A statue of Saint Patrick in Saint Patrick’s Church, Soho Square, London (Photograph: Patrick Comerford, 2025)
Patrick Comerford
Today is Saint Patrick’s Day [17 March], and this afternoon I am allowing my mind’s eye to travel on a ‘virtual tour’, revisiting a dozen cathedrals and churches dedicated to
Saint Patrick.
To mark Saint Patrick’s Day two years ago, I offered a similar ‘virtual tour’ to a dozen cathedrals and churches in Ireland dedicated to Saint Patrick: Saint Patrick’s Cathedral, Dublin; the two Saint Patrick’s Cathedrals in Armagh; the Saint Patrick’s Cathedrals in Trim, Co Meath, and in Cavan; the two Saint Patrick’s Churches in Donabate, Co Dublin; and Saint Patrick’s Church in Dalkey, Co Dublin, Wicklow Town, Ballysteen, Co Limerick, and Waterford City; and the ruins of Saint Patrick’s Church, at the end of High Street, where I once lived in Wexford.
In today’s ‘virtual tour’ with Saint Patrick, I am returning to two cathedrals or pro-cathedrals in Ireland, the college chapel where I graduated, the two churches where my both sets of grandparents were married, two churches in Co Limerick, where I lived for five years, a church in Skerries where I did ‘Sunday duty’ during a vacancy many years ago, a church in Co Kilkenny where another Canon Comerford was once parish priest, and three churches named after Saint Patrick that I have visited within the last six months or in Belfast, London and Sarawak.
1, Saint Patrick’s Cathedral, Skibbereen, Co Cork:
Saint Patrick’s on North Street, Skibbereen, Co Cork … is it a cathedral, or is it a parish church? (Photograph: Patrick Comerford)
Saint Patrick’s Cathedral on North Street, Skibbereen, West Cork, is the 200-year-old Roman Catholic parish church in Skibbereen. It is often referred to as the cathedral of the Diocese of Ross, although Cork and Ross is now a united diocese.
The foundation stone was laid in 1825, and the church was designed as a plain Greek Revival T-plan church by the Revd Michael Augustine Riordan, a priest-architect from Doneraile, Co Cork.
A plaque on the west gable is inscribed:
Deo Opt Max et Beato Patritio Parochus Populusque extruere AD 1825 Venite adoremus et procidamus ante Deum (‘To the great glory of Almighty God and the Blessed Patrick, the parish priest and people built this church in AD 1825. Come let us adore and fall down before God’).
George Coppinger Ashlin gave the cathedral the splendour it retains to this day (Photograph: Patrick Comerford)
The most significant improvement to Saint Patrick’s was carried out in the early 1880s, when Bishop William Fitzgerald commissioned AWN Pugin’s son-in-law, the Cork-born architect George Coppinger Ashlin (1837-1921), to design a radical modernisation of the church. Ashlin was also the architect of Saint Colman’s Cathedral, Cobh, for the Diocese of Cloyne.
Ashlin gave the cathedral the splendour it displays to this day, and reconfigured the church in the shape of a Latin cross. The east wall behind the original High Altar was opened; a semi-circular apse was added; the apse was embellished by three stained-glass windows; the High Altar, dedicated to the memory of Bishop Michael O’Hea (1858-1876), and the Marian Altar, supplied by Pearse and Sharpe of Dublin, were erected.
The arcade of three arches above the sanctuary and two dividing the transepts from the nave, the polished pillars of granite, the coffered ceiling which they support, all date from 1882-1883.
The white marble altar rail was the work of Pearse and Sharp of Dublin; James Pearse was the father of the 1916 leader Padraig Pearse. The wrought iron panels, with their floral and leaflet decoration, were the work of Eugene McCarthy of Skibbereen.
The High Altar was consecrated on the first Sunday in May 1883 and the reconstructed church was blessed and re-opened.
