Springfield Castle, the ancestral home of the Deane family, dates from 1280 (Photograph: Patrick Comerford, 2019)
Patrick Comerford
At the weekend, I visited the churches and villages at Broadford and Dromcollogher in West Limerick. But these were added bonuses on way to and from Springfield Castle, where two of us had lunch in the Green Room Café on Saturday afternoon.
Springfield Castle is an impressive country house in a picturesque location, with extensive panoramic views of the surrounding countryside of West Limerick and north Cork.
The house and courtyard complex are the ancestral home of Lord and Lady Muskerry and occupies the site of an old bawn associated with the 16th-century tower house.
The East Tower at Springfield Castle, between Dromcollogher and Broadford, Co Limerick (Photograph: Patrick Comerford, 2019)
The fine Gothic Revival style gate tower provides a glorious entrance to the substantial courtyard. A large variety of outbuildings display great skill and craftsmanship with well executed rubble stone walls and numerous carriage arches helping to maintain the historic character of the site.
A curious mechanised clock controlling a mechanical calendar, lunar calendar and a bell constructed by the current owner’s great-grand uncle is a mechanical masterpiece of great technical interest.
Springfield Castle is an elegant historic Irish castle. Steeped in history, it is the ancestral home of Lord and Lady Muskerry. Their motto, Forti et fideli nihil dificile, ‘Nothing is Difficult to the Brave and Faithful,’ underlies over 700 years of family history.
The earliest castle at Gort na Tiobrad, the Irish name for Springfield Castle, is reputed to date from 1280, when one of the FitzGeralds, a junior member of the Desmond family, married a woman from the O Coilleain family, who were the Lords of Claonghlais. He later built a castle at Springfield.
Little is known of this castle, but it is said some of the ruins on the north of the present courtyards may incorporate remnants of this castle.
The FitzGerald family lost Springfield after the Jacobite and Williamite wars (Photograph: Patrick Comerford, 2019)
In their day, the FitzGeralds were patrons to Irish poets and musicians. At the gateway to Springfield Castle, a plaque on the wall commemorates Daithi O Bruadair, a 17th century Irish poet who lived at the castle with his patrons, the FitzGerald family, recording their lives and family events. He described Springfield Castle as ‘a mansion abounding in poetry, prizes and people.’
The FitzGerald family had their lands confiscated for the third and last time in 1691 after the Treaty of Limerick. Sir John FitzGerald went into exile in France with Patrick Sarsfield; he never returned to Ireland and was killed in battle in Oudenarde in 1708.
William FitzMaurice, a younger son of the 20th Lord of Kerry, then bought Springfield castle. His son, John FitzMaurice, was a nephew Thomas Fitzmaurice, 1st Earl of Kerry and ancestor of the Marquis of Lansdowne. He built a large, three-storey early Georgian mansion attached to the existing buildings, and a visible mark to the tower house represents part of the roof line of that 18th century mansion built by John FitzMaurice.
The FitzMaurices continued to live at Springfield Castle until Ann FitzMaurice, the sole heiress, married Sir Robert Tilson Deane in 1775.
The Walled Garden at Springfield Castle (Photograph: Patrick Comerford, 2019)
The Deane family was descended from Sir Matthew Deane, who moved from Somerset to Ireland in the mid-17th century, bought lands in Co Cork, and was made a baronet in 1709. His descendant, Sir Robert Tilson Deane, was MP for Carysfort (1771-1776) and Co Cork (1776-1781). He married Anne FitzMaurice of Springfield Castle, and received the title of Baron Muskerry in 1781.
This 1st Lord Muskerry built ‘a splendid mansion’ on which he is said to have spent at least £30,000. But before it was inhabited, this mansion had ben dismantled by 1788 and ‘the materials sold.’
Griffith’s Valuation records Lord Muskerry holding extensive lands in Co Limerick and Co Cork.
