‘Hear O Israel … שְׁמַע יִשְׂרָאֵל …’ (Deuteronomy 4) … the words of the ‘Shema’ once seen on the wall of the Beth El Synagogue near Bunclody, Co Wexford (Photograph: Patrick Comerford)
Patrick Comerford
We have passed the half-way point in Lent, which began three weeks ago on Ash Wednesday (18 February 2026). This week began with the Third Sunday in Lent (Lent III, 8 March 2026).
I have been staying for the last three nights at the Anglican Shrine of Our Lady of Walsingham in Norfolk, where I spoke yesterday at the Ecumenical Pilgrimage to Walsingham.
This ecumenical pilgrimage, which began on Tuesday (10 March) and ends today (13 March), has been organised with the support of the Fellowship of Saint Alban and Saint Sergius and the Society of Saint John Chrysostom and is in its 100th year. I was invited to speak yesterday on ‘A Priest along the Way of a Pilgrim’.
Today’s programme begins with the Catholic Mass at the Convent of the Little Sisters of Jesus, and there are talks this morning by Father Mark Woodruff, Chair, Society of Saint John Chrysostom; Dr Daniel Pratt Morris-Chapman of Wesley House, Cambridge. The day ends with the Anglican Eucharist in Saint Mary and All Saints’ Church, when the celebrant and preacher is Bishop Lindsay Urwin, Assistant Bishop, Diocese of Southwark, and the Ecumenical Office of the Blessed Virgin Mary, led by Canon Norman Wallwork and the Revd Dr Richard Clutterbuck.
Before today begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, reading today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
Teaching the Law and the Prophets … ‘Teacher and student’ by Judel Gerberhole (1904), in the Jewish Museum in the Old Synagogue, Kraków (Photograph: Patrick Comerford)
Mark 12: 28-34 (NRSVA):
28 One of the scribes came near and heard them disputing with one another, and seeing that he answered them well, he asked him, ‘Which commandment is the first of all?’ 29 Jesus answered, ‘The first is, “Hear, O Israel: the Lord our God, the Lord is one; 30 you shall love the Lord your God with all your heart, and with all your soul, and with all your mind, and with all your strength.” 31 The second is this, “You shall love your neighbour as yourself.” There is no other commandment greater than these.’ 32 Then the scribe said to him, ‘You are right, Teacher; you have truly said that “he is one, and besides him there is no other”; 33 and “to love him with all the heart, and with all the understanding, and with all the strength”, and “to love one’s neighbour as oneself”, – this is much more important than all whole burnt-offerings and sacrifices.’ 34 When Jesus saw that he answered wisely, he said to him, ‘You are not far from the kingdom of God.’ After that no one dared to ask him any question.
The Ten Commandments on two tablets in a synagogue in Thessaloniki (Photograph: Patrick Comerford)
Today’s Reflection:
‘Listen’ – the word is a call to listen to the groan and cry of creation, to listen to the cry of the dispossessed, and to listen to God’s voice on how we can live more simply so that others might simply live.
In my reflections on Wednesday morning (11 March 2026), I recalled the conversation in today’s Gospel reading (Mark 12: 28-34) between Jesus and the unnamed Scribe about the greatest of the commandments. Jesus begins to reply with the word ‘Listen’, or ‘Hear, O Israel …’
Saint Benedict begins his Rule with the word ‘Listen’, ausculta: ‘Listen carefully, child of God, to the guidance of your teacher. Attend to the message you hear and make sure it pierces your heart, so that you may accept it in willing freedom and fulfil by the way you live the directions that come from your loving Father’ (Rule of Saint Benedict, Prologue 1, translated by Patrick Barry). His advice is as short and as succinct a directive on how to prepare to pray as I can find.
Benedictine prayer became more accessible in popular culture over 20 years ago when the BBC screened the television series, The Monastery (2005), in which the then Abbot of Worth Abbey, Abbot Christopher Jamison, guided five men (and three million viewers) into a new approach to life at Worth Abbey in Sussex.
Since then, Dom Christopher’s best-selling books following the popular series, Finding Sanctuary (2007) and Finding Happiness (2008), have offered readers similar opportunities. He points out that no matter how hard we work, being too busy is not inevitable. Silence and contemplation are not just for monks and nuns, they are parts of the natural rhythm of life.
Yet, to keep hold of this truth in the rush of modern living we need the support of other people and sensible advice from wise guides. By learning to listen in new ways, people’s lives can change and Dom Christopher offers some monastic steps that help this transition to a more spiritual life.
Saint Benedict of Nursia wrote the first official western manual for praying the Hours over 1,500 years ago, in the year 525. Benedictine spirituality approaches life through an ordering by daily prayer that is biblical and reflective, and Benedictine spirituality is grounded in an approach to spiritual life that values ‘Stability, Obedience, and Conversion of Life.’
The major themes in the Rule are community, prayer, hospitality, study, work, humility, stability, peace and listening. This distinction between liturgical prayer and private prayer, which is familiar to modern spirituality, was unknown to the early monks. Apart from one short reference to prayer outside the office, Chapter 20 of the Rule is concerned with the silent prayer that is a response to the psalm. Listening to the word of God was a necessary prelude to every prayer, and prayer was the natural response to every psalm.
When the scribe asks Jesus which of the 613 traditional commandments in Judaism is the most important (see Matthew 22: 34-40; Mark 12: 28-34; Luke 10: 25-28), Christ offers not one but two commandments or laws, though neither is found in the Ten Commandments (see Exodus 20: 1-17 and Deuteronomy 5: 4-21). Instead, Christ steps outside the Ten Commandments when he quotes from two other sections in the Bible (Deuteronomy 6: 4-5, Leviticus 19: 18).
And the first command Christ quotes is the shema, ‘Hear, O Israel, …’ (שְׁמַע יִשְׂרָאֵל) (Mark 12: 29), recited twice daily by pious Jews. The shema, שְׁמַע יִשְׂרָאֵל יְהוָה אֱלֹהֵינוּ יְהוָה אֶחָֽד, is composed from two separate passages in the Book Deuteronomy (Deuteronomy 6: 4-9, 11: 13-21), and to this day it is recited twice daily in Jewish practice.
The Hebrew word Shema is translated as ‘listen’ or ‘hear.’ But it means more than to just hear the sound, it means ‘to pay attention to, or to ‘focus on’. In fact, it has an even deeper meaning, requiring the listener or hearer to ‘respond to what you hear’. It calls for a response to what I hear or I am told, to act upon or do something related to the command. In other words, shema often means ‘Listen and Obey.’ They are two sides of the same coin so that comes to my ear is understood and results in action. Not to take proper action, not to respond, not to follow in discipleship is to not listen at all.
For responding in this way, Christ tells this unnamed scribe that he has answered wisely and is near the kingdom of God (verse 34).
And that silenced everyone who was listening, and it put an end to the debates … for the moment.
Silent people, who are pushed to the margins, may have more to say about God, about truth, about love, and about the true meaning of religion if only we would allow them to move in from the margins and listen to what they have to say.
People who ask questions about religious values are not necessarily trying to upset our faith and beliefs. They may actually be calling us back to the core values.
Named or unnamed, male or female, insider or outsider, we each have a place and a part in God’s plans. Being open to love, especially to the love of others, is the key to finding ourselves in that place.
Reading and studying in the Scriptorum in Ealing Abbey … Saint Benedict begins his Rule with the word ‘Listen’ (Photograph: Patrick Comerford)
Today’s Prayers (Friday 13 March 2026):
The theme this week (8-14 March 2026) in ‘Pray With the World Church,’ the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Biblical Sisterhood’ (pp 36-37). This theme was introduced on Sunday with reflections by Dr Sanjana Das, PhD feminist theologian, advocate for the dignity and rights of trafficked and migrant working women.
The USPG Prayer Diary today (Friday 13 March 2026) invites us to pray:
Gracious God, we thank you for all who work with trafficked and migrant women. Grant protection, wisdom and courage as they tirelessly work to support vulnerable communities.
The Collect:
Almighty God,
whose most dear Son went not up to joy but first he suffered pain,
and entered not into glory before he was crucified:
mercifully grant that we, walking in the way of the cross,
may find it none other than the way of life and peace;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post Communion Prayer:
Merciful Lord,
grant your people grace to withstand the temptations
of the world, the flesh and the devil,
and with pure hearts and minds to follow you, the only God;
through Jesus Christ our Lord.
Additional Collect:
Eternal God,
give us insight
to discern your will for us,
to give up what harms us,
and to seek the perfection we are promised
in Jesus Christ our Lord.
Yesterday’s Reflections
Continued Tomorrow
Moses and the Law outside the Palais de Justice in Perpignan (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Showing posts with label Perpignan. Show all posts
Showing posts with label Perpignan. Show all posts
13 March 2026
Daily prayer in Lent 2026:
24, Friday 13 March 2026
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03 April 2025
Daily prayer in Lent 2025:
30, Thursday 3 April 2025
‘You search the scriptures because you think that in them you have eternal life’ (John 5: 39) … a Bible with parallel texts in English and Chinese open at Saint John’s Gospel (Photograph: Patrick Comerford)
Patrick Comerford
This week began with the Fourth Sunday in Lent (Lent IV) and Mothering Sunday. I have another appointment in Milton Keynes University Hospital later this afternoon in the Cardiology Department. But, before today begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, reading today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
‘John … was a burning and shining lamp, and you were willing to rejoice for a while in his light’ (John 5: 34-35) … a statue of Saint the Baptist above the entrance to Saint John’s Hospital, Lichfield (Photograph: Patrick Comerford, 2025)
John 5: 31-47 (NRSVA):
[Jesus said:] 31 ‘If I testify about myself, my testimony is not true. 32 There is another who testifies on my behalf, and I know that his testimony to me is true. 33 You sent messengers to John, and he testified to the truth. 34 Not that I accept such human testimony, but I say these things so that you may be saved. 35 He was a burning and shining lamp, and you were willing to rejoice for a while in his light. 36 But I have a testimony greater than John’s. The works that the Father has given me to complete, the very works that I am doing, testify on my behalf that the Father has sent me. 37 And the Father who sent me has himself testified on my behalf. You have never heard his voice or seen his form, 38 and you do not have his word abiding in you, because you do not believe him whom he has sent.
39 ‘You search the scriptures because you think that in them you have eternal life; and it is they that testify on my behalf. 40 Yet you refuse to come to me to have life. 41 I do not accept glory from human beings. 42 But I know that you do not have the love of God in you. 43 I have come in my Father’s name, and you do not accept me; if another comes in his own name, you will accept him. 44 How can you believe when you accept glory from one another and do not seek the glory that comes from the one who alone is God? 45 Do not think that I will accuse you before the Father; your accuser is Moses, on whom you have set your hope. 46 If you believed Moses, you would believe me, for he wrote about me. 47 But if you do not believe what he wrote, how will you believe what I say?’
‘If you believed Moses, you would believe me, for he wrote about me’ (John 5: 46) … Moses and the Law outside the Palais de Justice in Perpignan (Photograph: Patrick Comerford)
Today’s Reflection:
In the Gospel at the Eucharist today (John 5: 31-47) we continue with this week’s discussion between Jesus and the religious leaders of the day.
In four ways in this reading, John’s Gospel reaffirms that God himself is the witness to the truth of all that Christ says:
1, The testimony of John the Baptist gives witness, although that was only human testimony (verses 33-34).
2, The works of Jesus give clear testimony of the divine origin of all that Jesus does: ‘The works that the Father has given me to complete, the very works that I am doing, testify on my behalf that the Father has sent me’ (verse 36).
The religious leaders who confront Jesus could not see this, but the crowds often testify to it with enthusiasm (verse 36).
3, God the Father himself has given testimony, although that has not been seen directly by some of the people: ‘And the Father who sent me has himself testified on my behalf. You have never heard his voice or seen his form …’ (verse 37).
Perhaps this is a reference to Christ’s baptism by John the Baptist, or to the Transfiguration.
4, A careful reading of the Scriptures will show they give testimony to Jesus: ‘You search the scriptures because you think that in them you have eternal life; and it is they that testify on my behalf. 40 Yet you refuse to come to me to have life’ (verses 39-40).
