Looking out from Preveli Monastery in Crete towards the island of Gavdos, said to be the Ogygia of Calypso where Odysseus stayed for seven years (Photograph: Patrick Comerford)
Patrick Comerford
While Christopher Nolan’s film The Odyssey was the topic of conversation, I was writing in recent weeks how the Revd Dr Giles Fraser, in ‘Thought for the Day’ on Radio 4 last month (24 July 2026), talked about an essay on why Odysseus is right to refuse the temptation to eternal life while he stranded with the nymph Calypso on the island of Ogygia.
He referred to the American philosopher Professor Martha Nussbaum of the University of Chicago, who he interviewed for The Guardian many years ago (29 June 2012). In his Thought for the Day’, he referred to how she argues that there are some things that the immortal gods are not able to do that mortal human beings are: not least amongst them is to show courage. If I cannot risk everything because I cannot die, he asked, then how could I possibly be courageous?
Martha Nussbaum, who is Jewish, suggests that there is something about this refusal of invulnerability that explains one of the key features of Christian theology: of God becoming human, of God who is prepared to suffer and die in the name of love. ‘What is attractive about both Odysseus and Jesus is that they are prepared to have skin in the game, which is pretty much the very definition of incarnation’, Giles Fraser says.
Since then, I have found myself reading some of the work of Martha Nussbaum, who is one of the world’s foremost public philosophers. She is Professor of Law and Ethics at the University of Chicago, where she is part of both the law school and the philosophy department and and an associate member of the Divinity School faculty. She has also taught at Harvard and Brown.
In her work, Martha Nussbaum has engaged with ancient Greek and Roman philosophy, political philosophy, existentialism, feminism, and ethics, such as animal rights. She has written more than two dozen books, including The Fragility of Goodness (1986), she has received a number of prestigious international prizes, and some years ago she was considered for the Nobel Prize in Literature.
Martha Nussbaum was born Martha Craven in New York on 6 May 1947, the daughter of George Craven, a Philadelphia lawyer, and Betty Warren, an interior designer, and grew up in an affluent Episcopalian home in Bryn Mawr, Pennsylvania. Her mother was an alcoholic whose forbears arrived on the Mayflower; her father was a successful southern-born lawyer from Georgia and she has described him as ‘bigoted against African Americans and Jews.’
She has spoken of her upbringing as ‘East Coast WASP elite … very sterile, very preoccupied with money and status’. She later explained her impatience with ‘mandarin philosophers’ and her dedication to public service as a repudiation of her own upbringing: ‘I don’t like anything that sets itself up as an in-group or an elite, whether it is the Bloomsbury group or Derrida’.
She studied theatre and classics at New York University (BA 1969) and philosophy at Harvard (MA 1972, PhD 1975), and went on to teach philosophy and classics at Harvard, Brown University, and the University of Chicago Law School.
Her book The Fragility of Goodness, Luck and Ethics in Greek Tragedy and Philosophy (1986) made her a well-known figure throughout the humanities. In that book, she confronts the ethical dilemma that individuals strongly committed to justice are nevertheless vulnerable to external factors that may deeply compromise or even negate their human flourishing, and she defends the practical ethics of Aristotle over the metaphysical supernaturalism of Plato.
She rejects the Platonic notion that human goodness can fully protect against peril, siding with the tragic playwrights and Aristotle in treating the acknowledgment of vulnerability as a key to realising the human good. Her interpretation of Plato’s Symposium in particular drew considerable attention.
Further books, including The Closing of the American Mind (1987) and Frontiers of Justice (2006), established her as a theorist of global justice. She has also written about the unequal freedoms and opportunities of women, and has developed a distinctive type of feminism, drawing inspiration from the liberal tradition but emphasising that liberalism, at its best, entails radical rethinking of gender relations and relations within the family.
In her philosophical work, she has also written widely about emotions and about grief, compassion, and love, and about disgust and shame. Following a court trial in Colorado in which she gave evidence, Nussbaum wrote a lengthy article on ‘Platonic Love and Colorado Law’, drawing on Plato’s Symposium and his interactions with Socrates as evidence for her argument.
In Cultivating Humanity: A Classical Defense of Reform in Liberal Education (1997), she appeals to classical Greek texts as a basis for the defence and reform of the liberal education. She notes how Greek cynic philosopher Diogenes aspired to transcend ‘local origins and group memberships’ in favour of becoming ‘a citizen of the world’.
In Sex and Social Justice (1999), she argues that sex and sexuality are morally irrelevant distinctions that have been artificially enforced as sources of social hierarchy, and that feminism and social justice have common concerns. She shows how sex is used to deny some people, including women and gay men, social justice.
In Hiding from Humanity (2004), Nussbaum examines the arguments for including two emotions – shame and disgust – as legitimate bases for legal judgments, and notes how projective disgust has wrongly justified group subordination, mainly of women, Jews, and homosexuals. She dismisses disgust as a reliable basis of judgment.
In From Disgust to Humanity: Sexual Orientation and Constitutional Law (2010), Nussbaum analyses the role that disgust plays in law and public debate in the US, including the constitutional legal issues facing gay and lesbian people. She argues that the fundamental motivation of those advocating legal restrictions against gay and lesbian people is a ‘politics of disgust’.
She explicitly opposes the concept of a disgust-based morality as an appropriate guide for legislating. Nussbaum notes that popular disgust has been used throughout history as a justification for persecution, and recalls how at various times, racism, antisemitism and sexism, have all been driven by popular revulsion.
In Creating Capabilities (2011), she outlines a unique theory on the Capability approach or the Human development approach. She criticises existing economic indicators, such as GDP, for failing to fully account for quality of life and assurance of basic needs, instead rewarding countries with large growth distributed highly unequally across the population, and she argues the Capability approach should be prioritised by development economics policymakers.
In The New Religious Intolerance, Overcoming the Politics of Fear in an Anxious Age (2012), she writes a vigorous defence of the religious freedom of minorities in the face of post-9/11 Islamophobia. And, as Giles Fraser said in The Guardian at the time, by minorities she mostly means Muslims.
Her book The Cosmopolitan Tradition: A Noble but Flawed Ideal (2019), engages critically with important examples of the cosmopolitan ideal from ancient Greece and Rome to the present. The cosmopolitan political tradition in Western thought begins with the Greek Cynic Diogenes, who, when asked where he came from, responded that he was a citizen of the world. Rather than declaring his lineage, city, social class, or gender, he defined himself as a human being, implicitly asserting the equal worth of all human beings. Nussbaum pursues this ‘noble but flawed‘ vision of world citizenship as it finds expression in figures of Greco-Roman antiquity, Hugo Grotius in the 17th century, Adam Smith during the 18th century, and various contemporary thinkers.
Earlier that year, the Republican Senator Josh Hawley of Missouri, speaking at the National Conservatism Conference in 2019, claimed the American middle class had been betrayed by an out-of-touch ‘cosmopolitan elite’ that catered to the needs of multinational companies while forgetting ‘the heartland’. Given Brexit, Donald Trump’s election, and a global turn to nationalism more generally, Hawley’s comments were anything but exceptional. What made them unique was that he directed his ire at particular academics for promulgating the beliefs of what he called the ‘cosmopolitan consensus’. Perhaps the best-known of these was Martha Nussbaum, wh
o was accused by Hawley of teaching her students that ‘world citizenship’ trumps being the citizen of a nation-state.
Her latest book is The Republic of Love: Opera and Political Freedom, published earlier this year by Oxford University Press.
Nussbaum has criticised Noam Chomsky as one of the left-wing intellectuals who hold the belief that ‘one should not criticise one’s friends, that solidarity is more important than ethical correctness’.
She is known for her contributions in developing the capabilities approach to well-being, in which she asks, ‘What is each person able to do and to be?’ She asserts that all humans – and non-human animals – have a basic right to dignity. To provide human dignity, she insists governments must provide ‘at least a threshold level’ of a number of capabilities: life; bodily health; bodily integrity; senses, imagination, and thought, emotions; practical reason; affiliation; other species; play; and control over one's environment, including political and material environments.
‘Knowledge is no guarantee of good behaviour, but ignorance is a virtual guarantee of bad behaviour’ … Martha C Nussbaum (Photograph: University of Chicago Divinity School
From 1969 to 1987, Martha Nussbaum was married to Professor Alan Nussbaum of Yale and Cornell, a linguist and classical philologist known for his work on the language of the Homeric epics. During their marriage, she converted to Judaism and her commitment to Judaism has continued. She became a bat mitzvah at Temple KAM Isaiah Israel in Chicago in 2008, delivering a D’var Torah on the connection between genuine, non-narcissistic consolation and the pursuit of global justice.
For Nussbaum, coming to Judaism was both comfort and reprieve. She has described ‘the combination of joy and relief I found in entering a community in which outrage at injustice was normal.’
She soon came to appreciate the Jewish tradition of spirited debate. ‘In great contrast to my Christian education, focused on catechism and professions of faith,’ she wrote, ‘I discovered that in a Jewish conversion process it was possible to dispute about everything.’
Whether treating literary, legal, or political issues, she has consistently argued that any comprehensive ideology that claims to understand the good life fails unless it is accompanied by a love for that which is imperfect and vulnerable. ‘Philosophy does not compel, or threaten, or mock,’ she has said. ‘It doesn’t make bare assertions, but, instead, sets up a structure of thought in which a conclusion follows from premises the listener is free to dispute. In that way it invites dialogue and respects the listener.’
In her essay ‘Judaism and the Love of Reason,’ she describes her love for the ideas of the leaders of 19th century Reform Judaism, a movement she praises for its rationalism, its moral mission and commitment to justice, and for ‘returning the religion to its original Biblical core.’
In Women and Human Development (2000), she criticises secular feminists for ascribing patriarchy to religious traditions. In ‘Judaism and the Love of Reason’, she cites feminism and cosmopolitanism as ‘issues that have been at the heart of the Reform movement since its inception and to which Reform Judaism gives … more satisfactory answers than do other varieties of Judaism.’
