Saint John the Baptist as a child with his mother Saint Elizabeth … a stained-glass window in Saint Mary’s Church, Dingle, Co Kerry (Photograph: Patrick Comerford, 2021)
Patrick Comerford
Thursday 24 June 2021
The Birth of Saint John the Baptist
11 a.m.: The Festal Eucharist, Saint Mary’s Church, Askeaton, Co Limerick.
The Readings: Isaiah 40: 1-11; Psalm 85: 7-13; Luke 1: 57-66, 80.
Saint John the Baptist (right) with the Virgin Mary and Christ in a stained glass window in Saint Mary’s Church, Lichfield … the births of these three alone are celebrated in the Church Calendar (Photograph: Patrick Comerford)
May I speak to you in the name of God, + Father, Son and Holy Spirit, Amen
Saint John the Baptist, in many ways, is the bridge between the old and the new, between the stories of the Prophets and the Gospel stories.
Most saints are commemorated in the Church Calendar on days that are supposed to be the anniversaries of their death.
Three feasts alone commemorate the birth of Biblical figures: the Birth of Saint John the Baptist (24 June), the Birth of the Blessed Virgin Mary (8 September), and the Incarnation of Christ, or Christmas Day (25 December).
Saint Luke’s Gospel takes a full chapter before the evangelist gets to the story of Christ’s birth in Bethlehem. Saint Matthew’s Gospel introduces its account of Christ’s ministry by telling us first the story of Saint John the Baptist. Saint Mark begins his Gospel with the appearance of Saint John the Baptist. And the first person we meet in Saint John’s Gospel is Saint the Baptist.
But Saint Luke is alone in telling the story of Elizabeth’s pregnancy and the birth of Saint John the Baptist.
I was ordained priest 20 years ago today, on the Feast of the Birth of Saint John the Baptist [24 June 2001], and deacon 21 years ago tomorrow [25 June 2000].
Bishops, in their charge to priests at their ordination, call us to ‘preach the Word and to minister his (God’s) holy sacraments.’ But the bishop also reminds us to be ‘faithful in visiting the sick, in caring for the poor and needy, and in helping the oppressed,’ to ‘promote unity, peace, and love,’ to share ‘in a common witness in the world’ and ‘in Christ’s work of reconciliation,’ and to ‘search for God’s children in the wilderness of this world’s temptations.’
As I reflect on these anniversaries this morning, I recall too how my path to ordination began 50 years ago when I was a 19-year-old in Lichfield, following very personal and special experiences in a chapel dedicated to Saint John the Baptist – the Chapel of Saint John’s Hospital, Lichfield.
It was the summer of 1971, and although I was training to be a chartered surveyor with Jones Lang Wootton and the College of Estate Management at Reading University, I was also trying to become a freelance journalist, contributing features to the Lichfield Mercury. Late one sunny Thursday afternoon, after a few days in the countryside in Shropshire, I had returned to Lichfield.
I was walking from Birmingham Road into the centre of Lichfield, and I was more interested in an evening’s entertainment when I stumbled into that chapel out of curiosity. Not because I wanted to see the inside of an old church or chapel, but because I was attracted by the architectural curiosity of the outside of the building facing onto the street.
I still remember lifting the latch, and stepping down into the chapel. It was late afternoon, so there was no light streaming through the East Window. But as I turned towards the lectern, I was filled in one rush with the sensation of the light and the love of God.
This is not a normal experience for a young 19-year-old … certainly not for one who is focussing on an active social night later on, or on rugby and cricket in the weekend ahead.
But it was – and still is – a real and gripping moment. I have talked about this as my ‘self-defining moment in life.’ It still remains as a lived, living moment.
My first reaction was to make my way on down John Street, up Bird Street and Beacon Street and into Lichfield Cathedral. There I slipped into the choir stalls, just in time for Choral Evensong.
It was a tranquil and an exhilarating experience, all at once. But as I was leaving, a residentiary canon shook my hand. I think it was Canon John Yates (1925-2008), then the Principal of Lichfield Theological College (1966-1972) and later Bishop of Gloucester and Bishop at Lambeth. He amusingly asked me whether a young man like me had decided to start going back to church because I was thinking of ordination.
All that in one day, in one summer afternoon.
However, I took the scenic route to ordination. I was inspired by the story of Gonville ffrench-Beytagh (1912-1991), who was then then Dean of Saint Mary’s Cathedral, Johannesburg, and facing trial after he opened his cathedral doors to black protesters who being rhino-whipped by South African apartheid police on the cathedral steps.
My new-found faith led me to a path of social activism, campaigning on human rights, apartheid, the arms race, and issues of war and peace. Meanwhile, I moved on in journalism from freelance contributions to the Lichfield Mercury, first to the Wexford People and eventually becoming Foreign Desk Editor of The Irish Times.
While I was working as a journalist, I also completed my degrees in theology. In the back of my mind, that startling choice I was confronted with after evensong in Lichfield Cathedral was gnawing away in the back of my mind.
Of course, I was on the scenic route to ordination. A long and scenic route, from the age of 19 to the age of 48 … almost 30 years: I was ordained deacon on 25 June 2000 and priest on this day, 24 June 2001, the Feast of the Birth of Saint John the Baptist.
