26 September 2022

Praying in Ordinary Time with USPG:
Monday 26 September 2022

The Oratory Church of Saint Wilfrid in York, also known as York Oratory, is considered to be one of the most perfectly finished Roman Catholic churches in England (Photograph: Patrick Comerford, 2022)

Patrick Comerford

Today is Rosh Hashanah or New Year’s Day in the Jewish Calendar, the beginning of a New Year and the first of the ten High Holy Days. In the Calendar of Common Worship today [26 September], the Church of England commemorates William Carlile (1942), founder of the Church Army.

Before today begins, I am taking some time this morning for reading, prayer and reflection.

This morning, and for these two weeks, I am reflecting each morning on a church, chapel, or place of worship in York, where I stayed earlier this month after a surgical procedure in Sheffield.

In my prayer diary this week I am reflecting in these ways:

1, One of the readings for the morning;

2, Reflecting on a church, chapel or place of worship in York;

3, a prayer from the USPG prayer diary, ‘Pray with the World Church.’

The design of the tower creates an optical illusion, so that the Oratory appears to be taller than York Minster in the background (Photograph Patrick Comerford, 2022)

Wilson Carlile (1847-1942) was born in Brixton. He suffered from a spinal weakness all his life, which hampered his education. After a serious illness, he began to treat his religion more seriously and was confirmed in the Church of England. He acted as organist to Ira D Sankey during the Moody and Sankey missions and, in 1881, was ordained priest, serving his curacy at Saint Mary Abbots in Kensington, with a dozen other curates.

The lack of contact between the Church and the working classes was a cause of real concern to him and he began outdoor preaching. He resigned his curacy in 1882 and founded the Church Army, four years after the founding of the Salvation Army. Under his influence it thrived and he continued to take part in its administration until a few weeks before his death on this day 80 years ago, in 1942.

Luke 9: 46-50:

46 An argument arose among them as to which one of them was the greatest. 47 But Jesus, aware of their inner thoughts, took a little child and put it by his side, 48 and said to them, ‘Whoever welcomes this child in my name welcomes me, and whoever welcomes me welcomes the one who sent me; for the least among all of you is the greatest.’

49 John answered, ‘Master, we saw someone casting out demons in your name, and we tried to stop him, because he does not follow with us.’ 50 But Jesus said to him, ‘Do not stop him; for whoever is not against you is for you.’

The arch above the main door of Saint Wilfrid’s Church has the most detailed Victorian carving in York (Photograph Patrick Comerford, 2022)

The Oratory Church of Saint Wilfrid, York:

The Oratory Church of Saint Wilfrid in York is also known as York Oratory. The Gothic Revival church was completed in 1864 and it is considered to be one of the most perfectly finished Catholic churches in England, rich in sculptures, paintings and stained glass.

The original Saint Wilfrid’s Parish was once a mediaeval advowson of the Benedictine Saint Mary’s Abbey, York. The original site of the church was on land now occupied by the Judges Lodgings in Lendal and part of the Assembly Rooms behind it in Blake Street.

But the parish could not support itself, the church fell into disuse and became redundant, and was demolished. It was eventually built over and the parish was united with Saint Michael le Belfry. Part of the porch way, believed to belong to the original Saint Wilfrid’s Church, was found under the floor of the Assembly Rooms during 19th century renovations. Two of us had dinner recently in the Assembly Rooms, now Ask Italian.

Saint Wilfrid’s parish was revived by Catholics in York in 1742, when they established a mission in Little Blake Street. The mission was founded by Bishop Edward Dicconson (1670-1752), Vicar Apostolic of the Northern District of England.

A priest’s house, known as Chapel House, was established at No 7 Little Blake Street, now Duncombe Place. The first public place of worship for Catholics in York opened in 1760. The chapel continued until 1802 when another chapel was built on the opposite side of the street, on the present site. The chapel was hidden from the street by its presbytery, but could hold up to 700 people.

Plans were drawn up in 1848 to build a new church. However, the funds were diverted to build a much needed church in the Walmgate area for the large number of Irish Catholics who settled there. Saint George’s Church was built and became the Pro-Cathedral of the Catholic Diocese of Beverley.

Meanwhile, the prominent position of Saint Wilfrid’s was made possible because of the clearing of the streets in front of the Minster and the creation of Duncombe Place. York Corporation was planning a new approach road to Lendal Bridge in 1859. This prompted Augustus Duncombe (1814-1880), Dean of York, to propose continuing the route by the chapel and towards York Minster.

The old narrow lane, known as Lop Lane or Little Blake Street, was replaced with a wide thoroughfare. The houses on the opposite side to the chapel were demolished and the road widened to create Duncombe Place.

Saint Wilfrid’s Church became the Pro-Cathedral Church of the Beverley Diocese. This was short lived as Beverley diocese was divided to make the Dioceses of Leeds, south of the River Ouse, and the Diocese of Middlesbrough, north of the river. Nevertheless, the Oratory Church of Saint Wilfrid still stands.

