The Church looking out onto the World … the door in Saint Bene’t’s Church, Cambridge, looking out onto Bene’t Street (Photograph: Patrick Comerford, 2015)
Patrick Comerford
This is my last day in Cambridge following this year’s summer conference organised by the Institute for Orthodox Christian Studies. As usual, I began the day with a five-minute walk from Sidney Sussex College to Saint Bene’t’s Church, where I have been attending the early morning Eucharist at 8 a.m. throughout this week.
This morning, the associate priest at Saint Bene’t’s, the Revd Rachel Nichols, presided at the Eucharist, and in the Calendar of the Church we remembered Saint Gregory the Great.
The readings were: Ecclesiasticus 47. 8-11; Psalm 100; 1 Thessalonians 2. 3-8; and Mark 10. 42-45.
Rachel read from Exciting Holiness:
“Gregory was born in 540, the son of a Roman senator. As a young man he pursued a governmental career, and in 573 was made Prefect of the city of Rome. Following the death of his father, he resigned his office, sold his inheritance, and became a monk. In 579, he was sent by the Pope to Constantinople to be his representative to the Patriarch. He returned to Rome in 586, and was himself elected Pope in 590. At a time of political turmoil, Gregory proved an astute administrator and diplomat, securing peace with the Lombards. He initiated the mission to England, sending Augustine and forty monks from his own monastery to refound the English Church. His writings were pastorally oriented. His spirituality was animated by a dynamic of love and desire for God. Indeed, he is sometimes called the ‘Doctor of Desire.’ For Gregory, desire was a metaphor for the journey into God. As Pope, he styled himself ‘Servant of the servants of Go’' – a title which typified both his personality and ministry. He died in 604.”
In a week in which many of the discussions have been about Orthodoxy, ecumenism and dialogue, it was interesting to reminded that Gregory was a bridge between the Church of the West and the Church of Constantinople.
But it was interesting too to be reminded of his role in initiating the mission to England, sending Augustine to refound the English Church.
At the back of the church, I picked up the September edition of Franciscan, the magazine of the Society of Saint Francis. This edition is devoted to the Radical Orthodoxy movement, with essays by Alison Milbank, James Walters, Toby Wright and Steve Holinghurst debating a movement that has been strongly influenced by Anglican theologians in Cambridge and that seeks to find our way back to the roots of an orthodox Christian perspective that gives rise to a much more holistic view of God’s world.
In some ways, these essays bring together many of my experiences this week in Cambridge, both at the IOCS summer conference and at the Eucharist in Saint Bene’t’s in the early morning.
Collect:
Merciful Father,
who chose your bishop Gregory
to be a servant of the servants of God:
grant that, like him, we may ever long to serve you
by proclaiming your gospel to the nations,
and may ever rejoice to sing your praises;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
Post Communion:
God of truth,
whose Wisdom set her table
and invited us to eat the bread and drink the wine
of the kingdom:
help us to lay aside all foolishness
and to live and walk in the way of insight,
that we may come with your servant Gregory
to the eternal feast of heaven;
through Jesus Christ our Lord.
03 September 2015
Making use of the ‘Gyp Room’
on Staircase M late at night
The mystery and the meaning of the ‘Gyp Room’ were soon unveiled (Photograph: Patrick Comerford, 2015)
Patrick Comerford
Do you know what is a tripos? Or what is a gyp-room? What was a ten-year man? What was the Wooden Spoon?
Did you know the May Balls and the May Bumps take place in June?
Cambridge has its own vocabulary, its own peculiar names for places, and its own language. It takes so long to master both that Cambridge University Press has a guide to these special words and usages by Frank Stubbings, Bedders, Bulldogs and Bedells: A Cambridge Glossary.
But if you have mastered this vocabulary and this peculiar set of names, then you know you know that Jesus Ditch separates Jesus Common from Jesus Close, you know Christ’s Pieces from Parker’s Piece, and you know where the apostrophe goes in Queens’ College. And you know too that the “Cambridge week” goes from Thursday to Wednesday, why we divide on Friday, and that the new year is starting on 1 October.
A court in a Cambridge college is not somewhere to face trial and punishment, but is the equivalent of an Oxford quad.
