Coole House, near Drishane Castle … home of Cornelius Denis Crowley in the last century (Photograph: Patrick Comerford, 2017)
Patrick Comerford
While I was visiting many places associated with my grandparents’ families in Millstreet, Co Cork – including the mill that gave Millstreet its name, the graveyard at Drishane Castle, my grandparents’ home, shop and pub on the Square, my great-grandparents’ house and pub on the Main Street, and the shop and house where an uncle, aunt and cousins had lived and worked – I was also brought to visit Coole House, one of the main houses associated with my grandmother’s branch of the Crowley family.
Coole House is in Coolmore, on the south side of L1120, about 3 km north-east of Millstreet, just east of Drishane Castle and a short walk north to the banks of the River Blackwater.
In his Guide to Irish Country Houses, Mark Bence-Jones says Coole House was built ca 1760.
Later, Coole House was the residence of Herbert Baldwin O’Donnell (1783-1856), the land agent of Captain Henry Wallis of Drishane Castle, one of the principal land owners in the Millstreet area.
Herbert O’Donnell’s father, John O’Donnell of Egmont, was a barrister. Egmont is about 27 km north-east of Millstreet, in an area that was also home to the Perceval family, Earls of Egmont.
Herbert O’Donnell was born in 1783. By 1837, he was living at Coole House, according to Samuel Lewis’s Topographical Dictionary of Ireland. As well as being the land agent of the Wallis family of Drishane Castle, he was also a Justice of the Peace for Co Cork, farmed 300 acres.
For about 15 years, he was also a churchwarden at Saint Anna’s Church, Millstreet. In the mid-1840s, he gave evidence to the Devon Commission on the land issue and put forward recommendations for its solution.
Herbert O’Donnell married Sarah Teresa Ellis in 1811, and they were the parents of seven children, five daughters (Julia Harriet, Mary Ellen, Eliza, Teresa and Sarah) and three sons (John O’Donnell, Nicholas Michael O’Donnell and Herbert Eyre O’Donnell).
Herbert O’Donnell died on 2 September 1856 at the age of 73 and his wife Sarah died in 1860 at the age of 69. They are buried in the graveyard beside Drishane Castle.
Their first three daughters, Julia Harriet, Mary Ellen and Eliza, died young and were buried with their parents in Drishane. The fourth daughter, Teresa, married Dr Denis O’Connell of Flintfield House, near Millstreet. The youngest daughter, Sarah, married Adeodato da Silva Lima, a Vice-Consul for Portugal, in 1851.
Their eldest son, John O’Donnell, married Mary Jane Cantrell in Guernsey in 1844. They returned to live in Millstreet, and he died on 16 March 1860 aged 47. John, Mary and their 15-year-old son, also John, are buried with John’s parents in Drishane.
The second son, Herbert Eyre O’Donnell, was born in 1818. He trained at the King’s Inns in Dublin and was called to the bar in 1836, later practicing as a barrister in Co Cork and Dublin. Herbert married Anastasia Constantina Woollett, the daughter of a London coal merchant, in Cobh, Co Cork in 1845.
They emigrated to Victoria, Australia, on the Queen of the Mersey in 1866 with their so Herbert O’Donnell, then aged 18. In the early 1870s, he was practicing as a solicitor in Wangaratta. and in 1871 he applied to be admitted to the Queensland Bar. Herbert Eyre O’Donnell returned home soon after and died in Cork on 3 February 1873.
The youngest son, Nicholas Michael O’Donnell, inherited Coole House from his father in 1856. He was active in community life in Millstreet and in 1862 he was Vice-Chairman of the Board of Guardians for the Millstreet Union, the equivalent of the local council.
In 1864, Nicholas bought the mill in Millstreet that gave its name to Millstreet and that was later bought by my great-uncle, Andrew O’Regan, a brother-in-law of my grandmother, Maria (Crowley) Murphy.
A year later after he bought the mill, Nicholas O’Donnell married Jane Chesney in Blarney on 26 February 1865. Jane Chesney was a daughter of General Francis Rawdon Chesney (1789-1872).
General Chesney was from Annalong, Co Down, and is remembered for exploring the Euphrates Valley to the Persian Gulf, his accounts of Constantinople, Syria and Egypt, and his report in 1830 on the feasibility of opening a Suez Canal as an alternative to the overland trade route to India and the sea route around the Cape. His report inspired the French diplomat Ferdinand de Lesseps who developed the canal. When the Suez Canal opened in 1869, linking the Mediterranean and the Red Sea, Lesseps greeted Chesney in Paris as the ‘father’ of the canal.
