‘There’s a home for little children / above the bright blue sky, / where Jesus reigns in glory’ … blue skies over the Crescent on the Quays in Wexford (Photograph: Patrick Comerford, 2022)
Patrick Comerford
The Calendar of the Church of England in Common Worship today [3 September] remembers Saint Gregory the Great (604), Bishop of Rome and Teacher of the Faith, with a Lesser Festival.
Before today gets busy, I am taking some time this morning for reading, prayer and reflection.
This year marks the 150th anniversary of the composer Ralph Vaughan Williams, whose music is celebrated throughout this year’s Proms season. In my prayer diary for these weeks I am reflecting in these ways:
1, One of the readings for the morning;
2, Reflecting on a hymn or another piece of music by Vaughan Williams, often drawing, admittedly, on previous postings on the composer;
3, a prayer from the USPG prayer diary, ‘Pray with the World Church.’
Saint Gregory the Great (centre) among Seven Fathers of the Church carved above the south porch of Lichfield Cathedral (from left): Saint Augustine, Saint Jerome, Saint Ambrose, Saint Gregory, Saint John Chrysostom, Saint Athanasius and Saint Basil (Photograph: Patrick Comerford, 2021)
Gregory was born in 540, the son of a Roman senator. As a young man he pursued a governmental career, and in 573 was made Prefect of the city of Rome. Following the death of his father, he resigned his office, sold his inheritance, and became a monk. In 579 he was sent by the Pope to Constantinople to be his representative to the Patriarch. He returned to Rome in 586, and was himself elected Pope in 590.
At a time of political turmoil, Gregory proved an astute administrator and diplomat, securing peace with the Lombards. He initiated the mission to England, sending Augustine and forty monks from his own monastery to refound the English Church. His writings were pastorally oriented. His spirituality was animated by a dynamic of love and desire for God. Indeed, he is sometimes called the ‘Doctor of Desire.’
For Gregory, desire was a metaphor for the journey into God. As Pope, he styled himself ‘Servant of the servants of God’ – a title that typified both his personality and ministry. He died in 604.
Mark 10: 42-45 (NRSVA):
42 So Jesus called them and said to them, ‘You know that among the Gentiles those whom they recognize as their rulers lord it over them, and their great ones are tyrants over them. 43 But it is not so among you; but whoever wishes to become great among you must be your servant, 44 and whoever wishes to be first among you must be slave of all. 45 For the Son of Man came not to be served but to serve, and to give his life a ransom for many.’
Today’s reflection: ‘There’s a Friend for Little Children’
For my reflections and devotions each day these few weeks, I am reflecting on and invite you to listen to a piece of music or a hymn set to a tune by the great English composer, Ralph Vaughan Williams (1872-1958).
For the last two days, I have been listening to the hymns by Bishop William Walsham How, ‘For All the Saints’ and ‘It is a thing most wonderful’ which were set by Vaughan Williams to the tunes Sine Nomine and Herongate.
This morning [21 March 2015], I invite you to continue in this mode, listening to another hymn that is associated with the decision by Vaughan Williams to use the title ‘Herongate’ for the second of these hymns. I am listening to ‘There’s a Friend for Little Children’ which he set to the tune ‘Ingrave’ in the English Hymnal (No 607) in 1906.
He transcribed the tune in 1903 when he heard a song after a visit to Ingrave Rectory, about three miles from Herongate and near Brentwood in Essex.
Early in 1903, Kate Bryan, the founder and headmistress of Montpelier House School in Brentwood, Essex, organised a series of extra-mural classes under the auspices of Oxford University. She set up an organising committee that included Georgiana Heatley, the daughter of the Revd Henry Davis Heatley, Vicar of Ingrave, a nearby village.
Vaughan Williams was one of the first lecturers. Over a six-week period that Spring, he gave a series of weekly lectures on folk songs, and Lucy Broadwood sang some songs as illustrations for some of his lectures.
