17 November 2023

Daily prayers in the Kingdom Season
with USPG: (13) 17 November 2023

The Sanctuary of Santa Maria della Vita seen from the Two Towers … it is one of the tallest churches in Bologna (Photograph: Patrick Comerford)

Patrick Comerford

In this time between All Saints’ Day and Advent Sunday, we are in the Kingdom Season in the Calendar of the Church of England. This week began with the Third Sunday before Advent and Remembrance Sunday (12 November 2023).

Today, the Calendar of the Church of England in Common Worship (17 November) celebrates the life and work of Saint Hugh (1200), Bishop of Lincoln.

Before today begins, I am taking some time for prayer and reflection early this morning.

Throughout this week, I am continuing my theme of Italian cathedrals and churches. My reflections this morning are following this pattern:

1, A reflection on a church in Bologna;

2, the Gospel reading of the day in the Church of England lectionary;

3, a prayer from the USPG prayer diary.

Inside the Sanctuary of Santa Maria della Vita in Bologna (Photograph: Patrick Comerford)

The Sanctuary of Santa Maria della Vita, Bologna:

The Sanctuary of Santa Maria della Vita is a late Baroque-style church on Via Clavature in the Quadrilatero, a few steps from the Piazza Maggiore in Bologna. The church is the most important example of Baroque art in Bologna. It was first built for the religious confraternity known as the Compagnia dei Battuti, active in Bologna as early as 1260, offering shelter to pilgrims and care for the sick.

The story of this church dates back to a former Franciscan friar, Ramiero Barcobini Fasani, who set out from Perugia in 1260 and who had gathered 20,000 followers along the way. On their journey, Ramiero and his followers flagellated themselves in imitation of Christ’s Passion, and called for peace between the different warring Christian factions.

When Ramiero arrived in Bologna, he founded the Confraternity of the White Flagellants and set up a hospital or hostel for pilgrims and the infirm. Their first church was dedicated to Saint Vitus but soon became known as the Chiesa della Vita (the Church of Life) because of the life-saving work of the doctors in the hospital.

In time, the hospital, church and oratory became known as Santa Maria della Vita.

The church was destroyed by an earthquake in 1686, but was soon rebuilt. Building a new church began in 1687-1690 with designs by Giovanni Battista Bergonzoni, who devised the elliptical plan. The dome rises to a height of 52 metres, making the church one of the tallest in Bologna.

The dome was designed by Galli Bibiena was completed in 1787. Beneath the dome four large high reliefs by the Forlì sculptor Luigi Acquisti depict the four Sibyls: Cumana, Frisia, Eritrea and Persica.

The façade was added in 1905.

The Ospedale della Vita was merged in 1801 with the neighbouring Ospedale della Morte (Hospital of Death) to form the Grande Ospedale della Vita e della Morte, the Great Hospital of Life and Death.

Inside the church, the Compianto sul Cristo Morto (‘Lamentation over the Dead Christ’) is by Niccolò dell’Arca and dates from 1465. It is the largest collection of terracotta sculptures of the Italian Renaissance and was called the ‘scream of stone’ by Gabriele D’Annunzio.

The Museum of Health and Assistance (Museo della Sanità e dell’Assistenza) is beside the church.

One of the four sibyls by Luigi Acquisti beneath the dome of Santa Maria della Vita (Photograph: Patrick Comerford)

Luke 17: 26-37 (NRSVA):

26 Just as it was in the days of Noah, so too it will be in the days of the Son of Man. 27 They were eating and drinking, and marrying and being given in marriage, until the day Noah entered the ark, and the flood came and destroyed all of them. 28 Likewise, just as it was in the days of Lot: they were eating and drinking, buying and selling, planting and building, 29 but on the day that Lot left Sodom, it rained fire and sulphur from heaven and destroyed all of them 30 —it will be like that on the day that the Son of Man is revealed. 31 On that day, anyone on the housetop who has belongings in the house must not come down to take them away; and likewise anyone in the field must not turn back. 32 Remember Lot’s wife. 33 Those who try to make their life secure will lose it, but those who lose their life will keep it. 34 I tell you, on that night there will be two in one bed; one will be taken and the other left. 35 There will be two women grinding meal together; one will be taken and the other left.’ 37 Then they asked him, ‘Where, Lord?’ He said to them, ‘Where the corpse is, there the vultures will gather.’

