Showing posts with label Canals. Show all posts
Showing posts with label Canals. Show all posts

09 May 2026

A canal-side walk and
a late lunch in Hopwas
after searching for more
Comberford family links

Hopwas is about five miles south-east of Lichfield and two miles west of Tamworth and had links with the Comberford family from the late 13th century (Photograph: Patrick Comerford, 2026)

Patrick Comerford

During my 10-mile hike a few days ago a few days ago in south Staffordshire, I was searching once more for places associated with the Comberford family, including Wigginton Manor, the site of the old manor house in Comberford before Comberford Hall was built in the 18th century, and the site of Comberford Windmill on Coton Lane.

I ended up in the village of Hopwas on the main A51 in Staffordshire, on the south-east edge of Lichfield District Council and about five miles south-east of Lichfield and two miles west of Tamworth. The place had links with the Comberford family from as early as the late 13th century until at least the first half of the 18th century.

Hopwas has a population of about 700, and is part of the civil parish of Wigginton and Hopwas, which includes Hopwas, Wigginton, Comberford and parts of Coton. I returned to Hopwas yesterday, to explore the history and the legacy of the village.

Hopwas is recored in the Domesday Survey (1086), when it was named as ‘Opewas’ (Photograph: Patrick Comerford, 2026)

The centre of Hopwas is at the junctions with School Lane and Hints Lane, where the historic parts of the village have a mainly linear layout. Hopwas is set in open countryside with two waterways passing through it, the Coventry Canal and the River Tame. The main road slopes gently down from west to east, from about 65 metres above sea level along the canal to below 60 metres by the river. However, the surrounding land slopes steeply from the heights of Hopwas Wood to the north down to the banks of the River Tame to the east.

The first documented reference to Hopwas is in the Domesday Survey (1086), where it was recorded as ‘Opewas’, and it soon became a well-stocked royal forest. At the time, the settlement was owned by the king and had a mill. The area was predominantly agricultural and was prosperous, due to the natural fertility of the Tame Valley lowlands.

The name evolved by the 12th century to ‘Hopewasin’, probably from the Saxon ‘hop’, meaning a fen island or valley, and ‘waesse’, meaning a swamp leading to an enclosure near a marsh. Agriculture was then an important source of employment, and this continued in the centuries that followed.

Hopwas was a royal forest in the middle ages, providing stone and oaks for Lichfield Cathedral and the friary (Photograph: Patrick Comerford, 2026)

When Alexander de Stavenby was the Bishop of Lichfield, Henry III gave permission for the Dean and Chapter at Lichfield in 1235 to dig stone in the King’s forest to repair Lichfield Cathedral.

The Franciscans or Greyfriars had arrived in Lichfield ca 1229 and founded a friary with land and houses given by Bishop Alexander de Stavenby. Henry III gave them ten oaks from Hopwas in 1237 to help them rebuild their chapel.

Edward I ordered all undergrowth in Hopwas Wood to be cut down and rooted up in 1277 to prevent evildoers from lurking in the wood, which had become notorious for the frequency of robberies, assaults and murders.

A lease dated 5 April 1599 and signed by Thomas, John and William Comberford, involving Dean’s Wood in Hopwas Hay and other lands on the Lichfield to Tamworth road (Photograph: Patrick Comerford)

The Comberford family had connections with Hopwas from at least the late 13th century that continued for almost 4½ centuries until about 1718.

Alan de Comberford claimed Wigginton Manor in 1278 and had lands in Comberford, Wigginton, Coton and Hopwas. His younger grandson, Richard de Comberford, had an eldest daughter and heiress, Margery, who was ancestor of the Hopwas and Endsore families of Comberford.

John de Comberford and his wife Alice, were granted Hopwas in 1366, along with extensive estates between Lichfield and Tamworth, by his kinsman, Canon Hugh de Hopwas, a canon of Lichfield Cathedral. This may have been a legal expedient to ensure the estates did not become church property, and in 1382 John de Comberford returned the property to the Hopwas family when he granted them to John de Hopwas.

John Comberford (1440-1508) is named in court case in 1461 involving properties in Hopwas, Coton and Tamworth. His son, Thomas Comberford (1472-1532), who was admitted to membership of the Guild of Saint Mary and Saint John the Baptist in Lichfield in 1495, secured full rights over the manor of Wigginton in 1514, along with a mill, meadows, pastures and rentals in Wigginton, Hopwas, Coton, Comberford and Tamworth.

John Comberford held the rights of fishery on the River Tame from Lady Bridge in Tamworth to Hopwas Bridge in 1532 (Photograph: Patrick Comerford, 2026)

John Comberford still owned these properties when he died in 1532. He also had the right to hold a fair in Tamworth twice a year, the rights of fishery for a 2½-mile stretch along the River Tame from Lady Bridge, marking the boundary between the Staffordshire and Warwickshire parts of Tamworth, to Hopwas Bridge, and the right to keep six swans on the river.

Humphrey Comberford inherited these extensive Hopwas estates in 1528, and by 1544 that he held Hopwas, a wooded manor on the banks of the Tame. His second son, Humphrey Comberford, was the intended heir to the Hopwas estates, but he died unmarried in 1545 before his father died.

Thomas Comberford, his wife Dorothy, and their son and heir, William Comberforf, were holding the Manors of Comberford, Wigginton and Wednesbury, in 1592, which included a free warren in Comberford, Wednesbury and Hopwas and the Hay of Hopwas. In 1599, Thomas, John and William Comberford leased lands, including Dean’s Wood in Hopwas Hay and other lands on the Lichfield to Tamworth road, assigned to them in 1588 by their brother-in-law Sir William Stanford of Packington. Stanford sold all his rights in Hopwas to William Comberford in 1590 for £200.

Hopwas Bridge was described in 1608 as a private bridge in the repair of William Comberford. This William Comberford was taken to court in 1629 by the Dean and Chapter of Christ Church, Oxford, seeking a disputed annuity of £29 from the Manors of Wigginton and Comberford along his lands and tenements in Hopwas, Coton and Tamworth.

Black and White Cottages on School Lane, Hopwas … Catherine Comberford owned at least two cottages or house in Hpwas when she died in 1718 (Photograph: Patrick Comerford, 2026)

Colonel William Comberford, who had been the royalist high sheriff of Staffordshire and was involved in the Siege of Lichfield, incurred heavy debts through his activities in the English civil war. By 1649, he was in a position to claim back his lands and pay off many of his debts, using lands in Tamworth, Coton, Hopwas, Comberford and Wiggington and the Manor of Bolehall as security.

After Robert Comberford died in 1669, his widow Catherine continued to live at Comberford Hall until she died in 1718. By then most of the Comberford properties had been mortgaged or sold off and she was a tenant of the Skeffington family of Fisherwick. Catherine’s will shows she still held land in Wigginton, and some property in Hopwas, and in Tamworth, including a house in Hopwas occupied by Henry Ashmore and another property in Hopwas she had bought from Francis Astbury and that was then occupied by Thomas Astbury. She divided these properties between her granddaughters Catherine Brooke and Mary Grosvenor of Tamworth.

A year before Catherine died, the former schoolmaster’s house in Hopwas was built in 1717 at the request of Thomas Barnes, who was born in Hopwas and was then living in London. Thomas Barnes Primary School was founded in 1724 in the schoolmaster’s house, and more school buildings have been added since.

The former schoolmaster’s house in Hopwas was built in 1717 with a bequest from Thomas Barnes (Photograph: Patrick Comerford, 2026)

The life of Hopwas was always associated with water, first because of its position on the River Tame and then because of its connection with the canal after James Brindley was commissioned to build the Coventry Canal.