In an interview with Benjamin Balint in Sources in Spring 2022, Martha Nussbaum said she does not ‘even really think that Biblical Judaism is inherently patriarchal. I once wrote a paper on the Creation stories in Genesis and learned a lot about how great interpreters have read Genesis 1 as holding that the first human was a hermaphrodite. And there are many other ways in which the apparently misogynistic aspects of the text have been differently interpreted by great textual scholars.’
Asked why religious ritual is important for people who seek to live a moral life, she cited Immanuel Kant, who ‘said that people have a duty to join a religious group of the right sort (the rational sort, and Reform Judaism is pretty much the rational religion he had in mind), because we are all weak and inclined to deviate from the moral law, but in a group with others our resolve is strengthened.’
In her speech when she received an honorary degree from Hebrew University in Jerusalem, she painted a portrait of the Judaism that inspires her, including the commitment to correct injustices in the community and to welcome all strangers.
The Israeli novelist David Grossman, who received an honorary degree the same day, said to her that that is the sort of Judaism Israel needs. In his speech, he talked about the capacity of the literary imagination to see the infinite in each person, and to cross the boundaries that divide us in life. He then asked whether that capacity is being lost in the Israel of today.
She told Benjamin Balint, ‘So that is what Reform strengthens, I believe: that imaginative capacity to see the infinite in each person and to welcome the stranger.’ And, she added, ‘the Judaism I belong to requires the pursuit of political justice.’
Showing posts with label Gavdos. Show all posts
Showing posts with label Gavdos. Show all posts
14 August 2026
Martha Nussbaum: a philosopher’s odyssey from an Episcopalian childhood to Reform Judaism’s pursuit of political justice
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06 August 2026
My 40-year nostalgic search for
the Greek islands of the Odyssey,
from Crete to Corfu and Ithaca
The ‘Lily Prince’ in the Minoan Palace in Knossos … Odysseus repeatedly claims he is a Cretan prince from Knossos to hide his true identity on his return to Ithaka (Photograph: Patrick Comerford)
Patrick Comerford
Ἀλλὰ καὶ ὧς ἐθέλω καὶ ἐέλδομαι ἤματα πάντα
οἴκαδέ τ' ἐλθέμεναι καὶ νόστιμον ἦμαρ ἰδέσθαι.
εἰ δ' αὖ τις ῥαίῃσι θεὸς ἐν οἴνοπι πόντῳ,
τλήσομαι ἐν στήθεσσιν ἔχων ἀτληθὲς θυμόν.
Nevertheless I long – I pine, all my days –
to travel home and see the dawn of my return.
And if a god will wreck me yet again on the wine-dark sea,
I can bear that too, with a spirit tempered to endure.
The Odyssey (Book 5, lines 219-222)
Two of the deepest currents of thought running through The Odyssey are ξενία (xenia), the sacred code of hospitality and reciprocal courtesy shown to travellers, strangers and outsiders and the mutual duties of hosts and guests; and νόστος (nostos), homecoming and the longing for home.
In English, the word ‘xenophobia’ is a concept that runs contrary to all the core values found in ξενία (xenia) and in φιλοξενία (philoxenia), a concept that extends far beyond mere hospitality and that remains a shared value among Greeks today.
The word nostalgia is a 17th century compound derived from Greek. It consists of νόστος (nostos), a Homeric word meaning ‘homecoming’, and ἄλγος (álgos), ‘pain’. The word was coined by a medical student to describe the anxieties shown by Swiss mercenaries fighting away from home.
Both concepts in Greek explain how welcome I have felt in Greece for almost 40 years, year after year, and how wistful I feel, longing to return, when I am not there, as though Greece, and particularly Crete, was my second home.
I imagine a spin-off from Christopher Nolan’s box-office success, The Odyssey, is going to be a boost to tourism in Greece, as people seek out locations and settings that associated with the ten-year homeward journey of Odysseus.
Odysseus took 10 years to reach his home in Ithaka after the Trojan wars … a sailing boat in the harbour in Rethymnon after sunset
The three main islands associated with Odysseus are Ithaka, where he was king and which is the home he takes ten years to find his way back to, Kephallonia and Zakynthos.
Ithaki or Ithaca is his home in the Ionian Islands and the emotional core of the entire story. Zakynthos is one of the Ionian islands named in The Odyssey as part of the island world around Odysseus’s kingdom, and neighbouring Kefalonia is often linked with Homer’s Same.
I visited these three islands over the space of two years: Ithaka in 2003, Kephallonia (‘Captain Corelli’s island’) in 2002 and 2003, and Zakynthos in 2002. But that was almost 25 years ago, long before I had a digital camera or a phone with a camera on it, and all my photographs from those trips are inaccessible or lost.
Odysseus travels from Troy to Thrace, and then through the lands of the Lotus-Eaters, Cyclopes, Aeolus and Circe on his way home to Ithaka. Although they are named in The Odyssey, he never visits some of the Dodecanese islands I know, such as Rhodes, Symi and Kos, or Cycladic islands such as Santorini (Thera), although Syros in the Cyclades is identified with Syrie, the home of Eumaeus, Odysseus’ loyal swineherd.
The ancient theatre in Epidavros is one of the most perfect ancient Greek theatres (Photograph: Patrick Comerford)
But there are other places in Greece – islands and on the mainland – that are parts of the Odyssey and that may get a boost in tourism figures because of the new film. Some places in the Odyssey are legendary, the subject of conjecture or a topic for debate.
Athena guides Odysseus on his return journey to Ithaka. She is basically the story’s behind-the-scenes operator, and Athens is where her presence is felt most today. Many places in the Peloponnese are part of the narrative, including places I have visited.
Sparti (Sparta), where I stayed in the Menaleon Hotel in 1996, when I was visiting Mystras, is where the Odyssey connects back to the Iliad and the fallout from the Trojan War through Menelaus and Helen. Telemachus visits Menelaus to hear what happened to the Greek heroes after Troy, and why the fate of Odysseus remained uncertain for so long, and he arrives in Pylos to find the local people making offerings to Poseidon by the sea.
The ancient theatre in Epidavros is one of the most perfect ancient Greek theatres in terms of its design and its acoustics. Epidaurus is described in the Iliad as ‘vine-clad Epidaurus’ and contributed along with Argos, Tiryns, Troezen and Ermioni to the Argolid fleet heading to Troy.
Looking out from Preveli Monastery in Crete towards the island of Gavdos, said to be the Ogygia of Calypso where Odysseus stayed for seven years (Photograph: Patrick Comerford)
Crete is connected to the Odyssey primarily as a place mentioned in the epic – specifically as a fictional origin story told by Odysseus, and in historical navigation theories that link real landmarks in Crete to the journey. In Homer’s text, Odysseus repeatedly invents elaborate backstories claiming he is a Cretan prince from Knossos to hide his true identity on his return to Ithaka.
People in Crete say the small of Gavdos is the Ogygia of Calypso, where Odysseus stayed for seven years with the nymph. I have often gazed out at Gavdos from the Monastery of Preveli above the palm forest that was severely damaged by the fires that swept across the Rethymnon region last week. Eventually, Odysseus spurned the offer of eternal life from Calypso and left Ogygia for his journey home
Paleochora, to the west of Preveli and on south-west coast of Crete, has been proposed as a landing point where winds pushed Odysseus off-course toward a small distinct coastal peninsula near Libya before heading back north.
The bay at Gramvousa … the small island off north-west Crete is identified the floating island of Aeolus (Photograph: Patrick Comerford)
After his adventure with Polyphemus, Odysseus continues his journey north. The historian Tim Severin and other historians convincingly identify the small island of Gramvousa off the north-west tip of Crete with the floating island of Aeolus. There, Odysseus waits for the right moment to continue his journey home.
Gramvousa is an island encircled by striking sheer cliffs that reflect a reddish-bronze hue at sunset, creating the illusion of towering bronze walls.
The ancient name for the island was ‘Korykos’, meaning ‘leather bag’. Notably, it was on the Isle of Aeolus where Odysseus used a magical leather bag.
In the ‘Blue Caves’ on the west coast of Paxos, identified with some scholars with the island of Circe (Photograph: Patrick Comerford)
Paxos in the Ionian islands is identified with some scholars with the island of Circe, a nature goddess. On leaving the island of Circe, he passes the small island of Antipaxos, southeast of Paxos.
After passing Antipaxos, Odysseus arrives at a spot where he has two choices: one route would take him past the dangerous Wandering Rocks, while the other would take him down a narrow channel with dangers on both sides – on one side, there was Scylla, the serpentine monster, while on the other was Charybdis, the sea monster that swallowed things like a whirlpool.
The explorer Tim Severin suggests the Ionian island of Lefkada or Levkas is the location for the Sirens, the Wandering Rocks, Scylla and Charybdis and the island of Helios’s cattle.
The main beach at Palaiokastritsa … Odysseus is said to have made his last stop there on his way home to Ithaka (Photograph: Patrick Comerford)
Corfu (Kerkyra), the most northerly of the Ionian Islands, is usually identified with Scheria, the land of the Phaeacians and the last destination of Odysseus in his 10-year journey home from Troy to Ithaki.
Although Corfu is not named directly, it has the kind of coastline that makes shipwreck scenes feel believable. Odysseus is washed up exhausted on the shores of Scheria, where King Alcinous and Princess Nausicaa offer hospitality to the weary hero and the Phaeacians provide him with a safe route back home to Ithaka.
Two small islets off the coast of Corfu claim links with the stories of Odysseus and shipwreck.
The Rock of Kolovri in the bay of Palaiokastritsa is said to be the petrified ship of Odysseus (Photograph: Patrick Comerford)
Palaiokastritsa is on the north-west coast of Corfu, about 26 km from Corfu town and airport. The Rock of Kolovri in the bay is said to be the petrified ship of Odysseus, although similar legends are associated with Pontikonisi or ‘Mouse Island’ off Kanoni, near Corfu town.
The legend says that after the Phaeacians had safely helped Odysseus on the last leg of his journey home to Ithaka, they returned to Corfu. But the sea god Poseidon, angered that the Phaeacians had helped his rival, turned their vessel into stone, creating what is now Pontikonisi.
Although this story does not appear explicitly in Homer’s text, it is one of Corfu’s most enduring myths, and Pontikonisi or ‘Mouse Island’ is one of Corfu’s most recognisable landmarks. The tiny, cypress-covered islet sits at the entrance to the Halkiopoulos Lagoon, just south of Corfu Town and under the flight path of Corfu Airport.