Saint Wilfrid’s Church was built on the site of the old chapel. The architect George Goldie (1828-1887) was a son of a prominent parishioner, Dr George Goldie, a grandson of the architect Joseph Bonomi the Elder, and was baptised in Saint Wilfrid’s chapel.

Goldie was at school in Saint Cuthbert’s College, Ushaw, County Durham, when Augustus Pugin was working on the college chapel. Goldie took such an interest that the two became friends, and Pugin advised Goldie to study with Weightman and Hadfield.

Goldie practised alone in London between 1861 and 1867. In 1867 or 1868, he formed the partnership of Goldie and Child with Charles Edwin Child (1843-1911). In 1880 or 1881, Goldie’s son, Edward Goldie, joined the firm, which practised as Goldie Child and Goldie until George Goldie died in 1887.

Goldie designed Saint Paul’s School, now Saint Paul’s Court, in Stony Stratford. The works by Goldie and Child in Ireland include Saint Saviour’s Dominican Church, Baker’s Place, Limerick, Saint Saviour’s Dominican Church, Bridge Street, Waterford, the Good Shepherd, Clare Street, Limerick, much of the interior work and decoration of Holy Trinity Church, Adare, Co Limerick, the Cathedral of the Immaculate Conception, Sligo, and the High Altar and reredos in the Redemptorist Church at Mount Saint Alphonsus, Limerick.

Goldie designed the new church was designed as Gothic Revival church, a copy of the style of the 13th to 14th century style. The arch over the main door has the most detailed Victorian carving in the city.

The foundation stone was laid in April 1862 by Bishop Robert Cornthwaite. The church was completed in 1864 for the sum of £10,000, and was opened by Cardinal Nicholas Wiseman in June 1864. It was considered to be ‘one of the most perfectly finished Catholic Churches in England, rich in sculpture, stained glass and fittings.’

Saint Wilfrid’s Church became the Cathedral of the Diocese of Beverley. This was short lived as the Diocese of Beverley was divided in 1878 to form the Diocese of Leeds, south of the River Ouse, and the Diocese of Middlesbrough, north of the river.

However, Saint Wilfrid’s Church still stands. The arch over the main door has the most detailed Victorian carving in the city. The altar rails were made in 1948 by Wilfrid Dowson, from Kirkbymoorside, who was responsible for some work at York Minster, as well as the Queen’s Gates at Saint George’s Chapel in Windsor Castle. The rails were altered and temporarily removed in February 2007.

The organ by Forster and Andrews dates from 1867, and was restored by Harrison and Harrison in 1998.

The 147 ft tower is visible around much of York. The design of the tower creates an optical illusion, so that the Oratory appears to be taller than York Minster in the background. The tower holds a peal of 10 bells. One is inscribed ‘Saint Wilfrid’; another bears the inscription ‘Ringers ring with one accord. Make beautiful music to praise the Lord.’

The church became a Grade II listed building in 1968.

Bishop Terence Patrick Drainey invited the Congregation of the Oratory, founded by Saint Philip Neri, to move to Saint Wilfrid’s in 2013. The first Oratory priests arrived in October that year, and in 2019, Pope Francis permanently established the Congregation of the Oratory in York at Saint Wilfrid’s Church.

Saint Wilfrid’s Church is open every day from 8 am to 6 pm as a place of prayer and pilgrimage. The church holds sung Vespers and Benediction each Sunday afternoon or evening. Father Richard Duffield is the Provost, and Father Daniel Seward is the Parish Priest.

Inside Saint Wilfrid’s Church, York (Photograph: Patrick Comerford, 2022)

Today’s Prayer (Monday 26 September 2022):

The Collect:

God, who in generous mercy sent the Holy Spirit
upon your Church in the burning fire of your love:
grant that your people may be fervent
in the fellowship of the gospel
that, always abiding in you,
they may be found steadfast in faith and active in service;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

The Post Communion Prayer:

Keep, O Lord, your Church, with your perpetual mercy;
and, because without you our human frailty cannot but fall,
keep us ever by your help from all things hurtful,
and lead us to all things profitable to our salvation;
through Jesus Christ our Lord.

The theme in the USPG prayer diary this week is ‘Celebrating 75 Years,’ which was introduced yesterday by the Revd Davidson Solanki, USPG’s Regional Manager for Asia and the Middle East.

The USPG Prayer Diary invites us to pray today in these words:

Let us pray for the Church of South India, a thriving province within the Anglican Communion. May we learn from and be inspired by their service to each other and to their communities.

Yesterday’s reflection

Continued tomorrow

The organ by Forster and Andrews dates from 1867, and was restored by Harrison and Harrison in 1998 (Photograph: Patrick Comerford, 2022)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org

Ask Italian in the former Assembly Rooms is on the site of the original Saint Wilfrid’s Church in York (Photograph: Patrick Comerford, 2022)

‘… once more we prove
How strength of supreme
suffering still is ours
For Truth and Law and Love’

‘Tashlich Prayer on Vistula River’, a painting by Eduard Gurevich

Patrick Comerford

Rosh Hashanah, marking the beginning of the New Year in the Jewish calendar, begins at sunset this evening [Sunday 25 September 2022].

