Showing posts with label Saint John. Show all posts
Showing posts with label Saint John. Show all posts

12 August 2026

Saint John’s Church, Wilton Road,
a lost church near Victoria station
and a tribute to Frank Lloyd Wright

A tribute to Frank Lloyd Wright at 129 Wilton Road, Victoria, the site of Saint John’s Church (Photograph: Patrick Comerford, 2026)

Patrick Comerford

It would be easy to walk past 129 Wilton Road in Victoria, thinking it is just one more commercial office building in the City of Westminster. The building is close to Victoria Station and home to corporate tenants like Trident Energy and the events company IQPC.

But as they rush to and from Victoria Station, commuters may not notice the terrace above on the first floor of 129 Wilton Road or realise that the commercial and office building has been inspired by Frank Lloyd Wright and designed to provide a mixture of open plan or collaborative and quiet workspace with break-out zones and meeting rooms.

Were we alone in noticing the large, tall sculpted stonework by the entrance? It is engraved with the words ‘Treat the earth well: it was not given to you by your parents, it was loaned to you by your children – Frank Lloyd Wright’.

Perhaps the building was designed as a tribute to the great American architect Frank Lloyd Wright (1869-1957). But I was interested in it first because it is site of the former he Church of Saint John the Evangelist, destroyed during the Blitz in World War II.

Saint John’s Church was designed by Sir Arthur Blomfield and built in 1874 (Photograph: A Corbett / Saint Peter’s)

I was in Pimlico and Belgravia last week, visiting a number of churches in the area, including Saint Peter’s Church, Eaton Square, Saint Saviour’s Church, Saint George’s Square, and Saint Gabriel’s Church, Warwick Square.

Wilton Road is on land between Pimlico and Victoria that was once part of the larger Grosvenor Estate. The street was named after Lady Eleanor Egerton, daughter of Thomas Egerton (1749-1814), 1st Earl of Wilton, who married Robert Grosvenor (1767-1845), 1st Marquess of Westminster.

Saint John’s Church, Wilton Road, was consecrated in 1874 as a chapel of ease to Saint Peter’s, Eaton Square, in order to reach out to the poor in the heavily populated area around Victoria Station.

The Revd George Howard Wilkinson (1833-1907), who was the Vicar of Saint Peter’s, Eaton Square, in 1870-1883, wished the church to be open to all. It was built with some difficulty on soft ground where barges used to unload their goods from the Grosvenor Basin, and this needed a foundation built on piles.

Fundraising for building the new church attracted a donation of £2,000 from Hugh Grosvenor (1825-1899), 1st Duke of Westminster, while he attending Saint Peter’s Church one Sunday morning, and Queen Victoria donated £150, on the grounds that she was a parishioner.

The church was built on the west side of Wilton Road, between Hudson’s Place and Gillingham Street. The building stood on the site that is now No 129 Wilton Road, Pimlico. It was designed in the Early Gothic style by the architect Sir Arthur Blomfield (1829-1899), who at the time was working on Saint Peter’s Church, Eaton Square, when he enlarged and reordered in 1875, adding a chancel at the east end and north and south transepts, and ‘fiercely normanised’ the interior.

Blomfield’s other works include Saint Luke’s Chapel at the former Radcliffe Infirmary, Oxford (1864), Saint Barnabas Church, Jericho, Oxford (1869), Selwyn College, Cambridge (1882-1889), rebuilding the nave of Saint Saviour’s Church, now Southwark Cathedral (1890-1897), and Saint Saviour’s Church, Arklow, Co Wicklow (1899).

Inside Saint John’s Church, Wilton Road, once known for its quiet reverence and absence of fussiness (Photograph: A Corbett / Saint Peter’s)

Saint John’s Church on Wilton Road was built in brick with stone dressings, with a broad nave, a short chancel, and a thin square tower topped by a squat slate spire. Embellishments were added in succeeding years, including mosaics, a marble high altar and triptych, seven sanctuary lamps in the Anglo-Catholic style, and textiles designed by the architect George Frederick Bodley (1827-1907).

Saint John’s had a ring of eight bells, supplied by John Warner and Sons. They were dedicated on 2 October 1878 by the Archdeacon of London, Piers Claughton (1814-1884), former Bishop of Saint Helena and of Colombo. The bells were later removed when they proved to be too heavy, although some sources they were lost with the church during the Blitz in 1940.

Wilkinson later became Bishop of Truro (1883-1891), Bishop of St Andrews, Dunkeld and Dunblane (1893-1907), and Primus of the Scottish Episcopal Church (1904-1907).

Meanwhile, Saint John’s became a popular and thriving church in the late 19th century and into the 20th century, with a strong preaching and teaching tradition and a congregation drawn from across London.

It is said the church was known for its work, quiet reverence and absence of fussiness. The Eucharist was the main Sunday service, and Eucharistic vestments were adopted in 1908 – by then, they were in use at Saint Peter’s for over a decade.

Many men from Saint John’s were killed during World War I, and during those years there was a shortage of clergy and little money.

After the war, incense was introduced into the liturgy in 1924, and the sacrament was reserved. A large bronze crucifix was set up facing Wilton Street as a War Memorial, which is now on the south wall of Saint Peter’s Church, near the side entrance to the church office and the Knightsbridge Kindergarten.

When World War II broke out in 1939, the church was first closed, as it was too far from an air raid shelter. It then reopened for weekday masses, with Sunday services taking place in Saint Peter’s.

Saint John’s Church received a direct hit on Friday 11 October 1940 and was mostly destroyed. The remains were pulled down a few years later. The valuable vestments were restored and other items from the interior that survived were given to Saint Peter’s and other churches.

The engraved inscription at the entrance to 129 Wilton Road is ascribed to the American architect Frank Lloyd Wright, one of the most influential figures in the architectural movements of the 20th century. He believed in designing in harmony with humanity and the environment, a philosophy he called organic architecture.

But the quotation is a well-known saying about stewardship of the environment for future generations sustainability. It is variously attributed to Crazy Horse, or as an ancient proverb, or a Native American or Kenyan saying. Written records trace variations of it to mid-20th century environmental campaigns and indigenous advocacy, but in Jewish tradition there is also a similar saying in the Midrash: ‘Take care not to spoil or destroy My world, for if you do, there will be no one to repair it after you’ (Midrash Ecclesiastes Rabbah 7:13).

The revolving door at the entrance to 129 Wilton Road obscures the engraved words and makes them difficult to read. Perhaps the building could do with an explanatory panel, and a plaque recalling Saint John’s Church, which stood on the site for 66 years from 1874 to 1940.

No 129 Wilton Road may have been designed as a tribute to Frank Lloyd Wright (Photograph: www.129wiltonroad.com)

23 May 2026

Daily prayer in Easter 2026:
49, Saturday 23 May 2026

‘If it is my will that he remain until I come, what is that to you? Follow me!’ (John 21: 21) … Saint John with the poisoned chalice, a statue on the Great Gate of Saint John’s College, Cambridge (Photograph: Patrick Comerford)

Patrick Comerford

Easter is a 50-day season, beginning on Easter Day (5 April 2026) and continuing through Ascension Day until the Day of Pentecost or Whit Sunday tomorrow (24 May 2026).

Before today begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:

1, reading today’s Gospel reading;

2, a short reflection;

3, a prayer from the USPG prayer diary;

4, the Collects and Post-Communion prayer of the day.

