Dr Williams’s Library leaves Bloomsbury after serving theologians and church historians for 300 years

Dr Williams’s Library first opened in 1730 and was on Gordon Square from 1890 until it closed in 2025 (Photograph: Patrick Comerford, 2026)

Patrick Comerford

It is always sad to see a library – particularly a library with a large collection related to theology, church history and religious studies – to close or to move away and to find it is no longer be accessible.

For over a century, Dr Williams’s Library was in Bloomsbury, where it was housed in the former University Hall on the west side of Gordon Square, beside the former Catholic Apostolic Church, now the Church of Christ the King. But the library closed within the past two years, and the collection has been moved to Manchester.

From 1890 until it closed in 2025, Dr Williams’s Library was housed in University Hall, built in 1848 to designs by the architect Thomas Leverton Donaldson (1795-1885), a pioneer in architectural education, a co-founder and President of the Royal Institute of British Architects and a winner of the RIBA Royal Gold Medal.

Donaldson was born nearby at 8 Bloomsbury Square, the eldest son of the architect James Donaldson (c 1756-1843). His maternal uncle, the architect Thomas Leverton (1743-1824), is said to have designed the south range of Bedford Square.

After attending King Edward Grammar School, St Albans, Donaldson trained as an architect and travelled widely. He found a clerical job at the Cape of Good Hope before joining an expedition to attack the French-owned island of Mauritius. He visited Italy and Greece in 1818-1823 with John Lewis Wolfe and WW Jenkins. Back in London, he joined his father’s practice and designed 4 Hamilton Place for Richard Bingham (1764-1839), 2nd Earl of Lucan, who had extensive estates in Co Mayo.

Donaldson’s first significant work was Holy Trinity Church, Brompton (1826-1829), in South Kensington. With Jacques Ignace Hittorff and Charles Robert Cockerell, he was a member of the committee formed in 1836 to determine whether the Parthenon or Elgin Marbles and other Greek statuary in the British Museum had originally been coloured.

Donaldson reworked substantial sections of the Wilkins building at University College London (UCL) and designed the Flaxman Gallery and library buildings. He also designed All Saints’ Church, Gordon Street (1842, closed 1909, destroyed by bombing 1940) and was involved in the Great Exhibition in 1851.

Donaldson pioneered the academic study of architecture and in 1841 he became the first Professor of Architecture at University College London, a post he held until 1865. He was a co-founder of the Royal Institute of British Architects in 1834, was its honorary secretary until 1839, then its foreign secretary for another 20 years.

He designed the institute’s Mycenaean lions medal with the motto Usui civium, decori urbium. He was awarded the institute’s royal gold medal in 1851 and was its president in 1863-1864. He was described by the Prince of Wales in 1879 as ‘the father of the Institute and of the profession’.

Thomas Leverton Donaldson designed the former library on Gordon Square as University Hall in 1848 (Photograph: Patrick Comerford, 2026)

Donaldson designed the one-time library on Gordon Square as a Hall of Residence for students of University College London, following an architectural competition. It was built in stone and brick in the late Gothic style in 1848-1849. It was built as University Hall to mark the passing of the Dissenters’ Chapels Act in 1844.

From 1853, University Hall was shared with Manchester New College. Henry Morley, professor of literature at University College and editor of Morley’s Universal Library was the principal of University Hall in 1882-1890.

Manchester New College acquired the lease in 1882 but moved to Oxford in 1890, the building was bought by the trustees of Dr Williams’s Charity to house their library.

The Revd Dr Daniel Williams (1643-1716), a leading nonconformist minister in Dublin and London, endowed the library in his will

The founder of the library, the Revd Dr Daniel Williams (1643-1716), was a leading nonconformist minister in both Dublin and London in the late 17th and early 18th century.

Williams was born into a Welsh family, probably in Wrexham, and his early plans to enter ministry were interrupted by the Restoration of Charles II and the Act of Uniformity (1662). After a few years preaching in England he moved to Ireland, where he was a domestic chaplain to Mary (Chambré) Brabazon, Countess of Meath in 1664-1667.

Williams was then one of the ministers of the Wood Street Chapel, near Whitefriar Street in Dublin, for 20 years, from 1667 to 1687. The chapel had its roots in early Puritans and Presbyterians and became one of the Dublin congregations that lead to the formation of the Non-Subscribing Presbyterian Church in Ireland and the Unitarian Church in Dublin.

As religious tensions heightened in Dublin during the reign of James II, Williams believed his life was in danger. He fled to London in 1687, and soon found an influential place amongst London Presbyterians, particularly after the death of Richard Baxter (1615-1691).

He was appointed minister to the Presbyterian congregation in Hand Alley, Bishopsgate, and despite repeated requests to return to Dublin, he remained at Hand Alley for the rest of his life. He received the degree of Doctor of Divinity in 1709 from the Universities of Edinburgh and Glasgow in recognition of his outstanding services to nonconformity.

Williams died at the age of 72 in January 1716 and was buried in Bunhill Fields. His congregation eventually moved towards Unitarianism, but has long since disappeared.

In his will, he left instructions for his trustees to house his collection as a public library for nonconformist ministers, tutors and students in the City of London. He also left bequests to Saint Thomas’s Hospital, the University of Harvard, and to support missionaries in Scotland, Ireland, and New England.

His trustees built and equipped a library that first opened in Red Cross Street, Cripplegate, almost 300 years ago in 1730. Over the years, the collections were enlarged with gifts of books, manuscripts and portraits. His original benefaction of about 7,600 books became a small part of a library that eventually extended beyond Puritanism to include Biblical subjects, church history, Byzantine studies, philosophy, literature and more.

The library’s original home was bought by the Metropolitan Railway Company and demolished in 1865. The library moved to Bloomsbury and was housed at No 8 Queen Square from 1865 to 1873. It then moved into premises designed by the architect Thomas Chatfeild Clarke (1829-1895) in Grafton Street, now Grafton Way, off Tottenham Court Road.

Dr Daniel Williams remembered in a plaque at the entrance to the former library (Photograph: Patrick Comerford, 2026)

When Manchester New College moved to Oxford, the library’s trustees acquired University Hall, Gordon Square, in 1889 and the library moved there in 1890. The library had close ties with Unitarians and several of its first directors were ministers associated with Newington Green Unitarian Church, London's oldest Nonconformist place of worship still in use.