Later, in 1884, as head of the Franco-American Union, Ferdinand de Lesseps formally presented the statue to the United States, saying, ‘let us hope that it will add, by its moral value, to the memories and sympathies that it is intended to perpetuate.’
Meanwhile, the mill in Millstreet seems to have ruined Nicholas O’Donnell financially. In 1870, a year after Suez Canal opened, Nicholas O’Donnell, describing himself as a miller, filed for bankruptcy. He died before 1876, but his wife continued to live at Coole House until she died at Coolemore on 3 July 1903 at the age of 79. She is buried in the old churchyard beside Saint Patrick’s Roman Catholic Church in Millstreet.
Mary McCarthy (1839-1920), nee Bingham, who was born in Kilkeel, Co Down, is said to have inherited Coole House in Millstreet, from her employer Jane O’Donnell.
Coole House, with the Perry family, in 1910 (Photograph: The Larence Collection/National Library of Ireland)
But by 1910, when Coole House was photographed for the William Lawrence Collection, the house was owned by the Perry family. The photographs show Coole House as a long, two-storey Georgian house, with a seven-bay front.
Sarah (Perry) Malcolm is standing by a window in the centre of the old black and white photograph of Coole House. Lying to the right is Sarah’s sister, Mary (‘Minnie’) Louisa (Perry) McCulla, to the left is Harry Perry, who has been mistaken for the gardener in some comments on the photograph; above him on the knee of a maidservant is Sarah’s child, Ernest Ray Malcolm; and another, unidentified woman is in the background.
Sarah Perry had emigrated to America, where she married, and then moved to Vancouver in Canada. She had returned in Millstreet when the photograph was taken. Ernest Sarah is by the window, and her. Ernest Malcolm later returned in 1990 and visited Millstreet Museum.
Some years after the photograph was taken, Coole House was bought by one of my great-uncles, Cornelius Denis Crowley (1879-1972), a brother of my grandmother, Maria (Crowley) Murphy (1882-1957) of Millstreet, Co Cork.
For many years, Con Crowley was a director of the Roscrea Meat Company with his brother Jeremiah D Crowley of Wallstown Castle, Castletownroche, Co Cork – the other directors included Robert Briscoe TD and G Fasenfeld.
Con Crowley was anxious to be remembered in Millstreet, and in 1944 he erected two windows as memorials to his parents, Denis and Maria Crowley, in Saint Patrick’s Church, Millstreet. The inscription at the foot of the Oliver Plunket window reads: ‘Erected to the memory of Denis and Margaret Crowley of Millstreet by their son Cornelius. 1944.’
After World War II, Con Crowley also lived at of Finnstown House, Lucan, Co Dublin. The Crowley family continued to own Coole House, but it by the 1960s it was derelict, and my cousins in Millstreet remember climbing into the house to play in it and wander through it. The describe its marble floors and its fading elegance.
When Con Crowley died in 1972 he was buried in Millstreet in the graveyard beside Drishane Castle, alongside his wife Hannah, who died in 1969. Coole House remained vacant for many years and was derelict by the early 1990s, when it was bought by the Duggan family, who carried out extensive renovations. The Duggan family bought Drishane Castle about the same time, and have been active in attracting major international equestrian events and the Eurovision Song Contest to Millstreet.
Today, Coole House is owned by Martina Hickey (née Duggan) and her husband. They have completely refurbished the house, so that it is once again an attractive country house and a family home.
The grave of Cornelius and Hannah Crowley in Drishane, with the grave of my grandmother and great-grandparents in the background (Photograph: Patrick Comerford, 2017)
11 August 2017
Memories of playing on
the steps of the Venetian
Gothic bank in Millstreet
The Bank of Ireland in Millstreet was designed by Bretts in the Venetian Gothic style (Photograph: Patrick Comerford, 2017)
Patrick Comerford
I have very few memories of visiting Millstreet, Co Cork, as a child, although my grandmother, Maria (Crowley) Murphy, continued to live there, running a pub and a shop on the Square until she died 60 years ago on 8 July 1957 at the age of 72.
