06 December 2013

Art for Advent (6): ‘The Feast of
Saint Nicholas’ by Jan Steen

‘The Feast of Saint Nicholas’ by Jan Steen

Patrick Comerford

Today [6 December 2013] is the Feast of Saint Nicholas, the fifth century Bishop of Myra who is the inspiration for our Santa Claus stories at Christmas-time.

And so, my choice of art for this morning is The Feast of Saint Nicholas (Het Sint Nicolaasfeest) by Jan Steen (1626-1679). The scene shows a family at home on 5 December, the night before the Feast of Saint Nicholas or Sinterklaas.

Steen painted at least six pictures of the Feast of Saint Nicholas, the festival traditionally dedicated to Dutch children. This painting is the Rijksmuseum in Amsterdam was painted ca 1665-1668, and measures 82 x 70.5 cm. Jan Steen was a Dutch contemporary of Jan Vermeer. While Vermeer focussed primarily on scenes with women in idyllic settings, Steen chose domestic scenes that show a less perfect and more realistic picture of daily life.

On the eve of the feast, 5 December, Saint Nicholas comes to the Netherlands from the sea to leave gifts in the shoes of children. He gives the good ones cakes, sweets, and toys, while his faithful companion Black Poet gives the naughty ones colas and canes.

In this morning’s painting, a complicated play of diagonals helps bind the family of 10 together – from the heap of special pastries to the man pointing to the chimney on the right, through which Saint Nicholas arrived in the house, and from the carved table covered with sweets up to the girl holding the shoe with the distressing birch-rod.

Figures leaning in one direction are balanced by those leaning in the other; foreground and background, right and left are held together by gestures, glances, and expressions. The smiling boy who points to the shoe invites me as the onlooker into in the intimacy of the family by smiling directly out at me.

The focal point of this painting is the youngest daughter in the family, a golden-haired child in a golden smock. We can imagine she has behaved all year, and Saint Nicholas has rewarded her by stuffing her shoe with a doll and other treats, which she carries in a bucket.

The girl provides a stark contrast with her elder brother, who stands to her right. He is sobbing, while another brother looks on, laughing. Apparently, the elder brother has been naughty, and his shoe, held up by an elder sister behind him, has been left empty.

And yet there is hope for the sobbing boy. Unknown to him, hidden in the background and obscured by the curtains, the children’s grandmother seems to be calling him. Perhaps she is hiding a gift for him too behind those curtains.

While the children’s mother attempts to coax the golden girl to show her gifts their father, sitting in the centre of the painting, seems to smile as he remembers his own childhood on this night. Further to the right, another child is holding a baby and pointing up the chimney, while a younger child looks on in wonder, as he has probably just been told that this is how Sinterklaas comes into the house.

In the lower right corner of the painting, we see a basket of assorted traditional Christmas sweetmeats such as honey cake, gingerbread, waffles and nuts, and apples. On the left, the apple and the coin refer to an old tradition of giving hidden apples and coins as presents. A cake leans against the table and marks the special occasion.

But are there any religious meanings from the 17th century in this painting?

The child near the chimney holds a gingerbread man in the shape of Saint Nicholas, a symbol of the struggle between Dutch Catholics and Protestants, an example of Catholic devotion to the saints that was not approved of by Protestants at the time. Indeed, in the 17th century, the baking of these saintly figures, especially Saint Nicholas, was forbidden in some cities.

Collect (Common Worship):

Almighty Father, lover of souls,
who didst choose thy servant Nicholas
to be a bishop in the Church,
that he might give freely out of the treasures of thy grace:
make us mindful of the needs of others
and, as we have received, so teach us also to give;
through Jesus Christ thy Son our Lord,
who liveth and reigneth with thee,
in the unity of the Holy Spirit,
one God, now and for ever.