This is clearly shown later on when Jesus explains the Scriptures to the two disciples on the way to Emmaus (Luke 24: 13-35 ).
I know and know of so many people and churches who describe themselves as ‘Bible-believing’, reading and searching the scriptures to support what they claim are ‘conservative Christian value’, concentrating on eternal life and on who is and who is not saved. Yet they do not offer messages that of hope and of life to people who are on the margins, rejected, oppressed and dealing every day with prejudice. Would Jesus say those churches and their supporters today: ‘But I know that you do not have the love of God in you’ (verse 42)?
But Jesus tells them he will not accuse them before his Father. Moses, in whom they claim to believe, will be their accuser: ‘If you believed Moses, you would believe me, for he wrote about me. But if you do not believe what he wrote, how will you believe what I say?’ (verse 46-47).
By Moses, he means the first five books of the Bible, the Pentateuch. Jesus suggests his interlocutors are what we might call today Biblical fundamentalists. They can quote from Scripture, but they fail to live it out in their lives: ‘But I know that you do not have the love of God in you’ (verse 42).
Donald Trump recently set up a task force to ‘eradicate anti-Christian bias’ in the US and to prosecute instances of ‘anti-Christian violence and vandalism.’ As if the values and pronouncements of his administration were not enough evidence of ‘anti-Christian bias’ that needs to be eradicated, a report published by in the past week by four prominent Catholic and evangelical organisations claims that around 1 in 12 Christians in the US are vulnerable to deportation or live with a family member who could be deported by the Trump administration.
Perhaps the ‘Task Force to Eradicate Anti-Christian Bias’ should begin its work by looking at the way Christians living in the US are suffering as a result of biased, capricious decisions by Trump and Musk.
In their unquestioning adulation of Trump, perhaps some American evangelicals might also consider the challenge: ‘How can you believe when you accept glory from one another and do not seek the glory that comes from the one who alone is God?’ (verse 44).
‘If you believed Moses, you would believe me, (John 5: 46) … scenes from the life of Moses in the west window in Norwich Cathedral (Photograph: Patrick Comerford)
Today’s Prayers (Thursday 3 April 2025):
The theme this week in ‘Pray With the World Church’, the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Inspiration of the Holy Spirit.’ This theme was introduced on Sunday with Reflections by the Revd Rock Higgins, Rector of Saint James the Less Episcopal Church, Ashland, Virginia, and the Triangle of Hope Youth Pilgrimage Lead for the Diocese of Virginia.
The USPG Prayer Diary today (Thursday 3 April 2025) invites us to pray:
We pray for all young people undertaking their ministry journeys, may they feel the Holy Spirit working through them in the communities where they are based.
The Collect:
Merciful Lord,
absolve your people from their offences,
that through your bountiful goodness
we may all be delivered from the chains of those sins
which by our frailty we have committed;
grant this, heavenly Father,
for Jesus Christ’s sake, our blessed Lord and Saviour,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post Communion Prayer:
Lord God,
whose blessed Son our Saviour
gave his back to the smiters
and did not hide his face from shame:
give us grace to endure the sufferings of this present time
with sure confidence in the glory that shall be revealed;
through Jesus Christ our Lord.
Additional Collect:
Merciful Lord,
you know our struggle to serve you:
when sin spoils our lives
and overshadows our hearts,
come to our aid
and turn us back to you again;
through Jesus Christ our Lord.
Yesterday’s Reflection
Continued Tomorrow
‘John … was a burning and shining lamp, and you were willing to rejoice for a while in his light’ (John 5: 34-35) … light at night in a pub courtyard in York (Photograph: Patrick Comerford, 2025)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Patrick Comerford
This week began with the Fourth Sunday in Lent (Lent IV) and Mothering Sunday. I have another appointment in Milton Keynes University Hospital later this afternoon in the Cardiology Department. But, before today begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, reading today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
‘John … was a burning and shining lamp, and you were willing to rejoice for a while in his light’ (John 5: 34-35) … a statue of Saint the Baptist above the entrance to Saint John’s Hospital, Lichfield (Photograph: Patrick Comerford, 2025)
John 5: 31-47 (NRSVA):
[Jesus said:] 31 ‘If I testify about myself, my testimony is not true. 32 There is another who testifies on my behalf, and I know that his testimony to me is true. 33 You sent messengers to John, and he testified to the truth. 34 Not that I accept such human testimony, but I say these things so that you may be saved. 35 He was a burning and shining lamp, and you were willing to rejoice for a while in his light. 36 But I have a testimony greater than John’s. The works that the Father has given me to complete, the very works that I am doing, testify on my behalf that the Father has sent me. 37 And the Father who sent me has himself testified on my behalf. You have never heard his voice or seen his form, 38 and you do not have his word abiding in you, because you do not believe him whom he has sent.
39 ‘You search the scriptures because you think that in them you have eternal life; and it is they that testify on my behalf. 40 Yet you refuse to come to me to have life. 41 I do not accept glory from human beings. 42 But I know that you do not have the love of God in you. 43 I have come in my Father’s name, and you do not accept me; if another comes in his own name, you will accept him. 44 How can you believe when you accept glory from one another and do not seek the glory that comes from the one who alone is God? 45 Do not think that I will accuse you before the Father; your accuser is Moses, on whom you have set your hope. 46 If you believed Moses, you would believe me, for he wrote about me. 47 But if you do not believe what he wrote, how will you believe what I say?’
‘If you believed Moses, you would believe me, for he wrote about me’ (John 5: 46) … Moses and the Law outside the Palais de Justice in Perpignan (Photograph: Patrick Comerford)
Today’s Reflection:
In the Gospel at the Eucharist today (John 5: 31-47) we continue with this week’s discussion between Jesus and the religious leaders of the day.
In four ways in this reading, John’s Gospel reaffirms that God himself is the witness to the truth of all that Christ says:
1, The testimony of John the Baptist gives witness, although that was only human testimony (verses 33-34).
2, The works of Jesus give clear testimony of the divine origin of all that Jesus does: ‘The works that the Father has given me to complete, the very works that I am doing, testify on my behalf that the Father has sent me’ (verse 36).
The religious leaders who confront Jesus could not see this, but the crowds often testify to it with enthusiasm (verse 36).
3, God the Father himself has given testimony, although that has not been seen directly by some of the people: ‘And the Father who sent me has himself testified on my behalf. You have never heard his voice or seen his form …’ (verse 37).
Perhaps this is a reference to Christ’s baptism by John the Baptist, or to the Transfiguration.
4, A careful reading of the Scriptures will show they give testimony to Jesus: ‘You search the scriptures because you think that in them you have eternal life; and it is they that testify on my behalf. 40 Yet you refuse to come to me to have life’ (verses 39-40).
This is clearly shown later on when Jesus explains the Scriptures to the two disciples on the way to Emmaus (Luke 24: 13-35 ).
I know and know of so many people and churches who describe themselves as ‘Bible-believing’, reading and searching the scriptures to support what they claim are ‘conservative Christian value’, concentrating on eternal life and on who is and who is not saved. Yet they do not offer messages that of hope and of life to people who are on the margins, rejected, oppressed and dealing every day with prejudice. Would Jesus say those churches and their supporters today: ‘But I know that you do not have the love of God in you’ (verse 42)?
But Jesus tells them he will not accuse them before his Father. Moses, in whom they claim to believe, will be their accuser: ‘If you believed Moses, you would believe me, for he wrote about me. But if you do not believe what he wrote, how will you believe what I say?’ (verse 46-47).
By Moses, he means the first five books of the Bible, the Pentateuch. Jesus suggests his interlocutors are what we might call today Biblical fundamentalists. They can quote from Scripture, but they fail to live it out in their lives: ‘But I know that you do not have the love of God in you’ (verse 42).
Donald Trump recently set up a task force to ‘eradicate anti-Christian bias’ in the US and to prosecute instances of ‘anti-Christian violence and vandalism.’ As if the values and pronouncements of his administration were not enough evidence of ‘anti-Christian bias’ that needs to be eradicated, a report published by in the past week by four prominent Catholic and evangelical organisations claims that around 1 in 12 Christians in the US are vulnerable to deportation or live with a family member who could be deported by the Trump administration.
Perhaps the ‘Task Force to Eradicate Anti-Christian Bias’ should begin its work by looking at the way Christians living in the US are suffering as a result of biased, capricious decisions by Trump and Musk.
In their unquestioning adulation of Trump, perhaps some American evangelicals might also consider the challenge: ‘How can you believe when you accept glory from one another and do not seek the glory that comes from the one who alone is God?’ (verse 44).
‘If you believed Moses, you would believe me, (John 5: 46) … scenes from the life of Moses in the west window in Norwich Cathedral (Photograph: Patrick Comerford)
Today’s Prayers (Thursday 3 April 2025):
The theme this week in ‘Pray With the World Church’, the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Inspiration of the Holy Spirit.’ This theme was introduced on Sunday with Reflections by the Revd Rock Higgins, Rector of Saint James the Less Episcopal Church, Ashland, Virginia, and the Triangle of Hope Youth Pilgrimage Lead for the Diocese of Virginia.
The USPG Prayer Diary today (Thursday 3 April 2025) invites us to pray:
We pray for all young people undertaking their ministry journeys, may they feel the Holy Spirit working through them in the communities where they are based.
The Collect:
Merciful Lord,
absolve your people from their offences,
that through your bountiful goodness
we may all be delivered from the chains of those sins
which by our frailty we have committed;
grant this, heavenly Father,
for Jesus Christ’s sake, our blessed Lord and Saviour,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post Communion Prayer:
Lord God,
whose blessed Son our Saviour
gave his back to the smiters
and did not hide his face from shame:
give us grace to endure the sufferings of this present time
with sure confidence in the glory that shall be revealed;
through Jesus Christ our Lord.
Additional Collect:
Merciful Lord,
you know our struggle to serve you:
when sin spoils our lives
and overshadows our hearts,
come to our aid
and turn us back to you again;
through Jesus Christ our Lord.
Yesterday’s Reflection
Continued Tomorrow
‘John … was a burning and shining lamp, and you were willing to rejoice for a while in his light’ (John 5: 34-35) … light at night in a pub courtyard in York (Photograph: Patrick Comerford, 2025)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
28 March 2025
Daily prayer in Lent 2025:
24, Friday 28 March 2025
‘Hear O Israel … שְׁמַע יִשְׂרָאֵל …’ (Deuteronomy 4) … the words of the ‘Shema’ once seen on the wall of the Beth El Synagogue near Bunclody, Co Wexford (Photograph: Patrick Comerford)
Patrick Comerford
We have passed the half-way point in Lent, which began three weeks ago on Ash Wednesday (5 March 2025). This week began with the Third Sunday in Lent (Lent III).
Before today begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, reading today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
Teaching the Law and the Prophets … ‘Teacher and student’ by Judel Gerberhole (1904), in the Jewish Museum in the Old Synagogue, Kraków (Photograph: Patrick Comerford)
Mark 12: 28-34 (NRSVA):
28 One of the scribes came near and heard them disputing with one another, and seeing that he answered them well, he asked him, ‘Which commandment is the first of all?’ 29 Jesus answered, ‘The first is, “Hear, O Israel: the Lord our God, the Lord is one; 30 you shall love the Lord your God with all your heart, and with all your soul, and with all your mind, and with all your strength.” 31 The second is this, “You shall love your neighbour as yourself.” There is no other commandment greater than these.’ 32 Then the scribe said to him, ‘You are right, Teacher; you have truly said that “he is one, and besides him there is no other”; 33 and “to love him with all the heart, and with all the understanding, and with all the strength”, and “to love one’s neighbour as oneself”, – this is much more important than all whole burnt-offerings and sacrifices.’ 34 When Jesus saw that he answered wisely, he said to him, ‘You are not far from the kingdom of God.’ After that no one dared to ask him any question.
The Ten Commandments on two tablets in a synagogue in Thessaloniki (Photograph: Patrick Comerford)
Today’s Reflection:
‘Listen’ – the word is a call to listen to the groan and cry of creation, to listen to the cry of the dispossessed, and to listen to God’s voice on how we can live more simply so that others might simply live.
