Holy Trinity Abbey Church, now the Roman Catholic parish church in Adare, Co Limerick … restored through the patronage of the Dunraven family in the 19th century (Photograph: Patrick Comerford)
Patrick Comerford
We are in Ordinary Time in the Church Calendar, and yesterday was the Fifth Sunday after Trinity (9 July 2023).
Before this day begins, I am taking some time this morning for prayer, reading and reflection.
Over these weeks after Trinity Sunday, I have been reflecting each morning in these ways:
1, Looking at relevant images or stained glass window in a church, chapel or cathedral I know;
2, the Gospel reading of the day in the Church of England lectionary;
3, a prayer from the USPG prayer diary.
Inside Holy Trinity Abbey Church in Adare, Co Limerick (Photograph: Patrick Comerford)
Holy Trinity Abbey Church, Adare, Co Limerick:
Holy Trinity Abbey Church is the Roman Catholic parish church in the centre of the picturesque estate village of Adare, Co Limerick.
The Trinitarian order was founded in France in the early 12th century with the purpose of rescuing hostages taken from the Crusades in the Holy Land. A panel from the stained-glass window above the altar in Adare shows a monk about to redeem a hostage.
There were about 20 Trinitarian foundations in England and Scotland, but Holy Trinity Abbey in Adare is the only example of a church of the Trinitarian order in Ireland. The date of the arrival of the Trinitarian order in Adare unknown.
Saint James was the patron of the abbey in Adare, and it may well have been in existence long before 1226, when Geoffrey de Marisco, an Anglo-Norman feudal lord, obtained a grant to hold a fair at Adare during the eight days following the feast of Saint James.
But de Marisco fell out of favour with the king and his allies in Ireland and ended his days in exile in France.
John FitzThomas FitzGerald (ca 1265-1316), 1st Earl of Kildare, who held lands throughout Ireland, may have endowed the abbey in the late 13th century rebuilt it in 1272, when he was attempting to force his cousin’s widow, Agnes de Valence, to hand over her estates in Co Limerick.
The original monastery housed a range of monastic buildings, with an inner cloister, enclosed on four sides by a church, a dining area, dormitories and workshops.
Peter, the minister, and three other canons at Adare were accused of seizing goods from their neighbours, the Augustinian friars in Adare, in 1319. John Arbibard became minister of the ‘Hospital House of St James of Hathdar’ in 1497. Thomas de Geraldinis became minister at the abbey in 1506.
With the dissolution of the monastic houses at the Reformation, the abbey was dissolved in February 1539. Despite popular belief and local lore, the prior was not beheaded, having refused to take the Oath of Supremacy, nor were 42 monks from the abbey imprisoned.
The abbey was leased to James Gold in 1583, and it was granted to Sir Henry Wallop in 1595. But within a century, the abbey was the property of the Earl of Kildare. In 1683, he granted possession of the abbey to Thady Quin (1645-1725), a lawyer and a descendent of the O’Quin family of Inchiquin, Co Clare.
By the early 19th century, the abbey was in ruins, and the church was first restored in 1811, when Valentine Quin (1752-1824), 1st Earl of Dunraven, reroofed the church and added the north transept.
Wyndham Quin (1782-1850), 2nd Earl of Dunraven, made a gift of the ruined abbey to the Roman Catholic parishioners of Adare in 1824 and he initiated a programme of restoration that was continued by his successors.
In 1852, Edwin Wyndham-Quin (1812-1871), 3rd Earl of Dunraven, had the church repaired and expanded to fill the space that once contained the mediaeval cloister.
Dunraven employed the English architect Philip Charles Hardwick (1822-1892), who worked in the Gothic Revival tradition of AWN Pugin to restore and enlarge the church while taking care to maintain the fabric of the historic building. Most of Hardwick’s known Irish commissions appear to have resulted either directly or indirectly from the patronage of who employed him to complete Adare Manor and to carry out other work in the village of Adare.
