Showing posts with label Palm Sunday. Show all posts
Showing posts with label Palm Sunday. Show all posts

29 March 2026

Daily prayer in Lent 2026:
40, Sunday 29 March 2026,
Palm Sunday (Sixth Sunday in Lent)

The Entry into Jerusalem (Palm Sunday) … a Hardman window (1869) in the north aisle of Saint Mary’s Church, St Neots, Cambridgeshire, the ‘cathedral of Huntingdonshire’ (Photograph: Patrick Comerford)

Patrick Comerford

We have come to the last week in Lent, and Holy Week begins today with Palm Sunday or the Sixth Sunday in Lent (29 March 2026), and next Sunday (5 April 2026) is Easter Day.

Later this morning, I am one of the readers at the Palm Sunday Eucharist in Saint Mary and Saint Giles Church, Stony Stratford, which begins with a procession from the Market Square at 9:15.

But, before today begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:

1, reading today’s Gospel reading;

2, a short reflection;

3, a prayer from the USPG prayer diary;

4, the Collects and Post-Communion prayer of the day.

The entry into Jerusalem on Palm Sunday … an icon by Theodoros Papadopoulos of Larissa

Matthew 26: 14 to 27: 66 (NRSVA):

14 Then one of the twelve, who was called Judas Iscariot, went to the chief priests 15 and said, ‘What will you give me if I betray him to you?’ They paid him thirty pieces of silver. 16 And from that moment he began to look for an opportunity to betray him.

17 On the first day of Unleavened Bread the disciples came to Jesus, saying, ‘Where do you want us to make the preparations for you to eat the Passover?’ 18 He said, ‘Go into the city to a certain man, and say to him, “The Teacher says, My time is near; I will keep the Passover at your house with my disciples.”’ 19 So the disciples did as Jesus had directed them, and they prepared the Passover meal.

20 When it was evening, he took his place with the twelve; 21 and while they were eating, he said, ‘Truly I tell you, one of you will betray me.’ 22 And they became greatly distressed and began to say to him one after another, ‘Surely not I, Lord?’ 23 He answered, ‘The one who has dipped his hand into the bowl with me will betray me. 24 The Son of Man goes as it is written of him, but woe to that one by whom the Son of Man is betrayed! It would have been better for that one not to have been born.’ 25 Judas, who betrayed him, said, ‘Surely not I, Rabbi?’ He replied, ‘You have said so.’

26 While they were eating, Jesus took a loaf of bread, and after blessing it he broke it, gave it to the disciples, and said, ‘Take, eat; this is my body.’ 27 Then he took a cup, and after giving thanks he gave it to them, saying, ‘Drink from it, all of you; 28 for this is my blood of the covenant, which is poured out for many for the forgiveness of sins. 29 I tell you, I will never again drink of this fruit of the vine until that day when I drink it new with you in my Father’s kingdom.’

30 When they had sung the hymn, they went out to the Mount of Olives.

31 Then Jesus said to them, ‘You will all become deserters because of me this night; for it is written,
“I will strike the shepherd,
and the sheep of the flock will be scattered.”
32 But after I am raised up, I will go ahead of you to Galilee.’ 33 Peter said to him, ‘Though all become deserters because of you, I will never desert you.’ 34 Jesus said to him, ‘Truly I tell you, this very night, before the cock crows, you will deny me three times.’ 35 Peter said to him, ‘Even though I must die with you, I will not deny you.’ And so said all the disciples.

36 Then Jesus went with them to a place called Gethsemane; and he said to his disciples, ‘Sit here while I go over there and pray.’ 37 He took with him Peter and the two sons of Zebedee, and began to be grieved and agitated. 38 Then he said to them, ‘I am deeply grieved, even to death; remain here, and stay awake with me.’ 39 And going a little farther, he threw himself on the ground and prayed, ‘My Father, if it is possible, let this cup pass from me; yet not what I want but what you want.’ 40 Then he came to the disciples and found them sleeping; and he said to Peter, ‘So, could you not stay awake with me one hour? 41 Stay awake and pray that you may not come into the time of trial; the spirit indeed is willing, but the flesh is weak.’ 42 Again he went away for the second time and prayed, ‘My Father, if this cannot pass unless I drink it, your will be done.’ 43 Again he came and found them sleeping, for their eyes were heavy. 44 So leaving them again, he went away and prayed for the third time, saying the same words. 45 Then he came to the disciples and said to them, ‘Are you still sleeping and taking your rest? See, the hour is at hand, and the Son of Man is betrayed into the hands of sinners. 46 Get up, let us be going. See, my betrayer is at hand.’

47 While he was still speaking, Judas, one of the twelve, arrived; with him was a large crowd with swords and clubs, from the chief priests and the elders of the people. 48 Now the betrayer had given them a sign, saying, ‘The one I will kiss is the man; arrest him.’ 49 At once he came up to Jesus and said, ‘Greetings, Rabbi!’ and kissed him. 50 Jesus said to him, ‘Friend, do what you are here to do.’ Then they came and laid hands on Jesus and arrested him. 51 Suddenly, one of those with Jesus put his hand on his sword, drew it, and struck the slave of the high priest, cutting off his ear. 52 Then Jesus said to him, ‘Put your sword back into its place; for all who take the sword will perish by the sword. 53 Do you think that I cannot appeal to my Father, and he will at once send me more than twelve legions of angels? 54 But how then would the scriptures be fulfilled, which say it must happen in this way?’ 55 At that hour Jesus said to the crowds, ‘Have you come out with swords and clubs to arrest me as though I were a bandit? Day after day I sat in the temple teaching, and you did not arrest me. 56 But all this has taken place, so that the scriptures of the prophets may be fulfilled.’ Then all the disciples deserted him and fled.

57 Those who had arrested Jesus took him to Caiaphas the high priest, in whose house the scribes and the elders had gathered. 58 But Peter was following him at a distance, as far as the courtyard of the high priest; and going inside, he sat with the guards in order to see how this would end. 59 Now the chief priests and the whole council were looking for false testimony against Jesus so that they might put him to death, 60 but they found none, though many false witnesses came forward. At last two came forward 61 and said, ‘This fellow said, “I am able to destroy the temple of God and to build it in three days.”’ 62 The high priest stood up and said, ‘Have you no answer? What is it that they testify against you?’ 63 But Jesus was silent. Then the high priest said to him, ‘I put you under oath before the living God, tell us if you are the Messiah, the Son of God.’ 64 Jesus said to him, ‘You have said so. But I tell you,
From now on you will see the Son of Man
seated at the right hand of Power
and coming on the clouds of heaven.’

65 Then the high priest tore his clothes and said, ‘He has blasphemed! Why do we still need witnesses? You have now heard his blasphemy. 66 What is your verdict?’ They answered, ‘He deserves death.’ 67 Then they spat in his face and struck him; and some slapped him, 68 saying, ‘Prophesy to us, you Messiah! Who is it that struck you?’

69 Now Peter was sitting outside in the courtyard. A servant-girl came to him and said, ‘You also were with Jesus the Galilean.’ 70 But he denied it before all of them, saying, ‘I do not know what you are talking about.’ 71 When he went out to the porch, another servant-girl saw him, and she said to the bystanders, ‘This man was with Jesus of Nazareth.’ 72 Again he denied it with an oath, ‘I do not know the man.’ 73 After a little while the bystanders came up and said to Peter, ‘Certainly you are also one of them, for your accent betrays you.’ 74 Then he began to curse, and he swore an oath, ‘I do not know the man!’ At that moment the cock crowed. 75 Then Peter remembered what Jesus had said: ‘Before the cock crows, you will deny me three times.’ And he went out and wept bitterly.

1 When morning came, all the chief priests and the elders of the people conferred together against Jesus in order to bring about his death. 2 They bound him, led him away, and handed him over to Pilate the governor.

3 When Judas, his betrayer, saw that Jesus was condemned, he repented and brought back the thirty pieces of silver to the chief priests and the elders. 4 He said, ‘I have sinned by betraying innocent blood.’ But they said, ‘What is that to us? See to it yourself.’ 5 Throwing down the pieces of silver in the temple, he departed; and he went and hanged himself. 6 But the chief priests, taking the pieces of silver, said, ‘It is not lawful to put them into the treasury, since they are blood money.’ 7 After conferring together, they used them to buy the potter’s field as a place to bury foreigners. 8 For this reason that field has been called the Field of Blood to this day. 9 Then was fulfilled what had been spoken through the prophet Jeremiah, ‘And they took the thirty pieces of silver, the price of the one on whom a price had been set, on whom some of the people of Israel had set a price, 10 and they gave them for the potter’s field, as the Lord commanded me.’

11 Now Jesus stood before the governor; and the governor asked him, ‘Are you the King of the Jews?’ Jesus said, ‘You say so.’ 12 But when he was accused by the chief priests and elders, he did not answer. 13 Then Pilate said to him, ‘Do you not hear how many accusations they make against you?’ 14 But he gave him no answer, not even to a single charge, so that the governor was greatly amazed.

