Joe Doyle and Christina Doyle at their 50th wedding anniversary in 1956 … they were both part of the RCSI garrison in Saint Stephen’s Green in Easter Week in 1916
Patrick Comerford
I was in the Royal College of Surgeons in Ireland (RCSI) last night for a special exhibition exploring the human stories of surgeons and insurgents associated with RCSI and the 1916 Easter Rising.
The exhibition at the RCSI on Saint Stephen’s Green tells the occupation of the RCSI building on Saint Stephen’s Green during the Easter Rising in 1916, with a focus on the stories of nine surgeons and nine insurgents involved in those events 100 years ago.
The college was occupied by rebels under the command of Michael Mallin and Countess Markievicz during the Easter Rising. But many surgeons from the RCSI also played roles in surrounding hospitals that week, working tirelessly with the wounded, the injured and the dying.
Sergeant Joe Doyle’s name is on the RCSI ‘Roll of Honour’ in the exhibition (Photograph: Patrick Comerford, 2016)
I was at the exhibition because of my interest in one insurgent and one surgeon.
Barbara’s grandfather, Joseph Doyle (1878-1958), a printer from 117 Capel Street, Dublin, is named in the ‘roll of honour’ among the insurgents, and was a sergeant in the Irish Citizen Army.
He was born in Kilmainham on 18 October 1878 and was baptised on 24 October 1878 in Saint James’s Church, Dublin. He worked as a printer in the machine department in Dollards.
He was a sergeant in the Irish Citizen Army in 1916, and was with James Connolly in Liberty Hall on the Tuesday before Easter. He was a member of the garrison at the RCSI in Saint Stephen’s Green, which included the largest number of women members to take part in the Rising.
Joe Doyle was sent to command a unit of 16 men at Davey’s pub in Portobello, deployed to delay troops sent from Portobello Barracks. He also fought at Harcourt Street Railway Station and at the RCSI in Saint Stephen’s Green under Countess Markievicz and Michael Mallin.
After the Rising, he was first interned in Stafford Gaol and Wandsworth, and then at Frongoch in north Wales, but he was released for Christmas 1916. After his release he took part in a raid for arms at Portobello Barracks in September 1917 and raids for arms on US army supply ships as well as on Wellington Barracks, Islandbridge Barracks and in the defence of Liberty Hall during the night of 11 November 1918.
The two medals he received for his part in the War of Independence later passed to his eldest son, Paddy Doyle, along with a handkerchief he had in Frongoch and which had inscribed on it: “Joseph Doyle Irish Prisoner Stafford Cresant F. 57 New Hall B.4.15 Wansworth A.1.14 Frongoch Camp Hut.23 no. 1631 Home Office No. 316548 War Office No. 9 July 22 1916.”
Joe Doyle and Christina ‘Tiny’ Bird were married on 8 January 1906 in Saint Michael’s and Saint John’s Church, Dublin. She was the daughter of Matthew Bird of 10 Henrietta Place and Elizabeth (Byrne). She was born on 21 December 1884 and was baptised on 24 December 1884 in Saint Michan’s Church, Dublin. She had worked in the post office, and she joined Cumann na mBan at the inaugural meeting in 1913.
She was a member of the Ard Craobh Branch (Central Branch) of Cumann na mBan in 1916. On Easter Day 1916, she took first aid equipment and got to Saint Stephen’s Green where she remained until the evening, distributing food and doing other work.
After Easter Week, she continued to attend meetings of Cumann na mBan, visited prisoners and helped collect funds for distressed families. She was a member of the Ranelagh Branch of Cumann na mBan until February 1922.
The Doyle family, which was living in Capel Street in 1916, had moved to Anner Road, Inchicore, by 1929. Joe died on 26 July 1958, ‘Tiny’ died in 1963, and they are buried in Mount Jerome Cemetery. They were the parents of seven sons and four daughters.
The other women at the RCSI during Easter Week in 1916 included Madeleine ffrench-Mullen, the daughter of a Royal Naval surgeon who attended injured comrades in the College Hall during Easter Week, and her friend, Dr Kathleen Lynn, the daughter of a Church of Ireland rector from Co Mayo. Together they later founded Saint Ultan’s Hospital, the first hospital for infants in Ireland.