I return to Lichfield regularly, usually two, three or more times a year, and slip into that chapel quietly when I get off the train. That chapel has remained my spiritual home. I had started coming to Lichfield as a teenager because of family connections with the area. But the traditions of that chapel subtly grew on me and became my own personal form of Anglicanism; and the liturgical traditions of Lichfield Cathedral nurtured my own liturgical spirituality.
That bright summer evening left me open to the world, with all its beauty and all its problems.
As priests, we normally celebrate the anniversary of our ordination to the priesthood and reflect on it sacramentally. But the Covid-19 pandemic brought unexpected restrictions on this meaningful day last year, and I never got back to Lichfield last year either.
It is good to celebrate the beginnings of priestly ministry 20 years ago on this day, and it is good to promptings to priestly ministry heard 50 years ago on a summer afternoon in 1971. And it is good to be reminded this morning that all ministry and all our service to God, like the ministry and message of Saint John the Baptist, begins at an early stage, far earlier than we recognise, that God calls us from birth and even before that.
And so, may all we think, say and do be to the praise, honour and glory of God, + Father, Son and Holy Spirit, Amen.
Letters of ordination as priest by Archbishop Walton Empey
Luke 1: 57-66, 80 (NRSVA):
57 Now the time came for Elizabeth to give birth, and she bore a son. 58 Her neighbours and relatives heard that the Lord had shown his great mercy to her, and they rejoiced with her.
59 On the eighth day they came to circumcise the child, and they were going to name him Zechariah after his father. 60 But his mother said, ‘No; he is to be called John.’ 61 They said to her, ‘None of your relatives has this name.’ 62 Then they began motioning to his father to find out what name he wanted to give him. 63 He asked for a writing-tablet and wrote, ‘His name is John.’ And all of them were amazed. 64 Immediately his mouth was opened and his tongue freed, and he began to speak, praising God. 65 Fear came over all their neighbours, and all these things were talked about throughout the entire hill country of Judea. 66 All who heard them pondered them and said, ‘What then will this child become?’ For, indeed, the hand of the Lord was with him.
Archbishop Walton Empey’s inscription on the Bible he gave to me on my ordination to the priesthood in 2001
Liturgical colour: White
The Collect of the Day:
Almighty God,
by whose providence your servant John the Baptist
was wonderfully born,
and sent to prepare the way of your Son our Saviour
by the preaching of repentance:
lead us to repent according to his preaching
and, after his example,
constantly to speak the truth, boldly to rebuke vice,
and patiently to suffer for the truth’s sake;
through Jesus Christ your Son our Lord.
Introduction to the Peace:
We are fellow-citizens with the saints
and the household of God,
through Christ our Lord,
who came and preached peace to those who were far off
and those who are near: (Ephesians 2: 19, 17).
Preface:
In the saints
you have given us an example of godly living,
that, rejoicing in their fellowship,
we may run with perseverance the race that is set before us,
and with them receive the unfading crown of glory.
The Post Communion Prayer:
Merciful Lord,
whose prophet John the Baptist
proclaimed your Son as the Lamb of God
who takes away the sin of the world:
grant that we who in this sacrament have known
your forgiveness and your life-giving love,
may ever tell of your mercy and your peace;
through Jesus Christ our Lord.
The Blessing:
God give you the grace
to share the inheritance of Saint John the Baptist and of his saints in glory:
With Archbishop Walton Empey at my ordination as priest in Christ Church Cathedral, Dublin, on 24 June 2001, and (from left) the Revd Tim Close and the Revd Avril Bennett (Photograph: Valerie Jones, 2001)
Hymns:
6, Immortal, invisible, God only wise (CD 1)
126, Hark! a thrilling voice is sounding (CD 8)
The entrance to the Hospital of Saint John Baptist without the Barrs, Lichfield … opening the doors to a journey that has continued for 50 years (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Material from the Book of Common Prayer is copyright © 2004, Representative Body of the Church of Ireland.
24 June 2021
Praying in Ordinary Time 2021:
26, San Geremia, Venice
San Geremia and its great dome seen from the Grand Canal in Venice (Photograph: Patrick Comerford)
Patrick Comerford
During this time in the Church Calendar known as Ordinary Time, I am taking some time each morning to reflect in these ways:
1, photographs of a church or place of worship;
2, the day’s Gospel reading;
3, a prayer from the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel).
Today (24 June) is the Feast of the Birth of Saint John the Baptist, and this day is also the 20th anniversary of my ordination to the priesthood on 24 June 2001, by Archbishop Walton Empey in Christ Church Cathedral, Dublin, along with the Revd Tim Close and the Revd Avril Bennett. I plan to celebrate this feast and anniversary later this morning, presiding at the Eucharist in Saint Mary’s Church, Askeaton, Co Limerick.
My photographs this week are from churches in Venice. This morning (24 June 2021), my photographs are from the Church of San Geremia.
Inside San Geremia, founded in 1000 and rebuilt in 1753 by Carlo Corbellini (Photograph: Patrick Comerford)
The beautiful Church of San Geremia is just a few minutes’ walk from the Santa Lucia train station and faces onto the Grand Canal, between the Palazzo Labia and the Palazzo Flangini. The church is a popular place of pilgrimage because the body of Saint Lucy of Syracuse is housed there.