Work on the canal began in December 1768. But because Brindley demanded high standards in construction, the Coventry Canal Company ran out of money by the time the canal reached Atherstone in 1769, and Brindley was replaced by Thomas Yeoman. The canal was finally completed in 1789 after the two adjoining canal companies, the Trent and Mersey Canal Company and the Birmingham and Fazeley Canal Company, received permission to complete and operate the approved but still-unbuilt section from Fazeley to Fradley.

Meanwhile, what was left of the former Comberford interests in Hopwas seems to have passed along with Comberford Hall in the mid-18th century through the Skeffington, Swinfen, Hill and Egerton families until 1761, when they were bought by Thomas Thynne, Viscount Weymouth and later Marquis of Bath. He sold the Manors of Comberford and Wigginton, including lands in Hopwas and Coton, in 1789 to Arthur Chichester (1739-1799), 5th Earl of Donegall, who built Hopwas Hayes Lodge.

Eventually, the Chichester family was crippled by the gambling debts of a profligate son, and found it impossible to pay off their loans, so that they were forced to sell Comberford Hall and the manorial rights and lands that went with it, including those in Hopwas.

The canal dissects Hopwas and provides a framework for the village (Photograph: Patrick Comerford, 2026)

Hopwas Bridge, an old stone bridge, formed part of the original turnpiked road from Lichfield Road through Hopwas to Tamworth over the River Tame, and tolls were paid at the bridge. The bridge was washed away in a flood in 1795 and was replaced by a new bridge ca 1800. This landmark is now a Grade II listed structure and it marks the crossing point between Tamworth and Lichfield District.

The canal dissects Hopwas and has helped to provide a framework for the village. The historic core of Hopwas developed in a linear pattern alongside the canal and the adjacent Hints Lane, and this linear core helped to provide the rural charm of the village that has been preserved ever since.

Hopwas was described in the 19th century as ‘a small settlement situated at the bottom of a gravely hill’. Hopwas Water Pumping Station was built ca 1890 to the west to take advantage of the natural connection to the waterways.

By the early 20th century, the village sprawled further along A51 between Lichfield and Tamworth and housing developments grew up on the east side of Hints Lane. Despite minor alterations to the façades of some buildings and their change of use, the village kept its appearance. The gradual infill of development followed in the late 20th and early 21st century.

The Tame Otter, on the corner of the junction of Lichfield Road, Hints Road and School Lane, has become the focal point of the village (Photograph: Patrick Comerford, 2026)

The Hopwas Conservation Area is a designated place of ‘special architectural or historic interest’ and has has a number of listed buildings, including the Saint Chad’s Church, built in 1879 in an idyllic and charming setting on the initiative of the Revd William McGregor of Tamworth.

No 1 Hints Road is a late 18th century house that epitomises the Staffordshire vernacular style. It is a red-brick building with a plain clay tile roof and architecturally it is the most distinguished building in that part of the village.

Black and White Cottages in School Lane form a row of three cottages, including one house that probably dates from the late 17th century.

Hopwas has two old public houses, the Red Lion and the Tame Otter, formerly the Chequers. Their neighbouring, facing beer gardens front onto the Coventry Canal, creating an attractive open space, and the steady traffic on the canal and its ambiance provide a vibrant yet relaxing atmosphere.

The Tame Otter, on the corner of the junction of Lichfield Road, Hints Road and School Lane, provides the main landmark for Hopwas. With its historic architecture, its canal-side location and its popularity, it has become the focal point of the village.

The Ministry of Defence warns members of the public to follow the route of the bridle path in the woodland (Photograph: Patrick Comerford, 2026)

North of Hopwas village, Hopwas Hays Wood is 385 acres of ancient woodland, also known as Hopwas Hay or Hopwas Hayes, and was Crown property until the mid-16th century.

Hopwas Hayes Lodge was built ca 1786. His interests were bought out by the Levett family of Wychnor Park, and by 1834 the wood was owned by the Revd Thomas Levett (1740-1843), who was the Rector of Whittington for 40 years (1796-1836). He was a large landowner and played a role in the development of the local educational system. The house was bought by the Price family in 1949, but when it fell into disrepair it was demolished by Lichfield District Council.

A large part of the woodland is privately owned, mainly by Lafarge (Tarmac) and the Ministry of Defence. Hopwas Wood and parts of the range may be used by soldiers for dry training and the use of blank ammunition. Members of the public are warned to follow the route of the bridle path, to observe warning signs, and not to enter the range complex.

The Tame Otter (left) the Red Lion (right), with their facing beer gardens by the Coventry Canal create an attractive open space with a vibrant yet relaxing atmosphere (Photograph: Patrick Comerford, 2026)

I ventured to the edges of the woods, climbed up to Saint Chad’s Church, and strolled along the canal towpaths before ending my day-long hike by rewarding myselff with a late (very late) lunch and a glass of wine at the Tame Otter.

I lingered in the sunshine a little longer than I had planned last week and missed the bus that would get me to Lichfield in time for choral evensong in the cathedral. Instead, I returned to Tamworth, had another wistful look at the Moat House on Lichfield Street, and caught the train back to Milton Keynes. But I returned to Hopwas yesterday, and managed to catch the bus to Lichfield in time for the mid-day Eucharist.

But more about Saint Chad’s Church in Hopwas, and some of the other churches, chapels and religious communities, in the days to come, hopefully.


A few moments in the sunshine on the Coventry Canal in Hopwas in the mid-day sunshine yesterday (Patrick Comerford, 2026)

01 May 2026

A day in the countryside,
walking by canals and rivers,
in villages and fields, to
celebrate Staffordshire

Walking by the banks of the Coventry Canal in Hopwas, behind the Tame Otter (Photograph: Patrick Comerford, 2026)

Patrick Comerford

Today is Staffordshire Day 2026 (1 May 2026), with a packed programme of adventurous and fun events and activities to celebrate the county, its life and its history. This the tenth Anniversary of Staffordshire’s big party, celebrating so much from the anniversary of Josiah Wedgwood to the recognition of Staffordshire in the Magna Carta.

The tenth Staffordshire Day is about helping people to discover the places and stories that make the county different, welcoming and full of heart. This date (1 May) was chosen because it is the anniversary of Josiah Wedgwood setting up his pottery company in 1759, helping to transform Staffordshire into the centre of the world’s ceramics industry.

The events this year include ‘The Staffy Trail’, a new sculpture and heritage trail across the county connected by easy and accessible transport links. But Staffordshire Day is more than a day – it runs from today (1 May 2026) for 10 days. A map and mobile app have been developed to help visitors take self-guided walking tours around Stoke-on-Trent, Tamworth and Stafford, and to discover unique sculptures, new stories and businesses.

The printed map of Tamworth highlights the history and heritage of the capital of the ancient Kingdom of Mercia. It takes about 1-to-1½ hours to walk and is accessible for people with most abilities. Other ‘Staffy Trails’ include Stafford, Stoke, Lichfield and Uttoxeter.

Walking through the fields in Comberford, between Comberford Hall and Comberford village (Photograph: Patrick Comerford, 2026)

In advance of this year’s celebrations of Staffordshire Day, I followed my own self-guided through the south-east corner of Staffordshire, starting my trek in Tamworth, walking along Lichfield Street to the Moat House, the Comberford family’s former Tudor and Jacobean house on Lichfield Street and by the banks of the River Anker and River Tame; then back into the town centre and walking two or three miles out to Wigginton, where I visited Saint Leonard’s Church.

From Wigginton, I walked two miles along Comberford Lane and Wigginton Lane to Comberford and Comberford Hall, and went in search of the site of the ‘Old Manor House’ in Comberford, with the help of a copy of a map of the Borough and Parish of Tamworth, printed in 1845.

In the mid-day sunshine that was like early summer, I then walked along the banks of the River Tame beside Comberford village.

