10 April 2011

A community pulls together in Skerries

Spring sunshine and hints of summer on the calm shoreline on the South Beach at Skerries this afternoon (Photograph: Patrick Comerford, 2011)

Patrick Comerford

It was a beautiful, sun-kissed day in Skerries this afternoon. The past week has been filled with emotion, heartbreak and tragedy for the people of Skerries. This is a community that has pulled together, with solidarity, with love and with compassion over the past week, waiting and praying for two missing fishermen and lovingly caring for their families.

Ronan Browne and David Gilsenan were lost at sea a week ago. Their bodies were recovered early yesterday off the Co Louth coast near Clogherhead.

Local volunteers from the Royal National Lifeboat Institution, teams of neighbours, friends and strangers, have spent every daylight hour of the past week searching the beaches of north Dublin, Co Meath and Co Louth for the two companions. Sailors and trawler crews joined the search at their own expense. Garda divers, Air Corps pilots and naval crews have braved the waves and the sea.

By Wednesday evening, community solidarity was so coherent that thousands of people took part in a walk of solidarity with those involved in the search. On Friday night, candles were lit across Red Island in prayerful hope.

That search for the men came to an end early on Saturday morning, when they were found by the Guiding Light. Their funerals begin tomorrow. The tragedy continues for the families of Ronan and David.

Throughout the tragedy of the past week, the Skerries Facebook page has kept the wider community and people beyond informed of every development, offering people much-needed opportunities to express their grief, and to share their prayers and hopes.

For the people of Skerries, there is a new sense of community and togetherness, new depths of caring and of love.

TS Eliot opens his poem The Waste Land with the words:

April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.


But this afternoon, it was difficult to imagine the sea could have taken its cruel toll or that April is the cruellest month.

The tide was out, the sea was calm, children were skipping in and out of the gentle waves, a handful of people were out on the water in kayaks and canoes, the sun was shining, the Harbour Road was full of cheery people who were spilling out of the pubs, sipping in their drinks in the bright sunlight, and the car park spaces on Red Island and along the Strand were filled with cars from families eager to enjoy what felt like an early twinkle of summer.

It was as if, as Eliot goes on to say, “Summer surprised us.”

“Summer surprised us” ... April sunshine on the Harbour in Skerries this afternoon (Photograph: Patrick Comerford, 2011)

This afternoon, as we walked the South Strand, then around the Harbour, and back to the Olive in Strand Street, there was a feeling that this is a community that has many blessings.

Earlier in the day, preaching at the Morning Eucharist in the chapel of the Church of Ireland Theological Institute, death was to the forefront as I reflected on the story of Lazarus being raised from the dead. But our Easter hope and faith has to be confident of moving beyond death, and we know that love conquers all.

Spring reflections of the quays on the Liffey waters in Dublin this afternoon (Photograph: Patrick Comerford, 2011)

From there, I headed into the city centre, and four of us from Christ Church Cathedral had lunch in La Taverna in the Italian Quarter. Walking back to the cathedral, the sun was bright, and the reflections of the Quays on the River Liffey reflected that promise of summer.

Two of us then headed north to Skerries, but went a little further on the road to first take a look at Balrothery, on the southern fringes of Balbriggan, on the old N1 Dublin-Belfast road. The towers of Balrothery were landmarks for me over 40 years ago in my schooldays on the road from Gormanston into Dublin, but the M1 means I seldom see them these days.

The 19th century church and mediaeval tower of Balrothery Church on a hill overlooking the village on the fringes of Balbriggan (Photograph: Patrick Comerford, 2011)

The name Balrothery, Baile na Ridire means the “Town of the Knights.” The origins of Balrothery date back to the arrival of the Anglo-Normans, and Balrothery was the name of an old but long-forgotten local administrative area. The original feudal barony of Balrothery was one of seven in the overlordship of Fingal dating back to 1208.

The church at Balrothery stands on top of a hill overlooking the village. The church has a mediaeval defensive tower at the western end, a square tower with a circular stair turret on its western side. Built into the East Wall of the 19th century church attached to the tower is a curious mediaeval “mouth puller,” just above an inscribed stone. The grounds of the church include a number of early grave markers. Close-by, on the south side of the church, are the ruins of Balrothery Castle.

