Exhibition on Pilgrimage comes to an end as Lichfield Cathedral celebrates Saint Chad’s festival

Preparing to celebrate Saint Chad before Lent begins … Lichfield Cathedral (Photograph: Patrick Comerford)

Patrick Comerford

Today and tomorrow [27 and 28 February 2019] are the last two days to visit the ‘Pilgrimage and Prayer’ exhibition in Lichfield Cathedral, the first exhibition of the year in the cathedral.

People of all faiths and of none recognise the role of pilgrimage in our lives. This exhibition began a year at Lichfield Cathedral of considering journeys in space, light and time. The exhibition explores how modern ideas build on the historical tradition of Christian pilgrimage, including pilgrimage to Lichfield Cathedral from the time of Saint Chad to the present day.

The exhibits include a 14th century document listing relics owned by the cathedral, stonework linked with the mediaeval shrine of Saint Chad, a 1420 edition of Chaucer’s Canterbury Tales, and a 17th century casket that contained the relics of Saint Chad after the Reformation.

The exhibition ‘Pilgrimage and Prayer’ opened on 14 January and closes tomorrow (28 February 2019).

The on Friday (1 March), the cathedral holds the first of a number of services to mark the festival weekend of Saint Chad, Bishop and Missionary, patron saint of Lichfield Cathedral, whose feast day is on Saturday (2 March).

These begin with Morning Prayer and Litany at 8 a.m., followed by the Eucharist at 12.30 and the Solemn First Evensong of Saint Chad at 5.30 p.m.

The services on Saturday (2 March), the feast day of Saint Chad, include Morning Prayer (8 a.m.), the Eucharist (12.30), Evening Prayer (Said) in the Chapter House (5 p.m.) and the Solemn Eucharist (5.30) at the High Altar, sung by the Chamber Choir.

These celebrations of Saint Chad continue on Sunday (3 March) Morning Prayer (7.40), Holy Communion (8 a.m., Traditional Language), and at the Patronal Eucharist (11 a.m.), when Dame Fiona Reynolds, Master of Emmanuel College, Cambridge, will read the sermon.

Lent begins later next week on Ash Wednesday (6 March 2019). Over recent years, Lichfield Cathedral has developed the idea of ‘Ashes to Go,’ when the invitation to share in the beginning of Lent is taken outside the church walls. As people go about their daily business, they are offered the chance to receive the cross of ash as a token of repentance, to be prayed for and to receive a prayer card.

As an expression of the cathedral’s mission to people beyond the congregation, Canon Pat Hawkins will be offering this ministry in Dam Street at lunch time on Ash Wednesday, from 12 noon to 2 p.m.

During Lent, Lichfield Cathedral is hosting an exhibition on the theme of the Stations of the Cross and is hosing a series of Lent lectures.

‘Journey to the Cross’ is an exhibition of works by the cathedral’s Artist in Residence, Peter Walker, reinterpreting the Stations of the Cross.

This exhibition, from Ash Wednesday (6 March) to Easter Day (21 April), is the culmination of two years’ work to create a contemporary fine-art telling of Christ’s journey through Jerusalem to Calvary and his crucifixion, death and burial. The stations invite contemplation and reflection, enabling us to bring our life experiences into our prayer.

The Lent lecture series, ‘Perspectives on Abraham,’ explores the influence of Abraham on the faiths of Judaism, Christianity and Islam.

The lectures at 7.30 p.m. in College Hall at 7.30 p.m. include:

Thursday 14 March, ‘A Jewish Perspective,’ Rabbi Tanya Sakhovich of Nottingham.

Wednesday 20 March, ‘A Christian Perspective,’ the Revd Dr John Binns of the Queen’s Foundation, Birmingham, a former vicar of Great Saint Mary’s, the University Church Cambridge, and a Visiting Professor and a founding director of the Institute for Orthodox Christian Studies, Cambridge.

Wednesday 27 March, ‘A Muslim Perspective,’ Professor Ataullah Siddiqui.

Wednesday 3 April, ‘Exploring Common Ground,’ Bishop Michael Ipgrave of Lichfield.

Wednesday 10 April, ‘Talking together,’ Dan Cohn-Sherbok, George Chryssides and Usama Hasan.

Taking ashes on Ash Wednesday from the cathedral to the city … Dam Street with Lichfield Cathedral to the north (Photograph: Patrick Comerford)

The Jewish prize-fighter who beat an Irish ‘squire’ fits on many family trees

Daniel Mendoza the prize-fighter … his connections with the Comerford sisters is more direct than any supposed Irish ancestry

Patrick Comerford

My posting this morning on the Comerford family of music hall artists and actors and their descent some of the most interesting Sephardic families of Seville, Venice, Amsterdam and the East End of London was a reminder how we are all inter-related and how identity is so often something that we select in a ‘pick-and-mix’ manner from the variety of identities available to any family on these islands.