The first church was built on this site in the 11th century, and was later rebuilt on several occasions.
The Chiesa di S Geremia e Lucia, or San Geremia as it is known, was founded in the year 1000 by a father and son who built it to house the arm of Saint Bartholomew.
By 1206, the church was housing the body of Saint Magnus of Oderzo, who took refuge in this area from the Lombards and died in 670. The church was rebuilt by the Doge Sebastiano Ziani, and this new church was consecrated in 1292.
The church became the centre of a scandal in 1562 when the priest was accused of heresy and was drowned.
The present church was rebuilt in 1753 to designs by Carlo Corbellini, with an imposing dome. San Geremia is unique in having two similar façades, dating from 1861-1871, one facing the Grand Canal and the other, which is also the entrance, facing San Geremia square.
The brickwork bell tower, best seen from the Grand Canal, probably dates from the 12th century and has two thin Romanesque mullioned windows at the base.
Inside, the altar and the presbytery are notable, with two statues of Saint Peter and Saint Geremia (1798) by Giovanni Ferrari. Behind the altar, a fresco by Agostino Mengozzi Colonna depicts ‘Two Angels upholding the Globe.’ A work by Palma the Younger (‘The Virgin at the Coronation of Venice by Saint Magnus’) decorates another altar. The church also has statues by Giovanni Maria Morlaiter (‘The Madonna of the Rosary’) and Giovanni Marchiori (‘The Immaculate Conception’).
The church is a centre for pilgrimage to the shrine of Santa Lucia di Siracusa or Saint Lucy, a third century martyr from Syracuse in Sicily whose feastday is celebrated on 13 December. She is known to pilgrims as the protector of eyes.
Giorgio Maniace, a Byzantine general who captured Syracuse from the Arabs in 1039, brought her body to Constantinople. But it was stolen by Venetians who sacked Constantinople during the Fourth Crusade in 1204.
At first, her body was kept in the church of San Giorgio Maggiore, on the island of the same name opposite Saint Mark’s Square. Boats carrying pilgrims from Syracuse in 1279 capsized in rough seas, and some pilgrims were drowned. It was decided then to transfer her relics to a church in Cannaregio. This church was named Santa Lucia and was rebuilt in the Palladian style by Andrea Palladio in 1580.
Her body was moved to San Geremia in 1861 when Palladio’s church was demolished to make way for the new railway station. The train station is still named Santa Lucia.
The façade of San Geremia facing the Grand Canal has a large inscription: ‘Saint Lucia, Virgin of Siracusa, rests in peace in this church. You inspire a bright future and peace for Italy and the entire World.’
The Patriarch of Venice, Angelo Roncalli, who later became Pope John XXIII, had a silver mask placed on the saint’s face in 1955 to protect it from dust.
The saint’s body, once stolen in Syracuse in 1039 and again in Constantinople in 1204, was stolen a third time in 1981, this time when two armed criminals forced the main doors, entered the church and smashed the glass of the shrine holding her body.
In their confusion, the thieves left behind her head and the silver mask. They demanded a ransom, but local police retrieved her body in the lagoon area of Montiron and she was returned to the church on her feastday, 13 December. Although she has been in Venice for many centuries, the city of Syracuse where she was born still claims her body.
The façade and the entrance facing San Geremia square (Photograph: Patrick Comerford)
Luke 1: 57-66, 80 (NRSVA):
57 Now the time came for Elizabeth to give birth, and she bore a son. 58 Her neighbours and relatives heard that the Lord had shown his great mercy to her, and they rejoiced with her.
59 On the eighth day they came to circumcise the child, and they were going to name him Zechariah after his father. 60 But his mother said, ‘No; he is to be called John.’ 61 They said to her, ‘None of your relatives has this name.’ 62 Then they began motioning to his father to find out what name he wanted to give him. 63 He asked for a writing-tablet and wrote, ‘His name is John.’ And all of them were amazed. 64 Immediately his mouth was opened and his tongue freed, and he began to speak, praising God. 65 Fear came over all their neighbours, and all these things were talked about throughout the entire hill country of Judea. 66 All who heard them pondered them and said, ‘What then will this child become?’ For, indeed, the hand of the Lord was with him.
The shrine of Santa Lucia di Siracusa or Saint Lucy … her body was stolen and held to ransom in 1981 (Photograph: Patrick Comerford)
Prayer in the USPG Prayer Diary:
The Prayer in the USPG Prayer Diary today (24 June 2021, Birth of Saint John the Baptist) invites us to pray:
Let us give thanks for the life and ministry of Saint John the Baptist, who prepared the way for Jesus to enter into our lives.
The Collect of the Day (the Birth of Saint John the Baptist):
Almighty God,
by whose providence your servant John the Baptist was wonderfully born,
and sent to prepare the way of your Son our Saviour,
by the preaching of repentance:
Lead us to repent according to his preaching,
and, after his example, constantly to speak the truth,
boldly to rebuke vice, and patiently to suffer for the truth’s sake;
through Jesus Christ our Lord.