The Revd Robert Travers Herford (1860-1950), librarian of Dr Williams’s Library from 1914 to 1925, was a scholar of rabbinical literature, and he was one of the first Christian scholars of the Pharisees to take a neutral view between Talmud and New Testament. He is commemorated by a blue plaque on the façade of the building. His brother, the Revd Ulric Vernon Herford (1866-1938), was one of the most colourful and eccentric Unitarian ministers in Oxford. He was a Unitarian minister in Oxford in the 1890s before seeking consecration by the Nestorian Church in India as Metropolitan Mar Jacobus I in 1902, and then formed the Evangelical Catholic Church.

After a V-1 flying bomb destroyed Essex Hall, the headquarters of the General Assembly of Unitarian and Free Christian Churches, the library offered rooms to displaced workers, and they stayed there for 14 years, until 1958. In 1976, the library acquired the library of New College London, which until then had trained Congregationalist ministers.

Dr Williams’s Library closed in 2025 and its copy of Shakespeare’s First Folio was sold by Sotheby’s at auction in 2006 for £2.8 million. After a prolonged discussion, the trust agreed to house its collection in the John Rylands Library at the University of Manchester, and the Library moved to Manchester in 2024-2025.

Meanwhile, Manchester New College, which moved from Gordon Square to Oxford in 1889, later became Harris Manchester College and became a constituent college of the University of Oxford in 1996.

The Revd Robert Travers Herford was the librarian of Dr Williams’s Library in 1914-1925 (Photograph: Patrick Comerford, 2026)

As for the Wood Street congregation where Williams ministered in Dublin for 20 years, it was joined in 1762 by the Dissenters of Mary’s Abbey and together they moved to Great Strand Street where a new meeting house opened in 1764. They were joined there in 1787 by the Cook Street congregation.

In the 1850s, the Strand Street congregation decided that it needed a new church on a more prominent street. The Unitarian Church on Saint Stephen’s Green, Dublin, opened in June 1863, and it was joined by the Eustace Street congregation in 1867.

The Saint Stephen’s Green congregation in Dublin is part of Non-Subscribing Presbyterian Church of Ireland and also maintains links with Unitarians in England, Scotland and Wales through the General Assembly of Unitarian and Free Christian Churches.

The Unitarian Church on Saint Stephen’s Green … the spiritual heir to the ministry of Daniel Williams in Dublin in the late 17th century (Photograph: Patrick Comerford)

A new biography of Patriarch Tikhon – a challenge to religious trends in Russia and the US today

Professor Scott M Kenworthy’s new biography of Patriarch Tikhon … launched in Cambridge this evening

Patrick Comerford

I an sorry to miss this evening’s launch of a new book in Cambridge, The People’s Patriarch: Tikhon Bellavin and the Orthodox Church in North America and Revolutionary Russia by Scott M Kenworthy, and published by Oxford University Press.

The book launch in Wesley House, Cambridge, this evening has been organised by the Institute for Orthodox Christian Studies, where I have been a student on many courses over the years, mainly in Sidney Sussex College.

This is the first scholarly and comprehensive biography of Patriarch Tikhon, and draws on documents from the Soviet leadership and secret police file that were previously inaccessible to researchers. It provides an in-depth account of a crucial period of Orthodox Christianity in North America and of Patriarch Tikhon’s vital contributions to its development. But it is also an important book at this crucial time of dissonate relationship between the Russian Church and the rest of the Orthodox world.

Professor Scott M Kenworthy is Professor of History in the History Department at Miami University, Oxford, Ohio, where he also teaches for the Russian, East European and Eurasian Studies, and Religious Studies programs, and is also Associate Professor of Comparative Religion.

He is the author of the prize-winning book The Heart of Russia: Trinity-Sergius, Monasticism and Society After 1825 and, with Alexander Agadjanian, Understanding World Christianity: Russia. He is a past president of the Association for the Study of Eastern Christianity and has held research fellowships in the US, Germany, Hungary and Romania.

On 28 October 1917, just days after the Bolsheviks seized power, the great Council of the Russian Orthodox Church voted to restore the patriarchate, which had been abolished by Tsar Peter the Great almost two centuries earlier in 1721. The council chose as the new patriarch Patriarch Tikhon (1865-1925), born Vasily Ivanovich Bellavin, the son of a humble village parish priest.

As the Orthodox Bishop of North America (1898-1907), Patriarch Tikhon had already started putting into practice his vision of the Church as an organic body that welcomed the participation of all believers. The Bolsheviks, who had other ideas, aimed to create a revolution that would be carried out by the state on behalf of the people. They sought to eradicate religion as superstition, to disestablish the church and to destroy it altogether.

The alternate Russia that Patriarch Tikhon represented was crushed by the superior force of the Bolsheviks. But he helped to navigate the Church through immense challenges and, in the end, the Orthodox Church outlived the Soviet experiment.

In The People’s Patriarch, Scott Kenworthy tells the story of the clash of visions for the new Russia through the lens of the humble man chosen to lead the Church, whose life exemplifies the transformations within the Orthodox Church in late Imperial Russia and its fate during the Revolution. This the first critical biography of one of the most important Orthodox Christian leaders of the 20th century, based on an exhaustive use of previously untapped primary sources, including Patriarch Tikhon’s letters and encyclicals, previously classified documents from the Bolshevik leadership and Soviet secret police, and material from a dozen archives in five countries.

Patriarch Tikhon has been overlooked by most historians of Russia and the former Soviet Union, who have seen the Russian Orthodox Church as irrelevant within an anti-religious Communist polity. This book tells his story from his humble beginnings in the Pskov province in north-west Russia, to his ordination and consecration, and then his ministry as bishop of a diocese in Poland, where he was Bishop of Lublin.

For almost a decade (1898-1907), he was a bishop in the US, where he came to appreciate democracy, the separation of Church and State, and the vital part played by the laity and parish clergy within the Church. When he was appointed Bishop of the Aleutian Islands and Alaska in 1898, he went to the US where he eventually became a naturalized American citizen. There he visited emerging Orthodox emigrant communities in cities such as New York and Chicago and in coal-mining and steel-making areas in in Pennsylvania and Ohio.

He reorganised the diocese, changed its name to the Diocese of the Aleutian Islands and North America, and he blessed the cornerstone of Saint Nicholas Cathedral, New York, in 1901. He built churches across North America, opened dialogue with Greek Orthodox churches, and took part in the consecration of Reginald Heber Weller as an Anglican bishop in Saint Paul’s Cathedral in the Episcopal Diocese of Fond du Lac, Wisconsin. He returned to Russia in 1907 when he was appointed Bishop of Yaroslavl.

When he was chosen in 1917 as the eleventh Patriarch of Moscow and the first since Peter the Great abolished the patriarchate 200 years earlier, Patriarch Tikhon quoted Ezekiel prophetically: ‘How many tears and groans will I have to swallow.’