Saint John in a window by CE Kempe in Saint Leonard’s Church, Wigginton, Staffordshire (Photograph: Patrick Comerford, 2026)

John 21: 20-25 (NRSVA):

20 Peter turned and saw the disciple whom Jesus loved following them; he was the one who had reclined next to Jesus at the supper and had said, ‘Lord, who is it that is going to betray you?’ 21 When Peter saw him, he said to Jesus, ‘Lord, what about him?’ 22 Jesus said to him, ‘If it is my will that he remain until I come, what is that to you? Follow me!’ 23 So the rumour spread in the community that this disciple would not die. Yet Jesus did not say to him that he would not die, but, ‘If it is my will that he remain until I come, what is that to you?’

24 This is the disciple who is testifying to these things and has written them, and we know that his testimony is true. 25 But there are also many other things that Jesus did; if every one of them were written down, I suppose that the world itself could not contain the books that would be written.

The symbol of the serpent and the chalice, a carving by Eric Gill in the capstone at Saint John’s College, Cambridge (Photograph: Patrick Comerford)

Today’s Reflection:

The Gospel reading (John 21: 20-25) at the Eucharist today brings us to the last of the post-Resurrection appearances and the conclusion of Saint John’s Gospel. Today’s reading challenges us to consider whether we are going to follow Jesus to the end, no matter how, when or where death may come.

In this reading, we have an insight into the rumours that persisted in the community that the Beloved Disciple would not die (verse 23). But death comes to us all.

Over the past four years, I have spent a lot of time in hospitals in Oxford, Milton Keynes, London and Sheffield, following a stroke, and for tests, scans and consultations on my pulmonary sarcoidosis and the traces of sarcoidosis in my heart. Waiting between one set of consultations and tests and for further appointments, I have realised, time and again, how we all depend on the NHS here, and how vulnerable and fragile we are.

At 73, I may not quite be in rude health. But my distant ‘cousin’ Kevin Martin, who died three years ago (14 June 2023), would greet me on my birthdays with the traditional Jewish greeting of ‘ad meah v’esrim’, ‘may you live until 120!’ (עד מאה ועשרים שנה‎).

I may not live to be 120, despite everyone’s good wishes. I am certainly not going to live for ever. Are the other disciples in today’s reading engaging in humorous banter or hyperbole when they suggest the youngest among them is going to outlive the rest of them so that it appears as if he is going to live for ever?

Surely they realise everyone is going to die – including Lazarus who was raised from the dead after three days (John 11), including the son of the widow of Nairn (Luke 7: 11-17), the daughter of Jairus (Luke 8: 40-56), the centurion’s slave (Matthew 8: 5-13; Luke 7: 1-10), the official’s son in Capernaum (John 4: 46-54), Peter’s mother-in-law (Matthew 8: 14-15; Mark 1: 29-31; Luke 4: 38-39) …

Saint John too lived a life of service and suffering: he was exiled on Patmos, and although he died in old age in Ephesus, there were numerous attempts to make him a martyr.

Saint Paul names John as one of the pillars of the Church in Jerusalem (see Galatians 2: 9). Later, tradition says, he takes over the position of leadership Paul once had in the Church in Ephesus and is said to have lived there and to have been buried there.

According to a tradition mentioned by Saint Jerome, in the second general persecution, in the year 95, Saint John was arrested and sent to Rome, where he was thrown into a vat or cauldron of boiling oil but miraculously was preserved from death.

During the reign of the Emperor Domitian, it is said, Saint John was once given a cup of poisoned wine, but he blessed the cup and the poison rose out of the cup in the form of a serpent. Saint John then drank the wine with no ill effect. A chalice with a serpent signifying the powerless poison became one of his symbols.

Domitian then banished Saint John to the isle of Patmos. It was there in the year 96 he had the heavenly visions recorded in the Book of Revelation. After the death of Domitian, it is said, he returned to Ephesus in the year 97, and there tradition says he wrote his gospel about the year 98. He is also identified with the author of the three Johannine letters.

According to Eusebius, Saint John died in peace at Ephesus, in the third year of Trajan, that is, the year 100, when he was about 94 years old. According to Saint Epiphanius, he was buried on a mountain outside the town. The Basilica of Saint John the Theologian gave the later name of Aysoluk to the hill above the town of Selçuk, beside Ephesus.

The story of the poisoned chalice may be a pious myth, but it seeks to tell us that Saint John too took up the challenge to drink the cup that Christ drinks (Mark 10: 38-39).

For there is another poison that can damage the Church today – we can fail to love.

It is in sharing and serving with those who are most like Christ in his suffering that the world becomes united with the Christ we meet in Word and Sacrament, and there too we find eternal life.

Christ is risen!
The Lord is risen indeed. Alleluia!

‘If it is my will that he remain until I come, what is that to you? Follow me!’ (John 21: 21) … Saint John the Evangelist with the poisoned chalice depicted in a window in Saint John’s Church, Monkstown, Cork (Photograph: Patrick Comerford)

Today’s Prayers (Saturday 23 May 2026):

The theme this week (17-23 May 2026) in ‘Pray With the World Church’, the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel) has been ‘Breaking Barriers: Gender Justice in Malawi’ (pp 56-57). This theme was introduced last Sunday with Reflections from Tamara Khismisi, Projects Coordinator, Anglican Church in Malawi.

The USPG prayer diary invites us to pray today (Saturday 23 May 2026):

Heavenly Father, we thank you for the partnership between USPG and the Anglican Church in Malawi. May this collaboration continue to provide education, health care, and advocacy that mirrors your transforming love and heart for justice.

The Collect:

O God the King of glory,
you have exalted your only Son Jesus Christ
with great triumph to your kingdom in heaven:
we beseech you, leave us not comfortless,
but send your Holy Spirit to strengthen us
and exalt us to the place where our Saviour Christ is gone before,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

The Post-Communion Prayer:

Eternal God, giver of love and power,
your Son Jesus Christ has sent us into all the world
to preach the gospel of his kingdom:
confirm us in this mission,
and help us to live the good news we proclaim;
through Jesus Christ our Lord.

Additional Collect:

Risen, ascended Lord,
as we rejoice at your triumph,
fill your Church on earth with power and compassion,
that all who are estranged by sin
may find forgiveness and know your peace,
to the glory of God the Father.

Collect on the Eve of Pentecost (Whit Sunday):

God, who as at this time
taught the hearts of your faithful people
by sending to them the light of your Holy Spirit:
grant us by the same Spirit
to have a right judgement in all things
and evermore to rejoice in his holy comfort;
through the merits of Christ Jesus our Saviour,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

Yesterday’s Reflections

Continued Tomorrow

The site of Saint John’s tomb near Ephesus is marked by a marble plaque and four Byzantine pillars (Photograph: Patrick Comerford)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org

27 December 2025

Daily prayer in Christmas 2025-2026:
3, Saturday 27 December 2025,
Saint John the Apostle and Evangelist

Saint John depicted in a statue on the Great Gate of Saint John’s College, Cambridge (Photograph: Patrick Comerford)

Patrick Comerford

On the third day of Christmas my true love sent to me … ‘three French hens, two turtle doves, and a partridge in a pear tree’.

This is the third day of Christmas and today the church calendar celebrates Saint John the Apostle and Evangelist. Before today begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:

1, today’s Gospel reading;

2, a short reflection;

3, a prayer from the USPG prayer diary;

4, the Collects and Post-Communion prayer of the day.

Saint John (right) and the Virgin Mary (left) at the Crucifixion … the rood beam in Holy Rood Church, Watford (Photograph: Patrick Comerford, 2025)

John 21: 19b-25 (NRSVA):

19 After this he said to him, ‘Follow me.’

20 Peter turned and saw the disciple whom Jesus loved following them; he was the one who had reclined next to Jesus at the supper and had said, ‘Lord, who is it that is going to betray you?’ 21 When Peter saw him, he said to Jesus, ‘Lord, what about him?’ 22 Jesus said to him, ‘If it is my will that he remain until I come, what is that to you? Follow me!’ 23 So the rumour spread in the community that this disciple would not die. Yet Jesus did not say to him that he would not die, but, ‘If it is my will that he remain until I come, what is that to you?’

