27 September 2014

‘I believe there’ll come a day when the lion
and the lamb will lie down in peace together’

Buying ‘Popular Problems’ in Tower Records earlier this week (Photograph: Patrick Comerford, 2014)

Patrick Comerford

Culturally, the week was book-ended by Leonard Cohen and Joan Baez, so to speak.

I woke early on Sunday morning [21 September 2014] to listen to Cathal Murray’s two-hour programme on RTÉ, The Weekend on One, from 6 a.m. to 8 a.m., marking Leonard Cohen’s eightieth birthday.

He played classic numbers from many Leonard Cohen’s albums, with seven alone from The Essential Leonard Cohen: ‘So Long Marianne,’ ‘Tower of Song,’ ‘Take this Waltz,’ ‘Closing Time,’ ‘In my Secret Life,’ ‘Anthem,’ and ‘Suzanne.’

But there were interpretations of Leonard Cohen by other artists too, including Jeff Buckley (‘Hallelujah’), Rufus Wainwright (‘Chelsea Hotel No 2’), Antony (‘If It Be Your Will’), Trisha Yearwood (‘Coming Back to You’) and Jennifer Warnes (‘Bird on a Wire’).

He also played ‘You Got Me Singing,’ a track from Leonard Cohen’s new album, Popular Problems, which was released on Sunday.

Between the Cathedral Eucharist in Christ Church Cathedral on Sunday morning and the ordination of five deacons in the cathedral on Sunday afternoon, I was in Dawson Street at lunchtime, and bought Popular Problems in Tower Records.

Popular Problems is Leonard Cohen’s second album in the past two years, and follows the success of Old Ideas in 2012.

Behind Popular Problems are the perfect background voices of singers Charlean Carmon, Dana Glover and Donna Delroy, strings played by Joe Ayoub (bass) and Alexandru Bublitchi (violin), James Harrah on guitar, Brian Macleod on drums, and trumpets made of computer sounds.

Once again, Cohen has found his perfect way in his poetry and his voice, in filling sadness with triumph and filling triumph with sadness, in being weary while being optimistic, in suffering while renewed, in finding a light touch to conceal the deep and the serious. But he is at a more sedate pace this time, his gravitas underlined by his whispery baritone voice that at times slows from singing to talking.

The songs here – including ‘Almost Like the Blues,’ ‘Samson in New Orleans’ and ‘Born in Chains’ – deal again with the great Cohen themes of love pursued and love spurned, doubt and faith, war and genocide, his Judaism and his questioning engagement with Christianity, sensuality and spirituality, being naked before those he loved and being naked before God:

There is no G-d in heaven
And there is no Hell below
So says the great professor
Of all there is to know.
But I’ve had the invitation
That a sinner can’t refuse
And it’s almost like salvation
It’s almost like the blues.

The reverential spelling of the name of G-d in the sleeve notes for ‘Almost Like the Blues’ indicates his respect for the traditions of Orthodox Judaism. In ‘Born a Slave,’ he examines his Jewish roots:

I was born in chains
But I was taken out of Egypt
I was bound to a burden
But the burden it was raised
Lord I can no longer
Keep this secret
Blessed is the Name
The Name be praised

In ‘Nevermind,’ he shows his compassion for the plight of refugees and displaced people, and with a flourish of Arabic singing hints at his wider compassion.

Popular Problems is Leonard Cohen’s second album since his return to the stage in 2008. Since then, I have been at concerts on each of his return visits to Ireland. It is not clear yet whether or not he will support Popular Problems with a tour.

Although he has indicated that he will not be doing any shows in 2014, hopefully he is planning to be back in Ireland soon.

UFO at the Leonard Cohen birthday tribute in the Hot Spot Music Club in Greystones (Photograph: Patrick Comerford, 2014)

Later on Sunday evening, we were in the Hot Spot Music Club above the Beach House Pub at Greystones Harbour for a tribute evening marking Leonard Cohen’s eightieth birthday, when the UFO Band paid tribute to the Canadian poet and author, singer and songwriter.

Hot Spot is home to the Universal Funk Orchestra (UFO) who perform regular gigs there covering David Bowie, Bob Dylan, Leonard Cohen and Fleetwood Mac. The first half of the show on Sunday included 12 numbers, mainly from the classic Best Of album from 1976, followed in the second half with eight other Cohen numbers – including ‘Slow,’ a track from Popular Problems, before closing to an encore, almost inevitably and predictably, with ‘Closing Time.’