In my reflections on Wednesday morning (26 March 2025), I recalled the conversation in today’s Gospel reading (Mark 12: 28-34) between Jesus and the unnamed Scribe about the greatest of the commandments. Jesus begins to reply with the word ‘Listen’, or ‘Hear, O Israel …’
Saint Benedict begins his Rule with the word ‘Listen’, ausculta: ‘Listen carefully, child of God, to the guidance of your teacher. Attend to the message you hear and make sure it pierces your heart, so that you may accept it in willing freedom and fulfil by the way you live the directions that come from your loving Father’ (Rule of Saint Benedict, Prologue 1, translated by Patrick Barry). His advice is as short and as succinct a directive on how to prepare to pray as I can find.
Benedictine prayer became more accessible in popular culture 20 years ago when the BBC screened the television series, The Monastery (2005), in which the then Abbot of Worth Abbey, Abbot Christopher Jamison, guided five men (and three million viewers) into a new approach to life at Worth Abbey in Sussex.
Since then, Dom Christopher’s best-selling books following the popular series, Finding Sanctuary (2007) and Finding Happiness (2008), have offered readers similar opportunities. He points out that no matter how hard we work, being too busy is not inevitable. Silence and contemplation are not just for monks and nuns, they are parts of the natural rhythm of life.
Yet, to keep hold of this truth in the rush of modern living we need the support of other people and sensible advice from wise guides. By learning to listen in new ways, people’s lives can change and Dom Christopher offers some monastic steps that help this transition to a more spiritual life.
Saint Benedict of Nursia wrote the first official western manual for praying the Hours 1,500 years ago, in the year 525. Benedictine spirituality approaches life through an ordering by daily prayer that is biblical and reflective, and Benedictine spirituality is grounded in an approach to spiritual life that values ‘Stability, Obedience, and Conversion of Life.’
The major themes in the Rule are community, prayer, hospitality, study, work, humility, stability, peace and listening. This distinction between liturgical prayer and private prayer, which is familiar to modern spirituality, was unknown to the early monks. Apart from one short reference to prayer outside the office, Chapter 20 of the Rule is concerned with the silent prayer that is a response to the psalm. Listening to the word of God was a necessary prelude to every prayer, and prayer was the natural response to every psalm.
When the scribe asks Jesus which of the 613 traditional commandments in Judaism is the most important (see Matthew 22: 34-40; Mark 12: 28-34; Luke 10: 25-28), Christ offers not one but two commandments or laws, though neither is found in the Ten Commandments (see Exodus 20: 1-17 and Deuteronomy 5: 4-21). Instead, Christ steps outside the Ten Commandments when he quotes from two other sections in the Bible (Deuteronomy 6: 4-5, Leviticus 19: 18).
And the first command Christ quotes is the shema, ‘Hear, O Israel, …’ (שְׁמַע יִשְׂרָאֵל) (Mark 12: 29), recited twice daily by pious Jews. The shema, שְׁמַע יִשְׂרָאֵל יְהוָה אֱלֹהֵינוּ יְהוָה אֶחָֽד, is composed from two separate passages in the Book Deuteronomy (Deuteronomy 6: 4-9, 11: 13-21), and to this day it is recited twice daily in Jewish practice.
The Hebrew word Shema is translated as ‘listen’ or ‘hear.’ But it means more than to just hear the sound, it means ‘to pay attention to, or to ‘focus on’. In fact, it has an even deeper meaning, requiring the listener or hearer to ‘respond to what you hear’. It calls for a response to what I hear or I am told, to act upon or do something related to the command. In other words, shema often means ‘Listen and Obey.’ They are two sides of the same coin so that comes to my ear is understood and results in action. Not to take proper action, not to respond, not to follow in discipleship is to not listen at all.
For responding in this way, Christ tells this unnamed scribe that he has answered wisely and is near the kingdom of God (verse 34).
And that silenced everyone who was listening, and it put an end to the debates … for the moment.
Silent people, who are pushed to the margins, may have more to say about God, about truth, about love, and about the true meaning of religion if only we would allow them to move in from the margins and listen to what they have to say.
People who ask questions about religious values are not necessarily trying to upset our faith and beliefs. They may actually be calling us back to the core values.
Named or unnamed, male or female, insider or outsider, we each have a place and a part in God’s plans. Being open to love, especially to the love of others, is the key to finding ourselves in that place.
Reading and studying in the Scriptorum in Ealing Abbey … Saint Benedict begins his Rule with the word ‘Listen’ (Photograph: Patrick Comerford)
Today’s Prayers (Friday 28 March 2025):
The theme this week in ‘Pray With the World Church’, the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Towards Reconciliation and Renewal’. This theme was introduced on Sunday with a programme update by the Revd Canon Dr Carlton J Turner, Anglican Tutor in Contextual Theology and Mission Studies and Deputy Director of Research at the Queen’s Foundation, Birmingham.
The USPG Prayer Diary today (Friday 28 March 2025) invites us to pray:
Father, we pray for the success and sustainability of the Codrington Project. Bless the Codrington Trust, USPG and their leaders and staff as well as the people it aims to serve. May it honour you as the God who restores and reconciles.
The Collect:
Almighty God,
whose most dear Son went not up to joy but first he suffered pain,
and entered not into glory before he was crucified:
mercifully grant that we, walking in the way of the cross,
may find it none other than the way of life and peace;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post Communion Prayer:
Merciful Lord,
grant your people grace to withstand the temptations
of the world, the flesh and the devil,
and with pure hearts and minds to follow you, the only God;
through Jesus Christ our Lord.
Additional Collect:
Eternal God,
give us insight
to discern your will for us,
to give up what harms us,
and to seek the perfection we are promised
in Jesus Christ our Lord.
Yesterday’s Reflection
Continued Tomorrow
Moses and the Law outside the Palais de Justice in Perpignan (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Patrick Comerford
We have passed the half-way point in Lent, which began three weeks ago on Ash Wednesday (5 March 2025). This week began with the Third Sunday in Lent (Lent III).
Before today begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:
1, reading today’s Gospel reading;
2, a short reflection;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
Teaching the Law and the Prophets … ‘Teacher and student’ by Judel Gerberhole (1904), in the Jewish Museum in the Old Synagogue, Kraków (Photograph: Patrick Comerford)
Mark 12: 28-34 (NRSVA):
28 One of the scribes came near and heard them disputing with one another, and seeing that he answered them well, he asked him, ‘Which commandment is the first of all?’ 29 Jesus answered, ‘The first is, “Hear, O Israel: the Lord our God, the Lord is one; 30 you shall love the Lord your God with all your heart, and with all your soul, and with all your mind, and with all your strength.” 31 The second is this, “You shall love your neighbour as yourself.” There is no other commandment greater than these.’ 32 Then the scribe said to him, ‘You are right, Teacher; you have truly said that “he is one, and besides him there is no other”; 33 and “to love him with all the heart, and with all the understanding, and with all the strength”, and “to love one’s neighbour as oneself”, – this is much more important than all whole burnt-offerings and sacrifices.’ 34 When Jesus saw that he answered wisely, he said to him, ‘You are not far from the kingdom of God.’ After that no one dared to ask him any question.
The Ten Commandments on two tablets in a synagogue in Thessaloniki (Photograph: Patrick Comerford)
Today’s Reflection:
‘Listen’ – the word is a call to listen to the groan and cry of creation, to listen to the cry of the dispossessed, and to listen to God’s voice on how we can live more simply so that others might simply live.
In my reflections on Wednesday morning (26 March 2025), I recalled the conversation in today’s Gospel reading (Mark 12: 28-34) between Jesus and the unnamed Scribe about the greatest of the commandments. Jesus begins to reply with the word ‘Listen’, or ‘Hear, O Israel …’
Saint Benedict begins his Rule with the word ‘Listen’, ausculta: ‘Listen carefully, child of God, to the guidance of your teacher. Attend to the message you hear and make sure it pierces your heart, so that you may accept it in willing freedom and fulfil by the way you live the directions that come from your loving Father’ (Rule of Saint Benedict, Prologue 1, translated by Patrick Barry). His advice is as short and as succinct a directive on how to prepare to pray as I can find.
Benedictine prayer became more accessible in popular culture 20 years ago when the BBC screened the television series, The Monastery (2005), in which the then Abbot of Worth Abbey, Abbot Christopher Jamison, guided five men (and three million viewers) into a new approach to life at Worth Abbey in Sussex.
Since then, Dom Christopher’s best-selling books following the popular series, Finding Sanctuary (2007) and Finding Happiness (2008), have offered readers similar opportunities. He points out that no matter how hard we work, being too busy is not inevitable. Silence and contemplation are not just for monks and nuns, they are parts of the natural rhythm of life.
Yet, to keep hold of this truth in the rush of modern living we need the support of other people and sensible advice from wise guides. By learning to listen in new ways, people’s lives can change and Dom Christopher offers some monastic steps that help this transition to a more spiritual life.
Saint Benedict of Nursia wrote the first official western manual for praying the Hours 1,500 years ago, in the year 525. Benedictine spirituality approaches life through an ordering by daily prayer that is biblical and reflective, and Benedictine spirituality is grounded in an approach to spiritual life that values ‘Stability, Obedience, and Conversion of Life.’
The major themes in the Rule are community, prayer, hospitality, study, work, humility, stability, peace and listening. This distinction between liturgical prayer and private prayer, which is familiar to modern spirituality, was unknown to the early monks. Apart from one short reference to prayer outside the office, Chapter 20 of the Rule is concerned with the silent prayer that is a response to the psalm. Listening to the word of God was a necessary prelude to every prayer, and prayer was the natural response to every psalm.
When the scribe asks Jesus which of the 613 traditional commandments in Judaism is the most important (see Matthew 22: 34-40; Mark 12: 28-34; Luke 10: 25-28), Christ offers not one but two commandments or laws, though neither is found in the Ten Commandments (see Exodus 20: 1-17 and Deuteronomy 5: 4-21). Instead, Christ steps outside the Ten Commandments when he quotes from two other sections in the Bible (Deuteronomy 6: 4-5, Leviticus 19: 18).
And the first command Christ quotes is the shema, ‘Hear, O Israel, …’ (שְׁמַע יִשְׂרָאֵל) (Mark 12: 29), recited twice daily by pious Jews. The shema, שְׁמַע יִשְׂרָאֵל יְהוָה אֱלֹהֵינוּ יְהוָה אֶחָֽד, is composed from two separate passages in the Book Deuteronomy (Deuteronomy 6: 4-9, 11: 13-21), and to this day it is recited twice daily in Jewish practice.
The Hebrew word Shema is translated as ‘listen’ or ‘hear.’ But it means more than to just hear the sound, it means ‘to pay attention to, or to ‘focus on’. In fact, it has an even deeper meaning, requiring the listener or hearer to ‘respond to what you hear’. It calls for a response to what I hear or I am told, to act upon or do something related to the command. In other words, shema often means ‘Listen and Obey.’ They are two sides of the same coin so that comes to my ear is understood and results in action. Not to take proper action, not to respond, not to follow in discipleship is to not listen at all.
For responding in this way, Christ tells this unnamed scribe that he has answered wisely and is near the kingdom of God (verse 34).
And that silenced everyone who was listening, and it put an end to the debates … for the moment.
Silent people, who are pushed to the margins, may have more to say about God, about truth, about love, and about the true meaning of religion if only we would allow them to move in from the margins and listen to what they have to say.
People who ask questions about religious values are not necessarily trying to upset our faith and beliefs. They may actually be calling us back to the core values.
Named or unnamed, male or female, insider or outsider, we each have a place and a part in God’s plans. Being open to love, especially to the love of others, is the key to finding ourselves in that place.
Reading and studying in the Scriptorum in Ealing Abbey … Saint Benedict begins his Rule with the word ‘Listen’ (Photograph: Patrick Comerford)
Today’s Prayers (Friday 28 March 2025):
The theme this week in ‘Pray With the World Church’, the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Towards Reconciliation and Renewal’. This theme was introduced on Sunday with a programme update by the Revd Canon Dr Carlton J Turner, Anglican Tutor in Contextual Theology and Mission Studies and Deputy Director of Research at the Queen’s Foundation, Birmingham.
The USPG Prayer Diary today (Friday 28 March 2025) invites us to pray:
Father, we pray for the success and sustainability of the Codrington Project. Bless the Codrington Trust, USPG and their leaders and staff as well as the people it aims to serve. May it honour you as the God who restores and reconciles.