From Comberford, I walked back towards Tamworth, and at Comberford Cross Roads, the junction of Comberford Road, Gillway Lane and Coton Lane, I went in search of the site of Comberford Windmill, marked on Coton Lane on that 1845 map of Tamworth.
Having found Windmill Lane, I continued on in the sunshine west along Coton Lane for two or three miles, reaching Hopwas village, where I enjoyed views of Hopwas Wood, walks by the banks of the Tame once again and by the Coventry Canal, and visited Saint Chad’s Church on a hill overlooking the village.

A view towards Hopwas Wood, close to the River Tame (Photograph: Patrick Comerford, 2026)

In the late afternoon sunshine, my five-hour walk through beautiful Staffordshire landscape and countryside came to an end with a late – very late – lunch in the Tame Otter by the banks of the canal in Hopwas, a pub and restaurant run by the same team that runs both the Hedgehog in Lichfield and the Wolseley Arms at Wolseley Bridge between Rugeley and Stafford.

I caught the bus from Hopwas back into Tamworth, passing the Moat House on Tamworth Street once again, in time to catch the train back to Milton Keynes. I must have walked about 10 miles during the day. And it was a good way to celebrate all that is good about Staffordshire today.

Wigginton, Comberford and Hopwas are three villages in the civil parish of Wigginton and Hopwas within the area of Lichfield District Council, between Tamworth and Lichfield, and each of them has centuries-long connections. But more about these villages, these connections and the churches I visited in the days to come, hopefully.


Three minutes of sunshine by the River Tame in Comberford, Staffordshire, in yesterday’s sunshine (Patrick Comerford, 2026)

28 April 2026

‘They have hanged my saintly
Billy’ – how Wiiliam Palmer,
the ‘Rugeley Poisoner’,
went on a murder spree

William Palmer, the ‘Rugeley Poisoner’ or the ‘Prince of Poisoners’, depicted in the Illustrated Times

Patrick Comerford

In recent days, I have been recalling two tales of murder involving residents of Rugeley, although when I looked deeper into both stories they were not substantiated by the records or by contemporary evidence.

Dorothy Chatwynd was said to have strangled her husband Sir Walter Smyth, three times her age, and to have been executed by being burned to death. Dorthy was an aunt of Thomas Chetwynd, who married Dorothy Coleman, a granddaughter of William Comberford of Comberford Hall and the Moat House, Tamworth.

But when I looked into this story in greater depth, it turned out there is no primary evidence nor are there contemporary records of either the murder or of the supposed execution on Wolvey Heath in Warwickshire.

The second tale involves the sisters Elizabeth Cuting and Emma Hollinhurst, said to have been buried alive in the old churchyard in Rugeley on the capricious orders of Oliver Cromwell. But it takes only a little probing to realise how impossible this was: Cromwell died in 1658 and the sisters died in Rugeley almost 40 years later: Elizabeth in 1695 and Emma in 1696.

However, across the road from the ‘Old Chancel’ and the shared tomb of the two sisters Elizabeth and Emma, two headstones in Saint Augustine’s churchyard tell real stories of Victorian murders in Rugeley. One headstone, on the southside of the churchyard, is to Christina Collins, who was murdered on a canal boat near the church in 1839. Fresh flowers are still laid on her grave regularly.

The grave of Christina Collins, murdered on a canal boat in 1839 … fresh flowers are laid on her grave regularly (Photograph: Patrick Comerford, 2026)

Nearby, under the yew trees at the west end of the church, is the grave of John Parsons Cook, murdered by Dr William Palmer (1824-1856). Undoubtedly Palmer had many other victims, but Cook’s murder was the only one for which he was convicted, and he was executed 170 years ago, in 1856.

Palmer is known as the ‘Rugeley Poisoner’ or the ‘Prince of Poisoners’. He poisoned his friend with strychnine, but he was also suspected of poisoning several other people, including his brother, his mother-in-law and four of his infant children – and there may have been many more. Charles Dickens called him ‘the greatest villain that ever stood in the Old Bailey’.

But why did he do it? Palmer made large sums of money from the deaths of his wife and brother by collecting on life insurance, he had defrauded his wealthy mother, and may have murdered his own children rather than bearing the expense of feeding and clothing them. And, it seems, it was all to feed an insatiable gambling addiction.

William Palmer was born at Church Croft House in Rugeley, between the canal and the ‘Old Chancel’ on 6 August 1824, the sixth of eight children of Joseph and Sarah Palmer. His father, a sawyer who made his fortunes in coalmining and collieries, died when William was 12, leaving his widow Sarah with a legacy of £70,000, the equivalent today of about £9.5 million.

At 17, Palmer was apprenticed to a chemist in Liverpool, but after three months he was dismissed amid allegations of theft and embezzlement. He was then taken on as a ‘walking pupil’ at Stafford Infirmary, went to London to study medicine at Saint Bartholomew’s Hospital, and received a diploma from the Royal College of Surgeons. He returned to Rugeley at the age of 22 in August 1846, styling himself Dr Palmer and setting up practice as a local GP.

Palmer met a plumber and glazier George Abley at the Lamb and Flag public house in Little Haywood, near Wolseley Bridge and half-way between Rugeley and Stafford. There Palmer challenged Abley to a drinking contest; Abley was carried home and died in bed. Nothing was ever proved, but local people noted how Palmer showed an interest in Abley’s attractive wife.

A year later, Palmer married 20-year-old Ann Thornton, also known as Ann Brookes, in Saint Nicholas Church, Abbot’s Bromley, on 7 October 1847. Her mother, also called Ann Thornton, was the mistress of Colonel William Brookes, a former East India Company office who had lived in Stafford. After Brookes died by suicide in 1834, she had inherited a fortune of £8,000, worth about £1.35 million today.

The elder Anne Thornton had lent Palmer money, and she died on 18 January 1849, two weeks after she came to stay with him. An elderly Dr Bamford recorded a verdict of apoplexy while Palmer, for his part, was disappointed with the smaller-than-expected inheritance he and his wife gained from the death.

Palmer became interested in horse racing and borrowed money from Leonard Bladen. They had met at the races, Bladen lent him £600, and then he died at Palmer’s house on Anson Street on 10 May 1850. Bladen’s wife was surprised to find that he died with little money on him despite having recently won a large sum at the races, that his betting books were missing, and there was no evidence that he had ever lent money to Palmer. The death certificate said Palmer was ‘present at the death’ and the cause of death was an ‘injury of the hip joint, 5 or 6 months; abscess in the pelvis’.

Palmer’s first son, William Brookes Palmer (1848-1926), outlived his father. But his four other children all died in infancy, and the cause of death for each child was given as ‘convulsions’. At the time, no one seems to have suspected anything untoward about these deaths, but after Palmer's conviction many suggested he had poisoned them to avoid the cost of feeding them.

An image of William Palmer on a tourist notice board on Market Street in Rugeley (Photograph: Patrick Comerford, 2026)

By 1854, Palmer was heavily in debt and was forging his mother’s signature to pay off creditors. He took out life insurance on his wife, paying a premium of £750 for a policy of £13,000. She died soon after, on 29 September 1854, at 27.

Palmer was still heavily in debt, owing £12,500 and £10,400 to two creditors, who threatened to speak to his mother and expose his fraud. He then took out life insurance on his alcoholic brother Walter, paying a premium of £780 for a policy of £14,000, and then plied Walter with several bottles of gin and brandy a day until he died on 16 August 1855. The insurance company refused to pay out, sent two inspectors to investigate the policy and demanded a further inquiry into Walter’s death.

