The Kara Musa Pasha Mosque – the former Saint Barbara’s Monastery – is one of the surviving treasures from Venetian and Ottoman Crete in the old town of Rethymnon (Photograph: Patrick Comerford)
Patrick Comerford
During this time in the Church Calendar known as Ordinary Time, I am taking some time each morning to reflect in these ways:
1, photographs of a church or place of worship;
2, the day’s Gospel reading;
3, a prayer from the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel).
My photographs this morning (1 July 2021) are from the former Saint Barbara’s Monastery, later the Kara Musa Pasha Mosque, Rethymnon, continuing a week of photographs from monasteries in Crete.
This year marks the 200th anniversary of the start of the Greek War of Independence, and earlier in this series morning reflections, I have also visited Arkadi Monastery (1 May 2021) and the former Monastery of Saint Catherine of Mount Sinai in Iraklion (8 May 2021).
The Kara Musa Pasha Mosque stands on the site of a Venetian-era monastery dedicated to Saint Barbara (Photograph: Patrick Comerford)
The Kara Musa Pasha Mosque, at the corner of Arkadíou Street and Viktoras Ougo (Victor Hugo) Street, is one of the surviving treasures from Ottoman Crete in the old town of Rethymnon. But, while it is possible to see that this was once a mosque, it is difficult to make out any monastic remains or ruins.
The mosque, with its domes and part of its ruined minaret, stands close to Plateia Iróon or Heroes’ Square, which was once a chaotic traffic roundabout but is now a pleasant paved square that marks the east end of the old town.
For many years, the Kara Musa Pasha Mosque and its grounds have housed the Inspectorate of Byzantine Antiquities, but is generally closed to the public. In the past, I have sought to catalogue the surviving former mosques of Rethymnon, but I only managed to gain access to the Kara Musa Pasha Mosque once in 2014 for an exhibition, The Ghosts of Mediterranean, by the visual artist, Professor Marianna Strapatsakis.
The mosque was built on the site of a Venetian-era monastery dedicated to Saint Barbara, and was renamed after an Ottoman admiral who commanded the naval forces at the Turkish capture of Rethymnon in 1645.
The mosque takes its name from Kara Musa Pasha, who was born in Vikoča near Foča, now in Bosnia-Herzegovina. Sultan Ibrahim I named him as his Grand Vizier in 1647 after the execution his predecessor. But Kara Musa Pasha was then at sea, taking part in the Ottoman war to capture Crete. The sultan also appointed him the Grand Admiral of the Ottoman Navy, but the imperial seal for his promotion was still on its way to him when he died on 21 September 1647 in front of the castle of Iraklion.
After the Turks captured Rethymnon, Saint Barbara’s Monastery was turned into a mosque. The central building has a typical square floor plan with a mihrab pointing towards Mecca.
Beside the mosque and the stump of the minaret is a domed, three-vault mausoleum that may have been the tomb of the founder of the mosque. But it was partly destroyed during building work on Viktoras Ougo Street many years ago.
The mosque complex includes a vaulted fountain – with a tasteless modern metal tap and cement basin – a courtyard and decorated columns that once stood over Turkish graves but now lie flat on the sun-baked ground.
The lost monastery may have given its name to the Church of Aghia Barbara or Saint Barbara, which is celebrated in modern Cretan literature. This church is halfway along Aghia Barbara Street, just a hundred metres from the metropolis or cathedral in the centre of Rethymnon. The church was built in 1885 to replace and earlier Latin church of the same name, dating from at least 1613.
However, local lore says that a church dedicated to Saint Barbara had stood on this site from Roman times, and a church dedicated to Saint Barbara appears on this site in Venetian maps in 1613.
The Kara Musa Pasha Mosque at night (Photograph: Patrick Comerford)
Matthew 9: 1-8 (NRSVA):
1 And after getting into a boat he crossed the water and came to his own town.
2 And just then some people were carrying a paralysed man lying on a bed. When Jesus saw their faith, he said to the paralytic, ‘Take heart, son; your sins are forgiven.’ 3 Then some of the scribes said to themselves, ‘This man is blaspheming.’ 4 But Jesus, perceiving their thoughts, said, ‘Why do you think evil in your hearts? 5 For which is easier, to say, “Your sins are forgiven”, or to say, “Stand up and walk”? 6 But so that you may know that the Son of Man has authority on earth to forgive sins’ – he then said to the paralytic – ‘Stand up, take your bed and go to your home.’ 7 And he stood up and went to his home. 8 When the crowds saw it, they were filled with awe, and they glorified God, who had given such authority to human beings.
The mausoleum of the founder of the mosque was partly destroyed during building work some years ago (Photograph: Patrick Comerford)
Prayer in the USPG Prayer Diary:
The Prayer in the USPG Prayer Diary today (1 July 2021) invites us to pray:
Lord, we pray for those amongst us facing personal challenges. May they find strength and comfort in You.