Joan Baez on stage in Vicar Street on Thursday night (Photograph: Patrick Comerford, 2014)

If we don’t know when Leonard Cohen is returning to Ireland, then Joan Baez was back in Dublin later in the week for three intimate nights at Vicar Street on Wednesday, Thursday and tonight [24, 25 and September 2014].

Back in 2008-2009, she celebrated the fiftieth anniversaries of her debut residency in 1958 at Club 47 in Cambridge, and her debut appearance the following year at the Newport Folk Festival in 1959. She began her recoding career in 1960 at the age of 19, and it was she who introduced Bob Dylan to the world in 1963.

In the 1960s, she marched with Martin Luther King, inspired Vaclav Havel, played at Woodstock and sang on the first Amnesty Interna¬tional tour. She took to the fields with Cesar Chavez and marched against the Vietnam War.

Later she stood with Nelson Mandela at his 90th birthday in Hyde Park, London’s, and saluted the Dixie Chicks for their courageous protest against the Iraq war. Amnesty International honoured her in 2012 with the naming of the Joan Baez Award for Outstanding Inspirational Service in the Global Fight for Human Rights.

As she told us on Thursday night, she is still marching.

She is the daughter of pacifist parents: her father, Professor Albert Baez, was the son of a Mexican-born Methodist minister, her Scottish-born mother – Joan (Chandos Bridge) Baez, who died last year – was the daughter of an Anglican priest, the Revd William Henry Bridge, curate of Saint John’s Episcopal Church at Edinburgh’s West End (1910-1913), where she was baptised, before emigrating to Canada. They became Quakers, and although she was raised a Quaker she says today: “Living is my religion.”

The “Evening with Joan Baez” was a journey through her past and her interpretation of folk music and ballads over the past fifty years or more, with tributes to Bob Dylan as well as some of her long-time favourites, including ‘Farewell Angelina’, ‘Baby Blue,’ ‘Joe Hill,’ ‘Swing Low Sweet Chariot,’ ‘The Night they drove Old Dixie down’ and ‘God is God.’

She recalled with emotion her tours of South America and her feelings for the people of Argentina and Nicaragua.

She paid tribute to Violeta Parra and Mercedes Sosa when she sang their hymn ‘Gracias a la Vida.’ And she sang ‘Mi Venganza Personal’ (‘My personal revenge’), written by a founding Sandinista, Tomás Borge in the 1980’s as his response to being asked what would be his personal vengeance on those who had tortured him in prison:

“After having been brutally tortured as a prisoner, after having a hood placed over my head for nine months, after having been handcuffed for seven months, I remember that when we captured these torturers I told them: ‘The hour of my revenge has come: we will not do you even the slightest harm. You did not believe us beforehand; now you will believe us.’ That is our philosophy, our way of being.”

Some of those themes that recur in Leonard Cohen albums were there too in her songs. But the living legacy of her mixed Quaker/Anglican upbringing was also to the fore in the lyrics of many of her songs.

I believe in prophecy

I believe in prophecy
Some folks see things not everybody can see
And once in a while they pass the secret along to you and me
And I believe in miracles
Something sacred burning in every bush and tree
We can all learn to sing the songs the angels sing
Yeah, I believe in God and God ain’t me.

I’ve travelled around the world
Stood on mighty mountains and gazed across the wilderness
Never seen a line in the sand or a diamond in the dust
And as our fate unfurls
Every day that passes I’m sure about a little bit less
Even my money keeps telling me it’s God I need to trust
And I believe in God but God ain’t us.

God, in my little understanding don’t care what name I call
Whether or not I believe doesn't matter at all
I receive the blessings
That every day on earth’s another chance to get it right
Let this little light of mine shine and rage against the night
Just another lesson
Maybe someone’s watching and wondering what I got
Maybe this is why I’m here on earth and maybe not
But I believe in God and God is God.

Jerusalem (by Steve Earle)

I woke up this mornin’ and none of the news was good
And death machines were rumblin’ ’cross the ground where Jesus stood
And the man on my TV told me that it had always been that way
And there was nothin’ anyone could do or say.