Climbing the stairs to M3 in Cloister Court (Photograph: Patrick Comerford, 2015)
In Cambridge colleges, including Sidney Sussex, students often identify with their stairs, which becomes a place for making friendships and sharing resources. This week I am staying on Stairs M in Cloister Court … in previous years, for example, I have stayed in Blundell Court, in Garden Court, on Stairs C overlooking Hall Court and on Stairs H in Chapel Court, among others.
When I was staying on Stairs K in Cloister Court some years ago, I wondered whether there was a room numbered K9. Now that I am on Stairs M this year, I wondered, just for a moment, whether there was an MI5 or MI6, which might have been perfect for the Cambridge spies.
My rooms this week are at the end of Cloister Court, looking out onto the gardens and Jesus Lane (Photograph: Patrick Comerford, 2015)
My rooms this week are at the end of Cloister Court, looking out onto the gardens and Jesus Lane. As I was checking out my bearings and location after my arrival, searching for the bathroom, I was reminded of another strange usage in the Cambridge vocabulary.
My rooms are part of a set and without having to go out onto the landing and the stairs I have immediate access to the shared kitchen, which is labelled: “Gyp Room.”
The gyp, the bedder and the porter are all figures you expect to come across in Porterhouse or some other Tom Sharpe novel set in a Cambridge college.
At one time, college servants did everything from patrolling the college grounds to polishing boots and boiling eggs. The colleges – and students – could not have functioned without them.
In the 1840s, Charles Astor Bristed described the bedders or bed-makers as “the women who take care of the rooms ... For obvious reason they are selected from such of the fair sex as have long passed the age at which they might have had any personal attractions.”
The gyp, he said, was “a college servant, who attends upon a number of students... [who] calls them in the morning, brushes their clothes, carries parcels for them... and waits at their parties and so on.” Each gyp typically worked for all the occupants of a staircase.
So a “Gyp” was a type of manservant in Cambridge colleges, and in Oxford they were known as scouts.
The term may date back to the mid-18th century and perhaps comes from an obsolete word gippo meaning a menial kitchen servant, but originally denoting a working man’s short tunic, and this in turn is derived from an obsolete French word jupeau.
Clear instructions for staff and students (Photograph: Patrick Comerford, 2015)
The Gyps no longer exist, but their memory survives in the name used for the “Gyp room.” This was once the room where a gyp awaited a call from his gentlemen, but today it is a small, basic kitchen for the use of college members, both staff and students.
And the “Gyp Room” on Staircase M in Cloister Court has been an important place for making late-night coffees throughout this week.
I close the door behind me on M3 and the Gyp Room check out of Sidney Sussex College later this morning.
The facilities of the Gyp are basic but welcome when coffee is needed late at night (Photograph: Patrick Comerford, 2015)
Patrick Comerford
Do you know what is a tripos? Or what is a gyp-room? What was a ten-year man? What was the Wooden Spoon?
Did you know the May Balls and the May Bumps take place in June?
Cambridge has its own vocabulary, its own peculiar names for places, and its own language. It takes so long to master both that Cambridge University Press has a guide to these special words and usages by Frank Stubbings, Bedders, Bulldogs and Bedells: A Cambridge Glossary.
But if you have mastered this vocabulary and this peculiar set of names, then you know you know that Jesus Ditch separates Jesus Common from Jesus Close, you know Christ’s Pieces from Parker’s Piece, and you know where the apostrophe goes in Queens’ College. And you know too that the “Cambridge week” goes from Thursday to Wednesday, why we divide on Friday, and that the new year is starting on 1 October.
A court in a Cambridge college is not somewhere to face trial and punishment, but is the equivalent of an Oxford quad.
Climbing the stairs to M3 in Cloister Court (Photograph: Patrick Comerford, 2015)
In Cambridge colleges, including Sidney Sussex, students often identify with their stairs, which becomes a place for making friendships and sharing resources. This week I am staying on Stairs M in Cloister Court … in previous years, for example, I have stayed in Blundell Court, in Garden Court, on Stairs C overlooking Hall Court and on Stairs H in Chapel Court, among others.
When I was staying on Stairs K in Cloister Court some years ago, I wondered whether there was a room numbered K9. Now that I am on Stairs M this year, I wondered, just for a moment, whether there was an MI5 or MI6, which might have been perfect for the Cambridge spies.
My rooms this week are at the end of Cloister Court, looking out onto the gardens and Jesus Lane (Photograph: Patrick Comerford, 2015)
My rooms this week are at the end of Cloister Court, looking out onto the gardens and Jesus Lane. As I was checking out my bearings and location after my arrival, searching for the bathroom, I was reminded of another strange usage in the Cambridge vocabulary.
