The shrine of Saint Chad will hopefully enhance Lichfield Cathedral as a destination for pilgrims and for all who seek healing (Photograph: Patrick Comerford, 2023)
Patrick Comerford
There is always something new to see in Lichfield Cathedral. I have been visiting the cathedral regularly ever since my teens, and I am always delighted to see how this is a living space of prayer and worship and the home of a living community of faith.
It had been many months since I was last in Lichfield Cathedral, so last week, after viewing the ‘Library and Legacy’ exhibition in the Chapter House and attending the mid-day Eucharist, I was delighted to see the new shrine of Saint Chad in the Lady Chapel.
The new shrine celebrates Lichfield’s own saint as Bishop, Evangelist and Disciple, and an inscription reads: ‘Christ is the morning star who, when the night of this world is past, brings to his saints the promise of the light of life and opens everlasting day.’
Last year marked the 1,350th anniversary of the death of Saint Chad (Photograph: Patrick Comerford, 2023)
Last year marked the 1,350th anniversary of the death of Saint Chad, and the cathedral marked the anniversary by reconnecting the cathedral and the community with Saint Chad’s story and his message.
The Shrine of Saint Chad was consecrated and reinstated at two moving services in Lichfield Cathedral six months ago (November 2022). It was 484 years since the original shrine was destroyed, and now a new Altar Shrine and a relic of Saint Chad has been received from Saint Chad’s Roman Catholic Cathedral in Birmingham.
Bishop Michael Ipgrave of Lichfield and Archbishop Bernard Longley of Birmingham both addressed the ecumenical service that marked the occasion. Their cathedrals share the patronage of Saint Chad, and Archbishop Longley spoke at Evening Prayer in Lichfield Cathedral of ‘the bonds of faith and affection that exist between our two dioceses and their respective cathedrals.’
The relic of Saint Chad was brought from Birmingham Cathedral accompanied by the canons of the Metropolitan Chapter.
The celebration was the fruit of lengthy conversations and reflected an ecumenical journey and growing respect and understanding for each other’s history and traditions.
Bishop Michael Ipgrave spoke of the friendship between two communities that ‘seek to follow Christ in the footsteps of St Chad, and that is a friendship which also links us with people of other Christian traditions today; this is a heartfelt celebration of ecumenical trust and partnership.’
He added: ‘Our society, like that of seventh century England, is fearful, divided and sometimes despairing. Our task is Chad’s task all over again: to evangelise our 21st century Mercia with the gospel of peace and hope, of forgiveness and healing for men, women and children in their brokenness and lostness, of a common good in which all can flourish and grow together.’
It is hoped that the shrine, together with the Lichfield Icons and the statue of Saint Chad, will strengthen the cathedral as a destination for pilgrims and for all who seek healing.
In addition, five new icons have been installed the Lady Chapel:
1, The Baptism of Christ
2, The Wedding at Cana
3, The Preaching of the Kingdom of God
4, The Transfiguration
5, The Last Supper
These icons have been used each week as a point of discussion during this year’s Lenten discussion in Lichfield Cathedral. These too will add to the cathedral’s role as a destination for pilgrims and for all who seek healing.
The Baptism of Christ … a new icon in Lichfield Cathedral: (Photograph: Patrick Comerford, 2023)
The Wedding at Cana … a new icon in Lichfield Cathedral: (Photograph: Patrick Comerford, 2023)
The Preaching of the Kingdom of God … a new icon in Lichfield Cathedral: (Photograph: Patrick Comerford, 2023)
The Transfiguration … a new icon in Lichfield Cathedral: (Photograph: Patrick Comerford, 2023)
The Last Supper … a new icon in Lichfield Cathedral: (Photograph: Patrick Comerford, 2023)
30 April 2023
Morning prayers in Easter
with USPG: (22) 30 April 2023
The Old-New Synagogue or ‘Altneuschul’ dates from 1270 and is the oldest landmark in the Jewish town in Prague (Photograph: Patrick Comerford, 2023)
Patrick Comerford
We are almost half-way through the season of Easter, and today is the Fourth Sunday of Easter (30 April 2023). As the booklet for the midday Eucharist in Lichfield Cathedral reminded me last week: ‘The Great Fifty Days of Eastertide form a single festival period in which the tone of joy created at the Easter Vigil is sustained through the following seven weeks, and the Church celebrates the gloriously risen Christ’.