Yesterday’s reflection
Continued tomorrow
Former Turkish gravestones in the grounds of the Kara Musa Pasha Mosque (Photograph: Patrick Comerford)
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
01 July 2021
Glengarriff and the three
churches that bookend
the village at each end
The main street of Glengarriff is lined with colourful bars, restaurants, shops and cafés (Photograph: Patrick Comerford, 2021)
Patrick Comerford
The small town of Glengarriff in West Cork, the gateway to the Beara Peninsula and the access point to Garinish Island, is colourful in the summer sunshine.
Two of us had arrived there from Skibbereen and Bantry on our road trip or ‘staycation’ in Co Kerry and West Cork for the third of three two-night stays on the Wild Atlantic Ways, with plans for a boat trip to Garinish Island, with its microclimate and Italian-style gardens, and to visit the Blue Pool.
It is truly a one-street town, but it is a colourful street, lined with colourful bars, restaurants, shops and cafés. And the town is ‘bookended’ by churches, with the Sacred Heart Church and the former Roman Catholic parish church standing opposite each other at the west end, and Holy Trinity Church, the former Church of Ireland parish church, on a bend on the road at the east end of the town.
The Sacred Heart Church, a fine Gothic Revival style church, was consecrated in 1902 (Photograph: Patrick Comerford, 2021)
The Roman Catholic parish church, the Sacred Heart Church, is a fine Gothic Revival style church and it is representative of the style of Catholic parish churches built at the end of the 19th and early 20th centuries.
The church was built in 1902, and its plan and decorative detail demonstrate a move away from the earlier, more modest style of churches built in the first part of the 19th century. The church shows fine craftsmanship and attention to detail, seen in the masonry work and the variety of windows filled with stained glass.
The church is oriented from north-east to south-west. It is a cruciform-plan, gable-fronted, double-height Gothic Revival church, with a four-bay nave, single-bay transepts, a single-bay chancel at the north-east or liturgical east end, and porches at the transepts and the sacristy.
Inside the Sacred Heart Church, looking towards the liturgical west (Photograph: Patrick Comerford, 2021)
There is a carved stone bellcote at the south-west or liturgical west end, and the other architectural features include buttresses and quoins.
The paired pointed arch openings in the nave have quarry glazing and stained-glass windows with block-and-start limestone surrounds and hood moulding with squared stops.
The chancel at the east end has a pointed arch stained glass window, with a cinquefoil rose window above.
At the front, there are double-leaf timber battened doors with decorative cast-iron strap hinges.
The first parish church in Glengarriff was built ca 1839 on a site donated by the Marquess of Lansdowne (Photograph: Patrick Comerford, 2021)
Across the street, on the south side of the road, Glengarriff Hall was built ca 1839 as the first parish church in Glengarriff on a site given by Henry Petty-Fitzmaurice (1780-1863) 3rd Marquess of Lansdowne, who also donated £50 towards the building costs.
Lord Lansdowne, who owned extensive estate throughout Co Kerry, was the landlord in neighbouring Kenmare, and at the time he was a member of Lord Melbourne’s Cabinet as Lord President of the Council, an office he held on three occasions. A distinguished statesman, he also served as Home Secretary and Chancellor of the Exchequer.
This church was plain in style and modest in scale. It was deconsecrated in 1902 when a new parish church was built across the road, and is now used as a community hall. Despite extensions, it retains its character, particularly in the windows.
Holy Trinity Church, Glengarriff, was designed by Welland and Gillespie in the 1860s (Photograph: Patrick Comerford, 2021)
Holy Trinity Church, the former Church of Ireland parish church in Glengarriff, was designed by Welland and Gillespie, architects to the Ecclesiastical Commissioners and built in 1862-1863.
Tourism was developing rapidly in Victorian Glengarriff. But, until the 1860s, there was no Church of Ireland parish church in the village. Sunday services were held at 12.30 in the Eccles Hotel, with celebrations of the Holy Communion six times a year, and an average of five communicants.
The curate, the Revd Vincent Lamb, nominated jointly by the neighbouring Vicar of Kilmocomoge (Bantry) in the Diocese of Cork, and Vicar of Kilcaskin (Ardrigoole) in the Diocese of Ross.
The idea of building a new church was proposed by the Archdeacon of Cork, the Ven SM Kyle, who wanted to build a church in this romantic locality, and he collected the greater portion of the funds.
The site for a new church was given by Richard White (1800-1868), 2nd Earl of Bantry, on 13 April 1861, and Glengarriff was formed as a district curacy on 31 July 1861, by the Vicars of Kilcaskin and Kilmocomoge, who agreed to pay the Curate an annual stipend of £35.
The new church, built in 1862-1863, was consecrated by Bishop John Gregg on 25 June 1863. The Revd Fred Garrett was the last Rector of Glengarriff before the church closed.
The church had a three-bay nave, a lower single-bay chancel at the east end, a vestry and an entrance porch. The church appears to retain many of its original features, including the high standard of masonry work and the attention, with a variety of windows, and a bell tower and slated spire.
In recent years, it was in use as café. But when I tried to visit this former church during that two-day stay in Glengarriff the site was closed off to visitors and the growth in surrounding trees made it difficult to photograph the building.