2, Saint Patrick’s Pro-Cathedral, Dundalk, Co Louth:
Saint Patrick’s Pro-Cathedral, Dundalk, Co Louth … Thomas Duff modelled the exterior on the Chapel of King’s College, Cambridge (Photograph: Patrick Comerford)
Modern Dundalk was first laid out by James Hamilton, 1st Earl of Clanbrassil, in the mid-18th century. Around the same time, Dundalk Grammar School was founded as a Charter School in 1739. The town continued to grow and prosper in the 18th and 19th centuries, thanks to the patronage of the Jocelyn family, Earls of Roden, the industrial revolution and the arrival of the railway.
The growing Roman Catholic population was becoming more prosperity, and the architecture of their new churches reflects their growing confidence. The principal Roman Catholic church is Saint Patrick’s, known locally as the Pro-Cathedral. It was designed by the Newry architect Thomas Duff (1792-1848), who modelled the interior on Exeter Cathedral, where Richard FitzRalph of Dundalk was consecrated bishop, and the exterior on King’s College Chapel in Cambridge – it is curious to note that the Vicar of Dundalk at the time, the Revd Elias Thackeray, was a former Fellow of King’s College.
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Thomas Turner’s entry curtain at Saint Patrick’s in Perpendicular Gothic (1850) was inspired by the curtain at King’s College, Cambridge (Photograph: Patrick Comerford)
Building work on Saint Patrick’s began in 1834. The travel writer and Church of Ireland clergyman, the Revd Caesar Otway, met Duff in Cambridge the following year making drawings of King’s College Chapel for his new designs. At the same time, Duff also designed the Methodist Church in Jocelyn Street (1834) in the Greek revival or classical style, and the Presbyterian Church across the street (1839) in the Tudor Gothic style.
Duff died in 1848 following a stroke after his daughter’s death. Thomas Turner’s entry curtain in Perpendicular Gothic, inspired by the curtain at King’s College, Cambridge, was erected two years later. But the Famine disrupted work at Saint Patrick’s, and did not resume until 1860. The church was completed by JJ McCarthy, the ‘Irish Pugin,’ who designed the high altar, the reredos and the Gothic sedilia in Caen stone. Pugin’s son-in-law, George Coppinger Ashlin, designed the Italian mosaics in the chancel by Oppenheimer and the pulpit. The stained glass is by Mayer and Earley, who had worked on many of Pugin’s churches in Dublin. Ashlin’s later tower was modelled on Gloucester Cathedral, although it interrupts the grand Cambridge-like main façade.
3, Saint Patrick’s College Chapel, Maynooth, Co Kildare:
The chapel at Saint Patrick’s College, Maynooth, Co Kildare (Photograph: Patrick Comerford)
I received my BD in theology from the Pontifical University in the chapel in Saint Patrick’s College, Maynooth, Co Kildare, in 1987. Later, I was a post-graduate student in history at Maynooth, and I spent a day on a retreat in the chapel before my ordination as priest in 2001. Since then, I have been a visiting lecturer in Maynooth, co-chaired conferences, contributed chapters, papers and book reviews to books and journals edited in Maynooth, and I was involved in organising a retreat for students from the Church of Ireland Theological Institute (CITI) in Maynooth in 2016.
Those books include
a recent history of Maynooth,
We Remember Maynooth: A College across Four Centuries, edited by Salvador Ryan and John-Paul Sheridan (Dublin: Messenger Publishing, 2020).
Inside the chapel at Saint Patrick’s College, Maynooth, Co Kildare … I received my BD in the chapel in 1987 (Photograph: Patrick Comerford)
The chapel, built by public subscription, was designed by the architect JJ McCarthy, the foundation stone was laid in 1875, and the chapel opened on 24 June 1891.
It is in French 14th-century Gothic style, and is more ornate than AWN Pugin’s college buildings in Maynooth. The interior was designed by the architect William Hague, the stained glass windows are by Mayer of Munich, Lavers and Westlake of London and Cox Buckley of London and Youghal, and NHC Westlake designed the Pre-Raphaelite style Stations of the Cross and the ceiling panels.
The carved oak choir-stalls that fill the whole church were produced by Connollys of Dominick Street, Dublin. Many of the mosaics are in Italian glass by the Earley Studios of Camden Street, Dublin.