My rooms are part of a set and without having to go out onto the landing and the stairs I have immediate access to the shared kitchen, which is labelled: “Gyp Room.”
The gyp, the bedder and the porter are all figures you expect to come across in Porterhouse or some other Tom Sharpe novel set in a Cambridge college.
At one time, college servants did everything from patrolling the college grounds to polishing boots and boiling eggs. The colleges – and students – could not have functioned without them.
In the 1840s, Charles Astor Bristed described the bedders or bed-makers as “the women who take care of the rooms ... For obvious reason they are selected from such of the fair sex as have long passed the age at which they might have had any personal attractions.”
The gyp, he said, was “a college servant, who attends upon a number of students... [who] calls them in the morning, brushes their clothes, carries parcels for them... and waits at their parties and so on.” Each gyp typically worked for all the occupants of a staircase.
So a “Gyp” was a type of manservant in Cambridge colleges, and in Oxford they were known as scouts.
The term may date back to the mid-18th century and perhaps comes from an obsolete word gippo meaning a menial kitchen servant, but originally denoting a working man’s short tunic, and this in turn is derived from an obsolete French word jupeau.
Clear instructions for staff and students (Photograph: Patrick Comerford, 2015)
The Gyps no longer exist, but their memory survives in the name used for the “Gyp room.” This was once the room where a gyp awaited a call from his gentlemen, but today it is a small, basic kitchen for the use of college members, both staff and students.
And the “Gyp Room” on Staircase M in Cloister Court has been an important place for making late-night coffees throughout this week.
I close the door behind me on M3 and the Gyp Room check out of Sidney Sussex College later this morning.
The facilities of the Gyp are basic but welcome when coffee is needed late at night (Photograph: Patrick Comerford, 2015)
An afternoon walk along the River Cam
as summer lingers a little in Cambridge
A panoramic view of the River Cam from Fort St George to the Sidney Sussex boathouse (Photograph: Patrick Comerford. 215; click on photograph for a larger image)
Patrick Comerford
This has been such a busy week in Cambridge that there have only been few opportunities to get out from the IOCS conference in Sidney Sussex, and then only for short walks through the cobbled streets to Saint Bene’t’s Church each morning or along Trinity Lane and by the Backs and the Banks of the River Cam at lunchtime.
When the conference ended late this afternoon, I went for a stroll first along Sidney Street and Bridge Street, and popped into Magdalene College where Archbishop Rowan Williams is now the Master.
Magdalene College was founded in 1482 and refounded in 1542. The first foundation was as a Cambridge hostel for Benedictine monks from Crowland Abbey, to the north of the river, under the shadow of Castle Hill. After the dissolution of the monasteries in 1538, Lord Audley of Audley End founded the present college.
The Pepys Building in Second Court in Magdalene College (Photograph: Patrick Comerford, 2015)
I particularly wanted to see the Pepys Building in Second Court, which houses the Pepys Library. It is regarded as the principal ornament of “Mags” and is a building of considerable architectural interest.
The building was probably not completed until the early 18th century. The original plan was probably for a more modest, all-brick building until the project was revived in 1677.
The diarist Samuel Pepys made three subscriptions to the building fund, although there is no formal evidence of his intention to bequeath his Library to the College, and of his hope to have it placed in “the new building” until his will, dated 1703, just before his death.
The back of the Pepys Building looks like a Jacobean manor house, but the front is neo-classical and in Ketton stone.
The west front is delightful, but there is a lopsided rhythm to it and it is slightly asymmetric. The middle window on the first floor is not central, the distance between the second and third windows is greater than that between their equivalent pair on the other side, and so on.
The frieze inscription, Bibliotheca Pepysiana 1724, records the date of the completion of the Pepys Library. Above this inscription is the coat of arms of Samuel Pepys with his motto: Mens cujusque is est quisque, a quotation from Cicero’s De re publica VI.26, “What a man’s mind is, that is what he is,” or more simply “The mind’s the man.”
To each side are the coat-of-arms of two college benefactors, though neither contributed to this building: Sir Christopher Wray, to the left, and Peter Peckard (quartering Ferrar) to the right, both added probably around 1813.