The Blue Pool is one of the many colour attractions of Glengarriff (Photograph: Patrick Comerford, 2021)
Patrick Comerford
The small town of Glengarriff in West Cork, the gateway to the Beara Peninsula and the access point to Garinish Island, is colourful in the summer sunshine.
Two of us had arrived there from Skibbereen and Bantry on our road trip or ‘staycation’ in Co Kerry and West Cork for the third of three two-night stays on the Wild Atlantic Ways, with plans for a boat trip to Garinish Island, with its microclimate and Italian-style gardens, and to visit the Blue Pool.
It is truly a one-street town, but it is a colourful street, lined with colourful bars, restaurants, shops and cafés. And the town is ‘bookended’ by churches, with the Sacred Heart Church and the former Roman Catholic parish church standing opposite each other at the west end, and Holy Trinity Church, the former Church of Ireland parish church, on a bend on the road at the east end of the town.
The Sacred Heart Church, a fine Gothic Revival style church, was consecrated in 1902 (Photograph: Patrick Comerford, 2021)
The Roman Catholic parish church, the Sacred Heart Church, is a fine Gothic Revival style church and it is representative of the style of Catholic parish churches built at the end of the 19th and early 20th centuries.
The church was built in 1902, and its plan and decorative detail demonstrate a move away from the earlier, more modest style of churches built in the first part of the 19th century. The church shows fine craftsmanship and attention to detail, seen in the masonry work and the variety of windows filled with stained glass.
The church is oriented from north-east to south-west. It is a cruciform-plan, gable-fronted, double-height Gothic Revival church, with a four-bay nave, single-bay transepts, a single-bay chancel at the north-east or liturgical east end, and porches at the transepts and the sacristy.
Inside the Sacred Heart Church, looking towards the liturgical west (Photograph: Patrick Comerford, 2021)
There is a carved stone bellcote at the south-west or liturgical west end, and the other architectural features include buttresses and quoins.
The paired pointed arch openings in the nave have quarry glazing and stained-glass windows with block-and-start limestone surrounds and hood moulding with squared stops.
The chancel at the east end has a pointed arch stained glass window, with a cinquefoil rose window above.
At the front, there are double-leaf timber battened doors with decorative cast-iron strap hinges.
The first parish church in Glengarriff was built ca 1839 on a site donated by the Marquess of Lansdowne (Photograph: Patrick Comerford, 2021)
Across the street, on the south side of the road, Glengarriff Hall was built ca 1839 as the first parish church in Glengarriff on a site given by Henry Petty-Fitzmaurice (1780-1863) 3rd Marquess of Lansdowne, who also donated £50 towards the building costs.
Lord Lansdowne, who owned extensive estate throughout Co Kerry, was the landlord in neighbouring Kenmare, and at the time he was a member of Lord Melbourne’s Cabinet as Lord President of the Council, an office he held on three occasions. A distinguished statesman, he also served as Home Secretary and Chancellor of the Exchequer.
This church was plain in style and modest in scale. It was deconsecrated in 1902 when a new parish church was built across the road, and is now used as a community hall. Despite extensions, it retains its character, particularly in the windows.
Holy Trinity Church, Glengarriff, was designed by Welland and Gillespie in the 1860s (Photograph: Patrick Comerford, 2021)
Holy Trinity Church, the former Church of Ireland parish church in Glengarriff, was designed by Welland and Gillespie, architects to the Ecclesiastical Commissioners and built in 1862-1863.
Tourism was developing rapidly in Victorian Glengarriff. But, until the 1860s, there was no Church of Ireland parish church in the village. Sunday services were held at 12.30 in the Eccles Hotel, with celebrations of the Holy Communion six times a year, and an average of five communicants.
The curate, the Revd Vincent Lamb, nominated jointly by the neighbouring Vicar of Kilmocomoge (Bantry) in the Diocese of Cork, and Vicar of Kilcaskin (Ardrigoole) in the Diocese of Ross.
The idea of building a new church was proposed by the Archdeacon of Cork, the Ven SM Kyle, who wanted to build a church in this romantic locality, and he collected the greater portion of the funds.
The site for a new church was given by Richard White (1800-1868), 2nd Earl of Bantry, on 13 April 1861, and Glengarriff was formed as a district curacy on 31 July 1861, by the Vicars of Kilcaskin and Kilmocomoge, who agreed to pay the Curate an annual stipend of £35.
The new church, built in 1862-1863, was consecrated by Bishop John Gregg on 25 June 1863. The Revd Fred Garrett was the last Rector of Glengarriff before the church closed.
The church had a three-bay nave, a lower single-bay chancel at the east end, a vestry and an entrance porch. The church appears to retain many of its original features, including the high standard of masonry work and the attention, with a variety of windows, and a bell tower and slated spire.
In recent years, it was in use as café. But when I tried to visit this former church during that two-day stay in Glengarriff the site was closed off to visitors and the growth in surrounding trees made it difficult to photograph the building.
The Blue Pool is one of the many colour attractions of Glengarriff (Photograph: Patrick Comerford, 2021)
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