4, Saint Patrick’s Church, Donabate, Co Dublin:
Saint Patrick’s Church, Donabate … George Luke O’Connor was inspired by Pugin’s cathedral in Birmingham (Photograph: Patrick Comerford)
My paternal grandparents, Stephen Comerford (1867-1921) of Rathmines and Bridget Lynders (1875-1948) of Portrane, were married in Saint Patrick’s Church, Donabate, on 7 February 1905. The witnesses at their wedding were her cousin Lawrence McMahon and her younger sister Mary Anne Lynders (1879-1956), who later married John Sheehan.
Saint Patrick’s Church, Donabate, was designed by the Dublin architect George Luke O’Connor, for the Very Revd W Magill, PP, and was consecrated by Archbishop Walsh of Dublin on 9 August 1903.
O’Connor designed many churches, schools and cinemas, and it always strikes me that his church in Donabate is strongly influenced by Pugin’s designs for Birmingham Cathedral.
Inside Saint Patrick’s Church, Donabate, Co Dublin (Photograph: Patrick Comerford)
This is a Gothic, gable-fronted cruciform church with an apse and tower. The family tradition is that much of the work in the church interior is my grandfather’s work. The high altar, erected in 1906, is the work of Patrick Tomlin & Sons of Grantham Place. The canted apse has a painted ceiling.
This red brick church is built in English garden wall bond. The features include decorative buttressing, limestone dressing and string courses, terracotta details in the eaves, pointed arched doors with limestone surrounds, the exposed timber truss, barrel vaulted ceiling, tongue and grooved timber doors with elaborate cast-iron hinges, cast-iron pillars, marble columns, encaustic tiles, the ornate rose west window, lancet windows and the Harry Clarke stained glass.
5, Saint Patrick’s Church, Millstreet, Co Cork:
Saint Patrick’s Church, Millstreet, was designed by the priest-architect Michael Augustine Riordan (Photograph: Patrick Comerford)
Saint Patrick’s Church is an imposing feature on the streets of Millstreet, and its fine façade marks out the church as the most accomplished historic building in the town. The church, built in 1833-1835, was designed by the Revd Michael Augustine Riordan (1783-1848), a priest-architect from Doneraile who founded the South Presentation Monastery (1828) in Cork, and whose best-known work is probably Saint Patrick’s Cathedral, Skibbereen.
My maternal grandparents, Thomas Michael ‘Corduroy’ Murphy (1882-1949), later of Mackay, Queensland, Australia, and Maria Crowley (1882-1953) of Millstreet, were married in Saint Patrick’s 110 years ago, on 3 March 1915.
The west front porch has a timber panelled double-leaf door, stepped-profile carved limestone surround with plinths and Celtic interlace decoration in relief. Above the door, the carved limestone pediment has a cross finial, and a render, relief panel has a crucifixion scene between an image of the Good Shepherd and a scene of Saint Patrick baptising Saint Aonghus at Cashel.
The east front porch has a moulded archivolt with scroll keystone, all set into a carved limestone doorcase with carved limestone panelled pilasters, decorative capitals and a carved limestone open-bed pediment with cross finial. Above the timber panelled double-leaf doors, the tympanum has a render scene depicting an outdoor Mass, perhaps at a penal rock.
The carving above the west porch door (Photograph: Patrick Comerford)
Saint Patrick’s Church has a window attributed to Harry Clarke and two windows by Clement Watson & Co of Youghal and erected by the Crowley in memory of my maternal great-grandparents Denis and Margaret Crowley, who are buried in the churchyard outside.
Saint Oliver Plunket is depicted in a window with the inscription: ‘Erected to the memory of Denis and Margaret Crowley of Millstreet by their son Cornelius. 1944.’ Facing it, a a second window depicts the Apparition at Lourdes and has the same wording.
Denis Crowley died on 8 March 1912 at Drishane Rectory, Liscahane, Millstreet, the home of his son Con Crowley, later of
Finnstown House, Lucan, Co Dublin – so, you could say, I was the third generation in four in my family to live in a rectory. Margaret Crowley died at the home of her daughter, my grandmother Maria Murphy, on Main Street, Millstreet, on 9 March 1923.