24 This is the disciple who is testifying to these things and has written them, and we know that his testimony is true. 25 But there are also many other things that Jesus did; if every one of them were written down, I suppose that the world itself could not contain the books that would be written.

The symbol of the serpent and the chalice, a carving by Eric Gill in the capstone at Saint John’s College, Cambridge (Photograph: Patrick Comerford)

Today’s Reflections:

The Christian interpretation of the song ‘The 12 Days of Christmas’ often sees the three French hens as figurative representations of the three theological virtues – faith, hope and love: ‘And now faith, hope, and love remain, these three, and the greatest of these is love.’ (I Corinthians 13: 13).

Other interpretations say the three French hens represent the three persons of the Holy Trinity, Father, Son and Holy Spirit, or the three gifts of the Wise Men, gold, frankincense and myrrh.

There is a custom in some places of blessing wine on this day and drinking a toast to the love of God and to Saint John. The theological virtue of love is intimately associated with the story of Saint John, the disciple Jesus loved.

It seems appropriate in the days immediately after Christmas that we should be jolted out of our comforts, in case we begin to atrophy, and to be reminded of what the great German martyr Dietrich Bonhoeffer called the ‘Cost of Discipleship.’

Following Christ is not all about Christmas shopping, feasts, decorations and falling asleep in front of the television – comforting, enjoyable and pleasant as they are, particularly in family settings.

Yesterday was the feast of Saint Stephen [26 December], often referred to as the first Christian martyr; and 28 December usually recalls the Holy Innocents, the first – albeit unwitting – martyrs according to Saint Matthew’s Gospel.

In The Ariel Poems TS Eliot puts wise words into the mouth of the Wise Man who recalls the cold coming of it experienced in the ‘Journey of the Magi’. There he makes the connection between birth and death:

All this was a long time ago, I remember,
And I would do it again, but set down
This set down
This: were we led all that way for
Birth or Death? There was a Birth, certainly,
We had evidence and no doubt. I had seen birth and death,
But had thought they were different; this Birth was
Hard and bitter agony for us, like Death, our death.
We returned to our places, these Kingdoms,
But no longer at ease here, in the old dispensation,
With an alien people clutching their gods.
I should be glad of another death.

Between those two commemorations of martyrdom, we find ourselves today [27 December] marking the Feast of Saint John the Evangelist.

At first, this too may not seem an appropriate feast day to celebrate in the days immediately after Christmas Day. Even chronologically it creates difficulties, for tradition says Saint John was the last of the disciples to die, making his death the one that is separated most in terms of length of time from the birth of Christ.

In art, Saint John the Evangelist is frequently represented as an Eagle, symbolising the heights to which he rises in the first chapter of his Gospel.

For Saint John, there is no annunciation, no nativity, no crib in Bethlehem, no shepherds or wise men, no little stories to allow us to be sentimental and to be amused. He is sharp, direct and gets to the point: ‘In the beginning …’

But the Prologue to Saint John’s Gospel is one of the traditional readings on Christmas Day, so many of us immediately associate his writings with this time of the year.

Saint John the Evangelist is unnamed in the Fourth Gospel. Yet tradition identifies him with the John who is:

• one of the three at the Transfiguration,
• one of the disciples sent to prepare a place for the Last Supper,
• one of the three present in the Garden of Gethsemane,
• the only disciple present at the Crucifixion,
• the disciple to whom Christ entrusts his mother from the Cross,
• the first disciple to arrive at Christ’s tomb after the Resurrection,
• the disciple who first recognises Christ standing on the lake shore following the Resurrection.

The Beloved Disciple, alone among the Twelve, remains with Christ at the foot of the Cross with the Mother of Christ and the women and he is asked by the dying Christ to take Mary into his care (John 19: 25-27). After Mary Magdalene’s report of the Resurrection, Peter and the ‘other disciple’ are the first to go to the grave, and the ‘other disciple’ is the first to believe that Christ is truly risen (John 20: 2-10).

When the Risen Christ appears at the Lake of Genesareth, ‘that disciple whom Jesus loved’ is the first of the seven disciples present who recognises Christ standing on the shore (John 21: 7).

Saint Paul names John as one of the pillars of the Church in Jerusalem (see Galatians 2: 9). Later, tradition says, he takes over the position of leadership Paul once had in the Church in Ephesus and is said to have lived there and to have been buried there.

According to a tradition mentioned by Saint Jerome, in the second general persecution, in the year 95, Saint John was arrested and sent to Rome, where he was thrown into a vat or cauldron of boiling oil but miraculously was preserved from death.

According to ancient tradition, during the reign of the Emperor Domitian, Saint John was once given a cup of poisoned wine, but he blessed the cup and the poison rose out of the cup in the form of a serpent. Saint John then drank the wine with no ill effect. A chalice with a serpent signifying the powerless poison has become one of his symbols.

Domitian then banished Saint John to the island of Patmos. It was there in the year 96 he had those heavenly visions recorded in the Book of Revelation. After the death of Domitian, it is said, he returned to Ephesus in the year 97, and there tradition says he wrote his gospel about the year 98. He is also identified with the author of the three Johannine letters.

The tradition of the Church says Saint John lived to old age in Ephesus. Jerome, in his commentary on Chapter 6 of the Epistle to the Galatians (Jerome, Comm. in ep. ad. Gal., 6, 10), tells the well-loved story that Saint John continued preaching in Ephesus even when he was in his 90s.

He was so enfeebled with old age that the people carried him into the Church in Ephesus on a stretcher. When he was no longer able to preach or deliver a long discourse, his custom was to lean up on one elbow on each occasion and to say simply: ‘Little children, love one another.’ This continued on, even when the ageing John was on his deathbed.

Then he would lie back down and his friends would carry him back out. Every week in Ephesus, the same thing happened, again and again. And every week it was the same short sermon, exactly the same message: ‘Little children, love one another.’

One day, the story goes, someone asked him about it: ‘John, why is it that every week you say exactly the same thing, ‘little children, love one another’?’ And John replied: ‘Because it is enough.’ If you want to know the basics of living as a Christian, there it is in a nutshell. All you need to know is. ‘Little children, love one another.’

According to Eusebius, Saint John died in peace at Ephesus, in the third year of Trajan, that is, the year 100, when he was about 94 years old. According to Saint Epiphanius, he was buried on a mountain outside the town. The Basilica of Saint John the Theologian gave the later name of Aysoluk to the hill above the town of Selçuk, beside Ephesus.

I am constantly overwhelmed and in awe of the emphasis on love and light throughout the Johannine letters. That emphasis on love, which informs the story of Saint John’s last days, is brought through in the first of the Johannine letters (I John 1: 1-9) which we read this morning.

This emphasis constantly informs all aspects of my ministry.

I was once doing Sunday duty during a vacancy in a parish that has three churches. A student asked me at the time how many sermons I preached. I replied: ‘Three.’

‘You preach three sermons every Sunday?’ she asked with an air of incredulity.

I explained: ‘I preach three sermons all the time. The first is ‘Love God,’ the second is ‘Love one another,’ and the third, in case someone missed the first and second sermons, is ‘Love God and love one another’.’