One of the four sibyls by Luigi Acquisti beneath the dome of Santa Maria della Vita (Photograph: Patrick Comerford)

Today’s Prayers (Friday 17 November 2023):

The theme this week in ‘Pray With the World Church,’ the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), draws on ‘A Prayer for Remembrance Sunday and International Day of Tolerance’. This theme was introduced on Sunday.

The USPG Prayer Diary today (17 November 2023) invites us to pray as we reflect on these words:

We give thanks to religious studies and religious education teachers, who work to improve young people’s understanding of a diverse range of religions and cultures.

The Collect:

O God,
who endowed your servant Hugh
with a wise and cheerful boldness
and taught him to commend to earthly rulers
the discipline of a holy life:
give us grace like him to be bold in the service of the gospel,
putting our confidence in Christ alone,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

The Post-Communion Prayer:

God, shepherd of your people,
whose servant Hugh revealed the loving service of Christ
in his ministry as a pastor of your people:
by this eucharist in which we share
awaken within us the love of Christ
and keep us faithful to our Christian calling;
through him who laid down his life for us,
but is alive and reigns with you, now and for ever.

Yesterday’s Reflection

Continued Tomorrow

Tables on Via Clavature in the Quadrilatero, close to Santa Maria della Vita (Photograph: Patrick Comerford)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org

Santa Maria della Vita, in the foreground, is just a few steps from the Piazza Maggiore and the Basilica of San Petronio, in the background (Photograph: Patrick Comerford)

Saint Peter’s Church in
Berkhamsted is one
of the largest churches
in Hertfordshire

Saint Peter’s Church, Berkhamsted, dates from 1222 and is one of the largest churches in Hertfordshire (Photograph: Patrick Comerford, 2023)

Patrick Comerford

Before things got hectic in London two weeks ago, Charlotte and I had dinner with extended family members in Berkhamsted. I have been through Berkhamsted many times on the train between Milton Keynes and London, but this was an opportunity to visit both Berkhamsted and Saint Peter’s Church, one of the largest churches in Hertfordshire. So, I decided to go back there yesterday, and have a second look at the church and some other interesting places in the market town.

Saint Peter’s Church stands on the High Street in Berkhamsted – once known as Great Berkhamsted – and is easy to find with its clock tower rising to a height of 26 metres (85 ft). The earliest part of the church dates from ca 1200, and its architectural details represent at least five architectural periods.

Saint Peter’s is close to Berkhamsted Castle, and in the past the church had a long association with kings and royalty. For many centuries, the reigning monarch was the patron, nominating the rectors of Berkhamsted.

The oldest church in the area is Saint Mary’s Church, Northchurch, about 2.3 km (1.4 miles) north-west of Saint Peter’s. It has Saxon origins and is mentioned in the Domesday Book (1086). The Parish of Great Berkhampstead was formed soon after, and Saint Mary’s Church was originally known as Berkhampstead Saint Mary. After the Norman Conquest, the focus of political and church power moved south to the area around Berkhamsted Castle.

A chapel stood within the walls of Berkhamsted Castle from the 11th century, and it was rebuilt ca 1250 by Richard of Cornwall. Another chapel dedicated to Saint James may have stood in the town for many centuries, perhaps on the present site of the Post Office.

Inside Saint Peter’s Church, Berkhamsted, in the Diocese of St Albans since 1877 (Photograph: Patrick Comerford, 2023)

Saint Peter’s is said to have been founded ca 1222, when Robert de Tuardo, the first known rector, was instituted by the Bishop of Lincoln, Hugh of Wells. The parish was within the large Diocese of Lincoln, extending from the Humber down to London, until it was transferred in 1843 to Rochester and then in 1877 to the new Diocese of St Albans.

In the mid-14th century, Henry of Berkhamsted was Constable of Berkhamsted Castle under Edward the Black Prince and fought with him at the Battle of Crécy in 1346. A stone chest tomb in the Lady Chapel is said to be Henry’s tomb.