A photograph of Sir Thomas Myles in the exhibition
I was also interested in one of the surgeons, Sir Thomas Myles: I have written and lectured about his extraordinary life-story in recent years. He was a Fellow and elected President of the RCSI in 1900. Myles was a believer in Home Rule but also fair play.
He ran guns for the Irish Citizen Army on his yacht after Sir Edward Carson and the Ulster Unionists had successfully carried out a similar gunrunning expedition in 1914.
The decorations and medals received by Sir Thomas Myles (Photograph: Patrick Comerford (Photograph: Patrick Comerford, 2016)
He became an honorary surgeon to King George V during the war and his medals from World War I and the insignia from his knighthood are on display.
Another prominent surgeon featured in the exhibition is Lieutenant-Colonel Francis Richard Tobin, a veteran soldier for 20 years. He attended the wounded James Connolly in Dublin Castle Hospital and a strong friendship developed between these opposites, military man and revolutionary.
A brass plate on a door still shows the marks of a bullet from the 1916 Rising (Photograph: Patrick Comerford, 2016)
Despite being a focal point for the Rising, the RCSI building and rooms occupied during Easter week remain intact as they did in 1916 and they provide a fitting setting for this exhibition. In the room where last night’s reception was hosted, one of the doors still shows the marks of a bullet that struck the brass plate during the Rising.
The features in the exhibition include a scale model of Saint Stephen’s Green in 1916 with visual and sound-effects, showing the firing-lines across the Green and reconstructions of furniture barricades, the first aid station and a “live bombs” table, re-creating some of the scenes found in the college during the Rising.
The artefacts in the exhibition include the will of Countess Markievicz, reportedly taken from the college by the wounded Margaret Skinnider. A sword disguised as a walking stick, belonging to Captain Christopher Poole, is on loan from the Poole family is also be on display.
The tricolour reportedly flown over RCSI during the Rising is on public display for the first time (Photograph: Patrick Comerford, 2016)
Another item on display is the tricolour that is believed to have flown over RCSI during the Easter Rising and that was taken from the college by the wounded Margaret Skinnider. This tricolour, which is on loan to the college from Margaret Skinnider’s family, is on public display for the first time.
The nine surgeons featured in the exhibition are: Sir Thomas Myles, John Stephen McArdle, Michael Francis Cox, Sir Robert Henry Woods, Charles Hachette Hyland, Euphan Montgomerie Maxwell, William Ireland de Courcy Wheeler, Francis Tobin and Sir Charles Alexander Cameron.
The nine insurgents featured in the exhibition are: Countess Markievicz (Constance Gore-Booth), Thomas Clifford, Michael O’Doherty, Frank Robbins, Madeleine ffrench-Mullen, Helen ‘Nellie’ Gifford, Michael Mallin, Christopher Poole and Margaret Skinnider.
A special commemorative book accompanies the exhibition. Surgeons and Insurgents was written by Dr Mary McAuliffe of University College Dublin and was researched by the RCSI Archivist, Dr Meadhbh Murphy, who was present last night. It was an added pleasure to see that one of my own papers on Sir Thomas Myles is referenced in this book.
Further details of opening times of the exhibition and bookings are available here.
05 April 2016
The Annunciation: ‘this doubtful day
Of feast or fast, Christ came and went away’
The Annunciation depicted on the Nativity Façade of the Basilica of La Sagrada Familia in Barcelona (Photograph: Patrick Comerford, 2016)
Patrick Comerford
The Church of Ireland Theological Institute,
4 April 2016,
The Annunciation of our Lord (transferred)
5 p.m., The Eucharist
Readings: Isaiah 7: 10-14; Psalm 40: 5-10; Hebrews 10: 4-10; Luke 1: 26-38.
In the name of + the Father, the Son and the Holy Spirit, Amen.
This year, Good Friday fell on 25 March, which is ordinarily the Feast of the Annunciation. This symbolically rich concurrence is relatively rare. It occurred only three times in the 20th century (1910, 1921, and 1932), and twice in this century (2005 and 2016). It will not occur again for almost a century and a half, not until 2157 – although, if the date of Easter is fixed by then, it will never happen again.