I must have been about six or seven at the time I have two memories from – playing on the steps of the local branch of the Bank of Ireland and in the old Mill Race that gives its name to Millstreet.
The Bank of Ireland branch on the Square in Millstreet was just a few doors away from the shop and pub my grandmother had owned.
The bank is built in limestone in the Venetian Gothic style and remains a striking and imposing feature on Millstreet’s Main Street. It was designed by Brett and Sons as a branch of the National Bank, and is a fine small-town bank designed in a Vednetian Gothic with fine chimney stacks.
The austerity of the stone façade is offset by the decorative emphasis of the openings, as well as the roof dressings. The Gothic style is unusual for financial architecture in Ireland in Victorian times, when architects tended to favour Classical elements.
The limestone construction and dressings lend an air of authority to the building and give it a sense of elegance and authority. The exposed stone construction and simple design of the outbuilding contrasts markedly with the bank.
This is a detached, two-storey double-pile bank and bank manager’s house, with a three-bay first floor with a doorway and a group of three windows to the ground floor, and a single-bay, single-storey, gable-fronted bay to the west.
There is a hipped slate roof, cast-iron ridge crestings, rendered chimneystacks, over-hanging eaves, a carved limestone cornice and decorative timber bracketed eaves. The carved limestone gable at the front has a carved limestone finial and coping, with a pointed arch recessed panel with a chamfered surround and a decorative polychromatic patterned brick inset.
On the ground floor, there is a group of three Tudor-style arch windows, a shouldered square-headed door opening at the front flanked by shouldered square-headed sidelights, pointed arch over-lights to the sidelights, and a Tudor-style arch over-light above the timber panelled door.
The building is approached by the flight of cut limestone steps that I remember playing on in the late 1950s. The bank is set back from the street with dressed limestone castellated boundary walls that have carved limestone copings.
Henry Elliott Herbert Shaw, who was the Bank Manager of the National Irish Bank in The Square, Millstreet in the 1940s, was the father of Ethna (Colleen) Shaw, who in 1949 married my mother’s first cousin, Timothy (‘Ted’) Crowley, of Coole House, Millstreet, and Finnstown House, Lucan, Co Dublin, a son of my grandmother’s brother, Cornelius (‘Con’) Denis Crowley (1879-1972), of Coole House, Millstreet, and Finnstown House, Lucan, Co Dublin.
The former National Bank branch in Millstreet, Co Cork, illustrated in the ‘Irish Builder’ in 1878
At the time the bank was built, the architectural practice of Henry Brett and Sons Civil worked from 49 Dame Street, Dublin, from about 1875 until the mid-1880s. The partners were Henry Brett and his sons, John Henry Brett and Henry Charles Brett. In the 1870s, the Bretts designed several branch banks for the National Bank, and after Henry Brett’s death in 1882, his two sons continued the practice as John H & HC Brett.
The elder Henry Brett had been the county surveyor for Offaly, Mayo, Waterford and Wicklow. He was a son of John Brett, and was born at Carrowreagh, near Tobercurry, Co Sligo. As county surveyor for Co Mayo for over 13 years, he was responsible for famine relief works programme in the county, which he felt was both extravagant and demoralising
As county surveyor for Co Wicklow in the 1860s, he was extremely critical of the waterworks that were being built by Dublin Corporation in Co Wicklow. Later, he was surveyor to Bray Township.
Brett assisted Sir Richard Griffith in his valuation of Ireland. He carried out surveys for railway lines in Connaught under Sir John McNeill in 1843-1844, and made the first plans for the Irish West Coast railway. He was the engineer for the Dublin to Baltinglass railway scheme (1863-1864), ‘which had to be abandoned, entailing heavy pecuniary loss to himself,’ and the engineer to the Dublin, Rathmines, Rathgar & Rathfarnham railway (1868-1874).
Brett died at his home at Rosemount, Booterstown, Co Dublin, on 13 May 1882 and was buried in Deansgrange Cemetery.
His obituary in the Irish Builder described him as ‘an incessant and laborious worker, and retained to the last all the energy of his earlier years. Well-informed upon nearly every subject, he possessed a remarkable memory for incidents, which, added to his generous and kindly nature, made his society most attractive and agreeable, and gained him a host of friends.’
Patrick Comerford
I have very few memories of visiting Millstreet, Co Cork, as a child, although my grandmother, Maria (Crowley) Murphy, continued to live there, running a pub and a shop on the Square until she died 60 years ago on 8 July 1957 at the age of 72.