Later this morning I hope to be present at the Parish Eucharist in Holy Trinity Church, Old Wolverton. But, before this day gets busy, I am taking some time this morning for prayer and reflection. Following our visit to Prague earlier this month, I am reflecting each morning this week in these ways:
1, Short reflections on a synagogue in Prague;
2, the Gospel reading of the day in the Church of England lectionary;
3, a prayer from the USPG prayer diary.
The Aron haKodesh or Ark where the Torah scrolls are kept is in the middle of the east wall of the Old-New Synagogue (Photograph: Patrick Comerford, 2023)
The Old-New Synagogue or Altneuschul, Prague:
During our visit to Prague earlier this month, I visited the seven surviving, working synagogues in Prague, including the six remaining synagogues in Josefov, the Jewish Quarter in the Old Town in the Czech capital.
Despite World War II, most of the significant historical Jewish buildings in Prague were saved from destruction, and they form the best-preserved complex of historical Jewish monuments in the whole of Europe.
The Jewish Quarter has six synagogues, as well as the Jewish Ceremonial Hall and the Old Jewish Cemetery, the most remarkable of its kind in Europe.
The Old-New Synagogue or Altneuschul is the oldest landmark in the Jewish town in Prague, and the main house of prayer for the Jewish community in Prague to this day. It was built in the 13th century in the early Gothic style and is the oldest preserved and oldest active synagogue in Central Europe.
The Old New Synagogue was completed in 1270 in the Gothic style, and it is one of Prague’s first gothic buildings. A still older Prague synagogue, known as the Old Synagogue, was demolished in 1867 and replaced by the Spanish Synagogue.
The synagogue was originally called the New and Great Shul or Synagogue. But after other synagogues were established in the ghetto in the late 16th century, it became known as the Old-New Synagogue.
Another explanation says the name comes from the Hebrew עַל תְּנַאי (al tnay), which means ‘on condition’ and sounds identical to the Yiddish alt-nay or ‘old-new.’
According to legend, angels brought stones from the Temple in Jerusalem to build the synagogue in Prague – ‘on condition’ that they are to be returned when the Temple in Jerusalem is rebuilt and the stones are needed.
Nine steps lead from the street down into a vestibule, from which a door opens into a double-nave area with six vaulted bays. This double-nave system was most likely adapted by the synagogue’s Christian architects from the plans of monasteries and chapels. It has been suggested that the synagogue was built by the same workshop that completed the nearby compound of Saint Agnes’s Convent.
The moulding on the tympanum of the synagogue’s entryway has a design that incorporates 12 vines and 12 bunches of grapes, representing the 12 tribes of Israel. Two large pillars aligned east to west in the middle of the room each support the interior corner of four bays. The bays have two narrow Gothic windows on the sides, for a total of 12, again representing the 12 tribes.
The narrow windows are probably responsible for many older descriptions of the building as being dark. It is now lit brightly with several electric chandeliers.
The vaulting on the six bays has five ribs instead of the typical four or six. It has been suggested that this was an attempt to avoid associations with the Christian cross. However, many scholars dispute this theory, pointing to synagogues that have four-part ribs and to Christian buildings that have the unusual five rib design.
The almemor or bimah from which the Torah scrolls are read is located between the two pillars. The base of the bimah repeats the 12-vine motif found on the tympanum. The Aron haKodesh or the Ark where the Torah scrolls are kept is in the middle of the eastern wall. There are five steps leading up to the Ark and two round stained glass windows on each side above it. A lectern in front of the ark has a square well a few inches below the main floor for the service leader to stand in.
The stone pews along the longer walls have been preserved from the original mediaeval furnishings of the synagogue.
The 12 lancet windows in the synagogue – five each on the south and north wall and two on the west wall – are said to have inspired worshippers to compare the building with Solomon’s Temple.
The synagogue follows Orthodox custom, with separate seating for men and women during prayer services. Women sit in an outer room with small windows looking into the main sanctuary. The framework of the roof, the gable, and the party wall date from the Middle Ages.
An unusual feature in the nave of this synagogue is a large red flag near the west pillar. In the centre of the flag is a Star of David and in the centre of the star is a hat in the style typically worn by Jews of the 15th century. Both the hat and star, forming the emblem of the Jewish community in Prague, are stitched in gold. In gold stitching too is the text of Shema Yisrael, the basic Jewish confession of faith.
