to celebrate the Wyatt name (Photograph: Patrick Comerford)
Across the country lane from the churchyard, the Wyatt dynasty is remembered in the Wyatt Pavilion, a popular wedding venue incorporated into the bar and restaurant in the old schoolhouse.
Conclusions:
Wyatt windows in a terrace of houses in Rathkeale, Co Limerick (Photograph: Patrick Comerford)
Wyatt windows in the Mall House, the former Comerford family home in Bunclody, Co Wexford (Photograph: Patrick Comerford)
Thomas Wyatt has been described unfairly by John Betjeman as ‘one of the dullest Victorian architects.’ On the other hand, despite Pugin’s scorn and contempt for James Wyatt, John Betjeman has praised him for his ‘symphony’ of ‘exquisite plaster, marble and painted details.’
James Wyatt has been acclaimed both as ‘the successor to Robert Adam as England’s most fashionable architect in the classical idiom,’ and for his ‘mastery of the Gothic style.’ Sir Nikolaus Pevsner has called his work at Woolwich ‘one of the most important pieces of military architecture’ in Britain.
But James Wyatt is also controversial, because he is also taken to task for having followed fashions in a superficial way, and to Pugin he was ‘a monster of architectural depravity’ for his insensitive work at Lichfield and other cathedrals.
Little of Wyatt’s work at Lichfield Cathedral survived the later Victorian restoration and rebuilding. Pevsner has pointed out that much of Lichfield Cathedral, as it is today, is George Gilbert Scott’s work, including mouldings, capitals and statues, and most of the window tracery.
The finest surviving works by the Wyatt family in Staffordshire are Shugborough and Swinfen Hall.
If you wish to see their legacy in this part of Staffordshire, then visit Swinfen Hall, take a stroll through Weeford, or admire the work in Lichfield of James Wyatt’s pupil, Joseph Potter (1756-1842), including Newtown’s College in the Close (1800), the Causeway Bridge at Bird Street (1816), and Holy Cross Church, Upper Saint John Street, Lichfield (1835).
Potter’s other works in Lichfield and the surrounding area include:
● Christ Church, Burntwood (1819-1820);
● Chetwynd Bridge, Alrewas (1824);
● Freeford Hall, enlarged for the Dyott family (1826-1827);
● The High Bridge, Armitage (1829-1830);
● Saint John Baptist Roman Catholic Church, Tamworth (1829-1830).
His son, Joseph Potter Jnr. (1797-1875), took over his architectural practice and designed the Guildhall (1846-1848) and the Clock Tower (1863) in Lichfield.
Appendix 1: Wyatt works in Staffordshire:
Benjamin Wyatt I (1709-1772):
Blackbrook Farmhouse, Weeford (pre 1750), Wyatt family home in Weeford.
Swinfen Hall (1755-1757), for Samuel Swinfen.
Soho House, Handsworth (1769) for Matthew Boulton.
Benjamin Wyatt senior’s other works in Staffordshire include the General Hospital in Foregate Street, Stafford (1766-1771).
Samuel Wyatt (1737-1807):
Soho House (1789), extended for Matthew Boulton.
Shugborough House (1790, 1806), Milford Lodges and portico 1794 in front of 1693 house.
James Wyatt (1746-1813):
Lichfield Cathedral (1788-1795): restoration work.
Packington Hall, for the Babington and Levett families.
Little Aston Hall (late 18th century), rebuilt by Edward J Payne (1857-1859).
Soho House (1796), added main entrance front for Matthew Boulton.
Saint Mary’s Church, Weeford (1802).
Alton Towers (Pevsner is unable to determine the extent of his contribution).
Canwell Hall: added two wings (demolished 1957).
Thomas Wyatt (1807):
Saint John the Baptist Church, Tixall (1849), Wyatt and Brandon, commissioned by John Chetwynd Talbot.
Saint Thomas Church, Wednesfield (1842-1843), chancel by Wyatt and Brandon, burnt in 1902, rebuilt by FT Beck (1903).
