Saint Werburgh’s statue at the south west-corner of Lichfield Cathedral (Photograph: Patrick Comerford)
Patrick Comerford
The Feast of the Presentation yesterday (2 February) concluded the 40-day season of Christmas and Epiphany.
In these days of Ordinary Time before Ash Wednesday later this month (22 February), I am reflecting in these ways each morning:
1, reflecting on a saint or interesting person in the life of the Church;
2, one of the lectionary readings of the day;
3, a prayer from the USPG prayer diary, ‘Pray with the World Church.’
The majestic interior of Saint Werburgh’s Church, Dublin (Photograph: Patrick Comerford)
Saint Werburgh of Chester:
Saint Werburgh, whose feast day is today (3 February), is the patron saint of of Chester and has close associations with Lichfield and Ely.
Saint Werburgh was born an Anglo-Saxon princess in Mercia at Stone in Mercia (now in Staffordshire) ca 650. She was the daughter of King Wulfhere of Mercia and his wife Saint Ermenilda. With her father’s consent, she entered the Abbey of Ely, which had been founded by her great-aunt Etheldreda (Audrey), the first Abbess of Ely and former queen of Northumbria.
Werburgh was trained at home by Saint Chad (afterwards Bishop of Lichfield), and by her mother; and in the cloister by her aunt and grandmother. Werburgh was a nun for most of her life. During some of her life she was resident in Weedon Bec, Northamptonshire.
Werburgh was instrumental in convent reform across England. She eventually succeeded her mother Ermenilda, her grandmother Seaxburh, and he great-aunt Etheldreda as the fourth Abbess of Ely. She died on 3 February 700 and was buried at Hanbury in Staffordshire.
Following Saint Werburgh’s death, her brother Coenred became king of Mercia. In 708, he decided to move his sister’s body into the church in Hanbury. When the tomb was opened, her body was found to be intact, and this was taken as a sign of divine favour. A year later, he abdicated and become a monk in Rome.
According to one story about Werburgh, she restored a dead goose to life. A stained glass window in the Church of St Peter and St Paul, Weedon Bec, Northamptonshire, recalls to another tale in which she banished all the geese from the village.
Saint Werburgh’s shrine remained at Hanbury until the threat from Danish Viking raids in the late ninth century, when they were moved to Chester, where a new shrine was established at the Church of Saint Peter and Saint Paul, later the site of Chester Cathedral. The church has since been rededicated to Saint Werburgh and Saint Oswald of Northumbria.
A monastery in the names of Saint Werburgh and Saint Oswald was attached to the church in the 11th century. The Abbey church was rebuilt by 1075 and further endowed by Leofric, Earl of Mercia.
Saint Werburgh’s shrine remained a place of veneration after 1066 and the Norman conquest. Hugh d’Avranches, Earl of Chester, endowed the abbey with additional property in 1093, enlarged and rebuilt the church, and established a Benedictine monastery. The monks came from Bec Abbey in Normandy, which also provided the first two post-Conquest Archbishops of Canterbury, Lanfranc and Anselm.
Hugh d’Avranches entered the monastery shortly before he died and was buried there. During the Middle Ages, the badge of a gaggle of geese became a symbol of a pilgrimage to Saint Werburgh’s shrine.
Monks from Chester or perhaps Bristol later brought the cult of Saint Werburgh to Ireland, and Saint Werburgh’s Church in Dublin was first built in 1178.
The dissolution of the abbey in 1540 led to the creation of Chester Cathedral, which was rededicated to Christ and the Blessed Virgin Mary. Her elaborate 14th century shrine was broken up and her relics were lost. Parts of the surviving stonework were reassembled in 1876.
Saint Werburgh remains the patron saint of Chester. The churches dedicated to her include churches in Dublin, Derby and Spondon. The village of Warburton near Manchester is named after its parish church of Saint Werburgh.
I have often taken services and preached on Sundays in Saint Werburgh’s Church, Dublin, which ws one of the churches in the Christ Church Cathedral group of parishes until it closed recently. It is one of the oldest churches in Dublin, dating back to 1178, when a church was built on this site shortly after the arrival of the Anglo-Normans in Dublin. The church is first mentioned in a letter of Pope Alexander III dated 1179.