The mediaeval “mouth puller” in the east wall of Balrothery Church (Photograph: Patrick Comerford, 2011)

Local lore says King James II slept at the White Hart Inn in Balrothery before the Battle of the Boyne.

At one time, the trustees of Wilson's Hospital, Co Westmeath, were patrons of the Rectory of Balrothery. Saint George’s Church in Balbriggan was built as a chapel of ease in the parish, and was endowed by the Revd George Hamilton. The church at Balrothery has been closed for a number of years, and Balbriggan is now part of the same parochial grouping as Holmpatrick (Skerries) and Kenure (Rush).

After coffee in the Olive on Strand Street this afternoon, and collecting the Skerries News and the Sunday papers in Gerry’s, we drove south through Rush to Portrane to visit my Lynders cousins.

I’m looking forward to returning to this part of Fingal next Sunday to take the services and preach in Holmpatrick Parish Church in Skerries and Saint George’s Church in Balbriggan.

‘But you know, death is not the worst thing that could happen to a Christian’

The Raising of Lazarus by Duccio di Buoninsegna (ca 1260-1318), Kimbell Art Museum

Patrick Comerford

Sunday 10 April 2011, the Fifth Sunday in Lent:

Ezekiel: 37: 1-14; Psalm 130; Romans 8: 6-11; John 11: 1-45.


May I speak to you in the name of + the Father, and of the Son, and of the Holy Spirit.

Our Gospel reading this morning is one of the best-known passages in the Fourth Gospel for a number of reasons:

1, In the Authorised Version or King James Bible – the translation whose 400th anniversary we are marking this year – it contains what is popularly known as the shortest verse in the Bible: ‘Jesus wept’ (verse 35). Later translations fail to provide the same dramatic impact as these crisp, short two words, ‘Jesus wept.’

2, The command, ‘Lazarus, come forth!’ has given rise to a number of childish, schoolboy jokes about athletic performance and not even winning a bronze medal. There is hardly the same potential in the NRSV’s: ‘Lazarus, come out!’

3, Lazarus himself is an interesting dramatic persona. He is often confused with the Lazarus in Saint Luke’s Gospel, the poor man at the gate, who is the only character to be named in any of the parables. But he has also given his name to hospitals and isolation units. He has inspired a corpus of mediaeval songs and poetry. More recently, he inspired Paul Spicer’s great modern composition, Come out, Lazar, commissioned by Tom Wright when he was Dean of Lichfield Cathedral.

Come out, Lazar (Paul Spicer, the Chapel Choir of Selwyn College, Cambridge)

It is difficult to consider any Gospel story without bringing to our reading a whole repository of cultural baggage. But the first readers of this story in the Early Church also had their expectations, built up slowly but thoughtfully, with care and with dramatic intent.

The name Lazarus means ‘God helps,’ the Greek Λάζαρος (Lazaros) being derived from the Hebrew Eleazar, ‘God’s assistance,’ or: ‘God has helped.’ So, already the name of the principal character in the story introduces us to expectations of God’s actions, God’s deliverance.

Jesus tarries. He waits four days – like the children of Israel wait forty years in the wilderness before reaching the climax of their liberation.

But then this is an Exodus story. Lazarus is called forth with the word: Exo (ἔξω), and he goes out (ἐξῆλθεν, exelthen, verse 44). Exodus leads to true liberation, to the fulfilment of God’s promise. And so, when Christ commands the onlookers to ‘let him go!’ (verse 44), it has the same force as Moses telling Pharaoh: ‘Let my people go!’ (see Exodus 9: 1, &c).

Jesus tarries. He waits four days – like the forty days he spent in the wilderness. He resists the temptation to be merely a miracle worker, to put on a show, to convince by sleight of hand.

But when Christ calls for the rock to be rolled back, like the rock that is struck in the wilderness, new life comes forth.

And so this morning, I want to look at this Gospel story and to ask three questions:

1, What is unique about this story?

2, Why do we have this story at this time in Lent?

3, What does it say about Christ, and his call to us?

1, So, what is unique about this story?