6, Saint Patrick’s Church, Clare Street, Limerick:
Saint Patrick’s graveyard, Limerick … the site of a mediaeval church dedicated to Saint Patrick (Photograph: Patrick Comerford)
There were five parishes in the mediaeval city of Limerick: Saint John’s, Saint Mary’s, Saint Michael’s, Saint Munchin’s and Saint Patrick’s. As one of these five original mediaeval parishes, Saint Patrick’s once included the old parishes of Ballysimon, Derrygalvin and Kilmurry (now Monaleen).
Saint Patrick’s Well in Singland was once in a small field but is now surrounded by housing estates. It is half-way along Saint Patrick’s Road, on the west side, at the bottom of the hill on which Saint Brigid’s Church stands.
Local lore claims that this well is where Saint Patrick baptised Cairtheann, the son of Blatt and the Chief of the Dál gCais, in the year 440 CE. According to the legend, when Saint Patrick was building his church, he could not find any water to help in the project. He prayed for water and the well sprang up.
It is claimed that the print of his feet can be seen on one of the rocks at the well, and there was supposed to be a rocky bed where Saint Patrick slept. It is claimed that the water cures sore eyes, although looking into the well this week the water looks more likely to cause infections than to cure anything.
Saint Patrick’s Well at Singland in Limerick … the statue was erected in 1904 (Photograph: Patrick Comerford)
A statue of Saint Patrick was erected at the well in 1904 by the priests and parishioners, and a plaque behind the statue lists their names. But over a century later, while the grass and the paths around the well are well maintained, the water in the well is filthy and Saint Patrick’s mitre has been broken, not standing the test of time over more than a century.
On the top of the hill, Saint Patrick’s Church may have stood on the site of Saint Patrick’s Graveyard, next to Saint Brigid’s Church, which dates from the 1970s.
Saint Patrick’s civil parish was situated on both banks of the River Shannon and was distributed over three baronies in Co Limerick and Co Clare: Bunratty Lower, Clanwilliam and the barony of the City of Limerick.
There was a church on the site in Singland from at the mediaeval period. But it was in ruins by the 17th century. The Down Survey Map of 1683 shows a round tower on the site, but this had fallen by the early 19th century.
By 1711, Saint Nicholas’s Parish in the Roman Catholic Church had been joined with Saint Patrick’s. The Harold family built a church in Pennywell in 1750 to serve the needs of Roman Catholics in this area.
Meanwhile, the old Saint Patrick’s graveyard continued in use. The oldest identified headstone was erected by John Sexton for his parents who died in 1770 and 1771. The tombs include the crumbling and part-shattered tomb of John Young (1746-1813), Bishop of Limerick (1796-1813).
7, Saint Patrick’s Church, Clare Street, Limerick:
Inside Saint Patrick’s Church on Clare Street, Limerick (Photograph: Patrick Comerford)
Saint Patrick’s Church on Clare Street, Limerick, was built over 200 years ago in 1816, and replaced a Penal Chapel on the Rhebogue Road. The church was built while Father Patrick McGrath was Parish Priest. Bishop Charles Tuohy of Limerick, dedicated it to Saint Patrick on 25 August 1816.
It is a simple, but well-built example of a pre-Emancipation church and it claims to be the oldest purpose-built Catholic church in Limerick City that is still in use. It is a simple nave and transept or T-plan, gable-fronted stone church with a bell-cote and a wooden ceiling. The ceiling is high and large wooden beams hold up the ceiling of the church. The church was renovated in 1835.
With its good masonry and fine roof, it is an important part of the streetscape in this area of Limerick. The central window at the front gable has stone moulding. Below is an ogee-headed front entrance with a clustered, carved limestone bull-nose moulding surmounted by pinnacles with replacement stone finials. Inside the church, there is an elaborate timber roof with a groin vault.
The statue of Saint Patrick in Saint Patrick’s Church, Limerick (Photograph: Patrick Comerford)
Inside the church, there is a stained-glass window of Saint Patrick over the main entrance to the church, and stained-glass windows depicting the Sacred Heart, Saint Joseph, the Immaculate Heart of Mary, Saint Brigid and Saint Ita.