15 Now at the festival the governor was accustomed to release a prisoner for the crowd, anyone whom they wanted. 16 At that time they had a notorious prisoner, called Jesus Barabbas. 17 So after they had gathered, Pilate said to them, ‘Whom do you want me to release for you, Jesus Barabbas or Jesus who is called the Messiah?’ 18 For he realized that it was out of jealousy that they had handed him over. 19 While he was sitting on the judgement seat, his wife sent word to him, ‘Have nothing to do with that innocent man, for today I have suffered a great deal because of a dream about him.’ 20 Now the chief priests and the elders persuaded the crowds to ask for Barabbas and to have Jesus killed. 21 The governor again said to them, ‘Which of the two do you want me to release for you?’ And they said, ‘Barabbas.’ 22 Pilate said to them, ‘Then what should I do with Jesus who is called the Messiah?’ All of them said, ‘Let him be crucified!’ 23 Then he asked, ‘Why, what evil has he done?’ But they shouted all the more, ‘Let him be crucified!’

24 So when Pilate saw that he could do nothing, but rather that a riot was beginning, he took some water and washed his hands before the crowd, saying, ‘I am innocent of this man’s blood; see to it yourselves.’ 25 Then the people as a whole answered, ‘His blood be on us and on our children!’ 26 So he released Barabbas for them; and after flogging Jesus, he handed him over to be crucified.

27 Then the soldiers of the governor took Jesus into the governor’s headquarters, and they gathered the whole cohort around him. 28 They stripped him and put a scarlet robe on him, 29 and after twisting some thorns into a crown, they put it on his head. They put a reed in his right hand and knelt before him and mocked him, saying, ‘Hail, King of the Jews!’ 30 They spat on him, and took the reed and struck him on the head. 31 After mocking him, they stripped him of the robe and put his own clothes on him. Then they led him away to crucify him.

32 As they went out, they came upon a man from Cyrene named Simon; they compelled this man to carry his cross. 33 And when they came to a place called Golgotha (which means Place of a Skull), 34 they offered him wine to drink, mixed with gall; but when he tasted it, he would not drink it. 35 And when they had crucified him, they divided his clothes among themselves by casting lots; 36 then they sat down there and kept watch over him. 37 Over his head they put the charge against him, which read, ‘This is Jesus, the King of the Jews.’

38 Then two bandits were crucified with him, one on his right and one on his left. 39 Those who passed by derided him, shaking their heads 40 and saying, ‘You who would destroy the temple and build it in three days, save yourself! If you are the Son of God, come down from the cross.’ 41 In the same way the chief priests also, along with the scribes and elders, were mocking him, saying, 42 ‘He saved others; he cannot save himself. He is the King of Israel; let him come down from the cross now, and we will believe in him. 43 He trusts in God; let God deliver him now, if he wants to; for he said, “I am God’s Son.”’ 44 The bandits who were crucified with him also taunted him in the same way.

45 From noon on, darkness came over the whole land until three in the afternoon. 46 And about three o’clock Jesus cried with a loud voice, ‘Eli, Eli, lema sabachthani?’ that is, ‘My God, my God, why have you forsaken me?’ 47 When some of the bystanders heard it, they said, ‘This man is calling for Elijah.’ 48 At once one of them ran and got a sponge, filled it with sour wine, put it on a stick, and gave it to him to drink. 49 But the others said, ‘Wait, let us see whether Elijah will come to save him.’ 50 Then Jesus cried again with a loud voice and breathed his last. 51 At that moment the curtain of the temple was torn in two, from top to bottom. The earth shook, and the rocks were split. 52 The tombs also were opened, and many bodies of the saints who had fallen asleep were raised. 53 After his resurrection they came out of the tombs and entered the holy city and appeared to many. 54 Now when the centurion and those with him, who were keeping watch over Jesus, saw the earthquake and what took place, they were terrified and said, ‘Truly this man was God’s Son!’

55 Many women were also there, looking on from a distance; they had followed Jesus from Galilee and had provided for him. 56 Among them were Mary Magdalene, and Mary the mother of James and Joseph, and the mother of the sons of Zebedee.

57 When it was evening, there came a rich man from Arimathea, named Joseph, who was also a disciple of Jesus. 58 He went to Pilate and asked for the body of Jesus; then Pilate ordered it to be given to him. 59 So Joseph took the body and wrapped it in a clean linen cloth 60 and laid it in his own new tomb, which he had hewn in the rock. He then rolled a great stone to the door of the tomb and went away. 61 Mary Magdalene and the other Mary were there, sitting opposite the tomb.

62 The next day, that is, after the day of Preparation, the chief priests and the Pharisees gathered before Pilate 63 and said, ‘Sir, we remember what that impostor said while he was still alive, “After three days I will rise again.” 64 Therefore command that the tomb be made secure until the third day; otherwise his disciples may go and steal him away, and tell the people, “He has been raised from the dead”, and the last deception would be worse than the first.’ 65 Pilate said to them, ‘You have a guard of soldiers; go, make it as secure as you can. 66 So they went with the guard and made the tomb secure by sealing the stone.

‘Christ the Bridegroom’ … a new icon in the Greek Orthodox Church in Stony Stratford (Photograph: Patrick Comerford, 2026)

Today’s Reflection:

The Gospel reading for the Liturgy of the Passion (Matthew 26: 14 to 27: 66) this morning is so long that it was traditionally known as the ‘Long Gospel’. It is so long, even in the abbreviated option that is available (Matthew 27: 11-54), that I imagine many sermons this morning are going to be very short, relying instead on dramatised readings of the passion narrative.

The other Palm Sunday Gospel reading (Matthew 21: 1-11), for the Liturgy of the Palms, is so familiar that few people are going to hear new reflections on the story of that well-known entry into Jerusalem.

Few people are likely to hear the first reading provided in the lectionary from the Prophet Isaiah (Isaiah 50: 4-9a), and very few preachers are likely to seek inspiration from it.

In the Orthodox Church, Palm Sunday and Easter Day are each a week later this year (5 and 12 April). Beginning on the evening of Palm Sunday and continuing through the evening of Holy Tuesday, the Orthodox Church observes a special service known as the Service of the Bridegroom. Each evening service is the Matins or Orthros service of the following day (for example, the service held on Sunday evening is the Orthros service for Holy Monday). The name of the service is from the figure of the Bridegroom in the parable of the Ten Virgins (Matthew 25: 1-13), and the icon of Christ the Bridegroom is inspired by many of the images of the Suffering Servant in Isaiah.

The 19th century French writer Victor Hugo included the Prophet Isaiah in his list of the six great writers of Western literature, alongside Aeschylus, Homer, Job, Dante and Shakespeare.

This reading is well known as the third ‘Servant Song’ of Isaiah – in all, there are four servant songs of Isaiah: Isaiah 42: 1-4; Isaiah 49: 1-6; Isaiah 50: 4-11; and Isaiah 52: 13 to 53: 12.

But this third Servant Song is relatively unknown. It builds on and develops the two previous songs in chapter 42 and chapter 49 in that the Servant of God, for the first time, suffers in this reading. In words that are adapted by George Frideric Handel in his oratorio Messiah (1742), he ‘gave his back to those who struck me, and my cheeks to those who pulled out the beard’ (50: 6).

So, the Servant Song in the Palm Sunday readings provides vital insights into an individual’s suffering for the sake of the nation and for the sake of the world.

There are many questions about the identity of Isaiah’s servant.

In the past, the sufferings of the Suffering Servant in the writings of Isaiah have been identified by Jewish scholars with the sufferings of the whole children of Israel, and in more recent years, by some scholars, in particular with the experiences of the Holocaust.

Christians have traditionally identified Isaiah’s Suffering Servant with the suffering and crucified Christ, the Christ who is condemned to death in the Gospel reading for Liturgy of the Passion. And, for early Christians, there was only one answer. For them, Christ clearly was the one long predicted by the prophet.

Most especially, they saw him in the fourth ‘Servant Song’ (Chapters 52-53), where the servant was ‘despised and rejected’ (53: 3), ‘a man of suffering’ (53: 3), who ‘has borne our infirmities’ (53: 4), who ‘carried our diseases’ (53: 4), who ‘like a lamb was led to the slaughter’ (53: 7), who ‘bore the sin of many, and made intercession for our transgressions’ (53: 12).

For those early Christians, that fourth song was clearly about the one they had experienced in Christ’s life and particularly in his death on the cross.

So, perhaps, that fourth song in Isaiah 52-53 might seem to be more appropriate a reading this morning as we face into Holy Week – and one of the readings on Good Friday [3 April 2026] is part of that fourth song (Isaiah 52: 13 to Isaiah 53: 12). So why was this passage (Isaiah 50: 4-9a), the third song, chosen instead as one the readings on Palm Sunday for Year A, B and C?