In his book Jewish Dublin: Portraits of Life by the Liffey (2007), the late Alan Benson cited Louis Hyman in The Jews of Ireland to claim that the famous 18th century boxer Daniel Mendoza was ‘descended … from an impoverished Irish Jewish family of ten children, forced by circumstances to emigrate to England.’

But as I looked through the Sephardi ancestors of the Sipple sisters Aggie and Rosina who married the Comerford brothers Albert (Bert Brandford) and Harry (Harry Ford) and their family tree, I realised these two Comerford actors and stage stars were descended from the same family as Daniel Mendoza.

The Mendoza family can be traced back, not to Ireland, but to David de Mendoza (1650-1730), a Marrano or a member of a Jewish family that had converted publicly to Christianity at the Inquisition but continued to practice Judaism privately. David Mendoza and his wife Abigail David de la Penha Castro (1665-1751) moved with their children from Seville to Amsterdam, where they were free to resume the public practice of their Jewish faith and rituals.

Their grandson, Aaron Daniel de Mendoza (1709-1751), and his wife Bienvenida Abraham Tubi (1709-1765), were married in Bevis Marks or Spanish-Portuguese Synagogue in London in 1730. They were the parents of Abigail Nunes Martinez (1744-1810), the grandmother of Sarah (A’Cohen) Asher, who in turn was the grandmother of the sisters Aggie and Rosina Comerford.

But Abigail Nunes Martinez was also the sister of Abraham Aaron Mendoza (1732-1805), whose son Daniel Mendoza (1764-1836) was the famous prize-fighter and the boxing champion of England in 1792-1795.

Daniel Mendoza was born in London, the son of Abraham Aaron Mendoza (1732-1805) and his wife Esther Lopez Crespo, although Wikipedia mistakenly names his parents as Moses and Judith Mendoza. In any case, this Moses was a brother of both Abigail Nunes Martinez and Abraham Aaron Mendoza, so we are talking about the same generation in the same family.

Daniel Mendoza was the first Jewish prize-fighter to become a champion. One of his epic bouts in July 1789 pushed the Storming of the Bastille off the front pages.

The real connection with Ireland comes that year, when Daniel and a younger brother came to Dublin to give boxing exhibitions at the newly-opened Astley Theatre at the corner of Bride Street and Peter Street.

Two years later, Mendoza was booked to fight the ‘Squire’ Fitzgerald in Dublin, who claimed he was going to thrash this Jewish ‘trickster’ and that ‘one Irishman is the equivalent of any number of Jews.’

Asher Benson writes that at first Mendoza kept his cool. But as the antisemitic barbs intensified his temper frayed and amid tumultuous applause ‘he well and truly clobbered the squire.’

Asher Benson is generous in giving Fitzgerald his due, for after the bout he said, ‘If in the heat of the moment I used any expression that was insulting, I apologise to you.’

Mendoza was deeply touched by the warmth of his reception in Ireland and later expressed his appreciation of the friendliness shown by all he met.

Mendoza helped transform the popular English stereotype of a Jew from a weak, defenceless person into someone deserving of respect. He is said to have been the first Jew King George III ever spoke to.

Mendoza died in 1836 at the age of 73, leaving his wife Esther and 11 children in poverty and with no money.

The actor Peter Sellers (1925-1980) claimed he was the great-great-grandson of Daniel Mendoza, and he pursued this claim in several films, hanging portraits of Mendoza in the background and making Inspector Clouseau an admirer of Mendoza.

Peter Sellers was born Richard Henry Sellers, the son of William Sellers and Agnes Doreen ‘Peg’ Marks (1892-1967). Peg claimed her mother, Benevenida (‘Welcome’) Mendoza (1854-1932), was a daughter of Isaac Mendoza, one of the 11 impoverished children of Daniel Mendoza.

In fact, Benevenida was a daughter of Israel (Mordechai) Mendoza (1811-1897), who was a son of Mordechai (Moses) Mendoza (1774-1851), who in turn was a son of Moses ‘Aaron’ Mendoza (1742-1779). This is the Moses Mendoza who was an uncle of the prize-fighter and who is named by Wikipedia as his father.

So, to claim Peter Sellers is a descendant of Daniel Mendoza the prize-fighter is like making the same claim for the sisters Aggie and Rosina Comerford.

But then, we are all related by no more than six degrees of separation, I suppose. We can all rejoice in the diversity we share, thanks to a time when borders were open and refugees fleeing religious persecution were welcomed with open arms on these islands.

Peter Sellers made Inspector Clouseau an admirer of Daniel Mendoza