‘Padre Nuestro, que estas en el Cielo … Our Father, who art in Heaven’ … the words of the Lord’s Prayer in Spanish in the shape of a Cross (Photograph: Patrick Comerford)
Patrick Comerford
Easter is a 50-day season that continues until the Day of Pentecost (19 May 2024), and the week began with the Sixth Sunday of Easter (Easter VI). Easter has been later in the Greek Orthodox Church this year, and today is known in the Orthodox Church as ‘Bright Tuesday’ and this week is known as Bright Week, Pascha Week or Renewal Week (Διακαινήσιμος Ἑβδομάς), with the entire week set aside for the celebration of the Resurrection.
Throughout Bright Week, the Holy Doors of the Iconostasis are kept open in Orthodox churches – the only time of the year when this occurs. The open doors represent the stone rolled away from the Tomb of Christ, and the Epitaphios, representing the burial clothes, is visible through them on the Holy Table (altar). The doors are closed before the Ninth Hour on the eve of Thomas Sunday. However, the Afterfeast of Pascha continues until the eve of the Ascension.
Throughout this Season of Easter, my morning reflections each day include the daily Gospel reading, the prayer in the USPG prayer diary, and the prayers in the Collects and Post-Communion Prayer of the day.
Before this day begins, I am taking some quiet time this morning to give thanks, for reflection, prayer and reading in these ways:
1, today’s Gospel reading;
2, a prayer from the USPG prayer diary;
3, the Collects and Post-Communion prayer of the day.
Water from a water jar at a well at Myli restaurant in Platanias, near Rethymnon, Crete (Photograph: Patrick Comerford)
John 16: 5-11 (NRSVA):
[Jesus said:] 5 ‘But now I am going to him who sent me; yet none of you asks me, “Where are you going?” 6 But because I have said these things to you, sorrow has filled your hearts. 7 Nevertheless, I tell you the truth: it is to your advantage that I go away, for if I do not go away, the Advocate will not come to you; but if I go, I will send him to you. 8 And when he comes, he will prove the world wrong about sin and righteousness and judgement: 9 about sin, because they do not believe in me; 10 about righteousness, because I am going to the Father and you will see me no longer; 11 about judgement, because the ruler of this world has been condemned.’
‘Jesus Christ gives the water of eternal life: may we thirst for you, the spring of life and source of goodness’ (Post Communion Prayer) … a working well gives its name to To Pigadi, a restaurant in Rehtymnon in Crete (Photograph: Patrick Comerford)
Today’s Prayers (Tuesday 7 May 2024):
The theme this week in ‘Pray With the World Church,’ the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Thy Kingdom Come.’ This theme was introduced on Sunday with some Reflections.
The USPG Prayer Diary today (7 May 2024) invites us to pray:
Our Father who art in heaven, hallowed be thy name, thy kingdom come, thy will be done, on earth as it is in heaven.
The Collect:
God our redeemer,
you have delivered us from the power of darkness
and brought us into the kingdom of your Son:
grant, that as by his death he has recalled us to life,
so by his continual presence in us he may raise us
to eternal joy;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
Post Communion Prayer:
God our Father,
whose Son Jesus Christ gives the water of eternal life:
may we thirst for you,
the spring of life and source of goodness,
through him who is alive and reigns, now and for ever.
Additional Collect:
Risen Christ,
by the lakeside you renewed your call to your disciples:
help your Church to obey your command
and draw the nations to the fire of your love,
to the glory of God the Father.
Yesterday’s reflection
Continued tomorrow
‘Risen Christ, by the lakeside you renewed your call to your disciples’ (Additional Collect) … a fresco in Saint John’s Monastery, Tolleshunt Knights (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
07 May 2024
Visiting All Saints’ Church
in Lamport village and
a former private chapel
in Lamport Hall
All Saints’ Church, Lamport, dates from the 12th century, with additions in the 13th century and major alterations from the 17th to the 19th century (Photograph: Patrick Comerford, 2024)
Patrick Comerford
Our recent visit to Lamport Hall in Northamptonshire included the opening celebrations to mark 50 years of the Lamport Hall Preservation Trust, with a new exhibition and special events.
Lamport is a hidden gem, nestled in the Northamptonshire countryside midway between Northampton and Market Harborough. Lamport Hall faces out onto the parish Church of All Saints, a Grade I listed building on the north side of the High Street in the village.