Yesterday’s reflection
Continued tomorrow
Inside the Church of San Geremia in Venice (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Patrick Comerford
During this time in the Church Calendar known as Ordinary Time, I am taking some time each morning to reflect in these ways:
1, photographs of a church or place of worship;
2, the day’s Gospel reading;
3, a prayer from the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel).
Today (24 June) is the Feast of the Birth of Saint John the Baptist, and this day is also the 20th anniversary of my ordination to the priesthood on 24 June 2001, by Archbishop Walton Empey in Christ Church Cathedral, Dublin, along with the Revd Tim Close and the Revd Avril Bennett. I plan to celebrate this feast and anniversary later this morning, presiding at the Eucharist in Saint Mary’s Church, Askeaton, Co Limerick.
My photographs this week are from churches in Venice. This morning (24 June 2021), my photographs are from the Church of San Geremia.
Inside San Geremia, founded in 1000 and rebuilt in 1753 by Carlo Corbellini (Photograph: Patrick Comerford)
The beautiful Church of San Geremia is just a few minutes’ walk from the Santa Lucia train station and faces onto the Grand Canal, between the Palazzo Labia and the Palazzo Flangini. The church is a popular place of pilgrimage because the body of Saint Lucy of Syracuse is housed there.
The first church was built on this site in the 11th century, and was later rebuilt on several occasions.
The Chiesa di S Geremia e Lucia, or San Geremia as it is known, was founded in the year 1000 by a father and son who built it to house the arm of Saint Bartholomew.
By 1206, the church was housing the body of Saint Magnus of Oderzo, who took refuge in this area from the Lombards and died in 670. The church was rebuilt by the Doge Sebastiano Ziani, and this new church was consecrated in 1292.
The church became the centre of a scandal in 1562 when the priest was accused of heresy and was drowned.
The present church was rebuilt in 1753 to designs by Carlo Corbellini, with an imposing dome. San Geremia is unique in having two similar façades, dating from 1861-1871, one facing the Grand Canal and the other, which is also the entrance, facing San Geremia square.
The brickwork bell tower, best seen from the Grand Canal, probably dates from the 12th century and has two thin Romanesque mullioned windows at the base.
Inside, the altar and the presbytery are notable, with two statues of Saint Peter and Saint Geremia (1798) by Giovanni Ferrari. Behind the altar, a fresco by Agostino Mengozzi Colonna depicts ‘Two Angels upholding the Globe.’ A work by Palma the Younger (‘The Virgin at the Coronation of Venice by Saint Magnus’) decorates another altar. The church also has statues by Giovanni Maria Morlaiter (‘The Madonna of the Rosary’) and Giovanni Marchiori (‘The Immaculate Conception’).
The church is a centre for pilgrimage to the shrine of Santa Lucia di Siracusa or Saint Lucy, a third century martyr from Syracuse in Sicily whose feastday is celebrated on 13 December. She is known to pilgrims as the protector of eyes.
Giorgio Maniace, a Byzantine general who captured Syracuse from the Arabs in 1039, brought her body to Constantinople. But it was stolen by Venetians who sacked Constantinople during the Fourth Crusade in 1204.
At first, her body was kept in the church of San Giorgio Maggiore, on the island of the same name opposite Saint Mark’s Square. Boats carrying pilgrims from Syracuse in 1279 capsized in rough seas, and some pilgrims were drowned. It was decided then to transfer her relics to a church in Cannaregio. This church was named Santa Lucia and was rebuilt in the Palladian style by Andrea Palladio in 1580.
Her body was moved to San Geremia in 1861 when Palladio’s church was demolished to make way for the new railway station. The train station is still named Santa Lucia.
The façade of San Geremia facing the Grand Canal has a large inscription: ‘Saint Lucia, Virgin of Siracusa, rests in peace in this church. You inspire a bright future and peace for Italy and the entire World.’
The Patriarch of Venice, Angelo Roncalli, who later became Pope John XXIII, had a silver mask placed on the saint’s face in 1955 to protect it from dust.
The saint’s body, once stolen in Syracuse in 1039 and again in Constantinople in 1204, was stolen a third time in 1981, this time when two armed criminals forced the main doors, entered the church and smashed the glass of the shrine holding her body.
In their confusion, the thieves left behind her head and the silver mask. They demanded a ransom, but local police retrieved her body in the lagoon area of Montiron and she was returned to the church on her feastday, 13 December. Although she has been in Venice for many centuries, the city of Syracuse where she was born still claims her body.
The façade and the entrance facing San Geremia square (Photograph: Patrick Comerford)
Luke 1: 57-66, 80 (NRSVA):
57 Now the time came for Elizabeth to give birth, and she bore a son. 58 Her neighbours and relatives heard that the Lord had shown his great mercy to her, and they rejoiced with her.
59 On the eighth day they came to circumcise the child, and they were going to name him Zechariah after his father. 60 But his mother said, ‘No; he is to be called John.’ 61 They said to her, ‘None of your relatives has this name.’ 62 Then they began motioning to his father to find out what name he wanted to give him. 63 He asked for a writing-tablet and wrote, ‘His name is John.’ And all of them were amazed. 64 Immediately his mouth was opened and his tongue freed, and he began to speak, praising God. 65 Fear came over all their neighbours, and all these things were talked about throughout the entire hill country of Judea. 66 All who heard them pondered them and said, ‘What then will this child become?’ For, indeed, the hand of the Lord was with him.