The Collect:
Almighty God,
whose most dear Son went not up to joy but first he suffered pain,
and entered not into glory before he was crucified:
mercifully grant that we, walking in the way of the cross,
may find it none other than the way of life and peace;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post Communion Prayer:
Merciful Lord,
grant your people grace to withstand the temptations
of the world, the flesh and the devil,
and with pure hearts and minds to follow you, the only God;
through Jesus Christ our Lord.
Additional Collect:
Eternal God,
give us insight
to discern your will for us,
to give up what harms us,
and to seek the perfection we are promised
in Jesus Christ our Lord.
Yesterday’s Reflection
Continued Tomorrow
Moses and the Law outside the Palais de Justice in Perpignan (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
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20 December 2023
Daily prayers in Advent with
Leonard Cohen and USPG:
(18) 20 December 2023
‘You who build the altars now / To sacrifice these children / You must not do it anymore’ (Leonard Cohen) … the Sacrifice of Abraham depicted in the East Window in Holy Trinity Church, Old Wolverton (Photograph: Patrick Comerford, 2023)
Patrick Comerford
We are in the final stages of countdown to Christmas, with just five days to go to Christmas Day. The last week of Advent began on Sunday with the Third Sunday of Advent or Gaudete Sunday (17 December 2023), and this is a very short Advent this year.
I have spent a few days in Dublin, and after an evening flight from Birmingham I got back to Stony Stratford late last night. Before today begins, I am taking some time for prayer, reflection and reading this morning.
Throughout Advent this year, my reading and reflection each day includes a poem or song by Leonard Cohen. These Advent reflections are following this pattern:
1, A reflection on a poem or song by Leonard Cohen;
2, the Gospel reading of the day in the Church of England lectionary;
3, a prayer from the USPG prayer diary.
‘The door it opened slowly / My father he came in’ (Leonard Cohen) … Abraham preparing for the sacrifice of Isaac … a stained glass window in Saint John’s Church, Wall, near Lichfield (Photograph: Patrick Comerford)
The Songs and Poems of Leonard Cohen: 18, ‘Story of Isaac’:
The poem and song ‘Story of Isaac’ by Leonard Cohen was first recorded by Judy Collins on her album Who Knows Where the Time Goes, released in December 1968, and it was the second track on Leonard Cohen’s second album, Songs from a Room, released in April 1969.
This song has also been covered by a number of musicians including Suzanne Vega, Linda Thompson, the Johnstons, Pain Teens and Roy Buchanan.
‘Story of Isaac’ is of the Biblical story in Genesis 22 of Isaac’s planned sacrifice by his father Abraham, but told now from Isaac’s perspective. It is also an anti-war song, specifically about the Vietnam war, and it’s a story about the children being sacrificed on behalf of the older generation.
Almost 20 years after it was first recorded, Cohen explained to John McKenna of RTÉ in 1988 that ‘Story of Isaac’ was an anti-war protest song. But he added, ‘I was careful in that song to try and put it beyond the pure, beyond the simple, anti-war protest, that it also is. Because it says at the end there the man of war the man of peace, the peacock spreads his deadly fan. In other words it isn’t necessarily for war that we’re willing to sacrifice each other.’
He added: ‘We’ll get some idea – some magnificent idea – that we’re willing to sacrifice each other for; it doesn’t necessarily have to involve an opponent or an ideology, but human beings being what they are we’re always going to set up people to die for some absurd situation that we define as important.’
The song is a commentary on the nature of sacrifice and faith, and the idea that we may think God is asking us to give up something we love in order to serve a higher purpose. The song also touches on themes of war and violence, as well as the relationship between father and son.
Overall, the message of the song is one of questioning and reflection on the nature of sacrifice and faith, and the idea that sometimes we may be called on to give up something we love in order to serve a greater good.
According to Leonard Cohen, the song is ‘about those who would sacrifice one generation on behalf of another.’
In another interview, he reflected: ‘There’s a story in the Bible about Isaac, how his father summoned him to go and climb a mountain, how his father built an altar there after he had been commanded to offer up his son. And just at the last moment before he was about to sacrifice Isaac, an angel held the hand of the father. But today the children are being sacrificed and no one raises a hand to end the sacrifice. And this is what this song is about.’
Rabbi Aubrey Glazer, formerly of Congregation Beth Sholom in San Francisco, discusses ‘Story of Isaac’ and many other poems by Leonard Cohen in his book Tangle of Matter & Ghost: Leonard Cohen’s Post-Secular Songbook of Mysticism(s) Jewish and Beyond (2017). The book is part of a series, ‘New Perspectives in Post-Rabbinic Judaism.’ Glazer notes the sudden and effective change of perspective as father and son ascend up the mountain and have a bird’s-eye view of the valley now far below. They are so high up that it takes a full minute for the bottle to fall and shatter, but Abraham calms his young son with a warm touch.
The tension is heightened, however, by Isaac’s continuing confusion over whether the scene was hurtling towards life, power and triumph, symbolised by the eagle; or towards imminent death, captured by the vulture. Either way, Abraham is secure in Isaac’s compliance and certain their destiny is firmly in God’s hands.
A stunning change of time and place juxtaposes the Biblical story with the still-unfolding tragedy between the descendants of Abraham. Cohen brings this ancient tale right up to the present, as he, through the voice of Isaac, begs us to tear down the altars upon which the children of our age are still sacrificed to settle age-old grievances.
He crystallises the parent’s grief and ambivalence by describing his ‘trembling hand,’ even as Abraham, and so many today, stands in awe of the divine command he believes he is obeying.
Cohen, whose father, like Abraham in this poem/song, also had blue eyes, always returned to his own Judaism. He refers to one of the most poignant messages of this Biblical passage, and one that recurs throughout the history of the Abrahamic people: this is a story of brothers. Earlier in the Biblical narrative, Isaac’s half-brother Ishmael was banished. Although they later come together to bury their father (Genesis 25), the effects of Ishmael’s exile and Isaac’s near-sacrifice reverberate through time.
Cohen deftly expresses the pain and power in this eternal family feud. In the end, he prays for mercy as these brothers take up arms against each other, and on which side one stands determines who is cast as the ‘man of peace’ and who is the ‘man of war.’
In Cohen’s telling, this tale becomes an anti-war hymn and a cautionary warning against all the ways we still sacrifice our children. Cohen expressed this in a BBC interview: ‘Just at the last moment before he was about to sacrifice Isaac, an angel held the hand of the father. But today the children are being sacrificed and no one raises a hand to end the sacrifice. And this is what this song is about.’
The near-sacrifice of Isaac, or the Akedah as it is known in Jewish tradition, is a gripping, chilling and troubling story, and a story that seems to ask more questions than it answers.
Each time I hear it, I am listening in horror as Abraham seems to be preparing to sacrifice his only son. And the story comes with all the gruesome details, as Abraham climbs the mountain, builds the altar, arranges the wood, binds his son, places him on the altar, and takes the knife into his hand. The looming tragedy is averted only at the very moment second.
But at a time when child-sacrifice was a cultural norm in that part of the ancient world, when people believed that sacrificing their first-born children was a way of appeasing the gods, this story turns those old superstitions on their head.
Abraham knows the old ways. But his relationship with God becomes a startling new relationship, founded on love. And this God is different from all the so-called gods. No, he does not demand human sacrifice. No, he does not have a mean and violent, capricious streak.
Instead, this God that Abraham has begun to get to know, wants a relationship with us that is built not on fear and brutalism, but on love and on freedom.
The child who was at risk is saved, the child who was bound up is set free, the child who was the victim of old-fashioned, out-dated superstitions now becomes part of the relationship between God and humanity and the promise for the future that is sealed not by sacrifices like this, but by love.
How could Abraham hav forgotten God’s earlier promise so soon, the promise made to Abraham and Sarah that they would have children and through them they would be the spiritual ancestors of all nations?
And it is a story that challenges us to reassess our own notions about God.
Are our relationships with God founded on fear or on love?
Do we believe in a god who would treat us as slaves who must obey, or as faithful partners who are caught up in his love?
Once again, we are offered a choice between death and life, between slavery and freedom, between blind obedience and love.
‘Abraham, our Father in Faith,’ by the Liverpool sculptor Sean Rice (1931-1997), in the west apse of the Cathedral of Christ the King, Liverpool (Photograph: Patrick Comerford)
Leonard Cohen, Story of Isaac:
The door it opened slowly
My father he came in
I was nine years old
And he stood so tall above me
Blue eyes they were shining
And his voice was very cold
Said, ‘I’ve had a vision
And you know I’m strong and holy
I must do what I've been told’
So he started up the mountain
I was running, he was walking
And his axe was made of gold
Well, the trees they got much smaller
The lake a lady’s mirror
We stopped to drink some wine
Then he threw the bottle over
Broke a minute later
And he put his hand on mine
Thought I saw an eagle
But it might have been a vulture
I never could decide
Then my father built an altar
He looked once behind his shoulder
He knew I would not hide
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You who build the altars now
To sacrifice these children
You must not do it anymore
A scheme is not a vision
And you never have been tempted
By a demon or a god
You who stand above them now
Your hatchets blunt and bloody
You were not there before
When I lay upon a mountain
And my father’s hand was trembling
With the beauty of the word
And if you call me brother now
Forgive me if I inquire
‘Just according to whose plan?’
When it all comes down to dust
I will kill you if I must
I will help you if I can
When it all comes down to dust
I will help you if I must
I will kill you if I can
And mercy on our uniform
Man of peace or man of war
The peacock spreads his fan.
‘The peacock spreads his fan’ (Leonard Cohen) … a peacock spreads his fan in a vineyard in Rivesaltes near Perpignan in France (Photograph: Patrick Comerford)
Luke 1: 26-38 (NRSVA):
26 In the sixth month the angel Gabriel was sent by God to a town in Galilee called Nazareth, 27 to a virgin engaged to a man whose name was Joseph, of the house of David. The virgin’s name was Mary. 28 And he came to her and said, ‘Greetings, favoured one! The Lord is with you.’ 29 But she was much perplexed by his words and pondered what sort of greeting this might be. 30 The angel said to her, ‘Do not be afraid, Mary, for you have found favour with God. 31 And now, you will conceive in your womb and bear a son, and you will name him Jesus. 32 He will be great, and will be called the Son of the Most High, and the Lord God will give to him the throne of his ancestor David. 33 He will reign over the house of Jacob for ever, and of his kingdom there will be no end.’ 34 Mary said to the angel, ‘How can this be, since I am a virgin?’ 35 The angel said to her, ‘The Holy Spirit will come upon you, and the power of the Most High will overshadow you; therefore the child to be born will be holy; he will be called Son of God. 36 And now, your relative Elizabeth in her old age has also conceived a son; and this is the sixth month for her who was said to be barren. 37 For nothing will be impossible with God.’ 38 Then Mary said, ‘Here am I, the servant of the Lord; let it be with me according to your word.’ Then the angel departed from her.
The Annunciation depicted in a panel in the altar in Saint Mary’s Church, Lichfield (Photograph: Patrick Comerford, 2023)
Today’s Prayers (Wednesday 20 December 2023):
The theme this week in ‘Pray With the World Church,’ the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘The Joy of Advent.’ This theme was introduced on Sunday.
The USPG Prayer Diary today (20 December 2023) invites us to pray in these words:
O Lord, help us to see the wonder in your creation, to find the joy amidst the trials. For in you, we can rejoice and be glad. No matter what the world brings, we can find joy in you.
The Annunciation depicted in a stained-glass window in Saint Mary’s Church, Bletchley (Photograph: Patrick Comerford, 2023)
The Collect:
O Lord Jesus Christ,
who at your first coming sent your messenger
to prepare your way before you:
grant that the ministers and stewards of your mysteries
may likewise so prepare and make ready your way
by turning the hearts of the disobedient to the wisdom of the just,
that at your second coming to judge the world
we may be found an acceptable people in your sight;
for you are alive and reign with the Father
in the unity of the Holy Spirit,
one God, now and for ever.
The Post-Communion Prayer:
We give you thanks, O Lord, for these heavenly gifts;
kindle in us the fire of your Spirit
that when your Christ comes again
we may shine as lights before his face;
who is alive and reigns now and for ever.