Another, more practical explanation for the island’s name is that, when viewed from above, its shape resembles a small mouse – so giving us the Greek name Pontikonisi (Ποντικονήσι), meaning ‘Mouse Island.’
The islet of Pontikonisi, seen behind Vlachеrnа Covent … the Church of the Transfiguration is open to visitors only on 6 August (Photograph: Patrick Comerford)
Pontikonisi is one of the Corfu’s most photographed attractions, ALthough access is limited. Small boats take visitors to the islet during the tourist season, allowing them to explore the chapel and enjoy its tranquil setting among towering cypress trees.
Many visitors choose instead to admire Pontikonisi from the nearby islet of Panagia Vlacherna, home to the whitewashed 17th century convent with the elegant bell tower and waterfront setting that have made it the picture postcard emblem of Corfu.
At its centre of Pontikonisi, the Byzantine Church of Christ Pantokrator dates from the 11th or 12th century. The chapel is generally closed to the public throughout the year but it opens each year on this day, 6 August, the Feast of the Transfiguration, when many people make the short boat trip to attend the annual celebration.
How many of those pilgrims today thought they were following in the path of Odysseus on his ten-year journey home from Troy to Ithaka?
The Throne Room inside the Minoan palatial complex at Knossos … Odysseus repeatedly claims he is a Cretan prince from Knossos to hide his true identity on his return to Ithaka (Photograph: Patrick Comerford
Patrick Comerford
Ἀλλὰ καὶ ὧς ἐθέλω καὶ ἐέλδομαι ἤματα πάντα
οἴκαδέ τ' ἐλθέμεναι καὶ νόστιμον ἦμαρ ἰδέσθαι.
εἰ δ' αὖ τις ῥαίῃσι θεὸς ἐν οἴνοπι πόντῳ,
τλήσομαι ἐν στήθεσσιν ἔχων ἀτληθὲς θυμόν.
Nevertheless I long – I pine, all my days –
to travel home and see the dawn of my return.
And if a god will wreck me yet again on the wine-dark sea,
I can bear that too, with a spirit tempered to endure.
The Odyssey (Book 5, lines 219-222)
Two of the deepest currents of thought running through The Odyssey are ξενία (xenia), the sacred code of hospitality and reciprocal courtesy shown to travellers, strangers and outsiders and the mutual duties of hosts and guests; and νόστος (nostos), homecoming and the longing for home.
In English, the word ‘xenophobia’ is a concept that runs contrary to all the core values found in ξενία (xenia) and in φιλοξενία (philoxenia), a concept that extends far beyond mere hospitality and that remains a shared value among Greeks today.
The word nostalgia is a 17th century compound derived from Greek. It consists of νόστος (nostos), a Homeric word meaning ‘homecoming’, and ἄλγος (álgos), ‘pain’. The word was coined by a medical student to describe the anxieties shown by Swiss mercenaries fighting away from home.
Both concepts in Greek explain how welcome I have felt in Greece for almost 40 years, year after year, and how wistful I feel, longing to return, when I am not there, as though Greece, and particularly Crete, was my second home.
I imagine a spin-off from Christopher Nolan’s box-office success, The Odyssey, is going to be a boost to tourism in Greece, as people seek out locations and settings that associated with the ten-year homeward journey of Odysseus.
Odysseus took 10 years to reach his home in Ithaka after the Trojan wars … a sailing boat in the harbour in Rethymnon after sunset
The three main islands associated with Odysseus are Ithaka, where he was king and which is the home he takes ten years to find his way back to, Kephallonia and Zakynthos.
Ithaki or Ithaca is his home in the Ionian Islands and the emotional core of the entire story. Zakynthos is one of the Ionian islands named in The Odyssey as part of the island world around Odysseus’s kingdom, and neighbouring Kefalonia is often linked with Homer’s Same.
I visited these three islands over the space of two years: Ithaka in 2003, Kephallonia (‘Captain Corelli’s island’) in 2002 and 2003, and Zakynthos in 2002. But that was almost 25 years ago, long before I had a digital camera or a phone with a camera on it, and all my photographs from those trips are inaccessible or lost.
Odysseus travels from Troy to Thrace, and then through the lands of the Lotus-Eaters, Cyclopes, Aeolus and Circe on his way home to Ithaka. Although they are named in The Odyssey, he never visits some of the Dodecanese islands I know, such as Rhodes, Symi and Kos, or Cycladic islands such as Santorini (Thera), although Syros in the Cyclades is identified with Syrie, the home of Eumaeus, Odysseus’ loyal swineherd.
But there are other places in Greece – islands and on the mainland – that are parts of the Odyssey and that may get a boost in tourism figures because of the new film. Some places in the Odyssey are legendary, the subject of conjecture or a topic for debate.
Athena guides Odysseus on his return journey to Ithaka. She is basically the story’s behind-the-scenes operator, and Athens is where her presence is felt most today. Many places in the Peloponnese are part of the narrative, including places I have visited.
Sparti (Sparta), where I stayed in the Menaleon Hotel in 1996, when I was visiting Mystras, is where the Odyssey connects back to the Iliad and the fallout from the Trojan War through Menelaus and Helen. Telemachus visits Menelaus to hear what happened to the Greek heroes after Troy, and why the fate of Odysseus remained uncertain for so long, and he arrives in Pylos to find the local people making offerings to Poseidon by the sea.
The ancient theatre in Epidavros is one of the most perfect ancient Greek theatres in terms of its design and its acoustics. Epidaurus is described in the Iliad as ‘vine-clad Epidaurus’ and contributed along with Argos, Tiryns, Troezen and Ermioni to the Argolid fleet heading to Troy.
Looking out from Preveli Monastery in Crete towards the island of Gavdos, said to be the Ogygia of Calypso where Odysseus stayed for seven years (Photograph: Patrick Comerford)
Crete is connected to the Odyssey primarily as a place mentioned in the epic – specifically as a fictional origin story told by Odysseus, and in historical navigation theories that link real landmarks in Crete to the journey. In Homer’s text, Odysseus repeatedly invents elaborate backstories claiming he is a Cretan prince from Knossos to hide his true identity on his return to Ithaka.
People in Crete say the small of Gavdos is the Ogygia of Calypso, where Odysseus stayed for seven years with the nymph. I have often gazed out at Gavdos from the Monastery of Preveli above the palm forest that was severely damaged by the fires that swept across the Rethymnon region last week. Eventually, Odysseus spurned the offer of eternal life from Calypso and left Ogygia for his journey home
Paleochora, to the west of Preveli and on south-west coast of Crete, has been proposed as a landing point where winds pushed Odysseus off-course toward a small distinct coastal peninsula near Libya before heading back north.
The bay at Gramvousa … the small island off north-west Crete is identified the floating island of Aeolus (Photograph: Patrick Comerford)
After his adventure with Polyphemus, Odysseus continues his journey north. The historian Tim Severin and other historians convincingly identify the small island of Gramvousa off the north-west tip of Crete with the floating island of Aeolus. There, Odysseus waits for the right moment to continue his journey home.
Gramvousa is an island encircled by striking sheer cliffs that reflect a reddish-bronze hue at sunset, creating the illusion of towering bronze walls.
The ancient name for the island was ‘Korykos’, meaning ‘leather bag’. Notably, it was on the Isle of Aeolus where Odysseus used a magical leather bag.
In the ‘Blue Caves’ on the west coast of Paxos, identified with some scholars with the island of Circe (Photograph: Patrick Comerford)
Paxos in the Ionian islands is identified with some scholars with the island of Circe, a nature goddess. On leaving the island of Circe, he passes the small island of Antipaxos, southeast of Paxos.
After passing Antipaxos, Odysseus arrives at a spot where he has two choices: one route would take him past the dangerous Wandering Rocks, while the other would take him down a narrow channel with dangers on both sides – on one side, there was Scylla, the serpentine monster, while on the other was Charybdis, the sea monster that swallowed things like a whirlpool.
The explorer Tim Severin suggests the Ionian island of Lefkada or Levkas is the location for the Sirens, the Wandering Rocks, Scylla and Charybdis and the island of Helios’s cattle.
The main beach at Palaiokastritsa … Odysseus is said to have made his last stop there on his way home to Ithaka (Photograph: Patrick Comerford)
Corfu (Kerkyra), the most northerly of the Ionian Islands, is usually identified with Scheria, the land of the Phaeacians and the last destination of Odysseus in his 10-year journey home from Troy to Ithaki.
Although Corfu is not named directly, it has the kind of coastline that makes shipwreck scenes feel believable. Odysseus is washed up exhausted on the shores of Scheria, where King Alcinous and Princess Nausicaa offer hospitality to the weary hero and the Phaeacians provide him with a safe route back home to Ithaka.
Two small islets off the coast of Corfu claim links with the stories of Odysseus and shipwreck.
The Rock of Kolovri in the bay of Palaiokastritsa is said to be the petrified ship of Odysseus (Photograph: Patrick Comerford)
Palaiokastritsa is on the north-west coast of Corfu, about 26 km from Corfu town and airport. The Rock of Kolovri in the bay is said to be the petrified ship of Odysseus, although similar legends are associated with Pontikonisi or ‘Mouse Island’ off Kanoni, near Corfu town.
The legend says that after the Phaeacians had safely helped Odysseus on the last leg of his journey home to Ithaka, they returned to Corfu. But the sea god Poseidon, angered that the Phaeacians had helped his rival, turned their vessel into stone, creating what is now Pontikonisi.
Although this story does not appear explicitly in Homer’s text, it is one of Corfu’s most enduring myths, and Pontikonisi or ‘Mouse Island’ is one of Corfu’s most recognisable landmarks. The tiny, cypress-covered islet sits at the entrance to the Halkiopoulos Lagoon, just south of Corfu Town and under the flight path of Corfu Airport.
Another, more practical explanation for the island’s name is that, when viewed from above, its shape resembles a small mouse – so giving us the Greek name Pontikonisi (Ποντικονήσι), meaning ‘Mouse Island.’