The shrine of Santa Lucia di Siracusa or Saint Lucy … her body was stolen and held to ransom in 1981 (Photograph: Patrick Comerford)
Prayer in the USPG Prayer Diary:
The Prayer in the USPG Prayer Diary today (24 June 2021, Birth of Saint John the Baptist) invites us to pray:
Let us give thanks for the life and ministry of Saint John the Baptist, who prepared the way for Jesus to enter into our lives.
The Collect of the Day (the Birth of Saint John the Baptist):
Almighty God,
by whose providence your servant John the Baptist was wonderfully born,
and sent to prepare the way of your Son our Saviour,
by the preaching of repentance:
Lead us to repent according to his preaching,
and, after his example, constantly to speak the truth,
boldly to rebuke vice, and patiently to suffer for the truth’s sake;
through Jesus Christ our Lord.
Yesterday’s reflection
Continued tomorrow
Inside the Church of San Geremia in Venice (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Is Saint Patrick’s Cathedral,
Skibbereen, a cathedral,
or is it a parish church?
Saint Patrick’s on North Street, Skibbereen, Co Cork … is it a cathedral, or is it a parish church? (Photograph: Patrick Comerford, 2021)
Patrick Comerford
Saint Patrick’s Cathedral in Skibbereen, West Cork, is the Roman Catholic parish church in Skibbereen, but it is often referred to as the cathedral of the Diocese of Ross.
Cork and Ross is a united diocese. So, is Saint Patrick’s on North Street a cathedral? Or, is Saint Patrick’s a parish church?
During last week’s road trip or ‘staycation’, I spent two nights in the West Cork Hotel in Skibbereen, and visited Saint Patrick’s to find out for myself.
Tradition says the Diocese of Ross was founded by Saint Fachtna in Rosscarbery … a window in Saint Patrick’s Cathedral, Skibbereen, in memory of Bishop Denis Kelly (Photograph: Patrick Comerford, 2021)
The Diocese of Ross was a separate diocese in West Cork until the Reformation. The main part of the diocese included the towns of Baltimore, Skibbereen, Rosscarbery and Clonakilty, and originally included Glengariff and parts of the Beara Peninsula.
Tradition says the see was founded by Saint Fachtna in Rosscarbery. He died ca 590 and his feast day is on 14 August. In the Church of Ireland, the Dioceses of Cork and Ross were united from 1583, and is now part of the Diocese of Cork, Cloyne and Ross.
In the Roman Catholic Church, Ross maintained a nominal, separate identity in the 17th century. But the Bishop of Cork and Cloyne was also the apostolic administrator of the Diocese of Ross from 1693 to 1747, when Ross was united with Cloyne until 1850.
Inside Saint Patrick’s Cathedral, Skibbereen, facing east (Photograph: Patrick Comerford, 2021)
In the late 18th and early 19th centuries, Catholics in Skibbereen worshipped in an old chapel built in Chapel Lane ca 1750. But this chapel had fallen into an advanced state of disrepair by the early 1800s, and was too small for the needs of the town.
Father Michael Collins became the Parish Priest of Skibbereen in 1814, and by 1818 he had put in place plans to build a new church. A site for a new church was secured from Sir William Wrixon-Becher, MP for Mallow, who later donated the land for the adjacent convent.
There is evidence of a 13th century Cistercian house on the site, and later the site was part of the estate of Sir Water Coppinger, who also tried to make extensive claims in Baltimore before the Sack of Baltimore in 1631. Sir William Wrixon-Becher leased the site for Saint Patrick’s for 999 years at a rent of one peppercorn a year.
Michael Collins started collecting money for the new church in 1818, but had to suspend his fundraising because of two periods of severe shortages in this area in 1816-1817 and in 1822. He said he ministered to about 10,000 people in Skibbereen, and that in the summer of 1822 in one part of the parish more than 6,000 paupers were on the charity list, while in the other part there were nearly 3,000 paupers.
However, by 1824 he had collected enough money to start building. The foundation stone was laid in 1825, and the church was designed as a plain Greek Revival T-plan church by the Revd Michael Augustine Riordan, a priest-architect from Doneraile, Co Cork.
Inside Saint Patrick’s Cathedral, Skibbereen, facing west (Photograph: Patrick Comerford, 2021)
At first, the church was a modest structure with plain glass windows, and the floor was of flagstone where people stood or knelt. It was opened in 1826. The original building is said to incorporate much of the stone from the ruins of Dunagoul, a ruined O’Driscoll castle at Ringarogy on the banks of the River Ilen, about 9 km south of Skibbereen. The cost of building was about £3,000.
A plaque on the west gable is inscribed: Deo Opt Max et Beato Patritio Parochus Populusque extruere AD 1826 Venite adoremus et procidamus ante Deum (‘To the great glory of Almighty God and the Blessed Patrick, the parish priest and people built this church in AD 1825. Come let us adore and fall down before God’).
Father Michael Collins was appointed Bishop of Cloyne and Ross in 1831 but died on 8 December 1832. He is buried in the nave at the south side of the church, under a memorial plaque by sculptor John Hogan.
