‘The Annunciation’ by Adam Pomeroy in the Cathedral of Saint Peter and Saint Paul, Ennis, Co Clare (Photograph: Patrick Comerford)
Patrick Comerford
Wednesday, 25 March 2020
The Feast of the Annunciation of Our Lord to the Blessed Virgin Mary
The Readings: Isaiah 7: 10-14; Psalm 40: 5-10; Hebrews 10: 4-10; Luke 1: 26-38.
There is a link to the readings HERE
The Annunciation depicted on a panel in the altar piece in Saint Mary’s Church, Lichfield (Photograph: Patrick Comerford, 2019)
May I speak to you in the name of God, + Father, Son and Holy Spirit, Amen
Many people today, in our present crisis, would just love to hear that verse in our Gospel reading this morning, ‘The angel said to her, “Do not be afraid, Mary, for you have found favour with God”’ (Luke 1: ).
Many people are afraid and wondering where they can hear the word of the Lord in midst of warning, panic and fear-laden directives.
But the Mary who is filled with fear at the Annunciation becomes a the strong Mary of the Magnificat, the Mary who can leave home in Nazareth to face an uncertain future first in Bethlehem and then in exile in Egypt, the widowed Mary who stands at the foot of the Cross when the disciples have fled in fear on Good Friday, the weeping but strong Mary of the Pieta, the Mary who later joins the disciples in their huddled fear in the Upper Room.
How did we ever come to portray as that demure Mary in pious poses in the plaster cast statues that decorate so many churches and wayside shrines?
Filled with fear, yes; but demure and passive, never.
Those images of the Mary of the Magnificat, Mary at the Cross, the strong Mary of the Pieta, all make the connection between the Annunciation and Good Friday and Easter morning.
The date of the feast of the Annunciation, 25 March, was actually chosen to match the supposed historical date of the Crucifixion. This was to underline the idea that Christ came into the world on the same day that he left it: his life formed a perfect circle. In other words, 25 March was both the first day and the last day of his earthly life, the beginning and the completion of his work on earth.
Saint Augustine of Hippo explained it this way:
He is believed to have been conceived on 25 March, upon which day also he suffered; so the womb of the Virgin, in which he was conceived … corresponds to the new grave in which he was buried …
Both events were understood to have happened in the spring, when life returns to the earth, and at the vernal equinox, once the days begin to grow longer than the nights and light triumphs over the power of darkness. Readers of JRR Tolkien and the Lord of the Rings cycle know that the final destruction of the Ring takes place on 25 March, to align Tolkien’s own ‘eucatastrophe’ with this most powerful of dates.
The early historian, the Venerable Bede, says this dating is symbolic but it is not only a symbol: it reveals the deep relationship between Christ’s death and all the created world, including the sun, the moon and everything on earth.
The Annunciation and the Crucifixion are often paired together in mediaeval art. This pairing inspired the development of a distinctive and beautiful image found almost uniquely in English mediaeval art: the lily crucifix – on painted screens, stained glass windows, carvings on stone tombs, misericords, wall-paintings and the painted ceiling of cathedrals, churches and chapels.
When Good Friday fell on 25 March in 1608, John Donne marked this conjunction of ‘feast and fast,’ falling ‘some times and seldom,’ with a well-known poem in which he draws on the same parallels found in those mediaeval texts and images.
In Michelangelo’s great sculpture of the Pieta, the weeping Mary is bearing on her lap the body of the Crucified Christ who has been taken down from the Cross.
In that moment of searing sorrow, she must have wondered: Is this what it was all for, is this the end? Without the benefit of foresight, she could not have known the Easter story.
In her womb, she has carried the Christ Child. Now she cradles the Crucified Christ on her lap. The lap on which he had once played is now the lap on which his limp and lifeless body lies dead.
Was this the journey – from the Annunciation to the Crucifixion?
Images of the Pieta might remind us that Virgin Mary was a mother who knew the fears and lost hopes of so many women: the women who see the death of their own children; the women who hope to be mothers and grandmothers, but never are; the women who see, experience and feel violence and violation at first-hand in their own lives; the women whose own grief is hijacked by others for their own agendas.
But the Virgin Mary’s ‘Yes’ was to all this: ‘Here am I, the servant of the Lord; let it be with me according to your word’ (Luke 1: 37-38).
The Virgin Mary’s ‘Yes’ at the Annunciation is her yes, is our yes, is the ‘Yes’ of humanity and of creation, not only to the Incarnation, but to the Crucifixion on Good Friday, and to the Resurrection on Easter Day, and all the hope for the future that Easter brings.
‘For nothing will be impossible with God … Here am I, the servant of the Lord; let it be with me according to your word’ (Luke 1: 37-38).
And so, may all we think, say and do be to the praise, honour and glory of God, + Father, Son and Holy Spirit. Amen.
The icon of Archangel Gabriel in the pair of icons in the Lichfield Annunciation in Lichfield Cathedral is based on the Lichfield Angel (Photograph: Patrick Comerford, 2018)
Luke 1: 26-38 (NRSVA):
26 In the sixth month the angel Gabriel was sent by God to a town in Galilee called Nazareth, 27 to a virgin engaged to a man whose name was Joseph, of the house of David. The virgin’s name was Mary. 28 And he came to her and said, ‘Greetings, favoured one! The Lord is with you.’ 29 But she was much perplexed by his words and pondered what sort of greeting this might be. 30 The angel said to her, ‘Do not be afraid, Mary, for you have found favour with God. 31 And now, you will conceive in your womb and bear a son, and you will name him Jesus. 32 He will be great, and will be called the Son of the Most High, and the Lord God will give to him the throne of his ancestor David. 33 He will reign over the house of Jacob for ever, and of his kingdom there will be no end.’ 34 Mary said to the angel, ‘How can this be, since I am a virgin?’ 35 The angel said to her, ‘The Holy Spirit will come upon you, and the power of the Most High will overshadow you; therefore the child to be born will be holy; he will be called Son of God. 36 And now, your relative Elizabeth in her old age has also conceived a son; and this is the sixth month for her who was said to be barren. 37 For nothing will be impossible with God.’ 38 Then Mary said, ‘Here am I, the servant of the Lord; let it be with me according to your word.’ Then the angel departed from her.
The Virgin Mary in the pair of icons in the Lichfield Annunciation … she is depicted seated on an elevated throne weaving a cloth that would become the veil of the Holy of the Holies in the Temple (Photograph: Patrick Comerford, 2018)
Liturgical Colour: White
Penitential Kyries:
Lord God, mighty God,
you are the creator of the world.
Lord have mercy.
Lord have mercy.
Lord Jesus, Son of God and Son of Mary,
you are the Prince of Peace.
Christ have mercy.
Christ have mercy.
Holy Spirit,
by your power the Word was made flesh
and came to dwell among us.
Lord, have mercy.
Lord, have mercy.
The Annunciation depicted on the reredos in the chapel of Clare College, Cambridge (Photograph: Patrick Comerford)
The Collect of the Day:
Pour your grace into our hearts, Lord,
that as we have known the incarnation of your Son Jesus Christ
by the message of an angel,
so by his cross and passion
we may be brought to the glory of his resurrection;
through Jesus Christ our Lord. Amen.
The Lenten Collect:
Almighty and everlasting God,
you hate nothing that you have made
and forgive the sins of all those who are penitent:
Create and make in us new and contrite hearts
that we, worthily lamenting our sins
and acknowledging our wretchedness,
may receive from you, the God of all mercy,
perfect remission and forgiveness;
through Jesus Christ our Lord.
Introduction to the Peace:
Unto us a child is born, unto us is given:
and his name is called the Prince of Peace. (Isaiah 9: 7)
Preface:
You chose the Blessed Virgin Mary
to be the mother of your Son
and so exalted humble and meek;
your angel hailed her as most highly favoured,
and with all generations we call her blessed.
The Post Communion Prayer:
God Most High,
whose handmaid bore the Word made flesh:
We thank you that in this sacrament of our redemption
you visit us with your Holy Spirit
and overshadow us by your power.
May we like Mary be joyful in our obedience,
and so bring forth the fruits of holiness;
through Jesus Christ our Lord. Amen.
Blessing:
Christ the Son of God, born of Mary,
fill you with his grace
to trust his promises and obey his will:
The Annunciation depicted on a panel inset on a house in Castle Bellingham, Co Louth (Photograph: Patrick Comerford)
Hymns:
133, Long ago, prophets knew
704, Mary sang a song, a song of love
A depiction of the Annunciation in the Rose Room in the Kairos Centre in west London … the venue for a recent residential meeting of USPG trustees (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Material from the Book of Common Prayer is copyright © 2004, Representative Body of the Church of Ireland.
The Annunciation depicted on a panel on the triptych in the Lady Chapel in Lichfield Cathedral (Photograph: Patrick Comerford / Lichfield Gazette)
Showing posts with label Castle Bellingham. Show all posts
Showing posts with label Castle Bellingham. Show all posts
11 April 2018
Getting beyond the plaster-cast
statues of a demure Virgin Mary
Patrick Comerford
Saint Mary’s Church, Askeaton, Co Limerick
11 April 2018,
The Annunciation of our Lord (transferred)
11 a.m., The Eucharist
Readings: Isaiah 7: 10-14; Psalm 40: 5-10; Hebrews 10: 4-10; Luke 1: 26-38.
May I speak you in the name of God, + Father, Son and Holy Spirit, Amen.
I have had an interesting Easter … well, in fact, two Easters. Because I just arrived back in Askeaton late yesterday, having celebrated Good Friday and Easter in Thessaloniki, the northern Greek capital.
What a privilege to be able to celebrate Easter here, and then a week later, because of the differences in the Western Calendar and the Orthodox, to be able to take part in Holy Week and Easter once again.
As I looked at a fresco of the Annunciation in one church on Good Friday, I realised how important the Feast of the Annunciation is in the Greek Church, where it is one of the twelve Great Feasts of the Church. It is so important in Orthodox theology that the only time the Divine Liturgy may be celebrated on Good Friday, or ‘Great and Holy Friday,’ is if it falls on 25 March.
This fresco of the Annunciation in that church was also in sharp contrast to the plaster-cast statue images of the Virgin Mary we often see in churches in Ireland: her demure robes of white and blue are hardly portray those of the strong Mary in the canticle Magnificat, the strong Mary who stands by the Cross when most of the disciples have run away, the strong Mary of the Pieta.
We are all used to these images of Mary that lack challenge and message, images that have been inherited through Mediaeval and Renaissance art. But perhaps one of the most challenging presentations in art of the Annunciation that I know is Dante Gabriel Rossetti’s painting, Ecce Ancilla Domini! (1850), now in the Tate Gallery in London.
The poet, painter, and designer Dante Gabriel Rossetti (1828-1882) was a co-founder of the Pre-Raphaelites, a group of Victorian artists who wanted to emulate the richness and purity of the mediaeval period. The son of an exiled Italian patriot and scholar, he was a brother of the poet Christina Rossetti (1830-1893), author of one of the greatest Christmas carols, In the bleak mid-winter.
His painting is one of the earliest Pre-Raphaelite paintings, and when it was first exhibited in 1850 it shocked and stirred controversy. In his painting, Rossetti offers a radical reinterpretation of the Annunciation, rejecting the traditional representation of the Virgin Mary passively receiving the news. Instead, he seeks to give the picture a supernatural realism.
While the angel is announcing to the Virgin Mary that she is to give birth to the Christ Child, she appears to be recoiling, as if disturbed from sleep.
Although Rossetti relies on earlier traditions for many of the symbols he uses in this scene, his use of these symbols, his depiction of space, and most significantly his portrayal of the two figures represent significant departures from earlier tradition.
This painting is unusual in that the artist shows Mary in a state of fear –she cowers against the wall and casts her eyes down. This is a far cry from many depictions of the Annunciation where Mary is shown in a state of humble acceptance.
White is the dominant colour in the painting, relieved only by small areas of blue, red and yellow. This emphasises the quality of the Virgin Mary’s purity, and is reinforced by the lily embroidery – the same one the Virgin Mary is shown making in Rossetti’s painting of The Girlhood of Mary Virgin, also in the Tate.
Early great paintings of this scene usually depict lilies, the symbol of the Mary’s purity, in a vase nearby the scene as the angel addresses the Virgin. Although Rossetti also uses lilies, he integrates them into both the action and the environment of the scene.
In Rossetti’s painting, Gabriel holds out a stem with lilies, offering them to Mary and seemingly presenting her with an embodiment of the chastity and purity she is fated to continue throughout her life. An embroidery hangs at the end of the bed, which Mary is also working on in The Girlhood of Mary Virgin. This tells us that this is a young girl’s bedroom, so we might expect to find her needlework in this space – as well as perhaps representing her active choice to live purely since she has chosen to embroider a lily.
Mary is not dressed in her traditional blue; instead she wears a simple white dress. Yet, Rossetti does not ignore the importance of blue as the colour associated with the Virgin Mary and heaven: he places a blue screen directly behind her, and looking through the window, the sky is a similar shade of blue, alluding to heaven.
Most Annunciation scenes have candles that have just blown out as a result of the entrance of the Holy Spirit. Instead, Rossetti paints a wall sconce with a hint of a flame – a different presentation of a usual symbol. He includes a dove, embodying the Holy Spirit, although in this case he has not drastically transformed a traditional symbol.
Rossetti’s imagined space shows great innovation. Compared to the traditional interiors, rich with elaborate floor tiles, stained glass, wooden furniture, rugs, pillows, and similar details, the Virgin’s bedroom in Rossetti’s painting is shockingly simple. White stone tiles cover the floor; the walls have white paint; the window has no panes; and the only object in the room that I have not mentioned already is a simple, low wooden bed with a white mat and pillow.
In traditional paintings, the room draws the viewer in and the eye is allowed to move through the scene to the back wall of the bedroom. But Rossetti places Mary in a room that is almost claustrophobically small. The use of perspective is unconvincing: Mary’s bed appears about to slide out of the painting and the floor on the left of the painting blends into the wall, furthering the effect of a steep plane.
For the view out the window at the back, Rossetti might have given the scene depth by showing the countryside in the distance. Instead, he shows only blue sky and part of a tree.
Rather than a winged, long-haired boyish angel, Rossetti paints an androgynous Gabriel, without wings, his face only visible in highly shadowed profile, with the hints of yellow flames around his feet.
Mary sits on her bed and slouches against the wall. She is markedly adolescent with her beautiful young features, unbrushed straight hair, childishly skinny body, and the hesitance, fear and melancholy with which she responds to the Angel Gabriel’s news. Wisps of her messy, auburn hair spread around her neck, silhouetted against her white dress, reminiscent of a bloodshot eye or perhaps intentionally of Christ’s crown of thorns.
Rossetti has no use for the stiff, exaggerated poses of primitive Virgins. He seems most concerned with the sincere response of a young girl who has been given a burden that is both wonderful and laden with responsibility. And in this task, Rossetti thoroughly succeeds.