After the abdication of the tsar in March 1917, the Russian Church was freed from its subjugation to the State and became once again respected by a large section of the educated population. But the church also faced years of persecution, and lost its legal status and right to own property. Lenin launched a ferocious attack on the church in 1922, and Patriarch Tikhon was imprisoned from May 1922 until June 1923.

Patriarch Tikhon was effectively a prisoner in the Donskoi Monastery and was frequently interrogated in the Lubyanka. But on the occasions when he was allowed to take walks along the monastery walls, crowds would regularly gather below the walls to receive his blessing.

Thanks to changes in the regime and to support from abroad, particularly from Britain, Patriarch Tikhon was not put on trial or executed. On 13 April 1923, the Archbishop Randall Davidson of Canterbury and other British religious leaders, including the Chief Rabbi, issued a statement condemning religious persecution in the Soviet Union.

The British Foreign Secretary issued an ultimatum to the Soviet government on 8 May 1923, condemning ‘the definite object of destroying all religion in Russia’ and threatening to break off relations. The Soviet leadership was desperate to preserve the 1921 Anglo-Soviet Trade Treaty and to maintain good relations with Britain.

When Patriarch Tikhon died on 12 April 1925, between 30,000 and 40,000 attended his funeral in the Donskoi Monastery, many more than attended Lenin’s funeral the previous year.

Patriarch Tikhon defies definition, challengec the capitulation of many Christian leaders to the Trump regime in the US, and stands in sharp contrast to Patriarch Kirill of Moscow

Patriarch Tikhon defies definition as either a dissident or a collaborator. He endeavoured to preserve the Russian Orthodox Church while he tried to remain apolitical, and he criticised the Communist regime without opposing it.

He is a challenge to the capitulation of many Christian leaders to the Trump regime in the US. During his time as a bishop in the US, he came to appreciate democracy, plurality and diversity, and the separation of Church and State.

He also stands in sharp contrast to the present head of the Russian Orthodox Church, Patriarch Kirill of Moscow, with his intimate relationship with the Putin regime, his autocratic approach to church leadership, and his persistent attempts to sow divisions within the Orthodox churches.

The Orthodox Public Affairs Committee (OPAC) said earlier this week: ‘Rather than serving as a prophetic voice for peace, reconciliation, and the sanctity of every human life, Patriarch Kirill has repeatedly offered religious justification for Russia’s unprovoked war of aggression against Ukraine. He has portrayed the invasion as a sacred struggle, blessed those waging war, and increasingly intertwined the mission of the Russian Orthodox Church with the geopolitical ambitions of the Kremlin.’

Patriarch Kirill’s recent statements are disturbing and troubling. He has described Russia’s nuclear arsenal as a manifestation of God's ‘grace and mercy’ and he has claimed that the creation of the Soviet atomic bomb came about through divine providence and the prayers of Saint Seraphim of Sarov (1754-1833), a Russian saint known for his life of contemplation and kindness.

His invocation of one of Orthodoxy’s most beloved saints in defence of nuclear weapons that are capable of unimaginable destruction is a profound distortion of the Christian faith. The Gospel proclaims peace, reconciliation, and the sacred dignity of every human person and must never be used to sanctify war, imperial conquest, or nuclear intimidation.

For more than four years, the Ukrainian people have endured the horrors of an unprovoked war with extraordinary courage, resilience, and unwavering faith. Families have been torn apart, cities have been reduced to rubble, and countless innocent lives have been changed forever.

In response, the Saint Nicholas National Shrine recently presented its Beacon of Hope Award to President Volodymyr Zelenskyy and the people of Ukraine, recognising their courage, sacrifice, and resilience.

The National Shrine of Saint Nicholas was established to bear witness to the Light of Christ in the midst of darkness. It stands at the World Trade Centre as a place of prayer, remembrance and healing, and a reminder that evil and hatred will never have the final word. The US is about to mark the 25th anniversary of the ‘9/11’ attacks on 11 September 2001, the shrine is a ‘beacon of hope’ to all who suffer from violence, war, terrorism, and despair.

The shrine’s decision to honour President Zelenskyy and the people of Ukraine has been criticised by Patriarch Kirill’s apologists, who have claimed that Ukraine is persecuting Christianity and ‘shutting down churches’.

Saint Nicholas National Shrine was consecrated in memory of lives lost to terrorism 25 years ago, and remains a reminder to the world, like Patriarch Tikhon, that the Light of Christ continues to shine in the darkness, and the darkness shall never overcome it.

The Institute for Orthodox Christian Studies is on Jesus Lane, Cambridge, beside Jesus College and Wesley House and across the street from Westcott House and Sidney Sussex College (Photograph: Patrick Comerford)

Bishop Barry Rogerson, a former Vice-Principal of Lichfield Theological College, dies at 90

Bishop Barry Rogerson (1985-2002), who has died this week, was a former Vice-Principal of Lichfield Theological College

Patrick Comerford

The Diocese of Bristol and the Diocese of Lichfield shared the news late on Thursday that Bishop Barry Rogerson, Bishop of Bristol (1985-2002), had died at the age of 90 earlier in the day (20 August 2026) at the age of 90. Following his retirement, Bishop Barry had served as Assistant Bishop in the Diocese of Bath and Wells.

Bishop Barry was born on 25 July 1936. He began his working life at a bank before studying theology, biblical studies and philosophy at the University of Leeds, where he founded the university’s theological society.

Following a call to ministry, he began training at Wells Theological College and was ordained in 1962. He then held curacies at Saint Hilda, South Shields, and Saint Nicholas, Bishopwearmouth, from 1962 to 1967.

He became a lecturer at Lichfield Theological College in 1967, and he was the Vice-Principal from 1971 until the college closed in 1972.

Lichfield Theological College never acquired the same reputation as, say, Westcott House and Ridley Hall in Cambridge or Ripon Cuddesdon, Saint Stephen’s House and Wycliffe Hall in Oxford. But in its days it developed some pioneering and trail-blazing ‘sandwich’ courses, involving its students in parish as well as academic work, and it also catered for older ordination candidates.

At the time Barry Rogerson was vice-principal, the last Principal of Lichfield Theological College was Canon John Yates (1925-2008), who had been appointed in 1966 in succession to John Fenton. He continued as the principal for the next six years, and in 1971 he was appointed Prebendary of Flixton in Lichfield Cathedral.

One afternoon in 1971, after I had slipped into the cathedral stalls for Choral Evensong in Lichfield Cathedral, he introduced himself to me and asked me whether I was considering ordination. Little did he know that shortly beforehand I had a wonderful religious experience visiting the chapel in Saint John’s Hospital.