Georgina Heatley was inspired by these lectures and took the initiative to collect folk songs among the older inhabitants of Ingrave. She passed these songs on to Vaughan Williams, and later she and one of her sisters invited him to a tea at their father’s vicarage organised by the Vicar for the old people of the village. Vaughan Williams was invited to hear some of the villagers sing, but on the day, Thursday 3 December 1903, they could not be persuaded to co-operate. Nevertheless, Vaughan Williams went to visit Charles Potiphar at his home in Ingrave the next day (Friday 4 December 1903).
The old man was standing in his smock against the door frame of his cottage, and launched into singing his favourite song, Bushes and Briars and several other traditional songs.
This moment has been described as Vaughan Williams’s ‘moment of epiphany,’ his visit to this humble labourer’s cottage sparked Vaughan Williams’s passion for folk songs, and the thought that these songs could be lost forever turned him instantly into one of the greatest folk song collectors of the 20th century.
The encounter led to the use of folk song tunes in the English Hymnal and as a source of inspiration for some of the most notable English classical music of the first half of the 20th century, including his three Norfolk Rhapsodies and In the Fen Country
He returned to Ingrave in January and in February 1904, and over the next few months he spent weeks collecting songs as he cycled around Ingrave, Willingale, Little Burstead, East Horndon and Billericay, jotted the folk songs down with pencil and paper.
Another villager in Ingrave, the singer Mary Ann Humphreys, also provided many tunes for Vaughan Williams, However, Vaughan Williams did not collect any songs from her until April 1904.
In January 1905, he collected songs around the King’s Lynn district of Norfolk and while he was on holiday in Sussex and Yorkshire later that year. In 1906, he visited Samuel Childs at the Bell, Willingale, noting down ‘Sweet Primroses.’
Charles Potiphar died in 1909. Shortly after his death, Vaughan Williams made a recording on wax cylinders of Mary Ann Humphreys singing, including a stately and lyrical performance of Bushes and Briars and a lively and rhythmic rendering of Tarry Trousers. Vaughan Williams collected 12 other songs from Charles Potiphar, and went on to collect some 810 songs in a 10-year period.
Meanwhile, in 1913, Essex County Council took over Montpelier House School as the nucleus of Brentwood county high school, and Kate Bryan died in 1917.
Three years before his death, in 1955, Vaughan Williams revisited Brentwood and recalled his first visit to the Essex town and the neighbouring villages that had such a profound effect on his music. In 2003, to mark the centenary of his visit to Ingrave, the Essex Record Office mounted an exhibition, ‘That precious legacy.’
Sue Cubbin of Brentwood, Essex Sound and Video Archive Assistant at the Essex Record Office, published her book That Precious Legacy – Ralph Vaughan Williams and Essex folksong, in 2006. In this book, she traces the composer’s early links with Essex and sketches his time in the Brentwood area. Her book is available from the Essex Record Office ISBN 978-1-898529-05 price £5.99.
This morning’s hymn was written in 1859 by Albert Midlane (1825-1909), a businessman and Sunday School teacher from Newport in the Isle of Wight, and it was first published that year in Good News for the Little Ones. It was set to the tune ‘In Memoriam (Stainer)’ by Sir John Stainer for Hymns Ancient and Modern (1875).
The hymn’s sentiments are so mawkish today and its theology so dated that it is no longer included in the major collections of hymns. But the tune remains an important part of the story of Vaughan Williams and how he collected folk tunes for the English Hymnal over 100 years ago.
There’s a Friend for little children
above the bright blue sky,
a Friend who never changes,
whose love will never die;
our earthly friends may fail us,
and change with changing years,
this Friend is always worthy
of that dear Name he bears.
There’s a rest for little children
above the bright blue sky,
who love the blessèd Saviour,
and to the Father cry
a rest from every turmoil,
from sin and sorrow free,
where every little pilgrim
shall rest eternally.
There’s a home for little children
above the bright blue sky,
where Jesus reigns in glory,
a home of peace and joy
no home on earth is like it,
nor can with it compare;
for everyone is happy
nor could be happier there.