There is a large crucifix on the stone wall above the high altar, and the reredos, donated by the Presentation Sisters has six statues, three male saints and three female saints: Saint Columba, Saint Munchin, Saint Patrick, Saint Bridget, Saint Ita and Saint Lelia. The front of the altar is carved with a Judgment scene and a mosaic on the floor in front of the altar depicts the Lamb of God with a flag. To the right of the altar there is a large, colourful statue of Saint Patrick.
To meet the needs of the growing population in the area, Bishop Henry Murphy created the new parish of Monaleen in 1971 from the area in the west of Saint Patrick’s parish. Saint Brigid’s Church, on the hill off the N7, was dedicated by Bishop Jeremiah Newman in 1975.
The old graveyard at Saint Patrick’s, on the hill beside Saint Brigid’s, is now closed to burials. Saint Patrick’s Church celebrated its bicentenary in 2016.
8, Holmpatrick Church, Skerries, Co Dublin:
Holmpatrick Church and the wetlands at Kybe Pond in Skerries, Co Dublin (Photograph: Patrick Comerford)
When I was living in Co Dublin, Skerries was one of my favourite choices for a beach walk. I have known Skerries since my teens, and around 2010-2011, during a vacancy, I was privileged to do ‘Sunday duty’ in Holmpatrick Church, and to speak at Lenten talks. I also organised a number of Ash Wednesday retreats in Skerries for CITI staff and students.
Holmpatrick Parish Church is a Gothic Revival, pre-disestablishment church, built in 1867. It has an ornate interior, with neo-mediaeval decoration, and interesting stained glass windows, especially those on the balcony.
The Church was designed by the architect and artist James Edward Rogers (1838-1896) was consecrated on 2 September 1868. The limestone came from the Milverton quarries, near Skerries, and Walter Doolin was the contractor. Other churches by Rogers include Saint Mary’s Church, Howth;
Kenure Church and the nearby Rectory in Rush, Co Dublin, built for Sir Roger Palmer (1832-1910) of
Kenure Park; Kilfergus Church, Glin, Co Limerick; Saint Patrick’s Church, Kilcock, Co Kildare; Kilkeedy Church, Clarina, Co Limerick; Saint Columba's Church, Omagh, Co Tyrone; as well as the former
Saint Bartholomew’s Vicarage and the parochial hall in Ballsbridge.
Looking across to the towers and spires of Holmpatrick from Skerries Mills (Photograph: Patrick Comerford)
Holmpatrick Church has some memorial tablets from an older church that stood nearby. One describes James Hamilton of Holmpatrick as a ‘gentleman who during a long and most active life displayed that zealous energy and ingenious integrity that forms a useful and virtuous man … He died the 20th of October 1800, in the 73rd year of his age … Of the uncommonly numerous offspring of thirty six children he was survived by eight sons and eight daughters.’
I think he gave new meaning to ‘zealous energy’! Hamilton’s descendants include Richard Branson, but with his ‘uncommonly numerous’ 36 children born 2½ centuries ago, Hamilton must be the ancestor of thousands upon thousands of people living in Ireland today.
Behind the church stand the ruins of an earlier church built in 1722 by the Hamilton family after they acquired Holmpatrick from the Earls of Thomond in 1720. When the church was demolished in the 1860s, the square tower was left standing – supposedly as a landmark for ships, although it is also a reminder of the mediaeval monastic past of this site.
Local lore says that when Saint Patrick was expelled from Wicklow he moved to Saint Patrick’s Island off Skerries in 432 CE. Legend says that one day, while Saint Patrick was on shore buying groceries, the people of Skerries rowed over to his island where he kept a goat for milk, stole the goat, took her back to the mainland and ate her. When Saint Patrick returned he was angry, and with one great step he bounded from his island to Red Island. There he questioned the local people, and when they denied their theft he took away their powers of speech. They could only bleat like goats, until they eventually admitted their crime.