Rosh Hashanah is the first of the High Holidays or ‘Days of Awe’, ending 10 days later with Yom Kippur, from sunset on 4 October to nightfall on 5 October.

The two-day festival beginning this evening marks the anniversary of the creation of humanity and the special relationship we have between humans and God our creator.

Rosh Hashanah begins with the sounding of the shofar or ram’s horn, proclaiming God as King of the Universe. The sound of the shofar is also a call to repentance, to wake up and re-examine our commitment to God and to correct our ways.

Rosh Hashanah falls on the first two days of Tishrei, the seventh month of the Hebrew calendar, and this year continues until nightfall on Tuesday [27 September].

Ripening pomegranates on a tree in Platanias near Rethymnon … pomegranates are traditionally associated with Rosh Hashanah (Photograph: Patrick Comerford, 2021)

The traditional greeting on Rosh Hashanah is Shana Tova (שנה טובה‎), ‘A Good Year.’ During these Ten Days of Reprentance (עֲשֶׂרֶת יְמֵי תְּשׁוּבָה‎, Aseret Yemei Teshuva), it is traditional to say, G’mar Chatimah Tovah (גמר חתימה טובה‎) or ‘may you be inscribed in the Book of Life.’

The word Teshuva means ‘return.’ The time between Rosh Hashanah and Yom Kippur is a reminder to acknowledge our wrongs and to ‘return’ to being our best selves through good deeds, kindness, prayer and honest repentance.

The Tashlich ceremony (תשליך‎ ‘cast off’) on the afternoon of the first day of Rosh Hashanah involves visiting a body of fresh water to symbolically cast past sins away, tossing pebbles or bread crumbs into flowing water. During this ritual, people think of things they have done wrong in the past year and then ‘throw them away,’ promising for improvement in the coming year. I ask each and every one for forgiveness.

If you have felt wronged or upset by me or by something you felt I did or did not do, I apologise.

The Tashlich ceremony on the afternoon of the first day of Rosh Hashanah involves symbolically casting past sins away, tossing pebbles or bread crumbs into flowing water (Photograph: Patrick Comerford)

Today, most mainstream Jewish movements accept Tashlich, although it is generally not practised by Spanish and Portuguese Jews. However, as my reading for Rosh Hashanah this evening I am reading a poem by the American Sephardic poet Emma Lazarus (1849-1887), ‘The New Year, Rosh-Hashanah, 5643.’

Emma Lazarus was born into a large Sephardic family. Her Lazarus and Nathan ancestors were originally from Portugal and lived in New York long before the American Revolution. They were among the original 23 Portuguese Jews who arrived in New Amsterdam fleeing the Inquisition in Recife, Brazil.

The New Year, by Emma Lazarus

Rosh-Hashanah, 5643

Not while the snow-shroud round dead earth is rolled,
And naked branches point to frozen skies.—
When orchards burn their lamps of fiery gold,
The grape glows like a jewel, and the corn
A sea of beauty and abundance lies,
Then the new year is born.

Look where the mother of the months uplifts
In the green clearness of the unsunned West,
Her ivory horn of plenty, dropping gifts,
Cool, harvest-feeding dews, fine-winnowed light;
Tired labor with fruition, joy and rest
Profusely to requite.

Blow, Israel, the sacred cornet! Call
Back to thy courts whatever faint heart throb
With thine ancestral blood, thy need craves all.
The red, dark year is dead, the year just born
Leads on from anguish wrought by priest and mob,
To what undreamed-of morn?

For never yet, since on the holy height,
The Temple’s marble walls of white and green
Carved like the sea-waves, fell, and the world’s light
Went out in darkness,—never was the year
Greater with portent and with promise seen,
Than this eve now and here.

Even as the Prophet promised, so your tent
Hath been enlarged unto earth’s farthest rim.
To snow-capped Sierras from vast steppes ye went,
Through fire and blood and tempest-tossing wave,
For freedom to proclaim and worship Him,
Mighty to slay and save.

High above flood and fire ye held the scroll,
Out of the depths ye published still the Word.
No bodily pang had power to swerve your soul:
Ye, in a cynic age of crumbling faiths,
Lived to bear witness to the living Lord,
Or died a thousand deaths.

In two divided streams the exiles part,
One rolling homeward to its ancient source,
One rushing sunward with fresh will, new heart.
By each the truth is spread, the law unfurled,
Each separate soul contains the nation’s force,
And both embrace the world.

Kindle the silver candle’s seven rays,
Offer the first fruits of the clustered bowers,
The garnered spoil of bees. With prayer and praise
Rejoice that once more tried, once more we prove
How strength of supreme suffering still is ours
For Truth and Law and Love.