06 August 2018
Can we turn the Doomsday Clock
back from two minutes to midnight?
Patrick Comerford
President, Irish Campaign for Nuclear Disarmament (Irish CND).
Hiroshima Day commemoration,
6 August 2018,
Irish CND’s Hiroshima Memorial Cherry Tree,
Merrion Square, Dublin
Deputy Lord Mayor, Guests, Friends,
We are living in fear-filled and awesome times. According to the Bulletin of the Atomic Scientists earlier this year, the Doomsday Clock now stands at two minutes to midnight.
According to Dr Rachel Bronson, President and CEO, these are ‘perilous and chaotic’ times, and 2017 was ‘a year in which many of the risks foreshadowed in our last Clock statement came into full relief.’
In setting the clock at two minutes to midnight, she says ‘reckless language in the nuclear realm heats up already dangerous situations.’
We all know who she is talking about when she says, ‘minimising evidence-based assessments regarding climate and other global challenges does not lead to better public policies.’
She says ‘major nuclear actors are on the cusp of a new arms race, one that will be very expensive and will increase the likelihood of accidents and misperceptions. Across the globe, nuclear weapons are poised to become more rather than less usable because of nations’ investments in their nuclear arsenals.’
And the Bulletin warns that the momentum toward this new reality is increasing.
But her annual address was not without both hope and challenge. She says, ‘It is urgent that, collectively, we put in the work necessary to produce a 2019 Clock statement that rewinds the Doomsday Clock. Get engaged, get involved, and help create that future. The time is now.’
What can we do?
Where are the signs of hope?
The other landmark we passed since we were here last year that we ought to should marked with some pride in Ireland was at the beginning of last month: the Nuclear Non-Proliferation Treaty (NPT) was signed in Moscow, London and Washington 50 years ago, on 1 July 1968.
The NPT process was launched 60 years ago in 1958 by Frank Aiken, then the Irish Minister for External Affairs, and it remains one of the singular achievements of Irish diplomacy, of Irish foreign policy, of Irish engagement internationally – not just saying something, but doing something about the cloud of fear we all live under, that threatening nuclear or mushroom cloud that hangs over the whole world.
The hope 50 years ago was that this treaty would stop the spread of nuclear weapons and weapons technology, eventually achieving nuclear disarmament and general and complete disarmament.
The treaty came into force in 1970, and it was extended permanently in 1995. Over time, more countries have adhered to the NPT than any other arms treaty, a testament to the treaty’s significance.
When the NPT was first proposed, the fear was we would have 25 to 30 nuclear weapon states within 20 years. Instead, 50 years later, only nine states are believed to have nuclear weapons today.
Of course, we know the NPT cannot stop the proliferation of nuclear weapons. It has, to a degree, stopped horizontal proliferation, but the five big nuclear states still have 22,000 warheads in their stockpiles, they show no signs of wanting to get rid of their nuclear armouries, and progress on nuclear disarmament has been limited.
And five UN member states remain outside the ambit of the NPT: India, Israel, and Pakistan have their own nuclear weapons, South Sudan still has to sign up, and North Korea has withdrawn.
But this treaty remains the most successful arms control treaty today, and it is one of the greatest achievements of Irish diplomacy. At the height of Cold War fears, Frank Aiken braved critics and went to Moscow, at the invitation of the Soviet government, to sign the treaty.
It was a small step, but it was a brave step, and it shows what one small country can do. The Doomsday Clock then stood at Seven Minutes to Midnight – we all had five more minutes of breathing space than we have today
Today, Ireland, once again is to the forefront, promoting the Treaty on the Prohibition of Nuclear Weapons, or the Nuclear Weapon Ban Treaty. This is the first legally-binding international agreement to comprehensively prohibit nuclear weapons, and its goal is their total elimination.
It was passed on 7 July 2017. In order to come into effect, it now needs the signature and ratification of at least 50 countries.
For the nations that are party to it, this treaty prohibits the development, testing, production, stockpiling, stationing, transfer, use and threat of use of nuclear weapons, as well as assistance and encouragement to these activities. For a nuclear-armed state joining the treaty, it provides for a time-bound framework for negotiations leading to the verified and irreversible elimination of its nuclear weapons programme.
The treaty was signed by Ireland on 20 September 2017, and legislation to ratify the treaty and give effect to its provisions under Irish law is being prepared by the Disarmament Section in the Department of Foreign Affairs.
Despite opposition from NATO member states to the treaty, Ireland was one of the strongest proponents of the new treaty during last year’s negotiations.