There’s a crown for little children
above the bright blue sky,
and all who look for Jesus
shall wear it by and by;
a crown of brightest glory,
which he will then bestow
on those who found his favour
and loved his Name below.
There’s a song for little children
above the bright blue sky,
a song that will not weary,
though sung continually;
a song which even angels
can never, never sing
they know not Christ as Saviour,
but worship him as King.
There’s a robe for little children
above the bright blue sky,
and a harp of sweetest music,
and palms of victory.
All, all above is treasured,
and found in Christ alone:
O come, dear little children
that all may be your own.
Hearing Charles Potiphar sing ‘Bushes and Briars’ at his cottage door in Ingrave was a ‘moment of epiphany’ for Vaughan Williams
Today’s Prayer, Saturday 3 September 2022 (Saint Gregory the Great):
The Collect:
Merciful Father,
who chose your bishop Gregory
to be a servant of the servants of God:
grant that, like him, we may ever long to serve you
by proclaiming your gospel to the nations,
and may ever rejoice to sing your praises;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
The Post Communion Prayer:
God of truth,
whose Wisdom set her table
and invited us to eat the bread and drink the wine
of the kingdom:
help us to lay aside all foolishness
and to live and walk in the way of insight,
that we may come with your servant Gregory
to the eternal feast of heaven;
through Jesus Christ our Lord.
The theme in the USPG prayer diary all this week is ‘A New Province,’ inspired by the work of the Igreja Anglicana de Mocambique e Angola (IAMA), made up of dioceses in Mozambique and Angola, the second and third largest Portuguese-speaking countries in the world.
The Right Revd Vicente Msosa, Bishop of the Diocese of Niassa in the Igreja Anglicana de Mocambique e Angola, shares his prayer requests in the USPG Prayer Diary throughout this week.
The USPG Prayer Diary invites us to pray today in these words:
We give thanks for the growth of the Church in Angola and Mozambique. May churches and clergy be supported to engage with and inspire their local communities.
Yesterday’s reflection
Continued tomorrow
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
03 September 2022
New Torah scroll to honour
scholar who saved the last
surviving synagogue in Crete
The Aron haKodesh or Ark in the Etz Hayyim Synagogue in Chania … a new Sefer Torah is being installed in memory of Nikos Stavroulakis (Photograph: Patrick Comerford)
Patrick Comerford
Sunday marks the European Days of Jewish Culture (4 September 2002), and this year’s theme is ‘Renewal.’
Etz Hayyim Synagogue in Chania is inviting members and friends to the installation in coming weeks of a new Sefer Torah in loving memory of Nikos Stavroulakis (1932-2017), who was the driving force behind restoring the only surviving synagogue in Crete. At first, the ceremony was originally planned for Simhat Torah 5783, Monday 17 October 2022, but this is now being rescheduled.
I have not been back to Crete this year. Although I cannot be in Etz Hayyim for this event next month, I have deep respect for the work of Nikos Stavroulakis as a scholar and an artist, and especially for his work in restoring Etz Hayyim, which stood forlorn and in ruins close to the harbour in Chania for four decades after World War II.
The name Etz Hayyim means Tree of Life. This is one of my favourite synagogues, and I referred to it in my Friday evening reflections last week (26 August) as I was thinking about the word hayyim and the meaning of life. The story of this synagogue and its restoration is a true story illustrating the theme of ‘Renewal.’
Nicholas Peter Stavroulakis (aka Peter Stavis) was born on 20 June 1932 in Fond du Lac, Wisconsin. His parents Petros and Annie were both immigrants: his Jewish mother was from Turkey and his Greek Orthodox father was from Crete.
He graduated from the University of Notre Dame in 1954 with a BA in European Literature and Philosophy. Two years later, he earned an MA in Islamic and Near Eastern Studies at the University of Michigan. He then left for England where he began his DPhil in Islamic Art and Architecture at the School of Oriental and African Studies (SOAS) in the University of London under David Rice.