Saint Peter’s had eight successive rectors between 1369 and 1386, the shortest being Thomas Payne, whose was there for only nine days. The high turnover of rectors at the time may have been caused by the plague.

John de Waltham was the rector of Saint Peter’s from 1379 for 16 months. He later became Bishop of Salisbury in 1388, and was Lord Privy Seal and Lord Treasurer. When he died, Richard II honoured him with a tomb in the Chapel of Saint Edward the Confessor in Westminster Abbey, the only person not of royal blood to be buried in the royal chapel.

The rectors of Saint Peter’s were presented by the Abbot of Grestein until 1381, when Peter de Burton was presented by King Richard II

A mediaeval stone chest tomb in the Lady Chapel is said to be the tomb of Henry of Berkhamsted (Photograph: Patrick Comerford, 2023)

Robert Incent, a parishioner in the 16th century, was the secretary to Cecily Neville, Duchess of York and mother of Edward IV and Richard III, at Berkhamsted Castle. His son, John Incent, was an agent of Thomas Cromwell during the Dissolution of the Monasteries. He was the Dean of Saint Paul’s Cathedral, London (1540-1545), and founded Berkhamsted School in 1541. The Incent family home on the High Street, opposite the church, is known today as Dean Incent’s House.

When Sir Adolphus Carey of Berkhamsted Place died in 1609, he was buried in Saint Peter’s. His funerary helmet was displayed for years, hanging above the tomb of Henry of Berkhamsted. It was stolen in the 1970s and has never been recovered.

The Revd Thomas Newman was the rector for over 40 years, from 1598 to 1639. He was a Chief Burgess of Berkhamsted and mayor in 1631. But he fell out of favour politically when he opposed the enclosure of common land by the Duchy of Cornwall and was barred from Saint Peter’s rectory by Act of Parliament.

Newman’s successor, the Revd John Napier, became the Rector in 1639. During the English Civil War, he was ejected by Parliament and was replaced by a series of Puritan ‘intruders.’

Inside Saint Peter’s Church, looking towards the west end (Photograph: Patrick Comerford, 2023)

General Fairfax turned Saint Peter’s into a military prison in 1648 to hold captured royalist soldiers. The church was full of maimed, hungry soldiers, and Fairfax removed the church windows to allow ventilation.

The regicide Daniel Axtell was born in Berkhamsted and baptised in Saint Peter’s in 1622. He commanded Cromwellian forces in Ireland and was Governor of Kilkenny, before returning to Berkhamsted in 1656. After the Caroline restoration, Axtell was executed in 1660 for his part in the trial and execution of Charles I.

As for Napier, he lived in Buckinghamshire for 18 years. During his absence, he continued to record the baptisms of his own children in the Berkhamsted parish register, signing himself as rector. He was restored as the Rector of Great Berkhamsted in 1670 and remained in office until 1681.

After the Caroline restoration in 1660, John Sayer of Berkhamsted Place was appointed chief cook to King Charles II. When Samuel Pepys visited Sayer in 1661, he recalled in his Diary, Sayer took him to his wine cellar ‘where, by my troth, we were very merry, and I drank too much wine … I drank so much wine that I was not fit for business.’

Sayer died in 1682, and left £1,000 to build a row of almshouses on the High Street, with 12 rooms to accommodate six poor widows. His elaborate marble tomb is in the Lady Chapel.

The coat-of-arms of Queen Elizabeth I … for centuries, reigning monarchs were the patrons of Saint Peter’s (Photograph: Patrick Comerford, 2023)

The reigning monarchs remained the patrons of Saint Peter’s until the 18th century. Charles II presented Napier’s successor, the Revd Robert Brabant, in 1681. When the Revd John Cowper became rector in 1722, the role of patron was exercised by Prince George, Duke of Cornwall and the future George II.

Cowper was the father of the poet and hymn-writer William Cowper (1731-1800), who was baptised in Saint Peter’s. His popular hymns include ‘Oh! for a closer walk with God.’ His hymns give the English language the phrase ‘God moves in a mysterious way.’

Cowper was an active abolitionist in the anti-slavery movement. He was quoted by the Revd Martin Luther King in his protest speeches in the 1960s. The East window in Saint Peter’s Church commemorate Cowper’s life and his hymn-writing.