In Isaiah 50, the servant is given a clear and powerful description. But so too is God. Four times in this passage (verse 4, 5, 7, 9) the Lord is known as the ‘Lord God,’ an address that is unique in Isaiah. Other versions render this as ‘Sovereign Lord,’ and it catches attention because of the double title of God (adonai Yahweh). Perhaps, we should see this as a way of emphasising the dependence of the servant on God.

The word the servant uses to describe himself (lemudim, verse 4) has been translated ‘of a teacher,’ or ‘of those who learn,’ or ‘of the learned.’

It is not clear whether the word means that God has given the servant the tongue of a teacher or learner. But we all know that the best teachers are those who are the most eager learners. Theological teachers, in particular, need to listen to human wisdom and divine wisdom, need to listen to creation and to the Creator. To have the tongue that teaches, I must first have an ear that hears. The servant of God is one who learns and proclaims a message from God.

The prophet implies by that language that the servant is not necessarily a leader, he does not always need to be out front, but he is the one who can speak well when right speech is needed. Indeed, God’s gift of speech is given ‘that I may know how to sustain the weary with a word’ (50: 4b).

The primary role of the servant is to pay special attention to the ‘weary,’ to those who are in desperate need of encouragement and support, to those on the margins, who are neglected, who are in danger of being forgotten.

This role of listener and right speaker is given to the servant ‘morning by morning,’ again and again (50: 4c).

In contrast to other prophetic figures, who may have received the Word of God while in the Temple praying (Isaiah), while watching the flock (Amos), or in dreams or in visions (Ezekiel), the prophet here emphasises the daily inspiration that came to him.

The suffering servant was so committed to the task that he gave his ‘back to those who struck me’ and his ‘cheeks to those who pulled out the beard.’ Neither did he ‘hide (his) face from insult and spitting.’

These acts – striking, beard pulling, insulting and spitting – are harsh, demeaning actions in a shame-based culture. Each of these deeds is designed to humiliate and denigrate a person, forcing him or her to ‘turn back,’ to reject the course he or she had first decided to follow and to conform to society’s norms and expectations.

However, this servant is not going to be deterred from his task of being a careful listener and a true encourager, no matter what insults are heaped upon him.

Although the message will be proclaimed, it is his suffering that is emphasised here. Just as the mouth speaks what the ear hears, so the parts of the body that suffer are stressed here. His persecutors strike him on his back and, when they pull out hairs from his beard, they attack him at the front too. They hurt him physically when they strike him, and they hurt him psychologically when they taunt and insult him.

The Suffering Servant was empowered to take on his suffering and to not turn his back because ‘the Lord God helps me’ (verse 7a). Because of the presence of the Lord God, the servant feels no ‘disgrace’ and has ‘set my face like flint.’

This second image suggests the unbreakable conviction of the servant to do what he has been called for.

The remainder of the passage enumerates the absolute conviction of this servant to act on the call of the Lord God in all things:

and I know I shall not be put to shame;
he who vindicates me is near (Isaiah 50: 7c-8a).

The servant can perform the work of the Lord God, however difficult and dangerous it may be, because the Lord God stands with the servant.

We live in a society and a culture where we try to avoid suffering. The Covid-19 or Corona Virus pandemic recently showed how in our culture we feel sickness and ill-health have to be avoided at all costs. We take out insurance against every inevitability and if, despite that, we end up in hospital we blame the system, the NHS, the medical professionals, even the government.

Until the recent pandemic, suffering was no longer appreciated or reflected on in our culture. We had become more interested in the exploits of the rich and famous than in the suffering of the marginalised and the global majority.

Yet, we should know, of all people, that suffering is at the heart of our experience of life, and the servant whose story we hear today is the one who leads us on the way to it. And In the week between Palm Sunday and Easter Day, we are invited again to be brought once more to the mystery of divine suffering.

We know that suffering and rejection must never have the last word. All suffering must eventually be put to an end, because that is the promise of the Crucifixion and the Resurrection. The Suffering Servant offers us the opportunity this Palm Sunday to look forward to Easter hope and the hope of the Resurrection.

The entry into Jerusalem on Palm Sunday … a fresco in Analipsi Church in Georgioupoli in Crete (Photograph: Patrick Comerford)

Today’s Prayers (Sunday 29 March 2026, Palm Sunday):

The theme this week (29 March-4 April 2026) in ‘Pray With the World Church’, the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is a ‘Holy Week’ reflection’ (pp 42-43). This theme is introduced today with reflections by the Revd Kenson Li, Assistant Curate of Manchester Cathedral and a Trustee of USPG:

‘Read Psalm 118: 1-2, 19-29.

‘This is known as the Psalm of the Liturgy of the Palms.

‘Manchester Cathedral, where I work, is over 600 years old. Yet we have no stained-glass windows that date back to when the cathedral was built: this is because we were bombed by the Germans in the Second World War and suffered some damage after the IRA bombing in 1996. Across the city, we see memorials to other tragic losses of life: the Peterloo Massacre memorial opposite Bridgewater Hall, and ‘The Glade of Light Memorial’ outside the Cathedral, commemorating the lives lost in the terrorist attack in Manchester Arena.

‘But Manchester is not a sad city; we are an energetic city that is full of life. I think this is because, to quote from Oasis, our city’s most famous band: we don’t look back in anger.

‘As we journey towards the Cross, we have much to lament for: the evil humanity is capable of, the destruction greed and ideologies bring … but at the same time, we have much to give thanks for: the love of God which triumphs over death and sin, the reconciliation between humans made possible because of the forgiveness which radiates from the Cross of Christ. I don’t think God was looking back in anger when Jesus was crucified. I think God was looking towards a future that is full of light and life. May we do the same as we gaze upon the wondrous Cross this Good Friday, and every day of our lives.’

The USPG Prayer Diary today (Sunday 29 March 2026, Palm Sunday) invites us to pray:

Jesus, Son of God and son of David, you entered Jerusalem in meekness to perfect our love through death. May all who dwell in the land of your birth know that love and forgiveness are always stronger than weapons and greed.

The Collect:

Almighty and everlasting God,
who in your tender love towards the human race
sent your Son our Saviour Jesus Christ
to take upon him our flesh
and to suffer death upon the cross:
grant that we may follow the example of his patience and humility,
and also be made partakers of his resurrection;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

The Post Communion Prayer:

Lord Jesus Christ,
you humbled yourself in taking the form of a servant,
and in obedience died on the cross for our salvation:
give us the mind to follow you
and to proclaim you as Lord and King,
to the glory of God the Father.

Additional Collect:

True and humble king,
hailed by the crowd as Messiah:
grant us the faith to know you and love you,
that we may be found beside you
on the way of the cross,
which is the path of glory.

Yesterday’s Reflections

Continued Tomorrow

‘Buro Taxi’ … riding on a donkey in Mijas in south-east Spain (Photograph: Patrick Comerford)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org

13 April 2025

Daily prayer in Lent 2025:
40, Sunday 13 April 2025,
Palm Sunday (the Sixth Sunday in Lent)

The Entry into Jerusalem (Palm Sunday) … a Hardman window (1869) in the north aisle of Saint Mary’s Church, St Neots, Cambridgeshire, the ‘cathedral of Huntingdonshire’ (Photograph: Patrick Comerford)

Patrick Comerford

We have come to the last week in Lent, and Holy Week begins today with Palm Sunday or the Sixth Sunday in Lent (13 April 2025). Last night was also the first night of Passover, which began at sunset and continues until next Sunday evening (20 April 2025), which is also Easter Day.

Later this morning, I hope to sing with the Choir at the Palm Sunday Eucharist in Saint Mary and Saint Giles Church, Stony Stratford, beginning with a procession from the Market Square. Then there is a small family celebration in the evening.

But, before today begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:

1, reading today’s Gospel reading;

2, a short reflection;

3, a prayer from the USPG prayer diary;

4, the Collects and Post-Communion prayer of the day.

The entry into Jerusalem on Palm Sunday … an icon by Theodoros Papadopoulos of Larissa

Luke 19: 28-40 (NRSVA):

28 After he had said this, he went on ahead, going up to Jerusalem.

29 When he had come near Bethphage and Bethany, at the place called the Mount of Olives, he sent two of the disciples, 30 saying, ‘Go into the village ahead of you, and as you enter it you will find tied there a colt that has never been ridden. Untie it and bring it here. 31 If anyone asks you, “Why are you untying it?” just say this: “The Lord needs it”.’ 32 So those who were sent departed and found it as he had told them. 33 As they were untying the colt, its owners asked them, ‘Why are you untying the colt?’ 34 They said, ‘The Lord needs it.’ 35 Then they brought it to Jesus; and after throwing their cloaks on the colt, they set Jesus on it. 36 As he rode along, people kept spreading their cloaks on the road. 37 As he was now approaching the path down from the Mount of Olives, the whole multitude of the disciples began to praise God joyfully with a loud voice for all the deeds of power that they had seen, 38 saying,

‘Blessed is the king
who comes in the name of the Lord!
Peace in heaven,
and glory in the highest heaven!’