Mary is keenly aware of her position, and it is this self-awareness and terror that endows the painting with its power. This painting inspires the viewer to religious contemplation and prayer. But it also speaks strongly to universal issues of growth, responsibility and youthful vulnerability.
The traditional Troparion or Hymn of the Day for this day in the Orthodox Church includes these words:
Today is the beginning of our salvation,
And the revelation of the eternal mystery!
The Son of God becomes the Son of the Virgin
As Gabriel announces the coming of Grace.
Together with him let us cry to the Theotokos:
‘Rejoice, O Full of Grace, the Lord is with you!’
And so, may all our thoughts, words and deeds be to the praise, honour and glory of God, + Father, Son and Holy Spirit, Amen.
This sermon was prepared for 11 April 2018.
The Annunciation depicted on a panel inset on a house in the village of Castle Bellingham, Co Louth (Photograph: Patrick Comerford)
Penitential Kyries:
Lord God, mighty God,
you are the creator of the world.
Lord have mercy.
Lord have mercy.
Lord Jesus, Son of God and Son of Mary,
you are the Prince of Peace.
Christ have mercy.
Christ have mercy.
Holy Spirit,
by your power the Word was made flesh
and came to dwell among us.
Lord, have mercy.
Lord, have mercy.
The Collect:
Pour your grace into our hearts, Lord,
that as we have known the incarnation of your Son Jesus Christ
by the message of an angel,
so by his cross and passion
we may be brought to the glory of his resurrection;
through Jesus Christ our Lord. Amen.
Introduction to the Peace:
Unto us a child is born, unto us is given:
and his name is called the Prince of Peace. (Isaiah 9: 7)
Preface:
You chose the Blessed Virgin Mary
to be the mother of your Son
and so exalted humble and meek;
your angel hailed her as most highly favoured,
and with all generations we call her blessed.
Post Communion Prayer:
God Most High,
whose handmaid bore the Word made flesh:
We thank you that in this sacrament of our redemption
you visit us with your Holy Spirit
and overshadow us by your power.
May we like Mary be joyful in our obedience,
and so bring forth the fruits of holiness;
through Jesus Christ our Lord. Amen.
Blessing:
Christ the Son of God, born of Mary,
fill you with his grace
to trust his promises and obey his will:
The Annunciation in a double fresco in the Church of the Panaghia Dexia in Thessaloniki (Photograph: Patrick Comerford, 2018)
Labels:
Annunciation,
Art,
Askeaton,
Castle Bellingham,
Easter 2018,
Greece 2018,
Icons,
Orthodoxy,
Pre-Raphaelites,
Saint Luke's Gospel,
Sermons 2018,
Theology and Culture,
Thessaloniki
24 December 2017
He has lifted up the lowly;
he has filled the hungry
with good things, and
sent the rich away empty
The Annunciation depicted on the Nativity Façade of the Basilica of La Sagrada Familia in Barcelona (Photograph: Patrick Comerford)
Patrick Comerford
Sunday, 24 December 2017,
The Fourth Sunday of Advent.
11 a.m., The Parish Eucharist, Holy Trinity Church, Rathkeale, Co Limerick.
Readings: II Samuel 7: 1-11, 16; the Canticle Magnificat; Romans 16: 25-27; Luke 1: 26-38.
Part 1: Lighting the Fourth Candle on the Advent Wreath (the Virgin Mary):
During these Sundays in Advent, instead of preaching one long sermon, I have been offering three short reflections: looking at the Advent Wreath and Candles; looking at the Gospel reading and our hopes for the Coming of Christ; and looking at the meaning of Santa Claus.
In Year B in the Lectionary readings, we are focussing on Saint Mark’s Gospel.
On the first Sunday of Advent [3 December 2017], we heard Saint Mark’s account of the Coming of the Son of Man (Mark 13: 24-37). On the second Sunday [10 December 2017], we read the beginning of his Gospel (Mark 1: 1-8). Last Sunday [17 December 2017], we skipped over to Saint John’s Gospel, and his account of the Baptism of Christ by Saint John in the River Jordan (John 1: 6-8, 19-28).
But there is no Christmas story in either Saint Mark’s Gospel or Saint John’s Gospel. Instead, this morning, we change to Saint Luke’s Gospel to hear the story of the Annunciation (Luke 1: 26-38).
The prayers at the Advent Wreath on these Sundays help us to continue our themes from the Sunday before Advent [26 November 2017], which we marked in these dioceses as Mission Sunday, supporting projects in Swaziland in co-operation with the Anglican mission agency, the United Society Partners in the Gospel (USPG).
As we light our Advent candles in anticipation of the coming of the Christ Child, USPG is inviting us to pray for mothers and children who are served by USPG in the world church in Tanzania, Ghana, Bangladesh and Palestine.
The first candle on the Advent Wreath was the Purple Candle recalling the Patriarchs and Matriarchs, our fathers and mothers in the faith, like Abraham and Sarah, and so on. The second purple candle represents the Prophets. The third, pink candle, which we lit last Sunday, represents Saint John the Baptist.
This morning’s fourth, purple candle represents the Virgin Mary, and she is the theme of our readings and some of our hymns and prayers this morning.
USPG suggests this prayer when lighting the fourth candle representing the Virgin Mary:
The Virgin Mary:
O God of promise,
whose mother Mary carried your Christ in an occupied land;
we pray for mothers in the Holy Land
who today live with restrictions and violence.
Bless the church-run hospitals that serve them and their children
regardless of race, religion or financial status.
The Annunciation depicted on a panel inset on a house in the village of Castle Bellingham, Co Louth (Photograph: Patrick Comerford)
Part 2: Waiting for Christ
May I speak to you in the name of God, + Father, Son and Holy Spirit.
This morning’s Gospel reading (Luke 1: 26-38) brings us back nine months to the story of the Annunciation, which is celebrated on 25 March. We have the same Gospel reading again, almost nine months later, because the action initiating Christ’s Incarnation is so significant as we prepare to celebrate that Incarnation.
When the Virgin Mary hears the Angel Gabriel address her as the ‘favoured one’ and tell her, ‘The Lord is with you,’ she is ‘much perplexed by his words’ and she ponders ‘what sort of greeting this might be.’
Perplexed?
We might think she was perplexed, to say the least.
She has been told she is to have a child, who would be called Son of God, and who would receive the throne of David.
‘How can this be?’ she asks.
And well she might ask.
She might well wonder how she is going to survive a full nine months until this baby is born, once her father, her family, her friends and her village hear she is pregnant.
Some years ago, in the weeks before Christmas, both the BBC and the Guardian reported, how there has been a frightening increase in ‘honour killings’ in Britain. At the time, the topic also provided a story line in EastEnders.
So-called ‘honour killings’ were frequent too at the time of the first Christmas. A woman who was violated by a man – even against her will – could be killed, usually by her father or brother, so the conceived child would bring no further shame to the family.
The newly-betrothed Joseph would know he is not the father of the Virgin Mary’s baby. If a man and a woman who were betrothed to each other and then moved in with one other, and the village knew it, they were then considered to be married. This, and not some religious ceremony, marks the occasion, and the engagement now becomes a marriage in common law.
Should Joseph intend to stay with Mary, then he has to protect her and protect himself by acknowledging the child as his.
On the other hand, if he does not acknowledge the child, and Mary’s pregnancy becomes known and her father or brothers do not kill her, then the law of the time demanded the death penalty both for her and for the man – if he is known too – who has stolen Joseph’s betrothed and made her pregnant.
And, of course, if the child’s true identity is truly known, there are others who would like to ensure that Mary does not complete her full term of pregnancy.
Herod the Great would not be very happy with another claimant to David’s throne arriving on the scene.
If the Roman authorities realise this child is going to be honoured as the ‘Son of God,’ they too would have to take action. This is a title used for the Roman Emperors; any usurper or pretender is likely to end up on a cross rather than on a throne.
In the Canticle Magnificat, which is part of our readings this morning, both responses are anticipated and challenged in Mary’s song, in which she praises God and proclaims:
He has shown strength with his arm;
he has scattered the proud in the thoughts of their hearts.
He has brought down the powerful from their thrones,
and lifted up the lowly;
he has filled the hungry with good things,
and sent the rich away empty. – Luke 1: 52-53.
In our world today, despite financial and economic problems and banking and trading scandals, are the proud and the powerful still on their thrones?
Looking at last week’s RTÉ programme on the housing and homelessness crisis, are the lowly still waiting to be lifted up?
Are the hungry waiting to be filled with good things?
Do the rich still walk away with all they want?
What are the promises of this Advent, of every Advent, of the coming Kingdom?
What are the promises and prospects for a child who is born among us this Christmas?
We live in a world where the survival chances of a child depend not just on attitudes to ‘honour killings,’ but even more so on the financial and economic climates where mothers live.
The statistics on homeless children in Ireland this Christmas are a frightening condemnation of our society’s true priorities. Estimates in the past week say 3,194 children are being housed in unfit accommodation in Ireland this Christmas. How is Santa going to find them?
The American blogger and theologian Sarah Dylan Breuer points out that in this world, one more child dies every three seconds from extreme poverty; 300 children die during an average Sunday sermon in an Anglican church; and 1,600 children die during each celebration of the Eucharist.
Yet, the Advent readings tell us repeatedly that God’s promise is that through Christ the hungry will be filled with good things. We might ask, like Mary: ‘How can this be?’
We too may ponder these things in our hearts. But having pondered them, what do we say about them in this Christmas?
We too are called to bring the Good News of freedom to the prisoners and those confined to refugee camps, food for the hungry, dignity for those who are the lowly.
We too are called to do that not just in words or song, but like the Virgin Mary, by giving flesh to God’s hope, God’s peace, God’s justice, and God’s love for the world.
The young, unmarried, teenage Mary found the courage to face her father, her family, her future husband, her friends, her village, her world, despite the risk of pointing and whispering, thrown out of house and home … even stoning to death. There would be a birth … and there would be another death. And I recall the words of TS Eliot:
All this was a long time ago, I remember,
And I would do it again, but set down
This set down
This: were we led all that way for
Birth or Death? There was a Birth, certainly,
We had evidence and no doubt. I had seen birth and death,
But had thought they were different; this Birth was
Hard and bitter agony for us, like Death, our death.
We returned to our places, these Kingdoms,
But no longer at ease here, in the old dispensation,
With an alien people clutching their gods.
I should be glad of another death.
– TS Eliot, Journey of the Magi (1927)
Santas lined up and waiting for Christmas Day in the Rectory in Askeaton (Photograph: Patrick Comerford, 2017)
Part 3: Waiting for Santa Claus:
Each Sunday during Advent, I am telling a different story about Saint Nicholas of Myra, the real Santa Claus, and why he is important, why he should be rescued from commercialism and Coca Cola, for the Church and Christmas.
So, as we are all eagerly waiting Santa’s arrival tonight, I want to share some short stories about why Saint Nicholas is traditionally associated with giving presents to children at Christmas time.
One story tells of a poor man with three daughters. In those days a young woman’s father had to offer prospective husbands something of value, a dowry. The larger the dowry, the better the chance a young woman had of finding what her family would regard as a good husband. Without a dowry, a woman might never get married.
Without dowries, this poor man’s daughters were in danger of being sold into slavery, becoming the victims of human trafficking.
Mysteriously, on three separate occasions, a bag of gold appeared in their home, providing the three needed dowries. The bags of gold were thrown through an open window, and somehow managed to land in stockings or shoes left out to dry before the fire.
You can see the parallels between this legend and the backstory to our Gospel story this morning, the story of the Annunciation. What might have been turned into another horror story has been rescued through God’s generosity, and our concern for people who are trafficked and exploited is at the heart of Gospel values.
This led to the custom of children hanging stockings or putting out shoes, eagerly awaiting gifts from Saint Nicholas.
Sometimes the story is told with gold balls instead of bags of gold. This is why three gold balls, sometimes represented as oranges, are among the symbols for Saint Nicholas, the gift-giver.
Sadly, these three gold balls also signify pawnbrokers, which I imagine many poor people find they have to resort to this Christmas.
I hope Santa is generous to all, adults and children alike, tonight. Tomorrow we are going to celebrate the greatest gift of all, God’s gift of the Christ Child at Christmas.
And so, may all we think, say and do be to the praise, honour and glory of God, + Father, Son and Holy Spirit, Amen.
(Revd Canon Professor) Patrick Comerford is Priest-in-Charge, the Rathkeale and Kilnaughtin Group of Parishes. This sermon was prepared for the Fourth Sunday of Advent, 24 December 2017.
The Annunciation depicted on a panel on the triptych in the Lady Chapel in Lichfield Cathedral (Photograph: Patrick Comerford / Lichfield Gazette)
Collect:
God our redeemer,
who prepared the blessed Virgin Mary
to be the mother of your Son:
Grant that, as she looked for his coming as our saviour,
so we may be ready to greet him
when he comes again as our judge;
who is alive and reigns with you and the Holy Spirit,
one God, now and for ever.
The Advent Collect:
This collect is said after the Collect of the day until Christmas Eve:
Almighty God,
Give us grace to cast away the works of darkness
and to put on the armour of light
now in the time of this mortal life
in which your Son Jesus Christ came to us in great humility;
that on the last day
when he shall come again in his glorious majesty
to judge the living and the dead,
we may rise to the life immortal;
through him who is alive and reigns with you and the Holy Spirit,
one God, now and for ever.
Penitential Kyries:
Turn to us again, O God our Saviour,
and let your anger cease from us.
Lord, have mercy.
Lord, have mercy.
Show us your mercy, O Lord,
and grant us your salvation.
Christ, have mercy.
Christ, have mercy.
Your salvation is near for those that fear you,
that glory may dwell in our land.
Lord, have mercy.
Lord, have mercy.
Introduction to the Peace:
In the tender mercy of our God,
the dayspring from on high shall break upon us,
to give light to those who dwell in darkness
and in the shadow of death,
and to guide our feet into the way of peace. (Luke 1: 78, 79)
Preface:
Salvation is your gift
through the coming of your Son our Saviour Jesus Christ,
and by him you will make all things new
when he returns in glory to judge the world:
Post Communion Prayer:
Heavenly Father,
you have given us a pledge of eternal redemption.
Grant that we may always eagerly celebrate
the saving mystery of the incarnation of your Son.
We ask this through him whose coming is certain,
whose day draws near,
your Son Jesus Christ our Lord.
Blessing:
Christ the sun of righteousness shine upon you,
gladden your hearts
and scatter the darkness from before you:
Jacques Yverni, ‘The Annunciation,’ ca 1435, in the National Gallery of Ireland, Dublin (Photograph: Patrick Comerford)
Patrick Comerford
Sunday, 24 December 2017,
The Fourth Sunday of Advent.
11 a.m., The Parish Eucharist, Holy Trinity Church, Rathkeale, Co Limerick.
Readings: II Samuel 7: 1-11, 16; the Canticle Magnificat; Romans 16: 25-27; Luke 1: 26-38.