In the 18th century, Saint Werburgh’s became a fashionable city centre church, attended by the Lord Lieutenant and his entourage, and with a reserved Viceregal pew. Saint Werburgh’s was the Chapel Royal attached to Dublin Castle, the Viceroys were sworn into office there and seats were reserved for the officers and soldiers of Dublin Castle until 1888.
Saint Weburgh is one of the many saints carved on the west front of Lichfield Cathedral. The Two Saints’ Way is a project to recreate a pilgrim way linking the shrines of Saint Chad in Lichfield and Saint Werburgh in Chester. This pilgrim way gives its name to Cross in Hand Lane in Lichfield, where I stay regularly at the Hedgehog on the corner with Stafford Road.
The project owes everything to David Pott, an experienced long distance walker. At an early stage, his dream was of a pilgrimage trail from Stafford over Cannock Chase along the Heart of England Way to Lichfield Cathedral and the shrine of Saint Chad.
Later, he learned about the pilgrimage route between Chester Cathedral and Lichfield Cathedral. Many pilgrims on that route would continue to Canterbury or even to Rome or Jerusalem. He then thought of linking Lichfield with the shrine of Saint Werburgh, using existing paths to create a revived pilgrimage route between the two cathedral cities.
The discovery of the Staffordshire Hoard some years ago brought a new interest in Mercian heritage, attracting support from people with links with Staffordshire University, British Waterways, local tourist boards, and the cathedrals in Chester and Lichfield.
Saint Werburgh or Saint Barbra? … Werburgh Street in Dublin is named after Saint Werburgh of Chester, Ely and Lichfield (Photograph: Patrick Comerford)
Mark 6: 7-13 (NSRVA):
7 He called the twelve and began to send them out two by two, and gave them authority over the unclean spirits. 8 He ordered them to take nothing for their journey except a staff; no bread, no bag, no money in their belts; 9 but to wear sandals and not to put on two tunics. 10 He said to them, ‘Wherever you enter a house, stay there until you leave the place. 11 If any place will not welcome you and they refuse to hear you, as you leave, shake off the dust that is on your feet as a testimony against them.’ 12 So they went out and proclaimed that all should repent. 13 They cast out many demons, and anointed with oil many who were sick and cured them.
The Two Saints’ Way … markers along the road at Cross in Hand Lane (Photograph: Patrick Comerford)
USPG Prayer Diary:
The theme in the USPG Prayer Diary this week is the ‘Opening Our Hearts.’ This theme was introduced on Sunday by James Roberts, Christian Programme Manager at the Council of Christians and Jews, who reflected on Holocaust Memorial Day last Friday and World Interfaith Harmony Week, which began on Wednesday.
The USPG Prayer Diary today invites us to pray in these words:
Let us pray for a world where persecution is no more. May we examine our own prejudices, work for an end to discrimination and campaign against injustice.
Yesterday’s Reflection
Continued Tomorrow
Saint Werburgh’s Church in inner-city Dublin (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
03 February 2023
The Candlemas hymnwriter
who died in Tamworth
Clifton Campville and Comberford ... two neighbouring parishes named on a hassock in Lichfield Cathedral (Photograph: Patrick Comerford)
Patrick Comerford
Today is the Feast of the Presentation of Christ in the Temple, or Candlemas [2 February 2023], and celebrates the Presentation of Christ in the Temple, also known popularly as Candlemas.
This feast falls 40 days after Christmas when, according to traditional religious law, the Virgin Mary, the mother of the Christ-Child, presents her first-born to the priest in the Temple in Jerusalem. Because the Holy Family was poor, they offered a turtle dove and two pigeons as a submission and a sacrifice.
This is a feast rich in meaning, with several related themes running through it – presentation, purification, meeting, and light for the world. The several names by which this day has been known throughout Christian history illustrate just how much this feast has to teach and to celebrate. These names include the Presentation, and the Purification of the Blessed Virgin Mary, although today we talk more commonly of the Feast of Candlemas.
The true meaning of Candlemas is found in its ‘bitter-sweet’ nature. It is a feast day, and the revelation of the Christ Child in the Temple, greeted by Simeon and Anna, calls for rejoicing. Nevertheless, the prophetic words of Simeon, which speak of the falling and rising of many and the sword that will piece Mary’s heart, lead on to the Passion and Easter, as the Gospel according to Saint Luke makes clear:
‘… This child is destined for the falling and the rising of many in Israel, and to be a sign that will be opposed so that the inner thoughts of many will be revealed – and a sword will pierce your own soul too.’