Robert Tilson FitzMaurice Deane (1826-1857), grandson of Robert and Anne, married Elizabeth Geraldine Grogan Morgan of Johnstown Castle, Co Wexford, in 1847 and assumed the additional name of Morgan. She was an aunt of Lady Maurice FitzGerald who, as Adelaide Forbes, married Lord Maurice FitzGerald, second son of the fourth Duke of Leinster.
Springfield Castle has survived bring burned during the War of Independence (Photograph: Patrick Comerford, 2019)
Robert and Elizabeth were the parents of Hamilton Matthew Tilson Fitzmaurice Deane-Morgan (1854-1929), who succeeded his grandfather as 4th Baron Muskerry in 1868. In the 1870s, Lord Muskerry owned 3,161 acres in Co Limerick, 742 acres in Co Tipperary, 912 acres in Co Wexford and 28 acres in Co Clare.
His wife, Elizabeth Grogan Deane Morgan, owned over 350 acres in Co Waterford in the 1870s as well as extensive estates in Co Kilkenny and Co Wexford.
Springfield Castle was burnt in 1921 during the War of Independence. At the time, the IRA claimed the Black and Tans were going to convert the buildings into a garrison.
Springfield Castle was rebuilt by the 5th Lord Muskerry in 1929 (Photograph: Patrick Comerford, 2019)
The castle was rebuilt in 1929 by Bob Muskerry, Robert Matthew Fitzmaurice Deane-Morgan (1874-1952), when he succeeded as the 5th Lord Muskerry. He built the current house in the Gothic Revival style of the 19th century, with pinnacles and turrets at the house and the main entrance. The castellated entrance towers with tooled stone forming the main fabric of the turrets and a grand entrance door greatly enliven the façade.
When his brother, Mathew Chichester Cecil FitzMaurice Deane-Morgan (1875-1964), 6th Baron Muskerry, died in 1964, the title, Springfield Castle and the estate passed to a cousin, Matthew FitzMaurice Tilson Deane (1874-1966), 7th Baron Muskerry. Hastings FitzMaurice Tilson Deane (1907-1988), 8th Baron Muskerry, was a consultant radiologist in South Africa and in Limerick.
Robert Fitzmaurice Deane, the present and ninth Baron, lives and works in South Africa, and is funding a restoration project that started in 2006 with the renovation of the East Tower. The Tower house is being restored as venue for events and functions. Lord Muskerry’s sister Betty and her husband Jonathan Sykes run Springfield Castle today with their family.
The courtyard complex has an array of interesting buildings (Photograph: Patrick Comerford, 2019)
Springfield Castle is an attached Gothic Revival style country house with a courtyard complex, commenced ca 1740, comprising attached an eight-bay, two-storey country house, rebuilt in 1929, having single-bay three-stage entrance tower.
An earlier, two-bay, three-storey wing on the east side has a single-bay, three-stage gate tower with an integral camber-headed carriage arch. To the rear, a two-bay, two-storey, double-pile over basement block to the rear, on the north, incorporating a possibly earlier three-stage tower at the north-west.
The enclosed farmyard complex behind the house follows the plan of a bawn wall, incorporating earlier 16th and 18th-century tower houses. The wall-mounted clock on the side of the central gate tower was designed as a mechanical calendar, with a lunar calendar controlling the bell to the roof.
A glimpse of the past at Springfield Castle (Photograph: Patrick Comerford, 2019)
There is a two-bay, four-stage, 18th-century tower house at the north end of the east range, with a parapet wall and a bellcote.
The ruinous remains of an 11-bay single-storey outbuilding form the north range of the courtyard with a ruinous central tower.
A two-bay, single-stage 18th-century corner tower stands at the west end of the north range.
The three-stage rectangular 16th-century tower house has the ruins of a circular turret associated with original bawn wall.
The central lawn area in the enclosed yard has a tooled limestone column mounted on pedestal surmounted by later render figurine of a monkey and a timber gazebo.
The drive leading up to Springfield Castle (Photograph: Patrick Comerford, 2019)
Springfield Castle and the drive leading up to it are entered through a free-standing Egyptian style gateway built ca 1900. However, another local tradition says the gateway was inspired by a Maori tradition that Lord Muskerry came across while working in Australia and New Zealand.