The synagogue was restored by the architect Joseph Mocker in 1883.
Local lore says the body of the Golem, created by Rabbi Judah Loew ben Bezalel, rests in the attic which is the genizah or storage space for worn-out Hebrew-language religious book and papers is kept.
A legend is told of a Nazi agent during World War II broaching the genizah, but who died instead. The Gestapo never entered the synagogue attic during World War II, and the building was spared during the Nazi destruction of synagogues.
The lowest three meters of the stairs leading to the attic from the outside have been removed and the attic is not open to the general public. But it is said no trace of the Golem was found when the attic was renovated in 1883, or when it was explored in 2014.
The bimah from which the Torah scrolls are read in the Old-New Synagogue or ‘Altneuschul’ in Prague (Photograph: Patrick Comerford, 2023)
John 10: 1-10 (NRSVA):
[Jesus said:] 1 ‘Very truly, I tell you, anyone who does not enter the sheepfold by the gate but climbs in by another way is a thief and a bandit. 2 The one who enters by the gate is the shepherd of the sheep. 3 The gatekeeper opens the gate for him, and the sheep hear his voice. He calls his own sheep by name and leads them out. 4 When he has brought out all his own, he goes ahead of them, and the sheep follow him because they know his voice. 5 They will not follow a stranger, but they will run from him because they do not know the voice of strangers.’ 6 Jesus used this figure of speech with them, but they did not understand what he was saying to them.
7 So again Jesus said to them, ‘Very truly, I tell you, I am the gate for the sheep. 8 All who came before me are thieves and bandits; but the sheep did not listen to them. 9 I am the gate. Whoever enters by me will be saved, and will come in and go out and find pasture. 10 The thief comes only to steal and kill and destroy. I came that they may have life, and have it abundantly.’
The vaulting on the six bays in the Old-New Synagogue has five ribs instead of the typical four or six (Photograph: Patrick Comerford, 2023)
Today’s Prayer:
The theme this week in the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel) is ‘The Work of Bollobhpur Mission Hospital.’ This theme is introduced today by USPG’s Regional Manager for Asia and the Middle East, Davidson Solanki, who reflects on the work of Bollobhpur Mission Hospital, Bangladesh, for International Midwives’ Day this week:
‘Bollobhpur Mission Hospital is administered by the Church of Bangladesh as part of its health ministry. The hospital is situated in rural Bangladesh, serving residents of the village communities living near the border with India. At the hospital, young women and men train to be midwives, nurses and laboratory technicians.
‘The students participating in this training all come from a similar socioeconomic background, with 35 per cent of residents in the local area living below the poverty line. Their training at Bollobhpur Mission Hospital means that they can now earn more money elsewhere, in turn allowing them to better support their families.
‘Bollobhpur Mission Hospital also provides a community health programme, which consists of four outstation village clinics and a team of six community health workers who visit villages in areas near to the hospital. The village clinics are staffed by experienced midwives who are supported by teams of student midwives, who take on this role as part of their training.
‘USPG feels privileged to partner with the Church of Bangladesh in supporting their health ministry through Bollobhpur Mission Hospital and their community nurses and midwives.’
The USPG Prayer invites us to pray this morning (Sunday 30 April 2023, the Fourth Sunday of Easter):
God, our midwife,
deliver us from harm
and bring to birth in us
all that is life-giving.
Shepherd our longings
and make us one in Christ.
Collect:
Almighty God,
whose Son Jesus Christ is the resurrection and the life
raise us, who trust in him,
from the death of sin to the life of righteousness,
that we may seek those things which are above,
where he reigns with you
in the unity of the Holy Spirit,
one God, now and for ever.
Post Communion:
Merciful Father,
you gave your Son Jesus Christ to be the good shepherd,
and in his love for us to lay down his life and rise again:
keep us always under his protection,
and give us grace to follow in his steps;
through Jesus Christ our Lord..
Women sit in an outer room with small windows looking into the main sanctuary in the Old-New Synagogue (Photograph: Patrick Comerford, 2023)
Yesterday’s reflection
Continued tomorrow
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Legend says the Golem rests in the attic of the Old-New Synagogue (Photograph: Patrick Comerford, 2023)
Patrick Comerford
We are almost half-way through the season of Easter, and today is the Fourth Sunday of Easter (30 April 2023). As the booklet for the midday Eucharist in Lichfield Cathedral reminded me last week: ‘The Great Fifty Days of Eastertide form a single festival period in which the tone of joy created at the Easter Vigil is sustained through the following seven weeks, and the Church celebrates the gloriously risen Christ’.
