03 August 2019

Two libraries tell
some of the stories
of West Limerick

The Carnegie Library in Broadford, Co Limerick, was designed by Richard Caulfield Orpen in the style of an Arts and Crafts bungalow (Photograph: Patrick Comerford, 2019)

Patrick Comerford

The two neighbouring small towns or villages of Dromcollogher and Broadford in West Limerick have their own libraries, each with a unique design and each with an important place in architectural legacy and local history.

The Carnegie Library in Broadford is a detached, two-bay, single-storey library, built in 1917. It was designed by the architect Richard Caulfield Orpen (1863-1938), an important architect in the Arts and Crafts movement in Ireland, and it is a fine example of early 20th-century library architecture.

Orpen has been described as ‘the originator of the bungalow in Ireland,’ and this library, in many details, resembles the ideal Arts and Crafts bungalow of the early 20th century.

The library, on the west end of the village, was funded by donations from Scottish-American businessman Andrew Carnegie, who built over 600 libraries throughout Ireland and Britain.

Orpen’s plans for the building were influenced by both Edwardian and the Arts and Crafts styles, with a wide range of materials from tooled limestone, roughcast rendered walls, slate roof to a lead clad timber roof to the porch and windows in a variety of shapes and styles, from elongated to horizontal shapes.

The features of this library include a gable-fronted break-front, a rough-cast rendered chimney-stack, timber clad eaves, square-headed window and door openings, multiple-pane timber casement windows, and a timber battened door.

The Dublin-based architect Richard Francis Caulfield Orpen was born at Oriel, Blackrock, Co Dublin, on 24 December 1863, and lived there until 1900. He was the eldest son of Arthur Herbert Orpen, a solicitor, and a grandson of the Right Rev Charles Caulfield, Bishop of Nassau. The painter William Orpen (1878-1931) was the youngest of his three brothers.

Orpen was educated at Saint Columba’s College, Rathfarnham, and Trinity College Dublin. He originally hoped to make a career in art – his father was a keen amateur artist – but he took up architecture instead, supposedly ‘for family reasons.’

He spent four years as a pupil in the office of Thomas Drew, and stayed on as managing assistant for another seven years. During those year, he began taking part in the annual excursions of the London Architectural Association.

Orepn set up his own practice at 22 Clare Street in 1888 or 1889. His commissions came largely from landed families and the professional classes, designing houses in provincial Ireland and in suburban Dublin.

The Irish Builder said in 1904 that Orpen was ‘the originator of the bungalow in Ireland,’ and that he had designed ‘quite a colony of pretty red-tiled gabled houses in the fashionable residential district of Foxrock.’

Orpen worked extensively in the Church of Ireland too. He succeeded Drew as the architect to Christ Church Cathedral in 1910, and was also the architect to Saint Patrick’s Cathedral, Dublin, Saint Canice’s Cathedral, Kilkenny, Trinity College Dublin and Saint Columba’s College, Rathfarnham.

Orpen practised from 22 Clare Street, 7 Leinster Street, and 13 South Frederick Street, Dublin. He formed a partnership with Page Dickinson in 1910, but this came to end when Dickinson left at the beginning of World War I.

Orpen continued to practise on his own. His commissions included war memorials and rebuilding country houses destroyed in the War of Independence and the Irish Civil War. His continued to work until 1932.

He was the first president of revived association Architectural Association of Ireland (1896-1898), a Fellow of the Royal Institute of Architects of Ireland (FRIAI, 1906), of which he was honorary secretary (1904-1905), vice-president (1911-1913), and president (1914-1916), and an associate and later a member of the Royal Hibernian Academy.

Although never as famous as his brother, Orpen was also a cartoonist and painter in watercolours, and he exhibited at the Water Colour Society of Ireland. In 1895, he became honorary secretary of the Arts and Crafts Society of Ireland, under the presidency of the Earl of Mayo. He was appointed a guardian of the National Gallery of Ireland in 1914, and was also honorary secretary of the Municipal Gallery.

He married on 7 March 1900 Violet, daughter of Colonel Robert Caulfield, of Camolin House, Co Wexford. They had no children.