39 Some of the Pharisees in the crowd said to him, ‘Teacher, order your disciples to stop.’ 40 He answered, ‘I tell you, if these were silent, the stones would shout out.’

‘Buro Taxi’ … riding on a donkey in Mijas in south-east Spain (Photograph: Patrick Comerford)

Today’s Reflection:

Today, there are three different options in the Lectionary for Gospel readings this morning: the account in Saint Luke’s Gospel of Christ’s entry into Jerusalem on Palm Sunday (Luke 19: 28-40) for the Liturgy of the Palms; Luke 22: 14 to 23: 56 or Luke 23: 1-49, for the Liturgy of the Passion, telling of Christ’s Passion during Holy Week, how he carried his cross to Calvary, his Crucifixion; and the passion narrative in Saint Matthew's Gospel, Matthew 27: 1-54, or Matthew 26: 1 to 27: 61, or Matthew 21: 1-13. A sung version of the Passion narrative in Saint Matthew’s Gospel is being sung by the choir in Stony Stratford this morning.

Traditionally, the Gospel reading for the Liturgy of the Passion on Palm Sunday was so long that this was known as the ‘Long Gospel’.

As a Gospel reflection for Palm Sunday this morning, I have chosen the poem ‘The Donkey’ by Gilbert Keith Chesterton (1874-1936), an English writer, journalist, critic and poet who was well-known for his reasoned apologetics.

Chesterton’s biographers have identified him as a successor to Victorian writers such as Matthew Arnold, Thomas Carlyle, John Henry Newman and John Ruskin. In his life, he moved eventually from High Church Anglicanism to becoming a Roman Catholic in 1922.

Chesterton was born in Campden Hill in London, and was educated at Saint Paul’s School, the Slade School of Art and University College London.

At first, he hoped to become an artist but eventually became a journalist, writer, critic and poet. One of his memorable fictional characters is Father Brown.

His circle of friends included the Dublin-born playwright George Bernard Shaw, PG Wodehouse, HG Wells and Bertrand Russell. In the middle of his epic poem, ‘The Ballad of the White Horse,’ he famously states:

For the great Gaels of Ireland
Are the men that God made mad,
For all their wars are merry,
And all their songs are sad.


He died in 1936 in Beaconsfield, Buckinghamshire, and his Requiem Mass took place in Westminster Cathedral.

In this poem, Chesterton uses the donkey as a literary device to link birth and death, Christmas and Easter. We often think of the donkey as the lowly, humble, unattractive, even stupid, beast of burden who carries Christ into Jerusalem on Palm Sunday. But, tradition says, the Christ Child also rode on a donkey when he was carried in the womb by his mother, the Virgin Mary, to Bethlehem before his birth, and on a donkey when his family fled to Egypt.

However, this poem points us, not so much to the donkey, but to our ‘Beast of Burden,’ Christ, who carried the burden that no one else could bear – the sins of the world. Like the Suffering Servant in our reading from the Prophet Isaiah, Christ looked even more ‘monstrous’ than the donkey (see Isaiah 50: 4-9a), he was ‘starved, scourged, derided,’ four times in the Gospels he was ‘dumb,’ but his hour of glory came on the cross.

Is the donkey too hard on himself? But then, most us may be too hard on ourselves. If the lowly beast of burden becomes a bearer of the King, then surely Christ can see through the ways our perceptions of our own worth and understanding are at times awry and distorted.

It might be too easy to think of the donkey as foolish. The donkey may be derided as a stupid animal, yet he is used by God for the most triumphal journey in history, highlighting the difference between God’s wisdom and ours. No matter how humble or crushed in spirit we may feel, we are all God’s beloved children and we are all capable of being raised in glory.

Nobody is truly worthless, no matter what others may think. Just as the donkey is an unsung, unloved and unattractive creature who becomes the hero in Chesterton’s poem, so too the most humble and unattractive people, even though they are without social connections or the appearance of being important, are seen by Christ as who they truly are, made in God’s image and likeness.

The donkey remains dumb and does not declare his moment of greatness to those who deride him. Instead, his experience is an internal knowledge of his true value.

The image of the donkey in his moment of glory carrying Christ speaks of the intrinsic worth of every human, and the glory of every human soul in God’s love. In God’s eyes, we all deserve palms before our feet.

The Donkey, by GK Chesterton

When fishes flew and forests walked,
And figs grew upon thorn,
Some moment when the moon was blood,
Then surely I was born.

With monstrous head and sickening cry,
And ears like errant wings,
The devil’s walking parody
Of all four-footed things.

The tattered outlaw of the earth,
Of ancient, crooked will;
Starve, scourge, deride me: I am dumb,
I keep my secret still.

Fools! For I also had my hour;
One far fierce hour and sweet:
There was a shout about my ears,
And palms before my feet.

The entry into Jerusalem on Palm Sunday … a fresco in Analipsi Church in Georgioupoli in Crete (Photograph: Patrick Comerford)

Today’s Prayers (Sunday 13 April 2025, Palm Sunday):

A ‘Holy Week Reflection’ provides the theme this week in ‘Pray With the World Church’, the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel).’ This theme is introduced today with reflections by the Right Revd Dr David Walker, Bishop of Manchester and Chair of Trustees, USPG:

Read Luke 23: 34

‘The telegram arrived early on Good Friday 1980. It informed me that my bishop had decided to sponsor me to train to be a priest. The very next thing in my diary that morning was to carry the processional cross for the sung liturgy, as all around me the choir of King’s College, Cambridge, where I was researching in mathematics, sang Allegri’s setting of the Miserere. It struck me then, that the message I had just received was my calling to hold up the cross of Jesus before God’s people not just for an hour one Spring Friday morning but for the rest of my life.

‘What had drawn me first to the Christian faith, and then on to seeking ordination, was the powerful sense I had of the God who, in Jesus Christ, knew me better than any earthly person, and at the same time loved me more deeply than any human being ever could. Jesus showed that limitless love throughout his ministry. He healed the sick, freed those held captive by evil, listened to the voices of outcasts, confronted the perpetrators of injustice. Above all, he forgave sinners, often even before they had plucked up the courage to repent. This was a Jesus I wanted both to follow and to hold up so that others like me could come to know him, or to know him better.

This was the forgiveness and love he showed supremely that first Holy Week, when on what Christians now call Good Friday, he allowed himself to be murdered for love of you and me. Nailed to the cross, Jesus proved conclusively that his love and forgiveness had no limits, not even death itself.

The USPG Prayer Diary today (Sunday 13 April 2025, Palm Sunday) invites us to pray reflecting on these words:

‘This is the gate of the Lord; the righteous shall enter through it. I thank you that you have answered me and have become my salvation’ (Psalm 118: 20-21).

The Collect:

Almighty and everlasting God,
who in your tender love towards the human race
sent your Son our Saviour Jesus Christ
to take upon him our flesh
and to suffer death upon the cross:
grant that we may follow the example of his patience and humility,
and also be made partakers of his resurrection;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

The Post Communion Prayer:

Lord Jesus Christ,
you humbled yourself in taking the form of a servant,
and in obedience died on the cross for our salvation:
give us the mind to follow you
and to proclaim you as Lord and King,
to the glory of God the Father.

Additional Collect:

True and humble king,
hailed by the crowd as Messiah:
grant us the faith to know you and love you,
that we may be found beside you
on the way of the cross,
which is the path of glory.

Yesterday’s Reflection

Continued Tomorrow

The entry into Jerusalem on Palm Sunday … an image from Gaudí’s Basilica de Sagrada Familia in Barcelona (Photograph: Patrick Comerford)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org

24 March 2025

A ‘virtual tour’ of half a dozen
town centre churches during
a short visit to Colchester

A short visit to Colchester was an opportunity to visit some of the churches in the town centre (Photographs: Patrick Comerford, 2025)

Patrick Comerford

During our recent visit to Colchester, I visited some of the churches in the town centre, including the ruins of Saint Botolph’s Priory and the neighbouring Victorian Saint Botolph’s Church, which I wrote about yesterday (23 March 2025), as well as the castle, the Roman and Norman walls, the town hall, the former Jewish quarter in Stockwell Street, and the sites of the town’s synagogues.

Colchester is in the Diocese of Chelmsford, and the centre of mediaeval Colchester once had eight parish churches, of which six survive: Saint Runwald came down in 1878; Saint Nicholas was rebuilt by George Gilbert Scott in 1876 but was demolished as recently as 1955.

By comparison with some other towns in East Anglia, the centre of Cambridge has nine surviving mediaeval parish churches, Ipswich has 12 and Norwich has 29 – but each is a larger town than Colchester.

