‘Those who eat my flesh and drink my blood abide in me’ (John 6: 56) … an icon of Christ the Great High Priest, in a shop window in Thessaloniki (Photograph: Patrick Comerford)
Patrick Comerford,
Saint John the Evangelist, Sandymount, Dublin
Sunday 23 August 2015,
The Twelfth Sunday after Trinity,
11 a.m., The Sung Eucharist
Readings: I Kings 8: 1, 6, 10-11, 22-30, 41-43 or Joshua 24: 1-2a, 14-18; Psalm 84 or Psalm 34: 15-22; Ephesians 6: 10-20; John 6: 56-69.
May I speak to you in the name of + the Father, the Son and the Holy Spirit, Amen.
With this morning’s Gospel reading, we conclude our series of four readings in the ‘Bread of Life’ discourse in Saint John’s Gospel. This is also one of the most explicit Trinitarian passages in the New Testament.
In this morning’s reading, Christ speaks to us of the Trinity in terms of the inter-relationship between the Father, Son and Holy Spirit, explaining how the Father, Son and Holy Spirit work together, dance together, and are inseparable.
We owe our understandings of the Trinity, in terms of doctrine and social understanding, and how we express these understandings to the Cappadocian Fathers.
I spent some time in Cappadocia, in south-central Turkey, earlier this year. I was there because of my interest in sites associated with the three Cappadocian Fathers.
These were three key Patristic writers and saints: Saint Basil the Great (329-379), Bishop of Caesarea, his brother Saint Gregory (335-395), Bishop of Nyssa, and Saint Gregory Nazianzus (329-390), who became Patriarch of Constantinople.
They challenged heresies such as Arianism, which denied the divinity of Christ, and their thinking was instrumental in formulating the phrases that shaped the Nicene Creed.
But their thinking was not about doctrine alone. It was also about living the Christian life.
So, for example, Saint Basil challenged the social values of his day. He wrote: “The bread which you do not use is the bread of the hungry; the garment hanging in your wardrobe is the garment of him who is naked; the shoes that you do not wear are the shoes of the one who is barefoot; the money that you keep locked away is the money of the poor; the acts of charity that you do not perform are so many injustices that you commit.”
Sacramental practice must be related to the practice of Christianity, and doctrine and belief must be related to how we live our lives as Christians.
Without the Cappadocian Fathers, would we have turned away from the difficult teachings of Christ, as we find them in this Gospel passage? Would we too have dismissed this passage as a “hard saying.”
Although Christ’s words “I am the Bread of Life” are familiar to many Christians, in this passage the disciples declare this to be a “hard saying.”
Christ is teaching in the synagogue in Capernaum, where he is interpreting a passage of scripture that has already been introduced by the crowd (see verse 31). They want a sign similar to the one of manna given to their ancestors in the wilderness in Sinai.
In response, he declares he is the manna, the “bread of life” (verse 35), just as he has told the Samaritan woman at the well that he is the living water (see John 4: 5-26), and just as he tells the disciples later that he is the true vine (see John 15: 1).
Moses could provide this miraculous bread, but he is not the bread of life. Moses could strike the rock and bring forth water, but he is not the living water.
How can Christ himself be bread and wine?
These are such difficult conundrums that they turn many of his listeners away.
They murmur and mutter, and the word used here is the same word used in the Exodus story (see, for examples, Exodus 15: 24; 16: 2) for the murmuring, muttering and grumbling of the people who have just experienced being liberated from slavery yet are not willing to accept the consequences of staying on the journey. They do not trust God to take care of them. Over and over, with questions of water, food, and physical safety, the Israelites play out the same drama of whether they will trust God to care for them.
Once again, people who are on a journey with God turn away. This turning away is the very opposite to the metanoia (μετάνοια), the turning around of conversion.
They are no longer willing to stay the course, they turn away from journeying with Christ, journeying with him to Jerusalem, journeying with him to the Cross, journeying with him to the promise of new life.
They are scandalised.
The phrase here reminds me of the common phrase, the Scandal of the Cross or the Scandal of the Gospel, although the phrase as such appears nowhere in the New Testament.
Some of Christ’s disciples have only understood his words in a literal way.
There are many today who hold up a literal interpretation of some obscure and contended passages of scripture, including, for example, some on sexuality, but who reject a literal interpretation of the passages in this ‘Bread of Life’ discourse in Saint John’s Gospel.
They cannot, will not, and refuse to accept Christ’s corporal presence, body and blood, in the Eucharist, however we may come to understand that. It is the one passage whose literal interpretation is a stumbling block, a scandal, to them.