I must have been about six or seven at the time I have two memories from – playing on the steps of the local branch of the Bank of Ireland and in the old Mill Race that gives its name to Millstreet.
The Bank of Ireland branch on the Square in Millstreet was just a few doors away from the shop and pub my grandmother had owned.
The bank is built in limestone in the Venetian Gothic style and remains a striking and imposing feature on Millstreet’s Main Street. It was designed by Brett and Sons as a branch of the National Bank, and is a fine small-town bank designed in a Vednetian Gothic with fine chimney stacks.
The austerity of the stone façade is offset by the decorative emphasis of the openings, as well as the roof dressings. The Gothic style is unusual for financial architecture in Ireland in Victorian times, when architects tended to favour Classical elements.
The limestone construction and dressings lend an air of authority to the building and give it a sense of elegance and authority. The exposed stone construction and simple design of the outbuilding contrasts markedly with the bank.
This is a detached, two-storey double-pile bank and bank manager’s house, with a three-bay first floor with a doorway and a group of three windows to the ground floor, and a single-bay, single-storey, gable-fronted bay to the west.
There is a hipped slate roof, cast-iron ridge crestings, rendered chimneystacks, over-hanging eaves, a carved limestone cornice and decorative timber bracketed eaves. The carved limestone gable at the front has a carved limestone finial and coping, with a pointed arch recessed panel with a chamfered surround and a decorative polychromatic patterned brick inset.
On the ground floor, there is a group of three Tudor-style arch windows, a shouldered square-headed door opening at the front flanked by shouldered square-headed sidelights, pointed arch over-lights to the sidelights, and a Tudor-style arch over-light above the timber panelled door.
The building is approached by the flight of cut limestone steps that I remember playing on in the late 1950s. The bank is set back from the street with dressed limestone castellated boundary walls that have carved limestone copings.
Henry Elliott Herbert Shaw, who was the Bank Manager of the National Irish Bank in The Square, Millstreet in the 1940s, was the father of Ethna (Colleen) Shaw, who in 1949 married my mother’s first cousin, Timothy (‘Ted’) Crowley, of Coole House, Millstreet, and Finnstown House, Lucan, Co Dublin, a son of my grandmother’s brother, Cornelius (‘Con’) Denis Crowley (1879-1972), of Coole House, Millstreet, and Finnstown House, Lucan, Co Dublin.
The former National Bank branch in Millstreet, Co Cork, illustrated in the ‘Irish Builder’ in 1878
At the time the bank was built, the architectural practice of Henry Brett and Sons Civil worked from 49 Dame Street, Dublin, from about 1875 until the mid-1880s. The partners were Henry Brett and his sons, John Henry Brett and Henry Charles Brett. In the 1870s, the Bretts designed several branch banks for the National Bank, and after Henry Brett’s death in 1882, his two sons continued the practice as John H & HC Brett.
The elder Henry Brett had been the county surveyor for Offaly, Mayo, Waterford and Wicklow. He was a son of John Brett, and was born at Carrowreagh, near Tobercurry, Co Sligo. As county surveyor for Co Mayo for over 13 years, he was responsible for famine relief works programme in the county, which he felt was both extravagant and demoralising
As county surveyor for Co Wicklow in the 1860s, he was extremely critical of the waterworks that were being built by Dublin Corporation in Co Wicklow. Later, he was surveyor to Bray Township.
Brett assisted Sir Richard Griffith in his valuation of Ireland. He carried out surveys for railway lines in Connaught under Sir John McNeill in 1843-1844, and made the first plans for the Irish West Coast railway. He was the engineer for the Dublin to Baltinglass railway scheme (1863-1864), ‘which had to be abandoned, entailing heavy pecuniary loss to himself,’ and the engineer to the Dublin, Rathmines, Rathgar & Rathfarnham railway (1868-1874).
Brett died at his home at Rosemount, Booterstown, Co Dublin, on 13 May 1882 and was buried in Deansgrange Cemetery.
His obituary in the Irish Builder described him as ‘an incessant and laborious worker, and retained to the last all the energy of his earlier years. Well-informed upon nearly every subject, he possessed a remarkable memory for incidents, which, added to his generous and kindly nature, made his society most attractive and agreeable, and gained him a host of friends.’
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