Later this morning I hope to be present at the Parish Eucharist in Holy Trinity Church, Old Wolverton. But, before this day gets busy, I am taking some time this morning for prayer and reflection. Following our visit to Prague earlier this month, I am reflecting each morning this week in these ways:
1, Short reflections on a synagogue in Prague;
2, the Gospel reading of the day in the Church of England lectionary;
3, a prayer from the USPG prayer diary.
The Aron haKodesh or Ark where the Torah scrolls are kept is in the middle of the east wall of the Old-New Synagogue (Photograph: Patrick Comerford, 2023)
The Old-New Synagogue or Altneuschul, Prague:
During our visit to Prague earlier this month, I visited the seven surviving, working synagogues in Prague, including the six remaining synagogues in Josefov, the Jewish Quarter in the Old Town in the Czech capital.
Despite World War II, most of the significant historical Jewish buildings in Prague were saved from destruction, and they form the best-preserved complex of historical Jewish monuments in the whole of Europe.
The Jewish Quarter has six synagogues, as well as the Jewish Ceremonial Hall and the Old Jewish Cemetery, the most remarkable of its kind in Europe.
The Old-New Synagogue or Altneuschul is the oldest landmark in the Jewish town in Prague, and the main house of prayer for the Jewish community in Prague to this day. It was built in the 13th century in the early Gothic style and is the oldest preserved and oldest active synagogue in Central Europe.
The Old New Synagogue was completed in 1270 in the Gothic style, and it is one of Prague’s first gothic buildings. A still older Prague synagogue, known as the Old Synagogue, was demolished in 1867 and replaced by the Spanish Synagogue.
The synagogue was originally called the New and Great Shul or Synagogue. But after other synagogues were established in the ghetto in the late 16th century, it became known as the Old-New Synagogue.
Another explanation says the name comes from the Hebrew עַל תְּנַאי (al tnay), which means ‘on condition’ and sounds identical to the Yiddish alt-nay or ‘old-new.’
According to legend, angels brought stones from the Temple in Jerusalem to build the synagogue in Prague – ‘on condition’ that they are to be returned when the Temple in Jerusalem is rebuilt and the stones are needed.
Nine steps lead from the street down into a vestibule, from which a door opens into a double-nave area with six vaulted bays. This double-nave system was most likely adapted by the synagogue’s Christian architects from the plans of monasteries and chapels. It has been suggested that the synagogue was built by the same workshop that completed the nearby compound of Saint Agnes’s Convent.
The moulding on the tympanum of the synagogue’s entryway has a design that incorporates 12 vines and 12 bunches of grapes, representing the 12 tribes of Israel. Two large pillars aligned east to west in the middle of the room each support the interior corner of four bays. The bays have two narrow Gothic windows on the sides, for a total of 12, again representing the 12 tribes.
The narrow windows are probably responsible for many older descriptions of the building as being dark. It is now lit brightly with several electric chandeliers.
The vaulting on the six bays has five ribs instead of the typical four or six. It has been suggested that this was an attempt to avoid associations with the Christian cross. However, many scholars dispute this theory, pointing to synagogues that have four-part ribs and to Christian buildings that have the unusual five rib design.
The almemor or bimah from which the Torah scrolls are read is located between the two pillars. The base of the bimah repeats the 12-vine motif found on the tympanum. The Aron haKodesh or the Ark where the Torah scrolls are kept is in the middle of the eastern wall. There are five steps leading up to the Ark and two round stained glass windows on each side above it. A lectern in front of the ark has a square well a few inches below the main floor for the service leader to stand in.
The stone pews along the longer walls have been preserved from the original mediaeval furnishings of the synagogue.
The 12 lancet windows in the synagogue – five each on the south and north wall and two on the west wall – are said to have inspired worshippers to compare the building with Solomon’s Temple.
The synagogue follows Orthodox custom, with separate seating for men and women during prayer services. Women sit in an outer room with small windows looking into the main sanctuary. The framework of the roof, the gable, and the party wall date from the Middle Ages.