By then, Palmer was having an affair with his 18-year-old housemaid, Eliza Tharme. Nine months after Anne’s death she gave birth on 26 or 27 June 1855 to a son Alfred, only adding to the doctor’s financial burdens. Palmer’s life and debts were spiralling out of control and he set about plotting the murder of his friend John Parsons Cook, a sickly young man who had inherited a fortune of £12,000.

Palmer and Cook went to the races in Shrewsbury in November 1855, where they bet on a number of horses. Cook won £3,000 but Palmer lost heavily. The pair had a party to celebrate but Cook began to complain that his gin had burnt his throat, fell violently ill and told two friends: ‘I believe that damn Palmer has been dosing me.’ The two men returned to Rugeley on 15 November, and Cook booked a room at the Talbot Arms. A day earlier, Palmer received a letter from a creditor named Pratt, who threatened to visit his mother to demand repayments.

By then, five-month-old Alfred was unwell and he died of erysipelas, a bacterial infection, on 17 November 1855. That same day, Cook thought he had recovered from his illness, met Palmer again for a drink, but became sick yet again.

At this point Palmer assumed responsibility for Cook. Cook’s solicitor, Jeremiah Smith, sent over a bottle of gin, and when a chambermaid took a sip she became ill. Cook was given the rest of the gin, and his vomiting became worse. A day later, Palmer bought three grains of strychnine from a Dr Salt, put them in two pills and gave them to Cook along with two ammonia pills. Cook died in agony at about 1 am on 21 November, screaming that he was suffocating.

When Cook’s stepfather, William Stevens, arrived in Rugeley on 23 November, Palmer told him Cook had lost his betting books, that all bets were cancelled and that Cook had £4,000 in outstanding debts. When Stevens demanded an inquest, Palmer produced a death certificate from an 80-year-old Dr Bamford giving the cause of death as ‘apoplexy’.

The Talbot Arms on the left and Palmer’s house to the right … an image of Market Street, Rugeley, at the time of Palmer’s trialin 1856

At a post mortem in the Talbot Arms on 26 November, Palmer interfered and took away the stomach contents in a jar, supposedly for ‘safekeeping’. When a second post mortem was held three days later on 29 November, the local postmaster Samuel Cheshire intercepted letters to the coroner and gave them to Palmer, and was later jailed for interfering with the mail. Palmer wrote directly to the coroner, asking for a verdict of death due to natural causes and enclosing a £10 note.

The jury delivered a verdict on 15 December saying Cook had ‘died of poison wilfully administered to him by William Palmer’. Palmer was arrested for murder and forgery, was held in Stafford Gaol, and put on trial at the Old Bailey in London on the grounds that a fair jury could not be found in Staffordshire. When the bodies of Ann and Walter Palmer were exhumed and reexamined, Walter was too badly decomposed to make any new findings but antimony was found in all the organs in Ann’s body.

Palmer’s was defended by Sir William Shee (1804-1868). The chemist Dr Salt and another chemist, Charles Roberts, admitted selling Palmer strychnine, believing he was going to poison a dog, but both had failed to record the sales in their poisons books. At the trial, Palmer’s finances and debts were detailed, showing he had only £9 in the bank on 3 November 1855. A man desperately in need of money to avoid the debtors’ prison at all costs had murdered his friend for his money and tried to cover his tracks by sabotaging the post-mortem.

It is said 30,000 people gathered at Stafford Gaol on 14 June 1856 to see Palmer’s public hanging. As he stepped onto the gallows, he looked at the trapdoor and exclaimed, ‘Are you sure it’s safe?’ He was not yet 32. He was buried beside the prison chapel in a grave filled with quicklime. After his execution, his mother is said to have cried out: ‘They have hanged my saintly Billy.’ Her words inspired the title of Robert Graves's final historical novel, They Hanged My Saintly Billy (1957).

The grave of John Parsons Cook in the churchyard of Saint Augustine’s Church, Rugeley (Photograph: Patrick Comerford, 2026)

The only victim for whose murder Palmer was convicted, John Parsons Cook, was buried in Saint Augustine’s churchyard, close to the grave of Christina Collins, who was murdered on a canal boat in 1839, close to the house where Palmer was born and was living as a child, and across the street from the ‘Old Chancel’ and the tomb shared by Elizabeth Cuting and Emma Hollinhurst, with effigies depicting them in tied, linen shrouds.

The Vicar of Rugeley had so many people visiting the churchyard to see where Cook was buried that he paid for a gravestone with two lines of Scripture: ‘Enter not into the path of the wicked. Avoid it, pass not by it, turn from it, and pass away’ (Proverbs 4: 14-15).

As for the Talbot Arms, where Palmer murdered Cook and where the sabotaged post-mortem had taken place, it took its name from the Talbot family, a local family of titled magnates who were descended from John Chetwynd, a first cousin of Dorothy Chetwynd, the alleged husband-killer.

John Chetwynd’s great-granddaughter, Catherine Chetwynd, who inherited Ingestre Hall and 10,500 acres in Staffordshire, married John Talbot (1710-1756) in 1748. The Talbot family owned coalmines, collieries and large tracts of land in Rugeley, Brereton and Cannock, and the Crown, a coaching inn on Market Street in Rugeley, was renamed the Talbot Arms.

It is part of the local lore in Rugeley that the name of the Talbot Arms was changed to the Shrewsbury Arms after Palmer’s hanging because of the embarrassing associations with Palmer’s murder of Cook and the subsequent inquest.

However, once again, this is probably another example of myth trumping history. The pub had been known as the Crown until 1810, when its name was changed to the Talbot Arms in honour of the grandson of Catherine Chetwynd and John Talbot, Charles Chetwynd Chetwynd-Talbot (1777-1849), 2nd Earl Talbot and later Lord Lieutenant of Ireland (1817-1821).

In the next generation, his son Henry John Chetwynd-Talbot (1803-1868) was Conservative MP for Armagh (1831), Dublin (1831-1833) and South Staffordshire (1837-1849). He succeeded his father as the 3rd Earl Talbot and 3rd Viscount Ingestre on 10 January 1849. Then, on 19 August 1856, a mere two months after Palmer’s execution, Talbot succeeded a distant cousin in the Talbot family as the 18th Earl of Shrewsbury and 18th Earl of Waterford.

The line of succession was not clear or obvious, and there were other claimants to fend off, including distant Talbot Irish kinsmen in Co Wexford and in Malahide. The House of Lords eventually ruled in favour of the Rugeley claimant, and the Talbot Arms in Market Street celebrated the occasion, changing its name to the Shrewsbury Arms.

Today the pub boasts the more trendy but less classy name of ‘The Shrew’ … possibly in the hope that the name will tame any future potential imitators of William Palmer.

Palmer is less well-known than Dr Hawley Harvey Crippen (1862-1910) nor is he as notorious as Dr Harold Shipman (1946-2004). But he remains the most prolific murderer in Rugeley and part of local lore and history.

The Talbot Arms, where Palmer murdered Cook, later became the Shrewsbury Arms and is now called ‘The Shrew’ (Photograph: Patrick Comerford, 2026)

24 April 2026

‘Tea and Oranges’ as I ‘hear
the boats go by’ on the canal
between Armitage and
Rugeley in April sunshine

‘You can hear the boats go by … and she feeds you tea and oranges’ … ‘Tea and Oranges’ on the canal below Hawkesyard Hall in Armitage (Photograph: Patrick Comerford, 2026)

Patrick Comerford

As I was walking one day last week by the canal towpath between Rugeley and Armitage in the April sunshine, I noticed that one of the boats I saw below the pinnacles and turrets of Hawkesyard Hall is called ‘Tea and Oranges’.