Jean and John had remarkable social consciences. They spoke out against discrimination and they were deeply concerned for the poor and the marginalised. They kept an open house in the Close, and in the brief time I knew them I was welcome to drop in. After Lichfield Theological College closed, John Yates became Bishop of Whitby (1972-1975), Bishop of Gloucester (1975-1992) and the Bishop at Lambeth (1992-1994).

Meanwhile, Barry Rogerson continued lecturing in theology for three more years at Salisbury and Wells College (now Sarum College) before returning to parish ministry as Vicar and then Team Rector of Saint Thomas’s, Wednesfield, Wolverhampton. During that time, he was seconded for six months to teach at Bishop Patteson Theological College in Kohimarama in the Solomon Islands.

He became a suffragan bishop in the Diocese of Lichfield in 1979 when he was appointed the first Suffragan Bishop of Wolverhampton. At the height of Margaret Thatcher’s time as Prime Minister, he joined the People’s March for Jobs as it passed through Wolverhampton in 1981. The march brought together people from across the country to highlight concerns over unemployment and its impact on communities.

He remained in Wolverhampton for six years and in 1985 he became Bishop of Bristol, where he remained until he retired 2002.

Bishop Barry was a passionate supporter of the ordination of women, a view he had held since before his own ordination. He was a consultant to the Movement for the Ordination of Women and, following approval of the ordination of women as priests by General Synod in 1992, he ordained the first 32 women priests in the Church of England in Bristol Cathedral on 12 March 1994, including Bishop Jan McFarlane, now Dean of Lichfield, and Bishop Sarah Bullock, now suffragan Bishop of Shrewsbury in the Diocese of Lichfield.

As Bishop of Bristol, Bishop Barry took part in many ecumenical initiatives: he served was a president of Churches Together in Britain and Ireland and was a member of the central and executive committee of the World Council of Churches. He was co-chair with the Revd Dr John B Taylor of the committee that produced the 2001report The Anglican-Methodist Conversations.

He chaired the Interfaith Consultancy Group (IFCOG) and also chaired the advisory board of ministry, on which he was instrumental in encouraging the Church of England to take the distinctive diaconate seriously, introducing the report For Such A Time as This to the General Synod in 2001.

He chaired the Melanesian Mission in England until he retired in 2002. In his retirement, he was an Assistant Bishop in the Diocese of Bath and Wells from 2003 to 2025.

Bishop Barry is survived by his wife Olga, their daughters Sue and Debbie, and their his extended family.

Bishop Michael Ipgrave of Lichfield said: ‘I was very sad to hear the news about Bishop Barry. He is remembered with great love and fondness by all who knew him, and with deep gratitude for the kindness, generosity and support he gave to our diocese. Our thoughts and prayers are with his family at this sad time. May they be comforted by the love and prayers of all who knew him. May he rest in peace and rise in glory.’

The people of the Diocese of Bristol are invited to give thanks for Bishop Barry at a special Evensong in Bristol Cathedral at 5:15 pm on Tuesday 13 October 2026.

The former Lichfield Theological College in the Cathedral Close, Lichfield (Photograph: Patrick Comerford)

Visiting Westcott House, Cambridge, is like standing on the shoulders of the theological giants of Anglicanism

Westcott House on Jesus Lane is one of the two Anglican theological colleges in Cambridge (Photograph: Patrick Comerford, 2026)

Patrick Comerford

During this week’s walking tour of Cambridge, when I showed a visiting friend from Ireland around the Cambridge I have felt a part of for almost 20 years and that has been a part of me too, we visited a number of colleges, chapels and churches, including King’s College and Jesus College and their chapels, and Sidney Sussex College and Christ’s College.

One of the theological colleges we visited was Westcott House, the Anglican theological college on Jesus Lane in the heart of Cambridge, squeezed between Sidney Sussex College to the west and All Saints’ Church to the east, and across the street on Jesus Lane from Jesus College, as well as the Institute for Orthodox Christian Studies and Wesley House.

When I stayed at Sidney Sussex College on courses organised by the IOCS, I became well acquainted with Westcott House, and I have often mused that it Westcott was the one theological college in England – or, perhaps, Ripon College Cuddesdon – I would like to have trained at had I not trained in Ireland.

I stayed in Westcott House once many years ago during a residential meeting of USPG trustees, and I have been there for chapel services and for seminars organised by the IOCS, when the lecturers have included Archbishop Rowan Williams, Metropolitan Kallistos Ware and Metropolitan John Zizioulas.

Westcott House on Jesus Lane, Cambridge, is squeezed between Sidney Sussex College and All Saints’ Church and across the street from Jesus College (Photograph: Patrick Comerford, 2026)

Westcott House is one of two Anglican theological colleges in Cambridge, the other being Ridley Hall. Westcott stands in the Liberal Catholic tradition in Anglicanism, but the college accepts ordinands from a range of traditions in the Church of England and other Anglican churches. Its main activity is training men and women for ordained ministry in the Church of England, and it is part of the Cambridge Theological Federation.

The chapel at Westcott is at the heart of the community life. Its uncluttered simplicity provides ideal sacred space for a range of services from sung high mass to said Morning Prayer, from adoration of the Blessed Sacrament to ‘prayer and praise’ services.

As we strolled around the grounds of Westcott House, my friend and I compared notes about theological training in England and Ireland, the accommodation and facilities provided for ordinands and their families, the links theological colleges and students ought to be encouraged to have with the university, and the links the philosopher Ludwig Wittgenstein developed with Ireland thanks to his friendship with a former ordinand at Westcott, Maurice O’Connor (Con) Drury.

Westcott House was founded in 1881 by Brooke Foss Westcott, one of the ‘Cambridge Triumvirate’ of biblical scholars and theologians (Photograph: Patrick Comerford, 2026)

Westcott House was founded in 1881 as the Cambridge Clergy Training School. Brooke Foss Westcott (1825-1901), the then Regius Professor of Divinity at the University of Cambridge, was its first president, and he later became the Bishop of Durham.

Westcott was a distinguished New Testament scholar and one of the ‘Cambridge Triumvirate’ of biblical scholars and theologians, alongside Joseph Barber Lightfoot (1828-1899) and Dublin-born Fenton John Anthony Hort (1828-1892). Together, they produced The New Testament in the Original Greek (1881), shaping modern Bible translations, and leading to the Revised Version, the Revised Standard Version and eventually the New Revised Standard Version (NRSV) of the Bible.