The Deane family motto engraved above the gate, Forti et Fideli Nihil Difficile, means ‘Nothing is Difficult to the Brave and Faithful.’
A plaque at the gateway commemorates Daithi O Bruadair, a 17th-century Irish poet of the Bardic tradition who lived at the castle with his patrons, the Fitzgerald family.
An underground tunnel was said to link Springfield Castle and Springfield Church, a chapel of the FitzGerald family that later became a Church of Ireland parish church. The church is now in ruins and is surrounded by Springfield Graveyard, which includes a tomb of the FitzMaurice family, who acquired Springfield Castle after the Jacobite and Williamite wars.
The gateway at Springfield Castle … is its inspiration Egyptian or Maori (Photograph: Patrick Comerford, 2019)
30 July 2019
Saint Bartholomew’s Church,
Dromcollogher, and its 1990s
glass-panelled nave walls
Saint Bartholomew’s Church in Dromcollogher, Co Limerick … built in 1824 and renovated in 1861, 1906-1909, the 1950s and the 1990s (Photograph: Patrick Comerford, 2019)
Patrick Comerford
On my way to lunch in Springfield Castle at the weekend, I stopped to visit the churches in Broadford and Dromcollogher in west Limerick for the first time.
In the Church of Ireland Diocese of Limerick, these villages are within the Rathkeale Group of Parishes, although they have no parish churches; in the Roman Catholic Church, they form one parish of Dromcollogher-Broadford.
Dromcollogher is a picturesque small town or village in Co Limerick, not far from the border of North County Cork and about 12 km west of Charleville. It has a population of about 600 people.
The name Dromcollogher (Drom Collachair) in Irish means ‘the ridge of the hazel wood.’ Local people spell its name Dromcollogher, but there are other variations, including Drumcolloher, Dromcolloher and Drumcullogher, and Dromcolliher is used by the Ordnance Survey and An Post.
Graves in the ruins of the mediaeval church in Dromcollogher (Photograph: Patrick Comerford, 2019)
Dromcollogher is listed as a mediaeval town by Limerick County Council, with many protected buildings. It is first mentioned in The Book of Leinster in 1160, and it is mentioned twice in the Black Book of Limerick ca 1200.
An early mediaeval church was destroyed by war in 1302. It was rebuilt and was known as the capella Dromcolkylle in Corcomohid in 1418, when it was part of the larger parish of Corcomohide.
Dromcollogher was one of the starting points for the Irish Co-Op Movement. The first co-operative creamery was set up here in 1889 on the initiative of Count Horace Plunkett. The songwriter Percy French composed a song ‘There’s Only One Street In Dromcollogher.’
Inside Saint Bartholomew’s Church, Dromcollogher (Photograph: Patrick Comerford, 2019)
The protected or listed buildings in Dromcollogher include Saint Bartholomew’s, the Roman Catholic parish church built in 1824.
Father Maurice England was registered as parish priest of the larger surrounding area in 1704, and a new parish was formed after his death in 1719. Father Patrick Quin, parish priest, who died in 1778, was buried within the walls of the ruined mediaeval parish church.
Saint Bartholomew’s Church was built in 1824 by Father Michael Fitzgerald, who bought the site from Robert Jones Staveley of Glenduff Castle, Co Limerick, a judge of the High Court.
Renovations were carried out in 1861 by Father Patrick Quaid, who also built a new church in neighbouring Broadford. Father Michael Byrne (PP 1902-1917) refurbished and decorated the church in the early 20th century, with improvements designed in 1906-1909 by the Limerick-based architect Brian Edward Fitzgerald Sheehy (1870-1930). The apse and many of the stained-glass windows were added at this time.