When they ask whether you have invited Christ into your life, they would be scandalised were you to answer you do that every time you pray the Prayer of Humble Access, every time you receive him in the Eucharist, asking that “we may evermore dwell in him and he in us” [see The Book of Common Prayer (Church of Ireland, 2004), p 207].
There is little point in arguing that people at the time had no understanding of this Gospel passage as looking forward to the Last Supper and beyond that to the Eucharistic celebrations of the Early Church.
It was written not for the people who were present at the time, but written 50 or 60 years later and would have been first heard by people dealing with the divisions in the Pauline and Johannine communities that came together in the Church in Ephesus. In her lectionary reflections in the Church Times the Friday before last [14 August 2015], Dr Bridget Nicholas points out that the ‘Bread of Life’ discourse is the Fourth Gospel’s counterpart to the narrative of the institution of the Lord’s Supper in the Synoptic Gospels.
The writer of this Gospel is addressing a small community of Christians in Ephesus, for whom linear time is displaced by the fact that they already know the divine identity of Christ. And the life that Christ offers to his own people is being worked out in practical ways by the recipients of the Letter to the Ephesians.
In this Gospel story, as in the Exodus story, this murmuring, muttering and grumbling shows a complete lack of trust, belief and faith in God. And this is not just intellectual assent, but a willingness to make life-changing decisions.
In this morning’s story, the twelve are the ones who “abide” with Christ. They stick with him even though his teaching is difficult. They stay with him at the Last Supper, and even though they will scatter during his trial and crucifixion, their faith is strengthened, returns in full vigour with the Resurrection and is fortified at Pentecost.
But the people who desert Christ in this morning’s Gospel reading, who turn away, are not “the crowds” – they are “disciples.” They had followed Christ and believed in him, but now they leave.
Abandoning the Eucharistic faith and practice of the Church is often the first step in abandoning the Church, abandoning Christ, and turning backs on the call to love God and love one another.
If we take part regularly and with spiritual discipline in the Eucharist we realise that it is not all about me at all. This bread is broken and this cup is poured out not just for us but also for the many.
It is interesting that the parishes with infrequent celebrations of the Eucharist are often the most closed, the ones most turned in on themselves, unwilling to open their doors to those who are different in social and ethnic background, with irregular relationships and lifestyles, and the parishes that err on the side of judgmentalism.
Regular reception of this Sacrament is a reminder that the Church exists not for you and for me but for the world, and that the Church is not for those who decide subjectively they are the “called” and the “saved,” but is there to call the world into the Kingdom.
In the Eucharistic prayers, we use words such as: “this is my blood of the new covenant which is shed for you and for many for the forgiveness of sins” (see The Book of Common Prayer, pp 210, 215, 217; Common Worship, pp 185, 189, 192,196, 199, 202).
In two of the New Testament passages we read: “for this is my blood of the covenant, which is poured out for many for the forgiveness of sins” (Matthew 26: 28); and “this is my blood of the covenant, which is poured out for many” (Mark 14: 24).
It is clear that the Eucharist, while celebrated among the disciples or within the community, is for the benefit of “the many.” The Eucharist is the shape of “the mission-shaped Church.”
Knowing and belief come together, knowledge is meaningless without wisdom, faith goes beyond accepting facts.
As Canon Patrick Whitworth points out in his new book, for the Cappadocian Fathers, doctrine, prayer and pastoral ministry are inseparable from care for the poor [Patrick Whitworth, Three Wise men from the East: the Cappadocian Fathers and the Struggle for Orthodoxy (Durham: Sacristy Press, 2015)].
The profession of faith by Simon Peter in this morning’s reading is followed immediately by a cautious and disturbing remark by Christ about betrayal (verses 70-71), although the compilers of the Revised Common Lectionary have omitted them. Judas is going to walk out at the Last Supper. Is a regular refusal to eat this bread and to drink this cup a betrayal of Christ and of the Christian faith?
Which brings us back to our Epistle reading this morning (Ephesians 6: 10-20), which, like the Fourth Gospel, was written for the Church in Ephesus.
The word sacrament is derived from the Latin sacrāmentum, which is an attempt to render the Greek word μυστήριον (mysterion). Saint Paul asks the people of Ephesus to pray that he may be given a gift of the right words in telling of the “mystery of the Gospel” (τὸ μυστήριον τοῦ εὐαγγελίου, to mysterion tou evangeliou) (Ephesians 6: 19).
What if this Gospel reading is a reminder of the heart of the Gospel, the mystery of the Gospel?
Yes, it would affirm, the Eucharist is the shape of “the mission-shaped Church.”