The islet of Pontikonisi, seen behind Vlachеrnа Covent … the Church of the Transfiguration is open to visitors only on 6 August (Photograph: Patrick Comerford)
Pontikonisi is one of the Corfu’s most photographed attractions, ALthough access is limited. Small boats take visitors to the islet during the tourist season, allowing them to explore the chapel and enjoy its tranquil setting among towering cypress trees.
Many visitors choose instead to admire Pontikonisi from the nearby islet of Panagia Vlacherna, home to the whitewashed 17th century convent with the elegant bell tower and waterfront setting that have made it the picture postcard emblem of Corfu.
At its centre of Pontikonisi, the Byzantine Church of Christ Pantokrator dates from the 11th or 12th century. The chapel is generally closed to the public throughout the year but it opens each year on this day, 6 August, the Feast of the Transfiguration, when many people make the short boat trip to attend the annual celebration.
How many of those pilgrims today thought they were following in the path of Odysseus on his ten-year journey home from Troy to Ithaka?
The Throne Room inside the Minoan palatial complex at Knossos … Odysseus repeatedly claims he is a Cretan prince from Knossos to hide his true identity on his return to Ithaka (Photograph: Patrick Comerford
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04 August 2026
The Greeks have a word (or two)
for it: 65, Odyssey (η Οδύσσεια)
and Odysseus (Ὀδυσσεύς)
How many would-be critics of ‘The Odyssey’ know the meaning of ‘Odyssey’ or the name of Odysseus? … a sailing ship at sunset in Rethymnon (Photograph: Patrick Comerford)
Patrick Comerford
Christopher Nolan’s film The Odyssey is continuing to be a box-office success, and is continuing to inspire criticism and evoke responses not only from film critics but from classicists too and also from people interested in Greek culture and language.
In my reflections in prayer diary this morning, I referred to the small island of Gavdos off the south coast of Crete which is said to be the Ogygia of Calypso where Odysseus stayed for seven years. I have often looked out across to this Ogygia or Gavdos from Preveli Monastery, and so the fires that have devastated the forests and landscape in the Preveli area in the past week are particularly poignant and heart-breaking for me.
But as I was reading some of the more absurd nit-picking about Christopher Nolan’s Odyssey, I wondered too how many of those would-be classicists, including Elon Musk, with his very weird observations, have ever read The Odyssey in its original Homeric Greek, how many understand that it is epic poetry and not historical narrative, and how many actually try to understand the meaning of the name Odyssey or the name of the hero Odysseus?
The Odyssey (η Ὀδύσσεια, Odýsseia) is one of two major epics in ancient Greek literature attributed to Homer. It is one of the oldest surviving works of literature and remains popular with modern audiences.
Like the Iliad, the Odyssey is divided into 24 books. It follows Odysseus, also known in Latin as Ulysses, the heroic king of Ithaca, and his journey home after the ten-year Trojan War. His journey from Troy to Ithaca lasts an additional ten years, during which he encounters many perils and all of his crew members are killed.
During Odysseus’s long absence, he is presumed dead, leaving his wife Penelope and their son Telemachus to contend with a group of unruly suitors vying for Penelope’s hand in marriage.
The Odyssey was first composed around the eighth or seventh century BCE, and by the mid-sixth century BCE, it was part of the Greek literary canon. In antiquity, Homer’s authorship was accepted, but contemporary scholarship assumes that the Iliad and the Odyssey were composed independently, as part of long oral traditions.
In a time when illiteracy was widespread, the poem was performed for an audience by an aoidos (ἀοιδός) or skilled singer.
The key themes in the epic include those of νόστος (nostos, return or homecoming), which gives us the concept of nostalgia, wandering, ξενία (xenia, guest-friendship), testing and omens. while the Iliad centres on the exploits of soldiers and kings during the Trojan War, some groups in the Odyssey, such as women and slaves, have larger roles than in other works of ancient literature, making the poem relevant to today’s agendas.
The Odyssey is one of the most significant works of the western canon. Its first complete English translation was published in 1616 and it remains one of the most enduring narratives in literature.
Posters for ‘The Odyssey’ at Arts Picturehouse, Cambridge (Photograph: Patrick Comerford, 2026)
Odysseus (Ὀδυσσεύς or Ὀδυσεύς, Odysseús or Odyseús) of Greek mythology was known in Roman mythology by the Latin variant Ulysses (Ulysses or Ulixes).
Odysseus was the son of Laërtes and Anticlea, the husband of Penelope, and the father of Telemachus, Acusilaus, and Telegonus. He is cunning with an edge of pride, a liar and a storyteller, too smart by far so that he can wriggle his way out of any tight corner. He has a determination to get his homecoming at almost any cost.
He is renowned for his intellectual brilliance, guile, and versatility. The term πολῠ́τροπος (polytropos) literally means ‘man of many turns’, while some translations ‘man of twists and turns’ and ‘a complicated man’. This, in turn, gives him the epithet Ὀδυσσεύς ὁ πολύμητις (Odysseus ho polymetis), Odysseus the Cunning, μῆτις (mêtis) meaning ‘cunning intelligence’.
Ὀδυσ(σ)εύς (Odys(s)eus) is used as the form of his name starting in the epic period and through the classical period. But other forms and variations are found. In vase inscriptions, the variants include Oliseus (Ὀλισεύς), Olyseus (Ὀλυσεύς), Olysseus (Ὀλυσσεύς), Olyteus (Ὀλυτεύς), Olytteus (Ὀλυττεύς) and Ōlysseus (Ὠλυσσεύς). Other forms of his name include Oulixēs (Οὐλίξης) and Oulixeus (Οὐλιξεύς).
But the etymology of his name remains unknown. Ancient authors link his name to the Greek verbs ὀδύσσομαι (odussomai) ‘to be wroth against, to hate’; ὀδύρομαι (oduromai), ‘to lament, bewail’; or even to ὄλλυμι (ollumi) ‘to perish’, ‘to be lost’.
Homer relates the name to various forms of this verb in references and puns. In Book 19 of the Odyssey, where Odysseus’s early childhood is recounted, Euryclea asks the boy’s grandfather Autolycus to name him. Euryclea seems to suggest a name like Πολυάρητος (Polyaretos), ‘for he has much been prayed for’.
But Autolycus, ‘apparently in a sardonic mood’, decided to give the child another name recalling ‘his own experience in life’: ‘Since I have been angered (ὀδυσσάμενος odyssamenos) with many, both men and women, let the name of the child be Odysseus’.
Odysseus also receives the patronymic epithet Laertiades (Λαερτιάδης), ‘son of Laërtes’.
In Latin, he was known as Ulixēs or Ulyssēs, but the origins of the Latin form have different explanations. However, I sometimes wonder whether James Joyce’s great work Ulysses would have the same impact if he had named it Odysseus or even The Odyssey.
For my reflections on Christopher Nolan’s film The Odyssey, see this posting on 21 July 2027.
For the word Ὀδύσσεια (Odyssey) alone, see an earlier posting in this series: The Greeks have a word for it: 39, Odyssey, Ὀδύσσεια (7 May 2024).
A poster at the bus station in Rethymnon reminded me I was setting out on an Odyssey (Photograph: Patrick Comerford)
Previous words in this series:
1, Neologism, Νεολογισμός.
2, Welcoming the stranger, Φιλοξενία.
3, Bread, Ψωμί.
4, Wine, Οίνος and Κρασί.
5, Yogurt, Γιαούρτι.
6, Orthodoxy, Ορθοδοξία.
7, Sea, Θᾰ́λᾰσσᾰ.
8,Theology, Θεολογία.
9, Icon, Εἰκών.
10, Philosophy, Φιλοσοφία.
11, Chaos, Χάος.
12, Liturgy, Λειτουργία.
13, Greeks, Ἕλληνες or Ρωμαίοι.
14, Mañana, Αύριο.
15, Europe, Εὐρώπη.
16, Architecture, Αρχιτεκτονική.
17, The missing words.
18, Theatre, θέατρον, and Drama, Δρᾶμα.
19, Pharmacy, Φᾰρμᾰκείᾱ.
20, Rhapsody, Ραψῳδός.
21, Holocaust, Ολοκαύτωμα.
22, Hygiene, Υγιεινή.
23, Laconic, Λακωνικός.
24, Telephone, Τηλέφωνο.
25, Asthma, Ασθμα.
26, Synagogue, Συναγωγή.
27, Diaspora, Διασπορά.
28, School, Σχολείο.
29, Muse, Μούσα.
30, Monastery, Μοναστήρι.
31, Olympian, Ολύμπιος.
32, Hypocrite, Υποκριτής.
33, Genocide, Γενοκτονία.
34, Cinema, Κινημα.
35, autopsy and biopsy
36, Exodus, ἔξοδος
37, Bishop, ἐπίσκοπος
38, Socratic, Σωκρατικὸς
39, Odyssey, Ὀδύσσεια
40, Practice, πρᾶξις
41, Idiotic, Ιδιωτικός
42, Pentecost, Πεντηκοστή
43, Apostrophe, ἀποστροφή
44, catastrophe, καταστροφή
45, democracy, δημοκρατία
46, ‘Αρχή, beginning, Τέλος, end
47, ‘Αποκάλυψις, Apocalypse
48, ‘Απόκρυφα, Apocrypha
49, Ἠλεκτρον (Elektron), electric
50, Metamorphosis, Μεταμόρφωσις
51, Bimah, βῆμα
52, ἰχθύς (ichthýs) and ψάρι (psari), fish.
53, Τὰ Βιβλία (Ta Biblia), The Bible
54, Φῐλοξενῐ́ᾱ (Philoxenia), true hospitality
55, εκκλησία (ekklesia), the Church
56, ναός (naos) and ἱερός (ieros), a church
57, Χριστούγεννα (Christougenna), Christmas
58, ἐπιφάνεια (epipháneia), θεοφάνεια, (theopháneia), Epiphany and Theophany
59, Ζέφυρος (Zéphuros), the West Wind
60, Αύριο (Avrio), Tomorrow
61, καλημέρα (κaliméra), ‘Good Morning’, and καλαμάρι, κalamári, ‘squid’
62, Ελευθερία ή θάνατος, ‘Freedom or Death’
63, Ποδόσφαιρο, ‘Football’
64, καφές (coffee), Φραπές (frappé)
65, Odyssey (η Οδύσσεια) and Odysseus (Ὀδυσσεύς)
Series to be continued
Penelope waiting for Odysseus … Μαριάννα Βαλλιάνου, Η επιστροφή, Mariánna Valliánou, ‘The Return’
Patrick Comerford
Christopher Nolan’s film The Odyssey is continuing to be a box-office success, and is continuing to inspire criticism and evoke responses not only from film critics but from classicists too and also from people interested in Greek culture and language.