The Revd John Wolstenholme Cobb documented Berkhamsted’s past in his History and Antiquities of Berkhamsted while he was curate of Saint Peter’s (1853-1855). He returned to the parish as rector in 1871-1883.

Parishioners in the 19th century included Augustus John Smith, Lord Proprietor of the Scilly Islands (1834), and George Dorrien, Governor of the Bank of England (1818-1820).

When the Revd James Hutchinson became rector in 1851, Prince Albert Edward, later Edward VII, acted as the royal patron. After the local estates of the Duchy of Cornwall were sold to the Ashridge Estate in 1862, the rectors of Great Berkhamsted were presented by the Earls of Brownlow. Hutchinson’s successor, the Revd John Wolstenholme Cobb, was presented by Lord Brownlow in 1871.

The Lady Chapel in Saint Peter’s Church dates from the 13th century (Photograph: Patrick Comerford, 2023)

Saint Peter’s Church is cruciform in shape. It is 51 metres (168 ft) long from the west door to the east window and is 27 metres (90 ft) wide across at the transepts. The chancel is the oldest part of the church and is dated ca 1200. The church is in the Early English style, and the transepts, dating from the reign of Edward II, are from the Decorated Period.

The church expanded westwards in the 13th century, with the nave, transepts and crossing added after the chancel was built. North and south aisles were added to the nave in 1230, and the north transept was extended to the east. This extension was later used as a vestry and today it is the Lady Chapel.

On the south side of the chancel, the chapel of Saint Catherine was added in 1320. Saint John’s Chantry was built onto the south aisle in 1350 and was later used by Berkhamsted School.

The tower of Saint Peter’s was raised to its present height in 1545-1546 (Photograph: Patrick Comerford, 2023)

A clerestory was added to the nave in 1450, raising its height, and a large timber pillar was added to the middle of Saint John’s Chantry. The tower was raised to its present height (26 metres) in 1545-1546, when the church reached its present size.

The teachers and boys of Berkhamsted School had a narrow escape in the 1700s when, moments after they left Saint John’s Chantry, the main beam gave way and the ceiling collapsed. The crash revealed a set of mediaeval painted figures on the pillars, depicting 11 apostles and Saint George, seemingly ‘whited over’ by Puritan iconoclasts in the 17th century.

Sir Jeffry Wyatt or Wyatville (1766-1840), a member of the Wyatt dynasty of architects, began a major restoration in 1820. But his work was controversial and he was criticised for his destruction of many original features. He removed ancient monuments and covered the outer walls with stucco. He moved the font from the west end to the south porch, walled up doors, moved the Torrington tomb to the transept, obliterated many old inscriptions, and erected a new gallery at the west end. At the time, the peal of six bells was recast into eight.

The War Memorial in Saint Peter’s Church (Photograph: Patrick Comerford, 2023)

William Butterfield (1814-1900), the architect of All Saints’ Church, Margaret Street, London, Keble College, Oxford, and Saint Mark’s Church, Dundela, Belfast, carried out another restoration in 1870-1871. His work also involved the removal of some original features, including the obliteration of the paintings on the pillars.

Butterfield raised both the roof and the floor of the chancel, raised the roof of the south transept to its original pitch, removed the vestry, incorporated the south porch into the south aisle, refloored the nave, installed new oak benches and replaced Wyattville’s gallery.

Butterfield also installed clear windows in the clerestory, allowing more light into the nave, and extended the aisles by knocking down dividing walls at the west end. He removed Wyattville’s crumbling plaster on the exterior and refaced the walls with flint flushwork. To mark the completion of Butterfield’s work, the Archbishop of Canterbury preached in Saint Peter’s in January 1888.

Saint Peter’s underwent further restoration in 1956-1960, when the tower and nave were re-roofed, Saint Catherine’s Chapel and the nave were refurbished and a large mural of the Ascension that covered the wall over the tower arch was painted over.

The High Altar is on a raised white marble floor, and the gilded reredos is a reworking of the 15th-century rood screen (Photograph: Patrick Comerford, 2023)

When the church was re-ordered, the high altar and sanctuary area were brought forward under the tower crossing in 1960, and iis on a raised white marble floor. The gilded reredos is a reworking of the 15th-century rood screen, with carved figures of 12 saints.