It is said that on Red Island there is still a mark on the rock that is nothing less than Saint Patrick’s footprint. In all my visits to Skerries, I have failed to see the saint’s footprint on Red Island.
9, Saint Patrick’s Church, Ballyraggett, Co Kilkenny:
Saint Patrick’s Church, Ballyragget, Co Kilkenny, stands on the site of an earlier, Penal-era chapel (Photograph: Patrick Comerford)
Both Saint Patrick’s Church, the Roman Catholic parish church in Ballyragget, Co Kilkenny, and Ballyragget Castle are difficult to find, with the church at the end of a side street between the Square and Castle Street, and the castle at the end of a lane behind locked gates. The obscure location of the church is explained because it stands on the site of an earlier chapel that may have been built first during the Penal days in the 18th century.
Saint Patrick’s is an imposing large-scale church built in 1842 under the direction of William Kinsella, Bishop of Ossory (1793-1845), for Father John Foran, Parish Priest of Ballyragget, who died in 1843, to designs by William Deane Butler (
ca 1794-1857).
Butler, who was also the architect of
Saint Kieran’s College, Kilkenny, designed the church in the Gothic Revival style. It is similar in many details to other contemporary parish churches in the area, including Castlecomer and Freshford, representing a form of house style developed by Butler while he was the resident architect for the Diocese of Ossory.
The grave of Canon James Comerford, who died in 1948 (Photograph: Patrick Comerford)
The Gothic-style reredos in Caen stone was designed in 1869 by Pugin’s son-in-law, George Coppinger Ashlin and depicts the Sacrifice of Abraham, the Crucifixion and the Sacrifice of Melchizedek. The front of the altar depicts the worship of the Lamb on the Throne (see Revelation 4). The mosaic work in the sanctuary is by Ludwig Oppenheimer Ltd (1915).
The church was renovated in 1924 and again in 1983-1985, and some new windows were added after 2000.
Because the church saw few interior alterations after the Second Vatican Council (1963-1965), it retains its rich interior scheme, with high quality carpentry, decorative plasterwork, and stained-glass windows.
The churchyard on the north side of the church has many cut-limestone Celtic High Cross-style gravestones dating back to 1842, including the grave of Canon James Comerford, Parish Priest of Ballyragget, who died on 12 June 1948 at the age of 69.
10, Saint Patrick’s Church, Donegall Street, Belfast:
Saint Patrick’s Church on Donegall Road, Belfast, was built in the 1870s, replacing a church built in 1815 (Photograph: Patrick Comerford, 2024)
Saint Patrick’s Church on Donegall Street, Belfast, is a Victorian gem and an oasis of peace in the heart of the city and it is part of community life in the city centre. The church serves a large local resident community and a thriving population in the Cathedral Quarter, the city’s cultural and social heartland, and the students and staff in the neighbouring Belfast campus of Ulster University, along with a busy hospital, a large primary school, and residential and care homes.
The first church on the site was built in 1815, the year of the Battle of Waterloo, and it was the second Catholic church built in Belfast since the Reformation. The present Saint Patrick’s Church, the second on the site, was designed in the Gothic Revival style by Timothy Hevey (1846-1878) and Mortimer Thomspon. It is said the church was built ‘by the pennies of the poor’.
Two of the six windows in the south transept illustrating the life and mission of Saint Patrick (Photograph: Patrick Comerford, 2024)
The original windows in the right transept were destroyed by an explosion during the ‘Troubles’, but six newly-installed windows illustrate the life and mission of Saint Patrick.
The church has a triptych by Sir John Lavery, who was baptised in the older, smaller church. He painted ‘The Madonna Of The Lakes’ (1919), with his second wife, Hazel Trudeau, as the model for the Virgin Mary and his daughter Eileen and step-daughter Helen as models for Saint Patrick and Saint Brigid.
The triptych originally stood on an altar designed by Edwin Lutyens, a friend of Lavery, and was illuminated by two candlesticks by Lutyens. Both the altar and the candlesticks were lost during reordering works out in the 1960s and 1970s, and the frame around the triptych, decorated with Celtic knotwork, remains the only Lutyens-designed artefact in Northern Ireland.