Part 1: Lighting the Fourth Candle on the Advent Wreath (the Virgin Mary):
During these Sundays in Advent, instead of preaching one long sermon, I have been offering three short reflections: looking at the Advent Wreath and Candles; looking at the Gospel reading and our hopes for the Coming of Christ; and looking at the meaning of Santa Claus.
In Year B in the Lectionary readings, we are focussing on Saint Mark’s Gospel.
On the first Sunday of Advent [3 December 2017], we heard Saint Mark’s account of the Coming of the Son of Man (Mark 13: 24-37). On the second Sunday [10 December 2017], we read the beginning of his Gospel (Mark 1: 1-8). Last Sunday [17 December 2017], we skipped over to Saint John’s Gospel, and his account of the Baptism of Christ by Saint John in the River Jordan (John 1: 6-8, 19-28).
But there is no Christmas story in either Saint Mark’s Gospel or Saint John’s Gospel. Instead, this morning, we change to Saint Luke’s Gospel to hear the story of the Annunciation (Luke 1: 26-38).
The prayers at the Advent Wreath on these Sundays help us to continue our themes from the Sunday before Advent [26 November 2017], which we marked in these dioceses as Mission Sunday, supporting projects in Swaziland in co-operation with the Anglican mission agency, the United Society Partners in the Gospel (USPG).
As we light our Advent candles in anticipation of the coming of the Christ Child, USPG is inviting us to pray for mothers and children who are served by USPG in the world church in Tanzania, Ghana, Bangladesh and Palestine.
The first candle on the Advent Wreath was the Purple Candle recalling the Patriarchs and Matriarchs, our fathers and mothers in the faith, like Abraham and Sarah, and so on. The second purple candle represents the Prophets. The third, pink candle, which we lit last Sunday, represents Saint John the Baptist.
This morning’s fourth, purple candle represents the Virgin Mary, and she is the theme of our readings and some of our hymns and prayers this morning.
USPG suggests this prayer when lighting the fourth candle representing the Virgin Mary:
The Virgin Mary:
O God of promise,
whose mother Mary carried your Christ in an occupied land;
we pray for mothers in the Holy Land
who today live with restrictions and violence.
Bless the church-run hospitals that serve them and their children
regardless of race, religion or financial status.
The Annunciation depicted on a panel inset on a house in the village of Castle Bellingham, Co Louth (Photograph: Patrick Comerford)
Part 2: Waiting for Christ
May I speak to you in the name of God, + Father, Son and Holy Spirit.
This morning’s Gospel reading (Luke 1: 26-38) brings us back nine months to the story of the Annunciation, which is celebrated on 25 March. We have the same Gospel reading again, almost nine months later, because the action initiating Christ’s Incarnation is so significant as we prepare to celebrate that Incarnation.
When the Virgin Mary hears the Angel Gabriel address her as the ‘favoured one’ and tell her, ‘The Lord is with you,’ she is ‘much perplexed by his words’ and she ponders ‘what sort of greeting this might be.’
Perplexed?
We might think she was perplexed, to say the least.
She has been told she is to have a child, who would be called Son of God, and who would receive the throne of David.
‘How can this be?’ she asks.
And well she might ask.
She might well wonder how she is going to survive a full nine months until this baby is born, once her father, her family, her friends and her village hear she is pregnant.
Some years ago, in the weeks before Christmas, both the BBC and the Guardian reported, how there has been a frightening increase in ‘honour killings’ in Britain. At the time, the topic also provided a story line in EastEnders.
So-called ‘honour killings’ were frequent too at the time of the first Christmas. A woman who was violated by a man – even against her will – could be killed, usually by her father or brother, so the conceived child would bring no further shame to the family.
The newly-betrothed Joseph would know he is not the father of the Virgin Mary’s baby. If a man and a woman who were betrothed to each other and then moved in with one other, and the village knew it, they were then considered to be married. This, and not some religious ceremony, marks the occasion, and the engagement now becomes a marriage in common law.
Should Joseph intend to stay with Mary, then he has to protect her and protect himself by acknowledging the child as his.
On the other hand, if he does not acknowledge the child, and Mary’s pregnancy becomes known and her father or brothers do not kill her, then the law of the time demanded the death penalty both for her and for the man – if he is known too – who has stolen Joseph’s betrothed and made her pregnant.
And, of course, if the child’s true identity is truly known, there are others who would like to ensure that Mary does not complete her full term of pregnancy.
Herod the Great would not be very happy with another claimant to David’s throne arriving on the scene.
If the Roman authorities realise this child is going to be honoured as the ‘Son of God,’ they too would have to take action. This is a title used for the Roman Emperors; any usurper or pretender is likely to end up on a cross rather than on a throne.
In the Canticle Magnificat, which is part of our readings this morning, both responses are anticipated and challenged in Mary’s song, in which she praises God and proclaims:
He has shown strength with his arm;
he has scattered the proud in the thoughts of their hearts.
He has brought down the powerful from their thrones,
and lifted up the lowly;
he has filled the hungry with good things,
and sent the rich away empty. – Luke 1: 52-53.
In our world today, despite financial and economic problems and banking and trading scandals, are the proud and the powerful still on their thrones?
Looking at last week’s RTÉ programme on the housing and homelessness crisis, are the lowly still waiting to be lifted up?
Are the hungry waiting to be filled with good things?
Do the rich still walk away with all they want?
What are the promises of this Advent, of every Advent, of the coming Kingdom?
What are the promises and prospects for a child who is born among us this Christmas?
We live in a world where the survival chances of a child depend not just on attitudes to ‘honour killings,’ but even more so on the financial and economic climates where mothers live.
The statistics on homeless children in Ireland this Christmas are a frightening condemnation of our society’s true priorities. Estimates in the past week say 3,194 children are being housed in unfit accommodation in Ireland this Christmas. How is Santa going to find them?
The American blogger and theologian Sarah Dylan Breuer points out that in this world, one more child dies every three seconds from extreme poverty; 300 children die during an average Sunday sermon in an Anglican church; and 1,600 children die during each celebration of the Eucharist.
Yet, the Advent readings tell us repeatedly that God’s promise is that through Christ the hungry will be filled with good things. We might ask, like Mary: ‘How can this be?’
We too may ponder these things in our hearts. But having pondered them, what do we say about them in this Christmas?
We too are called to bring the Good News of freedom to the prisoners and those confined to refugee camps, food for the hungry, dignity for those who are the lowly.
We too are called to do that not just in words or song, but like the Virgin Mary, by giving flesh to God’s hope, God’s peace, God’s justice, and God’s love for the world.
The young, unmarried, teenage Mary found the courage to face her father, her family, her future husband, her friends, her village, her world, despite the risk of pointing and whispering, thrown out of house and home … even stoning to death. There would be a birth … and there would be another death. And I recall the words of TS Eliot:
All this was a long time ago, I remember,
And I would do it again, but set down
This set down
This: were we led all that way for
Birth or Death? There was a Birth, certainly,
We had evidence and no doubt. I had seen birth and death,
But had thought they were different; this Birth was
Hard and bitter agony for us, like Death, our death.
We returned to our places, these Kingdoms,
But no longer at ease here, in the old dispensation,
With an alien people clutching their gods.
I should be glad of another death.
– TS Eliot, Journey of the Magi (1927)
Santas lined up and waiting for Christmas Day in the Rectory in Askeaton (Photograph: Patrick Comerford, 2017)
Part 3: Waiting for Santa Claus:
Each Sunday during Advent, I am telling a different story about Saint Nicholas of Myra, the real Santa Claus, and why he is important, why he should be rescued from commercialism and Coca Cola, for the Church and Christmas.
So, as we are all eagerly waiting Santa’s arrival tonight, I want to share some short stories about why Saint Nicholas is traditionally associated with giving presents to children at Christmas time.
One story tells of a poor man with three daughters. In those days a young woman’s father had to offer prospective husbands something of value, a dowry. The larger the dowry, the better the chance a young woman had of finding what her family would regard as a good husband. Without a dowry, a woman might never get married.
Without dowries, this poor man’s daughters were in danger of being sold into slavery, becoming the victims of human trafficking.
Mysteriously, on three separate occasions, a bag of gold appeared in their home, providing the three needed dowries. The bags of gold were thrown through an open window, and somehow managed to land in stockings or shoes left out to dry before the fire.
You can see the parallels between this legend and the backstory to our Gospel story this morning, the story of the Annunciation. What might have been turned into another horror story has been rescued through God’s generosity, and our concern for people who are trafficked and exploited is at the heart of Gospel values.
This led to the custom of children hanging stockings or putting out shoes, eagerly awaiting gifts from Saint Nicholas.
Sometimes the story is told with gold balls instead of bags of gold. This is why three gold balls, sometimes represented as oranges, are among the symbols for Saint Nicholas, the gift-giver.
Sadly, these three gold balls also signify pawnbrokers, which I imagine many poor people find they have to resort to this Christmas.
I hope Santa is generous to all, adults and children alike, tonight. Tomorrow we are going to celebrate the greatest gift of all, God’s gift of the Christ Child at Christmas.
And so, may all we think, say and do be to the praise, honour and glory of God, + Father, Son and Holy Spirit, Amen.
(Revd Canon Professor) Patrick Comerford is Priest-in-Charge, the Rathkeale and Kilnaughtin Group of Parishes. This sermon was prepared for the Fourth Sunday of Advent, 24 December 2017.
The Annunciation depicted on a panel on the triptych in the Lady Chapel in Lichfield Cathedral (Photograph: Patrick Comerford / Lichfield Gazette)
Collect:
God our redeemer,
who prepared the blessed Virgin Mary
to be the mother of your Son:
Grant that, as she looked for his coming as our saviour,
so we may be ready to greet him
when he comes again as our judge;
who is alive and reigns with you and the Holy Spirit,
one God, now and for ever.
The Advent Collect:
This collect is said after the Collect of the day until Christmas Eve:
Almighty God,
Give us grace to cast away the works of darkness
and to put on the armour of light
now in the time of this mortal life
in which your Son Jesus Christ came to us in great humility;
that on the last day
when he shall come again in his glorious majesty
to judge the living and the dead,
we may rise to the life immortal;
through him who is alive and reigns with you and the Holy Spirit,
one God, now and for ever.
Penitential Kyries:
Turn to us again, O God our Saviour,
and let your anger cease from us.
Lord, have mercy.
Lord, have mercy.
Show us your mercy, O Lord,
and grant us your salvation.
Christ, have mercy.
Christ, have mercy.
Your salvation is near for those that fear you,
that glory may dwell in our land.
Lord, have mercy.
Lord, have mercy.
Introduction to the Peace:
In the tender mercy of our God,
the dayspring from on high shall break upon us,
to give light to those who dwell in darkness
and in the shadow of death,
and to guide our feet into the way of peace. (Luke 1: 78, 79)
Preface:
Salvation is your gift
through the coming of your Son our Saviour Jesus Christ,
and by him you will make all things new
when he returns in glory to judge the world:
Post Communion Prayer:
Heavenly Father,
you have given us a pledge of eternal redemption.
Grant that we may always eagerly celebrate
the saving mystery of the incarnation of your Son.
We ask this through him whose coming is certain,
whose day draws near,
your Son Jesus Christ our Lord.
Blessing:
Christ the sun of righteousness shine upon you,
gladden your hearts
and scatter the darkness from before you:
Jacques Yverni, ‘The Annunciation,’ ca 1435, in the National Gallery of Ireland, Dublin (Photograph: Patrick Comerford)
05 August 2016
The love story that forced
Queen Victoria’s god-daughter
and an Irish composer to run
away from her father’s home
A wedding in the private chapel at Exton Hall … three Victorian weddings caused joy and pain for Irish and English families (Photograph © Steven Bradshaw/Exton Park
Patrick Comerford
My visits earlier this week to the beach and harbour at Annagassan, to Bellingham Castle and to the charming Co Louth village of Castlebellingham drew my attention to the story of the Bellingham baronets, the story of the great society wedding at the castle in 1905, and to the way the family’s fortunes went into decline following the events 100 years ago in World War I and after the Easter Rising in 1916.
But as I researched these stories, another story of romance and family fortunes and misfortunes unfolded. This was the story of Queen Victoria’s cousin and god-daughter who eloped with an Irish-born organist, who was disowned by her father who was one of the leading politicians of the day, and who died in exile while she was still in her mid-30s.
When the future Sir Henry Bellingham (1846-1921) left the Anglicanism of his birth and family in 1873 at the height of the Tractarian controversy and became a Roman Catholic, his move caused a stir in polite and aristocratic circles throughout these isles. He had become a friend of both Cardinal Newman and Cardinal Manning, and a year later, in 1874, he married Lady Constance Julia Eleanor Georgiana Noel, the daughter of another high-profile aristocratic convert to Catholicism, Charles George Noel (1818-1881), Lord Campden and future 2nd Earl of Gainsborough.
The marriage was celebrated in the Noel family’s private estate chapel in Exton Hall. Her father was a prominent politician, and Lord and Lady Campden had embraced Roman Catholicism in a very public conversion a quarter of a century earlier in 1850.
Their public conversion was all the more controversial because Lady Campden, the former Lady Ida Hay (1821-1867), was a first cousin once removed of Queen Victoria. She was a cousin of Queen Victoria because her mother, the former Lady Elizabeth FitzClarence (1801-1856), was an illegitimate daughter of King William IV and his Irish-born mistress, Dorothea Jordan (1761-1816) from Waterford.
The family kinship was very public and caused no embarrassment to Queen Victoria, who invited Lady Ida to be one of her bridesmaids when she married Prince Albert in 1840. A year later, on 1 November 1841, when she was still only 20, Lady Ida married Charles George Noel (1818-1881), who had assumed the title of Viscount Campden less than three months earlier and who had been Whig MP for Rutland for just a few short months.
He was the only child of Charles Noel (1781-1866), 1st Earl of Gainsborough, and his second wife Elizabeth Grey. His mother died two weeks after he was born, and he was educated privately and at Trinity College, Cambridge.
Ida and Charles had five children:
1, Lady Blanche Elizabeth Mary Annunciata Noel (1845-1881).
2, Lady Constance Julia Eleanor Georgiana Noel (1847-1891), who married Sir Henry Bellingham.
3, Charles William Francis Noel (1850-1926), who became 3rd Earl of Gainsborough.
4, Edward Noel (1852-1917).
5, Lady Edith Horatia Emma Frances Noel, who became a nun and died in 1890.
The first two children had been born when their parents publicly embraced Catholicism and were received into the Roman Catholic Church by Pope Pius IX on New Year’s Day, 1 January 1850. Soon after, Lord Campden set about building a private chapel on his estate.
The family lived at Exton Park, a large country estate that was the home of the Noel family and the Earls of Gainsborough since the 16th century. Rutland is England’s smallest county, totalling only 382 sq km (96,000 acres). A century ago, the Exton Park estate made up 14.6% of Rutland, some 14,000 acres, the family owned the village and all the residents were either estate workers or tenants. The family still owns a number of properties, including Exton Hall, and today the estate covers about 6,000 acres.