Candlemas is the climax of the Christmas and Epiphany season, the last great festival of the Christmas cycle. It beings Christmas celebrations to a close, and is a real pivotal day in the Christian year. The focus shifts from the cradle to the cross, from Christmas to Passiontide – Ash Wednesday and Lent are less than three weeks away.
A well-known hymn that is often sung on this day is ‘In his temple now behold him’, by Canon Henry John Pye (1827-1903), who was the Rector of Clifton Campville, Staffordshire, where he was also Lord of the Manor, and a canon of Lichfield Cathedral.
Henry John Pye was born Henry James Pye in Chacombe Banbury Priory, Northamptonshire, on 31 January 1827. His father, Henry John Pye (1802-1884), lived at Clifton Hall, Staffordshire, 10 miles east of Lichfield and seven miles north of Tamworth, and was the lord of the manor and the patron of the local living; his grandfather, Henry James Pye (1745-1813), was Poet Laureate (1790-1813).
The Pye family was also related to the Willington family of Colehill, which I was writing about yesterday (1 February 2023): the hymnwriter’s aunt, his father’s sister, Jane Anne, married Francis Willington of Tamworth.
Canon Henry John Pye Pye (1827-1903), Rector of Clifton Campville and hymnwriter
The younger Henry John Pye was educated at Eton and Trinity College Cambridge (BA, 1848; MA 1852), and was ordained deacon in 1850, and priest in 1851. He first served as Curate of Cuddesdon, outside Oxford (1850-1851), where Bishop Samuel Wilbeforce lived. He married the bishop’s daughter, Emily Charlotte Wilberforce, on 21 October 1851.
Pye’s father appointed him the Rector of Clifton Campville in the Diocese of Lichfield in 1851, and he remained rector until 1868. Pye also became the Prebendary of Handsacre (1865-1868) in Lichfield Cathedral.
While he was the Rector of Clifton Campville, Pye compiled a collection of hymns for use in the parish, including the hymn ‘In his temple now behold him,’ intended for use on the feast of the Presentation or Candlemas today.
Pye also commissioned George Edmund Street, the Gothic Revival architect, to restore Saint Andrew’s, the parish church in Clifton Campville. Street, who is known in Ireland for the restoration of Christ Church Cathedral and in England for the Law Courts in London, had also designed Wilbeforce’s new theological college in Cuddesdon.
In 1868, Henry, his wife Emily, and his brother and sister joined the Roman Catholic Church. Pye later turned to the law: he was admitted at the Inner Temple in 1873 and was called to the bar in 1876.
Pye died in Tamworth on 3 January 1903, and the Manor of Clifton Campville and Clifton Hall, which had been in the Pye family since 1700, were sold in 1906.
In his temple now behold him;
See the long-expected Lord!
Ancient prophets had foretold him;
God hath now fulfilled his word.
Now to praise him, his redeemèd
Shall break forth with one accord.
In the arms of her who bore him,
Virgin pure, behold him lie,
While his aged saints adore him,
Ere in perfect faith they die:
Alleluia! Alleluia!
Lo, the incarnate God most high!
Jesus, by thy Presentation,
Thou, who didst for us endure,
Make us see thy great salvation,
Seal us with thy promise sure;
And present us in thy glory
To thy Father cleansed and pure.
Prince and author of salvation,
Be thy boundless love our theme!
Jesus, praise to thee be given
By the world thou didst redeem,
With the Father and the Spirit,
Lord of majesty supreme!
‘Candlemas 2012’ (York Minster) by Susan Hufton … from the exhibition ‘Holy Writ’ at Lichfield Cathedral in 2014 (Photograph: Patrick Comerford)
Patrick Comerford
Today is the Feast of the Presentation of Christ in the Temple, or Candlemas [2 February 2023], and celebrates the Presentation of Christ in the Temple, also known popularly as Candlemas.
This feast falls 40 days after Christmas when, according to traditional religious law, the Virgin Mary, the mother of the Christ-Child, presents her first-born to the priest in the Temple in Jerusalem. Because the Holy Family was poor, they offered a turtle dove and two pigeons as a submission and a sacrifice.
This is a feast rich in meaning, with several related themes running through it – presentation, purification, meeting, and light for the world. The several names by which this day has been known throughout Christian history illustrate just how much this feast has to teach and to celebrate. These names include the Presentation, and the Purification of the Blessed Virgin Mary, although today we talk more commonly of the Feast of Candlemas.