Hardwick also built a church for Lord Dunraven at Sneem, Co Kerry. Dunraven was closely involved with Saint Columba’s College, Rathfarnham, for which Hardwick designed additions. Hardwick’s work at Adare probably resulted in the commissions he received to design Saint John’s Roman Catholic Cathedral and Mount Saint Alphonsus, the Redemptorist Church in Limerick city.
During Hardwick’s restoration of the church in Adare in the 19th century, the remains of the mediaeval church, including the nave, chancel and tower, were incorporated into a new parish church, and a triple lancet window was restored as the east window. During that time, the residential buildings on the site were also renovated and converted into a convent for the Sisters of Mercy and a school for girls.
The church as we see it today represents a fusion between the mediaeval remains and 19th-century Gothic Revival architecture in a radical building programme that lasted until 1884.
Much of the interior work and decoration was the work of George Goldie (1828-1887) of Goldie and Child. Goldie also designed a new chancel, high altar, reredos, tabernacle and east window in Saint Saviour’s Dominican Church in Limerick in 1863-1666, and remodelled the interior and exterior there in 1870. In Adare, Goldie replaced the north nave wall with circular columns, moved the nave into a new section, and rebuilt the east chapel as a Lady Chapel.
Goldie added a north aisle with decorative buttresses to the external wall, greatly increased the size and complexity of the interior, and made the mediaeval tower which, until then, had been central to the church, part of the south aisle.
In March 1884, the restored church was blessed as the Roman Catholic parish church of Adare by George Butler (1815-1886), Bishop of Limerick.
The multiple phase construction adds much of historical and architectural interest to the site. The ornamentation in the façade is focussed mainly on the openings, where fine stone work and artistic interest are found in fine stone crafting such as the floral motif stops and the elaborate and varied window tracery.
Inside, the many interesting details include the altar screen, font and pulpit, as well as early stained-glass windows and the painted and timber ceilings. The mediaeval highlights include the tower, nave and part of the choir, and the timber roofs.
A 19th-century description of the Quin Chalice of 1726 recorded that the chalice was preserved in the Roman Catholic Church at Adare. The Quin chalice is still used by the church for special occasions concerning the Wyndam-Quin family.
A major programme of critical repairs and elective works began on the roof and external walls in 2010.
As it stands today, the church presents an imposing and prominent feature on the main route into Adare from the east, which is further outlined by the tall 19th-century nave and tower.
The east window in Holy Trinity Abbey Church, Adare, Co Limerick (Photograph: Patrick Comerford)
Matthew 9: 18-26 (NRSVA):
18 While he was saying these things to them, suddenly a leader of the synagogue came in and knelt before him, saying, ‘My daughter has just died; but come and lay your hand on her, and she will live.’ 19 And Jesus got up and followed him, with his disciples. 20 Then suddenly a woman who had been suffering from haemorrhages for twelve years came up behind him and touched the fringe of his cloak, 21 for she said to herself, ‘If I only touch his cloak, I will be made well.’ 22 Jesus turned, and seeing her he said, ‘Take heart, daughter; your faith has made you well.’ And instantly the woman was made well. 23 When Jesus came to the leader’s house and saw the flute-players and the crowd making a commotion, 24 he said, ‘Go away; for the girl is not dead but sleeping.’ And they laughed at him. 25 But when the crowd had been put outside, he went in and took her by the hand, and the girl got up. 26 And the report of this spread throughout that district.’
The arms of the Earls of Dunraven in a panel in the east window in Holy Trinity Abbey Church, Adare (Photograph: Patrick Comerford)
Today’s Prayer:
The theme this week in ‘Pray With the World Church,’ the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Fighting Climate Change Appeal – Hermani’s story’. This theme was introduced yesterday.
Find out more HERE.
The Prayer in the USPG Prayer Diary today (10 July 2023) invites us to pray:
We pray for South India, an area which continues to battle extreme weather and droughts leaving lasting impacts on their communities.