Colchester’s buildings suffered significant damage with the Civil War siege in 1648, most notable Saint Botolph’s Priory, and suffered again in an earthquake in 1884. In a reorganisation of the town centre parishes after World War II, Saint Peter and Saint James at each end of the High Street became the key churches – one Low and one High. St Martin was declared redundant in 1953.

During our visit to Colchester, I missed some of the town’s mediaeval churches, including Holy Trinity Church on Trinity Street, said to be the oldest surviving church in Colchester. But I visited Saint Botolph’s Priory and Saint Botolph’s Church, which I wrote about yesterday, and there were short opportunities to see six churches in the town centre, including ‘Low Saint Peter’ and ‘High Saint James’:

1, All Saints’ Church, High Street:

The foundations of All Saints’ Church may have made use of the walls of Roman buildings on the site (Photograph: Patrick Comerford, 2025)

All Saints’ Church, a 12th-century church on the High Street, faces Colchester Castle and is one of the earliest churches in the town. The High Street roughly follows the line of the principal East-West street of the Roman town and aligns with the Roman gates that were at either end of it. But it was deflected south outside All Saints when the castle was built in the 11th century.

All Saints’ Church predates this and is aligned with a nearby Roman building. The foundations of the church may have made use of the walls of Roman buildings that were already on the site.

The church was originally a two-cell apsidal church. The nave was added in the 12th century by the Normans. The chancel dates from the 14th century and the aisle from the 15th. The tower was built in the 14th century and rebuilt ca 1500, but it retained the arch of the earlier tower.

All Saints’ Church became Colchester’s Natural History Museum in 1958 (Photograph: Patrick Comerford, 2025)

A 14th century rector was fined for felling hazel trees growing on the town wall, another was fined for assault and a third was fined for obstructing the highway with a ‘whirlegigge’, which was probably a type of turnstile.

When Saint Botolph’s church was badly damaged by cannon fire by besieging Parliamentarians in 1648, the parishioners were welcomed at All Saints and they continued to worship there for almost 200 years until 1837 when the present Saint Botolph’s Church was built.

All Saints’ Church was heavily restored in the 19th century and is a fine example of gothic architecture. It was declared a redundant church in 1956 and became Colchester’s Natural History Museum in 1958.

2, Saint James the Great, East Hill:

The radical priest John Ball preached in Saint James the Great Church (Photograph: Patrick Comerford, 2025)

Saint James the Great Church on East Hill dates from the 12th century. The nave, tower and two aisles were built between the 13th and 15th centuries. The radical priest John Ball, a leader of the Peasants’ Revolt in 1381, preached in the church.

The chancel and the chapels of Our Lady and Saint Peter and Saint Paul were added ca 1500. The church was restored by Samuel Sanders Teulon in 1870-1871. It was designated a grade II* listed building in 1950.

The parish is in the Traditional Catholic tradition of the Church of England. It rejects the ordination of women and receives alternative episcopal oversight from the Bishop of Richborough.

3, Saint Martin’s Church, West Stockwell Street:

Saint Martin’s Church on West Stockwell Street was repaired by George Gilbert Scott (Photograph: Patrick Comerford, 2025)

Saint Martin’s Church on West Stockwell Street in the old Dutch Quarter is a 12th-century church that survives in its original Norman form. The nave and the tower of the church date from the 12th century, and the aisles, transepts and chancel were added in the 14th century. Many Roman stones were incorporated into the walls of the tower and the nave.

Inside, the chancel has an early 14th century cross beam and support that formed a frame and canopy for the high altar. At the apex of the chancel arch is a carving of a green man.

The tower was damaged the Civil War in 1648 and was never repaired. The church fell into disrepair, and 100 years later (1748) it was in a ruinous condition and no services were held there.

When George Gilbert Scott was rebuilding Saint Nicholas in 1876, he visited Saint Martin’s and was so excited by the cross beam that he repaired the entire chancel roof at his own expense to protect it.

Saint Martin’s Church is now the church of the Orthodox Parish of Saint Martin and Saint Helen (Photograph: Patrick Comerford, 2025)

The Revd Ernest Geldart (1848-1929), master craftsman, architect, stained glass artist and parish priest of Little Braxted, furnished and decorated the church in his Arts and Craft style as part of an ambitious restoration plan that was never realised. Two glazed plaques of encaustic tiles in the aisles are reminders of his efforts.

The church was neglected again, and it was declared redundant in 1953. It was used by a theatre group from 1957, but had become structurally unsafe by 1987. Emergency repairs in the 1990s were financed by English Heritage, and further repairs were completed by 2003.

The church was sold in 2022 and today the Orthodox Parish of Saint Martin and Saint Helen is an active Orthodox church in the Antiochian Archdiocese of the British Isles and Ireland. It is a Grade II* listed building.

4, Saint Peter’s Church, North Hill:

Saint Peter’s is the only church in Colchester recorded in ‘Domesday’ (Photograph: Patrick Comerford, 2025)

Saint Peter’s is the only church in Colchester recorded in Domesday, when it was the richest church in Essex. It stands at the west end of the High Street at the junction with North Hill. Rodwell and Rodwell (1977) suggest it was an Anglo-Saxon minster, based on its prominent location and the Domesday reference.

The mediaeval church had a large rood screen with a rood loft and the churchyard had a large stone cross from which the Gospels were read during the Palm Sunday procession. The vestry with a ‘bone-hole’ below was added in the early 16th century.

Saint Peter’s churchyard once had a large stone cross where the Gospels were read on Palm Sunday (Photograph: Patrick Comerford, 2025)

The church retains some mediaeval fabric, but it was damaged in the earthquake of 1692. It underwent a major remodelling in 1758, when the central tower was removed, the north and south arcades were extended using older materials, and the west tower was added. Soon after the chancel was reduced to half its width by extending the nave arcades eastward and at the same time the south aisle was extended.

The church was restored and remodelled in in 1895-1896, when the clerestory was added and the chancel arch built. The graveyard probably faced onto the High Street originally and the frontage buildings on Red Row are encroachments that probably date back to the Middle Ages.

5, Saint James the Less and Saint Helen Church, Priory Street:

The Church of Saint James the Less and Saint Helen on Priory Street was originally dedicated to Saint James the Great (Photograph: Patrick Comerford, 2025)

The Roman Catholic Church of Saint James the Less and Saint Helen is in Priory Street, near the junction with East Hill. The Roman Catholic community in Colchester at the end of the 18th century consisted mainly of exiles from the French Revolution. In the early 19th century Irish Catholic soldiers were stationed in the town. In 1814, a French priest, Father Amand Benard, served both the community and the local garrison.

The church mission there was funded by Alfred Stourton (1829-1893), 23rd Baron Mowbray, who was related by marriage to the Prestons of Gormanston Castle. The site for a church was donated by James Hoy, a farmer from Stoke-by-Nayland.

The church was built in 1837 and was designed by Joseph John Scoles (1798-1863). He designed the church in the Romanesque Revival style and was inspired by the ruins of Saint Botolph’s Priory nearby. He used a similar plan when he designed Saint John the Evangelist Church in Islington four years later.

A community of Sisters of Mercy moved into the parish in 1891 and built a school next door in 1891.

The church was originally dedicated to Saint James the Great, but it was renamed Saint James the Less in 1900 to avoid confusion with the Anglican Saint James the Great Church nearby on East Hill. Two years later, in 1902, the church name was changed again to Saint James the Less and Saint Helen. Local tradition says Saint Helen, the mother of the Emperor Constantine, was born in Colchester, and a statue of Saint Helena crowns the top of Colchester Town Hall.

The north aisle and sacristy were added in 1904 and the south aisle was added in 1907. Charles Edward Butcher was the architect for these additions. The church hall was built next door in 1911, when the architect was Canon Alexander Scoles, a son of Joseph John Scoles. The church was reordered in 1975. The stained-glass windows added to the Blessed Sacrament chapel in 1987 came from a redundant church and were originally designed by AWN Pugin.

6, Saint Runwald’s Church, High Street:

Saint Runwald’s graveyard on the corner of Saint Runwald’s Street and West Stockwell Street (Photograph: Patrick Comerford, 2025)

Saint Runwald’s Church in Colchester was one of only a handful of churches in Britain that were dedicated to Saint Runwald. Saint Rumbold, Rumwold, or Runwald, was an infant saint said to have lived for only three days in the year 662. But, it is said, he was full of piety, able to speak from the moment of his birth, asked for his own baptism, and preached a sermon before he died. The reputed site of his grave is in the old churchyard in Buckingham.

Saint Runwald’s Church in Colchester stood on an island in the middle of the High Street, part of ‘Middle Row’, until it was demolished along with the other buildings in the row in the 1860s and 1870s.