An unusual feature in the nave of this synagogue is a large red flag near the west pillar. In the centre of the flag is a Star of David and in the centre of the star is a hat in the style typically worn by Jews of the 15th century. Both the hat and star, forming the emblem of the Jewish community in Prague, are stitched in gold. In gold stitching too is the text of Shema Yisrael, the basic Jewish confession of faith.
The synagogue was restored by the architect Joseph Mocker in 1883.
Local lore says the body of the Golem, created by Rabbi Judah Loew ben Bezalel, rests in the attic which is the genizah or storage space for worn-out Hebrew-language religious book and papers is kept.
A legend is told of a Nazi agent during World War II broaching the genizah, but who died instead. The Gestapo never entered the synagogue attic during World War II, and the building was spared during the Nazi destruction of synagogues.
The lowest three meters of the stairs leading to the attic from the outside have been removed and the attic is not open to the general public. But it is said no trace of the Golem was found when the attic was renovated in 1883, or when it was explored in 2014.
The bimah from which the Torah scrolls are read in the Old-New Synagogue or ‘Altneuschul’ in Prague (Photograph: Patrick Comerford, 2023)
John 10: 1-10 (NRSVA):
[Jesus said:] 1 ‘Very truly, I tell you, anyone who does not enter the sheepfold by the gate but climbs in by another way is a thief and a bandit. 2 The one who enters by the gate is the shepherd of the sheep. 3 The gatekeeper opens the gate for him, and the sheep hear his voice. He calls his own sheep by name and leads them out. 4 When he has brought out all his own, he goes ahead of them, and the sheep follow him because they know his voice. 5 They will not follow a stranger, but they will run from him because they do not know the voice of strangers.’ 6 Jesus used this figure of speech with them, but they did not understand what he was saying to them.
7 So again Jesus said to them, ‘Very truly, I tell you, I am the gate for the sheep. 8 All who came before me are thieves and bandits; but the sheep did not listen to them. 9 I am the gate. Whoever enters by me will be saved, and will come in and go out and find pasture. 10 The thief comes only to steal and kill and destroy. I came that they may have life, and have it abundantly.’
The vaulting on the six bays in the Old-New Synagogue has five ribs instead of the typical four or six (Photograph: Patrick Comerford, 2023)
Today’s Prayer:
The theme this week in the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel) is ‘The Work of Bollobhpur Mission Hospital.’ This theme is introduced today by USPG’s Regional Manager for Asia and the Middle East, Davidson Solanki, who reflects on the work of Bollobhpur Mission Hospital, Bangladesh, for International Midwives’ Day this week:
‘Bollobhpur Mission Hospital is administered by the Church of Bangladesh as part of its health ministry. The hospital is situated in rural Bangladesh, serving residents of the village communities living near the border with India. At the hospital, young women and men train to be midwives, nurses and laboratory technicians.
‘The students participating in this training all come from a similar socioeconomic background, with 35 per cent of residents in the local area living below the poverty line. Their training at Bollobhpur Mission Hospital means that they can now earn more money elsewhere, in turn allowing them to better support their families.
‘Bollobhpur Mission Hospital also provides a community health programme, which consists of four outstation village clinics and a team of six community health workers who visit villages in areas near to the hospital. The village clinics are staffed by experienced midwives who are supported by teams of student midwives, who take on this role as part of their training.
‘USPG feels privileged to partner with the Church of Bangladesh in supporting their health ministry through Bollobhpur Mission Hospital and their community nurses and midwives.’
The USPG Prayer invites us to pray this morning (Sunday 30 April 2023, the Fourth Sunday of Easter):
God, our midwife,
deliver us from harm
and bring to birth in us
all that is life-giving.
Shepherd our longings
and make us one in Christ.
Collect:
Almighty God,
whose Son Jesus Christ is the resurrection and the life
raise us, who trust in him,
from the death of sin to the life of righteousness,
that we may seek those things which are above,
where he reigns with you
in the unity of the Holy Spirit,
one God, now and for ever.
Post Communion:
Merciful Father,
you gave your Son Jesus Christ to be the good shepherd,
and in his love for us to lay down his life and rise again:
keep us always under his protection,
and give us grace to follow in his steps;
through Jesus Christ our Lord..