I found myself singing the lyrics of Leonard Cohen’s ‘Suzanne’, with its images of lovers walking hand-in-hand by boats and the water and of ‘tea and oranges that come all the way from China’:

Suzanne takes you down
To her place near the river
You can hear the boats go by
You can spend the night beside her
And you know that she’s half-crazy
But that’s why you want to be there
And she feeds you tea and oranges
That come all the way from China
And just when you mean to tell her
That you have no love to give her
Then she gets you on her wavelength
And she lets the river answer
That you’ve always been her lover

‘Suzanne’ is a haunting composition and over the years it has become one of the best known works by the Canadian poet singer and songwriter Leonard Cohen, who died almost ten years ago on 7 November 2016.

Like many of Cohen’s songs, ‘Suzanne’ began as poem. He published his first book of poetry, Let Us Compare Mythologies (1956) at the age of 22. This was followed by The Spice-Box of Earth (1961), Flowers for Hitler (1964), and his novels The Favourite Game (1963) and Beautiful Losers (1966).

‘Suzanne’ was first published 60 years ago in 1966 as the poem ‘Suzanne Takes You Down’ in his third poetry collection, Parasites of Heaven (1966). Judy Collins recorded ‘Suzanne’ for her album In My Life, released in November 1966. A year later, Cohen included the song as the first track on Side A of his debut album, Songs of Leonard Cohen, released on 27 December 1967.

The album’s front cover depicts a sepia tint photo of Leonard Cohen. The back cover is a Mexican religious picture of the Anima Sola depicted as a woman breaking free of her chains surrounded by flames and gazing towards heaven. In a Rolling Stone interview, he described the image as ‘the triumph of the spirit over matter. The spirit being that beautiful woman breaking out of the chains and the fire and prison’.

‘Suzanne’ was released as a single in 1968, but only reached the charts after Cohen died in 2016.


‘You can hear the boats go by’ … 90 seconds on the canal between Armitage and Rugeley (Patrick Comerford, 2026)

Suzanne has become one of the most covered songs in Cohen’s catalogue. Far Out and American Songwriter ranked the song No 4 and No 2, respectively, on their lists of the ten greatest Leonard Cohen songs. In 2021, it was ranked at No 284 on Rolling Stone’s ‘Top 500 Greatest Songs of All Time.’

Leonard Cohen had a lengthy relationship with the Los Angeles artist Suzanne Elrod in the 1970s. But he later said ‘cowardice’ and ‘fear’ prevented him from ever marrying her. They had two children, a son Adam (born 1972) and a daughter Lorca (born 1974) named after the poet Federico García Lorca.

Leonard Cohen and Suzanne Elrod had split up by 1979. But, contrary to popular belief, ‘Suzanne’ in the song is not Suzanne Elrod, but the dancer Suzanne Verdal, the former wife of his friend, the Québécois sculptor Armand Vaillancourt.

The song’s brilliance lies in its pairing of a spare, hypnotic melody with evocative lyrics:

Now Suzanne takes you down
To her place near the river
You can hear the boats go by
You can spend the night beside her
And you know she’s half crazy
.

In Cohen’s version first recorded in 1968, the mood is underscored by a lilting female chorus and Cohen’s own subtle, insistent guitar playing. Cohen recalls ‘Suzanne,’ the enigmatic title figure, who wears ‘rags and feathers from Salvation Army counters.’

‘Suzanne’ was inspired by Cohen’s platonic relationship with Suzanne Verdal and the lyrics describe the rituals that they enjoyed when they met. She would invite him to visit her apartment by the harbour in Montreal, where she would serve him Constant Comment tea, and feed him ‘oranges that come all the way from China’.

Together, they savoured the beautiful view of the St Lawrence River from her waterfront apartment in Montreal, and they would walk around Old Montreal past the Church of Notre-Dame-de-Bon-Secours, where sailors were blessed before heading out to sea.

Other details speak of a romantic longing that, seemingly, remained unfulfilled:

And you want to travel with her
and you want to travel blind …
for you’ve touched her perfect body
with your mind.


The hunger these two gifted people had for one another illuminates the lyrics, giving them a spark that seems to resonate from the inside. On a human level, the song is about the mysterious forces that bring people together and, then, just as inexplicably, move them apart. ‘Suzanne’ can be heard or read as a statement of human frailty, representing a special moment in time, created by two people whose mutual attraction was not fulfilled in a physical sense, but still fulfilled in an emotional, deeper, way.

Verdal went on to travel the world, going from Montreal to France to Texas, and, finally, by the early 1990s, to Los Angeles, where she worked as a choreographer. Cohen said in a BBC interview in 1994 that he only imagined having sex with her, as there was neither the opportunity nor inclination to actually go through with it.

A fall and injury ended her career as a dancer. By 2006, she was living in a converted truck in Venice Beach, California. That year she told a CBC interview that she had ‘put the boundaries’ on the relationship with Cohen. She said then that they never had a sexual relationship, contrary to what some interpretations of the song suggest: ‘Somehow, I didn’t want to spoil that preciousness, that infinite respect that I had for him … I felt that a sexual encounter might demean it somehow.’

‘She is wearing rags and feathers from Salvation Army counters’ … the Salvation Army shop on Market Street in Lichfield (Photograph: Patrick Comerford)

Despite beginning as a story of love and infatuation, Suzanne turns to a religious theme in the second verse:

And Jesus was a sailor
when he walked upon the water …


His ‘lonely wooden tower’ is, of course, the cross. Cohen is so fascinated by Jesus that he writes:

And you want to travel with him
you want to travel blind
and you think maybe you’ll trust him
for he’s touched your perfect body
with his mind
.

The stanza ends in the most tragic and cryptic lines of the poem, as the voice returns to a third person of Jesus:

But he himself was broken
Long before the sky would open
Forsaken, almost human
He sank beneath your wisdom like a stone


This must refer to the crucifixion and the burial. He was ‘forsaken almost human.’ Despite being divine he is also human.

‘And she feeds you tea and oranges that come all the way from China’ … oranges in the Tua Pek Kong Chinese temple in Kuching (Photograph: Patrick Comerford,)

Leonard Cohen, Suzanne:

Suzanne takes you down
To her place near the river
You can hear the boats go by
You can spend the night beside her
And you know that she’s half-crazy
But that’s why you want to be there
And she feeds you tea and oranges
That come all the way from China
And just when you mean to tell her
That you have no love to give her
Then she gets you on her wavelength
And she lets the river answer
That you’ve always been her lover

And you want to travel with her
And you want to travel blind
And you know that she will trust you
For you’ve touched her perfect body with your mind

And Jesus was a sailor
When he walked upon the water
And he spent a long time watching
From his lonely wooden tower
And when he knew for certain
Only drowning men could see him
He said ‘All men will be sailors then
Until the sea shall free them’
But he himself was broken
Long before the sky would open
Forsaken, almost human
He sank beneath your wisdom like a stone

And you want to travel with him
And you want to travel blind
And you think maybe you’ll trust him
For he’s touched your perfect body with his mind

Now Suzanne takes your hand
And she leads you to the river
She is wearing rags and feathers
From Salvation Army counters
And the sun pours down like honey
On our lady of the harbour
And she shows you where to look
Among the garbage and the flowers
There are heroes in the seaweed
There are children in the morning
They are leaning out for love
And they will lean that way forever
While Suzanne holds the mirror

And you want to travel with her
And you want to travel blind
And you know you can trust her
For she’s touched your perfect body with her mind.



22 April 2026

A return visit to Spode House
and Hawkesyard Esate, with
memories of philosophers
and folk masses in the 1970s

Hawkesyard Hall and Spode House in Armitage, where the Dominicans had a priory until 1988 (Photograph: Patrick Comerford, 2026)

Patrick Comerford

In recent days, I have been visiting a number of churches in the Rugeley area that I first got to know when I was about 19 or 20. They include Saint Michael’s Church in Brereton and the now-closed Brereton Methodist Church; the old and new Saint Augustine’s Church, the ruins of the early mediaeval parish church, now known as the ‘Old Chancel’, and the early 19th century church across the street that replaced it in the 1820s; and Saint Joseph and Saint Etheldreda Catholic Churchin Rugeley, with its many associations with the Wolseley family.