The church had a rectangular nave and a square chancel. The dedication, the thickness of the walls and perhaps its location in the middle of the High Street suggest Anglo-Saxon origins, perhaps in the late ninth century. However, the earliest documented record for the church is from 1254. The church was ‘Georgianised’ during its restoration in 1760 and much of the earlier detail was obscured.

During the installation of a gas main in 1927, several wall foundations and some burials on the site of Saint Runwald’s Church were recorded. All that remains of the church today is the graveyard 40 metres north, on the corner of Saint Runwald’s Street and West Stockwell Street, behind Colchester Town Hall.

A plaque was unveiled on the corner of John Ball Walk on John Ball Day, 15 July 2017 (Photograph: Patrick Comerford, 2025)

I also took time to remember John Ball (1338-1381), the priest who took a prominent part in the Peasants’ Revolt of 1381. Ball was born in Colchester. He preached in Saint James the Great Church on East Hill and may have lived in the area between East and West Stockwell Street in Colchester.

In an open-air sermon during the Peasants’ Revolt, he famously said: ‘When Adam delved and Eve span, Who was then the gentleman? From the beginning all men by nature were created alike, and our bondage or servitude came in by the unjust oppression of naughty men. For if God would have had any bondmen from the beginning, He would have appointed who should be bond, and who free. And therefore I exhort you to consider that now the time is come, appointed to us by God, in which ye may (if ye will) cast off the yoke of bondage, and recover liberty.’

Ball was taken prisoner at Coventry, given a trial during which, unlike most, he was allowed to speak. He was hanged, drawn and quartered at St Albans in the presence of King Richard II on 15 July 1381.

John Ball later became a hero for radicals, revolutionaries, socialists and communists, and he is a recurring figure in literature. In Hamlet (Act V Scene 1), Shakespeare has the Gravedigger discuss the line ‘When Adam delved and Eve span, Who was then the gentleman?’ but in a reversed sense: in Adam’s time there were none but gentlemen, as through Scripture was being quoted.

William Morris wrote a short story, A Dream of John Ball, that was serialised in the Commonweal in 1886-1887 and published as a book in 1888. Sydney Carter wrote a song about John Ball, and the question, ‘When Adam delved and Eve span, Who was then the gentleman?’ is also the epigraph to Zadie Smith’s novel NW (2012).

The local historian Brian Bird identified Saint James the Great as Ball’s home church in Colchester and persuaded Colchester Council to name walkways after John Ball and Watt Tyler on a housing estate in the old Dutch Quarter that Bird identified as the area where Ball lived. A plaque on the corner of John Ball Walk was unveiled on John Ball Day, 15 July 2017.

An entrance to Saint Peter’s behind the High Street … the centre of mediaeval Colchester once had eight parish churches (Photograph: Patrick Comerford, 2025)

28 June 2024

Daily prayer in Ordinary Time 2024:
50, Friday 28 June 2024

The icon for Palm Sunday or the entry of Christ into Jerusalem in the new iconostasis in the Greek Orthodox Church in Stony Stratford (Photograph: Patrick Comerford, 2024)

Patrick Comerford

The week began with the Fourth Sunday after Trinity (Trinity IV, 23 June 2024), and Monday was the Feast of the Birth of Saint John the Baptist. Today (28 June), the calendar of the Church of England in Common Worship remembers Saint Irenæus (ca 200), Bishop of Lyons and Teacher of the Faith.

Before today begins, I am taking some quiet time this morning to give thanks, for reflection, prayer and reading in these ways:

1, today’s Gospel reading;

2, a reflection on the icons in the new iconostasis or icon stand in the Greek Orthodox Church in Stony Stratford.

3, a prayer from the USPG prayer diary;

4, the Collects and Post-Communion prayer of the day.

The icon depicting Palm Sunday is fourth from the left among the 12 feasts depicted in the upper tier of the new iconostasis in Stony Stratford (Photograph: Patrick Comerford, 2024; click on images to view full screen)

Matthew 8: 1-4 (NRSVUE):

1 When Jesus had come down from the mountain, great crowds followed him, 2 and there was a man with a skin disease who came to him and knelt before him, saying, “Lord, if you are willing, you can make me clean.” 3 He stretched out his hand and touched him, saying, “I am willing. Be made clean!” Immediately his skin disease was cleansed. 4 Then Jesus said to him, “See that you say nothing to anyone, but go, show yourself to the priest, and offer the gift that Moses commanded, as a testimony to them.”

Christ arrives in Jerusalem, followed by the disciples … a detail in the icon of Palm Sunday in the iconostasis or icon stand in the Greek Orthodox Church in Stony Stratford (Photograph: Patrick Comerford, 2024)

The Stony Stratford iconostasis 13: Christ’s Entry into Jerusalem (Palm Sunday, Η Βαϊοφόρος):

Over the last few weeks, I have been watching the building and installation of the new iconostasis or icon screen in the Greek Orthodox Church in Stony Stratford. In my prayer diary over these weeks, I am reflecting on this new iconostasis, and the theological meaning and liturgical significance of its icons and decorations.

The lower, first tier of a traditional iconostasis is sometimes called Sovereign. On the right side of the Beautiful Gates or Royal Doors facing forward is an icon of Christ, often as the Pantokrator, representing his second coming, and on the left is an icon of the Theotokos (the Virgin Mary), symbolising the incarnation. It is another way of saying all things take place between Christ’s first coming and his second coming.

The six icons on the lower, first tier of the iconostasis in Stony Stratford depict Christ to the right of the Royal Doors, as seen from the nave of the church, and the Theotokos or the Virgin Mary to the left. All six icons depict (from left to right): the Dormition, Saint Stylianos, the Theotokos, Christ Pantocrator, Saint John the Baptist and Saint Ambrosios.

Traditionally, the upper tier has an icon of the Mystical Supper in the centre, with icons of the Twelve Great Feasts on either side, in two groups of six: the Nativity of the Theotokos (8 September), the Exaltation of the Cross (14 September), the Presentation of the Theotokos (21 November), the Nativity of Christ (25 December), the Baptism of Christ (6 January), the Presentation of Christ in the Temple (2 February), the Annunciation (25 March), the Entry into Jerusalem (Palm Sunday), the Ascension, Pentecost, the Transfiguration (6 August) and the Dormition (15 August).

In Stony Stratford, these 12 icons in the top tier, on either side of the icon of the Mystical Supper, are (from left): the Ascension, the Nativity, the Baptism of Christ, the Entry into Jerusalem on Palm Sunday, the Raising of Lazarus and the Crucifixion; and the Harrowing of Hell or the Resurrection, the Incredulity of Saint Thomas, Pentecost, the Transfiguration, the Presentation and the Annunciation.

The fourth in this top tier of 12 icons in Stony Stratford is the icon of Palm Sunday or Christ’s Triumphant Entry into Jerusalem, which recounts an event narrated in all four gospels: Matthew 21: 1-11; Mark 11: 1-11; Luke 19: 28-44; and John 12: 12-19.

In the Greek Orthodox tradition, this icon is called H Βαϊοφόρος (I Baiophoros, meaning ‘The Palm-bearing.’ Βαϊον (baion) in Greek means ‘a palm branch or leaf,’ and the suffix -φόρος (-phoros) comes from the Greek word meaning ‘to bear, to carry.’ This ending is found in the name of Saint Christophoros the ‘Christ-bearer,’ Saint Christopher.

Christ’s arrival in Jerusalem on a colt or donkey would have been bewildering to people who expected a military Messiah to free them from Roman. The donkey symbolises an animal of peace and a colt is representative of the gentiles – so either animal would have been confusing to the people of Jerusalem: a king entering a city on a horse meant war, but a king arriving on a donkey meant peace.

To the left is the Mount of Olives and to the right is the city of Jerusalem, often depicted with the domed Temple. The composition of this icon creates movement that directs our attention towards the heavenly Jerusalem. The mountain and city walls serve as a geometric funnel directly to the city of Jerusalem. Even the bending palm tree in the background and the lowered head of the colt or donkey draw our eyes towards the city.

In iconography, buildings often represent the Church, and in some versions of this icon the city of Jerusalem anachronistically includes a temple with a cross on top.

In his left hand Christ holds a scroll indicating he is the fulfilment of the prophecies. A scroll in the hand tells the viewer that this person has authority and wisdom. It also refers to Christ as the one who is worthy to open the scroll (see Revelation 5: 1-5).

Christ’s halo contains a cross, although only three arms of the cross are visible, indicating a Trinitarian reference. Three Greek letters are in the three arms of the cross: Ο ΩΝ, ὁ ὤν (Ho On), ‘He Who Is’. These letters form the present participle, ὤν, of the Greek verb to be, with a masculine singular definite article, ὁ. A literal translation of Ὁ ὬΝ would be ‘the being one,’ although ‘He who is’ is a better translation. These words are the answer Moses received on Mount Sinai when he asked for the name of him to whom he was speaking (Exodus 3: 14a; see John 8: 58). In the Septuagint, this is ἐγώ εἰμί ὁ ὢν, ego eimi ho on, ‘I am he who is’ or ‘I am’.