That is the heart of the Christmas story, that is the heart of the Gospel, that is the heart of the Johannine writings, and that, to put it simply, is why we celebrate Saint John in the days immediately after Christmas. ‘Little children, love one another.’

The site of Saint John’s tomb in Ephesus is marked by a marble plaque and four Byzantine pillars (Photograph: Patrick Comerford)

Today’s Prayers (Saturday 27 December 2025, Saint John the Apostle and Evangelist):

The theme this week (21 to 27 December 2025) in Pray with the World Church, the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel), has been ‘Love Brings Life in Tanzania’ (pp 12-13). This theme was introduced last Sunday with a Programme Update by Imran Englefield, Individual Giving Manager, USPG.

The USPG Prayer Diary today (Saturday 27 December 2025, Saint John the Apostle and Evangelist) invites us to pray:

Lord, bless the health projects of the Anglican Church of Tanzania. Grant wisdom, strengthen partnerships, and help the work bring healing and hope to many.

The Collect:

Merciful Lord,
cast your bright beams of light upon the Church:
that, being enlightened by the teaching
of your blessed apostle and evangelist Saint John,
we may so walk in the light of your truth
that we may at last attain to the light of everlasting life;
through Jesus Christ your incarnate Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

The Post-Communion Prayer:

Grant, O Lord, we pray,
that the Word made flesh
proclaimed by your apostle John
may, by the celebration of these holy mysteries,
ever abide and live within us;
through Jesus Christ our Lord.

Collect on the Eve of Christmas I:

Almighty God,
who wonderfully created us in your own image
and yet more wonderfully restored us
through your Son Jesus Christ:
grant that, as he came to share in our humanity,
so we may share the life of his divinity;
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

Yesterday’s Reflections

Continued Tomorrow

A relief sculpture of Saint John … one of a series in Pugin’s font in Saint Chad’s Roman Catholic Cathedral in Birmingham with the symbols of the four evangelists (Photograph: Patrick Comerford)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org

27 August 2025

The Lamb and Flag, once
a temporary home in Oxford
of the Inklings, got a new
lease of life since Covid

The Lamb and Flag, beside Saint John’s College, Oxford, has been recued by a community interest group calling themselves the Inklings (Photograph: Patrick Comerford, 2025)

Patrick Comerford

I have been discussing a number of well-known pubs in Oxford in recent weeks, including the King’s Arms facing the Bodleian’s Weston Library, and the Port Mahon and the Oranges and Lemons, both in St Clement’s. Sadly, the Eagle and Child on Saint Giles’, the pub where the Inklings once met, has been closed for many years, and is still suffering a lengthy refurbishment.

But before I caught bus back from Oxford to Milton Keynes earlier this week, I stopped once again in the Lamb and Flag, across the street from the Eagle and Child and a place that was saved from a threatened closure in recent years.

The Lamb and Flag, beside Saint John’s College on Saint Giles’, closed briefly after takings fell during the Covid-19 pandemic. But it was speedily saved by a community interest group calling themselves – appropriately – the Inklings, and was soon reopened.

The Lamb and Flag dates from 1566, and moved to its present location in 1613 (Photograph: Patrick Comerford, 2025)

The Lamb and Flag is owned by Saint John’s College, and is just north of the main college entrance. Lamb and Flag Passage runs through the south side of the pub, linking St Giles’ with Museum Road, and there is an entrance to Keble College behind the pub.

The name of the Lamb and Flag derives from the symbol of Christ as the Lamb of God (Agnus Dei) in Saint John’s Gospel and the Book of Revelation, carrying a banner with a red cross. This is also a symbol of Saint John the Baptist and the rebus of Saint John’s College, and so the emblem signified how the college has owned the pub.

The Lamb and Flag dates back to at least 1566, when the first pub stood just south of Saint John’s College. An earlier Tudor building on the site of 12 St Giles’ belonged to Godstow Abbey, but Saint John’s College owned the site by 1573. The college moved the pub to that site on 1613, and the old site of the pub is now the Dolphin Quadrangle.

Henry Harbert or Harbard, who had run the earlier hostelry on the south side of Saint John’s as the Lamb, opened the inn at the site of 12 St Giles’ in 1613, and he took the name with him. The new site was further away from the main buildings of the college, but many years later, when the Sir Thomas White and Kendrew quadrangles were built in the 20th and 21st centuries, the pub found it was close to Saint John’s once again.

The Lamb and Flag, the rebus of Saint John’s College, seen on the altar front in the college chapel (Photograph: Patrick Comerford, 2025)

The pub is Listed Grade II and is in three parts: the oldest at the rear is mediaeval; the middle section is around 400 years old; and the front part is Georgian.

Originally the Lamb and Flag Inn only occupied No 12, the large building on the right. But in 1960 it expanded into the ground floor and basement of No 13, the taller narrow building to the left. Since then it has occupied both properties.

Hall’s Brewery took a lease on the pub from Saint John’s in 1829. By 1861, it was described as an hotel.

The Lamb and Flag is Listed Grade II: the oldest part at the rear is mediaeval; the middle section is around 400 years old; and the front part is Georgian (Photograph: Patrick Comerford, 2025)

No 13, the tall narrow house next door to the pub, had a very narrow frontage of 3 yards 2 feet 2 inches in 1772, but was described as ‘a newly-built dwelling house with a commanding shop front’ in 1870, and was held on a lease from the Master and Scholars of Balliol College, Oxford.

Father John O’Fallon Pope, who was the master of the predecessor to Campion Hall at 11 St Giles’, bought No 13 Saint Giles’ in 1903. Father Joseph Rickaby, the chaplain of Campion Hall, was living there in 1921 with three boarders – a Belgian missionary and two students – and a butler and a footman.

No 13 was bought by Saint John’s College when Campion Hall moved to Brewer Street in 1936, and from 1937 to 1955 No 13 was the office of the Registrar of Births and Deaths for Oxford.

Lamb and Flag Passage runs through the south side of the pub, linking St Giles’ with Museum Road and Keble College (Photograph: Patrick Comerford, 2025)

The Lamb and Flag at No 12 expanded in 1960 to include the ground floor and basement of No 13, and has occupied both Nos 12 and 13 since then, some times with student accommodation upstairs.

The pub may have inspired Thomas Hardy when he was writing Jude the Obscure, although others say the Lamb and Flag in Jude the Obscure was actually the Turf Tavern. Graham Greene drank in the pub while he was a student at Balliol College. The Lamb and Flag is also mentioned by PD James in The Children of Men and it features frequently in episodes of the ITV detective drama Inspector Morse.

Meanwhile, the Inklings had been meeting at the Eagle and Child across the street on the other side of St Giles in the 1930s and 1940s. They included CS Lewis and JRR Tolkien, but also met in other places in Oxford, including Magdalen College. When the Eagle and Child was ‘modernised’ in 1962, the Inklings started meeting at the Lamb and Flag. However, these meetings came to an end after CS Lewis died in 1963.

Lamb and Flag Passage offers a glimpse of the Eagle and Child across the street on the other side of St Giles’ (Photograph: Patrick Comerford, 2025)

Saint John’s College took back the licence of the pub in 1997, and, after initially threatening to close it, ran it as a free house. The upstairs rooms were converted into student accommodation, and DPhil students were offered financial support from the pub’s profits through Lamb and Flag studentships worth up to £12,000 a year.

But the Lamb and Flag suffered a loss of revenues during the Covid-19 pandemic and the Lamb & Flag (Oxford) Ltd, a company owned by Saint John’s College, announced on 31 January 2021 that it would close.

Although the pub closed temporarily, it remained in college ownership, and the lease was bought in September 2021 by a Community Interest Company called the Inklings, and the Lamb and Flag reopened in October 2022.