All Saints’ Church was first built in the 12th and 13th centuries. It has a mediaeval tower but the remainder was rebuilt and added to in the 17th, 18th and 19th centuries. As might be expected, the church has many monuments to members of the Isham family who lived at Lamport Hall from 1560 to 1976.
The church is usually locked, although I understand a key is available at Lamport Hall on days the hall is open to the public. Charlotte and I were in Lamport only for that Saturday evening event, and we never managed to see inside the parish church before making our way back to the train station in Northampton. However, there is a beautiful description of the church by the architectural historian Bruce Bailey in the exhibition catalogue, to which I have contributed a paper on the ‘Lamport Crucifix.’
The earliest part of All Saints’ Church is the stocky mediaeval tower, but the remainder of the church was built in the 17th, 18th and 19th centuries.
The Lamport Crucifix … once on display in All Saints’ Church, Lamport (Photograph: Patrick Comerford, 2024)
There is no reference to a church or priest in the entry for the parish in the Domesday Book (1086). This may indicate the absence of a church building at that stage or, alternatively, only the absence of a resident priest.
All Saints’ Church dates from the 12th century, with additions in the 13th century and major alterations from the 17th to the 19th century.
The church is built of limestone ashlar and lias stone beneath a lead roof. The design is traditional, with a west tower, nave with aisle, chancel, and south chapel.
The oldest part of the church is the lower section of the tower, which shows the round-headed, narrow windows with deep splays that are associated with the Norman period. The upper section of the tower, the tower arch, and the nave arcades date from the 13th century.
Much of the church interior was commissioned by Sir Justinian Isham (1610-1675), the second baronet, of Lamport Hall, who added the chancel in 1652 and 20 years later added the north chapel in 1672 as a place of burial for members of the Isham family. It was built by a local mason, Henry Jones, probably using plans first drafted by John Webb, Inigo Jones’s principal assistant.
Sir Justinian’s great-grandson, another Sir Justinian Isham (1687-1737), the fifth baronet, travelled extensively in Italy and was heavily influenced by the classical architecture he saw there. When Sir Justinian died in 1737, he left money in his will to remodel the 17th century interiors in the Italianate style. The result is elegant without being overpowering, although it overshadows the mediaeval elements of All Saints’ Church.
This major rebuilding under William Smith of Warwick began in 1737, when classical pilasters and an Italianate east window were introduced, the chancel was rebuilt and the aisles were built. The chancel and south porch are by Francis Smith of Warwick, or his family.
Other features in the church include a delicate Georgian plastered ceiling in the nave, created by John Woolston. It has three large roundels, the centre one depicting an ‘eye of God’ with doves. Over the chancel arch is a royal coat of arms to George II, also in plaster. The pulpit dates from the 18th century.
The 19th century south vestry dates from 1879. It was designed by the Gothic Revival architect George Frederick Bodley (1827-1907), who was also closely associated with William Morris and the Pre-Raphaelites and a lifelong friend of Charles Eamer Kempe. Bodley also designed the font and its Victorian wooden cover, and the small organ chamber.
The main points of interest inside All Saints’ Church, as might be expected, are a series of memorials, from the subdued to the grandiose, to members of the Isham family, who lived at Lamport Hall from 1560 to 1976.
There are earlier brasses to John Isham, who died in 1595, and his wife Elizabeth, who died in 1594. Near the high altar is a small tablet to John Isham, who died as an infant in 1638.
The most ornate of the Isham tombs in the chancel is of Sir Justinian Isham (1687-1737), the fifth baronet, with a large bust of the dead man that overpowers the rest of his memorial. There are wall tablets to John Isham (died 1746) and to the Revd Dr Euseby Isham (1697-1755) who was the Rector of Lamport, Rector of Lincoln College, Oxford, and Vice-Chancellor of Oxford University.
The East Window by William Warrington in All Saints’ Church, Lamport (Photograph © Historic Houses https://www.historichouses.org/)
The last addition to the church is the unusual East Window depicting the Resurrection and designed by William Warrington (1796-1869).
Warrington’s firm operated from 1832 to 1875 was one of the earliest working in the English mediaeval revival. His windows became the preferred choice of AWN Pugin for most of his earliest churches (1838-1842), and his clients included Norwich Cathedral and Peterborough Cathedral.