In my reflections in prayer diary this morning, I referred to the small island of Gavdos off the south coast of Crete which is said to be the Ogygia of Calypso where Odysseus stayed for seven years. I have often looked out across to this Ogygia or Gavdos from Preveli Monastery, and so the fires that have devastated the forests and landscape in the Preveli area in the past week are particularly poignant and heart-breaking for me.
But as I was reading some of the more absurd nit-picking about Christopher Nolan’s Odyssey, I wondered too how many of those would-be classicists, including Elon Musk, with his very weird observations, have ever read The Odyssey in its original Homeric Greek, how many understand that it is epic poetry and not historical narrative, and how many actually try to understand the meaning of the name Odyssey or the name of the hero Odysseus?
The Odyssey (η Ὀδύσσεια, Odýsseia) is one of two major epics in ancient Greek literature attributed to Homer. It is one of the oldest surviving works of literature and remains popular with modern audiences.
Like the Iliad, the Odyssey is divided into 24 books. It follows Odysseus, also known in Latin as Ulysses, the heroic king of Ithaca, and his journey home after the ten-year Trojan War. His journey from Troy to Ithaca lasts an additional ten years, during which he encounters many perils and all of his crew members are killed.
During Odysseus’s long absence, he is presumed dead, leaving his wife Penelope and their son Telemachus to contend with a group of unruly suitors vying for Penelope’s hand in marriage.
The Odyssey was first composed around the eighth or seventh century BCE, and by the mid-sixth century BCE, it was part of the Greek literary canon. In antiquity, Homer’s authorship was accepted, but contemporary scholarship assumes that the Iliad and the Odyssey were composed independently, as part of long oral traditions.
In a time when illiteracy was widespread, the poem was performed for an audience by an aoidos (ἀοιδός) or skilled singer.
The key themes in the epic include those of νόστος (nostos, return or homecoming), which gives us the concept of nostalgia, wandering, ξενία (xenia, guest-friendship), testing and omens. while the Iliad centres on the exploits of soldiers and kings during the Trojan War, some groups in the Odyssey, such as women and slaves, have larger roles than in other works of ancient literature, making the poem relevant to today’s agendas.
The Odyssey is one of the most significant works of the western canon. Its first complete English translation was published in 1616 and it remains one of the most enduring narratives in literature.
Posters for ‘The Odyssey’ at Arts Picturehouse, Cambridge (Photograph: Patrick Comerford, 2026)
Odysseus (Ὀδυσσεύς or Ὀδυσεύς, Odysseús or Odyseús) of Greek mythology was known in Roman mythology by the Latin variant Ulysses (Ulysses or Ulixes).
Odysseus was the son of Laërtes and Anticlea, the husband of Penelope, and the father of Telemachus, Acusilaus, and Telegonus. He is cunning with an edge of pride, a liar and a storyteller, too smart by far so that he can wriggle his way out of any tight corner. He has a determination to get his homecoming at almost any cost.
He is renowned for his intellectual brilliance, guile, and versatility. The term πολῠ́τροπος (polytropos) literally means ‘man of many turns’, while some translations ‘man of twists and turns’ and ‘a complicated man’. This, in turn, gives him the epithet Ὀδυσσεύς ὁ πολύμητις (Odysseus ho polymetis), Odysseus the Cunning, μῆτις (mêtis) meaning ‘cunning intelligence’.
Ὀδυσ(σ)εύς (Odys(s)eus) is used as the form of his name starting in the epic period and through the classical period. But other forms and variations are found. In vase inscriptions, the variants include Oliseus (Ὀλισεύς), Olyseus (Ὀλυσεύς), Olysseus (Ὀλυσσεύς), Olyteus (Ὀλυτεύς), Olytteus (Ὀλυττεύς) and Ōlysseus (Ὠλυσσεύς). Other forms of his name include Oulixēs (Οὐλίξης) and Oulixeus (Οὐλιξεύς).
But the etymology of his name remains unknown. Ancient authors link his name to the Greek verbs ὀδύσσομαι (odussomai) ‘to be wroth against, to hate’; ὀδύρομαι (oduromai), ‘to lament, bewail’; or even to ὄλλυμι (ollumi) ‘to perish’, ‘to be lost’.
Homer relates the name to various forms of this verb in references and puns. In Book 19 of the Odyssey, where Odysseus’s early childhood is recounted, Euryclea asks the boy’s grandfather Autolycus to name him. Euryclea seems to suggest a name like Πολυάρητος (Polyaretos), ‘for he has much been prayed for’.
But Autolycus, ‘apparently in a sardonic mood’, decided to give the child another name recalling ‘his own experience in life’: ‘Since I have been angered (ὀδυσσάμενος odyssamenos) with many, both men and women, let the name of the child be Odysseus’.
Odysseus also receives the patronymic epithet Laertiades (Λαερτιάδης), ‘son of Laërtes’.
In Latin, he was known as Ulixēs or Ulyssēs, but the origins of the Latin form have different explanations. However, I sometimes wonder whether James Joyce’s great work Ulysses would have the same impact if he had named it Odysseus or even The Odyssey.
For my reflections on Christopher Nolan’s film The Odyssey, see this posting on 21 July 2027.
For the word Ὀδύσσεια (Odyssey) alone, see an earlier posting in this series: The Greeks have a word for it: 39, Odyssey, Ὀδύσσεια (7 May 2024).
A poster at the bus station in Rethymnon reminded me I was setting out on an Odyssey (Photograph: Patrick Comerford)
Previous words in this series:
1, Neologism, Νεολογισμός.
2, Welcoming the stranger, Φιλοξενία.
3, Bread, Ψωμί.
4, Wine, Οίνος and Κρασί.
5, Yogurt, Γιαούρτι.
6, Orthodoxy, Ορθοδοξία.
7, Sea, Θᾰ́λᾰσσᾰ.
8,Theology, Θεολογία.
9, Icon, Εἰκών.
10, Philosophy, Φιλοσοφία.
11, Chaos, Χάος.
12, Liturgy, Λειτουργία.
13, Greeks, Ἕλληνες or Ρωμαίοι.
14, Mañana, Αύριο.
15, Europe, Εὐρώπη.
16, Architecture, Αρχιτεκτονική.
17, The missing words.
18, Theatre, θέατρον, and Drama, Δρᾶμα.
19, Pharmacy, Φᾰρμᾰκείᾱ.
20, Rhapsody, Ραψῳδός.
21, Holocaust, Ολοκαύτωμα.
22, Hygiene, Υγιεινή.
23, Laconic, Λακωνικός.
24, Telephone, Τηλέφωνο.
25, Asthma, Ασθμα.
26, Synagogue, Συναγωγή.
27, Diaspora, Διασπορά.
28, School, Σχολείο.
29, Muse, Μούσα.
30, Monastery, Μοναστήρι.
31, Olympian, Ολύμπιος.
32, Hypocrite, Υποκριτής.
33, Genocide, Γενοκτονία.
34, Cinema, Κινημα.
35, autopsy and biopsy
36, Exodus, ἔξοδος
37, Bishop, ἐπίσκοπος
38, Socratic, Σωκρατικὸς
39, Odyssey, Ὀδύσσεια
40, Practice, πρᾶξις
41, Idiotic, Ιδιωτικός
42, Pentecost, Πεντηκοστή
43, Apostrophe, ἀποστροφή
44, catastrophe, καταστροφή
45, democracy, δημοκρατία
46, ‘Αρχή, beginning, Τέλος, end
47, ‘Αποκάλυψις, Apocalypse
48, ‘Απόκρυφα, Apocrypha
49, Ἠλεκτρον (Elektron), electric
50, Metamorphosis, Μεταμόρφωσις
51, Bimah, βῆμα
52, ἰχθύς (ichthýs) and ψάρι (psari), fish.
53, Τὰ Βιβλία (Ta Biblia), The Bible
54, Φῐλοξενῐ́ᾱ (Philoxenia), true hospitality
55, εκκλησία (ekklesia), the Church
56, ναός (naos) and ἱερός (ieros), a church
57, Χριστούγεννα (Christougenna), Christmas
58, ἐπιφάνεια (epipháneia), θεοφάνεια, (theopháneia), Epiphany and Theophany
59, Ζέφυρος (Zéphuros), the West Wind
60, Αύριο (Avrio), Tomorrow
61, καλημέρα (κaliméra), ‘Good Morning’, and καλαμάρι, κalamári, ‘squid’
62, Ελευθερία ή θάνατος, ‘Freedom or Death’
63, Ποδόσφαιρο, ‘Football’
64, καφές (coffee), Φραπές (frappé)
65, Odyssey (η Οδύσσεια) and Odysseus (Ὀδυσσεύς)
Series to be continued
Daily prayer in Ordinary Time 2026:
89, Tuesday 4 August 2026
Looking out from Preveli Monastery in Crete towards the island of Gavdos, said to be the Ogygia of Calypso where Odysseus stayed for seven years (Photograph: Patrick Comerford)
Patrick Comerford
We are continuing in Ordinary Time in the Church Calendar and the week began with the Ninth Sunday after Trinity (Trinity IX, 2 August 2026). The calendar of the Church of England in Common Worship today recalls Jean-Baptiste Vianney (1786-1859), Curé d’Ars and Spiritual Guide.
Before today begins, I am taking some quiet time this morning to give thanks, for reflection, prayer and reading in these ways:
1, today’s Gospel reading;
2, a reflection on the Gospel reading;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
‘And if one blind person guides another, both will fall into a pit’ (Matthew 15: 14) … looking into the crater at the top of Mount Vesuvius (Photograph: Patrick Comerford)
Matthew 15: 1-2,10-14 (NRSVA):
1 Then Pharisees and scribes came to Jesus from Jerusalem and said, 2 ‘Why do your disciples break the tradition of the elders? For they do not wash their hands before they eat.’