Women sit in an outer room with small windows looking into the main sanctuary in the Old-New Synagogue (Photograph: Patrick Comerford, 2023)
Yesterday’s reflection
Continued tomorrow
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Legend says the Golem rests in the attic of the Old-New Synagogue (Photograph: Patrick Comerford, 2023)
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Wolverton
Save your love – and a red rose –
for a romantic dinner in Tamworth
Renato’s has gone from Little Church Lane in Tamworth … and, with it, romantic dinners to the sound of ‘Save Your Love’ (Photograph: Patrick Comerford, 2023)
Patrick Comerford
I have been back in Tamworth regularly in recent months, and we passed through Tamworth again twice this week on our way to the ‘Library and Legacy’ exhibition in Lichfield Cathedral … peering out the train window each time between Lichfield and Tamworth for the familiar glimpse of Comberford and Comberford Hall.
Each time I am back in Tamworth, I stop to visit and pray in the Comberford Chapel in the north transept of Saint Editha’s Church and also drop past the Moat House, the former Comberford family home on Lichfield Street, now a pub and restaurant. But over the past year I have also imagined how it would be romantic to have dinner in Renato’s Restaurant on Little Church Lane, close to the north side of Saint Editha’s Church.
For many years, the singer Renato Pagliari wooed diners in his son’s restaurant, singing the Renée and Renato hit from the early 1980s, ‘Save Your Love.’
Perhaps you think a 40-year-old song like that over your pasta or lasagne could be more like treacle than Pinot Grigio – or, more kindly, too sweet a return to Top of the Pops in the 1980s. But I like the idea of a red rose and a romantic dinner to the sound in the background of the lyrics:
Save your love my darling, save your love
For summer nights with moon and stars above
A serenade I long to sing you
The reddest rose I always bring you
Save your love for Roma and for me
Darling I will love you endlessly …
Love like ours will last eternally
Renée and Renato had a Christmas No 1 hit in December 1982 with ‘Save Your Love.’
Renato Pagliari, who lived most of his life in the West Midlands and spent many of his retirement days, and evenings, in Tamworth, was born on 28 June 1940 into a large, impoverished family in Blera, a village outside Rome.
From an early age, Renato had a talent for musical talent and as a boy he joined the local church choir. At 17, he won a place in a school for professional waiters, and there he also learned four languages. He became well-known as a singing waiter, happy to burst out into Neapolitan songs and operatic arias, and restaurateurs soon appreciated his ability to draw in diners.
By the early 1970s, he was working in restaurants in England and entertaining diners in the West Midlands. Delighted customers encouraged him to seek club engagements, and in 1975 he entered a regional heat for the ITV talent show ‘New Faces.’
The songwriter Johnny Edward, who had written the song ‘Save Your Love,’ was watching the show and was impressed with Renato’s tenor voice. Johnny Edward teamed up Renato with the Midlands singer Hilary Lester (now Hilary Gibbon), and the two were renamed Renée and Renato.
After many delays and problems, Renée and Renato recorded ‘Save Your Love’ in 1982, and they entered the charts at No 54 that October. Within weeks, their song became the No 1 hit that Christmas.
A year earlier, in 1981, Renato had recorded his version of ‘Just One Cornetto’ in a celebrated Wall’s ice-cream television commercial. Renato’s son, Remo, denies he had provided the voice-over, and nit-pickers quibbled that while the setting was transformed into Venice, the jingle was adapted from ‘O Sole Mio’, a song written in Naples.
Renée was always at pains to stress that Renée and Renato were never ‘an item.’ She never appeared in the celebrated video, and instead a stand-in took her place.
Their follow-up numbers, ‘Just One More Kiss’ and ‘Jesus Loves Us All,’ had little success. But ‘Save Your Love’ was a big enough hit to launch a number of international tours. After four years, Hilary ‘Renée’ Lester joined another group, and when the fame died down she returned to private life. Renato, on the other hand continued working as a solo singer and found regular spots as a singer on cruise ships. He also recorded six solo albums, and had a regular guest spot on the television comedy show ‘Little and Large.’
Renato was a fan of Aston Villa FC and in the early 1990s he was asked by manager Ron Atkinson to sing Puccini’s ‘Nessun dorma’ at half time following a particularly poor first half performance by the team. When he had finished singing, Ron Atkinson told the players, ‘Now that is passion! Go and show me some of that in the second half!’ Aston Villa went on to win that year's League Cup.
Atkinson later boasted that only Luciano Pavarotti could sing ‘Nessun Dorma’ better than Renato.