Today, the Church deals with this rare coincidence by transferring the feast of the Annunciation to the first Monday in the week after Easter Week.
But in the past, when this coincidence occurred, it was seen to be profoundly meaningful. The date of the feast of the Annunciation was chosen to match the supposed historical date of the Crucifixion, as deduced from the Gospels, to underline the idea that Christ came into the world on the same day that he left it: his life formed a perfect circle. In other words, 25 March was both the first and the last day of his earthly life, the beginning and the completion of his work on earth.
Saint Augustine of Hippo explained it this way:
He is believed to have been conceived on 25 March, upon which day also he suffered; so the womb of the Virgin, in which he was conceived … corresponds to the new grave in which he was buried …
Both events were understood to have happened in the spring, when life returns to the earth, and at the vernal equinox, once the days begin to grow longer than the nights and light triumphs over the power of darkness. Tolkien fans among us this evening know that the final destruction of the Ring takes place on 25 March, to align Tolkien’s own “eucatastrophe” with this most powerful of dates.
The early historian, the Venerable Bede, says this dating is symbolic but it is not only a symbol; it reveals the deep relationship between Christ’s death and all the created world, including the sun, the moon and everything on earth.
The Annunciation and the Crucifixion are often paired together in mediaeval art. This pairing inspired the development of a distinctive and beautiful image found almost uniquely in English mediaeval art: the lily crucifix – on painted screens, stained glass windows, carvings on stone tombs, misericords, wall-paintings and the painted ceiling of cathedrals, churches and chapels.
The link between the Annunciation and the Crucifixion brings together in one circle the beginning and the end of Mary’s motherhood, its joy and its sorrow, as well as completing the circle of Christ’s life on earth.
When Good Friday fell on 25 March 1608, too, John Donne marked this paradoxical conjunction of “feast and fast,” falling “some times and seldom,” with a well-known poem in which he draws on the same parallels found in those mediaeval texts and images.
I was acutely aware of these coincidences during my visit to Barcelona for Good Friday and Easter weekend.
One of the most beautiful works of architecture in Barcelona – indeed, one of the most beautiful churches in the world – is the Basilica of La Sagrada Familia, built from 1894, but not expected to be completed until 2026. The basilica designed by Antoni Gaudí (1852-1926) has two façades. The Nativity Façade depicts scenes from Christ’s birth and early life, including the Annunciation and the Incarnation.
On the opposite side, the Passion Façade includes carvings of scenes from the trial, passion and crucifixion of Christ. In a very moving way, Gaudí brings together the Annunciation and the Crucifixion.
But perhaps more movingly this link was emphasised in the street processions through the narrow streets of Barcelona on the evening of Good Friday. One float we followed had a life-sized effigy of the Pieta. The weeping Mary was bearing on her lap the body of the Crucified Christ who had been taken down from the Cross.
In that moment of searing sorrow, she must have wondered: Is this what it was all for, is this the end? Without the benefit of foresight, she could not have known the Easter story.
In her womb she has carried the Christ Child. Now she cradles the Crucified Christ on her lap. The lap on which he had once played is now the lap on which his limp and lifeless body lies dead.
Was this the journey – from the Annunciation on 25 March to the Crucifixion on 25 March?
But Mary’s yes was to all this: “Here am I, the servant of the Lord; let it be with me according to your word” (Luke 1: 38).
Yet, all of this, birth and death, annunciation and crucifixion, remain perplexing, find no explanation without Resurrection. As the Apostle Paul puts it: “if Christ has not been raised, then our proclamation has been in vain and your faith has been in vain” (I Corinthians 15: 14). And again: “And if Christ has not been raised, your faith is futile; you are still in your sins. Then those also who have fallen asleep in Christ are lost. If only for this life we have hope in Christ, we are of all people most to be pitied” (I Corinthians 15: 17-19).
Mary’s yes at the Annunciation is her yes, is our yes, is the yes of humanity and of creation, not only to the Incarnation, but to the Crucifixion, and to the Resurrection.