The High Altar and apse in Saint Bartholomew’s Church, Dromcollogher (Photograph: Patrick Comerford, 2019)
The stained-glass windows behind the altar depict (from left to right) Saint David, the Virgin Mary, the Sacred Heart, and Saint Catherine. They were donated by David and Mary O’Leary Hannigan of Kilbolane Castle, Milford, Co Cork, and other members of their family in 1906.
The stained-glass windows in the left transept depict the Sacred Heart, donated by Mrs Toomey in memory of her parents, and the Holy Child of Jerusalem, similar to the Child of Prague.
‘The Holy Child of Jerusalem’ in a stained-glass window in the west (liturgical north) transept (Photograph: Patrick Comerford, 2019)
A stained-glass window of Saint Patrick in the right transept was donated in memory of Patrick Quaid Hannigan and his wife Mary. A stained-glass window of Saint Joseph was donated by Patrick O’Sullivan.
James Pearse (1839-1900), father of the 1916 leaders Patrick and William Pearse, donated the statue of the Virgin Mary to the left of the High Altar. The statue to the right is of the Sacred Heart.
A Pieta statue is in memory of John Gleeson. Other statues in the church include Saint Theresa of Lisieux, Saint Joseph, and Saint Anthony. The Stations of the Cross are in memory of Dorcas Mary Aherne.
The walls of the nave were removed and replaced with glass panels, forming light-filled, cloister like side aisles (Photograph: Patrick Comerford, 2019)
Further renovations were carried out in the 1950s and again in the 1990s. There was considerable debate in the 1990s about whether to build a new church or to radically upgrade the existing church.
The walls of the nave were removed and replaced with glass panels, forming light-filled, cloister like side aisles. The glass panels are the work of Kevin Kelly and the Abbey Stained Glass Studios.
The glass is engraved with both religious and secular scenes, including scenes from the life of Saint Bartholomew, the calling of Saint Nathaniel, who is identified with Saint Bartholomew, in Saint John’s Gospel (see John 1: 43-51), scenes from local history and excerpts from poetry by the local bardic poet, Daibhi O Bruadair (1625-1698), who lived in Springfield Castle, outside Dromcollogher.
The glass panels depict scenes from the life of Saint Bartholomew, including the calling of Saint Nathaniel (Photograph: Patrick Comerford, 2019)
This is a cruciform-plan double-height gable-fronted parish church, aligned on a north-south axis rather than the traditional liturgical east-west axis.
The church had a three-bay nave, with a recent porch at the front, glazed side aisles at each side, three-bay transepts at the sides, and a canted, three-bay chancel at the liturgical east end (north). There are timber-frame balconies in each transept.
The once free-standing three-stage bell tower to north (liturgical east) is linked to the church and sacristy by a recent corridor.
The once free-standing three-stage bell tower (Photograph: Patrick Comerford, 2019)
Much of the church’s historic character remains intact, mostly through the retention of key historic features, including the stained-glass windows, decorative stone details and the bell tower.
These alterations to the nave make for a light and airy interior that retains many artistic features, including the finely-crafted balconies and statues.
The episcopal coat-of-arms of Bishop Jeremiah Newman (1926-1995) (Photograph: Patrick Comerford, 2019)
Two displays of episcopal coats-of-arms commemorate Jeremiah Newman (1926-1995), former Bishop of Limerick, who was born in Church Street, Dromcollogher.
Father William O’Donnell, who was parish priest for 33 years and died in 1876, is the only parish priest buried inside the church. Four parish priests are buried in the church grounds: Michael Byrne; Canon James Foley; Canon John Reeves; and Archdeacon Hugh O’Connor.
The Celtic cross in the churchyard is a memorial to the 48 victims of a fire in 1926 (Photograph: Patrick Comerford, 2019)
A large Celtic cross in the churchyard is a memorial to the victims of a fire at a film showing on Sunday evening, 5 September 1926. William ‘Baby’ Forde had hired a room from Patrick Brennan in the centre of Dromcollogher and planned to show Cecil B DeMille’s Ten Commandments in a make-shift, timber-built cinema. But, during the showing, a reel of nitrate film caught fire from the flame of a candle. The fire spread, and 46 people died that night, with two more dying later in hospital.