In his last few years, Renato had regular singing appearances at the now-closed Renato’s Italian Ristorante in Little Church Lane, Tamworth
In his last few years, Renato had regular singing appearances at Renato’s Italian Ristorante in Little Church Lane, Tamworth. Renato’s was run by his son, Remo Pagliari, and claimed to be ‘one of the best Italian restaurants in Tamworth.’
Although Renato was diagnosed with a brain tumour, he could still break into song on the wards during his hospital stays. After battling the tumour for several months, he died at Good Hope Hospital, Sutton Coldfield, on 29 July 2009, aged 69. His funeral took place in Holy Trinity Catholic Church, on Lichfield Road, Sutton Coldfield. Ron Atkinson and singer Tony Christie – and Renée – were among the 700 people at his funeral.
Renato’s Restaurant later become Daquino Cucina Italiana. Under both names it was noted for its Italian cuisine, including seafood pasta, Mediterranean chicken and prawns, tiramisu, ice cream, cheesecake and coffee. Sadly, though, the place closed and the premises are now the Woodshed Burger Co.
But now I’m also wondering whether, in his various restaurant engagements in Tamworth, Renato ever sang in the Moat House too back in the 1980s or 1990s?
Save your love my darling, save your love
For summer nights with moon and stars above
A serenade I long to sing you
The reddest rose I always bring you
Save your love for Roma and for me
Darling I will love you endlessly
Even though you’re far away from me
I can’t forget the words I told you
How it felt to love and hold you
Love like ours will last eternally
Save your love my darling, save your love
For summer nights with moon and stars above
A serenade I long to sing you
The reddest rose I always bring you
Save your love for Roma and for me
Even though it’s been so very long
The memory of our love still lingers on
I can't wait to hold and kiss you
Don't you know how much I miss you
Darling sing for me our lover's song
Salva l’amore cara salva l’amore
Le notte d’estate la luna l’estelle lassu
A serenade I long to sing you
The reddest rose I always bring you
Salva l’amore per Roma e per me
Io ti amo caro, I love you
I can’t wait to hold and kiss you
Don’t you know how much I miss you
Darling sing for me our lover’s song
Save your love my darling save your love
Oh you know that I will
For summer nights with moon and stars above
Oh I love you still
A serenade I long to sing you
The reddest rose I always bring you
Save your love for Roma and for me
Patrick Comerford
I have been back in Tamworth regularly in recent months, and we passed through Tamworth again twice this week on our way to the ‘Library and Legacy’ exhibition in Lichfield Cathedral … peering out the train window each time between Lichfield and Tamworth for the familiar glimpse of Comberford and Comberford Hall.
Each time I am back in Tamworth, I stop to visit and pray in the Comberford Chapel in the north transept of Saint Editha’s Church and also drop past the Moat House, the former Comberford family home on Lichfield Street, now a pub and restaurant. But over the past year I have also imagined how it would be romantic to have dinner in Renato’s Restaurant on Little Church Lane, close to the north side of Saint Editha’s Church.
For many years, the singer Renato Pagliari wooed diners in his son’s restaurant, singing the Renée and Renato hit from the early 1980s, ‘Save Your Love.’
Perhaps you think a 40-year-old song like that over your pasta or lasagne could be more like treacle than Pinot Grigio – or, more kindly, too sweet a return to Top of the Pops in the 1980s. But I like the idea of a red rose and a romantic dinner to the sound in the background of the lyrics:
Save your love my darling, save your love
For summer nights with moon and stars above
A serenade I long to sing you
The reddest rose I always bring you
Save your love for Roma and for me
Darling I will love you endlessly …
Love like ours will last eternally
Renée and Renato had a Christmas No 1 hit in December 1982 with ‘Save Your Love.’
Renato Pagliari, who lived most of his life in the West Midlands and spent many of his retirement days, and evenings, in Tamworth, was born on 28 June 1940 into a large, impoverished family in Blera, a village outside Rome.
From an early age, Renato had a talent for musical talent and as a boy he joined the local church choir. At 17, he won a place in a school for professional waiters, and there he also learned four languages. He became well-known as a singing waiter, happy to burst out into Neapolitan songs and operatic arias, and restaurateurs soon appreciated his ability to draw in diners.