Tomorrow:The Blessed Damozel’ by John Byam Liston Shaw (1872-1919)

Meeting Nelson Mandela on
his long walk to freedom

President Mandela in Dublin when he received an honorary degree from Trinity College Dublin

Patrick Comerford

The death of Nelson Mandela this evening [5 December 2013] comes as South Africa prepares to mark 20 years of freedom. It is less than six months since I took part in the prayer vigil for Nelson Mandela in Christ Church Cathedral, Dublin, on 20 June.

Now, Madiba’s death tonight leaves a great vacuum when it comes to global political leaders with stature and moral integrity.

But, as world leaders line up to pay tribute to Madiba and queue for their tickets to fly to South Africa for his funeral, am I being a little too churlish or a little too early to ask: who were Nelson Mandela’s friends while he spent 27 years in jail for resisting racism and the oppressive apartheid regime?

While Mandela was still in prison on Robben Island, it was announced on 18 July 1988 that he was to receive the Freedom of the City of Dublin. On that day, a birthday party was held in his honour in Merrion Square. That evening, I was at the ‘Nelson Mandela Freedom at Seventy Concert’ organised by the Irish Anti-Apartheid Movement and presented by Doireann Ní Bhriain, Rodney Rice, BP Fallon and Pat Kenny.

I was in Dublin City Hall a few months later when Nelson Mandela was awarded the Freedom of the City of Dublin in September 1988. He was still in prison and the Freedom of the City was accepted on his behalf by Adelaide Tambo, wife of the then leader of the African National Congress (ANC), Oliver Tambo, and Archbishop Trevor Huddleston.

Nelson Mandela was unable to come to Dublin. But in the following year, David Cameron, who was working in the policy unit at the Conservative Party Central Office, was able to go on an anti-sanctions “fact-finding” mission to South Africa in 1989 with a pro-apartheid lobby firm sponsored by PW Botha.

At the invitation of Christian Aid the South African Council of Churches, I travelled throughout South Africa and Namibia as an Irish Times journalist in January 1990 and left South Africa only days before Mandela was released from prison on 11 February 1990.

Within a few months of his release, Nelson Mandela was in Dublin in 1990 to personally accept his Freedom of the City.

That Sunday evening, 1 July 1990, I was honoured to be invited to be one of the patrons of the ‘Tribute to Nelson Mandela’ concert. That concert was presented by Doireann Ní Bhriain, Rodney Rice and Dave Fanning, and the line-up included the Chieftains, Christy Moore, Davy Spillane, Donal McCann, De Danaan, Mick Hanly and Dolores Keane, Mary Stokes and Davy Spillane. Winnie Mandela was the keynote speaker.

To mark Nelson Mandela’s first visit to Dublin, Louise Asmal edited a special Tribute to Nelson Mandela, which included a short biography of the ANC leader, contributions by the late Kader Asmal, who would later return to South Africa and become a Government minister, Fintan O’Toole of The Irish Times, and the former Senator Katharine Bulbulia. This publication by the Irish Anti-Apartheid Movement also included my own ‘Apartheid: Myth and Reality.’

I met Madiba again at his press conference in Dublin Castle before he left Dublin.

He was back in Dublin years later to receive an honorary degree at Trinity College Dublin, and I was surprised, as Foreign Desk Editor of The Irish Times, to be a special guest and to meet him at a lecture and dinner in the O’Reilly Hall in University College Dublin hosted by Dr Tony O’Reilly and Independent Newspapers.

I have campaigned and protested against racism and apartheid throughout my life. I have been on the picket line at Dunne’s Stores, I have been at the unveiling of the Mandela statue in Merrion Square, I have been on marches, protests and silent vigils, and I joined protests outside South Africa House in Trafalgar Square. These were constant topics in my writing when I was a journalist in The Irish Times.

Those of us who were persistent in these campaigns, and fired by moral outrage, often had to put up with critics who accused us of being hairy leftists and supporters of terrorists.

While Thatcher supported Botha, her youthful Conservative supporters produced ‘Hang Mandela’ posters and badges

Over the next few days, I am sure that many of those people, including politicians, are going to jump on the Mandela bandwagon.