Famous visitors to Exton Park in the past have included Shakespeare and Handel, and the Noel family once used the Upper Lake on the estate for re-enactments of naval battles – an enthusiasm that helps to explain the choice of Horatia and Emma as middle names for Lord Campden’s youngest daughter.
The family had lived in the old hall until 1810, when Exton burned down with all its contents, including the library, the paintings and the family portraits.
A new Exton Hall was built, and was then rebuilt in the mid-19th century. The Revd Baptist Wriothesley Noel (1798-1873), one of the most popular Evangelical preachers of the day, had become friends with the architect Henry Roberts through their mutual concern for the welfare of the poor. He introduced Roberts to his eldest brother, Charles, who had inherited Exton in 1838 and reacquired the family titles three years later. Roberts quadrupled the size of Exton Hall, adding tall Jacobean turrets, chimneys, gables and windows. It was almost quadrupled in size in 1850 with additions by the architect Charles Alban Buckler.
In 1850, just as the new hall was taking shape, the son and heir, Charles Noel, and his wife Ida converted to Roman Catholicism. It was a surprise to the family as his grandfather had rarely missed an opportunity in Parliament to oppose Catholic Emancipation.
Soon after his conversion, Lord Campden planned a new private Roman Catholic chapel for his estate. The foundation stone was blessed by Bishop Richard Butler Roskell of Nottingham and laid by Lord Campden on the feast of Saint Thomas Becket, Archbishop of Canterbury, 29 December 1857.
In 1860, while he was still known as Lord Campden, he was urged to stand in the by-election in Co Cork against the Liberal candidate and newly-appointed Attorney-General for Ireland, Rickard Deasy (1812-1883). Although he had once been a Whig MP for Rutland, albeit briefly, Campden was picked as the Tory candidate by Sir John Pope Hennessy (1834-1891), then Conservative MP for King’s County, who was anxious to build on the success of the Catholic-Tory alliance in the 1859 election.
But his recent conversion to Catholicism made Campden a suspect figure among Irish Conservatives, who were less than enthusiastic about supporting his campaign, and he lost to Deasy by 2,000 votes. In London, The Times started running stories about ‘the Great Campden Controversy.’ On 10 March 1860, it reported: “Everyone is asking the delicate question who is accountable for Lord Campden’s election expenses. Cork County cannot be fought with less than £5,000 or £6,000 aside.” Eventually, Hennessy was ordered to pay £1,000 “for the balance of the expenses incurred on behalf of Lord Campden at the recent election.”
In 1866, Charles Noel succeeded his father as Earl of Gainsborough and took his seat in the House of Lords. But the new Lady Gainsborough, the former Lady Ida Hay, enjoyed her new standing as a countess for little more than a year; she died on 22 October 1867 and was buried in the crypt of the new chapel built by her husband.
The church, which abuts the east wing of the Exton Hall and was designed by the architect Charles Alban Buckler, was completed in 1868 and was dedicated to Saint Thomas of Canterbury. With its completion, a private chaplain was appointed, along with a resident organist, Thomas P Murphy, whose duties also included teaching music to the Noel children as their private tutor.
A wedding in the chapel where Lady Constance Noel and Sir Henry Bellingham were married in 1874 (Photograph: © Steven Bradshaw/Exton Park)
In 1874, the chapel was the venue for Henry Bellingham’s wedding to Lord Gainsborough’s second daughter, Lady Constance Noel (1847-1891). Lady Constance may have missed her mother’s presence at her wedding, but another absence that would not have gone unnoticed that day was that of her elder sister, Lady Blanche Elizabeth Mary Annunciata Noel.
Lady Blanche was born at Exton Hall on 25 March 1845, and just as her mother had been one of Queen Victoria’s bridesmaids in 1840, Blanche now became a godchild of Queen Victoria.
She was born on the Feast of the Annunciation, and her additional names at baptism, Elizabeth Mary Annunciata, show how her parents were already deeply influenced by the Tractarian movement.
As a child she was schooled privately, learned to speak Italian, French, German and Spanish, learned some Latin and Greek, and travelled to Italy and Germany. As a teenager, she missed her mother and was left to her own devices at Exton Hall.
She was said to have been gifted with a sweet, flexible voice, sang in the choir in the chapel, and was in daily contact with Thomas Murphy, the young, tall, well-educated and handsome Irish-born organist in the chapel who was also the private music tutor to Noel daughters. In the hours they spent singing together in the chapel after Mattins and Vespers, Blanche and Thomas fell in love with each other.
Lord Gainsborough was aware of nothing until a visiting family friend noticed this intimacy and warned him about his daughter’s choice in love. At first, he refused to even contemplate the possibility, but eventually he expressed his indignant disapproval.
One story says Gainsborough allowed the marriage to take place in his private chapel. Another source claims they eloped to London where they married, and that she was disowned and disinherited by her father.
Did Lord Gainsborough object because Thomas Murphy was an Irishman? This seems unlikely: her sister Lady Constance later married Sir Henry Bellingham from Co Louth; his son and heir, Charles, would marry an Irishwoman in Ireland; and his wife’s grandmother, Dorothea Jordan, was born in Waterford. Indeed, a decade earlier, Gainsborough had stood as a Tory candidate in the by-election in Co Cork. On the other hand, Murphy would later try to disguise his Irish background when he declared in census returns in New Hampshire in 1880 that he and both his parents were born in England.
Perhaps Gainsborough objected because Murphy was a commoner and brought no titles or estates into the family. Whatever his objections were, Lady Ida and Thomas Murphy were married in the new chapel at Exton on 6 March 1870.
But one of Gainsborough’s conditions for consenting to the wedding in his chapel was that the newly-wed couple should immediately leave for America. After they married, the love-struck pair set sail for America and Lady Blanche was never to see her family again. There is probably little truth to the story that they travelled in the steerage compartment of a ship, and that when they arrived “she and Murphy bummed around New York. They had no money and hadn’t eaten for 24 hours. She sold her earrings for a loaf of bread and said it was the best meal she ever had.”
The couple found themselves to North Conway through a priest they knew, and they finally settled in Bartlett, New Hampshire. Murphy was hired to teach music and French at the Kearsarge Schools for Boys in North Conway, and was the organist in a local church.
Lady Blanche soon earned a reputation as a writer. Her first published article, on Papal Rome, appeared in 1871 in the Catholic World, and over the next years she contributed half a dozen essays to the magazine. Her short stories and travel logs appeared in many magazines, including Harper’s, The Atlantic Monthly, The Galaxy, Scribner's Monthly, The Galaxy, The Catholic Review and other publications, as well as the Catholic World. She also published sketches of her travels in Lippincott’s Magazine. She was a frequent contributor to English magazines too, and the editor of the Graphic invited her to write a series of short articles on American manners and customs.
Four years after she went into exile, Gainsborough appears to have had regrets about the way he treated his daughter. In 1874, he settled her with an annuity of £60, and offered her the opportunity to return to Exton Hall, but the offer was conditional on her leaving her husband.
Lady Blanche Murphy accepted the annuity but refused his conditions for her return to Exton. She was not present for the wedding in the same chapel in 1874 of her sister, Lady Constance, to another Irishman, the more acceptable Sir Henry Bellingham of Bellingham Castle, Co Louth.
Nor did she attend the wedding in Ireland in 1880 of her widowed brother, Charles Francis Noel (1856-1926), now known as Viscount Campden. On 2 February 1880, he married Mary Elizabeth Dease in Saint Mary’s Roman Catholic Church in Coole, near Castlepollard, Co Westmeath. The bride’s father, James Arthur Dease (1826-1878), of nearby Turbotstown House, was a Justice of the Peace and a Deputy Lord Lieutenant for Co Cavan. Unlike Blanche and her Irish husband, Charles and his Irish bride returned to live at Exton Hall.
A maternal aunt also also left Lady Blanche some money, which she used with her annuity and the payments for her articles to buy a cottage in Bartlett, New Hampshire. The cottage, now known as the Lady Blanche House, was originally known as the Ledge Farm. There she had a reputation for feeding and clothing local poor children, and spent hours in the open air and in the local woods. Despite her father’s initial reaction to her marriage, from the time of her wedding to the day of her death, she was in constant correspondence with her family and her many friends in England.
Blanche and Thomas Murphy had no children, and Lady Blanche lived at their cottage in Bartlett for just 11 months. She was just four days short of her 36th birthday when she died after four days illness on 21 March 1881.
A writer in the Boston Courier wrote: “Though her marriage had been romantic, there was nothing of the sentimentalist about Lady Blanche Murphy. After the time of Mr Murphy’s teaching in the school had expired they kept house, she doing most of the house work herself, while yet managing to do a great deal of writing.” Her last articles, on ‘The Tomb of the Conquistador’ and ‘The Great Monasteries of the Athos’ (sic), were published after she died.
Lady Blanche Murphy remained a fervent Roman Catholic all her life. Her funeral took place on 24 March 1881, at the Catholic Cathedral of Portland, Maine, with the Bishop of the diocese presiding at a solemn Requiem Mass. She was buried temporarily in a vault of the Calvary Cemetery, before her body was brought back to England and buried beside her mother in the crypt of the private family chapel in Exton.
Lord Gainsborough, who had remained a widower, died in London on 13 August 1881 a few days after Blanche had been reburied in the family crypt. On his death bed, he gave his consent that the small annuity he had provided for Blanche in America should continue to be sent to his son-in-law. He was 62, and he was buried beside his wife in the crypt in his private chapel at Exton Hall. He was succeeded in his titles and estates by his eldest son, Charles Francis Noel, who had married Mary Dease in Co Westmeath the previous year.
Thomas Murphy continued to live in their cottage at Bartlett after Lady Blanche died. He kept the farm but he went to live in a boarding house in North Conway. He then moved to Boston, where he died on 11 October 1890 and he was buried alone at Calvary Cemetery. His younger sister-in-law, Lady Ida Noel, who had become a nun as Mother Mary Emmanuel, also died that year. His other sister-in-law, Lady Constance Bellingham, died at Bellingham Castle, Co Louth, in the following year, 1891.
A wedding in the chapel at Exton Hall (Photograph: Exton Park)
The marriage of Lady Blanche and Thomas Murphy, and her father’s reaction to their romance, serve to illustrate how Victorian mores and values were beginning to crumble in the closing decades of the 19th century. His obsessive grief following her death shows too how he knew that the old order could no longer be shored up. The old certainties that were dying in English and Irish society would be swept away a few decades later with World War I and with the Easter Rising and the events that unfolded in the decade that followed.
Perhaps it is because of this love story between an English lady with royal connections and a handsome Irish composer, perhaps it is because of Lady Blanche’s unique writing ability, perhaps it is because of both, that the cottage Lady Blanche and Thomas Murphy lived in at Bartlett was awarded a New Hampshire historic marker, number 109. The Lady Blanche Cottage has been owned by Dick Goff and Glenora Heath since 2006.
In the great fire at Exton in 1810, the family portraits and paintings were lost and the hall’s library perished. But In 1986, the Noel family contacted the Leicestershire and Rutland Record Office after a substantial number of long-forgotten records were found in rusty deed boxes in the stables and muniments room at Exton Hall. The find uncovered during building work at the hall turned out to be the entire estate and family archive dating back to the 12th century but long thought destroyed.
The collection now fills close on 700 boxes in the record office. The papers have been meticulously catalogued and are now searchable online.
Today, Exton Hall is the home of Anthony Baptist Noel, who succeeded as 6th Earl of Gainsborough, 6th Viscount Campden and 6th Baron Noel in 2009. The chapel where Lady Blanche Noel married Thomas Murphy and where Lady Constance Noel married Sir Henry Bellingham is one of only two fully functioning Roman Catholic churches in the county of Rutland and it seats about 120 people.
The chapel is semi-public, providing Exton with a useful Roman Catholic niche in the country house weddings market in England. But to get married in the chapel either the bride or the groom must be a Roman Catholic. Some of Lord Gainsborough’s ‘old certainties’ are still in place.
Exton Hall remains the home of the Noel family and the Earl of Gainsborough
Patrick Comerford
My visits earlier this week to the beach and harbour at Annagassan, to Bellingham Castle and to the charming Co Louth village of Castlebellingham drew my attention to the story of the Bellingham baronets, the story of the great society wedding at the castle in 1905, and to the way the family’s fortunes went into decline following the events 100 years ago in World War I and after the Easter Rising in 1916.
But as I researched these stories, another story of romance and family fortunes and misfortunes unfolded. This was the story of Queen Victoria’s cousin and god-daughter who eloped with an Irish-born organist, who was disowned by her father who was one of the leading politicians of the day, and who died in exile while she was still in her mid-30s.
When the future Sir Henry Bellingham (1846-1921) left the Anglicanism of his birth and family in 1873 at the height of the Tractarian controversy and became a Roman Catholic, his move caused a stir in polite and aristocratic circles throughout these isles. He had become a friend of both Cardinal Newman and Cardinal Manning, and a year later, in 1874, he married Lady Constance Julia Eleanor Georgiana Noel, the daughter of another high-profile aristocratic convert to Catholicism, Charles George Noel (1818-1881), Lord Campden and future 2nd Earl of Gainsborough.
The marriage was celebrated in the Noel family’s private estate chapel in Exton Hall. Her father was a prominent politician, and Lord and Lady Campden had embraced Roman Catholicism in a very public conversion a quarter of a century earlier in 1850.
Their public conversion was all the more controversial because Lady Campden, the former Lady Ida Hay (1821-1867), was a first cousin once removed of Queen Victoria. She was a cousin of Queen Victoria because her mother, the former Lady Elizabeth FitzClarence (1801-1856), was an illegitimate daughter of King William IV and his Irish-born mistress, Dorothea Jordan (1761-1816) from Waterford.
The family kinship was very public and caused no embarrassment to Queen Victoria, who invited Lady Ida to be one of her bridesmaids when she married Prince Albert in 1840. A year later, on 1 November 1841, when she was still only 20, Lady Ida married Charles George Noel (1818-1881), who had assumed the title of Viscount Campden less than three months earlier and who had been Whig MP for Rutland for just a few short months.
He was the only child of Charles Noel (1781-1866), 1st Earl of Gainsborough, and his second wife Elizabeth Grey. His mother died two weeks after he was born, and he was educated privately and at Trinity College, Cambridge.
Ida and Charles had five children:
1, Lady Blanche Elizabeth Mary Annunciata Noel (1845-1881).
2, Lady Constance Julia Eleanor Georgiana Noel (1847-1891), who married Sir Henry Bellingham.
3, Charles William Francis Noel (1850-1926), who became 3rd Earl of Gainsborough.
4, Edward Noel (1852-1917).
5, Lady Edith Horatia Emma Frances Noel, who became a nun and died in 1890.
The first two children had been born when their parents publicly embraced Catholicism and were received into the Roman Catholic Church by Pope Pius IX on New Year’s Day, 1 January 1850. Soon after, Lord Campden set about building a private chapel on his estate.