The coat of arms of the Diocese of Ross in a stained-glass window (Photograph: Patrick Comerford, 2021)
The church went through several significant modifications over the two centuries that followed. A small Italianate bellcote was added in 1836. A few years later, a new entrance was built at the west end, and the steps leading up to the church were added, using stone from Sherkin Island. Three galleries were built inside the church in the 1840s.
Much of this work was undertaken by Father John Fitzpatrick, who was the Administrator of Skibbereen in 1835-1851. He cleared an outstanding debt of £600 and erected the new handsome stone front at a cost of £900. He was a member of the Relief Committee in Skibbereen during the Great Famine (1845-1852), and he raised substantial funds for Famine relief.
The Synod of Thurles decided in 1850 to dissolve the union of the dioceses of Cloyne and Ross that had been in place since 1748. Skibbereen became the See of the restored Diocese of Ross and Saint Patrick’s became a Pro-Cathedral. William Keane, parish priest of Midleton, became the first bishop of the new diocese, and there were seven Bishops of Ross from 1851 to 1953.
Bishop Keane moved to Skibbereen, and began using Saint Patrick’s as his pro-cathedral and as a mensal parish. However, some priests and people in the diocese felt that the parish church in Roscarbery, built in 1820 and rebuilt in 1880, should have been designated the cathedral.
The apse was designed by George Coppinger Ashlin (Photograph: Patrick Comerford, 2021)
The most significant improvement to Saint Patrick’s was carried out in the early 1880s, when Bishop William Fitzgerald commissioned AWN Pugin’s son-in-law, the Cork-born architect George Coppinger Ashlin (1837-1921), to design a radical modernisation of the church. Ashlin was also the architect of Saint Colman’s Cathedral, Cobh, for the Diocese of Cloyne.
Ashlin gave the cathedral the splendour it displays to this day, and reconfigured the church in the shape of a Latin cross. The east wall behind the original High Altar was opened; a semi-circular apse was added; the apse was embellished by three stained-glass windows; the High Altar, dedicated to the memory of Bishop Michael O’Hea (1858-1876), and the Marian Altar, supplied by Pearse and Sharpe of Dublin, were erected.
The arcade of three arches above the sanctuary and two dividing the transepts from the nave, the polished pillars of granite, the coffered ceiling which they support, all date from 1882-1883.
Ashlin gave the cathedral the splendour it retains to this day (Photograph: Patrick Comerford, 2021)
The white marble altar rail was the work of Pearse and Sharp of Dublin; James Pearse was the father of the 1916 leader Padraig Pearse. The wrought iron panels, with their floral and leaflet decoration, were the work of Eugene McCarthy of Skibbereen.
The High Altar was consecrated on the first Sunday in May 1883 and the reconstructed church was blessed and re-opened.
The present Blessed Sacrament Chapel, formerly the mortuary, and the Sacred Heart altar were erected in 1910. Much of the stained glass also dates from the 1920s, seating was provided in the whole church – until then, there was only a few pews at the top of the church – and electric lighting was installed.
Bishop Denis Moynihan added two internal porticos of glass and wood inside both transept entrances in 1950, and the present pulpit was erected.
Saint Paul (left) and Saint Peter (right) in windows in the west porch (Photograph: Patrick Comerford, 2021)
After 100 years as a Pro-Cathedral, Saint Patrick’s was granted full cathedral status in 1951 by Bishop Moynihan. But when he was transferred to Kerry in 1953, the Diocese of Ross again lost its independence. Bishop Cornelius Lucey of Cork was appointed apostolic administrator of Ross in 1954, and Ross was officially united with the Diocese of Cork in 1958.
With the introduction of liturgical changes after Vatican II, a new altar was provided in the sanctuary in 1970 to allow the celebrant to face the congregation.
The bellcote, which perches precariously on the west gable, and the statue of Saint Patrick avove the west porch (1882) are the only notable external features. But the bell fell in 1987 and has been moved inside the cathedral, where it stands on a plinth in the north-west corner of the nave, with an inscription, ‘The Cathedral Bell 1835-1997.’
The baptismal font is now in the north transept (Photograph: Patrick Comerford, 2021)
In later alterations in 2004-2005, the temporary table-type altar and ambo from the 1970s and the pulpit (1950) were removed, and the baptismal font was taken away from the south side of sanctuary. The altar rails (1882) were repositioned, and an altar was salvaged from the former Mercy Convent, which had closed in 2002, and was recondition and altered.
Bishop John Buckley rededicated the new altar and blessed the sanctuary area on 21 May 2005.
The south wall has memorials to three former bishops: the sculptor John Hogan (1800-1858) designed and executed the marble memorial to Bishop Michael Collins; the two other memorials are to Bishop Michael O’Hea and Bishop Denis Kelly.
The marble memorial on the south wall to Bishop Michael Collins is work of the sculptor John Hogan (Photograph: Patrick Comerford, 2021)
But the question remains whether Saint Patrick’s is a cathedral or a parish church. When Bishop Denis Moynihan (1941-1953) returned from a visit to Rome in 1951, he declared Saint Patrick’s had full status as a diocesan cathedral.