Additional Collect:
God for whom we watch and wait,
you sent John the Baptist to prepare the way of your Son:
give us courage to speak the truth,
to hunger for justice,
and to suffer for the cause of right,
with Jesus Christ our Lord.
Yesterday’s Reflection
Continued Tomorrow
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Patrick Comerford
We are in the final stages of countdown to Christmas, with just five days to go to Christmas Day. The last week of Advent began on Sunday with the Third Sunday of Advent or Gaudete Sunday (17 December 2023), and this is a very short Advent this year.
I have spent a few days in Dublin, and after an evening flight from Birmingham I got back to Stony Stratford late last night. Before today begins, I am taking some time for prayer, reflection and reading this morning.
Throughout Advent this year, my reading and reflection each day includes a poem or song by Leonard Cohen. These Advent reflections are following this pattern:
1, A reflection on a poem or song by Leonard Cohen;
2, the Gospel reading of the day in the Church of England lectionary;
3, a prayer from the USPG prayer diary.
‘The door it opened slowly / My father he came in’ (Leonard Cohen) … Abraham preparing for the sacrifice of Isaac … a stained glass window in Saint John’s Church, Wall, near Lichfield (Photograph: Patrick Comerford)
The Songs and Poems of Leonard Cohen: 18, ‘Story of Isaac’:
The poem and song ‘Story of Isaac’ by Leonard Cohen was first recorded by Judy Collins on her album Who Knows Where the Time Goes, released in December 1968, and it was the second track on Leonard Cohen’s second album, Songs from a Room, released in April 1969.
This song has also been covered by a number of musicians including Suzanne Vega, Linda Thompson, the Johnstons, Pain Teens and Roy Buchanan.
‘Story of Isaac’ is of the Biblical story in Genesis 22 of Isaac’s planned sacrifice by his father Abraham, but told now from Isaac’s perspective. It is also an anti-war song, specifically about the Vietnam war, and it’s a story about the children being sacrificed on behalf of the older generation.
Almost 20 years after it was first recorded, Cohen explained to John McKenna of RTÉ in 1988 that ‘Story of Isaac’ was an anti-war protest song. But he added, ‘I was careful in that song to try and put it beyond the pure, beyond the simple, anti-war protest, that it also is. Because it says at the end there the man of war the man of peace, the peacock spreads his deadly fan. In other words it isn’t necessarily for war that we’re willing to sacrifice each other.’
He added: ‘We’ll get some idea – some magnificent idea – that we’re willing to sacrifice each other for; it doesn’t necessarily have to involve an opponent or an ideology, but human beings being what they are we’re always going to set up people to die for some absurd situation that we define as important.’
The song is a commentary on the nature of sacrifice and faith, and the idea that we may think God is asking us to give up something we love in order to serve a higher purpose. The song also touches on themes of war and violence, as well as the relationship between father and son.
Overall, the message of the song is one of questioning and reflection on the nature of sacrifice and faith, and the idea that sometimes we may be called on to give up something we love in order to serve a greater good.
According to Leonard Cohen, the song is ‘about those who would sacrifice one generation on behalf of another.’
In another interview, he reflected: ‘There’s a story in the Bible about Isaac, how his father summoned him to go and climb a mountain, how his father built an altar there after he had been commanded to offer up his son. And just at the last moment before he was about to sacrifice Isaac, an angel held the hand of the father. But today the children are being sacrificed and no one raises a hand to end the sacrifice. And this is what this song is about.’
Rabbi Aubrey Glazer, formerly of Congregation Beth Sholom in San Francisco, discusses ‘Story of Isaac’ and many other poems by Leonard Cohen in his book Tangle of Matter & Ghost: Leonard Cohen’s Post-Secular Songbook of Mysticism(s) Jewish and Beyond (2017). The book is part of a series, ‘New Perspectives in Post-Rabbinic Judaism.’ Glazer notes the sudden and effective change of perspective as father and son ascend up the mountain and have a bird’s-eye view of the valley now far below. They are so high up that it takes a full minute for the bottle to fall and shatter, but Abraham calms his young son with a warm touch.
The tension is heightened, however, by Isaac’s continuing confusion over whether the scene was hurtling towards life, power and triumph, symbolised by the eagle; or towards imminent death, captured by the vulture. Either way, Abraham is secure in Isaac’s compliance and certain their destiny is firmly in God’s hands.
A stunning change of time and place juxtaposes the Biblical story with the still-unfolding tragedy between the descendants of Abraham. Cohen brings this ancient tale right up to the present, as he, through the voice of Isaac, begs us to tear down the altars upon which the children of our age are still sacrificed to settle age-old grievances.
He crystallises the parent’s grief and ambivalence by describing his ‘trembling hand,’ even as Abraham, and so many today, stands in awe of the divine command he believes he is obeying.
Cohen, whose father, like Abraham in this poem/song, also had blue eyes, always returned to his own Judaism. He refers to one of the most poignant messages of this Biblical passage, and one that recurs throughout the history of the Abrahamic people: this is a story of brothers. Earlier in the Biblical narrative, Isaac’s half-brother Ishmael was banished. Although they later come together to bury their father (Genesis 25), the effects of Ishmael’s exile and Isaac’s near-sacrifice reverberate through time.
Cohen deftly expresses the pain and power in this eternal family feud. In the end, he prays for mercy as these brothers take up arms against each other, and on which side one stands determines who is cast as the ‘man of peace’ and who is the ‘man of war.’
In Cohen’s telling, this tale becomes an anti-war hymn and a cautionary warning against all the ways we still sacrifice our children. Cohen expressed this in a BBC interview: ‘Just at the last moment before he was about to sacrifice Isaac, an angel held the hand of the father. But today the children are being sacrificed and no one raises a hand to end the sacrifice. And this is what this song is about.’
The near-sacrifice of Isaac, or the Akedah as it is known in Jewish tradition, is a gripping, chilling and troubling story, and a story that seems to ask more questions than it answers.
Each time I hear it, I am listening in horror as Abraham seems to be preparing to sacrifice his only son. And the story comes with all the gruesome details, as Abraham climbs the mountain, builds the altar, arranges the wood, binds his son, places him on the altar, and takes the knife into his hand. The looming tragedy is averted only at the very moment second.
But at a time when child-sacrifice was a cultural norm in that part of the ancient world, when people believed that sacrificing their first-born children was a way of appeasing the gods, this story turns those old superstitions on their head.
Abraham knows the old ways. But his relationship with God becomes a startling new relationship, founded on love. And this God is different from all the so-called gods. No, he does not demand human sacrifice. No, he does not have a mean and violent, capricious streak.
Instead, this God that Abraham has begun to get to know, wants a relationship with us that is built not on fear and brutalism, but on love and on freedom.
The child who was at risk is saved, the child who was bound up is set free, the child who was the victim of old-fashioned, out-dated superstitions now becomes part of the relationship between God and humanity and the promise for the future that is sealed not by sacrifices like this, but by love.
How could Abraham hav forgotten God’s earlier promise so soon, the promise made to Abraham and Sarah that they would have children and through them they would be the spiritual ancestors of all nations?
And it is a story that challenges us to reassess our own notions about God.
Are our relationships with God founded on fear or on love?
Do we believe in a god who would treat us as slaves who must obey, or as faithful partners who are caught up in his love?
Once again, we are offered a choice between death and life, between slavery and freedom, between blind obedience and love.
‘Abraham, our Father in Faith,’ by the Liverpool sculptor Sean Rice (1931-1997), in the west apse of the Cathedral of Christ the King, Liverpool (Photograph: Patrick Comerford)
Leonard Cohen, Story of Isaac:
The door it opened slowly
My father he came in
I was nine years old
And he stood so tall above me
Blue eyes they were shining
And his voice was very cold
Said, ‘I’ve had a vision
And you know I’m strong and holy
I must do what I've been told’
So he started up the mountain
I was running, he was walking
And his axe was made of gold
Well, the trees they got much smaller
The lake a lady’s mirror
We stopped to drink some wine
Then he threw the bottle over
Broke a minute later
And he put his hand on mine
Thought I saw an eagle
But it might have been a vulture
I never could decide
Then my father built an altar
He looked once behind his shoulder
He knew I would not hide
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You who build the altars now
To sacrifice these children
You must not do it anymore
A scheme is not a vision
And you never have been tempted
By a demon or a god
You who stand above them now
Your hatchets blunt and bloody
You were not there before
When I lay upon a mountain
And my father’s hand was trembling
With the beauty of the word
And if you call me brother now
Forgive me if I inquire
‘Just according to whose plan?’
When it all comes down to dust
I will kill you if I must
I will help you if I can
When it all comes down to dust
I will help you if I must
I will kill you if I can
And mercy on our uniform
Man of peace or man of war
The peacock spreads his fan.
‘The peacock spreads his fan’ (Leonard Cohen) … a peacock spreads his fan in a vineyard in Rivesaltes near Perpignan in France (Photograph: Patrick Comerford)
Luke 1: 26-38 (NRSVA):
26 In the sixth month the angel Gabriel was sent by God to a town in Galilee called Nazareth, 27 to a virgin engaged to a man whose name was Joseph, of the house of David. The virgin’s name was Mary. 28 And he came to her and said, ‘Greetings, favoured one! The Lord is with you.’ 29 But she was much perplexed by his words and pondered what sort of greeting this might be. 30 The angel said to her, ‘Do not be afraid, Mary, for you have found favour with God. 31 And now, you will conceive in your womb and bear a son, and you will name him Jesus. 32 He will be great, and will be called the Son of the Most High, and the Lord God will give to him the throne of his ancestor David. 33 He will reign over the house of Jacob for ever, and of his kingdom there will be no end.’ 34 Mary said to the angel, ‘How can this be, since I am a virgin?’ 35 The angel said to her, ‘The Holy Spirit will come upon you, and the power of the Most High will overshadow you; therefore the child to be born will be holy; he will be called Son of God. 36 And now, your relative Elizabeth in her old age has also conceived a son; and this is the sixth month for her who was said to be barren. 37 For nothing will be impossible with God.’ 38 Then Mary said, ‘Here am I, the servant of the Lord; let it be with me according to your word.’ Then the angel departed from her.
The Annunciation depicted in a panel in the altar in Saint Mary’s Church, Lichfield (Photograph: Patrick Comerford, 2023)
Today’s Prayers (Wednesday 20 December 2023):
The theme this week in ‘Pray With the World Church,’ the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘The Joy of Advent.’ This theme was introduced on Sunday.
The USPG Prayer Diary today (20 December 2023) invites us to pray in these words:
O Lord, help us to see the wonder in your creation, to find the joy amidst the trials. For in you, we can rejoice and be glad. No matter what the world brings, we can find joy in you.
The Annunciation depicted in a stained-glass window in Saint Mary’s Church, Bletchley (Photograph: Patrick Comerford, 2023)
The Collect:
O Lord Jesus Christ,
who at your first coming sent your messenger
to prepare your way before you:
grant that the ministers and stewards of your mysteries
may likewise so prepare and make ready your way
by turning the hearts of the disobedient to the wisdom of the just,
that at your second coming to judge the world
we may be found an acceptable people in your sight;
for you are alive and reign with the Father
in the unity of the Holy Spirit,
one God, now and for ever.
The Post-Communion Prayer:
We give you thanks, O Lord, for these heavenly gifts;
kindle in us the fire of your Spirit
that when your Christ comes again
we may shine as lights before his face;
who is alive and reigns now and for ever.
Additional Collect:
God for whom we watch and wait,
you sent John the Baptist to prepare the way of your Son:
give us courage to speak the truth,
to hunger for justice,
and to suffer for the cause of right,
with Jesus Christ our Lord.
Yesterday’s Reflection
Continued Tomorrow
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
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17 August 2022
Praying with USPG and the music of
Vaughan Williams: Wednesday 17 August 2022
Trinity College Cambridge … Vaughan Williams was an undergraduate here and AE Housman a Fellow of Trinity College Cambridge (Photograph: Patrick Comerford)
Patrick Comerford
I am returning from Sheffield to Stony Stratford later today (17 August 2022) after my consultation in Sheffield Hospital yesterday with the Steretactic Radiosurgery Team at Royal Hallamshire Hospital. This follows my stroke five months ago (18 March 2022) and, hopefully, is going to prepare the way for a surgical procedure within the next few weeks.