And so, may all we think, say and do be to the praise, honour and glory of God, + Father, Son and Holy Spirit, Amen.
The Visitation of Abraham or the ‘Old Testament Trinity’ … a fresco in the Monastery of Saint John the Baptist in Tolleshunt Knights, Essex, interprets a Trinitarian and Eucharistic theme (Photograph: Patrick Comerford)
Collect:
Almighty and everlasting God,
you are always more ready to hear than we to pray
and to give more than either we desire, or deserve:
Pour down upon us the abundance of your mercy,
forgiving us those things of which our conscience is afraid,
and giving us those good things
which we are not worthy to ask
save through the merits and mediation
of Jesus Christ your Son our Lord.
Post Communion Prayer:
God of compassion,
in this Eucharist we know again your forgiveness
and the healing power of your love.
Grant that we who are made whole in Christ
may bring that forgiveness and healing to this broken world,
in the name of Jesus Christ our Lord.
(The Revd Canon Professor) Patrick Comerford is Lecturer in Anglicanism, Liturgy and Church History, the Church of Ireland Theological Institute, and a canon of Christ Church Cathedral, Dublin. He preached this sermon at the Sung Eucharist in the Church of Saint John the Evangelist, Sandymount, Dublin, on Sunday 23 August 2015.
23 August 2015
‘The Sea, the Sea’ in Bray during
Saturday afternoon on the Prom
θάλαττα θάλαττα … grey sea and grey skies in Bray this afternoon (Photograph: Patrick Comerford, 2015)
Patrick Comerford
For many people, if it’s Saturday and it’s summer, then it must be ‘Saturday at the Proms,’ with the Last Night at the Proms as the climax of the season on both radio and television.
This year on Saturdays, Proms Extra, the Proms magazine programme, is hosted by Katie Derham. The show covers performances from the previous week’s Proms, has interviews with artists appearing at the Proms and looks forward to the musical week ahead. The Last Night of the Proms this year is on 12 September.
It was ‘Saturday Afternoon on the Prom’ today for two of us when we had to think again about a planned walk on the beach at the Silver Strand near Wicklow. As we drove south towards Wicklow, the grey skies turned to rain, and the Wicklow Mountains were shrouded in rain clouds and mist.
Summer flowers in the rain at the Avoca Café in the Mount Usher this afternoon (Photograph: Patrick Comerford, 2015)
We turned off at the M11 at Ashford, and decided to have lunch at the Avoca Café in the Mount Usher Gardens.
In summer weather, this is an ideal place to sit in the garden and enjoy afternoon lunch in the sunshine. But it was just as pleasant this afternoon to sit inside and enjoy the views of the garden, with the rain acting in a translucent way to enhance the colours outside.
We stopped briefly outside Ashford to buy strawberries from Enniscorthy on the roadside and then drove on through Greystones to Bray, where we went for a short Saturday afternoon walk along the Promenade, and stepped down onto the beach for a short, brief stroll along the shoreline.
Despite the rain, the water was calm, and a few small sailing boats from Bray Sailing Club were moving out from the harbour into the sea.
Bella Vista … an elegant Victorian summer villa on Strand Road, Bray (Photograph: Patrick Comerford, 2015)
One of the attractive features of the seafront in Bray is the Victorian architecture of the once elegant Victorian houses and hotels on Strand Road. Some of these have been converted into bed and breakfast accommodation, some into nursing homes, and others into flats and apartments.
But some of these houses retained their Victorian charm and elegance and are still used as family homes.
One that caught my eye late this afternoon is Bella Vista, which was built in the early 1890s as a seaside villa by Joseph Michael Meade (1839-1900), a building contractor who was twice Lord Mayor of Dublin, in 1891 and again in 1892.
Meade was educated at Trinity College Dublin before becoming a partner in his father’s expanding building business by 1871. After the death of his father, Michael Meade, he continued to build up the business until it employed on average about 900 men.
His contracts included the masonry for the Loop Line railway, the Roman Catholic church in Bray, the Convent of the Little Sisters of the Poor on the South Circular Road, Kilmainham, and the Guinness printing works.
Meade was a Parnellite Nationalist in politics and was elected to Dublin Corporation in 1886 as an alderman for Trinity Ward. He was High Sheriff in 1889 and Lord Mayor in 1891 and 1892 and later represented the Corporation on the commission which was set up to inquire into the causes of the high death rate in Dublin. In the 1890s he was also president of the Dublin Master Builders’ Association.
Meade received an honorary LL.D. from TCD in 1892 and became a member of the Privy Council for Ireland in 1893. In politics, he was a. He died suddenly on 14 July 1900 at his home in Ballsbridge, Saint Michael, Ailesbury Road, and was buried in Glasnevin Cemetery.
