Christmas with Vaughan Williams (5): ‘Hodie’, 6, Narration

The Slaughter of the Innocents by Domenico Ghirlandaio … the fresco is part of a series of panels in the Cappella Tornabuoni in the Church of Santa Maria Novella, dating from 1486-1490

Patrick Comerford

Today is the Feast Day of the Holy Innocents [28 December 2015]. During this Christmas season, I am inviting you to join me each morning in a series of Christmas meditations as I listen to the Christmas cantata Hodie (‘This Day’) by the great English composer Ralph Vaughan Williams (1872-1958), drawing on English Christmas poetry from diverse sources, including poems by John Milton, Thomas Hardy and George Herbert that reflect a variety of Christmas experiences, and the narration of the Nativity story in the Gospels.

Hodie, with its blend of mysticism, heavenly glory and human hope, was composed by Vaughan Williams in 1953-1954 and is his last major choral-orchestral composition.

This morning I invite you to join me in listening to the sixth movement of Hodie.



6, Narration

The sixth movement of Hodie is a narration adapted by Vaughan Williams from Luke 2: 8-17 and the Book of Common Prayer, and introduces the shepherds.

Once again, the tenor sings the words of the angel; the chorus, introduced by the soprano, sings the words of the heavenly host. The men of the chorus sing the part of the shepherds:

And there were in the same country shepherds abiding in the field,
keeping watch over their flock by night. And, lo, the angel of
the Lord came upon them, and the glory of the Lord shone round
about them: and they were sore afraid. And the angel said unto
them:

“Fear not: for, behold, I bring you good tidings of great joy,
which shall be to all people. For unto you is born this day in
the city of David a Saviour, which is Christ the Lord. And this
shall be a sign unto you; Ye shall find the babe wrapped in
swaddling clothes, lying in a manger.”

And suddenly there was with the angel a multitude of the
heavenly host praising God, and saying:

“Glory to God in the highest and on earth peace, good will
toward men. We praise thee, we bless thee, we worship thee, we
glorify thee, we give thee thanks for thy great glory, O Lord
God, heavenly King, God the Father Almighty.”

And it came to pass, as the angels were gone away from them into heaven, the shepherds said one to another,

“Let us now go even unto Bethlehem, and see this thing which
is come to pass, which the Lord hath made known unto us.”

And they came with haste, and found Mary, and Joseph, and the
babe lying in a manger. And when they had seen it, they made
known abroad the saying which was told them concerning this child.
And all they that heard it wondered at those things which were
told them by the shepherds.

Yesterday’s reflection.

Continued tomorrow.

Kitesurfers and hardy swimmers in the winter cold at Dollymount

Kitesurfing on the beach at Dollymount this afternoon (Photograph: Patrick Comerford, 2015)

Patrick Comerford

It has been a busy Advent and Christmas season, with Carol services, Sung Eucharists, Choral Evensongs, seasonal sermons, cathedral meetings … as well as dinners, parties, shopping, cards and family visits.

I was preaching at the Sung Eucharist in Christ Church Cathedral this morning, and it was encouraging to see how many people were present this morning, both members of the cathedral congregation and visitors and tourists.

The Sunday after Easter is often known as Low Sunday, because of the low tone to celebrations after the climax of Easter. But it is also associated with the low numbers attending churches on that Sunday too. And the same might be said about the Sunday after Christmas.

Happily, this was not so at this morning’s Eucharist.

As the Communion Motet this morning, the Voluntary Choir sang ‘The truth sent from above,’ often known as the ‘Hereford Carol.’ This carol was collected early in the last century by Ralph Vaughan Williams, Cecil Sharp and other folk song collectors in Shropshire and Herefordshire, and the version the choir sang this morning is the one collected by Vaughan Williams.

Vaughan Williams collected this Dorian mode version of this carol at King’s Pyon, Herefordshire, in 1909 from Mrs Ella Leather, a folk singer. He later used this carol to open his Fantasia on Christmas Carols (1912).

Kitesurfers enjoying the high winds on Bull Island this afternoon (Patrick Comerford, 2015)

After coffee in the crypt and family visits in Clontarf, two of us decided to clear our heads this afternoon and went for walk along the length of the Bull Wall, with the waters of Dublin Bay to one side and the sands of Bull Island or Dollymount Beach on the other.

It was interesting to see how busy the port is, even on a Sunday afternoon during this extended holiday weekend. It was surprising too to see one or two swimmers braving the cold temperatures, the high tides and the choppy waters this afternoon.

Out on the long stretch of sand at Dollymount Beach, a dozen or more kitesurfers were taking advantage of the high winds along the shoreline.

It is good to get the salt air into my lungs after a few busy days like this.

Brave or foolhardy? A swimmer off the Bull Wall in Dublin Bay this afternoon (Photograph: Patrick Comerford, 2015)