To the left of the sanctuary, a long brass plaque lists the rectors of Great Berkhamsted since 1222. The old chancel area was converted into a vestry area for the choir and clergy. It includes a large mosaic reredos by Alfred Hoare Powell with a painted crucifixion scene by Burrows.

Saint John’s Chantry Chapel was used by Berkhamsted School until the 19th century, and was separated from the nave by a dividing wall. It is now used for the choir stalls and the organ. The present organ was built by Peter Collins of Redbourne in 1986, and replaces an earlier organ built by Walker.

Saint Catherine’s Chapel, dedicated to Saint Catherine of Alexandria, is to the south of the old chancel adjoining the south transept (Photograph: Patrick Comerford, 2023)

The Lady Chapel dates from the 13th century. It is an extension of the north transept and the memorials there include the marble tomb of John Sayer (1682).

Saint Catherine’s Chapel, dedicated to Saint Catherine of Alexandria, is to the south of the old chancel adjoining the south transept. It dates from ca 1320, and has two recessed mediaeval tombs in the south wall.

The late Gothic Revival pulpit in the church dates from 1910 and is decorated with figures of angels, carved by Harry Hems.

A carved wooden 17th century parish chest is in the north aisle. The marble tomb of Sir John Cornwallis, a member of the Council of King Edward VI, is at the corner of the north transept.

A window by Westlake commemorating William Cooper, the Berkhamsted sheep dip manufacturer (Photograph: Patrick Comerford, 2023)

The stained glass by renowned Victorian glass makers include: Heaton and Butler, Clayton and Bell, Charles Eamer Kempe, Nathaniel Westlake, Alexander Gibbs, James Powell and Sons and Curtis, Ward and Hughes.

The north aisle windows include a version by Heaton and Butler of William Holman Hunt’s painting ‘The Light of the World’ in Saint Paul’s Cathedral, London, and the chapel of Keble College Oxford.

A three-light window by Westlake (1885) in memory of the Berkhamsted sheep dip manufacturer William Cooper depicts Christ enthroned surrounded by saints and martyrs, including Saint Edward the Confessor and Saint Hugh of Lincoln (feast day, 17 November) with his pet swan.

The Gothic Revival pulpit is decorated with figures of angels, carved by Harry Hems (Photograph: Patrick Comerford, 2023)

Most of the old gravestones in the churchyard were laid flat in the late 19th century, and the churchyard is now a green. The large stone cross is the Smith-Dorrien Monument (1909). The town war memorial, erected on the corner of Water Lane in 1920, was moved to the south-west corner of Saint Peter’s Church in the 1950s.

Saint Peter’s marked its 800th anniversary last year (2022) with a year-long celebration of community events. On Advent Sunday, thousands visited the church to see it lit up by candles.

Saint Peter’s is part of the Berkhamsted Team, five parishes – Great Berkhamsted, Great Gaddesden, Little Gaddesden, Nettleden and Potten End – in the Diocese of Saint Albans and six churches: Saint Peter’s, Great Berkhamsted; All Saints’ Church, Berkhamsted LEP; Saint Peter and Saint Paul, Little Gaddesden; Saint John the Baptist, Great Gaddesden;; Saint Lawrence, Nettleden; and Holy Trinity, Potten End.

Father Stuart Owen is the Rector of Saint Peter’s and the Team Vicar in the Berkhamsted Team Ministry. The priests and ministry team include Father Anthony Lathe, Father David Lawson, Father Chris Rogers, the Revd Becky Taylor, Berkhamsted School Chaplain, Beth Mitchell and Father John Russell.

Saint Peter’s follows a traditional Anglican style of worship, centred on the Eucharist, with the Said Eucharist at 8 am and the Sung Eucharist at 9:30 on Sundays. Music is a large part of the worship and the choir sings at the main Sunday Eucharist and at a monthly Choral Evensong. The church is also a frequent venue for classical music concerts.

The east end of Saint Peter’s Church … most of the old gravestones in the churchyard were laid flat in the 19th century (Photograph: Patrick Comerford, 2023)