The character of the Lamb and Flag has been preserved in the latest refurbishment (Photograph: Patrick Comerford, 2025)

The Inklings Group – named after the original literary circle that included JRR Tolkien, CS Lewis and others – is a diverse and eclectic mix of Oxford people, past and present, scientists and entrepreneurs, writers and artists, town and gown, as well as local businesses and suppliers.

They brought together several hundred people to save the Lamb and Flag. Saint John’s College shared their vision and supported the relaunch of the pub, aimed at local philanthropy and positive impact rather than profit.

The character of the Lamb and Flag has been preserved, with only light redecoration and refurbishment. Lamb and Flag ‘merch’ is on sale, at the bar including pins, mugs, patches, tote bags and T-shirts.

An invitation over the door in Lamb and Flag Passage is said inscribed in ‘Elvish’, the dwarf runes adopted by Tolkien from Anglo-Saxon and Scandinavian scripts, and says: ‘Speak, Friend, and Enter’.

The Lamb and Flag reopened on St Giles’ in October 2022 (Photograph: Patrick Comerford, 2025)

06 April 2025

Saint John’s Church, Watford,
its 150-year history, and
the sad story of the architect
and the London actress

Saint John’s Church in Watford was designed by the architect Eley Emlyn White and built in 1891-1893 (Photograph: Patrick Comerford, 2025)

Patrick Comerford

One of the many churches I saw during my recent visit to Watford in Hertfordshire is the Church of Saint John the Evangelist on Sutton Road, and I regret that I was only able to see it from the outside without seeing the interior.

Saint John’s Church in Watford was designed by the architect Eley Emlyn White (1854-1900) of Christopher and White. Saint John’s is a Grade II listed church, recognised for its architectural and historical significance. It is a tall stone Gothic church with rubble stone walls, and its story goes back more than a century and half.

When Saint Mary’s Church in the centre of Watford was being restored extensively in 1871, an iron building was erected as a temporary church. When Saint Mary’s reopened, the iron building was no longer needed and it was moved to Sutton Road in 1873 to become Saint John’s.

The temporary structure could hold a congregation of 450 people, but it had its flaws. The tin roof was notoriously leaky, and local people sought a more permanent solution.

A new building was planned and a foundation stone was laid on 17 July 1891. The church was built in 1891-1893, was consecrated by John Wogan Festing, Bishop of St Albans, on 19 July 1893, and was dedicated to Saint John the Apostle and Evangelist.

The Chancel, High Altar abd reredos in Saint John’s Church, Watford (Photograph: Hertfordshire Churches in photographs)

Saint John’s was designed by Eley Emlyn White of Christopher and White in a style reminiscent of that of John Loughborough Pearson (1817-1897), the architect of Truro Cathedral.

White designed Saint John’s in a Gothic Revival style, characterised by pointed arches, ribbed vaults, and intricate stonework. It has rubble stone walls and an overall slate roof with a slim lead fleche over the chancel arch. There is a four-bay nave, a slightly narrower three-bay chancel, and six bay aisles ending one bay short of the east end. There is a west narthex with a gabled a south-west porch.

There is also a small gabled porch in the south aisle. There are square turrets that are panelled and with steep pyramid caps at each corner of the nave and at the east corner of aisles. The buttresses have set-offs at the aisles, the narthex and the chancel.

The east window has three lancets while the three-light west window has quatrefoils in the head and is flanked by single lancets. The south-west porch has a moulded arch, mouldings dying into piers, and five stepped lancets above the porch are cut across by a string course.

I understand the church is equally impressive, with an open timber nave roof, a stone vaulted chancel and clerestory openings, a large stone reredos and an elaborate, intricately carved timber rood screen, designed by Sir John Ninian Comper. The pipe organ was built by JW Walker & Sons in 1911.

The tower and spire designed by White was never built, and a more modest belfry was erected instead. White’s original plans show the tower and spire would have been more than double the height of the church as it was built.

Over the years, Saint John’s has received many gifts, including fine silver plate, vestments, copes, stations of the cross, crib figures and statues. A notable gift is the statue of the Virgin Mary, which adds to the serene and contemplative atmosphere.

Saint John’s was designed to be a chapel-of ease to Saint Mary’s Church, serving people who lived on the Sutton-Sotheron-Estcourt estate and in the Waterfields area. Saint John’s became a parish church in its own right in 1904. It soon became one of the leading Anglo-Catholic churches.

The carved timber rood screen in Saint John’s was designed by Sir John Ninian Comper (Photograph: Hertfordshire Churches in photographs)

The architect Eley Emlyn White was in partnership with John Thomas Christopher (1829-1910), who lived in Watford for a time. Christopher and White were based at 6 Bloomsbury Square, London, and they had a number of projects in Watford, including alterations to Saint Mary’s Church and new-build housing in Nascot and Watford Heath. Christopher and White also designed Saint Matthew’s church in Grandpont, Oxford; Saint John’s at Watford; and repairs to Saint Anne’s in Siston, Gloucestershire.

Eley Emlyn White was born in 1854 in Hampstead, the third child of John Thomas White, a solicitor and landowner, and his wife Emma (née Eley). His unusual first name comes from his mother’s family; she was connected to the families at Oxhey Grange and Eley Brothers, a still firm of cartridge manufacturers established in the early 19th century.

White spent his early life in Hampstead, and by 1871 the family was living in Watford at Cassio Bridge House. He was admitted to the Royal Academy Schools in 1874 to study architecture. He was articled to the established London architect John Thomas Christopher and was also a clerk for a year in the office of the Gothic Revivalist architect William Burges (1821-1881), whose first major commission had been Saint Fin Barre’s Cathedral in Cork in 1863.

White was influenced by Burges’s utopian designs, which included Cardiff Castle and Castell Coch in South Wales.

After practising independently for two years, White travelled for 14 months on a Royal Academy travelling studentship. He was then invited to become John Thomas Christopher’s partner in his architectural business, renamed Christopher and White.

While he was living in Brasted, Kent, White married Mary Evelyn Higins in 1881; she had been born at sea, off Malta, in 1860. The couple lived in Hampstead, before moving to St John’s Wood and later to Gower Street, London. In the same year as his marriage, White designed Innage House at 43-45 Park Road, Watford, for GE Lake. It was an impressive red-brick wide-fronted three-storey house with an arched entrance. Several years later, White designed Saint John’s Church in Watford.

But White’s private life was turbulent, and he and Mary decided to live apart. He left their marital home in the 1890s and moved to lodgings in Cedar Mansions, Kensington.

There he met Marie Gibson, a 21-year-old actress. They met regularly after her night-time theatrical performances at the Empire Theatre and he brought her back to his lodgings, introducing her as his niece to the housekeeper, Mrs Shea, who never believed this. White wanted Marie Gibson to live with him and, although she declined on the basis of impropriety, they continued to meet.

Then, on 2 March 1900, as Marie Gibson was reading a book in his lodgings, White brought out his revolver and shot her in the face before shooting himself in the head. He died instantly, aged 47. The bullet aimed at Marie Gibson entered the book she was reading before hitting her. She survived, but lost an eye, and later said White had threatened to shoot her once before.

White was 47. He left a note apologising to his wife Mary for his behaviour: ‘I do not intend continuing a life I dislike as I am not happy. I am very sorry that I have acted so badly to you, for you were a good little wife.’