He died aged 74 on 27 March 1938 at Coologe, the house in Carrickmines he had designed for himself and where he had lived from about 1907.

The library in neighbouring Dromcollogher is a very different building from Orpen’s library in Broadford. This circular building is a memorial to the 48 victims of thetragic cinema fire in Dromcollogher on 5 September 1926.

The ‘Memorial Library’ marks the site of this tragedy.

The Memorial Library in Dromcollogher, Co Limerick, commemorates the cinema fire in 1926 (Photograph: Patrick Comerford, 2019)

At one time, there was only
one bank in Dromcollogher

The former Munster and Leinster Bank is now the Post Office in Dromcollogher, Co Limerick (Photograph: Patrick Comerford, 2019)

Patrick Comerford

Have you ever come across a post office with a night safe for customers?

The post office in Dromcollogher in Co Limerick has a night safe for the old Munster and Leinster Bank, one of the banks that merged to form Allied Irish Banks back in the heady days of 1966.

The night safe is still an integral part of this building, set within the sill of one of the ground floor windows. But AIB closed its branch in the West Limerick town in 2012, and the former bank building on the Square now serves Dromcollogher as the local post office, although the first post office in the town opened in 1831.

This four-bay, two-storey bank was built ca 1927. It stands on a prominent position overlooking the central square of Dromcollogher. It was designed by the architect Henry Houghton Hill and cost £6,840 to build.

The former bank is an important landmark in the small West Limerick town.

The striking use of tooled limestone of contrasting styles enlivens the façade of the former bank and distinguishes it from its neighbouring buildings. It is enhanced by the retention of original features such as the sash windows and many artistic details, including the platbands, a sill course and the decorative door surround.

A night safe in the façade of the Post Office in Dromcollogher (Photograph: Patrick Comerford, 2019)

The building was designed by the Cork-based architect, Henry Houghton Hill (1882), who was born in Cork into 1882 into a well-known Cork architectural dynasty: he was the elder son of Arthur Hill (1846-1921), a grandson of Arthur Hill (1806-1887), and the great-grandson of Thomas Hill (1775-1851).

Hill attended the Merchant Taylors’ School at Crosby, Liverpool, and after working in his father’s office, studied at Liverpool University School of Architecture, where in 1905 he was the first student to receive the new degree of Bachelor of Arts with Honours in Architecture. He then studied at the Royal Academy Schools in London (1907-1910).

He was awarded the RIBA Silver Medal in 1909 and 25 guineas for his essay, ‘The Influence on Architecture of Modern Methods of Construction.’

Hill joined his father’s partnership, Arthur & Henry H Hill, at 22 George’s Street (now Oliver Plunkett Street, Cork), that year. During World War I, he held a commission in the Royal Engineers. He returned to Cork after the war, and like his father lectured on architecture at University College Cork.

Hill’s work is mainly commercial and industrial. He designed the School of Commerce and Domestic Science on Morrison’s Quay in Cork, and was the architect for the restoration work at Saint Multose Church, Kinsale, in the 1950s.

He was a Fellow of the Royal Institute of Architects of Ireland (FRIAI, 1923), and vice-president in 1924. He gave many public lectures on architectural subjects and was published in the Irish Builder, the Journal of the Royal Institute of Architects of Ireland and the Journal of the Cork Historical and Archaeological Society.

Hill lived at St Aubyn’s, Monkstown, Co Cork, for most of his life. He died at the age of 69 on 9 February 1951. The Irish Builder described him ‘as perhaps the most distinguished of a family group of architects who combined technical integrity and infallible artistic taste with debonair grace in social relationships.’

Henry Hill and his wife Elsie (Stoker) were the parents of Myrtle Allen (1924-2018), the Michelin star-winning head chef and co-owner of Ballymaloe House, and writer, hotelier and teacher.

Hill’s other bank buildings for the Munster and Leinster Bank include buildings in Mallow (1922), Tipperary (1931-1932) and Clonmel (1940). Despite the humour of Percy French’s song, there is more than one street in Dromcollogher. Although there may be no bank there any more, this building remains an important connection with one of Ireland’s great architectural dynasties.

Despite Percy French’s lyrics, there is more than one street in Dromcollogher (Photograph: Patrick Comerford, 2019)