By the early 1970s, he was working in restaurants in England and entertaining diners in the West Midlands. Delighted customers encouraged him to seek club engagements, and in 1975 he entered a regional heat for the ITV talent show ‘New Faces.’
The songwriter Johnny Edward, who had written the song ‘Save Your Love,’ was watching the show and was impressed with Renato’s tenor voice. Johnny Edward teamed up Renato with the Midlands singer Hilary Lester (now Hilary Gibbon), and the two were renamed Renée and Renato.
After many delays and problems, Renée and Renato recorded ‘Save Your Love’ in 1982, and they entered the charts at No 54 that October. Within weeks, their song became the No 1 hit that Christmas.
A year earlier, in 1981, Renato had recorded his version of ‘Just One Cornetto’ in a celebrated Wall’s ice-cream television commercial. Renato’s son, Remo, denies he had provided the voice-over, and nit-pickers quibbled that while the setting was transformed into Venice, the jingle was adapted from ‘O Sole Mio’, a song written in Naples.
Renée was always at pains to stress that Renée and Renato were never ‘an item.’ She never appeared in the celebrated video, and instead a stand-in took her place.
Their follow-up numbers, ‘Just One More Kiss’ and ‘Jesus Loves Us All,’ had little success. But ‘Save Your Love’ was a big enough hit to launch a number of international tours. After four years, Hilary ‘Renée’ Lester joined another group, and when the fame died down she returned to private life. Renato, on the other hand continued working as a solo singer and found regular spots as a singer on cruise ships. He also recorded six solo albums, and had a regular guest spot on the television comedy show ‘Little and Large.’
Renato was a fan of Aston Villa FC and in the early 1990s he was asked by manager Ron Atkinson to sing Puccini’s ‘Nessun dorma’ at half time following a particularly poor first half performance by the team. When he had finished singing, Ron Atkinson told the players, ‘Now that is passion! Go and show me some of that in the second half!’ Aston Villa went on to win that year's League Cup.
Atkinson later boasted that only Luciano Pavarotti could sing ‘Nessun Dorma’ better than Renato.
In his last few years, Renato had regular singing appearances at the now-closed Renato’s Italian Ristorante in Little Church Lane, Tamworth
In his last few years, Renato had regular singing appearances at Renato’s Italian Ristorante in Little Church Lane, Tamworth. Renato’s was run by his son, Remo Pagliari, and claimed to be ‘one of the best Italian restaurants in Tamworth.’
Although Renato was diagnosed with a brain tumour, he could still break into song on the wards during his hospital stays. After battling the tumour for several months, he died at Good Hope Hospital, Sutton Coldfield, on 29 July 2009, aged 69. His funeral took place in Holy Trinity Catholic Church, on Lichfield Road, Sutton Coldfield. Ron Atkinson and singer Tony Christie – and Renée – were among the 700 people at his funeral.
Renato’s Restaurant later become Daquino Cucina Italiana. Under both names it was noted for its Italian cuisine, including seafood pasta, Mediterranean chicken and prawns, tiramisu, ice cream, cheesecake and coffee. Sadly, though, the place closed and the premises are now the Woodshed Burger Co.
But now I’m also wondering whether, in his various restaurant engagements in Tamworth, Renato ever sang in the Moat House too back in the 1980s or 1990s?
Save your love my darling, save your love
For summer nights with moon and stars above
A serenade I long to sing you
The reddest rose I always bring you
Save your love for Roma and for me
Darling I will love you endlessly
Even though you’re far away from me
I can’t forget the words I told you
How it felt to love and hold you
Love like ours will last eternally
Save your love my darling, save your love
For summer nights with moon and stars above
A serenade I long to sing you
The reddest rose I always bring you
Save your love for Roma and for me
Even though it’s been so very long
The memory of our love still lingers on
I can't wait to hold and kiss you
Don't you know how much I miss you
Darling sing for me our lover's song
Salva l’amore cara salva l’amore
Le notte d’estate la luna l’estelle lassu
A serenade I long to sing you
The reddest rose I always bring you
Salva l’amore per Roma e per me
Io ti amo caro, I love you
I can’t wait to hold and kiss you
Don’t you know how much I miss you
Darling sing for me our lover’s song
Save your love my darling save your love
Oh you know that I will
For summer nights with moon and stars above
Oh I love you still
A serenade I long to sing you
The reddest rose I always bring you
Save your love for Roma and for me
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