And I almost listened to him
Yeah, I almost lost my mind
Then I regained my senses again
And looked into my heart to find

That I believe that one fine day all the children of Abraham
Will lay down their swords forever in Jerusalem

Well maybe I'm only dreamin’ and maybe I’m just a fool
But I don’t remember learnin’ how to hate in Sunday school
But somewhere along the way I strayed and I never looked back again
But I still find some comfort now and then.

Then the storm comes rumblin’ in
And I can’t lay me down
And the drums are drummin’ again
And I can’t stand the sound.

But I believe there’ll come a day when the lion and the lamb
Will lie down in peace together in Jerusalem

And there’ll be no barricades then
There’ll be no wire or walls
And we can wash all this blood from our hands
And all this hatred from our souls.

And I believe that on that day all the children of Abraham
Will lay down their swords forever in Jerusalem.

Seeking to value and not forget diversity
during this decade of commemorations

Saint Ann’s Church, Dawson Street ... the venue for this morning’s discussion of World War I and the decade of commemorations (Photograph: Patrick Comerford)

Patrick Comerford

Saint Ann’s Church,

Dawson Street, Dublin 2

Saturday 27 September 2014

9 .a.m., Men’s Breakfast


Each month, I contribute a two-page photo-feature or photo-essay to the Dublin and Glendalough diocesan magazine, the Church Review. I cover a wide range of topics, from places I have travelled to, to developments in Church life, to my take on events in history, and so on. I have even written about why I still want to call our greatest rugby venue Lansdowne Road rather some commercially-dictated label … although that seems to be a losing battle

If you are a regular reader, then you know I also like travelling. I have written often about favourite places such as Lichfield and Cambridge in England, Crete and Thessaloniki in Greece, but I have written about places from Florida to Korea, and many places in between.

I suppose I am trying to provide the diocese with another window out into the world, or into the past, rather than allowing ourselves to be consumed with parochial issues and the pressures of present problems.

You may have notices a number of motifs or themes, or undercurrents in the way I write. There is a subtext, if you like. I want to challenge racism and prejudice, which in this country must also include Anglophobia; I want to confront the global problems of war, poverty and discrimination; I want to look at the beauty of other traditions and cultures; and I want to invite you as the reader to appreciate the beauty of God’s creation and to ask what we are doing to sustain and cherish that creation.

Naturally, in recent months, I have also been looking at the events that are being marked in what we are now calling this decade of commemorations, looking back at the events that have reshaped and redefined Ireland – and Europe – about 100 years ago.

I have written about Ireland’s involvement in World War I, the forgotten members of the Church of Ireland who took part in the events leading up to the 1916 Rising, and the Easter Rising itself.

The Revd Martin O’Connor invited me to speak here after some of you read my feature in the Church Review last July [2014]. He pointed out that there is a lot of interest in World War I, and that there around 100 names between the World War I memorials in Saint Ann’s, Saint Stephen’s and Saint Mark’s.

When he issued that invitation, Martin and Christine had just returned from a tour of the battlefields that brought them to the Flanders Fields Museum in Ypres/Ieper, the Passchendaele Museum, Tyne Cot Cemetery and the Menin Gate memorial.

He told me how they were moved and horrified at what they saw and how the number of names on the Memnin Gate, along with the more than 12,00 graves at Tyne Cot, brought home the suffering of war.

I am sure we all have family memories that are being brought to the fore since we embarked on this “Decade of Centenaries,” which includes World War I, but also the Ulster Covenant (1912), the Dublin Lockout (1912), the Easter Rising (1916), the Russian Revolution (1917), the War of Independence, and the formation of both the Irish Free State and Northern Ireland.

So this morning, I hope to share some of my thoughts on why the World War I commemorations and the 1916 commemorations are still relevant to us today, a century later, and not simply about collecting facts, figures and names.

The Redmond Memorial in the centre of Wexford Town ... World War I began as Ireland was divided by the Home Rule crisis (Photograph: Patrick Comerford)

The events a century ago reshaped the map of Europe, but they also reshaped and redefined Irish identity too.

It was a decade marked by the demise of Chinese imperial dynasties, World War I, the Armenian Genocide, the Gallipoli landings, the Battle of the Somme, the Russian Revolution, the Balfour Declaration, the defeat of Germany, the fall of the Hapsburgs, the creation of the Weimar Republic and the Soviet Union, the first non-stop transatlantic flight, the collapse of the Ottoman Empire, the winning of women’s voting rights, and the rise of Communism and Fascism.