The government is committed to early ratification, and, despite Brexit consuming so much of the Department’s time and resources, I hope this treaty can be ratified by Ireland before the end of the year.
The Treaty on the Prohibition of Nuclear Weapons shifts the goalposts. Once this treaty enters into force, there will be a clear international prohibition on acquiring, stockpiling and sharing nuclear weapons, which was a major short-falling in Article VI of the Non-Proliferation Treaty.
And hopefully, as has been the case with other Weapons of Mass Destruction, this treaty is going to establish a stigmatisation effect in relation to nuclear weapons even among states that are not party to the treaty.
There are signs of this already in some NATO states, and we have already seen the impact of the Ottawa Convention on landmines.
Already, 14 states have ratified the Treaty on the Prohibition of Nuclear Weapons, and this is quite good going in less than a year.
We may be living just two minutes from midnight. But there is still time to push the clock back.
As Dr Rachel Bronson says, ‘It is urgent that, collectively, we put in the work necessary to produce a 2019 Clock statement that rewinds the Doomsday Clock. Get engaged, get involved, and help create that future. The time is now.’
(Revd Canon Professor) Patrick Comerford is President of the Irish Campaign for Nuclear Disarmament (Irish CND)
Saint Mary’s Church continues
the Franciscan tradition in Ennis
Saint Mary’s, the Friary Church in Ennis, Co Clare, was designed by William Reginald Carroll and incorporates an earlier church by Patrick Sexton (Photograph: Patrick Comerford, 2018)
Patrick Comerford
The old Franciscan Friary in Ennis, Co Clare, is now an archaeological site managed by the Office of Public Works. But the Franciscans maintain a living presence in the town in their friary just around the corner, on Francis Street.
Following a decree under the Penal Laws requiring priests who were members of religious orders to leave Ireland, at least four Franciscan friars in the Ennis area decided to register as parish clergy after 1697, and the friars continued to live among they people in Co Clare.
After living a hidden life outside the town for a time in the 17th and 18th century, the Franciscans began to return to Ennis, and they were living again as a community in Lysaght’s Lane by 1800.
The friars then moved to Bow Lane, where they opened a new chapel and friary on 12 December 1830.
A plaque in the church remembering past members of the Franciscan community in Ennis (Photograph: Patrick Comerford, 2018)
In 1853, the Franciscan Provincial threatened to close the friary in Ennis unless conditions were improved. The Franciscan community in Ennis responded by buying the present site at Willow Bank House on Francis Street and in 1854 Patrick Sexton designed a new chapel.
The architect Patrick Sexton was active in Ennis from the 1850s until at least 1880. His new cruciform chapel was built by the Ennis builder William Carroll between June 1854 and December 1855.
The first Mass in the new church was celebrated on 1 January 1856, and the church was dedicated as the Church of the Immaculate Conception on 10 September 1856.
Inside the church designed by William Reginald Carroll in the 14th-century Gothic style (Photograph: Patrick Comerford, 2018)
At the end of the 19th century, a new friary church, designed by William Reginald Carroll (1850-1910) and incorporating Sexton’s earlier church, was built in the Gothic Revival style in 1892.
The Ennis-born architect and civil engineer William Reginald Carroll was born in 1850, a younger son of William Carroll, who had built the earlier church in the 1850s.
Carroll designed the new friary church in Ennis in the 14th-century Gothic style, with a nave, apse, two side chapels and a tower. The altar was designed by the Dublin-based monumental sculptor, James Pearse (1839-1900), the father of the 1916 leader, Padraic Pearse (1879-1916).
Pearse, who also designed the reredos in Saint Mary’s Cathedral, Limerick, was born in London in 1839. He was brought to Dublin from Birmingham by Charles William Harrison around 1860 as the foreman of his monumental sculpture workshop at 178 Great Brunswick Street. Pearse, who was a Unitarian, died suddenly in 1900 in Birmingham while he was visiting his brother.
The altar was designed by the Dublin-based monumental sculptor, James Pearse (Photograph: Patrick Comerford, 2018)
The church was built by a local builder, Dan Shanks, at a cost of £11,000, and was dedicated on 11 June 1892.
The church is a T-plan, gable-fronted church, with a polygonal apse, a tower to the west, and a connecting block that leads to the neighbouring friary.
A statue of the Virgin Mary stands in a niche on the façade and is flanked by lancet windows with stone tracery, and with a quatrefoil and hood moulding above. Paired lancet windows are set between the buttresses.
Inside, the church has an open timber roof, with tongue and groove sheeting. There are four polished granite columns with carved stylised ivy capitals that divide the nave from the transepts. The stained-glass windows are by Earley.