Collect:
Almighty and everlasting God,
by whose Spirit the whole body of the Church
is governed and sanctified:
hear our prayer which we offer for all your faithful people,
that in their vocation and ministry
they may serve you in holiness and truth
to the glory of your name;
through our Lord and Saviour Jesus Christ,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
Post Communion:
Grant, O Lord, we beseech you,
that the course of this world may be so peaceably ordered
by your governance,
that your Church may joyfully serve you in all godly quietness;
through Jesus Christ our Lord.
Inside Holy Trinity Abbey Church in Adare, Co Limerick (Photograph: Patrick Comerford)
Yesterday’s reflection
Continued tomorrow
The interior decoration of Holy Trinity Abbey Church displays the strong influence of AWN Pugin’s principles (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
The south porch of the church facing onto the Main Street of Adare, Co Limerick (Photograph: Patrick Comerford)
10 July 2023
The Knife Angel visits
Lichfield to highlight knife
violence and killings
The Knife Angel is visiting Lichfield throughout the month of July (Photograph: Patrick Comerford, 2023)
Patrick Comerford
The Knife Angel – the 27 ft tall sculpture consisting of 100,000 knives confiscated by police across the country – is in Lichfield throughout July.
I visited this contemporary and stunning piece of contemporary artwork in the centre of Lichfield at the end of last week. It stands on open space beside District Council House on Frog Lane, where it is the focus of a month-long campaign in Lichfield to raise awareness of the dangers of knife crime.
The ‘Save A Life, Surrender Your Knife’ campaign was born in 2014 when Clive Knowles of the British Ironwork Centre in Shropshire was struck by the large amount of violent crimes being reported in the media.
The Knife Angel sculpture was the brainchild of Clive Knowles and was brought to life by the sculptor Alfie Bradley in 2018. It was made in the British Ironwork Centre in Oswestry and is on a tour of towns and cities throughout Britain to raise awareness of knife crime, the negative effects of violent behaviour, and the need for social change.
The Knife Angel is a poignant memorial and has the potential for being a catalyst in turning the tide against violent and aggressive behaviour. But it is also as a beautiful memorial to remember the lives of people lost through knife violence.
The Knife Angel arrived in Lichfield last weekend (Saturday 1 July) and the visit to Lichfield has been funded by Staffordshire’s Commissioner for Police, Fire and Rescue. As part of the programme, Knife Bins - where blades can be deposited – are sited at four locations: Tesco Extra and Morrisons in Lichfield, Morrisons in Burntwood and Burntwood Leisure Centre.
School parties are visiting the sculpture in Lichfield throughout July. There are daily services on site to welcome people, and there is a full programme of outreach days, with multiple services representatives at the Knife Angel site in Frog Lane (4 July, 12 July, 19 July and 29 July).
There is fun club hub, where children can come along and enjoy a day of crafts and fun activities on 24 July. Other parts of the programme include and a CPR awareness day with West Midlands Ambulance Service (25 July), the Fire Service (26 July), the Air Ambulance team (27-28 July) and an outreach day with multiple service (29 July).
The Knife Angel is a 27 ft sculpture made of 100,000 knives confiscated by police across Britain (Photograph: Patrick Comerford, 2023)
At another level, the visit of the Knife Angel to Lichfield is also appropriate because, through the work of the sculptor Peter Walker some years ago, Lichfield was promoted as the ‘City of Sculpture’, with a sculpture trail throughout the city.
Yvonne James, Lichfield District Council’s Principal Community Safety Officer, said: ‘Lichfield District is one of the safest places to live in Staffordshire in terms of incidents of knife crime and violence. However, we cannot ignore the fact that they are increasing nationally with the Office for National Statistics stating that in 2021/22 the neighbouring West Midlands Police Force recorded the highest rate of 152 offences involving a knife per 100,000 of population.’
‘We need to do everything we can to alert people to the dangers,’ she added.
Councillor Richard Cox of Lichfield District Council said: ‘The Knife Angel is visually extremely striking and thought-provoking. Our aim is to prevent people from carrying knives through education, by explaining how lives can be destroyed and I hope many residents from across Lichfield District, neighbouring boroughs and districts throughout the Midlands will come and see it and help raise awareness.’