Audley Cottage recalls Lord Audley … there is a rustic feeling about these cottages on Chesterton Lane (Photograph: Patrick Comerford, 2015)
Around the corner from Magdalene College, Audley Cottage on Chesterton Lane is named after the college founder. A row of cottages here retains a rustic charm, and some of the pubs along Chesterton Lane and Chesterton Road, such as the Boathouse, take their names from life on the river.
After crossing the river at Victoria Bridge, I walked along the south bank of the Cam, with the boathouses on the opposite side, as far as the boathouse of Sidney Sussex Boat Club, and then turned back to stop for a glass of wine at the Fort St George In England (to give it its full name), an old pub on the south bank of the river and on the edge of Midsummer Common.
Fort Saint George is the oldest pub on the River Cam (Photograph: Patrick Comerford, 2015)
This is the oldest pub on the River Cam. It is a Grade II listed timber-framed building dating in part from the 16th century. The name is commonly abbreviated to just “Fort St George,” but the pub is often known simply as “The Fort.” The full name reflects a supposed resemblance to the East India Company’s Fort St George at Madras (now Chennai) in India.
This sprawling pub looks much larger from the outside than it is inside. It has three rooms of differing sizes and styles: the large open wooden-floored bar area, a traditional dark snug, and a light (dining) room, with windows overlooking the river. Outside, there is a large pleasant pub garden, on two sides, and a substantial covered area overlooking the Common.
Over the years, it has been much altered and enlarged, but it retains much of its charm. The walls are lined with photographs from the 1960s and 1970s of winning boat clubs, the snug to the right of the main entrance has some ancient panelling, and a sign over the bar boats proudly: “Welcome to Fort St George, proudly serving Cambridge since the 16th century.”
Fort Saint George claims it is “proudly serving Cambridge since the 16th century” (Photograph: Patrick Comerford, 2015)
The building dates from the 16th century, with alterations and additions in the 19th century and later. It was refurbished most recently in 2008. It is timber-framed, rendered and painted, in part refaced or rebuilt in brick, especially the east and west gables and the ground floor south front. It is a two-storey building with modern casement windows, three below and five above and one small-paned sash window.
Originally the building had a T-shaped plan, but the 19th century additions make it difficult to see this. The first floor has an overhang on carved timber brackets, there are some chamfered ceiling beams, a great central brick stack, and an old tile roof.
During the high summer, the pub has a reputation of being rowdy and unpleasant. During many events on the Common, such as Midsummer Fair, it often closes to avoid trouble.
But on an early evening like today’s, it was a rather pleasant place to sip a glass of wine and watch life go by on the river.
Strolling through Jesus Green in the early evening sunshine (Photograph: Patrick Comerford, 2015)
I walked back through Midsummer Common and Jesus Green, and by Jesus Ditch to Park Street, where the ADC Theatre, the home of the Cambridge Footlights. Its initials stand for The Cambridge University Amateur Dramatic Club, the oldest and largest student drama society in Cambridge.
The first performances on the site were staged in 1855. As the Club expanded, the students bought the building, originally the Hoop Inn, and turned it into the ADC Theatre. The freehold of the building is still owned by the members of the Club today.
It was just another few minutes before I was back in my rooms in Sidney Sussex College.
A glass of white wine at Fort St George … it was possible to imagine that this was still summer (Photograph: Patrick Comerford, 2015)
Patrick Comerford
This has been such a busy week in Cambridge that there have only been few opportunities to get out from the IOCS conference in Sidney Sussex, and then only for short walks through the cobbled streets to Saint Bene’t’s Church each morning or along Trinity Lane and by the Backs and the Banks of the River Cam at lunchtime.
When the conference ended late this afternoon, I went for a stroll first along Sidney Street and Bridge Street, and popped into Magdalene College where Archbishop Rowan Williams is now the Master.
Magdalene College was founded in 1482 and refounded in 1542. The first foundation was as a Cambridge hostel for Benedictine monks from Crowland Abbey, to the north of the river, under the shadow of Castle Hill. After the dissolution of the monasteries in 1538, Lord Audley of Audley End founded the present college.
The Pepys Building in Second Court in Magdalene College (Photograph: Patrick Comerford, 2015)
I particularly wanted to see the Pepys Building in Second Court, which houses the Pepys Library. It is regarded as the principal ornament of “Mags” and is a building of considerable architectural interest.
The building was probably not completed until the early 18th century. The original plan was probably for a more modest, all-brick building until the project was revived in 1677.