Westcott House was the result of Westcott’s passionate concern to raise the standard of clergy education and to equip clergy to meet the challenges of parish ministry. He was also exercised by the way in which the Church of England was increasingly dominated by parties and factions, and he refused to be labelled with any factional affiliations or labels.

In its history, Westcott House has said: ‘As a scholar, educator, priest and prophet, Westcott’s legacy to the Church of England challenges sectarianism, ignorance, complacency and empty faith. This is the spirit which Westcott House seeks to honour today, drawing students from all backgrounds to prepare them for ministry in this historic centre of Christian learning.’

Visiting Westcott House is an experience that could be compared to standing on the shoulders of theological giants (Photograph: Patrick Comerford, 2026)

I once described staying in Westcott House as an experience that could be compared to standing on the shoulders of the theological giants of the Church of England, and even of wider Anglicanism. Today, Westcott House describes itself as ‘the home of a diverse, inclusive and international community of people who share a vision of ministry to all society’.

The Revd Dr Helen Dawes has been the principal of Westcott House since 2021. Previous principals have included Peter Walker (1962-1972), later Bishop of Ely, Mark Santer (1972-1981), later Bishop of Birmingham, and Canon Chris Chivers, who chaired the Trustees of USPG. The first Irish-born principal was William Derrick Lindsay Greer (1902-1972), later Bishop of Manchester.

The boot scarpers at the entrance, depicting a rabbit and a pig, are a heraldic pun on the surname of Bertram Cunningham (1871-1944), who was the principal in 1919-1943.

Notable staff members have included Earl (Gregory) Collins, formerly of Glenstal Abbey and Abbot of the Dormition Abbey, Jerusalem, author of the Glenstal Book of Icons, and now Canon Chancellor of Chichester Cathedral; Canon John Collins and Dean Alan Webster, later of Saint Paul’s Cathedral, London; Don Cupitt, later Dean of Emmanuel College, Cambridge; John Habgood, later Archbishop of York; Hugh Montefiore, later Bishop of Birmingham; Mary Tanner, later European President of the World Council of Churches; Canon Angela Tilby; and two former Archbishops of Canterbury, Robert Runcie and Rowan Williams.

Notable alumni include: the Revd Professor John Polkinghorne (1930-2021), theoretical physicist and theologian, who wrote extensively on quantum physics and theology; John Robinson, Bishop of Woolwich and author of Honest to God; Mervyn Stockwood, Bishop of Southwark; and Graham Ward, Regius Professor of Divinity at Oxford until 2024.

The chapel is at the heart of daily life in Westcott House (Photograph: Patrick Comerford, 2026)

Dr Maurice O’Connor (Con) Drury (1907-1976), who left Westcott House after a year as an ordinand, was an Irish psychiatrist, is known for his accounts of his conversations and close friendship with the philosopher Ludwig Wittgenstein. He studied philosophy at Trinity College, Cambridge, where his tutors included Wittgenstein. Drury and Wittgenstein remained close friend and Drury was among a group of friends present at Wittgenstein’s deathbed in 1951.

After leaving Westcott House, Con Drury studied medicine in Trinity College Dublin, thanks to financial assistance from Wittgenstein and friends, including the economist John Maynard Keynes. He took part in the Normandy landings, and later was the resident psychiatrist at Saint Patrick’s Hospital, Dublin, and a lecturer in TCD and the Royal College of Surgeons in Ireland.

His son, Dr Luke Drury, an astrophysicist, was elected president of the Royal Irish Academy in 2011. Another son, Paul Drury, who died in 2015, edited The Star, Evening Herald, Irish Daily Mail and Ireland on Sunday, and was also deputy editor of the Irish Independent.
Con Drury’s papers are held in the library of Mary Immaculate College, Limerick.

The architects of Westcott House included Temple Lushington Moore, who was born in Tullamore, Co Offaly (Photograph: Patrick Comerford, 2026)

Westcott House is now Grade II listed, and visually it can look like the cloisters of All Saints’ Church, which is adjacent and was designed by George Frederick Bodley (1827-1907).

The main buildings were built in 1899-1929 around an attractive Tudor-style courtyard. The north range was designed in 1899 by the architectural practice of GE Grayson (1834-1912) and Edward Ould (1852-1909), the west range in 1912 by Hartwell Simpson, the east range and south part in 1914 by the Tullamore-born architect Temple Lushington Moore (1856-1920). Temple Moore was also the architect of Pusey House, Oxford; his only son, Richard Temple Moore (1891-1918), was killed when the RMS Leinster was torpedoed and sunk off Dublin a mere month before the end of World War I.

Temple Moore has been described as ‘England’s leading ecclesiastical architect from the mid-Edwardian years’. The architectural historian Sir Nikolaus Pevsner said that he was ‘always sensitive in his designs and often interesting.’ His designs reflect his Anglo-Catholic practice and values. His work can be seen across England; he is known for a series of fine Gothic Revival churches built about 1890 and 1917 and he also restored many churches and designed church fittings.

The chapel and other buildings at Westcott House were designed in 1923-1929 by the architect Percy Richard Morley Horder (1870-1944), who also worked on Chapel Court in Jesus College and designed the Jesus College boathouse (1932).

Westcott House is in an idyllic college setting in the heart of Cambridge (Photograph: Patrick Comerford, 2026)

Since the 1985 report Faith in the City, Westcott House has retained a commitment to develop expertise and capacity in the fields of urban ministry and mission.

Through a partnership with the Diocese of Manchester, the college has pioneered patterns of context-based learning and innovative approaches to contextual theology for over twenty years. These approaches have been widely imitated and developed by other theological education institutions. The college has also developed a programme for continuing ministerial development through the Westcott Foundation.

The college provides training pathways in conjunction with the University of Cambridge and the Common Awards, validated by Durham University, as well as opportunities for independent study for undergraduate and postgraduate degrees through the wider Cambridge Theological Federation and Anglia Ruskin University.

Today, Westcott House is a collection of beautiful buildings overlooking the gardens of Old Court, and it offers a peaceful and idyllic college setting in the heart of Cambridge.

The boot scrapers at the main entrance to Westcott House, in the shape of a rabbit and a pig, are heraldic puns on the name of Bertram Cunningham (Photographs: Patrick Comerford, 2026)

Jesus College Chapel is the oldest in Cambridge and was once part of a Benedictine convent

Jesus College Chapel in Cambridge was originally a church that served the 12th century Benedictine Convent of Saint Mary and Saint Radegund (Photograph: Patrick Comerford, 2026)

Patrick Comerford

When I was introducing a friends from Ireland to the Cambridge I have known for almost 20 years, one of the places we received a warm welcome earlier this week was the chapel in Jesus College, where I found myself once again on what I have come to call the ‘Pugin Trail’.