The Knife Angel is on site on Frog Lane in Lichfield until Sunday 30 July, when a ‘Civic Departure Event’ includes speakers, dancers, rappers and a procession through the city.
More information about the Knife Angel is available HERE
Share your story on social media by using these hashtags: #britishironworkcentre #knifeangel #savealifesurrenderyourknife
The Knife Angel is on site on Frog Lane in Lichfield until Sunday 30 July (Photograph: Patrick Comerford, 2023)
Patrick Comerford
The Knife Angel – the 27 ft tall sculpture consisting of 100,000 knives confiscated by police across the country – is in Lichfield throughout July.
I visited this contemporary and stunning piece of contemporary artwork in the centre of Lichfield at the end of last week. It stands on open space beside District Council House on Frog Lane, where it is the focus of a month-long campaign in Lichfield to raise awareness of the dangers of knife crime.
The ‘Save A Life, Surrender Your Knife’ campaign was born in 2014 when Clive Knowles of the British Ironwork Centre in Shropshire was struck by the large amount of violent crimes being reported in the media.
The Knife Angel sculpture was the brainchild of Clive Knowles and was brought to life by the sculptor Alfie Bradley in 2018. It was made in the British Ironwork Centre in Oswestry and is on a tour of towns and cities throughout Britain to raise awareness of knife crime, the negative effects of violent behaviour, and the need for social change.
The Knife Angel is a poignant memorial and has the potential for being a catalyst in turning the tide against violent and aggressive behaviour. But it is also as a beautiful memorial to remember the lives of people lost through knife violence.
The Knife Angel arrived in Lichfield last weekend (Saturday 1 July) and the visit to Lichfield has been funded by Staffordshire’s Commissioner for Police, Fire and Rescue. As part of the programme, Knife Bins - where blades can be deposited – are sited at four locations: Tesco Extra and Morrisons in Lichfield, Morrisons in Burntwood and Burntwood Leisure Centre.
School parties are visiting the sculpture in Lichfield throughout July. There are daily services on site to welcome people, and there is a full programme of outreach days, with multiple services representatives at the Knife Angel site in Frog Lane (4 July, 12 July, 19 July and 29 July).
There is fun club hub, where children can come along and enjoy a day of crafts and fun activities on 24 July. Other parts of the programme include and a CPR awareness day with West Midlands Ambulance Service (25 July), the Fire Service (26 July), the Air Ambulance team (27-28 July) and an outreach day with multiple service (29 July).
The Knife Angel is a 27 ft sculpture made of 100,000 knives confiscated by police across Britain (Photograph: Patrick Comerford, 2023)
At another level, the visit of the Knife Angel to Lichfield is also appropriate because, through the work of the sculptor Peter Walker some years ago, Lichfield was promoted as the ‘City of Sculpture’, with a sculpture trail throughout the city.
Yvonne James, Lichfield District Council’s Principal Community Safety Officer, said: ‘Lichfield District is one of the safest places to live in Staffordshire in terms of incidents of knife crime and violence. However, we cannot ignore the fact that they are increasing nationally with the Office for National Statistics stating that in 2021/22 the neighbouring West Midlands Police Force recorded the highest rate of 152 offences involving a knife per 100,000 of population.’
‘We need to do everything we can to alert people to the dangers,’ she added.
Councillor Richard Cox of Lichfield District Council said: ‘The Knife Angel is visually extremely striking and thought-provoking. Our aim is to prevent people from carrying knives through education, by explaining how lives can be destroyed and I hope many residents from across Lichfield District, neighbouring boroughs and districts throughout the Midlands will come and see it and help raise awareness.’
The Knife Angel is on site on Frog Lane in Lichfield until Sunday 30 July, when a ‘Civic Departure Event’ includes speakers, dancers, rappers and a procession through the city.
More information about the Knife Angel is available HERE
Share your story on social media by using these hashtags: #britishironworkcentre #knifeangel #savealifesurrenderyourknife
The Knife Angel is on site on Frog Lane in Lichfield until Sunday 30 July (Photograph: Patrick Comerford, 2023)
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