Some of my most cherished memories from those youthful days in the 1970s are of Hawkesyard Hall and Spode House in Armitage, where the Dominicans once had a priory, only ten minutes from Lichfield and five minutes from Brereton and Rugeley, and on the edges of Armitage village. My friends from Rugeley and Brereton often brought me there with them to the Folk Masses on Sundays.

So, when I was on the bus from Brereton to Lichfield last week, I hopped off near Armitage, went for a walk along the canal towpaths, and visited Hawkesyard Hall and Spode House.

Hawkesyard Hall and Spode House were known for the Folk Masses and gatherings of the Philosophical Enquiry Group (Photograph: Patrick Comerford, 2026)

Hawkesyard has been known over the generations by a variety of names, including Hawkesyard Hall, Armitage Park, Spode House and Hawkesyard Priory. The estate dates from the 13th century, and has links to the Rugeley family, the poet and author Nathaniel Lister, Josiah Spode the potter, and Sir Robert Peel – and even some tenuous links in the dim distant past through the Rugeley family with the Comberford family.

The story of the estate dates back to 1270 when the land was used for hunting. Simon de Rugeley commissioned the construction on Hawkesyard Hall in 1337. The first house owned by the Rugeley family was a moated manor closer to the River Trent, about half a mile west of Armitage Church.

Anne Comberford of Comberford, Tamworth and Wednesbury, who was a daughter of William Comberford, and was born in 1609. In 1634, she married Benjamin Rugeley of Dunstall in Tatenhill, a younger brother of Colonel Simon Rugeley, a key leader of the Parliamentarians during the English Civil War.

Benjamin Rugeley was a younger son of Richard Rugeley (1564-1623) of Shenstone and his wife Mary Rugeley, daughter and co-heir of Thomas Rugeley (1539-1623) of Hawkesyard. Benjamin’s father, Richard Rugeley, died at Hawkesyard in 1623 and was buried in Mavesyn Ridware.

Benjamin’s eldest brother, Colonel Simon Rugeley of Shenstone and Tatenhill (1598-1666), was a member of the parliamentary committee at Stafford. He inherited Hawkesyard but sold it to Sir Richard Skeffington of Fisherwick, whose family eventually acquired Comberford Hall. The original Hawkesyard Hall lay in ruins by 1660, and was pulled down in 1665.

The towers and turrets of Hawkesyard Hall and Spode House rising above the canal between Armitage and Rugeley (Photograph: Patrick Comerford, 2026)

The estate was bought in 1759 by Nathaniel Lister (1725-1793), poet and author. Lister renamed the Hawkesyard estate as Armitage Park in 1760, and in 1761 in Lichfield Cathedral he married Martha Fletcher, a Lichfield heiress and daughter of John Fletcher, Senior Proctor of the Diocese of Lichfield. They rebuilt the house in its present location as a Gothic-style mansion in red-brick stuccoed with ashlar and standing on the sandstone hill above the site of the original hall.

Lister also bought a house on Beacon Street in Lichfield in 1780, and in 1791 he acquired the lease on Erasmus Darwin’s house beside the Cathedral Close. When he died in 1793, Armitage Park was inherited by his son, John Fletcher Lister.

Mary Spode, widow of the potter Josiah Spode III, bought the estate in 1839 for her six-year-old son Josiah Spode IV (1823-1893), great-grandson of Josiah Spode and the fourth generation of the pottery dynasty but the first not to work in the family business.

The hall was altered and extended, and the cast-iron orangery was added, as well manicured gardens, statues and other buildings. Cellars and six underground tunnels were cut out of the rock by Richard Benton to allow the estate workers to move quickly around the locality, and two tunnels were said to lead to Lichfield and Armitage.

When the Spode family lived there, the hall was known as Spode House and Josiah Spode was appointed High Sheriff of Staffordshire in 1850. Mary died in 1860, and Josiah’s wife Helen died eight years later. Both are buried at Saint John the Baptist Church, Armitage, where Josiah was the organ player and warden. Josiah Spode of Hawkesyard also gave a new organ to Lichfield Cathedral that was installed in 1860 to complement the restoration of the quire by Sir George Gilbert Scott.

Despite these links with Lichfield Cathedral and Saint John’s Church, Armitage, Josiah Spode became a Roman Catholic in 1885, along with his niece Helen Gulson who lived with him at Hawkesyard. At the beginning of Lent 1886, they attended a parish retreat at Saint Joseph and Saint Etheldreda Catholic Churchin Rugeley given by Father Pius Cavanagh. Father Pius soon became in Gulson’s words ‘our best friend and advisor’. Towards the end of 1888, both Josiah Spode and Helen Gulson were clothed as tertiaries by Father Pius in their private chapel, becoming lay Dominicans.

The elaboratre reredos above the High Altar in the former Domician chapel (Photograph: Dominican Archives)

WhenJosiah Spode died in 1893, he asked that Helen should continue to live at Hawkesyard until she died, after which the estate would pass to the English Dominican Order.

However, Helen decided to move out of the hall in 1894 and into Gulson House on the estate, and work on the new priory and church began immediately. Some accounts say her decision was inspired by an apparition of the Virgin Mary in the grounds of the estate, and that the altar of the new priory church of Saint Thomas Aquinas was placed over the site of her vision.

The Dominicans built a new priory within the grounds in 1898, and the priory church was designed by the architect Edward Goldie (1856-1921). Josiah Spode and Helen Gulson were buried in a small chapel within the priory church, and outside in the gardens simple concrete crosses marked the graves of the Dominican community.

The priory was home to a community of nuns until the early 20th century. The convent then became a priory, and the Dominican monks or friars ran a boarding school for young aspiring Dominicans and a theological college.

The towers and turrets of Hawkesyard Hall and Spode House rising above the canal between Armitage and Rugeley (Photograph: Patrick Comerford, 2026)

I knew Hawkesyard Priory and Spode House well in my late teens and early 20s, when the Philosophical Enquiry Group was still meeting there with Father Columba Ryan and involved the Limerick-born philosopher Elizabeth Anscombe (1919-2001). At the time, the Folk Masses in the priory chapel were popular with many of my friends from Rugeley, Brereton and Lichfield.

The friars there in those heady days in the early 1970s included Father Conrad Pepler (1908-1993), the founding warden of Spode House, where he ran the first Catholic conference centre in England. We did not know then that it was he who provided a Catholic funeral in Cambridge in 1951 for the philosopher Ludwig Wittgenstein, a mentor to both Elizabeth Anscombe and her husband Peter Geach.

The Dominicans at Spode in the early 1970s also included Father Columba Ryan (1916-2009), philosopher, university chaplain and peace activist, who took part in many CND marches and protests in London. He was also the bursar at the Hawkesyard Priory, and in the 1950s and 1960s he set up the Philosophical Enquiry Group at Spode in 1954.

He was born Patrick Ryan, a son of the Cork-born diplomat Sir Andrew Ryan (1876-1949), the last dragoman in Constantinople (1907-1921). He joined the Dominicans at Woodchester Priory, Gloucestershire, in 1935, took the name Columba, was ordained in 25 July 1941, and completed his DPhil at Oxford in 1946.

He was one of the friars who was on the Peace Pilgrimage to Vézelay in Burgundy, selecting ‘30 strong men’ to carry a heavy wooden cross across France in thanksgiving for the end of World War II. On his return he was instrumental in founding Student Cross, the annual Holy Week pilgrimage to Walsingham.