Jesus College Chapel was restored by Pugin in the 1840s, and has a number of Pre-Raphaelite and Arts and Crafts treasures, including works by William Morris, Sir Edward Burne-Jones and Ford Madox Brown. It is the oldest college chapel in Cambridge, and its is unique in that it was not originally designed as a college chapel. It dates back to a time 350 years before the foundation of the college, and to half a century before the creation of the university.

The chapel was originally a large Norman church dedicated to Saint Mary and that served the 12th century Benedictine Convent of Saint Mary and Saint Radegund.

The church took about a century to build. It was begun in 1157 and was completed around 1245. At that time it was the largest church in Cambridge, about 58 metres in length and with proportions similar to those of a cathedral. It was built in the form of a cross, with aisles to the north and south of chancel and nave, and it had a high pitched roof with a belfry or steeple which was visible for miles around.

It served as the church of the parish of Saint Radegund which grew up around the convent, then a semi-rural area just outside the city of Cambridge. The belfry collapsed in 1277, and again in 1313. A fire destroyed much of the surrounding convent in 1376 but largely spared the church itself, causing only some light damage to the tower.

Jesus College, Cambridge, was founded by Bishop John Alcock in 1496 (Photograph: Patrick Comerford, 2026)

John Alcock, Bishop of Ely, founded Jesus College in 1496, with the formal name of the College of the Blessed Virgin Mary, Saint John the Evangelist and the glorious Virgin Saint Radegund, near Cambridge. He carried out extensive building work to adapt the former convent church. Parts of the church were demolished, the rest was drastically modified, and it was then reconsecrated in the Name of Jesus. The church was previously dedicated to Saint Mary, but there may have been an altar dedicated to the Name of Jesus in the people's part of the church.

Alcock was an architect as well as a bishop and he designed many of the alterations. The changes were intended to create a chapel that was a more suitable size for a small community of scholars.

The first stages were overseen by his friend and a fellow of the college, William Plombe, in 1497-1498. After Alcock died in 1500, his work was continued by Dr William Chubbes, the first master of Jesus College, and the architects Sir John Rysley and Sir Reginald Bray.

Inside the chapel at Jesus College, Cambridge, facing the chancel and the east end (Photograph: Patrick Comerford, 2026)

The chancel chapels and the aisles of the nave of the church were pulled down and the cloisters were enlarged. The new cloisters were enclosed by walls that had four windows in the Perpendicular Gothic style. The dilapidated belfry was taken down and the high pitched roof was replaced by a flat roof with an oak ceiling. The lancet windows in the east wall were replaced by a plain Perpendicular style window.

Two-thirds of what had been the nave of the church was replaced by college rooms that later became part of the Master’s Lodge. The chapels on the north and south sides of the choir were pulled down and the north aisles became part of the cloister, with the original columns still embedded in the wall. The screen that once divided the congregation at the west end of the crossing was replaced by a more open screen at the east side.

The 13th century arches that divided the aisles from the nave were pulled down to make way for college rooms or were blocked off with stone and hidden behind plaster. Four arches in the chancel and two in the north transept were all filled in and covered over, and Perpendicular windows were placed in the new walls. The east arch in the south transept was also filled in and covered over, two Perpendicular windows were inserted in the east and west walls, and a large Perpendicular window was inserted in the south wall.

The south transept of the chapel, with the marble and alabaster memorial to Thomas Cranmer beneath the great window (Photograph: Patrick Comerford, 2026)

Thomas Cranmer was the first of four members of Jesus College to become Archbishop of Canterbury. Jesus College was his home for more than a decade, from 1517 to 1528, and as Rysley Reader in Divinity he taught theology. His connection with Jesus College is marked by a white marble and alabaster memorial in the south transept, designed by the architects Richardson and Gill and sculpted by A Bruce-Joy in 1912.

During the reign of Edward VI, six altars in the chapel and some images in the Master’s Lodge were destroyed in 1549. During the Catholic restoration in the reign of Mary I, John Fuller was appointed Master of Jesus College in 1557 and he restored the old ritual and ornaments in the chapel.

Jesus College returned to a more Protestant ethos in the reign of Elizabeth I, and the chapel services were simplified, although the college did not become Puritan. When James I visited Cambridge frequently, he often worshipped in the chapel in Jesus College.

In the chancel of the chapel in Jesus College, looking towards the screen and the west end beyond (Photograph: Patrick Comerford, 2026)

When Dr Richard Sterne was the master, a new organ was bought in 1634. Two years later new furniture, plate, and candlesticks for the altar were bought in line with the High Church reforms of William Laud, Archbishop of Canterbury. At this time, the college was known as a High Church stronghold in Cambridge and chapel services were renowned for ‘good music, elaborate solemnity and attractive decency’.

During the Civil War, the Parliamentarians ordered all colleges in 1641 ‘to displace the Communion table from the east end of their chapels, to take away the rails and level the chancel, and to remove crucifixes, tapers, and basins from the Communion table’.

Charles I called on the fellows to raise a loan of £100 and to send pieces of the college plate to his camp in York. Part of the plate was seized by the Cromwellians before it could be sent from Cambridge, but most of it was taken to York. The Cromwellians arrested the master and the former master, Richard Sterne and William Beale, during a service in the chapel and they were taken to the Tower of London. The fellows took apart the organ and hid the pieces, and what was left of the plate is said to have been buried in the orchard.

The Puritan William Dowsing arrived at Jesus College at Christmas 1643 and ‘digg’d up the Steps there and brake down Superstitions of Saints and Angels, 120 at the least’. All but two of the fellows were ejected from Jesus College and Richard Sterne was deposed as master.

All the chapel windows were filled with stained glass in the first decades of the 16th century, but every one of them was smashed by the Parliamentarians on 23 December 1643. For the next 200 years there was nothing but clear glass, apart from a few coats of arms.

The choir, chancel and High Altar in the chapel of Jesus College, Cambridge (Photograph: Patrick Comerford, 2026)

At the Restoration, the chapel was repaired and restored in 1660-1663 by successive new masters, John Pearson and Joseph Beaumont, and the organ was rebuilt and reinstated. In the decades that followed, the chapel was paved with black and white marble, a gallery was built in the chancel, facing towards the altar, and a classical entrance was added in the south wall.

Between 1762 and 1765 the piers and arches of the cloisters were demolished and rebuilt to designs by James Essex, and the organ was dismantled and given to the parish of All Saints.