The diarist Samuel Pepys made three subscriptions to the building fund, although there is no formal evidence of his intention to bequeath his Library to the College, and of his hope to have it placed in “the new building” until his will, dated 1703, just before his death.
The back of the Pepys Building looks like a Jacobean manor house, but the front is neo-classical and in Ketton stone.
The west front is delightful, but there is a lopsided rhythm to it and it is slightly asymmetric. The middle window on the first floor is not central, the distance between the second and third windows is greater than that between their equivalent pair on the other side, and so on.
The frieze inscription, Bibliotheca Pepysiana 1724, records the date of the completion of the Pepys Library. Above this inscription is the coat of arms of Samuel Pepys with his motto: Mens cujusque is est quisque, a quotation from Cicero’s De re publica VI.26, “What a man’s mind is, that is what he is,” or more simply “The mind’s the man.”
To each side are the coat-of-arms of two college benefactors, though neither contributed to this building: Sir Christopher Wray, to the left, and Peter Peckard (quartering Ferrar) to the right, both added probably around 1813.
Audley Cottage recalls Lord Audley … there is a rustic feeling about these cottages on Chesterton Lane (Photograph: Patrick Comerford, 2015)
Around the corner from Magdalene College, Audley Cottage on Chesterton Lane is named after the college founder. A row of cottages here retains a rustic charm, and some of the pubs along Chesterton Lane and Chesterton Road, such as the Boathouse, take their names from life on the river.
After crossing the river at Victoria Bridge, I walked along the south bank of the Cam, with the boathouses on the opposite side, as far as the boathouse of Sidney Sussex Boat Club, and then turned back to stop for a glass of wine at the Fort St George In England (to give it its full name), an old pub on the south bank of the river and on the edge of Midsummer Common.
Fort Saint George is the oldest pub on the River Cam (Photograph: Patrick Comerford, 2015)
This is the oldest pub on the River Cam. It is a Grade II listed timber-framed building dating in part from the 16th century. The name is commonly abbreviated to just “Fort St George,” but the pub is often known simply as “The Fort.” The full name reflects a supposed resemblance to the East India Company’s Fort St George at Madras (now Chennai) in India.
This sprawling pub looks much larger from the outside than it is inside. It has three rooms of differing sizes and styles: the large open wooden-floored bar area, a traditional dark snug, and a light (dining) room, with windows overlooking the river. Outside, there is a large pleasant pub garden, on two sides, and a substantial covered area overlooking the Common.
Over the years, it has been much altered and enlarged, but it retains much of its charm. The walls are lined with photographs from the 1960s and 1970s of winning boat clubs, the snug to the right of the main entrance has some ancient panelling, and a sign over the bar boats proudly: “Welcome to Fort St George, proudly serving Cambridge since the 16th century.”
Fort Saint George claims it is “proudly serving Cambridge since the 16th century” (Photograph: Patrick Comerford, 2015)
The building dates from the 16th century, with alterations and additions in the 19th century and later. It was refurbished most recently in 2008. It is timber-framed, rendered and painted, in part refaced or rebuilt in brick, especially the east and west gables and the ground floor south front. It is a two-storey building with modern casement windows, three below and five above and one small-paned sash window.
Originally the building had a T-shaped plan, but the 19th century additions make it difficult to see this. The first floor has an overhang on carved timber brackets, there are some chamfered ceiling beams, a great central brick stack, and an old tile roof.
During the high summer, the pub has a reputation of being rowdy and unpleasant. During many events on the Common, such as Midsummer Fair, it often closes to avoid trouble.
But on an early evening like today’s, it was a rather pleasant place to sip a glass of wine and watch life go by on the river.
Strolling through Jesus Green in the early evening sunshine (Photograph: Patrick Comerford, 2015)
I walked back through Midsummer Common and Jesus Green, and by Jesus Ditch to Park Street, where the ADC Theatre, the home of the Cambridge Footlights. Its initials stand for The Cambridge University Amateur Dramatic Club, the oldest and largest student drama society in Cambridge.
The first performances on the site were staged in 1855. As the Club expanded, the students bought the building, originally the Hoop Inn, and turned it into the ADC Theatre. The freehold of the building is still owned by the members of the Club today.
It was just another few minutes before I was back in my rooms in Sidney Sussex College.
A glass of white wine at Fort St George … it was possible to imagine that this was still summer (Photograph: Patrick Comerford, 2015)
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