The Lamport Crucifix dates from ca 1475 and was found when alterations were made to the dairy at Lamport Hall in 1674. It was preserved by the Isham family until 1905, when Sir Vere Isham presented it to the parish of Lamport in thanksgiving for his recovery from illness earlier that year. At some point, the cross was moved to Peterborough Cathedral for safekeeping, and it has been on display there for several decades.
Sir Gyles Isham (1903-1976), the twelfth baronet who founded the Lamport Hall Preservation Trust 50 years ago, is buried in the churchyard by the path leading to the Old Rectory.
When he inherited Lamport Hall, the house was in a dilapidated condition, and Sarah Stronger recalls in the catalogue that while Lamport Hall was being restored and renovated, he lived for six years in the Old Rectory.
Gyles Isham became a Roman Catholic and as a devout Catholic and Sarah Stronger recounts that ‘religion was highly important to him. He became a Knight of Malta in 1957, and took the oath of obedience to become a Knight of Obedience in 1968.
He transformed the Cabinet Room in Lamport Hall into his private chapel, and there was a standing invitation to anyone who wanted to join him at Mass at the hall and to join him for a glass of sherry afterwards.
The ‘Lamport Crucifix’, which I have described in the exhibition catalogue, is on display in the cabinet room. So, while Charlotte and I did not manage to see the interior of All Saints’ Church, Lamport that evening, we had our own private viewing of Sir Gyles Isham’s private chapel in Lamport Hall.
• Lamport is part of the Faxton Group of Parishes, two benefices with seven parishes and nine villages in the Diocese of Peterborough. The Revd James Watson is the Rector. The pattern of services is under review at the moment, but the Eucharist (Common Worship Holy Communion) is being celebrated in All Saints’ Church, Lamport, next Sunday (12 May, Easter VII) at 9:30.
The Lamport Crucifix on display in the Cabinet Room, the former chapel in Lamport Hall, Northamptonshire (Photograph: Patrick Comerford, 2024)
Patrick Comerford
Our recent visit to Lamport Hall in Northamptonshire included the opening celebrations to mark 50 years of the Lamport Hall Preservation Trust, with a new exhibition and special events.
Lamport is a hidden gem, nestled in the Northamptonshire countryside midway between Northampton and Market Harborough. Lamport Hall faces out onto the parish Church of All Saints, a Grade I listed building on the north side of the High Street in the village.
All Saints’ Church was first built in the 12th and 13th centuries. It has a mediaeval tower but the remainder was rebuilt and added to in the 17th, 18th and 19th centuries. As might be expected, the church has many monuments to members of the Isham family who lived at Lamport Hall from 1560 to 1976.
The church is usually locked, although I understand a key is available at Lamport Hall on days the hall is open to the public. Charlotte and I were in Lamport only for that Saturday evening event, and we never managed to see inside the parish church before making our way back to the train station in Northampton. However, there is a beautiful description of the church by the architectural historian Bruce Bailey in the exhibition catalogue, to which I have contributed a paper on the ‘Lamport Crucifix.’
The earliest part of All Saints’ Church is the stocky mediaeval tower, but the remainder of the church was built in the 17th, 18th and 19th centuries.
The Lamport Crucifix … once on display in All Saints’ Church, Lamport (Photograph: Patrick Comerford, 2024)
There is no reference to a church or priest in the entry for the parish in the Domesday Book (1086). This may indicate the absence of a church building at that stage or, alternatively, only the absence of a resident priest.
All Saints’ Church dates from the 12th century, with additions in the 13th century and major alterations from the 17th to the 19th century.
The church is built of limestone ashlar and lias stone beneath a lead roof. The design is traditional, with a west tower, nave with aisle, chancel, and south chapel.
The oldest part of the church is the lower section of the tower, which shows the round-headed, narrow windows with deep splays that are associated with the Norman period. The upper section of the tower, the tower arch, and the nave arcades date from the 13th century.
Much of the church interior was commissioned by Sir Justinian Isham (1610-1675), the second baronet, of Lamport Hall, who added the chancel in 1652 and 20 years later added the north chapel in 1672 as a place of burial for members of the Isham family. It was built by a local mason, Henry Jones, probably using plans first drafted by John Webb, Inigo Jones’s principal assistant.