The family lived at Exton Park, a large country estate that was the home of the Noel family and the Earls of Gainsborough since the 16th century. Rutland is England’s smallest county, totalling only 382 sq km (96,000 acres). A century ago, the Exton Park estate made up 14.6% of Rutland, some 14,000 acres, the family owned the village and all the residents were either estate workers or tenants. The family still owns a number of properties, including Exton Hall, and today the estate covers about 6,000 acres.
Famous visitors to Exton Park in the past have included Shakespeare and Handel, and the Noel family once used the Upper Lake on the estate for re-enactments of naval battles – an enthusiasm that helps to explain the choice of Horatia and Emma as middle names for Lord Campden’s youngest daughter.
The family had lived in the old hall until 1810, when Exton burned down with all its contents, including the library, the paintings and the family portraits.
A new Exton Hall was built, and was then rebuilt in the mid-19th century. The Revd Baptist Wriothesley Noel (1798-1873), one of the most popular Evangelical preachers of the day, had become friends with the architect Henry Roberts through their mutual concern for the welfare of the poor. He introduced Roberts to his eldest brother, Charles, who had inherited Exton in 1838 and reacquired the family titles three years later. Roberts quadrupled the size of Exton Hall, adding tall Jacobean turrets, chimneys, gables and windows. It was almost quadrupled in size in 1850 with additions by the architect Charles Alban Buckler.
In 1850, just as the new hall was taking shape, the son and heir, Charles Noel, and his wife Ida converted to Roman Catholicism. It was a surprise to the family as his grandfather had rarely missed an opportunity in Parliament to oppose Catholic Emancipation.
Soon after his conversion, Lord Campden planned a new private Roman Catholic chapel for his estate. The foundation stone was blessed by Bishop Richard Butler Roskell of Nottingham and laid by Lord Campden on the feast of Saint Thomas Becket, Archbishop of Canterbury, 29 December 1857.
In 1860, while he was still known as Lord Campden, he was urged to stand in the by-election in Co Cork against the Liberal candidate and newly-appointed Attorney-General for Ireland, Rickard Deasy (1812-1883). Although he had once been a Whig MP for Rutland, albeit briefly, Campden was picked as the Tory candidate by Sir John Pope Hennessy (1834-1891), then Conservative MP for King’s County, who was anxious to build on the success of the Catholic-Tory alliance in the 1859 election.
But his recent conversion to Catholicism made Campden a suspect figure among Irish Conservatives, who were less than enthusiastic about supporting his campaign, and he lost to Deasy by 2,000 votes. In London, The Times started running stories about ‘the Great Campden Controversy.’ On 10 March 1860, it reported: “Everyone is asking the delicate question who is accountable for Lord Campden’s election expenses. Cork County cannot be fought with less than £5,000 or £6,000 aside.” Eventually, Hennessy was ordered to pay £1,000 “for the balance of the expenses incurred on behalf of Lord Campden at the recent election.”
In 1866, Charles Noel succeeded his father as Earl of Gainsborough and took his seat in the House of Lords. But the new Lady Gainsborough, the former Lady Ida Hay, enjoyed her new standing as a countess for little more than a year; she died on 22 October 1867 and was buried in the crypt of the new chapel built by her husband.
The church, which abuts the east wing of the Exton Hall and was designed by the architect Charles Alban Buckler, was completed in 1868 and was dedicated to Saint Thomas of Canterbury. With its completion, a private chaplain was appointed, along with a resident organist, Thomas P Murphy, whose duties also included teaching music to the Noel children as their private tutor.
A wedding in the chapel where Lady Constance Noel and Sir Henry Bellingham were married in 1874 (Photograph: © Steven Bradshaw/Exton Park)
In 1874, the chapel was the venue for Henry Bellingham’s wedding to Lord Gainsborough’s second daughter, Lady Constance Noel (1847-1891). Lady Constance may have missed her mother’s presence at her wedding, but another absence that would not have gone unnoticed that day was that of her elder sister, Lady Blanche Elizabeth Mary Annunciata Noel.
Lady Blanche was born at Exton Hall on 25 March 1845, and just as her mother had been one of Queen Victoria’s bridesmaids in 1840, Blanche now became a godchild of Queen Victoria.
She was born on the Feast of the Annunciation, and her additional names at baptism, Elizabeth Mary Annunciata, show how her parents were already deeply influenced by the Tractarian movement.
As a child she was schooled privately, learned to speak Italian, French, German and Spanish, learned some Latin and Greek, and travelled to Italy and Germany. As a teenager, she missed her mother and was left to her own devices at Exton Hall.
She was said to have been gifted with a sweet, flexible voice, sang in the choir in the chapel, and was in daily contact with Thomas Murphy, the young, tall, well-educated and handsome Irish-born organist in the chapel who was also the private music tutor to Noel daughters. In the hours they spent singing together in the chapel after Mattins and Vespers, Blanche and Thomas fell in love with each other.
Lord Gainsborough was aware of nothing until a visiting family friend noticed this intimacy and warned him about his daughter’s choice in love. At first, he refused to even contemplate the possibility, but eventually he expressed his indignant disapproval.
One story says Gainsborough allowed the marriage to take place in his private chapel. Another source claims they eloped to London where they married, and that she was disowned and disinherited by her father.
Did Lord Gainsborough object because Thomas Murphy was an Irishman? This seems unlikely: her sister Lady Constance later married Sir Henry Bellingham from Co Louth; his son and heir, Charles, would marry an Irishwoman in Ireland; and his wife’s grandmother, Dorothea Jordan, was born in Waterford. Indeed, a decade earlier, Gainsborough had stood as a Tory candidate in the by-election in Co Cork. On the other hand, Murphy would later try to disguise his Irish background when he declared in census returns in New Hampshire in 1880 that he and both his parents were born in England.
Perhaps Gainsborough objected because Murphy was a commoner and brought no titles or estates into the family. Whatever his objections were, Lady Ida and Thomas Murphy were married in the new chapel at Exton on 6 March 1870.
But one of Gainsborough’s conditions for consenting to the wedding in his chapel was that the newly-wed couple should immediately leave for America. After they married, the love-struck pair set sail for America and Lady Blanche was never to see her family again. There is probably little truth to the story that they travelled in the steerage compartment of a ship, and that when they arrived “she and Murphy bummed around New York. They had no money and hadn’t eaten for 24 hours. She sold her earrings for a loaf of bread and said it was the best meal she ever had.”
The couple found themselves to North Conway through a priest they knew, and they finally settled in Bartlett, New Hampshire. Murphy was hired to teach music and French at the Kearsarge Schools for Boys in North Conway, and was the organist in a local church.
Lady Blanche soon earned a reputation as a writer. Her first published article, on Papal Rome, appeared in 1871 in the Catholic World, and over the next years she contributed half a dozen essays to the magazine. Her short stories and travel logs appeared in many magazines, including Harper’s, The Atlantic Monthly, The Galaxy, Scribner's Monthly, The Galaxy, The Catholic Review and other publications, as well as the Catholic World. She also published sketches of her travels in Lippincott’s Magazine. She was a frequent contributor to English magazines too, and the editor of the Graphic invited her to write a series of short articles on American manners and customs.
Four years after she went into exile, Gainsborough appears to have had regrets about the way he treated his daughter. In 1874, he settled her with an annuity of £60, and offered her the opportunity to return to Exton Hall, but the offer was conditional on her leaving her husband.
Lady Blanche Murphy accepted the annuity but refused his conditions for her return to Exton. She was not present for the wedding in the same chapel in 1874 of her sister, Lady Constance, to another Irishman, the more acceptable Sir Henry Bellingham of Bellingham Castle, Co Louth.
Nor did she attend the wedding in Ireland in 1880 of her widowed brother, Charles Francis Noel (1856-1926), now known as Viscount Campden. On 2 February 1880, he married Mary Elizabeth Dease in Saint Mary’s Roman Catholic Church in Coole, near Castlepollard, Co Westmeath. The bride’s father, James Arthur Dease (1826-1878), of nearby Turbotstown House, was a Justice of the Peace and a Deputy Lord Lieutenant for Co Cavan. Unlike Blanche and her Irish husband, Charles and his Irish bride returned to live at Exton Hall.
A maternal aunt also also left Lady Blanche some money, which she used with her annuity and the payments for her articles to buy a cottage in Bartlett, New Hampshire. The cottage, now known as the Lady Blanche House, was originally known as the Ledge Farm. There she had a reputation for feeding and clothing local poor children, and spent hours in the open air and in the local woods. Despite her father’s initial reaction to her marriage, from the time of her wedding to the day of her death, she was in constant correspondence with her family and her many friends in England.
Blanche and Thomas Murphy had no children, and Lady Blanche lived at their cottage in Bartlett for just 11 months. She was just four days short of her 36th birthday when she died after four days illness on 21 March 1881.
A writer in the Boston Courier wrote: “Though her marriage had been romantic, there was nothing of the sentimentalist about Lady Blanche Murphy. After the time of Mr Murphy’s teaching in the school had expired they kept house, she doing most of the house work herself, while yet managing to do a great deal of writing.” Her last articles, on ‘The Tomb of the Conquistador’ and ‘The Great Monasteries of the Athos’ (sic), were published after she died.
Lady Blanche Murphy remained a fervent Roman Catholic all her life. Her funeral took place on 24 March 1881, at the Catholic Cathedral of Portland, Maine, with the Bishop of the diocese presiding at a solemn Requiem Mass. She was buried temporarily in a vault of the Calvary Cemetery, before her body was brought back to England and buried beside her mother in the crypt of the private family chapel in Exton.
Lord Gainsborough, who had remained a widower, died in London on 13 August 1881 a few days after Blanche had been reburied in the family crypt. On his death bed, he gave his consent that the small annuity he had provided for Blanche in America should continue to be sent to his son-in-law. He was 62, and he was buried beside his wife in the crypt in his private chapel at Exton Hall. He was succeeded in his titles and estates by his eldest son, Charles Francis Noel, who had married Mary Dease in Co Westmeath the previous year.
Thomas Murphy continued to live in their cottage at Bartlett after Lady Blanche died. He kept the farm but he went to live in a boarding house in North Conway. He then moved to Boston, where he died on 11 October 1890 and he was buried alone at Calvary Cemetery. His younger sister-in-law, Lady Ida Noel, who had become a nun as Mother Mary Emmanuel, also died that year. His other sister-in-law, Lady Constance Bellingham, died at Bellingham Castle, Co Louth, in the following year, 1891.
A wedding in the chapel at Exton Hall (Photograph: Exton Park)
The marriage of Lady Blanche and Thomas Murphy, and her father’s reaction to their romance, serve to illustrate how Victorian mores and values were beginning to crumble in the closing decades of the 19th century. His obsessive grief following her death shows too how he knew that the old order could no longer be shored up. The old certainties that were dying in English and Irish society would be swept away a few decades later with World War I and with the Easter Rising and the events that unfolded in the decade that followed.
Perhaps it is because of this love story between an English lady with royal connections and a handsome Irish composer, perhaps it is because of Lady Blanche’s unique writing ability, perhaps it is because of both, that the cottage Lady Blanche and Thomas Murphy lived in at Bartlett was awarded a New Hampshire historic marker, number 109. The Lady Blanche Cottage has been owned by Dick Goff and Glenora Heath since 2006.
In the great fire at Exton in 1810, the family portraits and paintings were lost and the hall’s library perished. But In 1986, the Noel family contacted the Leicestershire and Rutland Record Office after a substantial number of long-forgotten records were found in rusty deed boxes in the stables and muniments room at Exton Hall. The find uncovered during building work at the hall turned out to be the entire estate and family archive dating back to the 12th century but long thought destroyed.
The collection now fills close on 700 boxes in the record office. The papers have been meticulously catalogued and are now searchable online.
Today, Exton Hall is the home of Anthony Baptist Noel, who succeeded as 6th Earl of Gainsborough, 6th Viscount Campden and 6th Baron Noel in 2009. The chapel where Lady Blanche Noel married Thomas Murphy and where Lady Constance Noel married Sir Henry Bellingham is one of only two fully functioning Roman Catholic churches in the county of Rutland and it seats about 120 people.
The chapel is semi-public, providing Exton with a useful Roman Catholic niche in the country house weddings market in England. But to get married in the chapel either the bride or the groom must be a Roman Catholic. Some of Lord Gainsborough’s ‘old certainties’ are still in place.
Exton Hall remains the home of the Noel family and the Earl of Gainsborough
04 August 2016
Despite wars and a century of change,
Bellingham Castle retains its grandeur
Bellingham Castle … restored in recent decades to its past grandeur (Photograph: Patrick Comerford, 2016)
Patrick Comerford
When the guests arrived at Annagassan Harbour in Co Louth in 1905 for the wedding of Augusta Mary Monica Bellingham and John Crichton-Stuart, 4th Marquis of Bute, at Bellingham Castle, the world of the Edwardian aristocracy must have seemed secure and certain.
The wedding party at Bellingham Castle left as they arrived – from the harbour at Annagassan. It was a world that could have inspired Brideshead Revisited – or even Downton Abbey – with titled aristocrats, dowager mothers, Gothic castles, and a family story to rival that of Lady Sybil Crawley in Downton Abbey … the story of Lady Blanche Noel, Queen Victoria’s cousin, who eloped with Thomas Murphy, the Irish-born organist in her father’s private chapel. Even the bride’s elder sister Ida, who had become a nun in the Holy Child Order at Saint Leonards-on-Sea (Mother Mary Emmanuel), was present at the wedding.
It was a story I heard about during my visits earlier this week to Annagassan Harbour, Bellingham Castle and the pretty Co Louth village of Castlebellingham earlier this week.
But as the wedding party sailed away from Annagassan Harbour, the world of the bride’s father, Sir Henry Bellingham, was about to fall apart and would never be put together again. Within a decade, World War I had broken out and the events were already in train that would lead to the Battle of the Somme and the Easter Rising in 1916.
With the death of his uncle, Sydney Bellingham, in 1900, Sir Henry Bellingham, who had inherited the family title in 1889, now inherited the family castle and estate, and was secure in enjoyment of Bellingham Castle and his ancestral lands at the Castlebellingham estate.
The Calvary at the castle gates was erected by Sir Henry Bellingham in memory of his wife, Lady Constance (Photograph: Patrick Comerford, 2016)
Sir Henry had already experienced tragedy in his life with the death of his wife, Lady Constance Bellingham, in 1891. She was only 43 and they had been married just 17 years.
Perhaps Sir Henry found new happiness in 1895 when he married his second wife, 25-year-old Lelgarde Harry Florence Clifton (born 1872), the younger daughter of Augustus Wykeham Clifton and his wife Bertha Clifton, 22nd Baroness Grey de Ruthyn.
But Sir Henry still grieved his first wife, Lady Constance, and in 1902, when the 200-tear-old great royal oak at the castle gates fell in a storm he had it carved for the Calvary erected in her memory at the gates of Bellingham Castle. For a century or more it was a landmark on the main road between Dublin and Belfast.
The wedding party at Bellingham Castle for the marriage of Augusta Bellingham and the Marquis of Bute in 1905
Sir Henry was the father two sons, Edward and Roger. Both sons became army officers and as they celebrated their sister Augusta’s wedding in 1905, they could hardly imagine what was to befall them.