A porch at of Saint John’s Church, Sutton Road, Watford (Photograph: Patrick Comerford, 2025)

The first priest-in-charge of Saint John’s was the Revd J Henry White, who was the priest-in-charge of the tin church (1873-1893) and then of Saint John’s (1893-1898). His successor, John Manwaring Steward (1874-1937), was priest-in-charge 1898-1904. Later, he joined the Melanesian Mission as a missionary priest, and became the fifth Bishop of Melanesia (1919-1928). He is listed in the Calendar of Saints of the Church of the Province of Melanesia.

Saint John’s Church today is the spiritual home of a thriving community in Watford, offering a place of worship and community close to the town centre. Over the years, it has undergone several restorations, including the cleaning and restoration of the chancel and sanctuary in 1961 and the nave and aisles in 1966. The exterior stonework was restored in 1973 to mark the church’s centenary.

The Revd Corniel Quak has been the Vicar of Saint John’s since last year (20 June 2024). He studied at Ripon College Cuddesdon, Oxford, and before moving to Watford he was Assistant Curate at Saint Saviour’s Church, St Albans.

• Saint John’s has a variety of services and events. The weekly Parish Mass with hymns is at 10:30 on Sundays, and Holy Communion is celebrated every Friday at 10 am. Other activities include Messy Church on the first Saturday of each month from 11 am to 1 pm, a Breakfast Club and Sunday School every Sunday.

The West end of Saint John’s Church, the spiritual home of a thriving community in Watford (Photograph: Patrick Comerford, 2025)

27 December 2024

Daily prayer in Christmas 2024-2025:
3, Friday 27 December 2024,
Saint John the Apostle and Evangelist

Saint John depicted in a statue on the Great Gate of Saint John’s College, Cambridge (Photograph: Patrick Comerford)

Patrick Comerford

On the third day of Christmas my true love sent to me … ‘three French hens, two turtle doves, and a partridge in a pear tree’.

This is the third day of Christmas and today the church calendar celebrates Saint John the Apostle and Evangelist. This is also the third day of Hanukkah this year.

Initially I had an appointment in Milton Keynes Hospital this morning, but this has since been rescheduled. Before today begins, I am taking some quiet time this morning to give thanks, to reflect, to pray and to read in these ways:

1, today’s Gospel reading;

2, a short reflection;

3, a prayer from the USPG prayer diary;

4, the Collects and Post-Communion prayer of the day.

Saint John (right) and the Virgin Mary (left) at the Crucifixion … the rood beam in Saint Thomas’s Cathedral, Kuching (Photograph: Patrick Comerford, 2024)

John 21: 19b-25 (NRSVA):

19 After this he said to him, ‘Follow me.’

20 Peter turned and saw the disciple whom Jesus loved following them; he was the one who had reclined next to Jesus at the supper and had said, ‘Lord, who is it that is going to betray you?’ 21 When Peter saw him, he said to Jesus, ‘Lord, what about him?’ 22 Jesus said to him, ‘If it is my will that he remain until I come, what is that to you? Follow me!’ 23 So the rumour spread in the community that this disciple would not die. Yet Jesus did not say to him that he would not die, but, ‘If it is my will that he remain until I come, what is that to you?’

24 This is the disciple who is testifying to these things and has written them, and we know that his testimony is true. 25 But there are also many other things that Jesus did; if every one of them were written down, I suppose that the world itself could not contain the books that would be written.

The symbol of the serpent and the chalice, a carving by Eric Gill in the capstone at Saint John’s College, Cambridge (Photograph: Patrick Comerford)

Today’s Reflection:

The Christian interpretation of the song ‘The 12 Days of Christmas’ often sees the three French hens as figurative representations of the three theological virtues – faith, hope and love: ‘And now faith, hope, and love remain, these three, and the greatest of these is love.’ (I Corinthians 13: 13).

Other interpretations say the three French hens represent the three persons of the Holy Trinity, Father, Son and Holy Spirit, or the three gifts of the Wise Men, gold, frankincense and myrrh.

There is a custom in some places of blessing wine on this day and drinking a toast to the love of God and to Saint John. The theological virtue of love is intimately associated with the story of Saint John, the disciple Jesus loved.

It seems appropriate in the days immediately after Christmas that we should be jolted out of our comforts, in case we begin to atrophy, and to be reminded of what the great German martyr Dietrich Bonhoeffer called the “Cost of Discipleship.”

Following Christ is not all about Christmas shopping, feasts, decorations and falling asleep in front of the television – comforting, enjoyable and pleasant as they are, particularly in family settings.

Yesterday was the feast of Saint Stephen [26 December], often referred to as the first Christian martyr; tomorrow is the feast of the Holy Innocents [28 December], the first – albeit unwitting – martyrs according to Saint Matthew’s Gospel.

In The Ariel Poems TS Eliot puts wise words into the mouth of the Wise Man who recalls the cold coming of it experienced in the ‘Journey of the Magi’. There he makes the connection between birth and death:

All this was a long time ago, I remember,
And I would do it again, but set down
This set down
This: were we led all that way for
Birth or Death? There was a Birth, certainly,
We had evidence and no doubt. I had seen birth and death,
But had thought they were different; this Birth was
Hard and bitter agony for us, like Death, our death.
We returned to our places, these Kingdoms,
But no longer at ease here, in the old dispensation,
With an alien people clutching their gods.
I should be glad of another death.
TS
Between those two commemorations of martyrdom, we find ourselves today [27 December] marking the Feast of Saint John the Evangelist.

At first, this too may not seem to be an appropriate feastday to celebrate in the days immediately after Christmas. Even chronologically it creates difficulties for tradition says Saint John was the last of the disciples to die, making his death the one that is separated most in terms of length of time from the birth of Christ.

In art, Saint John the Evangelist is frequently represented as an Eagle, symbolising the heights to which he rises in the first chapter of his Gospel.

For Saint John, there is no annunciation, no nativity, no crib in Bethlehem, no shepherds or wise men, no little stories to allow us to be sentimental and to be amused. He is sharp, direct and gets to the point: ‘In the beginning …’

But the Prologue to Saint John’s Gospel is one of the traditional readings on Christmas Day, so many of us immediately associate his writings with this time of the year.

Saint John the Evangelist is unnamed in the Fourth Gospel. Yet tradition identifies him with the John who is:

• one of the three at the Transfiguration,
• one of the disciples sent to prepare a place for the Last Supper,
• one of the three present in the Garden of Gethsemane,
• the only disciple present at the Crucifixion,
• the disciple to whom Christ entrusts his mother from the Cross,
• the first disciple to arrive at Christ’s tomb after the Resurrection,
• the disciple who first recognises Christ standing on the lake shore following the Resurrection.

The Beloved Disciple, alone among the Twelve, remains with Christ at the foot of the Cross with the Mother of Christ and the women and he is asked by the dying Christ to take Mary into his care (John 19: 25-27). After Mary Magdalene’s report of the Resurrection, Peter and the ‘other disciple’ are the first to go to the grave, and the ‘other disciple’ is the first to believe that Christ is truly risen (John 20: 2-10).

When the Risen Christ appears at the Lake of Genesareth, ‘that disciple whom Jesus loved’ is the first of the seven disciples present who recognises Christ standing on the shore (John 21: 7).

Saint Paul names John as one of the pillars of the Church in Jerusalem (see Galatians 2: 9). Later, tradition says, he takes over the position of leadership Paul once had in the Church in Ephesus and is said to have lived there and to have been buried there.

According to a tradition mentioned by Saint Jerome, in the second general persecution, in the year 95, Saint John was arrested and sent to Rome, where he was thrown into a vat or cauldron of boiling oil but miraculously was preserved from death.

According to ancient tradition, during the reign of the Emperor Domitian, Saint John was once given a cup of poisoned wine, but he blessed the cup and the poison rose out of the cup in the form of a serpent. Saint John then drank the wine with no ill effect. A chalice with a serpent signifying the powerless poison has become one of his symbols.