The 48 people represented one-tenth of the population of Dromcollogher at the time. Many who died were children. One entire family died – a father, mother and their two children.
The victims were buried in the churchyard in a communal grave marked by the Celtic cross. The town library was later built on the site of the fire.
The tragedy, known locally as the ‘Dromcollogher Burning,’ was the worst-known fire disaster in Irish history until the Betelgeuse fire in 1979 and the Stardust disaster in 1981, in which 50 and 48 people died.
Saint Catherine depicted in one of the chancel windows (Photograph: Patrick Comerford, 2019)
Patrick Comerford
On my way to lunch in Springfield Castle at the weekend, I stopped to visit the churches in Broadford and Dromcollogher in west Limerick for the first time.
In the Church of Ireland Diocese of Limerick, these villages are within the Rathkeale Group of Parishes, although they have no parish churches; in the Roman Catholic Church, they form one parish of Dromcollogher-Broadford.
Dromcollogher is a picturesque small town or village in Co Limerick, not far from the border of North County Cork and about 12 km west of Charleville. It has a population of about 600 people.
The name Dromcollogher (Drom Collachair) in Irish means ‘the ridge of the hazel wood.’ Local people spell its name Dromcollogher, but there are other variations, including Drumcolloher, Dromcolloher and Drumcullogher, and Dromcolliher is used by the Ordnance Survey and An Post.
Graves in the ruins of the mediaeval church in Dromcollogher (Photograph: Patrick Comerford, 2019)
Dromcollogher is listed as a mediaeval town by Limerick County Council, with many protected buildings. It is first mentioned in The Book of Leinster in 1160, and it is mentioned twice in the Black Book of Limerick ca 1200.
An early mediaeval church was destroyed by war in 1302. It was rebuilt and was known as the capella Dromcolkylle in Corcomohid in 1418, when it was part of the larger parish of Corcomohide.
Dromcollogher was one of the starting points for the Irish Co-Op Movement. The first co-operative creamery was set up here in 1889 on the initiative of Count Horace Plunkett. The songwriter Percy French composed a song ‘There’s Only One Street In Dromcollogher.’
Inside Saint Bartholomew’s Church, Dromcollogher (Photograph: Patrick Comerford, 2019)
The protected or listed buildings in Dromcollogher include Saint Bartholomew’s, the Roman Catholic parish church built in 1824.
Father Maurice England was registered as parish priest of the larger surrounding area in 1704, and a new parish was formed after his death in 1719. Father Patrick Quin, parish priest, who died in 1778, was buried within the walls of the ruined mediaeval parish church.
Saint Bartholomew’s Church was built in 1824 by Father Michael Fitzgerald, who bought the site from Robert Jones Staveley of Glenduff Castle, Co Limerick, a judge of the High Court.
Renovations were carried out in 1861 by Father Patrick Quaid, who also built a new church in neighbouring Broadford. Father Michael Byrne (PP 1902-1917) refurbished and decorated the church in the early 20th century, with improvements designed in 1906-1909 by the Limerick-based architect Brian Edward Fitzgerald Sheehy (1870-1930). The apse and many of the stained-glass windows were added at this time.
The High Altar and apse in Saint Bartholomew’s Church, Dromcollogher (Photograph: Patrick Comerford, 2019)
The stained-glass windows behind the altar depict (from left to right) Saint David, the Virgin Mary, the Sacred Heart, and Saint Catherine. They were donated by David and Mary O’Leary Hannigan of Kilbolane Castle, Milford, Co Cork, and other members of their family in 1906.
The stained-glass windows in the left transept depict the Sacred Heart, donated by Mrs Toomey in memory of her parents, and the Holy Child of Jerusalem, similar to the Child of Prague.
‘The Holy Child of Jerusalem’ in a stained-glass window in the west (liturgical north) transept (Photograph: Patrick Comerford, 2019)
A stained-glass window of Saint Patrick in the right transept was donated in memory of Patrick Quaid Hannigan and his wife Mary. A stained-glass window of Saint Joseph was donated by Patrick O’Sullivan.