The unique “look-out window” at Bella Vista in Bray (Photograph: Patrick Comerford, 2015)
Bella Vista, his summer villa on Strand Road in Bray, is currently on the market with Sherry Fitzgerald Bray, with an asking price of €750,000. It has views across the bay as far as Lambay Island and a view over to Bray Head.
Many people know this house on the seafront for its unique “look-out window” and iron-railed balcony. Inside, many original period features are intact, including marble fireplaces, beautiful cornicing and ceiling roses, working window shutters and stained glass panels on windows.
The front garden, with an array of shrubs and bushes, is meticulously maintained and planted in raised flowerbeds to the side. It has been praised as the “Best Summer Garden in Bray” and the “Best Garden at Bray Seafront.”
Ulysses … an appropriate name for a seafront guesthouse in Bray Photograph: Patrick Comerford, 2015)
A few doors away is a Bed and Breakfast house known as Ulysses, which seemed an appropriate name by the sea on this grey afternoon.
In Ulysses, Buck Mulligan’s first mention of the sea is when he says to Stephen: “The snotgreen sea. The scrotumtightening sea. Epi oinopa ponton. Ah, Dedalus, the Greeks. I must teach you. You must read them in the original. Thalatta! Thalatta! She is our great sweet mother. Come and look.”
In his errata for the first edition, James Joyce specified that he wanted this to be “grey” sweet mother. This may be an interesting if somewhat obscure allusion to grey-eyed Athena, the protector of Odysseus.
The Homeric epithet ἐπὶ οἴνοπα πόντον is, perhaps, the best-known quotation from ancient Greek literature and occurs several times in the Odyssey. However, the precise meaning of οἴνοπα (“wine-red,” “wine-faced,” “wine-dark,” “wine-coloured,” or something else) is the subject of endless scholarly debates.
But when Joyce puts these words into Mulligan’s mouth, he is not offering any compliments to Mulligan’s scholarship and pronunciation of the Classical Greek which Mulligan would have learned at Oxford.
The sea, the sea … graffiti on a hoarding in Bray this afternoon (Photograph: Patrick Comerford, 2015)
θάλαττα θάλαττα (Thalatta! Thalatta!, “The sea! The sea”) is a familiar quotation from Ἀνάβασις (Anabasis, The Inland Expedition), the best-known work by Xenophon, narrating one of the great adventures in human history.
The joyful cry of the Ten Thousand Greek mercenaries on finally reaching the Black Sea is another of the best-known quotations from ancient Greek literature. “The sea! The sea!” means that at last they are back among Greek cities, although they have not reached the end of their journey.
Once again Joyce is undermining Buck Mulligan’s pretensions to scholarship by having him quote such a familiar phrase and offering a debased translation.
But today, looking out on this grey Saturday afternoon on the Prom, the sea in Bray was grey rather than “snot-green” or “wine-red.”
Surreal graffiti? A hoarding in Bray this afternoon (Photograph: Patrick Comerford, 2015)
Patrick Comerford
For many people, if it’s Saturday and it’s summer, then it must be ‘Saturday at the Proms,’ with the Last Night at the Proms as the climax of the season on both radio and television.
This year on Saturdays, Proms Extra, the Proms magazine programme, is hosted by Katie Derham. The show covers performances from the previous week’s Proms, has interviews with artists appearing at the Proms and looks forward to the musical week ahead. The Last Night of the Proms this year is on 12 September.
It was ‘Saturday Afternoon on the Prom’ today for two of us when we had to think again about a planned walk on the beach at the Silver Strand near Wicklow. As we drove south towards Wicklow, the grey skies turned to rain, and the Wicklow Mountains were shrouded in rain clouds and mist.
Summer flowers in the rain at the Avoca Café in the Mount Usher this afternoon (Photograph: Patrick Comerford, 2015)
We turned off at the M11 at Ashford, and decided to have lunch at the Avoca Café in the Mount Usher Gardens.
In summer weather, this is an ideal place to sit in the garden and enjoy afternoon lunch in the sunshine. But it was just as pleasant this afternoon to sit inside and enjoy the views of the garden, with the rain acting in a translucent way to enhance the colours outside.
We stopped briefly outside Ashford to buy strawberries from Enniscorthy on the roadside and then drove on through Greystones to Bray, where we went for a short Saturday afternoon walk along the Promenade, and stepped down onto the beach for a short, brief stroll along the shoreline.
Despite the rain, the water was calm, and a few small sailing boats from Bray Sailing Club were moving out from the harbour into the sea.