And it is so important, so powerful, so central, that we should not forget it when Good Friday falls on 25 March, and that we should remember and celebrate that yes today.
And so, may all we think, say and do be to the praise, honour and glory of God, + Father, Son and Holy Spirit, Amen.
A float in the Good Friday procession in Barcelona on 25 March 2016 (Photograph: Patrick Comerford, 2016)
Collect:
Pour your grace into our hearts, Lord,
that as we have known the incarnation of your Son Jesus Christ
by the message of an angel,
so by his cross and passion
we may be brought to the glory of his resurrection;
through Jesus Christ our Lord. Amen.
Post Communion Prayer:
God Most High,
whose handmaid bore the Word made flesh:
We thank you that in this sacrament of our redemption
you visit us with your Holy Spirit
and overshadow us by your power.
May we like Mary be joyful in our obedience,
and so bring forth the fruits of holiness;
through Jesus Christ our Lord. Amen.
Penitential Kyries:
Lord God, mighty God,
you are the creator of the world.
Lord have mercy.
Lord have mercy.
Lord Jesus, Son of God and Son of Mary,
you are the Prince of Peace.
Christ have mercy.
Christ have mercy.
Holy Spirit,
by your power the Word was made flesh
and came to dwell among us.
Lord, have mercy.
Lord, have mercy.
Introduction to the Peace:
Unto us a child is born, unto us is given:
and his name is called the Prince of Peace. (Isaiah 9: 7)
Preface:
You chose the Blessed Virgin Mary
to be the mother of your Son
and so exalted humble and meek;
your angel hailed her as most highly favoured,
and with all generations we call her blessed.
Blessing:
Christ the Son of God, born of Mary,
fill you with his grace
to trust his promises and obey his will:
(Revd Canon Professor) Patrick Comerford is Lecturer in Anglicanism, Liturgy and Church History, the Church of Ireland Theological Institute. This reflection was shared at the Eucharist in the institute chapel on 4 April 2016.
John Donne, ‘Upon the Annunciation and Passion Falling upon One Day’ (1608)
Tamely, frail body, abstain today; today
My soul eats twice, Christ hither and away.
She sees Him man, so like God made in this,
That of them both a circle emblem is,
Whose first and last concur; this doubtful day
Of feast or fast, Christ came and went away;
She sees Him nothing twice at once, who’s all;
She sees a Cedar plant itself and fall,
Her Maker put to making, and the head
Of life at once not yet alive yet dead;
She sees at once the virgin mother stay
Reclused at home, public at Golgotha;
Sad and rejoiced she’s seen at once, and seen
At almost fifty and at scarce fifteen;
At once a Son is promised her, and gone;
Gabriel gives Christ to her, He her to John;
Not fully a mother, she’s in orbity,
At once receiver and the legacy;
All this, and all between, this day hath shown,
The abridgement of Christ’s story, which makes one
(As in plain maps, the furthest west is east)
Of the Angels’ Ave and Consummatum est.
How well the Church, God’s court of faculties,
Deals in some times and seldom joining these!
As by the self-fixed Pole we never do
Direct our course, but the next star thereto,
Which shows where the other is and which we say
(Because it strays not far) doth never stray,
So God by His Church, nearest to Him, we know
And stand firm, if we by her motion go;
His Spirit, as His fiery pillar doth
Lead, and His Church, as cloud, to one end both.
This Church, by letting these days join, hath shown
Death and conception in mankind is one:
Or ’twas in Him the same humility
That He would be a man and leave to be:
Or as creation He had made, as God,
With the last judgment but one period,
His imitating Spouse would join in one
Manhood’s extremes: He shall come, He is gone:
Or as though the least of His pains, deeds, or words,
Would busy a life, she all this day affords;
This treasure then, in gross, my soul uplay,
And in my life retail it every day.
Patrick Comerford
The Church of Ireland Theological Institute,
4 April 2016,
The Annunciation of our Lord (transferred)
5 p.m., The Eucharist
Readings: Isaiah 7: 10-14; Psalm 40: 5-10; Hebrews 10: 4-10; Luke 1: 26-38.