The drive from Armitage Lane leading up to the former Hawkesyard Priory (Photograph: Patrick Comerford, 2026)

Father Columba was teaching philosophy at Hawkesyard Priory when he set up the Philosophical Enquiry Group in 1954. This annual meeting for Catholic philosophers continued to take place at Spode House for 20 years, until 1974.

Elizabeth Anscombe and Peter Geach were among the first philosophers invited to those gatherings at Spode House. They remained leading figures of the group for the 20 years it lasted. They were Wittgenstein’s literary executors and were buried beside him in Cambridge. Other participants the Philosophical Enquiry Group included Sir Anthony Kenny of Oxford and Father Herbert McCabe (1926-2001), editor of New Blackriars. Father Columba had been the novice master of Herbert McCabe, who is attributed with once saying, ‘If you don’t love, you’re dead, and if you do, they’ll kill you.’

Father Columba remained true to his values and joined the hundreds of thousands of people who marched in London on 15 February 2003 in protest at the invasion of Iraq. He continued preaching until shortly before he died at Saint Dominic’s Priory at Haverstock Hill, London, on 4 August 2009, aged 93. It was then the Feast of Saint Dominic, and it was the church in which he had been baptised as an infant; he had just celebrated 68 years of priesthood. His brother John Ryan (1921-2009), who had created the character of Captain Pugwash for the Eagle in 1950, had died two weeks earlier on 22 July 2009 at 88.

Meanwhile, the priory and conference centre at Spode House had closed and the last Dominicans moved out in 1988. When they left Hawkesyard, the hall had fallen into disrepair and had been boarded up. Still, in June 1998, the choristers of Lichfield Cathedral, directed by Andrew Lumsden made a recording, Begone Dull Care (Lammas Records, LAMM 107D), in Hawkesyard Priory.

The emblem of the Dominicans is recalled in the logo of the Hawkesyard Estate (Photograph: Patrick Comerford, 2026)

Hawkesyard was bought in 1999 by Relaine Estates Ltd which was determined to return the building and the estate. The company returned to the original name of Hawkesyard and set about restoring the building, partly relying on photographs from the collection at Shugborough Hall, the seat of the Earls of Lichfield, halfway between Rugeley and Stafford.

The transformation of the hall and other buildings was completed in 2007. The former priory building has been a nursing home since 1989, and the grounds have been turned into Saint Thomas’s Priory Golf Club. Hawkesyard Estate is now a popular venue for civil weddings, golf, conferences, and for three successive years it was the home of the Wolseley National Car Rally.

After visiting Hawkesyard estate, I lingered for a while by the canal towpath, sipping a glass of wine in the April sunshine at the Ash Tree, before continuing on the bus journey to Lichfield, for lunch at the Hedgehog and Evening Prayer in Lichfield Cathedral.

I remember a lengthy lunch in the Hedgehog in Lichfield a few years ago, when some of us recalled so many of our friends who loved Hawkesyard, the folk masses there and the extended Sunday afternoons that inevitably followed.

We talked that afternoon about the underground tunnels at Hawkesyard, including the tunnels said to lead to Lichfield and Armitage. We never seemed to wander down to the canal, as far as I recall. But was I really the one who was so fearless to lead a group of us through those unexplored tunnels and vaults? And are the tunnels still there?

A glass of wine in mid-April sunshine by the canal at the Ash Tree (Photograph: Patrick Comerford, 2026)

20 April 2026

Daily prayer in Easter 2026:
16, Monday 20 April 2026

‘The … crowd … saw that Jesus had not got into the boat … but that his disciples had gone away alone’ (John 6: 22) … a canal boat on the Trent and Mersey Canal between Rugeley and Armitage in Staffordshire (Photograph: Patrick Comerford, 2026)

Patrick Comerford

Easter is a 50-day season that continues until the Day of Pentecost, and this week began with the Third Sunday of Easter (Easter III, 19 April 2026).

I have an early start today, but before the day begins I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:

1, reading today’s Gospel reading;

2, a short reflection;

3, a prayer from the USPG prayer diary;

4, the Collects and Post-Communion prayer of the day.

‘The … crowd that had stayed … saw that Jesus had not got into the boat … but that his disciples had gone away alone’ (John 6: 22) … a lone boat against the harbour walls in Rethymnon (Photograph: Patrick Comerford)

John 6: 22-29 (NRSVA):

22 The next day the crowd that had stayed on the other side of the lake saw that there had been only one boat there. They also saw that Jesus had not got into the boat with his disciples, but that his disciples had gone away alone. 23 Then some boats from Tiberias came near the place where they had eaten the bread after the Lord had given thanks. 24 So when the crowd saw that neither Jesus nor his disciples were there, they themselves got into the boats and went to Capernaum looking for Jesus.

25 When they found him on the other side of the lake, they said to him, ‘Rabbi, when did you come here?’ 26 Jesus answered them, ‘Very truly, I tell you, you are looking for me, not because you saw signs, but because you ate your fill of the loaves. 27 Do not work for the food that perishes, but for the food that endures for eternal life, which the Son of Man will give you. For it is on him that God the Father has set his seal.’ 28 Then they said to him, ‘What must we do to perform the works of God?’ 29 Jesus answered them, ‘This is the work of God, that you believe in him whom he has sent.’

‘Very truly, I tell you, you are looking for me … because you ate your fill of the loaves’ (John 6: 26) … bread in a shop window in Melcombe Street, London (Photograph: Patrick Comerford, 2026)

Today’s Reflections:

We have read in recent days about Jesus feeding of the 5,000 and walking on the water, and we are now introduced to reading the long Bread of Life discourse (verses 22-59), spoken in the synagogue in Capernaum (John 6: 59).

This ‘Bread’ is compared the manna with which God fed his people during their long wanderings in the desert in the wilderness. Today’s reading is an introduction, and the discourse itself begins tomorrow (20 April 2026). The last part of the discourse is about the mixed reaction of Jesus’ disciples and about Peter’s profession.

The day following the feeding of the 5,000, the people go in search of Jesus. There had been only one boat tied up at the shore, and the disciples had taken it to cross the lake. However, Jesus had not accompanied them, he had stayed behind. The people realise he did not cross the lake with his disciples, but when they go to the site of the feeding, they find he is not there either.

Eventually they find Jesus and his disciples near Capernaum, Jesus’ principal base in Galilee. They ask him: ‘Rabbi, when did you come here?’ (verse 25). In typically Johannine fashion, the question is loaded with deeper meanings, of which those asking it are quite unaware. Jesus’ origin (where he comes from) is a constant source of misunderstanding both on the part of the crowds and of the religious leadership of the day.

Jesus begins by telling the crowds that they are coming in search of him not because of the ‘signs’ that he is doing, but because of the bread that they had been given to eat. They have missed the point of what Jesus is doing. They have seen the things that Jesus has been doing, but have missed the ‘sign’, the deeper meaning behind them.

There are two kinds of food: food for the body, and food for the inner person, the spirit or the soul. The food the people are looking for is not the food that counts. The real food brings a life that never ends, and that is the food that Jesus is offering. It parallels the ‘spring of water gushing up to eternal life’ that Jesus promised the Samaritan woman (John 4: 14).

The source of this ‘bread’ is the Son on whom the Father has set his seal. This ‘seal’ was given at his baptism. It is the Spirit of the Father, who is the power of God working in and through Jesus.

The people ask him: ‘What must we do to perform the works of God?’ (verse 28). Jesus tells them: ‘This is the work of God, that you believe in him whom he has sent’ (verse 29).