Domitian then banished Saint John to the isle of Patmos. It was there in the year 96 he had those heavenly visions recorded in the Book of Revelation. After the death of Domitian, it is said, he returned to Ephesus in the year 97, and there tradition says he wrote his gospel about the year 98. He is also identified with the author of the three Johannine letters.

The tradition of the Church says Saint John lived to old age in Ephesus. Jerome, in his commentary on Chapter 6 of the Epistle to the Galatians (Jerome, Comm. in ep. ad. Gal., 6, 10), tells the well-loved story that Saint John continued preaching in Ephesus even when he was in his 90s.

He was so enfeebled with old age that the people carried him into the Church in Ephesus on a stretcher. When he was no longer able to preach or deliver a long discourse, his custom was to lean up on one elbow on each occasion and to say simply: ‘Little children, love one another.’ This continued on, even when the ageing John was on his deathbed.

Then he would lie back down and his friends would carry him back out. Every week in Ephesus, the same thing happened, again and again. And every week it was the same short sermon, exactly the same message: ‘Little children, love one another.’

One day, the story goes, someone asked him about it: ‘John, why is it that every week you say exactly the same thing, ‘little children, love one another’?’ And John replied: ‘Because it is enough.’ If you want to know the basics of living as a Christian, there it is in a nutshell. All you need to know is. ‘Little children, love one another.’

According to Eusebius, Saint John died in peace at Ephesus, in the third year of Trajan, that is, the year 100, when he was about 94 years old. According to Saint Epiphanius, he was buried on a mountain outside the town. The Basilica of Saint John the Theologian gave the later name of Aysoluk to the hill above the town of Selçuk, beside Ephesus.

I am constantly overwhelmed and in awe of the emphasis on love and light throughout the Johannine letters. That emphasis on love, which informs the story of Saint John’s last days, is brought through in the first of the Johannine letters (I John 1: 1-9) which we read this morning.

This emphasis constantly informs all aspects of my ministry.

I was once doing Sunday duty during a vacancy in a parish that has three churches. A student asked me at the time how many sermons I preached. I replied: ‘Three.’

‘You preach three sermons every Sunday?’ she asked with an air of incredulity.

I explained: ‘I preach three sermons all the time. The first is ‘Love God,’ the second is ‘Love one another,’ and the third, in case someone missed the first and second sermons, is ‘Love God and love one another’.’

That is the heart of the Christmas story, that is the heart of the Gospel, that is the heart of the Johannine writings, and that, to put it simply, is why we celebrate Saint John in the days immediately after Christmas. ‘Little children, love one another.’

The site of Saint John’s tomb in Ephesus is marked by a marble plaque and four Byzantine pillars (Photograph: Patrick Comerford)

Today’s Prayers (Friday 27 December 2024, Saint John the Apostle and Evangelist):

The theme this week in ‘Pray With the World Church’, the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), is ‘Love – Advent’. This theme was introduced on Sunday with Reflections by the Revd Lopa Mudra Mistry, Presbyter in the Diocese of Calcutta, the Church of North India (CNI).

The USPG Prayer Diary today (Friday 27 December 2024, Saint John the Apostle and Evangelist) invites us to pray:

Lord, may we grasp with proper understanding what God has revealed to us through the blessed Apostle John.

The Collect:

Merciful Lord,
cast your bright beams of light upon the Church:
that, being enlightened by the teaching
of your blessed apostle and evangelist Saint John,
we may so walk in the light of your truth
that we may at last attain to the light of everlasting life;
through Jesus Christ your incarnate Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.

The Post-Communion Prayer:

Grant, O Lord, we pray,
that the Word made flesh
proclaimed by your apostle John
may, by the celebration of these holy mysteries,
ever abide and live within us;
through Jesus Christ our Lord.

Yesterday’s Reflection

Continued Tomorrow

A relief sculpture of Saint John ... one of a series in Pugin’s font in Saint Chad’s Roman Catholic Cathedral in Birmingham with the symbols of the four evangelists (Photograph: Patrick Comerford)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org

30 September 2024

Two Saint Johns in Hampstead:
200 years of controversies at
Saint John’s, Downshire Hill

Saint John’s Downshire Hill, Hampstead … a proprietary chapel that is not a parish church in the Diocese of London (Photograph: Patrick Comerford, 2024)

Patrick Comerford

There are two Church of England churches in Hampstead that are named Saint John: Saint John-at-Hampstead which is dedicated to Saint John the Evangelist, and Saint John’s Downshire Hill.

Saint John-at-Hampstead is the ancient parish church on Church Row, and I was writing about yesterday. Saint John’s Downshire Hill is not actually a parish church but a proprietary chapel.

The two Saint John’s in Hampstead have very different histories, styles of worship and values. To add to the confusion, but there is also a debate about the patronage of Saint John-at-Hampstead: was the saint in question Saint John the Baptist or Saint John the Evangelist?

I decided to visit both churches – or the church and the chapel – when I was in Hampstead last week.

>Saint John’s Downshire Hill, Hampstead … facing what should be the liturgical east (Photograph: Patrick Comerford, 2024)

Saint John’s Downshire Hill, Hampstead, is a proprietary chapel rather than a parish church in the Diocese of London. It is in the Parish of Saint Stephen with All Hallows, and, although most people refer to it as Saint John’s Church, it is legally and formally a chapel. Nor should it be confused with Saint John-at-Hampstead, on Church Row.

As much of the area was being developed in the early 19th century, a new church was considered an essential for the new houses and their residents. Downshire Hill was laid out at the beginning of the 19th century and the street was probably named after Wills Hill (1718-1793), 1st Marquess of Downshire. He was Secretary of State for the Colonies in 1768-1772, the period leading up to the American War of Independence, and his Irish estates included Hillsborough Castle, Co Down, now the official government residence in Northern Ireland, and Blessington House, Co Wicklow, which was burned down in 1798.

Later residents of Downshire Hill included the artist Dante Gabriel Rossetti, the actress Peggy Ashcroft and the Irish-born scientist John Desmond Bernal.

A site on Downshire Hill was bought from the Manor of Belsize in 1812 by a group who handed the site on in 1817 to a three people: the Revd James Curry, who financed the project; Edward Carlisle, a lawyer; and William Woods, a speculative builder who was involved in developments in Hampstead and other parts of London.

Curry offered to pay the cost of the building if he was appointed the minister. The new chapel was dedicated to Saint John, indicating, perhaps, that it was originally planned as a chapel of ease for the parish church of Saint John-at-Hampstead.

The building was completed in 1823, but Curry had fallen ill by the time the first service held on 26 October 1823. Instead, the first minister was the Revd William Harness (1790-1869), a classical scholar and a friend from school days of the poet Lord Byron.

Curry died soon after the opening, Woods gave up his interest in the building in January 1824, and Harness left in 1825 when his popularity as a preacher brought him an invitation to become the incumbent of Saint Peter’s Church, Regent Square (1826-1844). The four ministers who succeeded Harness each remained for only a short period.

The property was bought in 1832 by the Revd John Wilcox (1780-1835), who admired George Whitefield, a key figure in the revival in Britain and America in the 18th century. Wilcox saw Downshire Hill as the ideal place to carry on Whitefield’s evangelical legacy and put the evangelical tradition associated with the chapel on a firm footing.

Saint John’s Downshire Hill, Hampstead … facing what should be the liturgical west end (Photograph: Patrick Comerford, 2024)

Wilcox immediately met strong opposition from the Revd Samuel White, who had been the Vicar of Saint John-at-Hampstead since 1807 and who disagreed strongly with the Calvinist teachings of Wilcox. White’s permission was needed to hold services and to preach sermons in the parish, and Downshire Hill was in his parish.