The foundation stone of the earlier church on the site is set in the grotto beside the church.
The architect William Reginal Carroll moved from Ennis to Ewell in Surrey around 1899 and soon after to Belgium, living first in Bruges and then in Brussels. He died at his home in Brussels on 8 April 1910.
Meanwhile, a new friary was completed in 1877, and the Franciscan house in Ennis remained the official novitiate of the Irish province until 1902.
The friary site includes the site of the birthplace of William Mulready (1786-1863), the Ennis-born artist who studied at the Royal Academy and designed the first penny postage envelope, introduced by the Royal Mail at the same time as the ‘Penny Black’ stamp in May 1840.
A rose window in a side transept (Photograph: Patrick Comerford, 2018)
Patrick Comerford
The old Franciscan Friary in Ennis, Co Clare, is now an archaeological site managed by the Office of Public Works. But the Franciscans maintain a living presence in the town in their friary just around the corner, on Francis Street.
Following a decree under the Penal Laws requiring priests who were members of religious orders to leave Ireland, at least four Franciscan friars in the Ennis area decided to register as parish clergy after 1697, and the friars continued to live among they people in Co Clare.
After living a hidden life outside the town for a time in the 17th and 18th century, the Franciscans began to return to Ennis, and they were living again as a community in Lysaght’s Lane by 1800.
The friars then moved to Bow Lane, where they opened a new chapel and friary on 12 December 1830.
A plaque in the church remembering past members of the Franciscan community in Ennis (Photograph: Patrick Comerford, 2018)
In 1853, the Franciscan Provincial threatened to close the friary in Ennis unless conditions were improved. The Franciscan community in Ennis responded by buying the present site at Willow Bank House on Francis Street and in 1854 Patrick Sexton designed a new chapel.
The architect Patrick Sexton was active in Ennis from the 1850s until at least 1880. His new cruciform chapel was built by the Ennis builder William Carroll between June 1854 and December 1855.
The first Mass in the new church was celebrated on 1 January 1856, and the church was dedicated as the Church of the Immaculate Conception on 10 September 1856.
Inside the church designed by William Reginald Carroll in the 14th-century Gothic style (Photograph: Patrick Comerford, 2018)
At the end of the 19th century, a new friary church, designed by William Reginald Carroll (1850-1910) and incorporating Sexton’s earlier church, was built in the Gothic Revival style in 1892.
The Ennis-born architect and civil engineer William Reginald Carroll was born in 1850, a younger son of William Carroll, who had built the earlier church in the 1850s.
Carroll designed the new friary church in Ennis in the 14th-century Gothic style, with a nave, apse, two side chapels and a tower. The altar was designed by the Dublin-based monumental sculptor, James Pearse (1839-1900), the father of the 1916 leader, Padraic Pearse (1879-1916).
Pearse, who also designed the reredos in Saint Mary’s Cathedral, Limerick, was born in London in 1839. He was brought to Dublin from Birmingham by Charles William Harrison around 1860 as the foreman of his monumental sculpture workshop at 178 Great Brunswick Street. Pearse, who was a Unitarian, died suddenly in 1900 in Birmingham while he was visiting his brother.
The altar was designed by the Dublin-based monumental sculptor, James Pearse (Photograph: Patrick Comerford, 2018)
The church was built by a local builder, Dan Shanks, at a cost of £11,000, and was dedicated on 11 June 1892.
The church is a T-plan, gable-fronted church, with a polygonal apse, a tower to the west, and a connecting block that leads to the neighbouring friary.
A statue of the Virgin Mary stands in a niche on the façade and is flanked by lancet windows with stone tracery, and with a quatrefoil and hood moulding above. Paired lancet windows are set between the buttresses.
Inside, the church has an open timber roof, with tongue and groove sheeting. There are four polished granite columns with carved stylised ivy capitals that divide the nave from the transepts. The stained-glass windows are by Earley.
The foundation stone of the earlier church on the site is set in the grotto beside the church.
The architect William Reginal Carroll moved from Ennis to Ewell in Surrey around 1899 and soon after to Belgium, living first in Bruges and then in Brussels. He died at his home in Brussels on 8 April 1910.
Meanwhile, a new friary was completed in 1877, and the Franciscan house in Ennis remained the official novitiate of the Irish province until 1902.
The friary site includes the site of the birthplace of William Mulready (1786-1863), the Ennis-born artist who studied at the Royal Academy and designed the first penny postage envelope, introduced by the Royal Mail at the same time as the ‘Penny Black’ stamp in May 1840.
A rose window in a side transept (Photograph: Patrick Comerford, 2018)
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