Appendix 2: A search in vain
The Weeford Parish Register records the four children of James Wyatt (1717-1783) and his wife Elizabeth Somerford or Sommerford. This James Wyatt was a son of John Wyatt (1675-1742) and Jane Jackson (1677-1739). He was the youngest child in a family of eight sons and one daughter, and he was a younger brother of William Wyatt (1702-1772) and Benjamin Wyatt (1709-1772), the ancestors of the Wyatt architectural dynasty.
James Wyatt and John Wyatt, probably twins, the sons of James Wyatt and Elizabeth Somerford, were baptised on 22 January 1760. Infant mortality also struck this couple, and the two boys died later that year: John was buried on 23 September and James was buried on 20 December 1760. The baptism of a daughter Mary in 1762 is not noted, although the register records her burial in Weeford later that year on 22 October 1762, without naming her parents. A third son, also James Wyatt, son of James Wyatt and Elizabeth Somerford, was baptised on 24 May 1763. A fourth son, John Wyatt, son of James Wyatt and Elizabeth Sommerford, was baptised in Weeford on 27 December 1765.
Despite the heartbreak of infant mortality, James and Elizabeth appear to have been determined to keep the names James and John in the family. The second John Wyatt died in 1791.
James Wyatt was buried in Weeford on 15 August 1783. An entry on 23 February 1804 records: ‘Elizabeth Somerford from Lichfield, bur[ied], Copied to here.’ This is probably his widow, although this is not clear from the burial register; if she is his widow, one wonders why her married name is not used.
Weeford is less than 10 miles south of Comberford, in the neighbouring parish of Wigginton, and there is at least one record showing how close the two villages are with the burial of ‘John, s[on] of Edw[ard] Lakin of Cumberford’ on 27 November 1726.
As the register shows, the spelling of surnames did not become standardised until later in the 19th century, and I wondered whether some descendants of the Comberford family of Comberford that I had not known of may have continued to live in this part of Staffordshire for longer than my researches had shown.
Indeed, it would have been interesting to come across a marriage between the Wyatt and Comerford families, just at a time when the Comerfords were introducing Wyatt-style windows to the domestic architecture of Newtownbarry (Bunclody).
But I was quickly dissuaded. Perhaps Sommerford and Somerford were not misspellinsg for Comberford or Comerford, but derived from Somerford, about 18 miles west of Weeford and a mile east of Brewood, the same Somerford that also gave its name to Somerford Place in Willenhall, where Norman W Tildesley, the editor of this volume, lived in the 1950s.
Thomas Somerford of Somerford Hall, his wife, his mother and his children were Quakers by the 1680s. But the Somerford family had sold or lost Somerford Hall by 1705. If Elizabeth Wyatt is descended from that family I have yet to discover how.
Some sources:
‘The Wyatt Dynasty’, the Victorian Web, http://www.victorianweb.org/art/architecture/misc/wyattdyn.html (last accessed 22 April 2018).
Rosemary Hill, God’s Architect: Pugin and the Building of Romantic Britain (London: Penguin, 2007).
(Sir) Nikolaus Pevsner, Staffordshire, The Buildings of England (Harmondsworth Penguin, 1974).
John Martin Robinson, The Wyatts: An Architectural Dynasty (Oxford: Oxford University Press, 1979).
Norman W Tildesley (ed), Weeford Parish Registers, Baptism, Marriages, Burials 1562-1812 (Wednesbury: Staffordshire Parish Registers Society, 1955).
Reginald Turnor, Nineteenth Century Architecture in Britain (London: Batsford, 1950).
Chris Woodcock, Notes on a line of the Galloway Family (2016).
Biographical Note:
(Revd Canon Professor) Patrick Comerford is an Anglican priest living in retirement in Stony Stratford, Buckinghamshire. He is a former professor at Trinity College Dublin, lectured in church history and liturgy at the Church of Ireland Theological Institute, and spent many years in ministry in the Church of Ireland. He has family links with the Tamworth area that stretch back generations and centuries. He blogs daily at www.patrickcomerford.com, where many of his postings are about life, history and architecture in the Tamworth and Lichfield area.
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