Much later he resumed his academic work at the Hebrew University of Jerusalem under Professor D Avi Yonah and completed his thesis on ‘The icons of Mar Saba Monastery in the Wadi Kelt’ under Professor Bezalel Narkiss in 1975.
He left England for Athens in 1958, uniting with family there, especially his first cousin, Dori Kanellos, son of his father’s sister Maria. For the next eight years, he taught at the Doxiadis School and the Anglo-American Academy.
At the same time, he developed his career as a painter and engraver, with a number of one-man shows from 1960 in Athens, London, Paris, Tel Aviv and Jerusalem. His works can be seen in New York, Houston and other museums worldwide.
He moved to Israel in 1969, assuming his Hebrew name Daniel Hannan. In Jerusalem, he was as director of the excavation of Santa Maria Allemana under the Jerusalem Foundation in 1969-1971, and he lectured in Byzantine Art and Architecture at the University of Tel Aviv in 1972 -1974.
He returned to Athens in 1974, and lectured in Byzantine, Islamic and Ottoman history and art for several American study-abroad programmes.
Nikos Stavroulakis was a consultant for the newly established Jewish Museum of Thessaloniki (Photograph: Patrick Comerford)
Nikos co-founded the Jewish Museum of Greece in 1977 with Nouli Vital, Eli Almosnino and Ida Mordoh. He was its director from 1977 to 1993, constantly expanding its collection with rare books and publications, textiles, costumes, jewellery and domestic and religious artefacts.
During those years, he wrote several books, including The Jews of Greece, Salonica: Jews and Dervishes and the Cookbook of the Jews of Greece. He also translated the Holocaust memoir of Errikos Sevillias, Athens to Auschwitz. Later he was also a consultant for the newly established Jewish museums of Thessaloniki and Rhodes.
Nikos moved to Chania in 1994, and there he was the driving force behind restoring the synagogue of Etz Hayyim, which had been in ruins since World War II.
Etz Hayyim synagogue was built as a church in the 15th century and was converted into a synagogue in the 1600s. The 265 remaining Jews of Crete were rounded up in 1944 by the Nazis to be sent to Athens for deportation to Auschwitz. But early on the morning of 9 June 1944, the Tanais, the container ship carrying them to Athens, was torpedoed by a British submarine, the HMS Vivid, off the coast of Santorini.
In all, about 1,000 prisoners were on board the ship, including 400 Greek hostages and 300 Italian soldiers. No one survived.
The synagogue in Chania stood in ruins after World War II after the destruction of the local Jewish community. The World Monuments Fund placed it on its ‘watch list’ of most endangered heritage sites in 1996, and Nikos drove the efforts to bring it back to life.
Under his direction, building work began in 1996, and the synagogue was rededicated in 1999. The synagogue reopened as a ‘place of prayer, recollection and reconciliation,’ with an eclectic and pluralistic congregation.
As Nikos Stavroulakis put it, Etz Hayyim ‘accommodates Jews of every variety of self-identity as well as non-Jews.’ He continued as the spiritual director of Etz Hayyim until he died in Chania in 2017 at the age of 85.
May his memory be a blessing.
Shabbat Shalom
Nikos Stavroulakis was the driving force behind restoring the synagogue of Etz Hayyim in Chania
Patrick Comerford
Sunday marks the European Days of Jewish Culture (4 September 2002), and this year’s theme is ‘Renewal.’
Etz Hayyim Synagogue in Chania is inviting members and friends to the installation in coming weeks of a new Sefer Torah in loving memory of Nikos Stavroulakis (1932-2017), who was the driving force behind restoring the only surviving synagogue in Crete. At first, the ceremony was originally planned for Simhat Torah 5783, Monday 17 October 2022, but this is now being rescheduled.
I have not been back to Crete this year. Although I cannot be in Etz Hayyim for this event next month, I have deep respect for the work of Nikos Stavroulakis as a scholar and an artist, and especially for his work in restoring Etz Hayyim, which stood forlorn and in ruins close to the harbour in Chania for four decades after World War II.