But, before I catch the train and my day gets busy, I am taking some time this morning for reading, prayer and reflection.
This year marks the 150th anniversary of the composer Ralph Vaughan Williams, whose music is celebrated throughout this year’s Proms season. In my prayer diary for these weeks I am reflecting in these ways:
1, One of the readings for the morning;
2, Reflecting on a hymn or another piece of music by Vaughan Williams, often drawing, admittedly, on previous postings on the composer;
3, a prayer from the USPG prayer diary, ‘Pray with the World Church.’
‘For the kingdom of heaven is like a landowner who went out early in the morning to hire labourers for his vineyard’ (Matthew 20: 1) … at work in a vineyard in Platanias near Rethymnon in Crete (Photograph: Patrick Comerford)
The Gospel reading at the Eucharist this morning in the Lectionary as adapted by the Church of Ireland is:
Matthew 20: 1-16 (NRSVA):
[Jesus said:] 1 ‘For the kingdom of heaven is like a landowner who went out early in the morning to hire labourers for his vineyard. 2 After agreeing with the labourers for the usual daily wage, he sent them into his vineyard. 3 When he went out about nine o’clock, he saw others standing idle in the market-place; 4 and he said to them, “You also go into the vineyard, and I will pay you whatever is right.” So they went. 5 When he went out again about noon and about three o’clock, he did the same. 6 And about five o’clock he went out and found others standing around; and he said to them, “Why are you standing here idle all day?” 7 They said to him, “Because no one has hired us.” He said to them, “You also go into the vineyard.” 8 When evening came, the owner of the vineyard said to his manager, “Call the labourers and give them their pay, beginning with the last and then going to the first.” 9 When those hired about five o’clock came, each of them received the usual daily wage. 10 Now when the first came, they thought they would receive more; but each of them also received the usual daily wage. 11 And when they received it, they grumbled against the landowner, 12 saying, “These last worked only one hour, and you have made them equal to us who have borne the burden of the day and the scorching heat.” 13 But he replied to one of them, “Friend, I am doing you no wrong; did you not agree with me for the usual daily wage? 14 Take what belongs to you and go; I choose to give to this last the same as I give to you. 15 Am I not allowed to do what I choose with what belongs to me? Or are you envious because I am generous?” 16 So the last will be first, and the first will be last.’
Today’s reflection: ‘Is my team ploughing’
Ralph Vaughan Williams was the composer of symphonies, chamber music, opera, choral music, and film scores, a collector of English folk music and song. With Percy Dearmer, he co-edited the English Hymnal, in which he included many folk song arrangements as hymn tunes, and several of his own original compositions.
Throughout this week, I am listening to On Wenlock Edge, a setting by Vaughan Williams of six poems from AE Housman’s Shropshire Lad.
This morning [17 August 2022], I am listening to ‘Is my team ploughing,’ the third of the six settings by Vaughan Williams of these poems by AE Housman (1859-1936), published in 1896.
In reacting to the Boer War, in which his brother Herbert was killed, Housman powerfully anticipated the horror and futility of World War I, and his poems would find fresh relevance to the outbreak of World War I.
His landscape is a mythical, idealised Shropshire, similar to the Wessex of the novels of Thomas Hardy. His dominant themes are love, and a post-industrial pastoral nostalgia, infused with expressions of disillusionment at the sacrifice of the young soldiers going to war, never to return.
Vaughan Williams composed On Wenlock Edge – a cycle of six songs for tenor, piano and string quartet – in 1909, a year after he had spent three months in Paris studying under Maurice Ravel, a composer three years younger than him. The first performance took place in the Aeolian Hall, London, later that year.
In the 1920s, Vaughan Williams made an arrangement of On Wenlock Edge for full orchestra that was first performed on 24 January 1924 by John Booth, with the composer conducting. Vaughan Williams preferred this version to his original.
The third of these songs, ‘Is my team ploughing,’ is a conversation between a dead man and his still living friend. Towards the end of the poem it is implied that his friend is now with the girl he left behind when he died.
While writing the poem, Housman borrows from the simple style of traditional folk ballads, featuring a question-and-answer format in a conversation.
The dead man asks first about his animals, then about football, but his girlfriend comes last. The text, along with other poems from A Shropshire Lad, has been set to score by several English composers, including George Butterworth and Ivor Gurney, as well as Vaughan Williams.
Vaughan Williams leaves out these two football stanzas, which Gurney and Butterworth retained in their settings:
‘Is football playing
Along the river shore,
With lads to chase the leather,
Now I stand up no more?’
Ay, the ball is flying,
The lads play heart and soul;
The goal stands up, the keeper
Stands up to keep the goal.
Vaughan Williams omitted the third and fourth stanzas, to Housman’s annoyance, and wrote to his publisher, Grant Richards asking: ‘I wonder how he would like me to cut two bars out of his music?’
Years later, Vaughan Williams said he felt ‘a composer has a perfect right artistically to set any portion of a poem he chooses provided he does not actually alter the sense’ of it. He added: ‘I also feel that a poet should be grateful to anyone who fails to perpetuate such lines as: “The goal stands up, the Keeper / Stands up to keep the Goal”.’
Vaughan Williams’s setting is superb, but the stanza does count, and he appears not to have grasped that here we have a coded reference to what is happening in the dead man’s sweetheart’s bed.
The music critic Ernest Newman of The Sunday Times claimed the omission of these two stanzas by Vaughan Williams destroys Housman’s effect of ‘a gradual, almost casual, transition from the ghost’s questions about the common things of life to the question about his sweetheart.’ But Vaughan Williams was aiming at solemnity and sublimity in this composition, and decided to omit these stanzas so he could achieve this effect.
3, ‘Is my team ploughing’
‘Is my team ploughing,
That I was used to drive
And hear the harness jingle
When I was man alive?’
Ay, the horses trample,
The harness jingles now;
No change though you lie under
The land you used to plough.
‘Is football playing
Along the river shore,
With lads to chase the leather,
Now I stand up no more?’
Ay, the ball is flying,
The lads play heart and soul;
The goal stands up, the keeper
Stands up to keep the goal.
‘Is my girl happy,
That I thought hard to leave,
And has she tired of weeping
As she lies down at eve?’
Ay, she lies down lightly,
She lies down not to weep:
Your girl is well contented.
Be still my lad, and sleep.
‘Is my friend hearty,
Now I am thin and pine,
And has he found to sleep in
A better bed than mine?’
Yes, lad, I lie easy,
I lie as lads would choose;
I cheer a dead man’s sweetheart,
Never ask me whose.
‘You also go into the vineyard, and I will pay you whatever is right’ (Matthew 20: 4) … vines in the vineyard at Aghia Irini Monastery, south of Rethymnon in Crete (Photograph: Patrick Comerford)
Today’s Prayer, Wednesday 17 August 2022:
The theme in the USPG prayer diary this week is ‘Human Trafficking in Durgapur.’ This them was introduced on Sunday by Raja Moses, Project Co-ordinator of the Anti-Human Trafficking Project, Diocese of Durgapur, Church of North India.
The USPG Prayer Diary invites us to pray today in these words:
Let us pray for the Diocese of Durgapur and their service to communities in Malda, North and South Dinajpur.
Yesterday’s reflection
Continued tomorrow
‘For the kingdom of heaven is like a landowner who went out early in the morning to hire labourers for his vineyard’ (Matthew 20: 1) … at work in a vineyard in Rivesealtes, near Perpignan in southern France (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
‘He sent them into his vineyard’ (Matthew 20: 2) … grapes in a vineyard in Tsesmes near Rethymnon (Photograph: Patrick Comerford)
Patrick Comerford
I am returning from Sheffield to Stony Stratford later today (17 August 2022) after my consultation in Sheffield Hospital yesterday with the Steretactic Radiosurgery Team at Royal Hallamshire Hospital. This follows my stroke five months ago (18 March 2022) and, hopefully, is going to prepare the way for a surgical procedure within the next few weeks.
But, before I catch the train and my day gets busy, I am taking some time this morning for reading, prayer and reflection.
This year marks the 150th anniversary of the composer Ralph Vaughan Williams, whose music is celebrated throughout this year’s Proms season. In my prayer diary for these weeks I am reflecting in these ways:
1, One of the readings for the morning;
2, Reflecting on a hymn or another piece of music by Vaughan Williams, often drawing, admittedly, on previous postings on the composer;
3, a prayer from the USPG prayer diary, ‘Pray with the World Church.’
‘For the kingdom of heaven is like a landowner who went out early in the morning to hire labourers for his vineyard’ (Matthew 20: 1) … at work in a vineyard in Platanias near Rethymnon in Crete (Photograph: Patrick Comerford)
The Gospel reading at the Eucharist this morning in the Lectionary as adapted by the Church of Ireland is:
Matthew 20: 1-16 (NRSVA):
[Jesus said:] 1 ‘For the kingdom of heaven is like a landowner who went out early in the morning to hire labourers for his vineyard. 2 After agreeing with the labourers for the usual daily wage, he sent them into his vineyard. 3 When he went out about nine o’clock, he saw others standing idle in the market-place; 4 and he said to them, “You also go into the vineyard, and I will pay you whatever is right.” So they went. 5 When he went out again about noon and about three o’clock, he did the same. 6 And about five o’clock he went out and found others standing around; and he said to them, “Why are you standing here idle all day?” 7 They said to him, “Because no one has hired us.” He said to them, “You also go into the vineyard.” 8 When evening came, the owner of the vineyard said to his manager, “Call the labourers and give them their pay, beginning with the last and then going to the first.” 9 When those hired about five o’clock came, each of them received the usual daily wage. 10 Now when the first came, they thought they would receive more; but each of them also received the usual daily wage. 11 And when they received it, they grumbled against the landowner, 12 saying, “These last worked only one hour, and you have made them equal to us who have borne the burden of the day and the scorching heat.” 13 But he replied to one of them, “Friend, I am doing you no wrong; did you not agree with me for the usual daily wage? 14 Take what belongs to you and go; I choose to give to this last the same as I give to you. 15 Am I not allowed to do what I choose with what belongs to me? Or are you envious because I am generous?” 16 So the last will be first, and the first will be last.’
Today’s reflection: ‘Is my team ploughing’
Ralph Vaughan Williams was the composer of symphonies, chamber music, opera, choral music, and film scores, a collector of English folk music and song. With Percy Dearmer, he co-edited the English Hymnal, in which he included many folk song arrangements as hymn tunes, and several of his own original compositions.
Throughout this week, I am listening to On Wenlock Edge, a setting by Vaughan Williams of six poems from AE Housman’s Shropshire Lad.
This morning [17 August 2022], I am listening to ‘Is my team ploughing,’ the third of the six settings by Vaughan Williams of these poems by AE Housman (1859-1936), published in 1896.
In reacting to the Boer War, in which his brother Herbert was killed, Housman powerfully anticipated the horror and futility of World War I, and his poems would find fresh relevance to the outbreak of World War I.
His landscape is a mythical, idealised Shropshire, similar to the Wessex of the novels of Thomas Hardy. His dominant themes are love, and a post-industrial pastoral nostalgia, infused with expressions of disillusionment at the sacrifice of the young soldiers going to war, never to return.
Vaughan Williams composed On Wenlock Edge – a cycle of six songs for tenor, piano and string quartet – in 1909, a year after he had spent three months in Paris studying under Maurice Ravel, a composer three years younger than him. The first performance took place in the Aeolian Hall, London, later that year.
In the 1920s, Vaughan Williams made an arrangement of On Wenlock Edge for full orchestra that was first performed on 24 January 1924 by John Booth, with the composer conducting. Vaughan Williams preferred this version to his original.
The third of these songs, ‘Is my team ploughing,’ is a conversation between a dead man and his still living friend. Towards the end of the poem it is implied that his friend is now with the girl he left behind when he died.
While writing the poem, Housman borrows from the simple style of traditional folk ballads, featuring a question-and-answer format in a conversation.
The dead man asks first about his animals, then about football, but his girlfriend comes last. The text, along with other poems from A Shropshire Lad, has been set to score by several English composers, including George Butterworth and Ivor Gurney, as well as Vaughan Williams.