Above Christ’s shoulders are the letters IC and XC, forming the Christogram ICXC (for ‘Jesus Christ’). The IC is composed of the Greek characters iota (Ι) and lunate sigma (C, instead of Σ, ς) – the first and last letters of Jesus in Greek (Ἰησοῦς); in XC the letters are chi (Χ) and again the lunate sigma – the first and last letters of Christ in Greek (Χριστός).

In some icons, Christ looks back at his disciples and followers as though to encourage them to persevere through this difficult phase. In this icon, he looks forward towards his glory as he leads the Apostles.

Typically, the two most visible disciples behind Christ are Saint Peter and Saint John, who are the pillars of the Church. Behind them, the Apostles may look a little confused and fearful. Many iconographers depict them with expressions of mixed wonder and apprehension, if only because they do not understand why Christ is returning to a place of danger where the religious and political authorities were planning his death.

Child’s play conveys a visual reminder of Christ’s words, ‘Truly I tell you, whoever does not receive the kingdom of God as a little child will never enter it’ (Mark 10: 15). Children are shown climbing the palm tree, laying their outer tunics before Christ and in many icons laying branches down. Laying garments beneath someone’s feet is a symbol of total surrender – think of the story of Sir Walter Raleigh laying his cloak before Queen Elizabeth I.

The people of Jerusalem are richly dressed, with hints of gold trimmings around the hems of their robes, like robes worn at a wedding or for greeting a King.

In some icons, when the children remove their outer garments, they are wearing white tunics which, like baptismal gowns, represent purity and innocence. Sometimes a child is shown pulling a thorn from the foot of another child who acquired it by climbing a palm tree, demonstrating that spiritual ascent can be painful or difficult.

A child chops branches off a palm tree … a detail in the icon of Palm Sunday in the Greek Orthodox Church in Stony Stratford (Photograph: Patrick Comerford, 2024)

Today’s Prayers (Friday 28 June 2024):

The theme this week in ‘Pray With the World Church,’ the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Anglican support and advocacy for exiled people in Northern France.’ This theme was introduced on Sunday with a programme update by Bradon Muilenburg, Anglican Refugee Support Lead in Northern France, the Diocese in Europe, the Diocese of Canterbury and USPG.

The USPG Prayer Diary today (Friday 28 June 2024) invites us to pray:

We pray that the Church would accompany people in exile in their loss of home, friends and family. May they be beacons of light, safety and hospitality for all those in need.

The Collect:

O God, the protector of all who trust in you,
without whom nothing is strong, nothing is holy:
increase and multiply upon us your mercy;
that with you as our ruler and guide
we may so pass through things temporal
that we lose not our hold on things eternal;
grant this, heavenly Father,
for our Lord Jesus Christ’s sake,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

Post Communion Prayer:

Eternal God,
comfort of the afflicted and healer of the broken,
you have fed us at the table of life and hope:
teach us the ways of gentleness and peace,
that all the world may acknowledge
the kingdom of your Son Jesus Christ our Lord.

Collect on the Eve of Saint Peter and Saint Paul:

Almighty God,
whose blessed apostles Peter and Paul
glorified you in their death as in their life:
grant that your Church,
inspired by their teaching and example,
and made one by your Spirit,
may ever stand firm upon the one foundation,
Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

The new iconostasis or icon stand installed in the Greek Orthodox Church in Stony Stratford in recent weeks (Photograph: Patrick Comerford, 2024)

An introduction to the Stony Stratford iconostasis (15 June 2024)

Yesterday’s reflection

Continued tomorrow

The entry into Jerusalem on Palm Sunday … a fresco in Analipsi Church in Georgioupoli in Crete (Photograph: Patrick Comerford)

Scripture quotations are from the New Revised Standard Version, Updated Edition copyright © 2021, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide.

24 March 2024

Introducing the Stations
of the Cross at the start
of Holy Week 2024 in
St Alban’s Church, Holborn

‘Jesus dies on the cross’ … Station 12 in the Stations of the Cross by Hans Feibusch in Saint Alban’s Church, Holborn (Photograph: Patrick Comerford, 2024)

Patrick Comerford

Holy Week began today and at the Palm Sunday liturgy in Saint Mary and Saint Giles Church, Stony Stratford, this morning, I was involved as the narrator in the reading of the Passion Narrative.

In previous years, in my reflections in Lent, in Passiontide or in Holy Week,I have looked at the Stations of the Cross in a variety of locations including: Saint Mel’s Cathedral, Longford (2018); Saint John’s Well, Millstreet, Co Cork (2018); the chapel in Saint John’s Hospital, Lichfield (2018); Saint Mary’s Church, Askeaton, Co Limerick (2019); Gormanston College, Co Meath (2019); Saint Patrick’s College, Maynooth (2019); the Church of the Annunciation, Clonard, Wexford (2022); Saint Mary and Saint Giles Church, Stony Stratford (2022); Saint Dunstan and All Saints’ Church, Stepney (2023); and Saint Frances de Sales Church, Wolverton (2023).

This afternoon, on Palm Sunday, as we enter Holy Week and prepare for Good Friday and Easter Day, I am looking at the Stations of the Cross in Saint Alban’s Church, in Holborn, London.

I was in Saint Alban’s Church last month for the annual ‘Founder’s Day’ or Bray Day, organised by SPCK (Society for the Promoting Christian Knowledge) and USPG (United Society Propagation of the Gospel), both founded by Thomas Bray.

Saint Alban’s is a well-known but well-hidden church between the City of London and the West End. A beautiful Victorian church, it was rebuilt after World War II, and has a striking mural on the east wall and Stations of the Cross by the German-Jewish painter and sculptor Hans Feibusch (1898-1998).

Hans Feibusch arrived in England in 1933 as a refugee from Nazi Germany. After World War II, he became known for his church murals and he was baptised and joined the Church of England in 1963. He worshipped at Saint Alban’s, where the east wall mural is his largest.

Hans Feibusch also painted the 14 Stations of the Cross in Saint Alban’s, where they were marouflaged to the north and south walls of the church in 1969-1970. Feibusch is also the artist of the sculpture ‘Jesus being Raised from the Dead’ (1985) at the entrance to the church.

In the last years of his life, Hans Feibusch returned to the Judaism of his youth and he was buried with Jewish rites at Golders Green Jewish Cemetery in 1998.

Station 1, Jesus is condemned to death

‘Jesus is condemned to death’ … Station 1 in Saint Alban’s Church, Holborn (Photograph: Patrick Comerford, 2024)

In Station I, Christ stands alone in Pilate’s Court – perhaps by the pillar at which he has been scourged. In his hand he holds a reed or rod, a simple robe hangs on his shoulders has a crown of thorns is on his head. All are part of the ritual in which he was mocked and scorned after being brought before Pilate (Matthew 27; 28-30; Mark 16: 17; John 19: 2; cf Luke 23: 11).

Station 2, Jesus accepts his Cross

‘Jesus accepts his Cross’ … Station 2 in Saint Alban’s Church, Holborn (Photograph: Patrick Comerford, 2024)

At Station II, Christ takes the cross on his shoulders. Saint John’s Gospel alone says that Christ carried the cross by himself (John 19: 17); the other three Gospels say Simon of Cyrene was compelled to carry the cross behind him.

Station 3: Jesus falls for the first time

‘Jesus falls for the first time’ … Station 3 in Saint Alban’s Church, Holborn (Photograph: Patrick Comerford, 2024)

At Station III, Christ falls beneath the weight of his Cross. This is one of the traditional Stations of the Cross that depict Passion scenes that are not recalled in any of the Gospel accounts.

Station 4: Jesus meets his mother Mary

‘Jesus meets his mother Mary’ … Station 4 in Saint Alban’s Church, Holborn (Photograph: Patrick Comerford, 2024)

At Station IV, Christ meets his Mother Mary. Perhaps he drops his Cross forgetfully as he rushes towards her and she rushes towards him. She stretches out both hands as if she is about to embrace him; he has one arm around her neck, his right hand clutching her left shoulder. But his other arm is being pulled back by the arm of another, a soldier, an official, someone who has also been brutalised.

Station 5: Simon of Cyrene helps Jesus carry the Cross

‘Simon of Cyrene helps Jesus carry the Cross’ … Station 5 in Saint Alban’s Church, Holborn (Photograph: Patrick Comerford, 2024)

At Station V, we meet Simon of Cyrene, who is compelled to carry Christ’s Cross, according to all three Synoptic Gospels (see Matthew 27: 32; Mark 15: 21-22; Luke 23-26).