The name Etz Hayyim means Tree of Life. This is one of my favourite synagogues, and I referred to it in my Friday evening reflections last week (26 August) as I was thinking about the word hayyim and the meaning of life. The story of this synagogue and its restoration is a true story illustrating the theme of ‘Renewal.’
Nicholas Peter Stavroulakis (aka Peter Stavis) was born on 20 June 1932 in Fond du Lac, Wisconsin. His parents Petros and Annie were both immigrants: his Jewish mother was from Turkey and his Greek Orthodox father was from Crete.
He graduated from the University of Notre Dame in 1954 with a BA in European Literature and Philosophy. Two years later, he earned an MA in Islamic and Near Eastern Studies at the University of Michigan. He then left for England where he began his DPhil in Islamic Art and Architecture at the School of Oriental and African Studies (SOAS) in the University of London under David Rice.
Much later he resumed his academic work at the Hebrew University of Jerusalem under Professor D Avi Yonah and completed his thesis on ‘The icons of Mar Saba Monastery in the Wadi Kelt’ under Professor Bezalel Narkiss in 1975.
He left England for Athens in 1958, uniting with family there, especially his first cousin, Dori Kanellos, son of his father’s sister Maria. For the next eight years, he taught at the Doxiadis School and the Anglo-American Academy.
At the same time, he developed his career as a painter and engraver, with a number of one-man shows from 1960 in Athens, London, Paris, Tel Aviv and Jerusalem. His works can be seen in New York, Houston and other museums worldwide.
He moved to Israel in 1969, assuming his Hebrew name Daniel Hannan. In Jerusalem, he was as director of the excavation of Santa Maria Allemana under the Jerusalem Foundation in 1969-1971, and he lectured in Byzantine Art and Architecture at the University of Tel Aviv in 1972 -1974.
He returned to Athens in 1974, and lectured in Byzantine, Islamic and Ottoman history and art for several American study-abroad programmes.
Nikos Stavroulakis was a consultant for the newly established Jewish Museum of Thessaloniki (Photograph: Patrick Comerford)
Nikos co-founded the Jewish Museum of Greece in 1977 with Nouli Vital, Eli Almosnino and Ida Mordoh. He was its director from 1977 to 1993, constantly expanding its collection with rare books and publications, textiles, costumes, jewellery and domestic and religious artefacts.
During those years, he wrote several books, including The Jews of Greece, Salonica: Jews and Dervishes and the Cookbook of the Jews of Greece. He also translated the Holocaust memoir of Errikos Sevillias, Athens to Auschwitz. Later he was also a consultant for the newly established Jewish museums of Thessaloniki and Rhodes.
Nikos moved to Chania in 1994, and there he was the driving force behind restoring the synagogue of Etz Hayyim, which had been in ruins since World War II.
Etz Hayyim synagogue was built as a church in the 15th century and was converted into a synagogue in the 1600s. The 265 remaining Jews of Crete were rounded up in 1944 by the Nazis to be sent to Athens for deportation to Auschwitz. But early on the morning of 9 June 1944, the Tanais, the container ship carrying them to Athens, was torpedoed by a British submarine, the HMS Vivid, off the coast of Santorini.
In all, about 1,000 prisoners were on board the ship, including 400 Greek hostages and 300 Italian soldiers. No one survived.
The synagogue in Chania stood in ruins after World War II after the destruction of the local Jewish community. The World Monuments Fund placed it on its ‘watch list’ of most endangered heritage sites in 1996, and Nikos drove the efforts to bring it back to life.
Under his direction, building work began in 1996, and the synagogue was rededicated in 1999. The synagogue reopened as a ‘place of prayer, recollection and reconciliation,’ with an eclectic and pluralistic congregation.
As Nikos Stavroulakis put it, Etz Hayyim ‘accommodates Jews of every variety of self-identity as well as non-Jews.’ He continued as the spiritual director of Etz Hayyim until he died in Chania in 2017 at the age of 85.
May his memory be a blessing.
Shabbat Shalom
Nikos Stavroulakis was the driving force behind restoring the synagogue of Etz Hayyim in Chania
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