10 Then he called the crowd to him and said to them, ‘Listen and understand: 11 it is not what goes into the mouth that defiles a person, but it is what comes out of the mouth that defiles.’ 12 Then the disciples approached and said to him, ‘Do you know that the Pharisees took offence when they heard what you said?’ 13 He answered, ‘Every plant that my heavenly Father has not planted will be uprooted. 14 Let them alone; they are blind guides of the blind. And if one blind person guides another, both will fall into a pit.’
Homer, who is traditionally said to have been blind, tells of the 10-year return journey of Odysseus to his home in Ithaka (Photograph: Patrick Comerford)
Today’s Reflections:
‘Let them alone; they are blind guides of the blind. And if one blind person guides another, both will fall into a pit’ (Matthew 15: 14).
There were two choices in the lectionary for Gospel readings at the Eucharist yesterday (Monday 3 August): Matthew 14: 13-21, or Matthew 14: 22-36. The first choice was also the Gospel reading on Sunday, and so in my reflections yesterday I looked at the second choice (Matthew 14: 22-36).
Once again, the lectionary offers two choices in the Gospel readings at the Eucharist today (Tuesday 4 August): Matthew 14: 22-36, which I read and reflected on yesterday, or Matthew 15: 1-2, 10-14, which I am reading and reflecting on this morning.
At a surface level, today’s Gospel passage is about religious rituals, purification rites and liturgical niceties. However, the challenge in this reading is a question of pure religious rather than ritual purification: What defiles a person? Is this a liturgical nicety or a moral problem?
It is far too easy for me to want to be seen to do the right thing, rather than doing the right thing, whether or not anyone sees what I am doing, or even when those nearby are blind to what I am doing … or even to what I am not doing.
What leads me to do the right thing? Am I too easily led by others? Do I blindly follow the demands of others and allow their expectations to lead me into a pit, into a moral abyss, dragging others down with me in the process? And once I am there, how can I get out of that dark cave?
Plato’s ‘Allegory of the Cave’ (The Republic, Book VII) imagines a deep, dark cave in which some chained prisoners are forced to look at a wall. Behind them flickers the pale light of a fire, and between the fire and the prisoners, various objects cast a shadow onto the wall.
The prisoners, born into this condition, know only the shadows and think that they are all there is to the world. And so, they become shadow experts, and spend all of their days classifying, studying and examining them closely.
One day, a prisoner breaks free. He rushes from the cave and finds himself out in the dazzling sun. After savouring all of the marvels of the world, she is overcome with pity, and drags herself back into the cave to save her friends. But since her eyes are still dazzled from the bright sun, she cannot see so well in the dark cave. When she tells the prisoners of the wonders to be seen outside, they mock her inability to see shadows, tell her she is a fool, and threaten to kill her.
Plato’s story is a metaphor, telling us how we need to look behind the first impressions and what appears to be the case to see the truth of the matter. We need to exercise introspection and to examine our thoughts with reasoning and the bright glare of truth. We cannot let the blind lead the blind.
Those particular Pharisees and scribes seem to be more worried about what they have not seen the disciples doing on occasion rather than commending the good they may actually be doing, noticed or unnoticed, day-by-day.
Moral leadership often comes not in the form of great tomes or well-argued books on ethics and philosophy, but in the form of the expectations that are laid on us or projected onto us from within our own peer group, from our contemporaries, from those we do not want to let down, from those we seldom question yet often follow blindly.
It is easier to follow those pressures blindly than risk finding ourselves in the dark and alone simply for doing the right thing for no other reason than it is the right thing to do.
I was talking recently with someone about Chrisopher Nolan’s new film Odyssey, which is continuing to take cinemas everywhere by storm. In a witty response, that person joked: ‘It’s no wonder it took him 10 years to get home. Homer was blind. If I was following his directions I’d be straying take 10 years to get home too.’
In his reflections on ‘Thought for the Day’ on Radio 4 about two weeks ago (24 July 2026), the Revd Dr Giles Fraser talked about some of those blind alleys and diversions that delay Odysseus and frustrate his epic journey home.
On the island of Ogygia, the beautiful nymph Calypso tries to entice him to stay with her, promising he would never age, never die. She offers eternal life, youth and freedom from pain, danger and death if he stays with her on Ogygia. And yet, after seven years, Odysseus eventually refuses the temptation to achieve immortality, preferring risk and death over immortality and agelessness, refuses the goddess and chooses to leave, fully aware that his mortal home of Ithaca is exposed to risk, decay, and death.
Giles Fraser refers to an essay on why Odysseus is right to refuse this, in which the American philosopher Professor Martha Nussbaum of the University of Chicago argues that there are some things that the immortal gods are not able to do that mortal human beings are: not least amongst them is to show courage. If I cannot risk everything because I cannot die, then how could I possibly be courageous?
What sort of life would Odysseus have if he stays with Calypso on her perfect deathless island, and gave up any need for all his craft and resourcefulness?
‘And what would love mean’, he asks ‘if you could never put anything on the line for others? That’s why we cheer Odysseus on as he decides to refuse Calypso her seemingly unrefusable offer.’
Martha Nussbaum, who is Jewish, suggests that there is something about this refusal of invulnerability that explains one of the key features of Christian theology: of God becoming human, of God who is prepared to suffer and die in the name of love.
‘What is attractive about both Odysseus and Jesus is that they are prepared to have skin in the game, which is pretty much the very definition of incarnation’, Giles Fraser says.
He suggests that to live beyond the realm of suffering and death would be to live in a way that is no longer human – without the possibility of heroism, without the possibility of risking all for love. ‘Why is it, for instance, that so often in Greek mythology, perfect gods fall in love with imperfect human beings rather than their own kind? Because fragile humanity can exhibit exciting virtues, risky love-soaked heroism in the way that the gods just cannot.’
Of course, he agrees, none of us wants those we love to be taken from us. Yet also, death is what makes life valuable and precious. As the late Queen Elizabeth put it: ‘Grief is the price we pay for love’.
What Odysseus discovers on Calypso’s Island – often identified by Greeks with the small island of Gavdos, off Preveli and the south coast of Crete – is that without death, life will be drained of its meaning.
Allowing those who are morally blind to lead us because it seems to be the safe thing to do, allowing our priorities in life to be dictated by appearances and being seen to do what is acceptable so that we live risk-free lives, our lives will be drained of meaning and of love too.
‘It is not what goes into the mouth that defiles a person, but it is what comes out of the mouth that defiles’(Matthew 15: 11) … street art in Dublin (Photograph: Patrick Comerford)
Today’s Prayers (Tuesday 4 August 2026):
In my prayers this morning, I am praying for the people of Preveli, Aghia Galini, and other areas south of Rethymnon, who hve seen their natural surroundings destroyed in the recent wildfires that have swept acorss their parts of Crete over the past week or so. In difficult circumstances, may they find wisdom, resilience and hope. And I give thanks too for the two firefighters who died risking their lives so that other people might live.
In Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), the theme this week (2-8 August 2026, pp 24-25), is ‘Faith Under Pressure in Nicaragua’. This theme was introduced on Sunday with a Reflection by the Most Revd Juan David Alvarado, Bishop of El Salvador and Primate of the Province of the Anglican Church in Central America.
The USPG prayer diary today (Tuesday 4 August 2026) invites us to pray:
Gracious God, uphold Bishop Harold Dixon and all clergy serving in difficult circumstances. Give them wisdom, resilience, and hope in their ministry.
The Collect of the Day:
Almighty God,
who sent your Holy Spirit
to be the life and light of your Church:
open our hearts to the riches of your grace,
that we may bring forth the fruit of the Spirit
in love and joy and peace;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post Communion Prayer:
Holy Father,
who gathered us here around the table of your Son
to share this meal with the whole household of God:
in that new world where you reveal the fullness of your peace,
gather people of every race and language
to share in the eternal banquet of Jesus Christ our Lord.
Additional Collect:
Gracious Father,
revive your Church in our day,
and make her holy, strong and faithful,
for your glory’s sake
in Jesus Christ our Lord.
Yesterday’s reflections
Continued tomorrow
Plato’s ‘Allegory of the Cave’ tells of the difficulty of the blind agreeing to be led by the once-blind (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Patrick Comerford
We are continuing in Ordinary Time in the Church Calendar and the week began with the Ninth Sunday after Trinity (Trinity IX, 2 August 2026). The calendar of the Church of England in Common Worship today recalls Jean-Baptiste Vianney (1786-1859), Curé d’Ars and Spiritual Guide.
Before today begins, I am taking some quiet time this morning to give thanks, for reflection, prayer and reading in these ways:
1, today’s Gospel reading;
2, a reflection on the Gospel reading;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
‘And if one blind person guides another, both will fall into a pit’ (Matthew 15: 14) … looking into the crater at the top of Mount Vesuvius (Photograph: Patrick Comerford)
Matthew 15: 1-2,10-14 (NRSVA):
1 Then Pharisees and scribes came to Jesus from Jerusalem and said, 2 ‘Why do your disciples break the tradition of the elders? For they do not wash their hands before they eat.’
10 Then he called the crowd to him and said to them, ‘Listen and understand: 11 it is not what goes into the mouth that defiles a person, but it is what comes out of the mouth that defiles.’ 12 Then the disciples approached and said to him, ‘Do you know that the Pharisees took offence when they heard what you said?’ 13 He answered, ‘Every plant that my heavenly Father has not planted will be uprooted. 14 Let them alone; they are blind guides of the blind. And if one blind person guides another, both will fall into a pit.’
Homer, who is traditionally said to have been blind, tells of the 10-year return journey of Odysseus to his home in Ithaka (Photograph: Patrick Comerford)
Today’s Reflections:
‘Let them alone; they are blind guides of the blind. And if one blind person guides another, both will fall into a pit’ (Matthew 15: 14).
There were two choices in the lectionary for Gospel readings at the Eucharist yesterday (Monday 3 August): Matthew 14: 13-21, or Matthew 14: 22-36. The first choice was also the Gospel reading on Sunday, and so in my reflections yesterday I looked at the second choice (Matthew 14: 22-36).