Edward Bellingham, who would eventually succeed to his father’s estate and titles, was born on 26 January 1879 and was educated at the Oratory School, London, and the Royal Military College, Sandhurst. In 1899, he was commissioned in the Royal Scots, and then fought in the Second Boer War. During World War I, he was a major in the Royal Dublin Fusiliers. He was wounded and mentioned in despatches three times.
His experiences of the gassing at the Battle of Hulluch on 27-29 April 1916 are vividly recalled by the historian Turtle Bunbury here. He was decorated with the Distinguished Service Order (DSO) in 1916, and became a temporary brigadier-general. In 1918, he became a Companion of the Order of St Michael and St George (CMG), and a year later he was promoted lieutenant-colonel.
His brother, Roger Charles Noel Bellingham (1884-1915), married Alice Naish in 1910. He became an aide-de-camp to the Lord-Lieutenant of Ireland, Lord Aberdeen, from 1912 to 1914. Like his father, he supported Home Rule and was popular in Co Louth. With the outbreak of World War I, he became a captain in the Royal Field Artillery and probably hoped to return home to raise his young family and to enter a political career in Ireland.
Captain Roger Bellingham was 30 when he was killed in action on 4 March 1915. His name heads the list of names on the recently-renovated War Memorial Cross in the centre of the village. It was only 10 years since his sister’s lavish society wedding. The world that seemed secure to Edwardian society a decade earlier had been shattered and would never be put together again.
For a while, Sir Henry Bellingham continued to engage in local politics and civic life in Co Louth and the educational life of the nation. A keen supporter of Irish language movements, he remained a Commissioner of National Education for Ireland, a Senator of the Royal University of Ireland, and Lord Lieutenant of Co Louth, an office he had held since in 1911.
The War Memorial in the centre of Castlebellingham was erected in 1920 (Photograph: Patrick Comerford, 2016)
At the end of World War I, Sir Henry published a letter in the Dundalk Democrat on 8 March 1919, proposing the erection of a war memorial in the village to commemorate those from Kilsaran and Dromiskin who had died in the war.
He invited names to be included on the list, commissioned a cross in the style of a Celtic cross, with ornamentation inspired by the Book of Kells, and by early 1920 the cross was ready for dedication. The list of names on the war memorial was headed by his son, “Lt. R. Bellinghan, R.F. Artillery.”
The cross was dedicated on 5 February 1920 by the Roman Catholic Archbishop of Armagh, Cardinal Logue, after a solemn Requiem Mass in the Roman Catholic parish church in Kilsaran. On that day, 200 ex-servicemen marched in military formation under the command of General Edward Bellingham from Kilsaran to the monument.
Cardinal Logue told the assembled crowed of 500 that the people of Ireland “had received very little return … for all their youth had suffered, for the deaths of so many brave men, and for the sacrifices that the people had made.”
The old order was changing, and nothing would bring it back.
At the age of 74, Sir Henry died on 9 July 1921, when the Irish War of Independence was at its height. His funeral Mass in Kilsaran was attended by Cardinal Logue, who led the graveside prayers, and James Macmahon (1865-1954), the last Under-Secretary for Ireland.
Sir Edward Bellingham was the last of the Bellingham baronets to live in the castle (Photograph: Patrick Comerford, 2016)
The family title and the castle were inherited by Sir Henry’s son, the diplomat Brigadier-General Sir Edward Henry Charles Patrick Bellingham (1879-1956), as the fifth baronet.
After his father’s death, Sir Edward returned to live at Bellingham Castle. He also succeeded as Lord Lieutenant of Louth in 1921, but was the last person to hold this office, which was abolished in 1922 with the establishment of the Irish Free State. In 1925, Sir Edward was elected to the Senate of the Irish Free State with the ninth highest number of first preference votes nationwide of the 76 candidates, and he sat as a Senator until the Senate was abolished in 1936.
At the outbreak of World War II, he joined the Royal Air Force. After the war, he served in the Commission of Control in Germany until 1947. In his last years he was vice-consul at the British embassy in Guatemala. He bred pedigree pigs and Aberdeen Angus cattle. He died in 1956 and his widow, Charlotte Elizabeth, died in 1964. He was the last Bellingham to live at Bellingham Castle.
He was succeeded as sixth baronet by his nephew, Sir Roger Carroll Patrick Stephen Bellingham (1911-1973), who was only a five-year-old when his father, Captain Roger Bellingham, was killed in action in World War in 1915. However, Sir Roger never inherited Bellingham Castle, which had been acquired by the Irish Land Commission.
Sir Roger was educated at the Oratory School, London, studied medicine at UCD and the University of Edinburgh (MB, ChB), and practiced as an anaesthetist. His son, Sir Noel Peter Roger Bellingham (1943-1999), succeeded as the seventh baronet in 1973. He was an accountant, and when he died in 1999 at the age of 55, the title passed to his brother, Sir Anthony Edward Norman Bellingham, the eighth and present baronet. He is a distant cousin of the former British Prime Minister – they share direct descent from King William IV’s illegitimate daughter, Lady Elizabeth FitzClarence, a first cousin of Queen Victoria.
Bellingham Castle remained the home of the Bellingham baronets until the mid-1950s. The castle and the entire estate were bought by Dermot Meehan in 1958 from the Irish Land Commission for a total of £3,065, and he spent several years converting the house into the Bellingham Castle Hotel.
Meehan sold the hotel and 17 acres in 1967 to John Keenan for £30,636.61. The Meehan family retained the remainder of the estate, including 70 acres of mature parkland, the coach stables, cottages and the walled gardens. In recent years, Mark Meehan has restored the coach stables to its former glory, planted hundreds of trees and continues to develop the estate.
The hotel and those 17 acres, was offered for sale at €1,500,000 in 2011. In December 2012, the Corscadden family, who own and run Cabra Castle Hotel in Kingscourt, Co Cavan, and Ballyseede Castle Hotel in Tralee, Co Kerry, bought Bellingham Castle. Since then, they have renovated the 19-bedroom castle and transformed it into an hotel and wedding venue and it re-opened in 2014.
The village green and a colourful pub in Castlebellingham (Photograph: Patrick Comerford, 2016)
Today, people travelling along the M1 link the name of Castlebellingham with the Applegreen Service Stations near Dundalk, and the village of Castlebellingham has become a much quieter and sleepier place since it was bypassed by the motorway.
The village green, fringed by colourful, quaint pubs, is idyllic in the summer sunshine. The war memorial has been restored in recent years as part of the 1914-1916-1918 centenary commemorations. Foley’s Tea Rooms, a quaint coffee shop in a thatched cottage, is hundreds of years old. The Wayside Cavalry commemorating Lady Constance Bellingham is still a prominent local landmark. And Bellingham Castle is hosting wedding parties once again, albeit weddings that are less lavish than the society wedding of 1905.
But the absence of Lady Blanche Murphy from the wedding of her sister, Lady Constance Noel, and Sir Henry Bellingham in 1874 also told a story of how the values and mores of Victorian society were changing. And that is a story for tomorrow morning [Friday 5 August 2016].
Estate cottages are part of the village charm in Castlebellingham (Photograph: Patrick Comerford, 2016)
Patrick Comerford
When the guests arrived at Annagassan Harbour in Co Louth in 1905 for the wedding of Augusta Mary Monica Bellingham and John Crichton-Stuart, 4th Marquis of Bute, at Bellingham Castle, the world of the Edwardian aristocracy must have seemed secure and certain.
The wedding party at Bellingham Castle left as they arrived – from the harbour at Annagassan. It was a world that could have inspired Brideshead Revisited – or even Downton Abbey – with titled aristocrats, dowager mothers, Gothic castles, and a family story to rival that of Lady Sybil Crawley in Downton Abbey … the story of Lady Blanche Noel, Queen Victoria’s cousin, who eloped with Thomas Murphy, the Irish-born organist in her father’s private chapel. Even the bride’s elder sister Ida, who had become a nun in the Holy Child Order at Saint Leonards-on-Sea (Mother Mary Emmanuel), was present at the wedding.
It was a story I heard about during my visits earlier this week to Annagassan Harbour, Bellingham Castle and the pretty Co Louth village of Castlebellingham earlier this week.
But as the wedding party sailed away from Annagassan Harbour, the world of the bride’s father, Sir Henry Bellingham, was about to fall apart and would never be put together again. Within a decade, World War I had broken out and the events were already in train that would lead to the Battle of the Somme and the Easter Rising in 1916.
With the death of his uncle, Sydney Bellingham, in 1900, Sir Henry Bellingham, who had inherited the family title in 1889, now inherited the family castle and estate, and was secure in enjoyment of Bellingham Castle and his ancestral lands at the Castlebellingham estate.
The Calvary at the castle gates was erected by Sir Henry Bellingham in memory of his wife, Lady Constance (Photograph: Patrick Comerford, 2016)
Sir Henry had already experienced tragedy in his life with the death of his wife, Lady Constance Bellingham, in 1891. She was only 43 and they had been married just 17 years.
Perhaps Sir Henry found new happiness in 1895 when he married his second wife, 25-year-old Lelgarde Harry Florence Clifton (born 1872), the younger daughter of Augustus Wykeham Clifton and his wife Bertha Clifton, 22nd Baroness Grey de Ruthyn.
But Sir Henry still grieved his first wife, Lady Constance, and in 1902, when the 200-tear-old great royal oak at the castle gates fell in a storm he had it carved for the Calvary erected in her memory at the gates of Bellingham Castle. For a century or more it was a landmark on the main road between Dublin and Belfast.
The wedding party at Bellingham Castle for the marriage of Augusta Bellingham and the Marquis of Bute in 1905
Sir Henry was the father two sons, Edward and Roger. Both sons became army officers and as they celebrated their sister Augusta’s wedding in 1905, they could hardly imagine what was to befall them.
Edward Bellingham, who would eventually succeed to his father’s estate and titles, was born on 26 January 1879 and was educated at the Oratory School, London, and the Royal Military College, Sandhurst. In 1899, he was commissioned in the Royal Scots, and then fought in the Second Boer War. During World War I, he was a major in the Royal Dublin Fusiliers. He was wounded and mentioned in despatches three times.
His experiences of the gassing at the Battle of Hulluch on 27-29 April 1916 are vividly recalled by the historian Turtle Bunbury here. He was decorated with the Distinguished Service Order (DSO) in 1916, and became a temporary brigadier-general. In 1918, he became a Companion of the Order of St Michael and St George (CMG), and a year later he was promoted lieutenant-colonel.
His brother, Roger Charles Noel Bellingham (1884-1915), married Alice Naish in 1910. He became an aide-de-camp to the Lord-Lieutenant of Ireland, Lord Aberdeen, from 1912 to 1914. Like his father, he supported Home Rule and was popular in Co Louth. With the outbreak of World War I, he became a captain in the Royal Field Artillery and probably hoped to return home to raise his young family and to enter a political career in Ireland.
Captain Roger Bellingham was 30 when he was killed in action on 4 March 1915. His name heads the list of names on the recently-renovated War Memorial Cross in the centre of the village. It was only 10 years since his sister’s lavish society wedding. The world that seemed secure to Edwardian society a decade earlier had been shattered and would never be put together again.
For a while, Sir Henry Bellingham continued to engage in local politics and civic life in Co Louth and the educational life of the nation. A keen supporter of Irish language movements, he remained a Commissioner of National Education for Ireland, a Senator of the Royal University of Ireland, and Lord Lieutenant of Co Louth, an office he had held since in 1911.
The War Memorial in the centre of Castlebellingham was erected in 1920 (Photograph: Patrick Comerford, 2016)
At the end of World War I, Sir Henry published a letter in the Dundalk Democrat on 8 March 1919, proposing the erection of a war memorial in the village to commemorate those from Kilsaran and Dromiskin who had died in the war.
He invited names to be included on the list, commissioned a cross in the style of a Celtic cross, with ornamentation inspired by the Book of Kells, and by early 1920 the cross was ready for dedication. The list of names on the war memorial was headed by his son, “Lt. R. Bellinghan, R.F. Artillery.”
The cross was dedicated on 5 February 1920 by the Roman Catholic Archbishop of Armagh, Cardinal Logue, after a solemn Requiem Mass in the Roman Catholic parish church in Kilsaran. On that day, 200 ex-servicemen marched in military formation under the command of General Edward Bellingham from Kilsaran to the monument.
Cardinal Logue told the assembled crowed of 500 that the people of Ireland “had received very little return … for all their youth had suffered, for the deaths of so many brave men, and for the sacrifices that the people had made.”
The old order was changing, and nothing would bring it back.
At the age of 74, Sir Henry died on 9 July 1921, when the Irish War of Independence was at its height. His funeral Mass in Kilsaran was attended by Cardinal Logue, who led the graveside prayers, and James Macmahon (1865-1954), the last Under-Secretary for Ireland.
Sir Edward Bellingham was the last of the Bellingham baronets to live in the castle (Photograph: Patrick Comerford, 2016)
The family title and the castle were inherited by Sir Henry’s son, the diplomat Brigadier-General Sir Edward Henry Charles Patrick Bellingham (1879-1956), as the fifth baronet.
After his father’s death, Sir Edward returned to live at Bellingham Castle. He also succeeded as Lord Lieutenant of Louth in 1921, but was the last person to hold this office, which was abolished in 1922 with the establishment of the Irish Free State. In 1925, Sir Edward was elected to the Senate of the Irish Free State with the ninth highest number of first preference votes nationwide of the 76 candidates, and he sat as a Senator until the Senate was abolished in 1936.
At the outbreak of World War II, he joined the Royal Air Force. After the war, he served in the Commission of Control in Germany until 1947. In his last years he was vice-consul at the British embassy in Guatemala. He bred pedigree pigs and Aberdeen Angus cattle. He died in 1956 and his widow, Charlotte Elizabeth, died in 1964. He was the last Bellingham to live at Bellingham Castle.
He was succeeded as sixth baronet by his nephew, Sir Roger Carroll Patrick Stephen Bellingham (1911-1973), who was only a five-year-old when his father, Captain Roger Bellingham, was killed in action in World War in 1915. However, Sir Roger never inherited Bellingham Castle, which had been acquired by the Irish Land Commission.
Sir Roger was educated at the Oratory School, London, studied medicine at UCD and the University of Edinburgh (MB, ChB), and practiced as an anaesthetist. His son, Sir Noel Peter Roger Bellingham (1943-1999), succeeded as the seventh baronet in 1973. He was an accountant, and when he died in 1999 at the age of 55, the title passed to his brother, Sir Anthony Edward Norman Bellingham, the eighth and present baronet. He is a distant cousin of the former British Prime Minister – they share direct descent from King William IV’s illegitimate daughter, Lady Elizabeth FitzClarence, a first cousin of Queen Victoria.
Bellingham Castle remained the home of the Bellingham baronets until the mid-1950s. The castle and the entire estate were bought by Dermot Meehan in 1958 from the Irish Land Commission for a total of £3,065, and he spent several years converting the house into the Bellingham Castle Hotel.