I was disturbed to read earlier this year that in 1985 David Cameron, now British Prime Minister, was a member of the Federation of Conservative Students when it produced the ‘Hang Mandela’ posters, pamphlets and badges.

In 1989, Cameron worked in the policy unit at the Conservative Party Central Office and went on an anti-sanctions “fact-finding” mission to South Africa with a pro-apartheid lobby firm sponsored by PW Botha. Should I remember this when he tells the world he was inspired by Madiba?

In April 2009, the London Independent reported that Cameron accepted an all-expenses paid trip to apartheid South Africa in 1989 while Mandela was still in prison. David Cameron’s visit to South Africa had very different flavour to mine a year later. At the time, Cameron was a promising young star in the Conservative Research Department. His visit to South Africa was organised and paid for by Strategy Network International (SNI), a firm that lobbied against imposing sanctions on the apartheid regime.

Cameron’s office has since insisted the visit was a “fact-finding mission” but he met no-one from the ANC, COSATU or the South African Council of Churches, who could have presented him with the facts on the ground. At the time, PW Botha was still in power, yet David Cameron’s boss at Conservative Central Office, Alistair Cooke, described this visit as “simply a jolly … a little treat, a perk of the job.”

The party leader at the time, Margaret Thatcher, described Mandela as “a terrorist.” Cameron’s colleagues who once wore ‘Hang Nelson Mandela’ badges as university students are now sitting on the front benches around him.

With Archbishop Desmond Tutu and the Discovery Choir in Saint George’s and Saint Thomas’s Church in Cathal Brugha Street, Dublin

I would prefer as “a little perk of the job” the opportunities I had to meet Nelson Mandela, Archbishop Desmond Tutu, Adelaide Tambo, Patrick Sekota, Archbishop Trevor Huddleston, John de Gruchy, Beyers Naudé, Alan Boesak, Frank Chikane, Joe Seremane, Cheryl Carolus, Donald Woods, members of the Sisulu family and the other people who campaigned tirelessly for an end to apartheid.

There were the campaigners on these islands too, including the Dunnes’ Stores strikers, Terence McCaughey, Gearoid Kilgallon, Louise Asmal, Tony ffrench, Maureen Eastwood, who travelled with me throughout South Africa. And the South African exiles, including Kader Asmal, Barney Pityana, Marius School and later Melanie Verwoerd.

Nelson Mandela once said of Marius Schoon: “He destroyed the myth that all Afrikaners were racists and oppressors.” The same tribute could be paid to Melanie Verwoerd.

Trevor Huddleston, Desmond Tutu, Colin Winter and Gonville ffrench-Beytagh provided models for Anglican priestly ministry and servanthood as I journeyed towards ordination.

There was a Thanksgiving Service in Saint Martin-in-the-Fields in London earlier this year [29 June 2013] for Archbishop Trevor Huddleston, marking the centenary of his birth on 15 June 1913. The service was organised by Action for Southern Africa (ACTSA), the successor organisation to the Anti-Apartheid Movement, and the Johannesburg-based Trevor Huddleston Memorial Centre, Sophiatown.

The service included tributes by Father Nicolas Stebbing of the Community of the Resurrection and Baroness (Glenys) Kinnock. A photographic exhibition, ‘Called to Justice and Freedom – Father Trevor Huddleston’, opened in the crypt in Saint Martin-in-the-Fields on 15 June and continued until 20 July 2013.

Nelson Mandela once said: “No white person has done more than Trevor Huddleston in the struggle against apartheid.” Archbishop Huddleston was a frequent preacher and campaigner on the steps of Saint Martin’s, close to the then South African Embassy.

Archbishop Huddleston guided and inspired thousands of people in Britain and beyond to campaign for democracy, dignity, equality and rights. It was he who gave Hugh Masekela his first trumpet. AS a young white priest, he made an influential impression on the then-young Desmond Tutu when he raised his hat in deference and greeting to Desmond Tutu’s mother. He died on 20 April 1998.

Mandela House in Saint Andrew’s Street, Cambridge (Photograph: Patrick Comerford, 2013)