Station 6: Veronica wipes the face of Jesus

‘Veronica wipes the face of Jesus’ … Station 6 in Saint Alban’s Church, Holborn (Photograph: Patrick Comerford, 2024)

Station VI tells a story not told in any of the four Gospels, although there are some parallels with the story of the woman who was healed miraculously by touching the hem Christ’s garment (Luke 8: 43-48). In popular depictions of this station, Veronica is often seen on her knees, offering her veil with both hands. Christ stretches out to receive the veil, while Simon of Cyrene continues to prop up the Cross. According to tradition, Veronica is moved with sympathy when she sees Christ carrying his cross and gives him her veil to wipe his forehead. When he hands back the veil, it is marked with the image of his face.

Station 7: Jesus falls for the second time

‘Jesus falls for the second time’ … Station 7 in Saint Alban’s Church, Holborn (Photograph: Patrick Comerford, 2024)

Station VII also illustrates a story that is not told any of the four Gospel accounts of Christ’s journey to Calvary, although the popular numbering of three falls may have a Trinitarian intention. In this station, Christ falls to his knees beneath the weight of his cross. As children, we used to say: ‘Sticks and stones may break my bones, but names shall never hurt me.’ Do those who force Christ to carry his cross beat him as he falls with sticks and stones? Do they berate him verbally and call him names?

Station 8: Jesus meets the women of Jerusalem

‘Jesus meets the women of Jerusalem’ … Station 8 in Saint Alban’s Church, Holborn (Photograph: Patrick Comerford, 2024)

Saint Luke alone among the Gospel writers tells the story recalled in Station VIII, where Jesus meets the women of Jerusalem:

A great number of the people followed him, and among them were women who were beating their breasts and wailing for him. But Jesus turned to them and said, ‘Daughters of Jerusalem, do not weep for me, but weep for yourselves and for your children. For the days are surely coming when they will say, “Blessed are the barren, and the wombs that never bore, and the breasts that never nursed.” Then they will begin to say to the mountains, “Fall on us”; and to the hills, “Cover us.” For if they do this when the wood is green, what will happen when it is dry?’ (Luke 23: 26-35).

The ‘Daughters of Jerusalem’ are mentioned several times in the Song of Solomon (see 1: 5, 2: 7, 3: 10-11, 5: 8, 5: 16). For example: ‘O daughters of Jerusalem, if you find my beloved, tell him this: I am faint with love’ (Song of Solomon 5: 8).

Station 9: Jesus falls a third time

‘Jesus falls a third time’ … Station 9 in Saint Alban’s Church, Holborn (Photograph: Patrick Comerford, 2024)

Station IX is another of the traditional stations that does not recall an event in any of the passion narratives in the four Gospels. The third fall, like the other two falls, is not mentioned in the Gospel accounts of the Passion, but the incident is part of traditional Christian piety and Station IX in the Stations of the Cross.

Station 10: Jesus is stripped of his clothes

‘Jesus is stripped of his clothes’ … Station 10 in Saint Alban’s Church, Holborn (Photograph: Patrick Comerford, 2024)

Station X depicts a scene described in all four Gospels:

And when they had crucified him, they divided his clothes among themselves by casting lots; then they sat down there and kept watch over him (Matthew 27: 35-36).

And they crucified him, and divided his clothes among them, casting lots to decide what each should take. (Mark 15: 24).

And they cast lots to divide his clothing (Luke 23: 34).

When the soldiers had crucified Jesus, they took his clothes and divided them into four parts, one for each soldier. They also took his tunic; now the tunic was seamless, woven in one piece from the top. So they said to one another, ‘Let us not tear it, but cast lots for it to see who will get it.’ This was to fulfil what the scripture says,
‘They divided my clothes among themselves,
and for my clothing they cast lots’ (John 19: 23-24).

Station 11: Jesus is nailed to the cross

‘Jesus is nailed to the cross’ … Station 11 in Saint Alban’s Church, Holborn (Photograph: Patrick Comerford, 2024)

In Station XI, Christ is nailed to the cross. When I search for ‘Nails’ on Google, trying any of the towns I have lived in, I get endless lists of nail bars offering glamorous treatments that I am never going to contemplate or need. But there is nothing glamorous about the nails and hands in Station XI in the Stations of the Cross.

Two thieves will also be nailed to two more crosses on the hilltop. One will ask for mercy and forgiveness and he will receive the promise he seeks from Christ.

In a Byzantine-style crucifix by Laurence King (1907-1981) in the crypt of the Church of Saint Mary le Bow on Cheapside in London, the Cross is placed between the words: ‘Behold the Lamb of God that taketh away the Sins of the World.’

Station 12: Jesus dies on the cross

‘Jesus dies on the cross’ … Station 12 in Saint Alban’s Church, Holborn (Photograph: Patrick Comerford, 2024)

In Station XII, the Crucified Christ dies between the two thieves on either side. At the top of the Cross are the words written by Pilate, ‘Jesus of Nazareth, King of the Jews.’ In Saint Luke’s Gospel alone, the Penitent Thief cries out: ‘Jesus, remember me when you come into your kingdom’ (Luke 23: 42).

When Christ dies on the Cross in Station XII, the group at the foot of the Cross are mainly women. The Gospel writers say many women were there (Matthew 27: 55; Luke 23: 55), and they name his mother Mary (John 19: 25-27), her sister Mary, the wife of Clopas (John 19: 25), Mary Magdalene (Matthew 27: 56; Mark 15: 40, 47; John 19: 25), Mary the mother of James and Joseph (Matthew 27: 56; Mark 15: 40, 47), Mary the mother of the sons of Zebedee (Matthew 27: 56), and Salome (Mark 15: 40).

The only man at the Cross on Good Friday, apart from those who condemned Christ and the two thieves, is Saint John the Beloved Disciple (John 19: 26).

Station 13: Jesus is taken down from the cross

‘Jesus is taken down from the cross’ … Station 13 in Saint Alban’s Church, Holborn (Photograph: Patrick Comerford, 2024)

Sometimes, Station XIII is described as ‘The Body of Jesus Is Placed in the Arms of his Mother.’ In the Synoptic Gospels, Matthew, Mark and Luke say Joseph of Arimathea asked Pilate for the body of Jesus, took the body, and wrapped it a clean linen cloth (Matthew 27: 28; Mark 15: 43, 46; Luke 23: 50-53); Saint John’s Gospel adds that Nicodemus helped Joseph with the preparation of the body for burial.

None of the Gospels says that the Virgin Mary held the body of her son when he was taken down from the Cross and before he was buried. But this has become a popular image in Passion scenes, from Michelangelo’s Pieta to the statues that dominate Good Friday processions today in Italy, Spain and Portugal.

The Mother who once cradled the Infant Child on her lap, now holds her dead son on her lap. The hands once raised in adoration and in love, are now raised in horror and in anguish. Had she known that this was the end, would she have said yes to the Angel Gabriel at the Annunciation when he greeted her with those words, ‘Ave Maria, Hail Mary’?

Does she remember now how she once cradled the Christ Child on her lap? Are the grave clothes he is to be wrapped in as he is laid in the grave a reminder to her of the swaddling clothes she wrapped him in as she laid him down to sleep in his crib in Bethlehem?

Station 14: Jesus is placed in the tomb

‘Jesus is placed in the tomb’ … Station 14 in Saint Alban’s Church, Holborn (Photograph: Patrick Comerford, 2024)

When Christ is laid in the tomb at Station XIV, the Virgin Mary, hands crossed as if she is about to approach the Altar at the Eucharist to receive the Body of Christ, watches as Joseph of Arimathea and Nicodemus gently lay Christ’s body in the grave.

Nicodemus who came to see Christ under the cover of darkness, now prepares to bury his body before darkness falls. Nicodemus who had questions and doubts, now holds the Body of Christ in his hands. Nicodemus has become a full communicant member of the Church.

In death he knows what is meant by new birth.

‘The Body of Christ given for you.’

‘Amen.’

But this is not the end.

There are seven days of creation. God’s work is complete and God rests on the seventh day; now Christ is to rest in the grave on the seventh day, his work is complete.

Early on Sunday morning, before dawn on the first day of the week, the women come to the tomb with spices they have prepared. But they find the stone has been rolled away from the tomb, there is no body, and two men in dazzling clothes ask them ‘Why do you look for the living among the dead? He is not here, but has risen’ (Luke 24: 5). There is a similar greeting in the other two Synoptic Gospels: ‘He is not here; for he has been raised’ (Matthew 28: 6); ‘He has been raised; he is not here’ (Mark 16: 6).

The Cross is empty.

The Grave is empty.

We have Good News to proclaim.

‘Jesus being Raised from the Dead’ (1985), a sculpture by Hans Feibusch (1898-1998), at the entrance to Saint Alban’s Church, Holborn (Photograph: Patrick Comerford, 2024)

The Stations of the Cross in Saint Mary and Saint Giles, Stony Stratford, and Saint Dunstan and All Saints, Stephney (Photographs: Patrick Comerford, 2023)