Meehan sold the hotel and 17 acres in 1967 to John Keenan for £30,636.61. The Meehan family retained the remainder of the estate, including 70 acres of mature parkland, the coach stables, cottages and the walled gardens. In recent years, Mark Meehan has restored the coach stables to its former glory, planted hundreds of trees and continues to develop the estate.
The hotel and those 17 acres, was offered for sale at €1,500,000 in 2011. In December 2012, the Corscadden family, who own and run Cabra Castle Hotel in Kingscourt, Co Cavan, and Ballyseede Castle Hotel in Tralee, Co Kerry, bought Bellingham Castle. Since then, they have renovated the 19-bedroom castle and transformed it into an hotel and wedding venue and it re-opened in 2014.
The village green and a colourful pub in Castlebellingham (Photograph: Patrick Comerford, 2016)
Today, people travelling along the M1 link the name of Castlebellingham with the Applegreen Service Stations near Dundalk, and the village of Castlebellingham has become a much quieter and sleepier place since it was bypassed by the motorway.
The village green, fringed by colourful, quaint pubs, is idyllic in the summer sunshine. The war memorial has been restored in recent years as part of the 1914-1916-1918 centenary commemorations. Foley’s Tea Rooms, a quaint coffee shop in a thatched cottage, is hundreds of years old. The Wayside Cavalry commemorating Lady Constance Bellingham is still a prominent local landmark. And Bellingham Castle is hosting wedding parties once again, albeit weddings that are less lavish than the society wedding of 1905.
But the absence of Lady Blanche Murphy from the wedding of her sister, Lady Constance Noel, and Sir Henry Bellingham in 1874 also told a story of how the values and mores of Victorian society were changing. And that is a story for tomorrow morning [Friday 5 August 2016].
Estate cottages are part of the village charm in Castlebellingham (Photograph: Patrick Comerford, 2016)
03 August 2016
A romantic Edwardian wedding story points
to the former grandeur of Bellingham Castle
Bellingham Castle, Castlebellingham, Co Louth … recently restored and renovated as a wedding venue and hotel (Photograph: Patrick Comerford, 2016)
Patrick Comerford
When three of us visited Annagassan on Monday afternoon [1 August 2016], we were reminded how this tiny harbour in Co Louth played its role in one of the great romantic weddings of the Edwardian decade.
In 1905, Augusta Mary Monica Bellingham of Bellingham Castle married John Crichton-Stuart, 4th Marquis of Bute. The Princess Maud, a steamer, was chartered to take their guests across the Irish Sea to Bellingham Castle for the wedding, and the wedding party arrived and left through the harbour at Annagassan.
We decided to find out more about the Bellingham family and Bellingham Castle, and moved on to the neighbouring village of Castlebellingham, where we found a wedding was taking place on Monday afternoon in the Bellingham Castle Hotel.
In recent years, Bellingham Castle has been transformed into a romantic wedding venue, with 19 luxury bedrooms and the appropriately-named sumptuous Bute Suite, which recalls that society wedding over a century ago.
Bellingham Castle, or Castlebellingham House, stands on the site of an earlier medieval castle, and has been the ancestral home of the Bellingham family since the 17th century. Henry Bellingham, who bought the estate in 1660, was a junior army officer during the civil war. He bought the lands of Gernonstowne, Co Louth, from a fellow soldier who had been granted them in lieu of arrears of pay, and the purchase was confirmed by King Charles II.
The Bellingham family takes its name from Bellingham, a village in Northumberland, north-east of Newcastle upon Tyne. Sir Edward Bellingham (1506-1549) was Lord Deputy of Ireland in 1548-1549.
This branch of the family came to Ireland with Henry Bellingham in the 1650s, although the village was not known as Castlebellingham for at least 40 years after the lands in Co Louth were bought by the family.
The castle was occupied by Jacobite troops and burned down in the autumn of 1689 by James II in a revenge attack. Colonel Thomas Bellingham was a guide for William III before the Battle of the Boyne, and it is said King William’s armies camped in the grounds of the castle on the night before the Battle of the Boyne.
Remembering the royal oak planted by Colonel Thomas Bellingham at the castle gates in 1693 (Photograph: Patrick Comerford, 2016)
Three years later, Thomas Bellingham planted a royal oak on a mound close to the castle gates in 1693. When it was blown down in 1902, a wayside cross was made from its wood, and since then another tree has been planted on the mound.
Bellingham Castle is a detached, multiple-bay two-storey over-basement former country house, built in 1712. The house was completely remodelled 1798, when a third storey was added, and ca 1820, when it took the shape we see today with its crenellated parapet, turrets and towers.
The Gothic embellishments and towers and turrets of Bellingham Castle (Photograph: Patrick Comerford, 2016)
The Gothic embellishments, which are echoed in the entrance gates, can be seen on every elevation. The little details, such as the gargoyled boss to the base of a turret on the east elevation and the decorative label stops on the hood mouldings of some windows, help to create an interesting contrast to the Georgian classical windows on the main elevations.
The double pile main block has principal east (entrance front) and west (garden front) elevations on the long sides, and a single-storey wing to north. The crenelated parapets and turrets were added ca 1820, and there are square corner turrets, an octagonal bartizan, a crenellated entrance porch with octagonal corner turrets, two three-storey buttressed bows, a square turreted crenelated tower and parapets that hide the shallow pitched roofs.
The bartizan to the east elevation has a painted stone gargoyle boss, there are wrought-iron balconettes, a tower with painted stone mullions, panelled doors, and stone traceried fanlights.
The house played a central part in the development of the village to which it gives its name. Much of the village is occupied by estate houses and in previous generations many of their residents worked on the estate in its heyday.
However, the name Castlebellingham does not appear on any documents until about 1710. Over time Castlebellingham became an important place in Co Louth. Fairs were held every year, a church was built beside the castle, and with it came a graveyard that included the Bellingham family vault.
The Bellinghams became one of the most powerful and influential family in Co Louth, and for over 100 years (1660-1775), without interruption, a Bellingham sat in the Irish Parliament as an MP for Co Louth.
A brewery was built near the castle around 1770 by O’Bryen Bellingham. However, the main brewery in the village was founded half a century later by Captain John Woolsey. His mother was a Bellingham and the family was closely related to the Cairnes brewing family and the Jameson distillers. The brewery in Castlebellingham, once employed about 70 people and was the main supplier of beer to the troops during the Boer War. The brewery is still remembered in the name of the Brewery Tavern, Brewery Road and the Malthouse Apartments.
The first of the Bellingham baronets was Sir William Bellingham (1756-1826), the fourth and youngest son of Colonel Alan Bellingham and Alice Montgomery, daughter of the Revd Hans Montgomery of Grey Abbey House, Co Down. His elder brother, O’Bryen Bellingham, stayed at home and founded the first brewery in Castlebellingham.
Sir William Bellingham was baptised in Saint Peter’s, Drogheda, in 1756. As the fourth and youngest son, he could not have expected to inherit any estates in Ireland, and after graduating from Trinity College Dublin in 1778, he moved to England where he carved out a successful career in politics.
In 1783, he married Hester Frances Cholmondeley (1763-1844), daughter of the Revd Robert Cholmondeley and granddaughter of George Cholmondeley, 3rd Earl of Cholmondeley. From 1784 to 1789 he was MP for Reigate, Surrey.
As a commissioner for the Royal Navy, he oversaw the provisioning of George Vancouver’s expedition along the West Coast of North America. Although he never saw the Pacific Ocean, Bellingham Bay in Vancouver and the city of Bellingham, Washington, were named in his honour.
He became the private secretary of William Pitt (1759-1806), Britain’s youngest ever Prime Minister (1783-1801 and 1804-1806), and was made a baronet in 1796, with the designation of Castle Bellingham.
‘The Widows Houses’ were built for the widows of estate workers (Photograph: Patrick Comerford, 2016)
North of the castle, beside the church and churchyard, ‘The Widows Houses’ were built by Sir William around 1826 as a charitable foundation to house the widows of former estate workers.
The houses may have been designed by William Vitruvius Morrison (1794-1838). They were four self-contained units, each with one ground-floor room and one first-floor room in a half-dormer attic. They show have high quality design and craftsmanship, with Gothic windows, lattice glazing, decorative bargeboards and finials. There are decorative modillions, a religious Della Robbia-revival plaque and a carved inscription that reads: “John III.16, John XIV. 6, Acts IV.12”.
This is a unique and valuable part of the architectural heritage of Co Louth. The entire building was sold earlier this year, and I wonder about its future.
When Sir William died in Beckenham, Kent, in 1826, his body was brought back to Castlebellingham and he was buried in the family vault in Kilsaran.
The title then passed to his nephew, Sir Alan Bellingham (1776-1827), as second baronet. Sir Alan was the son-in-law of a Church of England priest, the Revd Rees Edward Walls. By 1824, before he ever inherited the title, Alan Bellingham had run into financial difficulties and leaving his family in Ireland, he fled his debtors to France, taking up residence at Châtillon-sur-Loire.
He inherited the title in 1826, but he died in financial exile in France a year later at the age of 51 in 1827, and the castle, estates and title passed to his eldest son Sir Alan Bellingham (1800-1889), the third baronet.
Saint Mary’s Church was built by the castle gates in 1852 to replace an older parish church (Photograph: Patrick Comerford, 2016)
During his time, Saint Mary’s, the Church of Ireland parish church, was built by the castle gates in 1852 to replace the older parish church for Kilsaran. The church stands on an elevated site opposite the former village green. This is a cruciform church with a three-bay nave, north and south transepts, a chancel to the east, and a square two-stage tower. The church was designed by Welland and Gillespie and shows high quality craftsmanship, with carved stone details on the buttresses, door and window surrounds and elegant stained glass windows.
Sir Alan’s youngest brother, Sydney Robert Bellingham (1808-1900), who was the fourth son and only 15 years old, left for Canada alone to seek his fortune. There he became a successful businessman, lawyer, journalist, and military and political figure. In 1878, he returned to Ireland and to Castlebellingham, which he had inherited in 1874 after the deaths of his elder brothers.
Sydney Bellingham returned from Canada to live at Southgate House, Castlebellingham Photograph: Patrick Comerford, 2016)
Sydney Bellingham and his wife Arabella lived at Southgate House, Castlebellingham, where he died in 1900, without children. One of the decorated windows on a house in the village is inscribed ‘SB, 1808-1896’ in his memory. In his will, he left the Castlebellingham estate to his nephew, Sir Henry Bellingham, the fourth baronet.
‘SB, 1808-1896’ … a window sill recalls Sydney Bellingham (Photograph: Patrick Comerford, 2016)
The fourth baronet, Sir (Alan) Henry Bellingham (1846-1921), was born at Dunany House, Castlebellingham, was educated at Harrow and Exeter College, Oxford, where he graduated BA (1869) and MA (1872), and in 1875 he was called to the bar by Lincoln’s Inn. Two years earlier, while he was still in his 20s, Henry Bellingham made a very public conversion to Roman Catholicism in 1873, and became a friend of Cardinal Newman and Cardinal Manning.
A year later, in 1874, he married Lady Constance Julia Eleanor Georgiana Noel, a daughter of Charles Noel, 2nd Earl of Gainsborough, in the private estate chapel in Exton Hall. Her father was a prominent Whig politician who embraced Roman Catholicism in a very public conversion in 1850; her mother was a first cousin once removed of Queen Victoria and one of her bridesmaids; and her grandmother, Elizabeth FitzClarence was an illegitimate daughter of King William IV. Her sister, Lady Blanche Noel, caused a society scandal when she married Thomas Murphy, the Irish-born organist in their father’s private chapel.
In 1889, Henry Bellingham succeeded to the family title; two years later, his wife Lady Constance died in 1891.
In 1895, Sir Henry married his second wife, another prominent English Roman Catholic, Lelgarde Harry Florence Clifton, younger daughter of Augustus Wykeham Clifton and his wife Bertha Clifton, 22nd Baroness Grey de Ruthyn.
Sir Henry was prominent in political life in Co Louth. He was a Conservative Home Rule MP for Co Louth (1880-1885) until the constituency was abolished. He was a Justice of the Peace, High Sheriff of Co Louth in 1897 and a Deputy Lieutenant for the country.
In 1900, he inherited the Castlebellingham estate from his uncle, Sydney Robert Bellingham. He was appointed Lord Lieutenant of Co Louth in 1911, an office he held until his death in 1921.
Bellingham was a keen supporter of Irish language movements, a Commissioner of National Education for Ireland, a Senator of the Royal University of Ireland, and in 1909 received an honorary doctorate from the RUI, later the National University of Ireland.
As a prominent Roman Catholic, he became a Private Chamberlain to three successive popes, Pius IX, Leo XIII and Pius X. He set out the circumstances that led to his conversion in a small publication in 1914, Reminiscences of an Irish Convert. He was also the author of a work on Social Aspects: Catholicism v. Protestantism, and articles in the Dublin Review.
The Calvary erected by Sir Henry Bellingham in memory of his first wife (Photograph: Patrick Comerford, 2016)
The Royal Oak planted outside the castle gates by Colonel Thomas Bellingham in 1693 fell in a storm in 1902. Sir Henry used the wood from the tree to erect the impressive Calvary at the castle gates in memory of his first wife, Lady Constance. The inscription reads:
Bone Pastor, Panis Vere,
Jesu, nostri miserere
This Crucifix is erected in public
homage to our Divine Redeemer,
by Sir Henry Bellingham Baronet,
in pious memory of his beloved wife,
Constance,
daughter of Charles 3rd Earl of Gainsborough
and also of those Benefactors in this Parish,
who have also fallen asleep in Christ.
Pie Jesu Domine dona eis requiem.
The religious panels inset on many houses in the village are a reminder of Sir Henry Bellingham’s religious sentiments (Photographs: Patrick Comerford, 2016)
Sir Henry was also responsible for a collection of inset religious panels that can be seen on the upper façades of many of the village buildings. These are also a reflection of Sir Henry’s religious sentiments, and they are unique in Ireland. In addition to the many panels, there are biblical quotations cut into the stone window sills of some buildings.
In 1905, his younger daughter, Augusta, married John Crichton-Stuart, 4th Marquess of Bute, in the society wedding that brought world attention to Bellingham Castle, and the guests were brought on board a chartered steamer that sailed into Annagassan Harbour. His elder daughter, Mother Mary Emanuel (Ida Bellingham), was a nun in the Holy Child Order at Saint Leonard’s-on-Sea. His sister was the mother of Sir Evelyn Wrench (1882-1966), editor of The Spectator and founder of the English Speaking Union. His nephew, Benjamin Plunket (1870-1947) was Bishop of Meath (1919-1925).
In 1905, Bellingham Castle was the venue for the romantic wedding celebrations of Sir Henry’s daughter, Augusta Mary Monica Bellingham, and John Crichton-Stuart, 4th Marquis of Bute and one of the wealthiest men in these isles at the time. No expense was spared as the guests were entertained to a lavish celebration. A steamer, the Princess Maud, was chartered to take the guests and the Isle of Bute pipe band across the Irish Sea to Annagassan Harbour and on to Bellingham Castle.