Vaughan Williams leaves out these two football stanzas, which Gurney and Butterworth retained in their settings:
‘Is football playing
Along the river shore,
With lads to chase the leather,
Now I stand up no more?’
Ay, the ball is flying,
The lads play heart and soul;
The goal stands up, the keeper
Stands up to keep the goal.
Vaughan Williams omitted the third and fourth stanzas, to Housman’s annoyance, and wrote to his publisher, Grant Richards asking: ‘I wonder how he would like me to cut two bars out of his music?’
Years later, Vaughan Williams said he felt ‘a composer has a perfect right artistically to set any portion of a poem he chooses provided he does not actually alter the sense’ of it. He added: ‘I also feel that a poet should be grateful to anyone who fails to perpetuate such lines as: “The goal stands up, the Keeper / Stands up to keep the Goal”.’
Vaughan Williams’s setting is superb, but the stanza does count, and he appears not to have grasped that here we have a coded reference to what is happening in the dead man’s sweetheart’s bed.
The music critic Ernest Newman of The Sunday Times claimed the omission of these two stanzas by Vaughan Williams destroys Housman’s effect of ‘a gradual, almost casual, transition from the ghost’s questions about the common things of life to the question about his sweetheart.’ But Vaughan Williams was aiming at solemnity and sublimity in this composition, and decided to omit these stanzas so he could achieve this effect.
3, ‘Is my team ploughing’
‘Is my team ploughing,
That I was used to drive
And hear the harness jingle
When I was man alive?’
Ay, the horses trample,
The harness jingles now;
No change though you lie under
The land you used to plough.
‘Is football playing
Along the river shore,
With lads to chase the leather,
Now I stand up no more?’
Ay, the ball is flying,
The lads play heart and soul;
The goal stands up, the keeper
Stands up to keep the goal.
‘Is my girl happy,
That I thought hard to leave,
And has she tired of weeping
As she lies down at eve?’
Ay, she lies down lightly,
She lies down not to weep:
Your girl is well contented.
Be still my lad, and sleep.
‘Is my friend hearty,
Now I am thin and pine,
And has he found to sleep in
A better bed than mine?’
Yes, lad, I lie easy,
I lie as lads would choose;
I cheer a dead man’s sweetheart,
Never ask me whose.
‘You also go into the vineyard, and I will pay you whatever is right’ (Matthew 20: 4) … vines in the vineyard at Aghia Irini Monastery, south of Rethymnon in Crete (Photograph: Patrick Comerford)
Today’s Prayer, Wednesday 17 August 2022:
The theme in the USPG prayer diary this week is ‘Human Trafficking in Durgapur.’ This them was introduced on Sunday by Raja Moses, Project Co-ordinator of the Anti-Human Trafficking Project, Diocese of Durgapur, Church of North India.
The USPG Prayer Diary invites us to pray today in these words:
Let us pray for the Diocese of Durgapur and their service to communities in Malda, North and South Dinajpur.
Yesterday’s reflection
Continued tomorrow
‘For the kingdom of heaven is like a landowner who went out early in the morning to hire labourers for his vineyard’ (Matthew 20: 1) … at work in a vineyard in Rivesealtes, near Perpignan in southern France (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
‘He sent them into his vineyard’ (Matthew 20: 2) … grapes in a vineyard in Tsesmes near Rethymnon (Photograph: Patrick Comerford)
23 April 2022
Praying with the Psalms in Easter:
23 April 2022 (Psalm 59)
‘O my strength, I will sing praises to you, for you, O God, are my fortress, the God who shows me steadfast love’ (Psalm 59: 17) … the Catalan fortress of Fort de Salses in Salses-le-Château in southern France (Photograph: Patrick Comerford)
Patrick Comerford
We have reached the end of the first week of Easter. Today is Saint George’s Day and this weekend is also Easter in the Orthodox calendar.
During this season of Easter, I have returned to my morning reflections on the Psalms, and in this Prayer Diary on my blog each morning I am reflecting in these ways:
1, Short reflections on a psalm or psalms;
2, reading the psalm or psalms;
3, a prayer from the USPG prayer diary.
Psalm 59:
Psalm 59 is the fourth in a series of five psalms in this section of the Psalms that are referred to as Miktams. Miktam or Michtam (מִכְתָּם) is a Hebrew word of unknown meaning in the headings of Psalms 16 and 56-60 in the Hebrew Bible. These six psalms, and many others, are associated with King David, but this tradition is more likely to be sentimental than historical. They may have formed one of several smaller collections of psalms which preceded the present psalter and on which it was based.
Miktam corresponds to the Babylonian nakamu, lid, a metal cover for a vessel, but efforts to derive a meaning for the term in the psalms have not been convincing. In modern Hebrew, the word has come to mean epigram, and numerous collections of Hebrew epigrams have used that word in their titles.
In the slightly different numbering found in the Greek Septuagint (LXX) and the Latin Vulgate, Psalm 59 is counted as Psalm 58.
Psalm 59 is described as a prayer ‘composed when Saul ordered his house to be watched in order to kill him.’ It could describes it as a ‘vigorous plea for the destruction of the psalmist’s enemies.’
The inscription reads: ‘To the leader: Do Not Destroy. Of David. A Miktam, when Saul ordered his house to be watched in order to kill him.’
This text, connected with an incident recorded in I Samuel 19:11–17, may be an editorial addition. ‘Do Not Destroy,’ Altaschith, may refer to an ancient song whose tune was to be used in singing the psalms.
In Judaism, Psalm 59 is one of the ten Psalms of the Tikkun HaKlali of Rebbe Nachman of Breslov. Verse 18 in Hebrew (verse 17 in English translations) is found in the repetition of the Amidah during Rosh Hashanah:
O my strength, I will sing praises to you,
for you, O God, are my fortress,
the God who shows me steadfast love.
‘Each evening they come back, howling like dogs and prowling about the city’ (Psalm 59: 6) … a sculpture in Seville (Photograph: Patrick Comerford)
Psalm 59 (NRSVA):
To the leader: Do Not Destroy. Of David. A Miktam, when Saul ordered his house to be watched in order to kill him.
1 Deliver me from my enemies, O my God;
protect me from those who rise up against me.
2 Deliver me from those who work evil;
from the bloodthirsty save me.
3 Even now they lie in wait for my life;
the mighty stir up strife against me.
For no transgression or sin of mine, O Lord,
4 for no fault of mine, they run and make ready.
Rouse yourself, come to my help and see!
5 You, Lord God of hosts, are God of Israel.
Awake to punish all the nations;
spare none of those who treacherously plot evil.
Selah
6 Each evening they come back,
howling like dogs
and prowling about the city.
7 There they are, bellowing with their mouths,
with sharp words on their lips—
for ‘Who’, they think, ‘will hear us?’
8 But you laugh at them, O Lord;
you hold all the nations in derision.
9 O my strength, I will watch for you;
for you, O God, are my fortress.
10 My God in his steadfast love will meet me;
my God will let me look in triumph on my enemies.
11 Do not kill them, or my people may forget;
make them totter by your power, and bring them down,
O Lord, our shield.
12 For the sin of their mouths, the words of their lips,
let them be trapped in their pride.
For the cursing and lies that they utter,
13 consume them in wrath;
consume them until they are no more.
Then it will be known to the ends of the earth
that God rules over Jacob.
Selah
14 Each evening they come back,
howling like dogs
and prowling about the city.
15 They roam about for food,
and growl if they do not get their fill.
16 But I will sing of your might;
I will sing aloud of your steadfast love in the morning.
For you have been a fortress for me
and a refuge on the day of my distress.
17 O my strength, I will sing praises to you,
for you, O God, are my fortress,
the God who shows me steadfast love.
Today’s Prayer:
The theme in this week’s prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel) is ‘From Death to Resurrection,’ and was introduced on Sunday by the Revd Dr Rachel Mash, Coordinator of the Environmental Network of the Anglican Church of Southern Africa. The USPG Prayer Diary this morning (23 April 2022, Saint George’s Day) invites us to pray:
Let us pray for the Church of England and churches in Ethiopia and Georgia.
Yesterday’s reflection
Continued tomorrow
The Church of Saint George the Martyr in Wolverton … today is Saint George’s Day (Photograph: Patrick Comerford, 2022)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Patrick Comerford
We have reached the end of the first week of Easter. Today is Saint George’s Day and this weekend is also Easter in the Orthodox calendar.
During this season of Easter, I have returned to my morning reflections on the Psalms, and in this Prayer Diary on my blog each morning I am reflecting in these ways:
1, Short reflections on a psalm or psalms;
2, reading the psalm or psalms;
3, a prayer from the USPG prayer diary.
Psalm 59:
Psalm 59 is the fourth in a series of five psalms in this section of the Psalms that are referred to as Miktams. Miktam or Michtam (מִכְתָּם) is a Hebrew word of unknown meaning in the headings of Psalms 16 and 56-60 in the Hebrew Bible. These six psalms, and many others, are associated with King David, but this tradition is more likely to be sentimental than historical. They may have formed one of several smaller collections of psalms which preceded the present psalter and on which it was based.
Miktam corresponds to the Babylonian nakamu, lid, a metal cover for a vessel, but efforts to derive a meaning for the term in the psalms have not been convincing. In modern Hebrew, the word has come to mean epigram, and numerous collections of Hebrew epigrams have used that word in their titles.
In the slightly different numbering found in the Greek Septuagint (LXX) and the Latin Vulgate, Psalm 59 is counted as Psalm 58.
Psalm 59 is described as a prayer ‘composed when Saul ordered his house to be watched in order to kill him.’ It could describes it as a ‘vigorous plea for the destruction of the psalmist’s enemies.’
The inscription reads: ‘To the leader: Do Not Destroy. Of David. A Miktam, when Saul ordered his house to be watched in order to kill him.’
This text, connected with an incident recorded in I Samuel 19:11–17, may be an editorial addition. ‘Do Not Destroy,’ Altaschith, may refer to an ancient song whose tune was to be used in singing the psalms.
In Judaism, Psalm 59 is one of the ten Psalms of the Tikkun HaKlali of Rebbe Nachman of Breslov. Verse 18 in Hebrew (verse 17 in English translations) is found in the repetition of the Amidah during Rosh Hashanah:
O my strength, I will sing praises to you,
for you, O God, are my fortress,
the God who shows me steadfast love.
‘Each evening they come back, howling like dogs and prowling about the city’ (Psalm 59: 6) … a sculpture in Seville (Photograph: Patrick Comerford)
Psalm 59 (NRSVA):
To the leader: Do Not Destroy. Of David. A Miktam, when Saul ordered his house to be watched in order to kill him.
1 Deliver me from my enemies, O my God;
protect me from those who rise up against me.
2 Deliver me from those who work evil;
from the bloodthirsty save me.
3 Even now they lie in wait for my life;
the mighty stir up strife against me.
For no transgression or sin of mine, O Lord,
4 for no fault of mine, they run and make ready.
Rouse yourself, come to my help and see!
5 You, Lord God of hosts, are God of Israel.
Awake to punish all the nations;
spare none of those who treacherously plot evil.
Selah
6 Each evening they come back,
howling like dogs
and prowling about the city.
7 There they are, bellowing with their mouths,
with sharp words on their lips—
for ‘Who’, they think, ‘will hear us?’
8 But you laugh at them, O Lord;
you hold all the nations in derision.
9 O my strength, I will watch for you;
for you, O God, are my fortress.
10 My God in his steadfast love will meet me;
my God will let me look in triumph on my enemies.
11 Do not kill them, or my people may forget;
make them totter by your power, and bring them down,
O Lord, our shield.
12 For the sin of their mouths, the words of their lips,
let them be trapped in their pride.
For the cursing and lies that they utter,
13 consume them in wrath;
consume them until they are no more.
Then it will be known to the ends of the earth
that God rules over Jacob.
Selah
14 Each evening they come back,
howling like dogs
and prowling about the city.
15 They roam about for food,
and growl if they do not get their fill.
16 But I will sing of your might;
I will sing aloud of your steadfast love in the morning.
For you have been a fortress for me
and a refuge on the day of my distress.
17 O my strength, I will sing praises to you,
for you, O God, are my fortress,
the God who shows me steadfast love.