The Perpendicular east window in the chancel was rebuilt in the 1780s and a major restoration of the chapel was carried out in 1789-1792 to bring it into accord with the popular Classical ideal in architecture.

Major restoration work in the chapel in 1846-1849 was supervised by AWN Pugin (Photograph: Patrick Comerford, 2026)

Major restoration work in the chapel in 1846-1849 was inspired by the Gothic revival and largely reversed earlier repairs. The leaders of this new restoration were the Revd John Gibson, then dean of the college, and the Revd Osmond Fisher. Their aims were to restore the architecture and the ritual of the chapel, to restore music to chapel services and to reinstate the choir. A new organ was designed and bought in 1849 by John Sutton, who formed a choir.

These repairs were supervised by AWN Pugin, the towering figure in the Gothic revival in church architecture and a close friend of John Sutton. On Sutton’s recommendation, the college employed Pugin to direct the chapel restoration.

Under the direction of Anthony Salvin, an 18th century partition wall in the chancel arch was removed, along with the gallery on its east side, a new organ chamber and vestry were built on the east side of the north transept, two arches were unblocked, and two arches were opened unto the north transept below the gallery.

The nave and west end of the chapel in Jesus College, Cambridge (Photograph: Patrick Comerford, 2026)

Pugin removed both the 18th century plaster ceiling and Alcock’s low-pitched roof, which he replaced with a high pitched roof in a 13th century style. He rebuilt the choir stalls and the east wall. The reconstruction of the windows in 1846-1849 was based on good archaeological evidence and was guided by Robert Willis, working with Anthony Salvin and then with Pugin.

Pugin began in the lancets above the altar and replaced Alcock’s Perpendicular east window with three tall lancet windows in 1850 with scenes of Christ’s passion in the style of Chartres and Canterbury cathedrals, working with Hardman of Birmingham. The other windows were later glazed in the same style in 1850-1858.

The Norman windows in the north wall of the north transept were rediscovered and were preserved as recessed arches, and the whole wall was restored. New stalls and a new pavement were also supplied for the chancel, and a new organ was installed in the organ chamber. The chapel reopened with a full choral service on All Saints’ Day 1849.

Two windows by Edward Burne-Jones depicting the Incarnation (above) and Christ debating with the Doctors in the Temple (below) in the south wall of the choir (Photographs: Patrick Comerford, 2026)

Further repairs were carried out in 1864-1867 by George F Bodley, who was working at the time on All Saints’ Church in Jesus Lane, facing the entrance to the college, and the tower was refaced and restored.

William Morris designed decorations for the panelled ceilings of the nave and the tower and they were painted under his direction in 1867. The windows in the outer chapel were glazed in 1867-1878 with glass designed by William Morris, Edward Burne-Jones and Ford Madox Brown. The windows in the nave and transepts were glazed in 1873-1877 by Morris and Company to designs by Burne-Jones and Ford Madox Brown.

The glass in the two Perpendicular windows on the south wall of the chancel had weathered badly and were replaced in 1912 with designs by Sir Edward Burne-Jones, one depicting the Nativity and the other Christ debating with the Doctors in the Temple. Although their colour is brilliant, they broke a rule of both Pugin and Morris that the subject of each light should be complete in itself.

Two windows by Edward Burne-Jones depicting Faith (centre), Hope and Charity (above) and Patience, Obedience and Gentleness (below) in the north transept (Photographs: Patrick Comerford, 2026)

The windows in the north wall’s lancets depict scenes from the New Testament and Saint Radegund’s life, and those on the south show scenes from the life of Saint John.

Two windows in the north transept have figures representing the three theological virtues, Faith (standing on unbelief), Hope (standing on despair) and Charity (standing on envy); and the social virtues: Patience (standing on impatience); Obedience (standing on disobedience); and Gentleness (standing on ferocity).

The adjoining nave window symbolise the natural virtues and their corresponding vices. The other three nave windows have figures and scenes from the Old Testament.

In the four smaller south transept windows are the four evangelists and scenes from their Gospels, while the Great South window represents the Church in Heaven and on Earth.

The chapel has one of the finest collections of windows by Burne-Jones. But shortly after completing these windows he announced that he would no longer make stained glass for mediaeval churches.

The mid 19th century organ, given to Jesus College by Sir John Sutton, with panels designed by AWN Pugin (Photograph: Patrick Comerford, 2026)

A larger organ was bought in 1887 to complement Sutton’s organ and was installed in a new gallery at the west end of the nave. But the organ and gallery were removed from the west end in the early 20th century and the gallery may now be seen across the street at Westcott House.

Several restorations in the 20th century have revealed more of the building. A new organ by Orgelbau Kuhn of Switzerland was installed in 2006 to replace the organ by Noel Mander installed in 1971.

The chapel has a number of works of art and fine carvings. ‘The Presentation of the Christ child in the Temple’, by Jean Baptiste Jouvenet (ca 1700) in the North Transept was once used as the chapel altar-piece from 1796 to1846. In the inner chapel a large depiction of ‘The Last Supper’ is an example of the work of the Venetian School in the late 16th century and is attributed to Leandro Bassano.

The majority of the richly carved choir stalls and screen are 19th century reconstructions of the 16th century chapel furnishings, although three carved figures have survived from the 1500s. Another remnant of the chapel’s woodwork can be seen at the end of the master's stall in the inner chapel, showing Bishop Alcock at prayer.

The bronze Pietà in the north transept is by the sculptor Gillian Kaufman and was added to the chapel in 2014.

The bronze Pietà in the north transept is by Gillian Kaufman (Photograph: Patrick Comerford, 2026)

The chapel, Cloister Court, and the names of some rooms, such as the Prioress’s Room, are reminders of the links between Jesus College and the 12th century Benedictine Convent of Saint Mary and Saint Radegund.

As we emerged from Cloister Court to First Court it seemed like Barry Flangan’s ‘Bronze Horse’ was waiting in the late afternoon sunshine to greet us.

Some years ago, one of my photographs of the boathouse of Jesus College Boat Club was used in a funraising appeal brochure launched by the club in 2014. It was good to reacquaint myself with Jesus College once again on a summer afternoon.

Barry Flangan’s ‘Bronze Horse’ in First Court seen from Cloister Court (Photograph: Patrick Comerford, 2026)

• The Revd Dr James Crockford has been the Dean of Chapel since 2019. During term time the Sunday services are: 10 am, Choral Eucharist, 6 pm, Choral Evensong with address from a guest speaker; Saturday services, 6 pm, Choral Evensong; weekday services, 9 am, Morning Prayer, Monday to Friday, 6:30 pm, Choral Evensong, Tuesdays and Thursdays.