As the society event of the year if not the decade, the wedding attracted the world’s media attention, from California to New Zealand.
The surviving footage from the wedding is believed to be the one of the earliest wedding films in the world. Bellingham Castle is seen clearly and there are scenes of Kilsaran Church and of Annagassan.
The wedding party and guests departed as they had arrived, by steamer from Annagassan Harbour.
But as they left the tiny harbour on the Co Louth coast, the world they left behind in Ireland was about to fall asunder within a decade, with the outbreak of World War I and the unfolding of the events that led to the Battle of the Somme and the Easter Rising in 1916.
But more about that and the last Bellingham baronets at Castlebellingham tomorrow.
The wedding party at arrived and departed from the harbour at Annagassan (Photograph: Patrick Comerford, 2016)
Patrick Comerford
When three of us visited Annagassan on Monday afternoon [1 August 2016], we were reminded how this tiny harbour in Co Louth played its role in one of the great romantic weddings of the Edwardian decade.
In 1905, Augusta Mary Monica Bellingham of Bellingham Castle married John Crichton-Stuart, 4th Marquis of Bute. The Princess Maud, a steamer, was chartered to take their guests across the Irish Sea to Bellingham Castle for the wedding, and the wedding party arrived and left through the harbour at Annagassan.
We decided to find out more about the Bellingham family and Bellingham Castle, and moved on to the neighbouring village of Castlebellingham, where we found a wedding was taking place on Monday afternoon in the Bellingham Castle Hotel.
In recent years, Bellingham Castle has been transformed into a romantic wedding venue, with 19 luxury bedrooms and the appropriately-named sumptuous Bute Suite, which recalls that society wedding over a century ago.
Bellingham Castle, or Castlebellingham House, stands on the site of an earlier medieval castle, and has been the ancestral home of the Bellingham family since the 17th century. Henry Bellingham, who bought the estate in 1660, was a junior army officer during the civil war. He bought the lands of Gernonstowne, Co Louth, from a fellow soldier who had been granted them in lieu of arrears of pay, and the purchase was confirmed by King Charles II.
The Bellingham family takes its name from Bellingham, a village in Northumberland, north-east of Newcastle upon Tyne. Sir Edward Bellingham (1506-1549) was Lord Deputy of Ireland in 1548-1549.
This branch of the family came to Ireland with Henry Bellingham in the 1650s, although the village was not known as Castlebellingham for at least 40 years after the lands in Co Louth were bought by the family.
The castle was occupied by Jacobite troops and burned down in the autumn of 1689 by James II in a revenge attack. Colonel Thomas Bellingham was a guide for William III before the Battle of the Boyne, and it is said King William’s armies camped in the grounds of the castle on the night before the Battle of the Boyne.
Remembering the royal oak planted by Colonel Thomas Bellingham at the castle gates in 1693 (Photograph: Patrick Comerford, 2016)
Three years later, Thomas Bellingham planted a royal oak on a mound close to the castle gates in 1693. When it was blown down in 1902, a wayside cross was made from its wood, and since then another tree has been planted on the mound.
Bellingham Castle is a detached, multiple-bay two-storey over-basement former country house, built in 1712. The house was completely remodelled 1798, when a third storey was added, and ca 1820, when it took the shape we see today with its crenellated parapet, turrets and towers.
The Gothic embellishments and towers and turrets of Bellingham Castle (Photograph: Patrick Comerford, 2016)
The Gothic embellishments, which are echoed in the entrance gates, can be seen on every elevation. The little details, such as the gargoyled boss to the base of a turret on the east elevation and the decorative label stops on the hood mouldings of some windows, help to create an interesting contrast to the Georgian classical windows on the main elevations.
The double pile main block has principal east (entrance front) and west (garden front) elevations on the long sides, and a single-storey wing to north. The crenelated parapets and turrets were added ca 1820, and there are square corner turrets, an octagonal bartizan, a crenellated entrance porch with octagonal corner turrets, two three-storey buttressed bows, a square turreted crenelated tower and parapets that hide the shallow pitched roofs.
The bartizan to the east elevation has a painted stone gargoyle boss, there are wrought-iron balconettes, a tower with painted stone mullions, panelled doors, and stone traceried fanlights.
The house played a central part in the development of the village to which it gives its name. Much of the village is occupied by estate houses and in previous generations many of their residents worked on the estate in its heyday.
However, the name Castlebellingham does not appear on any documents until about 1710. Over time Castlebellingham became an important place in Co Louth. Fairs were held every year, a church was built beside the castle, and with it came a graveyard that included the Bellingham family vault.
The Bellinghams became one of the most powerful and influential family in Co Louth, and for over 100 years (1660-1775), without interruption, a Bellingham sat in the Irish Parliament as an MP for Co Louth.
A brewery was built near the castle around 1770 by O’Bryen Bellingham. However, the main brewery in the village was founded half a century later by Captain John Woolsey. His mother was a Bellingham and the family was closely related to the Cairnes brewing family and the Jameson distillers. The brewery in Castlebellingham, once employed about 70 people and was the main supplier of beer to the troops during the Boer War. The brewery is still remembered in the name of the Brewery Tavern, Brewery Road and the Malthouse Apartments.
The first of the Bellingham baronets was Sir William Bellingham (1756-1826), the fourth and youngest son of Colonel Alan Bellingham and Alice Montgomery, daughter of the Revd Hans Montgomery of Grey Abbey House, Co Down. His elder brother, O’Bryen Bellingham, stayed at home and founded the first brewery in Castlebellingham.
Sir William Bellingham was baptised in Saint Peter’s, Drogheda, in 1756. As the fourth and youngest son, he could not have expected to inherit any estates in Ireland, and after graduating from Trinity College Dublin in 1778, he moved to England where he carved out a successful career in politics.
In 1783, he married Hester Frances Cholmondeley (1763-1844), daughter of the Revd Robert Cholmondeley and granddaughter of George Cholmondeley, 3rd Earl of Cholmondeley. From 1784 to 1789 he was MP for Reigate, Surrey.
As a commissioner for the Royal Navy, he oversaw the provisioning of George Vancouver’s expedition along the West Coast of North America. Although he never saw the Pacific Ocean, Bellingham Bay in Vancouver and the city of Bellingham, Washington, were named in his honour.
He became the private secretary of William Pitt (1759-1806), Britain’s youngest ever Prime Minister (1783-1801 and 1804-1806), and was made a baronet in 1796, with the designation of Castle Bellingham.
‘The Widows Houses’ were built for the widows of estate workers (Photograph: Patrick Comerford, 2016)
North of the castle, beside the church and churchyard, ‘The Widows Houses’ were built by Sir William around 1826 as a charitable foundation to house the widows of former estate workers.
The houses may have been designed by William Vitruvius Morrison (1794-1838). They were four self-contained units, each with one ground-floor room and one first-floor room in a half-dormer attic. They show have high quality design and craftsmanship, with Gothic windows, lattice glazing, decorative bargeboards and finials. There are decorative modillions, a religious Della Robbia-revival plaque and a carved inscription that reads: “John III.16, John XIV. 6, Acts IV.12”.
This is a unique and valuable part of the architectural heritage of Co Louth. The entire building was sold earlier this year, and I wonder about its future.
When Sir William died in Beckenham, Kent, in 1826, his body was brought back to Castlebellingham and he was buried in the family vault in Kilsaran.
The title then passed to his nephew, Sir Alan Bellingham (1776-1827), as second baronet. Sir Alan was the son-in-law of a Church of England priest, the Revd Rees Edward Walls. By 1824, before he ever inherited the title, Alan Bellingham had run into financial difficulties and leaving his family in Ireland, he fled his debtors to France, taking up residence at Châtillon-sur-Loire.
He inherited the title in 1826, but he died in financial exile in France a year later at the age of 51 in 1827, and the castle, estates and title passed to his eldest son Sir Alan Bellingham (1800-1889), the third baronet.
Saint Mary’s Church was built by the castle gates in 1852 to replace an older parish church (Photograph: Patrick Comerford, 2016)
During his time, Saint Mary’s, the Church of Ireland parish church, was built by the castle gates in 1852 to replace the older parish church for Kilsaran. The church stands on an elevated site opposite the former village green. This is a cruciform church with a three-bay nave, north and south transepts, a chancel to the east, and a square two-stage tower. The church was designed by Welland and Gillespie and shows high quality craftsmanship, with carved stone details on the buttresses, door and window surrounds and elegant stained glass windows.
Sir Alan’s youngest brother, Sydney Robert Bellingham (1808-1900), who was the fourth son and only 15 years old, left for Canada alone to seek his fortune. There he became a successful businessman, lawyer, journalist, and military and political figure. In 1878, he returned to Ireland and to Castlebellingham, which he had inherited in 1874 after the deaths of his elder brothers.
Sydney Bellingham returned from Canada to live at Southgate House, Castlebellingham Photograph: Patrick Comerford, 2016)
Sydney Bellingham and his wife Arabella lived at Southgate House, Castlebellingham, where he died in 1900, without children. One of the decorated windows on a house in the village is inscribed ‘SB, 1808-1896’ in his memory. In his will, he left the Castlebellingham estate to his nephew, Sir Henry Bellingham, the fourth baronet.
‘SB, 1808-1896’ … a window sill recalls Sydney Bellingham (Photograph: Patrick Comerford, 2016)
The fourth baronet, Sir (Alan) Henry Bellingham (1846-1921), was born at Dunany House, Castlebellingham, was educated at Harrow and Exeter College, Oxford, where he graduated BA (1869) and MA (1872), and in 1875 he was called to the bar by Lincoln’s Inn. Two years earlier, while he was still in his 20s, Henry Bellingham made a very public conversion to Roman Catholicism in 1873, and became a friend of Cardinal Newman and Cardinal Manning.
A year later, in 1874, he married Lady Constance Julia Eleanor Georgiana Noel, a daughter of Charles Noel, 2nd Earl of Gainsborough, in the private estate chapel in Exton Hall. Her father was a prominent Whig politician who embraced Roman Catholicism in a very public conversion in 1850; her mother was a first cousin once removed of Queen Victoria and one of her bridesmaids; and her grandmother, Elizabeth FitzClarence was an illegitimate daughter of King William IV. Her sister, Lady Blanche Noel, caused a society scandal when she married Thomas Murphy, the Irish-born organist in their father’s private chapel.
In 1889, Henry Bellingham succeeded to the family title; two years later, his wife Lady Constance died in 1891.
In 1895, Sir Henry married his second wife, another prominent English Roman Catholic, Lelgarde Harry Florence Clifton, younger daughter of Augustus Wykeham Clifton and his wife Bertha Clifton, 22nd Baroness Grey de Ruthyn.
Sir Henry was prominent in political life in Co Louth. He was a Conservative Home Rule MP for Co Louth (1880-1885) until the constituency was abolished. He was a Justice of the Peace, High Sheriff of Co Louth in 1897 and a Deputy Lieutenant for the country.
In 1900, he inherited the Castlebellingham estate from his uncle, Sydney Robert Bellingham. He was appointed Lord Lieutenant of Co Louth in 1911, an office he held until his death in 1921.
Bellingham was a keen supporter of Irish language movements, a Commissioner of National Education for Ireland, a Senator of the Royal University of Ireland, and in 1909 received an honorary doctorate from the RUI, later the National University of Ireland.
As a prominent Roman Catholic, he became a Private Chamberlain to three successive popes, Pius IX, Leo XIII and Pius X. He set out the circumstances that led to his conversion in a small publication in 1914, Reminiscences of an Irish Convert. He was also the author of a work on Social Aspects: Catholicism v. Protestantism, and articles in the Dublin Review.
The Calvary erected by Sir Henry Bellingham in memory of his first wife (Photograph: Patrick Comerford, 2016)
The Royal Oak planted outside the castle gates by Colonel Thomas Bellingham in 1693 fell in a storm in 1902. Sir Henry used the wood from the tree to erect the impressive Calvary at the castle gates in memory of his first wife, Lady Constance. The inscription reads:
Bone Pastor, Panis Vere,
Jesu, nostri miserere
This Crucifix is erected in public
homage to our Divine Redeemer,
by Sir Henry Bellingham Baronet,
in pious memory of his beloved wife,
Constance,
daughter of Charles 3rd Earl of Gainsborough
and also of those Benefactors in this Parish,
who have also fallen asleep in Christ.
Pie Jesu Domine dona eis requiem.
The religious panels inset on many houses in the village are a reminder of Sir Henry Bellingham’s religious sentiments (Photographs: Patrick Comerford, 2016)
Sir Henry was also responsible for a collection of inset religious panels that can be seen on the upper façades of many of the village buildings. These are also a reflection of Sir Henry’s religious sentiments, and they are unique in Ireland. In addition to the many panels, there are biblical quotations cut into the stone window sills of some buildings.
In 1905, his younger daughter, Augusta, married John Crichton-Stuart, 4th Marquess of Bute, in the society wedding that brought world attention to Bellingham Castle, and the guests were brought on board a chartered steamer that sailed into Annagassan Harbour. His elder daughter, Mother Mary Emanuel (Ida Bellingham), was a nun in the Holy Child Order at Saint Leonard’s-on-Sea. His sister was the mother of Sir Evelyn Wrench (1882-1966), editor of The Spectator and founder of the English Speaking Union. His nephew, Benjamin Plunket (1870-1947) was Bishop of Meath (1919-1925).
In 1905, Bellingham Castle was the venue for the romantic wedding celebrations of Sir Henry’s daughter, Augusta Mary Monica Bellingham, and John Crichton-Stuart, 4th Marquis of Bute and one of the wealthiest men in these isles at the time. No expense was spared as the guests were entertained to a lavish celebration. A steamer, the Princess Maud, was chartered to take the guests and the Isle of Bute pipe band across the Irish Sea to Annagassan Harbour and on to Bellingham Castle.
As the society event of the year if not the decade, the wedding attracted the world’s media attention, from California to New Zealand.
The surviving footage from the wedding is believed to be the one of the earliest wedding films in the world. Bellingham Castle is seen clearly and there are scenes of Kilsaran Church and of Annagassan.
The wedding party and guests departed as they had arrived, by steamer from Annagassan Harbour.
But as they left the tiny harbour on the Co Louth coast, the world they left behind in Ireland was about to fall asunder within a decade, with the outbreak of World War I and the unfolding of the events that led to the Battle of the Somme and the Easter Rising in 1916.
But more about that and the last Bellingham baronets at Castlebellingham tomorrow.
The wedding party at arrived and departed from the harbour at Annagassan (Photograph: Patrick Comerford, 2016)
Labels:
Annagassan,
Architecture,
Bellingham Castle,
Castle Bellingham,
castles,
Co Louth,
Country Walks,
Family History,
Genealogy,
Local History,
Love,
Talking about 1916,
War and peace
Subscribe to:
Posts (Atom)