This story is not in the other three Gospels. In the Gospel according to Saint John, the raising of Lazarus from the dead is the last – and the greatest – of the seven Signs performed by Christ.

This seventh Sign is the crowning miracle or Sign in Saint John’s Gospel, what John Marsh calls the crux interpretationis of the whole Gospel, for it reveals Christ as the giver of life, holding together his two natures, his humanity and his divinity.

And this reading also contains the fifth of the ‘I AM’ sayings: ‘I am the resurrection and the life. Those who believe in me, even though they die, will live’ (John 11: 25).

2, Then, why do we have this story at this time in Lent?

Next Saturday – the Saturday before Palm Sunday – is known in the Orthodox Church as Lazarus Saturday, with Lazarus Saturday and Palm Sunday marked as days of joy and triumph between the penitence of Great Lent and the mourning of Holy Week, but looking forward to Christ’s resurrection on Easter Day.

This Sign is the Sign that precipitates the death of Jesus, for this is the Sign that convinces the religious leaders in Jerusalem that they must get rid of Jesus.

And so, the raising of Lazarus from the dead by Christ is an appropriate Sign to recall as a prelude to Holy Week, as a prelude to our preparations for the climax of Lent and to mark the death and resurrection of Christ.

3, What does it say about Christ, and his call to us?

This seventh Sign holds together the two natures of Christ, his humanity and his divinity.

It shows his humanity as he weeps at the death of his friend and asks: ‘Where have you laid him?’ (verse 35).

Jesus loved Lazarus, who had died in Bethany. When he is told of his death, his response is enigmatic (verse 4). But the tenderness he shows counters any possibility of a harsh interpretation of that reply – Jesus loves … he loves Mary, he loves Martha, he loves Lazarus … he loves you, he loves me.

And we have a revelation of Christ’s divinity. In him we see the love of God, the tender love of God. And he alone can command Lazarus to come forth from the dead (verse 43).

Humanity and divinity. The death, burial and shroud of Lazarus represent our own sinful state. And the raising of Lazarus is a foreshadowing of the Resurrection of Christ and of the General Resurrection.

The Raising of Lazarus, Juan de Flandes, Museo del Prado, Madrid

Here too we engage with two recurring Johannine themes. There is the contrast between light and dark, a theme in recent weeks, as in the stories about Nicodemus and the blind man healed at the pool of Siloam.

And there is the contrast between seeing and believing. Think of Thomas’s apparent faith at this point, how it turns to folly, anticipating the drama in Bethany but not yet having seen for himself that Lazarus is dead (verse 16). And compare this with his refusal later to believe that Christ is risen from the dead until he sees for himself after the Resurrection (John 20: 24-25).

Or compare Thomas’s reluctant faith after the Resurrection, with Martha’s trusting faith after the death of her brother.

Martha addresses Christ twice as ‘Lord’ (verses 21, 27). But she then uses three distinct titles in affirming her faith in Christ.

Her confession of faith before Lazarus is raised from the dead is unconditional faith: ‘Yes, Lord, I believe that you are the Messiah, the Son of God, the one coming into the world’ (verse 27). It is like Mary’s ecstatic confession to the disciples after meeting the Risen Christ in the Garden on Easter morning: ‘I have seen the Lord’ (John 20: 18). It is the promise at the very end of the Book of Revelation: ‘Surely I am coming.’ Amen. Come Lord Jesus (Revelation 22: 20).

When Martha then speaks of Christ as the Teacher (verse 28), she is using the same title Mary uses when she speaks to him on Easter morning, ‘Rabbouni! … Teacher’ (John 20: 16).

When Jesus asks: ‘Where have you laid him?’ (verse 34), he uses the same phrase used by the women at the empty tomb on Easter morning (John 20: 2), the same phrase Mary uses when she approaches Jesus in the garden (John 20: 13).

Martha’s free confession, her unconditional faith, her passion, are so unlike Thomas’s confession of faith, which only comes after he gets to see what he demands, even if eventually he confesses: ‘My Lord and my God’ (John 20: 28).

Martha moves beyond personal interest in seeking for her brother; now she moves beyond even that wider but limited circle of want and need to accepting God’s will.