Once again, the lectionary offers two choices in the Gospel readings at the Eucharist today (Tuesday 4 August): Matthew 14: 22-36, which I read and reflected on yesterday, or Matthew 15: 1-2, 10-14, which I am reading and reflecting on this morning.
At a surface level, today’s Gospel passage is about religious rituals, purification rites and liturgical niceties. However, the challenge in this reading is a question of pure religious rather than ritual purification: What defiles a person? Is this a liturgical nicety or a moral problem?
It is far too easy for me to want to be seen to do the right thing, rather than doing the right thing, whether or not anyone sees what I am doing, or even when those nearby are blind to what I am doing … or even to what I am not doing.
What leads me to do the right thing? Am I too easily led by others? Do I blindly follow the demands of others and allow their expectations to lead me into a pit, into a moral abyss, dragging others down with me in the process? And once I am there, how can I get out of that dark cave?
Plato’s ‘Allegory of the Cave’ (The Republic, Book VII) imagines a deep, dark cave in which some chained prisoners are forced to look at a wall. Behind them flickers the pale light of a fire, and between the fire and the prisoners, various objects cast a shadow onto the wall.
The prisoners, born into this condition, know only the shadows and think that they are all there is to the world. And so, they become shadow experts, and spend all of their days classifying, studying and examining them closely.
One day, a prisoner breaks free. He rushes from the cave and finds himself out in the dazzling sun. After savouring all of the marvels of the world, she is overcome with pity, and drags herself back into the cave to save her friends. But since her eyes are still dazzled from the bright sun, she cannot see so well in the dark cave. When she tells the prisoners of the wonders to be seen outside, they mock her inability to see shadows, tell her she is a fool, and threaten to kill her.
Plato’s story is a metaphor, telling us how we need to look behind the first impressions and what appears to be the case to see the truth of the matter. We need to exercise introspection and to examine our thoughts with reasoning and the bright glare of truth. We cannot let the blind lead the blind.
Those particular Pharisees and scribes seem to be more worried about what they have not seen the disciples doing on occasion rather than commending the good they may actually be doing, noticed or unnoticed, day-by-day.
Moral leadership often comes not in the form of great tomes or well-argued books on ethics and philosophy, but in the form of the expectations that are laid on us or projected onto us from within our own peer group, from our contemporaries, from those we do not want to let down, from those we seldom question yet often follow blindly.
It is easier to follow those pressures blindly than risk finding ourselves in the dark and alone simply for doing the right thing for no other reason than it is the right thing to do.
I was talking recently with someone about Chrisopher Nolan’s new film Odyssey, which is continuing to take cinemas everywhere by storm. In a witty response, that person joked: ‘It’s no wonder it took him 10 years to get home. Homer was blind. If I was following his directions I’d be straying take 10 years to get home too.’
In his reflections on ‘Thought for the Day’ on Radio 4 about two weeks ago (24 July 2026), the Revd Dr Giles Fraser talked about some of those blind alleys and diversions that delay Odysseus and frustrate his epic journey home.
On the island of Ogygia, the beautiful nymph Calypso tries to entice him to stay with her, promising he would never age, never die. She offers eternal life, youth and freedom from pain, danger and death if he stays with her on Ogygia. And yet, after seven years, Odysseus eventually refuses the temptation to achieve immortality, preferring risk and death over immortality and agelessness, refuses the goddess and chooses to leave, fully aware that his mortal home of Ithaca is exposed to risk, decay, and death.
Giles Fraser refers to an essay on why Odysseus is right to refuse this, in which the American philosopher Professor Martha Nussbaum of the University of Chicago argues that there are some things that the immortal gods are not able to do that mortal human beings are: not least amongst them is to show courage. If I cannot risk everything because I cannot die, then how could I possibly be courageous?
What sort of life would Odysseus have if he stays with Calypso on her perfect deathless island, and gave up any need for all his craft and resourcefulness?
‘And what would love mean’, he asks ‘if you could never put anything on the line for others? That’s why we cheer Odysseus on as he decides to refuse Calypso her seemingly unrefusable offer.’
Martha Nussbaum, who is Jewish, suggests that there is something about this refusal of invulnerability that explains one of the key features of Christian theology: of God becoming human, of God who is prepared to suffer and die in the name of love.
‘What is attractive about both Odysseus and Jesus is that they are prepared to have skin in the game, which is pretty much the very definition of incarnation’, Giles Fraser says.
He suggests that to live beyond the realm of suffering and death would be to live in a way that is no longer human – without the possibility of heroism, without the possibility of risking all for love. ‘Why is it, for instance, that so often in Greek mythology, perfect gods fall in love with imperfect human beings rather than their own kind? Because fragile humanity can exhibit exciting virtues, risky love-soaked heroism in the way that the gods just cannot.’
Of course, he agrees, none of us wants those we love to be taken from us. Yet also, death is what makes life valuable and precious. As the late Queen Elizabeth put it: ‘Grief is the price we pay for love’.
What Odysseus discovers on Calypso’s Island – often identified by Greeks with the small island of Gavdos, off Preveli and the south coast of Crete – is that without death, life will be drained of its meaning.
Allowing those who are morally blind to lead us because it seems to be the safe thing to do, allowing our priorities in life to be dictated by appearances and being seen to do what is acceptable so that we live risk-free lives, our lives will be drained of meaning and of love too.
‘It is not what goes into the mouth that defiles a person, but it is what comes out of the mouth that defiles’(Matthew 15: 11) … street art in Dublin (Photograph: Patrick Comerford)
Today’s Prayers (Tuesday 4 August 2026):
In my prayers this morning, I am praying for the people of Preveli, Aghia Galini, and other areas south of Rethymnon, who hve seen their natural surroundings destroyed in the recent wildfires that have swept acorss their parts of Crete over the past week or so. In difficult circumstances, may they find wisdom, resilience and hope. And I give thanks too for the two firefighters who died risking their lives so that other people might live.
In Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), the theme this week (2-8 August 2026, pp 24-25), is ‘Faith Under Pressure in Nicaragua’. This theme was introduced on Sunday with a Reflection by the Most Revd Juan David Alvarado, Bishop of El Salvador and Primate of the Province of the Anglican Church in Central America.
The USPG prayer diary today (Tuesday 4 August 2026) invites us to pray:
Gracious God, uphold Bishop Harold Dixon and all clergy serving in difficult circumstances. Give them wisdom, resilience, and hope in their ministry.
The Collect of the Day:
Almighty God,
who sent your Holy Spirit
to be the life and light of your Church:
open our hearts to the riches of your grace,
that we may bring forth the fruit of the Spirit
in love and joy and peace;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post Communion Prayer:
Holy Father,
who gathered us here around the table of your Son
to share this meal with the whole household of God:
in that new world where you reveal the fullness of your peace,
gather people of every race and language
to share in the eternal banquet of Jesus Christ our Lord.
Additional Collect:
Gracious Father,
revive your Church in our day,
and make her holy, strong and faithful,
for your glory’s sake
in Jesus Christ our Lord.
Yesterday’s reflections
Continued tomorrow
Plato’s ‘Allegory of the Cave’ tells of the difficulty of the blind agreeing to be led by the once-blind (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
06 July 1996
Athens seeks EU interest in bringing peace to the Aegean
World View
Patrick Comerford
When the Tanaiste Mr Spring meets the Greek Foreign Minister, Mr Theodoros Pangalos, next Friday, his main efforts are likely to be directed at encouraging the Greeks to lift their veto on Meda, the Mediterranean Economic Development Aid programme being blocked by Athens because of proposals to include Turkey.
Meda involves 13 Mediterranean countries, but Greece is try ding to devise a formula so that all of them, except Turkey, receive the funds.
The two Greek priorities are the continuing territorial claims being made in the Aegean by Ankara, and Greek hopes that the Irish presidency will see a new initiative on Cyprus. The Cypriots have been promised that talks on the accession of Cyprus will open when the IGC concludes. They hope to become full members, along with Malta, by 1999 or 2000. There is intense speculation now that an Irish diplomat will be appointed as the EU's special negotiator on Cyprus.
Cyprus is still the key to Greek relations with Turkey, according to Professor Yannis Valinakis of the University of Athens, who said recently. “Progress in Cyprus would greatly facilitate Greek Turkish relations and contribute to the relaxation of regional tensions.” In recent days, the tension between Greece and Turkey has eased in the Aegean, with both sides agreeing to suspend naval manoeuvres this summer to avoid any clashes.
Mr Pangalos says Athens wants to suspend manoeuvres to avoid any incident with Turkey, and the Turkish Foreign Minister, Ms Tansu Ciller, says. “Our government believes that measures like this create an atmosphere conducive to solving the problems between Turkey and Greece.”
But Greek Turkish relations are at their lowest ebb since the Turkish invasion of Cyprus in 1974, and Athens and Ankara recognise the tension could be damaging to tourism in both Greece and Turkey.
In Athens, Mr Spring will be meeting a more confident Mr Pangalos, whose position has been firmly consolidated since the Prime Minister, Mr Costas Simitis, won a tough internal party battle to become president of the ruling Panhellenic Socialist Movement (Pasok).
The prime minister’s two key allies in the party battle were Mr Pangalos and the Development Minister, Dr Vasso Papandreou, who can now expect promotion in a cabinet shuffle, possibly ahead of Mr Spring’s arrival. Both are experienced negotiators when it comes to European affairs: Ms Papandreou is a former social affairs commissioner, and Mr Pangalos was a tough negotiator as European affairs minister.
In recent weeks, Mr Pangalos has taken a tough stand against the multiplying Turkish claims. The Aegean neighbours came to the brink of open hostilities in January after a Turkish landing party took possession of the tiny islet of Imia. The claims have persisted since, with the Greeks demanding Ankara go to the International Court and the Turks demanding that Athens should agree to negotiations on the Turkish claims.
The Turks added to their claims at the beginning of the summer, when Ankara indicated it regarded the small island of Gavdos off the south coast of Crete and 400 km south-west of the Turkish coast as disputed territory or a “grey area”.
Last month, the Turkish daily Millyet identified three more “orphan islands” in the Dodecanese to join the growing list of islands regarded by the Turkish government as grey areas, Farmakonisi, Kalolimnos and Agathonisi.