White accused Wilcox of neglecting the two churches where he already ministered and charged him with illegally officiating in a private chapel without the consent of the local incumbent. Wilcox threatened that without White’s approval he would preach as a dissenter. But, when Wilcox ignored White’s demands, White began formal proceedings against him.

The consistory court ruled in favour of White, but local feeling was on the side of Wilcox. The poet John Keats, who was living nearby in what is now Keats House, referred to White as ‘the Person of Hampstead quarrelling with all the world.’ A petition was signed by influential local people including the then Lord of the Manor of Belsize, Lord Galloway, and the writer Sara Coleridge, a daughter of the poet Samuel Taylor Coleridge

The court ruling stood, and the chapel stayed closed until 1835. The chapel remained controversial in church circles in the years that followed, and Wilcox remained in the area, teaching local children at Saint John’s Church School, which he founded on Downshire Hill at his own expense.

The Bevington organ in the west gallery was built in 1873 and installed in 1880 (Photograph: Patrick Comerford, 2024)

When Wilcox died in December 1835, the trustees of Saint John’s Downshire Hill were able to appoint an alternative minister who had White’s approval. The Revd John Ayre was the minister for 20 years there, from 1835 and 1855, and was the longest-standing minister there for many years after. In 1851, 1,370 people attended a service at which the Archbishop of Canterbury preached.

Meanwhile, Samuel White had died in 1841, the area was growing rapidly, and there was a need for a new parish church. Saint John’s was proposed as the new parish church in 1863, but this was rejected on the grounds that the church was too small and the site too small to build a larger church.

Instead, a new parish church, Saint Stephen’s Church, was built nearby at Rosslyn Hill and the Revd Joshua Kirkman of Saint John’s Downshire Hill became the first Vicar of Saint Stephen’s.

Canon Henry Wright (1833-1880), was secretary of the Church Missionary Society (CMS) was the minister of Saint John’s from 1872 until he drowned in Coniston Lake. The Revd Robert Baker Girdlestone (1836-1922), the first Principal of Wycliffe Hall, Oxford (1877-1889), was at Downshire Hill in 1889-1903.

Saint John’s faced financial difficulties during World War I, and in 1916 the freehold was bought by Henry Wright’s son, Albert Leslie Wright, who then leased the church to the congregation at a nominal rent. When he died in 1938, he appointed the Church Pastoral Aid Society (CPAS) as trustees to ensure the church continued to maintain an evangelical traditions.

Later ministers included: the Revd Jakób Jocz (1947-1956), who was born in Tsarist Lithuania, became President of the International Hebrew Christian Alliance and then was Professor of Systematic Theology at Wycliffe College, Toronto; Canon Douglas Butcher (1957-1960), a canon of Cairo Cathedral; the Revd Douglas Paterson (1962-1965), who later joined the Rwanda Mission; and Bishop Kenneth Howell (1972-1979), a former Bishop of Chile, Bolivia and Peru.

Typical of its time … the distinctive black and gold clock below the bellcote was made by John Moore of Clerkenwell in 1823 (Photograph: Patrick Comerford, 2024)

The Grade I listed building, with its Regency stuccoed and cream painted façade, looks more like a church typical of its period in New England. It has a Doric porch, portico and cupola. The distinctive black and gold clock below the bellcote was made by John Moore of Clerkenwell in 1823, its simple bold design typical of that period.

Inside, the vestibule has a double staircase. The main part of the church has a five-bay nave with galleries on three sides and no chancel. During restoration work in the 1960s, a frieze of biblical texts that had been obliterated in 1923 was rediscovered decorating the gallery and reredos and repainted in the original gold lettering.

The original wooden box pews have been moved to the sides of the church, below the galleries, or to the church hall. The Bevington organ in the west gallery was built in 1873 and installed in 1880.

The East Window (1882) depicts the eagle of Saint John the Evangelist (Photograph: Patrick Comerford, 2024)

The East Window, dating from 1882, depicts the eagle of Saint John the Evangelist. Under it, the reredos frames the Ten Commandments, the Lord’s Prayer and the Apostles’ Creed, although these are obscured by a large drop-down screen. When I visited last week, there was no communion table and no pulpit. Perhaps they were moved during renovations in 2003-2004, and instead there is a raised stage with a small, fold-away table and two comfortable chairs.

During the 19th century, there were up to 50 proprietary chapels in London. Today, Saint John’s Downshire Hill is the only proprietary chapel remaining in the Diocese of London, one of only a handful in the whole of England. The running costs are met entirely by the congregation. It is financially separate from the Church of England, and does not contribute to or receive from funds in the Diocese of London.

The chapel is in the conservative evangelical tradition, and has passed resolutions rejecting both the leadership and the the ordination of women. Alongside Saint Luke’s Church, Hampstead, and churches such as All Souls’ Church, Langham Place, it looks for alternative episcopal oversight to the Bishop of Ebbsfleet, Rob Munro.

Looking out into the world? … a window below one of the galleries (Photograph: Patrick Comerford, 2024)

The church website refers to the church as the people ‘who have received forgiveness and new life through the death and resurrection of Jesus’ and says the building is ‘a place for God’s people to meet to pray, sing, encourage each other and hear teaching from His word, the Bible.’

Article 19 of the 39 Articles, ‘Of the Church’, says: ‘The visible Church of Christ is a congregation of faithful men, in which the pure Word of God is preached, and the Sacraments be duly ministered according to Christ's ordinance …’

It is difficult to see how this chapel fits in with this understanding of the Church, to see or find out where ‘the Sacraments be duly ministered’ or to see where the ‘Word of God is preached’ in a way that distinguishes a sermon from a television interview or a cosy fireside chat on a stage that gives priority to space for a performance with modern musical instruments.

Apart from a fold-away table and two comfortable chairs, there is no sign of a pulpit or altar, of word and sacrament in Saint John’s Downshire Hill, Hampstead (Photograph: Patrick Comerford, 2024)

The Revd Tom Watts has been the senior minister of Saint John’s since 2018. The ‘Church Staff’ include David Rue, Associate Minister for Families, Corinne Brixton, Associate Minister for Women, and Aaron Ku, Assistant Minister. But there is nothing on the noticeboards or the website to indicate whether they are ordained or lay ministers.

The congregation has owned the building since 2003, when it bought it from the Wright family trustees who had owned it and leased it since World War I. The present trustees, who have legal oversight of the governance of Saint John’s Downshire Hill, are Daniel Barlow, Gareth Burns, Abi Naidu and Christopher Onaka.

The website refers to meetings, and says members of the congregation ‘meet together twice on Sundays’, at 10:30 and 6 pm, with both ‘meetings’ involving ‘music, prayer and the reading and teaching of the Bible’ and with the ‘focus on learning more about the God of the Bible, His Son Jesus Christ and what His word has to say about Him and our lives in relation to Him.’

But I could not find out anywhere when the Holy Communion or the Eucharist is celebrated at Saint John’s Downshire Hill, Hampstead. I wondered whether it is a mere conincidence that the only parts of the lettering that were rediscovered when the gallery and reredos were being redecorated and that are largely obscured by a large screen standing where the altar or holy table should be are those dominical words relating to the need to celebrate the Eucharist or the Holy Communion reguarly.

Stairway to heaven? … the vestibule in Saint John’s Downshire Hill has a double staircase (Photograph: Patrick Comerford, 2024)

Last updated: 12 May 2026 (correctionof typos)