James Pearse (1839-1900), father of the 1916 leaders Patrick and William Pearse, donated the statue of the Virgin Mary to the left of the High Altar. The statue to the right is of the Sacred Heart.
A Pieta statue is in memory of John Gleeson. Other statues in the church include Saint Theresa of Lisieux, Saint Joseph, and Saint Anthony. The Stations of the Cross are in memory of Dorcas Mary Aherne.
The walls of the nave were removed and replaced with glass panels, forming light-filled, cloister like side aisles (Photograph: Patrick Comerford, 2019)
Further renovations were carried out in the 1950s and again in the 1990s. There was considerable debate in the 1990s about whether to build a new church or to radically upgrade the existing church.
The walls of the nave were removed and replaced with glass panels, forming light-filled, cloister like side aisles. The glass panels are the work of Kevin Kelly and the Abbey Stained Glass Studios.
The glass is engraved with both religious and secular scenes, including scenes from the life of Saint Bartholomew, the calling of Saint Nathaniel, who is identified with Saint Bartholomew, in Saint John’s Gospel (see John 1: 43-51), scenes from local history and excerpts from poetry by the local bardic poet, Daibhi O Bruadair (1625-1698), who lived in Springfield Castle, outside Dromcollogher.
The glass panels depict scenes from the life of Saint Bartholomew, including the calling of Saint Nathaniel (Photograph: Patrick Comerford, 2019)
This is a cruciform-plan double-height gable-fronted parish church, aligned on a north-south axis rather than the traditional liturgical east-west axis.
The church had a three-bay nave, with a recent porch at the front, glazed side aisles at each side, three-bay transepts at the sides, and a canted, three-bay chancel at the liturgical east end (north). There are timber-frame balconies in each transept.
The once free-standing three-stage bell tower to north (liturgical east) is linked to the church and sacristy by a recent corridor.
The once free-standing three-stage bell tower (Photograph: Patrick Comerford, 2019)
Much of the church’s historic character remains intact, mostly through the retention of key historic features, including the stained-glass windows, decorative stone details and the bell tower.
These alterations to the nave make for a light and airy interior that retains many artistic features, including the finely-crafted balconies and statues.
The episcopal coat-of-arms of Bishop Jeremiah Newman (1926-1995) (Photograph: Patrick Comerford, 2019)
Two displays of episcopal coats-of-arms commemorate Jeremiah Newman (1926-1995), former Bishop of Limerick, who was born in Church Street, Dromcollogher.
Father William O’Donnell, who was parish priest for 33 years and died in 1876, is the only parish priest buried inside the church. Four parish priests are buried in the church grounds: Michael Byrne; Canon James Foley; Canon John Reeves; and Archdeacon Hugh O’Connor.
The Celtic cross in the churchyard is a memorial to the 48 victims of a fire in 1926 (Photograph: Patrick Comerford, 2019)
A large Celtic cross in the churchyard is a memorial to the victims of a fire at a film showing on Sunday evening, 5 September 1926. William ‘Baby’ Forde had hired a room from Patrick Brennan in the centre of Dromcollogher and planned to show Cecil B DeMille’s Ten Commandments in a make-shift, timber-built cinema. But, during the showing, a reel of nitrate film caught fire from the flame of a candle. The fire spread, and 46 people died that night, with two more dying later in hospital.
The 48 people represented one-tenth of the population of Dromcollogher at the time. Many who died were children. One entire family died – a father, mother and their two children.
The victims were buried in the churchyard in a communal grave marked by the Celtic cross. The town library was later built on the site of the fire.
The tragedy, known locally as the ‘Dromcollogher Burning,’ was the worst-known fire disaster in Irish history until the Betelgeuse fire in 1979 and the Stardust disaster in 1981, in which 50 and 48 people died.
Saint Catherine depicted in one of the chancel windows (Photograph: Patrick Comerford, 2019)
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