In the name of + the Father, the Son and the Holy Spirit, Amen.
This year, Good Friday fell on 25 March, which is ordinarily the Feast of the Annunciation. This symbolically rich concurrence is relatively rare. It occurred only three times in the 20th century (1910, 1921, and 1932), and twice in this century (2005 and 2016). It will not occur again for almost a century and a half, not until 2157 – although, if the date of Easter is fixed by then, it will never happen again.
Today, the Church deals with this rare coincidence by transferring the feast of the Annunciation to the first Monday in the week after Easter Week.
But in the past, when this coincidence occurred, it was seen to be profoundly meaningful. The date of the feast of the Annunciation was chosen to match the supposed historical date of the Crucifixion, as deduced from the Gospels, to underline the idea that Christ came into the world on the same day that he left it: his life formed a perfect circle. In other words, 25 March was both the first and the last day of his earthly life, the beginning and the completion of his work on earth.
Saint Augustine of Hippo explained it this way:
He is believed to have been conceived on 25 March, upon which day also he suffered; so the womb of the Virgin, in which he was conceived … corresponds to the new grave in which he was buried …
Both events were understood to have happened in the spring, when life returns to the earth, and at the vernal equinox, once the days begin to grow longer than the nights and light triumphs over the power of darkness. Tolkien fans among us this evening know that the final destruction of the Ring takes place on 25 March, to align Tolkien’s own “eucatastrophe” with this most powerful of dates.
The early historian, the Venerable Bede, says this dating is symbolic but it is not only a symbol; it reveals the deep relationship between Christ’s death and all the created world, including the sun, the moon and everything on earth.
The Annunciation and the Crucifixion are often paired together in mediaeval art. This pairing inspired the development of a distinctive and beautiful image found almost uniquely in English mediaeval art: the lily crucifix – on painted screens, stained glass windows, carvings on stone tombs, misericords, wall-paintings and the painted ceiling of cathedrals, churches and chapels.
The link between the Annunciation and the Crucifixion brings together in one circle the beginning and the end of Mary’s motherhood, its joy and its sorrow, as well as completing the circle of Christ’s life on earth.
When Good Friday fell on 25 March 1608, too, John Donne marked this paradoxical conjunction of “feast and fast,” falling “some times and seldom,” with a well-known poem in which he draws on the same parallels found in those mediaeval texts and images.
I was acutely aware of these coincidences during my visit to Barcelona for Good Friday and Easter weekend.
One of the most beautiful works of architecture in Barcelona – indeed, one of the most beautiful churches in the world – is the Basilica of La Sagrada Familia, built from 1894, but not expected to be completed until 2026. The basilica designed by Antoni Gaudí (1852-1926) has two façades. The Nativity Façade depicts scenes from Christ’s birth and early life, including the Annunciation and the Incarnation.
On the opposite side, the Passion Façade includes carvings of scenes from the trial, passion and crucifixion of Christ. In a very moving way, Gaudí brings together the Annunciation and the Crucifixion.
But perhaps more movingly this link was emphasised in the street processions through the narrow streets of Barcelona on the evening of Good Friday. One float we followed had a life-sized effigy of the Pieta. The weeping Mary was bearing on her lap the body of the Crucified Christ who had been taken down from the Cross.
In that moment of searing sorrow, she must have wondered: Is this what it was all for, is this the end? Without the benefit of foresight, she could not have known the Easter story.
In her womb she has carried the Christ Child. Now she cradles the Crucified Christ on her lap. The lap on which he had once played is now the lap on which his limp and lifeless body lies dead.
Was this the journey – from the Annunciation on 25 March to the Crucifixion on 25 March?
But Mary’s yes was to all this: “Here am I, the servant of the Lord; let it be with me according to your word” (Luke 1: 38).
Yet, all of this, birth and death, annunciation and crucifixion, remain perplexing, find no explanation without Resurrection. As the Apostle Paul puts it: “if Christ has not been raised, then our proclamation has been in vain and your faith has been in vain” (I Corinthians 15: 14). And again: “And if Christ has not been raised, your faith is futile; you are still in your sins. Then those also who have fallen asleep in Christ are lost. If only for this life we have hope in Christ, we are of all people most to be pitied” (I Corinthians 15: 17-19).