Today’s Prayer:
The theme in this week’s prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel) is ‘From Death to Resurrection,’ and was introduced on Sunday by the Revd Dr Rachel Mash, Coordinator of the Environmental Network of the Anglican Church of Southern Africa. The USPG Prayer Diary this morning (23 April 2022, Saint George’s Day) invites us to pray:
Let us pray for the Church of England and churches in Ethiopia and Georgia.
Yesterday’s reflection
Continued tomorrow
The Church of Saint George the Martyr in Wolverton … today is Saint George’s Day (Photograph: Patrick Comerford, 2022)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
10 June 2021
Praying in Ordinary Time 2021:
12, Cathédrale St-Jean, Perpignan
The Cathédrale St-Jean in the old town of Perpignan (Photograph: Patrick Comerford)
Patrick Comerford
During this time in the Church Calendar known as Ordinary Time, I am taking some time each morning to reflect in these ways:
1, photographs of a church or place of worship;
2, the day’s Gospel reading;
3, a prayer from the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel).
This week my photographs are of cathedrals in European capitals or former capitals. This morning (10 June 2021), my photographs are from the Cathédrale St-Jean in Perpignan, now in France but once the capital of the short-lived Kingdom of Majorca.
Inside the Cathédrale St-Jean in Perpignan (Photograph: Patrick Comerford)
The Cathédrale St-Jean, with its Gothic architecture, its wrought-iron bell tower and its cloistered cemetery, began as a collegiate church, the Collégiale Saint-Jean, or Collegiate Church of Saint Jean. However, when the short-lived Kingdom of Majorca moved its capital to Perpignan in 1276, the Kings of Majorca wanted a more impressive church for their new capital.
The original collegiate church had proved too small and King Sancho II of Majorca set about building a new church. At the time, the Palace of the Kings of Majorca was being built as a new royal residence on a hill to the south of the city.
King Sancha of Majorca laid the cornerstone when building work began in 1324. The original vision was for a grand, three-nave building, but only the choir was completed when the ‘forgotten and ephemeral’ Kingdom of Majorca collapsed in 1349 and the building project was interrupted.
Benedict XIII, the anti-pope based in Avignon, fled to Perpignan and tried without success to rally his supporters at a council here in 1409.
Further efforts to resume building works were disrupted by the plague and various wars, and building at St-Jean did not resume in earnest until later in the 15th century. When the new building project was set on foot, Guillem Sagrera (1380-1456) of Majorca, one of the great architects of the times, took control of the project.
A native of Felanitx in Majorca, Segrara’s masterworks include La Seu Cathedral and the Llotja dels Mercaders (1426-1447) in Palma de Majorca. He also worked at the court of King Alfonso V of Aragon in Naples, where he restored the Castel Nuovo, redesigning its plan and adding several loggias and the Barons’ Hall.
In Perpignan, Sagrera decided on a church in the Catalan Gothic style, with one nave of vast dimensions, and redesigned St-Jean in Perpignan in the same style as La Seu Cathedral of Palma de Majorca.
Sagrera died in 1456 in Naples. The vaulting in Perpignan was not completed until 1490 and the church was not completed until the end of the 15th century. The pebbled façade with brick foundations remained unfinished, and the new church was only consecrated in 1509.
Originally, the diocese was based in Elne, but the new church replaced the Cathedral of Elne when the bishop was moved to Perpignan, and from 1602 the bishops held the title of Bishop of Perpignan-Elne.
The cathedral’s western façade is a typically Catalan façade of pebble and brick, but it was never finished. The porch was added in 1631, the only remnant of a larger monumental ensemble. Philippe Barthélemy added the wrought-iron campanile in 1743.
When the cathedral was restored in the 19th and 20th centuries, the Gothic window of the façade was rebuilt, as it had previously been substituted with a simple rectangular opening.
The interior of the cathedral gives an impression of unity due to the harmonious proportions and the imposing character of the nave. This impressive nave is 80 meters long, 18 metres wide, and 26 metres tall. It is built with seven cross-vaults and has short transepts and a short apse.
There are magnificent Catalan, Gothic and Renaissance altar pieces in the side chapels and the treasures include le Dévot Crucifix, a 14th century wooden sculpture.
Some of the side chapels incorporate parts of an earlier Romanesque church. These chapels include the 15th century chapel dedicated to Notre-Dame-de-la-Mangrana, and the Chapel of Saint Eulalie and Saint Julie, patron saints of the diocese, which was painted by Jean-Jacques Melair in 1676. One of the side chapels includes the painted remains of the original organ case.
The elaborate furniture in the cathedral includes some real masterpieces, and the organ is listed as an historical monument.
On the south side of the cathedral, the cloister-cemetery of Saint John, or Campo Santo, dates from the early 14th century and is one of the oldest mediaeval cemeteries in France.
The cloister galleries were covered by a sloping roof supported by columns with sculpted capitals. Each funeral niche or recess, with a refined gothic design, is marked with heraldic shields bearing the coats-of-arms of the ruling and noble families of Perpignan.
Philippe Barthélemy added the wrought-iron campanile in 1743 (Photograph: Patrick Comerford)
Matthew 5: 20-26 (NRSVA):
[Jesus said:] 20 ‘For I tell you, unless your righteousness exceeds that of the scribes and Pharisees, you will never enter the kingdom of heaven.
21 ‘You have heard that it was said to those of ancient times, “You shall not murder”; and “whoever murders shall be liable to judgement.” 22 But I say to you that if you are angry with a brother or sister, you will be liable to judgement; and if you insult a brother or sister, you will be liable to the council; and if you say, “You fool”, you will be liable to the hell of fire. 23 So when you are offering your gift at the altar, if you remember that your brother or sister has something against you, 24 leave your gift there before the altar and go; first be reconciled to your brother or sister, and then come and offer your gift. 25 Come to terms quickly with your accuser while you are on the way to court with him, or your accuser may hand you over to the judge, and the judge to the guard, and you will be thrown into prison. 26 Truly I tell you, you will never get out until you have paid the last penny.’
The organ is listed as an historical monument (Photograph: Patrick Comerford)
Prayer in the USPG Prayer Diary:
The Prayer in the USPG Prayer Diary today (10 June 2021) invites us to pray:
We pray for the Church of the Province of Melanesia in the southwestern region of the Pacific Ocean and the Pacific Conference of Churches.
Yesterday’s reflection
Continued tomorrow
The cloister-cemetery or ‘Campo Santo’ dates from the early 14th century and is one of the oldest mediaeval cemeteries in France (Photograph: Patrick Comerford; click on image for full-screen view)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Patrick Comerford
During this time in the Church Calendar known as Ordinary Time, I am taking some time each morning to reflect in these ways:
1, photographs of a church or place of worship;
2, the day’s Gospel reading;
3, a prayer from the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel).
This week my photographs are of cathedrals in European capitals or former capitals. This morning (10 June 2021), my photographs are from the Cathédrale St-Jean in Perpignan, now in France but once the capital of the short-lived Kingdom of Majorca.
Inside the Cathédrale St-Jean in Perpignan (Photograph: Patrick Comerford)
The Cathédrale St-Jean, with its Gothic architecture, its wrought-iron bell tower and its cloistered cemetery, began as a collegiate church, the Collégiale Saint-Jean, or Collegiate Church of Saint Jean. However, when the short-lived Kingdom of Majorca moved its capital to Perpignan in 1276, the Kings of Majorca wanted a more impressive church for their new capital.
The original collegiate church had proved too small and King Sancho II of Majorca set about building a new church. At the time, the Palace of the Kings of Majorca was being built as a new royal residence on a hill to the south of the city.
King Sancha of Majorca laid the cornerstone when building work began in 1324. The original vision was for a grand, three-nave building, but only the choir was completed when the ‘forgotten and ephemeral’ Kingdom of Majorca collapsed in 1349 and the building project was interrupted.
Benedict XIII, the anti-pope based in Avignon, fled to Perpignan and tried without success to rally his supporters at a council here in 1409.
Further efforts to resume building works were disrupted by the plague and various wars, and building at St-Jean did not resume in earnest until later in the 15th century. When the new building project was set on foot, Guillem Sagrera (1380-1456) of Majorca, one of the great architects of the times, took control of the project.
A native of Felanitx in Majorca, Segrara’s masterworks include La Seu Cathedral and the Llotja dels Mercaders (1426-1447) in Palma de Majorca. He also worked at the court of King Alfonso V of Aragon in Naples, where he restored the Castel Nuovo, redesigning its plan and adding several loggias and the Barons’ Hall.
In Perpignan, Sagrera decided on a church in the Catalan Gothic style, with one nave of vast dimensions, and redesigned St-Jean in Perpignan in the same style as La Seu Cathedral of Palma de Majorca.
Sagrera died in 1456 in Naples. The vaulting in Perpignan was not completed until 1490 and the church was not completed until the end of the 15th century. The pebbled façade with brick foundations remained unfinished, and the new church was only consecrated in 1509.
Originally, the diocese was based in Elne, but the new church replaced the Cathedral of Elne when the bishop was moved to Perpignan, and from 1602 the bishops held the title of Bishop of Perpignan-Elne.
The cathedral’s western façade is a typically Catalan façade of pebble and brick, but it was never finished. The porch was added in 1631, the only remnant of a larger monumental ensemble. Philippe Barthélemy added the wrought-iron campanile in 1743.
When the cathedral was restored in the 19th and 20th centuries, the Gothic window of the façade was rebuilt, as it had previously been substituted with a simple rectangular opening.
The interior of the cathedral gives an impression of unity due to the harmonious proportions and the imposing character of the nave. This impressive nave is 80 meters long, 18 metres wide, and 26 metres tall. It is built with seven cross-vaults and has short transepts and a short apse.
There are magnificent Catalan, Gothic and Renaissance altar pieces in the side chapels and the treasures include le Dévot Crucifix, a 14th century wooden sculpture.
Some of the side chapels incorporate parts of an earlier Romanesque church. These chapels include the 15th century chapel dedicated to Notre-Dame-de-la-Mangrana, and the Chapel of Saint Eulalie and Saint Julie, patron saints of the diocese, which was painted by Jean-Jacques Melair in 1676. One of the side chapels includes the painted remains of the original organ case.
The elaborate furniture in the cathedral includes some real masterpieces, and the organ is listed as an historical monument.
On the south side of the cathedral, the cloister-cemetery of Saint John, or Campo Santo, dates from the early 14th century and is one of the oldest mediaeval cemeteries in France.
The cloister galleries were covered by a sloping roof supported by columns with sculpted capitals. Each funeral niche or recess, with a refined gothic design, is marked with heraldic shields bearing the coats-of-arms of the ruling and noble families of Perpignan.
Philippe Barthélemy added the wrought-iron campanile in 1743 (Photograph: Patrick Comerford)
Matthew 5: 20-26 (NRSVA):
[Jesus said:] 20 ‘For I tell you, unless your righteousness exceeds that of the scribes and Pharisees, you will never enter the kingdom of heaven.
21 ‘You have heard that it was said to those of ancient times, “You shall not murder”; and “whoever murders shall be liable to judgement.” 22 But I say to you that if you are angry with a brother or sister, you will be liable to judgement; and if you insult a brother or sister, you will be liable to the council; and if you say, “You fool”, you will be liable to the hell of fire. 23 So when you are offering your gift at the altar, if you remember that your brother or sister has something against you, 24 leave your gift there before the altar and go; first be reconciled to your brother or sister, and then come and offer your gift. 25 Come to terms quickly with your accuser while you are on the way to court with him, or your accuser may hand you over to the judge, and the judge to the guard, and you will be thrown into prison. 26 Truly I tell you, you will never get out until you have paid the last penny.’
The organ is listed as an historical monument (Photograph: Patrick Comerford)
Prayer in the USPG Prayer Diary:
The Prayer in the USPG Prayer Diary today (10 June 2021) invites us to pray:
We pray for the Church of the Province of Melanesia in the southwestern region of the Pacific Ocean and the Pacific Conference of Churches.
Yesterday’s reflection
Continued tomorrow
The cloister-cemetery or ‘Campo Santo’ dates from the early 14th century and is one of the oldest mediaeval cemeteries in France (Photograph: Patrick Comerford; click on image for full-screen view)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
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