Sir Justinian’s great-grandson, another Sir Justinian Isham (1687-1737), the fifth baronet, travelled extensively in Italy and was heavily influenced by the classical architecture he saw there. When Sir Justinian died in 1737, he left money in his will to remodel the 17th century interiors in the Italianate style. The result is elegant without being overpowering, although it overshadows the mediaeval elements of All Saints’ Church.
This major rebuilding under William Smith of Warwick began in 1737, when classical pilasters and an Italianate east window were introduced, the chancel was rebuilt and the aisles were built. The chancel and south porch are by Francis Smith of Warwick, or his family.
Other features in the church include a delicate Georgian plastered ceiling in the nave, created by John Woolston. It has three large roundels, the centre one depicting an ‘eye of God’ with doves. Over the chancel arch is a royal coat of arms to George II, also in plaster. The pulpit dates from the 18th century.
The 19th century south vestry dates from 1879. It was designed by the Gothic Revival architect George Frederick Bodley (1827-1907), who was also closely associated with William Morris and the Pre-Raphaelites and a lifelong friend of Charles Eamer Kempe. Bodley also designed the font and its Victorian wooden cover, and the small organ chamber.
The main points of interest inside All Saints’ Church, as might be expected, are a series of memorials, from the subdued to the grandiose, to members of the Isham family, who lived at Lamport Hall from 1560 to 1976.
There are earlier brasses to John Isham, who died in 1595, and his wife Elizabeth, who died in 1594. Near the high altar is a small tablet to John Isham, who died as an infant in 1638.
The most ornate of the Isham tombs in the chancel is of Sir Justinian Isham (1687-1737), the fifth baronet, with a large bust of the dead man that overpowers the rest of his memorial. There are wall tablets to John Isham (died 1746) and to the Revd Dr Euseby Isham (1697-1755) who was the Rector of Lamport, Rector of Lincoln College, Oxford, and Vice-Chancellor of Oxford University.
The East Window by William Warrington in All Saints’ Church, Lamport (Photograph © Historic Houses https://www.historichouses.org/)
The last addition to the church is the unusual East Window depicting the Resurrection and designed by William Warrington (1796-1869).
Warrington’s firm operated from 1832 to 1875 was one of the earliest working in the English mediaeval revival. His windows became the preferred choice of AWN Pugin for most of his earliest churches (1838-1842), and his clients included Norwich Cathedral and Peterborough Cathedral.
The Lamport Crucifix dates from ca 1475 and was found when alterations were made to the dairy at Lamport Hall in 1674. It was preserved by the Isham family until 1905, when Sir Vere Isham presented it to the parish of Lamport in thanksgiving for his recovery from illness earlier that year. At some point, the cross was moved to Peterborough Cathedral for safekeeping, and it has been on display there for several decades.
Sir Gyles Isham (1903-1976), the twelfth baronet who founded the Lamport Hall Preservation Trust 50 years ago, is buried in the churchyard by the path leading to the Old Rectory.
When he inherited Lamport Hall, the house was in a dilapidated condition, and Sarah Stronger recalls in the catalogue that while Lamport Hall was being restored and renovated, he lived for six years in the Old Rectory.
Gyles Isham became a Roman Catholic and as a devout Catholic and Sarah Stronger recounts that ‘religion was highly important to him. He became a Knight of Malta in 1957, and took the oath of obedience to become a Knight of Obedience in 1968.
He transformed the Cabinet Room in Lamport Hall into his private chapel, and there was a standing invitation to anyone who wanted to join him at Mass at the hall and to join him for a glass of sherry afterwards.
The ‘Lamport Crucifix’, which I have described in the exhibition catalogue, is on display in the cabinet room. So, while Charlotte and I did not manage to see the interior of All Saints’ Church, Lamport that evening, we had our own private viewing of Sir Gyles Isham’s private chapel in Lamport Hall.
• Lamport is part of the Faxton Group of Parishes, two benefices with seven parishes and nine villages in the Diocese of Peterborough. The Revd James Watson is the Rector. The pattern of services is under review at the moment, but the Eucharist (Common Worship Holy Communion) is being celebrated in All Saints’ Church, Lamport, next Sunday (12 May, Easter VII) at 9:30.
The Lamport Crucifix on display in the Cabinet Room, the former chapel in Lamport Hall, Northamptonshire (Photograph: Patrick Comerford, 2024)
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