However, he was moved to Kerry some months later, and in 1958 a papal bull united the dioceses of Cork and Ross ‘in an equally principal manner.’ It spoke of Ross as ‘illustrious in its antiquity and glory.’ But, among the reasons for this unification, the Bull referred to the ‘small boundaries’ of Ross, and said the diocese ‘lacks a cathedral church’ – which contradicts Bishop Moynihan’s declaration in 1951.
But Saint Patrick’s is still known throughout Skibbereen as Saint Patrick’s Cathedral, and is so described in the small guidebook on sale inside.
Saint Patrick’s is still known throughout Skibbereen as Saint Patrick’s Cathedral (Photograph: Patrick Comerford, 2021)
Patrick Comerford
Saint Patrick’s Cathedral in Skibbereen, West Cork, is the Roman Catholic parish church in Skibbereen, but it is often referred to as the cathedral of the Diocese of Ross.
Cork and Ross is a united diocese. So, is Saint Patrick’s on North Street a cathedral? Or, is Saint Patrick’s a parish church?
During last week’s road trip or ‘staycation’, I spent two nights in the West Cork Hotel in Skibbereen, and visited Saint Patrick’s to find out for myself.
Tradition says the Diocese of Ross was founded by Saint Fachtna in Rosscarbery … a window in Saint Patrick’s Cathedral, Skibbereen, in memory of Bishop Denis Kelly (Photograph: Patrick Comerford, 2021)
The Diocese of Ross was a separate diocese in West Cork until the Reformation. The main part of the diocese included the towns of Baltimore, Skibbereen, Rosscarbery and Clonakilty, and originally included Glengariff and parts of the Beara Peninsula.
Tradition says the see was founded by Saint Fachtna in Rosscarbery. He died ca 590 and his feast day is on 14 August. In the Church of Ireland, the Dioceses of Cork and Ross were united from 1583, and is now part of the Diocese of Cork, Cloyne and Ross.
In the Roman Catholic Church, Ross maintained a nominal, separate identity in the 17th century. But the Bishop of Cork and Cloyne was also the apostolic administrator of the Diocese of Ross from 1693 to 1747, when Ross was united with Cloyne until 1850.
Inside Saint Patrick’s Cathedral, Skibbereen, facing east (Photograph: Patrick Comerford, 2021)
In the late 18th and early 19th centuries, Catholics in Skibbereen worshipped in an old chapel built in Chapel Lane ca 1750. But this chapel had fallen into an advanced state of disrepair by the early 1800s, and was too small for the needs of the town.
Father Michael Collins became the Parish Priest of Skibbereen in 1814, and by 1818 he had put in place plans to build a new church. A site for a new church was secured from Sir William Wrixon-Becher, MP for Mallow, who later donated the land for the adjacent convent.
There is evidence of a 13th century Cistercian house on the site, and later the site was part of the estate of Sir Water Coppinger, who also tried to make extensive claims in Baltimore before the Sack of Baltimore in 1631. Sir William Wrixon-Becher leased the site for Saint Patrick’s for 999 years at a rent of one peppercorn a year.
Michael Collins started collecting money for the new church in 1818, but had to suspend his fundraising because of two periods of severe shortages in this area in 1816-1817 and in 1822. He said he ministered to about 10,000 people in Skibbereen, and that in the summer of 1822 in one part of the parish more than 6,000 paupers were on the charity list, while in the other part there were nearly 3,000 paupers.
However, by 1824 he had collected enough money to start building. The foundation stone was laid in 1825, and the church was designed as a plain Greek Revival T-plan church by the Revd Michael Augustine Riordan, a priest-architect from Doneraile, Co Cork.
Inside Saint Patrick’s Cathedral, Skibbereen, facing west (Photograph: Patrick Comerford, 2021)
At first, the church was a modest structure with plain glass windows, and the floor was of flagstone where people stood or knelt. It was opened in 1826. The original building is said to incorporate much of the stone from the ruins of Dunagoul, a ruined O’Driscoll castle at Ringarogy on the banks of the River Ilen, about 9 km south of Skibbereen. The cost of building was about £3,000.
A plaque on the west gable is inscribed: Deo Opt Max et Beato Patritio Parochus Populusque extruere AD 1826 Venite adoremus et procidamus ante Deum (‘To the great glory of Almighty God and the Blessed Patrick, the parish priest and people built this church in AD 1825. Come let us adore and fall down before God’).
Father Michael Collins was appointed Bishop of Cloyne and Ross in 1831 but died on 8 December 1832. He is buried in the nave at the south side of the church, under a memorial plaque by sculptor John Hogan.
The coat of arms of the Diocese of Ross in a stained-glass window (Photograph: Patrick Comerford, 2021)
The church went through several significant modifications over the two centuries that followed. A small Italianate bellcote was added in 1836. A few years later, a new entrance was built at the west end, and the steps leading up to the church were added, using stone from Sherkin Island. Three galleries were built inside the church in the 1840s.
Much of this work was undertaken by Father John Fitzpatrick, who was the Administrator of Skibbereen in 1835-1851. He cleared an outstanding debt of £600 and erected the new handsome stone front at a cost of £900. He was a member of the Relief Committee in Skibbereen during the Great Famine (1845-1852), and he raised substantial funds for Famine relief.