The true meaning of Candlemas is found in its ‘bitter-sweet’ nature. It is a feast day, and the revelation of the Christ Child in the Temple, greeted by Simeon and Anna, calls for rejoicing. Nevertheless, the prophetic words of Simeon, which speak of the falling and rising of many and the sword that will piece Mary’s heart, lead on to the Passion and Easter, as the Gospel according to Saint Luke makes clear:
‘… This child is destined for the falling and the rising of many in Israel, and to be a sign that will be opposed so that the inner thoughts of many will be revealed – and a sword will pierce your own soul too.’
Candlemas is the climax of the Christmas and Epiphany season, the last great festival of the Christmas cycle. It beings Christmas celebrations to a close, and is a real pivotal day in the Christian year. The focus shifts from the cradle to the cross, from Christmas to Passiontide – Ash Wednesday and Lent are less than three weeks away.
A well-known hymn that is often sung on this day is ‘In his temple now behold him’, by Canon Henry John Pye (1827-1903), who was the Rector of Clifton Campville, Staffordshire, where he was also Lord of the Manor, and a canon of Lichfield Cathedral.
Henry John Pye was born Henry James Pye in Chacombe Banbury Priory, Northamptonshire, on 31 January 1827. His father, Henry John Pye (1802-1884), lived at Clifton Hall, Staffordshire, 10 miles east of Lichfield and seven miles north of Tamworth, and was the lord of the manor and the patron of the local living; his grandfather, Henry James Pye (1745-1813), was Poet Laureate (1790-1813).
The Pye family was also related to the Willington family of Colehill, which I was writing about yesterday (1 February 2023): the hymnwriter’s aunt, his father’s sister, Jane Anne, married Francis Willington of Tamworth.
Canon Henry John Pye Pye (1827-1903), Rector of Clifton Campville and hymnwriter
The younger Henry John Pye was educated at Eton and Trinity College Cambridge (BA, 1848; MA 1852), and was ordained deacon in 1850, and priest in 1851. He first served as Curate of Cuddesdon, outside Oxford (1850-1851), where Bishop Samuel Wilbeforce lived. He married the bishop’s daughter, Emily Charlotte Wilberforce, on 21 October 1851.
Pye’s father appointed him the Rector of Clifton Campville in the Diocese of Lichfield in 1851, and he remained rector until 1868. Pye also became the Prebendary of Handsacre (1865-1868) in Lichfield Cathedral.
While he was the Rector of Clifton Campville, Pye compiled a collection of hymns for use in the parish, including the hymn ‘In his temple now behold him,’ intended for use on the feast of the Presentation or Candlemas today.
Pye also commissioned George Edmund Street, the Gothic Revival architect, to restore Saint Andrew’s, the parish church in Clifton Campville. Street, who is known in Ireland for the restoration of Christ Church Cathedral and in England for the Law Courts in London, had also designed Wilbeforce’s new theological college in Cuddesdon.
In 1868, Henry, his wife Emily, and his brother and sister joined the Roman Catholic Church. Pye later turned to the law: he was admitted at the Inner Temple in 1873 and was called to the bar in 1876.
Pye died in Tamworth on 3 January 1903, and the Manor of Clifton Campville and Clifton Hall, which had been in the Pye family since 1700, were sold in 1906.
In his temple now behold him;
See the long-expected Lord!
Ancient prophets had foretold him;
God hath now fulfilled his word.
Now to praise him, his redeemèd
Shall break forth with one accord.
In the arms of her who bore him,
Virgin pure, behold him lie,
While his aged saints adore him,
Ere in perfect faith they die:
Alleluia! Alleluia!
Lo, the incarnate God most high!
Jesus, by thy Presentation,
Thou, who didst for us endure,
Make us see thy great salvation,
Seal us with thy promise sure;
And present us in thy glory
To thy Father cleansed and pure.
Prince and author of salvation,
Be thy boundless love our theme!
Jesus, praise to thee be given
By the world thou didst redeem,
With the Father and the Spirit,
Lord of majesty supreme!
‘Candlemas 2012’ (York Minster) by Susan Hufton … from the exhibition ‘Holy Writ’ at Lichfield Cathedral in 2014 (Photograph: Patrick Comerford)
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