Cloister Court in Jesus College, Cambridge (Photograph: Patrick Comerford, 2026)

A walking tour of the Cambridge I know for 20 years, with its cafés, colleges, chapels, and the Cam

Walking along the backs in Cambridge this week, with views of the chapel of King’s College and the buildings of Clare College (Photograph: Patrick Comerford, 2026)

Patrick Comerford

I spent a day in Cambridge earlier this week, meeting a friend from Ireland who has been staying in Saint John’s College and taking a short top-up course in theology organised by the Diocese of Ely.

Cambridge is always beautiful in the sunshine, even if it is suffering under the crush of over-tourism. The weight of tourism means many colleges have signs saying they are closed to visitors, even though this is the height of the tourist season and the pressures of exams and graduations have passed.

Still, it was good to introduce my friend to the Cambridge that I have known so well for almost 20 years and still feel a part of.

We met at the train station, walked along Station Road and Hills Road back into the centre of Cambridge and stopped for a long coffee and the opportunity to catch up on old times before beginning our walk around Cambridge in earnest.

First Court and the chapel in Christ’s College (Photograph: Patrick Comerford, 2026)

We had dropped into Our Lady and the English Martyrs Church, and had glimpses of Downing and Emmanuel, of Parker’s Piece and of Saint Andrew’s Baptist Church. But our first real stopping point was Christ’s College, where the castle-like gatehouse on Saint Andrew’s Street has had its vibrant colours and paintwork repainted in a project that was completed in 2018.

The statue of the college founder, Lady Margaret Beaufort, has been spruced up too, although the tourists peering into First Court were more image in the plaque with an image of Charles Darwin, a former undergraduate. I tried to explain how I once, in vain, searched for the supposed links between Darwin and the Comberford family, but recalled how it is said that even before the chapel was consecrated Lady Margaret heard Mass from a gallery now represented by a window in the south wall of the chapel, although the chapel was not formally consecrated until a year after her death.

I preached in the chapel and was a visiting lecturer in Christ’s College in 2009, and I stayed there again the following year before taking part in the summer school at Sidney Sussex College organised by the Institute for Orthodox Christian Studies.

From Christ’s College, we strolled along Petty Curry into Market Square, then along Peas Hill and into Saint Edward’s Passage to see David’s Bookshop, the most charming bookshop in England, and Saint Edward’s Church where they recently marked the 500th anniversary of the sermon by Robert Barnes at midnight mass on Christmas Eve 1525 that is said to have sparked the Reformation in England.

Inside the chapel at King’s College, Cambride (Photograph: Patrick Comerford, 2026)

On King’s Parade we gave the tourist shops a healthy miss and instead looked at the Senate House, Great Saint Mary’s, the University Church, and Gonville and Gaius College, turning into Senate House Passage, and passing Trinity Hall and Clare College, where I have also stayed, to visit King’s College.

There we spent some time admiring King’s Chapel, and, although it thronged with tourists there were quiet places to sit and reflect, think and pray, and to talk quietly.

We strolled through Back Lawn, filled with wild flowers and still without its summer mowing, and walked along the Backs and the banks of the Cam, crossing King’s College Bridge to enjoy views of the punters on the river – some with copious supplies of Pimm’s – and to catch a glimpse of Clare Bridge, where one of the 14 decorative stone balls is missing a neatly sliced wedge or segment.

Cambridge lore says the builder cut out the wedge in a pay dispute or to avoid taxes, but the true explanation is probably that it is a weathered repair.

The Corpus Clock, where the Grasshopper is eating up time (Photograph: Patrick Comerford, 2026)

We walked back through Front Court onto King’s Parade, where we watched the Corpus Clock, unveiled by Stephen Hawking, where the Chronophage or the Grasshopper clock is eating up time.

We had to step into the Eagle, where Crick and Watson announced in 1953 announced they had discovered the ‘Secret of Life’ or the double helix structure of DNA, and then visited Saint Bene’t’s Church which, for the years I was following courses with IOCS at Sidney Sussex College, was almost like a parish church for me.

We were soon back on Margaret Street, and we skipped through Market Passage with its associations with Oliver Cromwell, to see Sidney Sussex College, where lingering wisteria is still trailing over the wall onto Sidney Street. Walking through Sussex Street and the commercial developments owned by Sidney Sussex, we ended up the corner of King Street and Hobson Street, and shared stories of the ways in life we have often been confronted a ‘Hobson’s Choice’ – take it or leave it.

Bikes and cyclists at on Sidney Street at Sidney Sussex College (Photograph: Patrick Comerford, 2026)

A long and lengthy late lunch in King Street Brewhouse provided more opportunities to catch up on life in Ireland, England and further life, to talk about church life, teaching, theology, journalism and families, and compared notes about working visits to and time in different parts of Europe and Africa.

With Sidney Sussex to our left, we cut along Malcolm Street to Westcott House, where we compared theological education in Ireland and England, had a glimpse of All Saints’ Church, and crossed Jesus Lane to a warm welcome in Jesus College.

On Jesus Lane, we looked at the Institute for Orthodox Christian Studies and Wesley House, both now within the ambit of Jesus College, and walked on past Little Trinity, the ADC Theatre, home of the the Cambridge Footlights, whose members came to dominate British comedy in the 1970s, the 1980s, and beyond, and we peered into the former Pitt Club, now a Japanese restaurant.

Punters on the Cam below Magdalene Bridge (Photograph: Patrick Comerford, 2026)

We squeezed our way along Bridge Street, with the Round Church, the side of Saint John’s College and Saint Clement’s, where we turned in to picturesque Portugal Place, where returning Jews first settled in Cambridge in the 17th century. We ended up back at the Cam and Magdalene Bridge, by Magdalene College. Our time had run out, and we never even considered the offers of taking a short journey on a punt on the Cam.

Cambridge had been beautiful in this July sunshine. In the throngs of tourists, I did not see myself as a tourist or visitor, even for a moment, but felt I was back in the Cambridge I have known and that has been part of me for almost 20 years.

I had shown my friend my Cambridge and the Cambridge that John Betjeman describes as ‘The white of windy Cambridge courts, the cobbles brown and dry’, where choirs and organs join to ‘praise Eternity contained in Time and coloured glass.’ Walking back to catch a train home at the end of my Odyssey in Cambridge and feeling wistful, I could not but have another look at Sidney Sussex College and its glorious wisteria.

I should get back more often. And I should write more about those colleges, chapels and the Cam in the days to come.

A wistful look at the wisteria at Sidney Sussex before leaving Cambridge (Photograph: Patrick Comerford, 2026)