‘Work’ in this context refers to the fulfilment of the requirements of the religious law of the day. But Jesus substitutes this with faith in himself as the delegate of the Father. He challenges us not just to ‘believe’, but to ‘believe in’. This is not merely a question of accepting certain statements about Jesus and who he really is. ‘Believing in’ involves a total and unconditional self-commitment to Christ, to the Gospel and the vision of life that Jesus proposes, and making it part of myself. This is where the real bread is to be found.

Jesus is not just speaking of the Eucharistic bread, but the deep-down nourishment of which the Eucharist is the sign and sacrament – nourishment that also comes from the Word of God in Scripture and the experience of the whole Christian community.

As we read this full chapter, we should not limit the truth of Jesus as the Bread or Food of our life simply to the Eucharist, which is the sacramental sign of something much larger – all that we receive through Christ and the whole Christian way of life.

Christ is risen!
The Lord is risen indeed. Alleluia!

‘They … got into the boats and went … looking for Jesus’ (John 6: 24) … boats in the harbour in Iraklion (Photograph: Patrick Comerford)

Today’s Prayers (Monday 20 April 2026):

‘Turning Waste into Wonder’ provides the theme this week (19-25 April 2026) in ‘Pray With the World Church’, the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), pp 48-49. This theme was introduced yesterday with a Programme Update from Linet Musasa, team member of the Partners in the Gospel Comprehensive Climate Change initiative of the Anglican Council of Zimbabwe.

The USPG Prayer Diary today (Monday 20 April 2026) invites us to pray:

Heavenly Father, we give thanks for the ‘Waste Smart, We Care’ campaign. Bless churches and communities as they learn about climate issues, adopt sustainable practices, and care for your creation.

The Collect:

Almighty Father,
who in your great mercy gladdened the disciples
with the sight of the risen Lord:
give us such knowledge of his presence with us,
that we may be strengthened and sustained by his risen life
and serve you continually in righteousness and truth;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

The Post-Communion Prayer:

Living God,
your Son made himself known to his disciples
in the breaking of bread:
open the eyes of our faith,
that we may see him in all his redeeming work;
who is alive and reigns, now and for ever.

Additional Collect:

Risen Christ,
you filled your disciples with boldness and fresh hope:
strengthen us to proclaim your risen life
and fill us with your peace,
to the glory of God the Father.

Yesterday’s Reflections

Continued Tomorrow

‘Do not work for the food that perishes, but for the food that endures for eternal life’ (John 6: 27) … food on the table at restaurants in Crete (Photograph: Patrick Comerford)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org

18 April 2026

Daily prayer in Easter 2026:
14, Saturday 18 April 2026

‘His disciples went down to the lake, got into a boat, and started across the lake’ (John 6: 16-17) … boats on the Trent and Mersey Canal in Rugeley this week (Photograph: Patrick Comerford, 2026)

Patrick Comerford

Our Easter celebrations continue in the Church Calendar, and tomorrow is the Third Sunday of Easter (Easter III). Easter is a 50-day season that continues until the Day of Pentecost.

As a prelude to the new Cricket season, Stony Stratford Cricket Club is blowing off the cobwebs with an interclub training game in Ostler’s Lane today. This an opportunity for players to shake off the winter rust and for everyone else to catch up as the club marks the start of the season, which begins officially next Saturday (25 April). But, before today begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:

1, reading today’s Gospel reading;

2, a short reflection;

3, a prayer from the USPG prayer diary;

4, the Collects and Post-Communion prayer of the day.

‘When they had rowed about three or four miles, they saw Jesus walking on the lake’ (John 6: 19) … a lone rower at the Sidney Sussex Boat Club on the Backs in Cambridge (Photograph: Patrick Comerford)

John 6: 16-21 (NRSVA):

16 When evening came, his disciples went down to the lake, 17 got into a boat, and started across the lake to Capernaum. It was now dark, and Jesus had not yet come to them. 18 The lake became rough because a strong wind was blowing. 19 When they had rowed about three or four miles, they saw Jesus walking on the lake and coming near the boat, and they were terrified. 20 But he said to them, ‘It is I; do not be afraid.’ 21 Then they wanted to take him into the boat, and immediately the boat reached the land towards which they were going.

‘His disciples went down to the lake, got into a boat, and started across the lake’ (John 6: 16-17) … an old fishing boat on the Sarawak River in Kuching (Photograph: Patrick Comerford, 2026)

Today’s Reflections:

This morning’s Gospel reading at the Eucharist follows immediately after the account of the feeding of the 5,000 (John 6: 1-15), which we read about yesterday.

These are two of the seven signs in Saint John’s Gospel:

• Turning water into wine in Cana (John 2: 1-11)
• Healing with a word (John 4: 46-51)
• Healing a crippled man at Bethesda (John 5: 1-9)
• The feeding of 5,000 (John 6: 1-14)
• Walking on water (John 6: 16-21)
• The healing of the man born blind (John 9: 1-7)
• The Raising of Lazarus from the dead (John 11: 1-46).

The Dominican author and theologian, Cardinal Timothy Radcliffe, points out that that in the Bible, seven is the number of perfection. We know of the six days of creation and how God rested on the seventh. In Saint John’s Gospel, we have seven signs and seven ‘I AM’ sayings disclosing for us who Christ truly is.

The feeding with the bread and fish is also a prelude to, looks forward to, another meal by the shores of Lake Tiberias. We read tomorrow about that breakfast with the disciples when Jesus feeds them with bread and fish (John 21: 1-19).

Immediately after he hears and responds to the cry of the poor, Christ hears the cry of creation. He calms the waves and the waters and brings his light into the darkest fears of the disciples.

‘It is I; do not be afraid.’

We can be transfixed by fear or paralysed into inaction.’ But poverty, the wars in the Middle East and Ukraine, and the assault on the earth challenge us to hear the groaning of creation, and we need to be reminded that there can be no salvation for humanity that does not include creation.

Let the breaking of the bread and the sharing of the cup take us to the heart of creation.

Christ is risen!
The Lord is risen indeed. Alleluia!

An icon of the Church as a boat, including Christ, the Apostles and the Church Fathers (Icon: Deacon Matthew Garrett, www.holy-icons.com)

Today’s Prayers (Saturday 18 April 2026):

‘Stocked with Hope’ has been the theme this week in ‘Pray With the World Church’, the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), pp 46-47. This theme was introduced last Sunday with a Programme Update by Mayank Thomas, Programme Manager, the Synodical Board of Social Services, Church of North India.

The USPG Prayer Diary today (Saturday 18 April 2026) invites us to pray:

Heavenly Father, we lift up the wider Church of North India. May it flourish as a beacon of hope, justice, and equality, reaching people across every village and town it serves with the love of Christ.

The Collect:

Almighty Father,
you have given your only Son to die for our sins
and to rise again for our justification:
grant us so to put away the leaven of malice and wickedness
that we may always serve you
in pureness of living and truth;
through the merits of your Son Jesus Christ our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

The Post-Communion Prayer:

Lord God our Father,
through our Saviour Jesus Christ
you have assured your children of eternal life
and in baptism have made us one with him:
deliver us from the death of sin
and raise us to new life in your love, in the fellowship of the Holy Spirit,
by the grace of our Lord Jesus Christ.

Additional Collect:

Risen Christ,
for whom no door is locked, no entrance barred:
open the doors of our hearts,
that we may seek the good of others
and walk the joyful road of sacrifice and peace,
to the praise of God the Father.

Collect on the Eve of Easter III:

Almighty Father,
who in your great mercy gladdened the disciples
with the sight of the risen Lord:
give us such knowledge of his presence with us,
that we may be strengthened and sustained by his risen life
and serve you continually in righteousness and truth;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

Yesterday’s Reflections

Continued Tomorrow


Canal boats on the Trent and Mersey Canal by the Hawkesyard Estate in Armitage, Staffordshire, this week (Patrick Comerford, 2026)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org