The Synod of Thurles decided in 1850 to dissolve the union of the dioceses of Cloyne and Ross that had been in place since 1748. Skibbereen became the See of the restored Diocese of Ross and Saint Patrick’s became a Pro-Cathedral. William Keane, parish priest of Midleton, became the first bishop of the new diocese, and there were seven Bishops of Ross from 1851 to 1953.
Bishop Keane moved to Skibbereen, and began using Saint Patrick’s as his pro-cathedral and as a mensal parish. However, some priests and people in the diocese felt that the parish church in Roscarbery, built in 1820 and rebuilt in 1880, should have been designated the cathedral.
The apse was designed by George Coppinger Ashlin (Photograph: Patrick Comerford, 2021)
The most significant improvement to Saint Patrick’s was carried out in the early 1880s, when Bishop William Fitzgerald commissioned AWN Pugin’s son-in-law, the Cork-born architect George Coppinger Ashlin (1837-1921), to design a radical modernisation of the church. Ashlin was also the architect of Saint Colman’s Cathedral, Cobh, for the Diocese of Cloyne.
Ashlin gave the cathedral the splendour it displays to this day, and reconfigured the church in the shape of a Latin cross. The east wall behind the original High Altar was opened; a semi-circular apse was added; the apse was embellished by three stained-glass windows; the High Altar, dedicated to the memory of Bishop Michael O’Hea (1858-1876), and the Marian Altar, supplied by Pearse and Sharpe of Dublin, were erected.
The arcade of three arches above the sanctuary and two dividing the transepts from the nave, the polished pillars of granite, the coffered ceiling which they support, all date from 1882-1883.
Ashlin gave the cathedral the splendour it retains to this day (Photograph: Patrick Comerford, 2021)
The white marble altar rail was the work of Pearse and Sharp of Dublin; James Pearse was the father of the 1916 leader Padraig Pearse. The wrought iron panels, with their floral and leaflet decoration, were the work of Eugene McCarthy of Skibbereen.
The High Altar was consecrated on the first Sunday in May 1883 and the reconstructed church was blessed and re-opened.
The present Blessed Sacrament Chapel, formerly the mortuary, and the Sacred Heart altar were erected in 1910. Much of the stained glass also dates from the 1920s, seating was provided in the whole church – until then, there was only a few pews at the top of the church – and electric lighting was installed.
Bishop Denis Moynihan added two internal porticos of glass and wood inside both transept entrances in 1950, and the present pulpit was erected.
Saint Paul (left) and Saint Peter (right) in windows in the west porch (Photograph: Patrick Comerford, 2021)
After 100 years as a Pro-Cathedral, Saint Patrick’s was granted full cathedral status in 1951 by Bishop Moynihan. But when he was transferred to Kerry in 1953, the Diocese of Ross again lost its independence. Bishop Cornelius Lucey of Cork was appointed apostolic administrator of Ross in 1954, and Ross was officially united with the Diocese of Cork in 1958.
With the introduction of liturgical changes after Vatican II, a new altar was provided in the sanctuary in 1970 to allow the celebrant to face the congregation.
The bellcote, which perches precariously on the west gable, and the statue of Saint Patrick avove the west porch (1882) are the only notable external features. But the bell fell in 1987 and has been moved inside the cathedral, where it stands on a plinth in the north-west corner of the nave, with an inscription, ‘The Cathedral Bell 1835-1997.’
The baptismal font is now in the north transept (Photograph: Patrick Comerford, 2021)
In later alterations in 2004-2005, the temporary table-type altar and ambo from the 1970s and the pulpit (1950) were removed, and the baptismal font was taken away from the south side of sanctuary. The altar rails (1882) were repositioned, and an altar was salvaged from the former Mercy Convent, which had closed in 2002, and was recondition and altered.
Bishop John Buckley rededicated the new altar and blessed the sanctuary area on 21 May 2005.
The south wall has memorials to three former bishops: the sculptor John Hogan (1800-1858) designed and executed the marble memorial to Bishop Michael Collins; the two other memorials are to Bishop Michael O’Hea and Bishop Denis Kelly.
The marble memorial on the south wall to Bishop Michael Collins is work of the sculptor John Hogan (Photograph: Patrick Comerford, 2021)
But the question remains whether Saint Patrick’s is a cathedral or a parish church. When Bishop Denis Moynihan (1941-1953) returned from a visit to Rome in 1951, he declared Saint Patrick’s had full status as a diocesan cathedral.
However, he was moved to Kerry some months later, and in 1958 a papal bull united the dioceses of Cork and Ross ‘in an equally principal manner.’ It spoke of Ross as ‘illustrious in its antiquity and glory.’ But, among the reasons for this unification, the Bull referred to the ‘small boundaries’ of Ross, and said the diocese ‘lacks a cathedral church’ – which contradicts Bishop Moynihan’s declaration in 1951.
But Saint Patrick’s is still known throughout Skibbereen as Saint Patrick’s Cathedral, and is so described in the small guidebook on sale inside.
Saint Patrick’s is still known throughout Skibbereen as Saint Patrick’s Cathedral (Photograph: Patrick Comerford, 2021)
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