Do we believe because God answers our shopping-list requests for favours?

Or do we believe because of the totality of God’s liberating acts, God’s loving acts, God’s faithful acts for us?

Do we set conditions and terms for our belief, our faith, our commitment?

Death was not the end for Lazarus … this time around. There is no further mention of him in the Bible. His first tomb in Bethany remains empty. According to tradition, he was 30 years old when he was raised from the dead. But, of course, he had to die a second (and final) time. And, at that death, it is said, Lazarus was buried in Larnaka in Cyprus.

Death comes to us all. We all end in the grave. No miracles, no wishing, no praying, can avoid that inevitability. So what was wrong with the fact that Lazarus had died? That he was too young? We will all find when death comes that we are too young.

Perhaps what the Gospel writer is saying here, in a deep and profound way, is that death without the comfort of knowing the presence of Christ is distressing for anyone who seeks to be a follower of Christ.

In the Litany, which we use often in this chapel on Fridays, we pray: ‘from dying unprepared, save us, good Lord’ (The Book of Common Prayer, p. 175). In pastoral care, we should never forget the comforts the ministry of word and sacrament brings to those who are preparing to die and to those who mourn.

For we know that death is not the end. In his death, Christ breaks through the barriers of time and space, bringing life to those who are dead. Those who hear the voice of Christ live.

I once interviewed Archbishop Desmond Tutu and asked him about the death threats he faced in South Africa at the height of apartheid. He engaged me with that look that confirms his deep hope, commitment and faith, and said: ‘But you know, death is not the worst thing that could happen to a Christian.’

When Jesus looks up and says: ‘Father, I thank you for having heard me,’ the Greek conveys more of the prayerful action that is taking place: And Jesus lifted up his eyes and said, ‘Πάτερ, εὐχαριστῶ σοι’ (Páter, efcharisto soi, ‘Father, I am giving thanks to you’). Lifting up his eyes is a prayerful action in itself, and combined with his giving thanks to the Father has actions and words that convey Eucharistic resonances.

Comfort for the living, comfort for the dying and comfort for those who mourn.

In our Eucharist this morning, we remember not just Christ’s passion and death, but also his Resurrection, and we look for his coming again.

Christ in his life points us to what it is to be truly human. In the grave, he proves he is truly human. He has died. He is dead. Yet, unlike Lazarus the beggar, he can bridge the gap between earth and heaven, even between hell and heaven. But, like Lazarus of Bethany, he too is raised from death not by human power but by the power of God.

‘But you know, death is not the worst thing that could happen to a Christian.’ We know this with confidence because of the death and resurrection of Christ. Death is not the end.

TS Eliot opens the third of his Four Quartets, East Coker, with the words:

In my beginning is my end.

But he concludes with these lines:

Love is most nearly itself
When here and now cease to matter.
Old men ought to be explorers
Here and now does not matter
We must be still and still moving
Into another intensity
For a further union, a deeper communion
Through the dark cold and the empty desolation,
The wave cry, the wind cry, the vast waters
Of the petral and the porpoise. In my end is my beginning.


Let us give thanks to God for life, for death, and for the coming fulfilment of Christ’s promises, which is the hope of the Resurrection, our Easter faith.

‘Surely I am coming.’ Amen. Come Lord Jesus (Revelation 22: 20).

And so, may all we think, say and do be to the praise, honour and glory of God, + Father, Son and Holy Spirit, Amen.

An icon of The Raising of Lazarus from the dead

Collect:

Most merciful God,
who by the death and resurrection of your Son Jesus Christ
delivered and saved the world:
Grant that by faith in him who suffered on the cross,
we may triumph in the power of his victory;
through Jesus Christ our Lord.

Post Communion Prayer:

God of hope,
in this eucharist we have tasted
the promise of your heavenly banquet
and the richness of eternal life.
May we who bear witness to the death of your Son,
also proclaim the glory of his resurrection,
for he is Lord for ever and ever.

Canon Patrick Comerford is Director of Spiritual Formation, the Church of Ireland Theological Institute, Dublin. This sermon was preached at the Eucharist on 10 April 2011, during a residential weekend for distance learning MTh and NSM students.