The report said the Turkish Foreign Ministry would openly question Greek sovereignty on the islands if Greece exercised its right under the Law of the Sea Treaty to extend its territorial waters from six to 12 miles.
It is the view of Mr Simitis that Turkey openly disputes all legal documents and international treaties concerning Greek titles in the Aegean islands. This creates another source of for the region's stability. He beleives Turkey is openly disputing the Lausanne Treaty which settled the borders between Turkey and Greece in 1922.
At a Pasok party meeting in Patras, Mr Pangalos, known for his colourful turn of phrase, accused Turkey of Nazi like tactics in the Aegean and compared Turkey’s claims to the islands with Hitler’s claims to Czechoslovakia and Poland.
Gavdos has been part of the modern Greek state since Crete was incorporated into it in 1913. Any question mark over the status of Gavdos raises the spectre of Turkish claims to all Ottoman possessions prior to the outbreak of the first World War claims that could be devastating throughout the Eastern Mediterranean and the Middle East. But Turkey's claims to Imia and its attitude to the status of the Dodecanese islands of Farmakonisi, Kalolimnos and Agathonisi are equally absurd.
The Dodecanese were taken by Italy in 1912. Under the Treaty of Sevres in 1920, the Dodecanese were ceded to Greece along with Smyrna and part of the Anatolian hinterland, but the treaty was never ratified, and with the Lausanne Treaty of 1923 the islands were placed under Italian sovereignty.
The Italian administration attempted a forcible Latinisation of the people, and spoken Greek and Greek Orthodox observances were banned in public from 1920. But the Italians were in no doubt that the islands were part of Greece.
In 1932, Italy and Turkey signed two agreements on the delimitation of the maritime frontier between the Dodecanese and the Turkish coast.
The first agreement, on January 4th, sets down the exact maritime frontier between the Turkish coast and the island of Kastellorizo in the south east Dodecanese. The second agreement, on December 28th, 1932, marked the maritime frontier between the Turkish coast and the rest of the Dodecanese. Both sides immediately implemented the agreements and abided by their provisions.
The Germans troops who surrendered to the Greeks on the island of Symi on May 8th, 1945, were the last Germans to lay down their arms. As one commentator noted, in their surrender, even the Nazis recognised the Dodecanese as Greek. Under the Paris Peace Treaty of 1947, the islands were formally transferred to Greek sovereignty.
Official maps of the Italian government in 1936, the official Turkish air and maritime navigation maps in 1953, and more recently maps from the US air force in 1994, the US Defence Mapping Agency, the Russian navy, the Turkish Foreign Ministry, the Turkish Geographical Service, and the EU’s Corine environmental programme all show Turkey’s acceptance of the 1932 agreements under which Imia, Farmakonisi, Kalolimnos and Agathonisi are marked clearly as Italian, and later Greek, territory.
Athens has been disappointed with the EU’s failure to support Greece against the Turkish claims. Mr Pangalos has argued that the release of EU aid to Turkey would encourage Turkish “expansionism”. Mr Simitis points out that Greece is the only European country facing an open threat against its territory not only in the Aegean but its entire borderline.
With the future of Ms Ciller’s coalition pact with Mr Necmettin Erbakan and his Islamic Welfare Party now precarious and dependent on the far-right ultra nationalist Grand Unity Party, she is in no position as foreign minister to climb down in the Aegean.
Despite her concessions on manoeuvres this week, we could, in the words of Mr Pangalos last month, be facing a long hot summer in the Aegean, and Mr Spring may make no progress on changing minds in Athens about Meda.
This news analysis feature was first published in The Irish Times on 6 July 1996
Patrick Comerford
When the Tanaiste Mr Spring meets the Greek Foreign Minister, Mr Theodoros Pangalos, next Friday, his main efforts are likely to be directed at encouraging the Greeks to lift their veto on Meda, the Mediterranean Economic Development Aid programme being blocked by Athens because of proposals to include Turkey.
Meda involves 13 Mediterranean countries, but Greece is try ding to devise a formula so that all of them, except Turkey, receive the funds.
The two Greek priorities are the continuing territorial claims being made in the Aegean by Ankara, and Greek hopes that the Irish presidency will see a new initiative on Cyprus. The Cypriots have been promised that talks on the accession of Cyprus will open when the IGC concludes. They hope to become full members, along with Malta, by 1999 or 2000. There is intense speculation now that an Irish diplomat will be appointed as the EU's special negotiator on Cyprus.
Cyprus is still the key to Greek relations with Turkey, according to Professor Yannis Valinakis of the University of Athens, who said recently. “Progress in Cyprus would greatly facilitate Greek Turkish relations and contribute to the relaxation of regional tensions.” In recent days, the tension between Greece and Turkey has eased in the Aegean, with both sides agreeing to suspend naval manoeuvres this summer to avoid any clashes.
Mr Pangalos says Athens wants to suspend manoeuvres to avoid any incident with Turkey, and the Turkish Foreign Minister, Ms Tansu Ciller, says. “Our government believes that measures like this create an atmosphere conducive to solving the problems between Turkey and Greece.”
But Greek Turkish relations are at their lowest ebb since the Turkish invasion of Cyprus in 1974, and Athens and Ankara recognise the tension could be damaging to tourism in both Greece and Turkey.
In Athens, Mr Spring will be meeting a more confident Mr Pangalos, whose position has been firmly consolidated since the Prime Minister, Mr Costas Simitis, won a tough internal party battle to become president of the ruling Panhellenic Socialist Movement (Pasok).
The prime minister’s two key allies in the party battle were Mr Pangalos and the Development Minister, Dr Vasso Papandreou, who can now expect promotion in a cabinet shuffle, possibly ahead of Mr Spring’s arrival. Both are experienced negotiators when it comes to European affairs: Ms Papandreou is a former social affairs commissioner, and Mr Pangalos was a tough negotiator as European affairs minister.
In recent weeks, Mr Pangalos has taken a tough stand against the multiplying Turkish claims. The Aegean neighbours came to the brink of open hostilities in January after a Turkish landing party took possession of the tiny islet of Imia. The claims have persisted since, with the Greeks demanding Ankara go to the International Court and the Turks demanding that Athens should agree to negotiations on the Turkish claims.
The Turks added to their claims at the beginning of the summer, when Ankara indicated it regarded the small island of Gavdos off the south coast of Crete and 400 km south-west of the Turkish coast as disputed territory or a “grey area”.
Last month, the Turkish daily Millyet identified three more “orphan islands” in the Dodecanese to join the growing list of islands regarded by the Turkish government as grey areas, Farmakonisi, Kalolimnos and Agathonisi.
The report said the Turkish Foreign Ministry would openly question Greek sovereignty on the islands if Greece exercised its right under the Law of the Sea Treaty to extend its territorial waters from six to 12 miles.
It is the view of Mr Simitis that Turkey openly disputes all legal documents and international treaties concerning Greek titles in the Aegean islands. This creates another source of for the region's stability. He beleives Turkey is openly disputing the Lausanne Treaty which settled the borders between Turkey and Greece in 1922.
At a Pasok party meeting in Patras, Mr Pangalos, known for his colourful turn of phrase, accused Turkey of Nazi like tactics in the Aegean and compared Turkey’s claims to the islands with Hitler’s claims to Czechoslovakia and Poland.
Gavdos has been part of the modern Greek state since Crete was incorporated into it in 1913. Any question mark over the status of Gavdos raises the spectre of Turkish claims to all Ottoman possessions prior to the outbreak of the first World War claims that could be devastating throughout the Eastern Mediterranean and the Middle East. But Turkey's claims to Imia and its attitude to the status of the Dodecanese islands of Farmakonisi, Kalolimnos and Agathonisi are equally absurd.
The Dodecanese were taken by Italy in 1912. Under the Treaty of Sevres in 1920, the Dodecanese were ceded to Greece along with Smyrna and part of the Anatolian hinterland, but the treaty was never ratified, and with the Lausanne Treaty of 1923 the islands were placed under Italian sovereignty.
The Italian administration attempted a forcible Latinisation of the people, and spoken Greek and Greek Orthodox observances were banned in public from 1920. But the Italians were in no doubt that the islands were part of Greece.
In 1932, Italy and Turkey signed two agreements on the delimitation of the maritime frontier between the Dodecanese and the Turkish coast.
The first agreement, on January 4th, sets down the exact maritime frontier between the Turkish coast and the island of Kastellorizo in the south east Dodecanese. The second agreement, on December 28th, 1932, marked the maritime frontier between the Turkish coast and the rest of the Dodecanese. Both sides immediately implemented the agreements and abided by their provisions.
The Germans troops who surrendered to the Greeks on the island of Symi on May 8th, 1945, were the last Germans to lay down their arms. As one commentator noted, in their surrender, even the Nazis recognised the Dodecanese as Greek. Under the Paris Peace Treaty of 1947, the islands were formally transferred to Greek sovereignty.
Official maps of the Italian government in 1936, the official Turkish air and maritime navigation maps in 1953, and more recently maps from the US air force in 1994, the US Defence Mapping Agency, the Russian navy, the Turkish Foreign Ministry, the Turkish Geographical Service, and the EU’s Corine environmental programme all show Turkey’s acceptance of the 1932 agreements under which Imia, Farmakonisi, Kalolimnos and Agathonisi are marked clearly as Italian, and later Greek, territory.
Athens has been disappointed with the EU’s failure to support Greece against the Turkish claims. Mr Pangalos has argued that the release of EU aid to Turkey would encourage Turkish “expansionism”. Mr Simitis points out that Greece is the only European country facing an open threat against its territory not only in the Aegean but its entire borderline.
With the future of Ms Ciller’s coalition pact with Mr Necmettin Erbakan and his Islamic Welfare Party now precarious and dependent on the far-right ultra nationalist Grand Unity Party, she is in no position as foreign minister to climb down in the Aegean.
Despite her concessions on manoeuvres this week, we could, in the words of Mr Pangalos last month, be facing a long hot summer in the Aegean, and Mr Spring may make no progress on changing minds in Athens about Meda.
This news analysis feature was first published in The Irish Times on 6 July 1996
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