Mary’s yes at the Annunciation is her yes, is our yes, is the yes of humanity and of creation, not only to the Incarnation, but to the Crucifixion, and to the Resurrection.
And it is so important, so powerful, so central, that we should not forget it when Good Friday falls on 25 March, and that we should remember and celebrate that yes today.
And so, may all we think, say and do be to the praise, honour and glory of God, + Father, Son and Holy Spirit, Amen.
A float in the Good Friday procession in Barcelona on 25 March 2016 (Photograph: Patrick Comerford, 2016)
Collect:
Pour your grace into our hearts, Lord,
that as we have known the incarnation of your Son Jesus Christ
by the message of an angel,
so by his cross and passion
we may be brought to the glory of his resurrection;
through Jesus Christ our Lord. Amen.
Post Communion Prayer:
God Most High,
whose handmaid bore the Word made flesh:
We thank you that in this sacrament of our redemption
you visit us with your Holy Spirit
and overshadow us by your power.
May we like Mary be joyful in our obedience,
and so bring forth the fruits of holiness;
through Jesus Christ our Lord. Amen.
Penitential Kyries:
Lord God, mighty God,
you are the creator of the world.
Lord have mercy.
Lord have mercy.
Lord Jesus, Son of God and Son of Mary,
you are the Prince of Peace.
Christ have mercy.
Christ have mercy.
Holy Spirit,
by your power the Word was made flesh
and came to dwell among us.
Lord, have mercy.
Lord, have mercy.
Introduction to the Peace:
Unto us a child is born, unto us is given:
and his name is called the Prince of Peace. (Isaiah 9: 7)
Preface:
You chose the Blessed Virgin Mary
to be the mother of your Son
and so exalted humble and meek;
your angel hailed her as most highly favoured,
and with all generations we call her blessed.
Blessing:
Christ the Son of God, born of Mary,
fill you with his grace
to trust his promises and obey his will:
(Revd Canon Professor) Patrick Comerford is Lecturer in Anglicanism, Liturgy and Church History, the Church of Ireland Theological Institute. This reflection was shared at the Eucharist in the institute chapel on 4 April 2016.
John Donne, ‘Upon the Annunciation and Passion Falling upon One Day’ (1608)
Tamely, frail body, abstain today; today
My soul eats twice, Christ hither and away.
She sees Him man, so like God made in this,
That of them both a circle emblem is,
Whose first and last concur; this doubtful day
Of feast or fast, Christ came and went away;
She sees Him nothing twice at once, who’s all;
She sees a Cedar plant itself and fall,
Her Maker put to making, and the head
Of life at once not yet alive yet dead;
She sees at once the virgin mother stay
Reclused at home, public at Golgotha;
Sad and rejoiced she’s seen at once, and seen
At almost fifty and at scarce fifteen;
At once a Son is promised her, and gone;
Gabriel gives Christ to her, He her to John;
Not fully a mother, she’s in orbity,
At once receiver and the legacy;
All this, and all between, this day hath shown,
The abridgement of Christ’s story, which makes one
(As in plain maps, the furthest west is east)
Of the Angels’ Ave and Consummatum est.
How well the Church, God’s court of faculties,
Deals in some times and seldom joining these!
As by the self-fixed Pole we never do
Direct our course, but the next star thereto,
Which shows where the other is and which we say
(Because it strays not far) doth never stray,
So God by His Church, nearest to Him, we know
And stand firm, if we by her motion go;
His Spirit, as His fiery pillar doth
Lead, and His Church, as cloud, to one end both.
This Church, by letting these days join, hath shown
Death and conception in mankind is one:
Or ’twas in Him the same humility
That He would be a man and leave to be:
Or as creation He had made, as God,
With the last judgment but one period,
His imitating Spouse would join in one
Manhood’s extremes: He shall come, He is gone:
Or as though the least of His pains, deeds, or words,
Would busy a life, she all this day affords;
This treasure then, in gross, my soul uplay,
And in my life retail it every day.
Subscribe to:
Posts (Atom)