Bella Vista … an elegant Victorian summer villa on Strand Road, Bray (Photograph: Patrick Comerford, 2015)
One of the attractive features of the seafront in Bray is the Victorian architecture of the once elegant Victorian houses and hotels on Strand Road. Some of these have been converted into bed and breakfast accommodation, some into nursing homes, and others into flats and apartments.
But some of these houses retained their Victorian charm and elegance and are still used as family homes.
One that caught my eye late this afternoon is Bella Vista, which was built in the early 1890s as a seaside villa by Joseph Michael Meade (1839-1900), a building contractor who was twice Lord Mayor of Dublin, in 1891 and again in 1892.
Meade was educated at Trinity College Dublin before becoming a partner in his father’s expanding building business by 1871. After the death of his father, Michael Meade, he continued to build up the business until it employed on average about 900 men.
His contracts included the masonry for the Loop Line railway, the Roman Catholic church in Bray, the Convent of the Little Sisters of the Poor on the South Circular Road, Kilmainham, and the Guinness printing works.
Meade was a Parnellite Nationalist in politics and was elected to Dublin Corporation in 1886 as an alderman for Trinity Ward. He was High Sheriff in 1889 and Lord Mayor in 1891 and 1892 and later represented the Corporation on the commission which was set up to inquire into the causes of the high death rate in Dublin. In the 1890s he was also president of the Dublin Master Builders’ Association.
Meade received an honorary LL.D. from TCD in 1892 and became a member of the Privy Council for Ireland in 1893. In politics, he was a. He died suddenly on 14 July 1900 at his home in Ballsbridge, Saint Michael, Ailesbury Road, and was buried in Glasnevin Cemetery.
The unique “look-out window” at Bella Vista in Bray (Photograph: Patrick Comerford, 2015)
Bella Vista, his summer villa on Strand Road in Bray, is currently on the market with Sherry Fitzgerald Bray, with an asking price of €750,000. It has views across the bay as far as Lambay Island and a view over to Bray Head.
Many people know this house on the seafront for its unique “look-out window” and iron-railed balcony. Inside, many original period features are intact, including marble fireplaces, beautiful cornicing and ceiling roses, working window shutters and stained glass panels on windows.
The front garden, with an array of shrubs and bushes, is meticulously maintained and planted in raised flowerbeds to the side. It has been praised as the “Best Summer Garden in Bray” and the “Best Garden at Bray Seafront.”
Ulysses … an appropriate name for a seafront guesthouse in Bray Photograph: Patrick Comerford, 2015)
A few doors away is a Bed and Breakfast house known as Ulysses, which seemed an appropriate name by the sea on this grey afternoon.
In Ulysses, Buck Mulligan’s first mention of the sea is when he says to Stephen: “The snotgreen sea. The scrotumtightening sea. Epi oinopa ponton. Ah, Dedalus, the Greeks. I must teach you. You must read them in the original. Thalatta! Thalatta! She is our great sweet mother. Come and look.”
In his errata for the first edition, James Joyce specified that he wanted this to be “grey” sweet mother. This may be an interesting if somewhat obscure allusion to grey-eyed Athena, the protector of Odysseus.
The Homeric epithet ἐπὶ οἴνοπα πόντον is, perhaps, the best-known quotation from ancient Greek literature and occurs several times in the Odyssey. However, the precise meaning of οἴνοπα (“wine-red,” “wine-faced,” “wine-dark,” “wine-coloured,” or something else) is the subject of endless scholarly debates.
But when Joyce puts these words into Mulligan’s mouth, he is not offering any compliments to Mulligan’s scholarship and pronunciation of the Classical Greek which Mulligan would have learned at Oxford.
The sea, the sea … graffiti on a hoarding in Bray this afternoon (Photograph: Patrick Comerford, 2015)
θάλαττα θάλαττα (Thalatta! Thalatta!, “The sea! The sea”) is a familiar quotation from Ἀνάβασις (Anabasis, The Inland Expedition), the best-known work by Xenophon, narrating one of the great adventures in human history.
The joyful cry of the Ten Thousand Greek mercenaries on finally reaching the Black Sea is another of the best-known quotations from ancient Greek literature. “The sea! The sea!” means that at last they are back among Greek cities, although they have not reached the end of their journey.
Once again Joyce is undermining Buck Mulligan’s pretensions to scholarship by having him quote such a familiar phrase and offering a debased translation.
But today, looking out on this grey Saturday afternoon on the Prom, the sea in Bray was grey rather than “snot-green” or “wine-red.”
Surreal graffiti? A hoarding in Bray this afternoon (Photograph: Patrick Comerford, 2015)
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