11, Saint Patrick’s Church, Soho:
Saint Patrick’s Church on Soho Square is one of the oldest post-Reformation Catholic parish churches in London (Photograph: Patrick Comerford, 2025)
Saint Patrick’s on Soho Square is one of the oldest post-Reformation Catholic parishes in London, and the original church on the site was the first Catholic place of worship to open in London after the Roman Catholic Relief Acts were passed in 1778 and 1791 and the first post-Reformation church in England dedicated to Saint Patrick.
The first church on the site was in a building behind Carlisle House and was consecrated in 1792. The present church, built in 1891-1893, is a Grade II* listed building designed by the Leeds architect John Kelly.
Father Arthur O’Leary (1729-1802), a celebrated Irish Capuchin preacher from Fanlobbus, Dunmanway, Co Cork, is the founding figure of this church.
Inside Saint Patrick’s Church, Soho Square, designed by the Leeds architect John Kelly and built in 1891-1893 (Photograph: Patrick Comerford, 2025)
The present church on Soho Square was designed by John Kelly of Leeds and was built in 1891-1893. The church was built in the Italian Renaissance style. The main entrance has a Roman-style porch with Corinthian columns. Above the entrance is the inscription:
Ut Christiani ita et Romani sitis (‘Be ye Christians as those of the Roman Church’), a quotation from the writings of Saint Patrick.
Many alterations have been made to Kelly’s church since it was built, and Saint Patrick’s Church was renovated and refurbished at a cost of £4 million in 2010-2011. Today, only a handful of resident Catholics remains in the parish. Hundreds of people continue to attend Saint Patrick’s Church, but they are mostly visitors, tourists and people working in the area. The church also attracts immigrants and migrant workers from across London, and Mass is regularly celebrated in both Spanish and Portuguese.
12, Saint Patrick’s Church, Semadang, Sarawak:
Saint Patrick’s Chapel (left), in orange and white, and Saint Patrick’s School (right), in green and white, beneath the mountain in Semadang, south of Kuching (Photograph: Patrick Comerford, 2024)
Saint Patrick’s Chapel, a mission chapel in Semadang, dates back to the 1930s, and neighbouring Saint Patrick’s School dates from 1953. They are among the churches, chapels and schools in the Diocese of Kuching that I visited Father Jeffry Renos Nawie during a recent visit to Sarawak.
Semadang is about a 1½-hour drive south from Kuching, half-way between Kuching and the border with Indonesia, and just a few miles north of the Equator. The Sarawak River in this area is known as the River Semadang (Sungai Semadang).
Two villages in the area, Kampung Semadang and Kampung Danu, are home to the Bidayuh community.
Saint Patrick’s Chapel, Semadang, was first built in the 1930s and was rebuilt and dedicated in 2009 (Photograph: Patrick Comerford, 2024)
Saint Patrick’s Church is in striking, bright orange and white colours, and the school beside it is in bright, striking green and white colours, so that the whole site looked to this Irish visitor like a bright eye-catching display of green, white and orange.
Perhaps the colour scheme is nothing more than coincidence, and I imagine few other visitors notice the vivid and colourful combination or make a mental association with the Irish flag.
Saint Patrick’s Chapel dates from the 1930s, and was probably given its name by missionaries from the Anglican mission agency SPG (now USPG, United Society Partners in the Gospel). The present church building was consecrated on 3 May 2009 by Bishop Bolly Lapok of Kuching. Bishop Bolly also became the Archbishop of the Church of the Province of South East Asia in 2012 and was installed in Saint Thomas’s Cathedral, Kuching. He retired in 2017.
The present priest-in-charge of Saint Patrick’s is the Revd Kamor Diah. Parishioners told me how Saint Patrick’s has a congregation of about 200 on Sundays, but these numbers can reach 800 at major festivals and celebrations.
Visiting Saint Patrick’s School in Semadang, beside Saint Patrick’s Chapel (Photograph: Patrick Comerford, 2024)
The resurrection of the young man of Nain, by Lucas Cranach (1569)
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