But it was the decade too that brought us the modern zipper, stainless steel, and the pop-up toaster. It was a decade that saw the publication of Einstein’s theory of relativity, the first US feature film, the debut of Charlie Chaplin, the publication of Thomas Mann’s Death in Venice, DH Lawrence’s Sons and Lovers and Women in Love and TS Eliot’s The Waste Land.

For Irish people, this was the decade that saw the death of Bram Stoker, the author of Dracula, who was born into a Dublin Church of Ireland family. It was a decade that saw the publication of James Joyce’s Dubliners, Portrait of the Artist as a Young Man, and Ulysses, and of Pygmalion by George Bernard Shaw. And it was a decade too that was marked by the sinking of the Titanic and the Lusitania.

The commemorations to mark the centenary of World War I began two months ago, for World War I began on 28 July 1914. Over four years, more than nine million combatants were killed in the ‘Great War,’ making it one of the deadliest conflicts in history.

Despite the fears – and the justified fears of many – I believe the commemorations are never likely to descend into a glorification of war. Instead, they are likely to focus on the horrors of war, its impact on the lives of many millions of people, and a legacy that includes major changes that reshaped the political map of Europe.

The war is often been seen as a conflict between the jealous crowned heads of Europe and it brought about the downfall of many royal houses, including the Romanovs in Russia, the Habsburgs in Austria and Hungary, the Ottomans in Turkey, and the Prussian or Hohenzollern dynasty in Germany.

But its impact on the lives of ordinary people must never be forgotten: more than 70 million people were mobilised in a period that lasted long after the war ended.

The immediate trigger for the war was the assassination of Archduke Franz Ferdinand of Austria, the heir to the throne of Austria, who was murdered in Sarajevo on 28 June 1914 by Gavrilo Princip, a Serb nationalist. The murder set off a diplomatic crisis when Austria delivered the “July Ultimatum” to Serbia.

On 28 July 1914, Austria invaded Serbia, and Germany declared war on Tsarist Russia on 1 August, invaded France on 2 August, and neutral Belgium on 3 August. On 4 August, Britain declared war on Germany. In November, the Ottoman Empire joined the war; Italy and Bulgaria went to war in 1915, Romania in 1916, and the US in 1917. The last country to enter the war was Romania – albeit for the second time – on 10 November 1918, one day before the war ended.

War and the Home Rule crisis

In a speech at Woodenbridge, Co Wicklow, John Redmond called on the Irish Volunteers to enlist in Irish regiments (Photograph: Patrick Comerford)

Ireland was involved throughout the war as part of the United Kingdom. The war began as Ireland was embroiled in a major political crisis over Home Rule, but the crisis was temporarily defused when nationalist and unionist leaders alike initially supported Britain’s war efforts.

The Unionist leader, Edward Carson, offered his immediate support. On 3 August 1914, the Wexford-born leader of the Irish Parliamentary Party, John Redmond (1856-1918), then MP for Waterford City, declared in the House of Commons that the British government could withdraw every soldier from Ireland and yet be assured that the coast of Ireland would be defended by Ireland’s armed sons.

The first British engagement in Europe involved the 4th Royal Irish Dragoon Guards when they met a German patrol near Mons on 22 August 1914, and Corporal Edward Thomas had the distinction of firing the first British soldier shot in Europe in the war.

World War I remembered in Enniskillen Cathedral ... this was the greatest deployment of armed manpower in Irish history (Photograph: Patrick Comerford)

The first major battle was the Battle of Mons. On 27 August, the 2nd Battalion Royal Munster Fusiliers formed the rearguard to cover the retreat of British forces and made an epic stand. The Irish Guards also suffered heavily at Mons, and the experience of the Munsters and the Irish Guards was typical of the first campaigns in France and Belgium.

Home Rule passed into law on 17 September, and in a speech at Woodenbridge, Co Wicklow, just over 100 years ago, on 20 September 1914, John Redmond called on the Irish Volunteers to enlist in Irish regiments. He believed Imperial Germany threatened the freedom of Europe and that it was Ireland’s duty, having achieved future self-government, “to the best of her ability to go where ever the firing line extends, in defence of right, of freedom and of religion in this war. It would be a disgrace forever to our country otherwise,” he said.

Irish enlistment

Major William Redmond’s memorial in Wexford ... he was one of five Irish MPs who enlisted in the British army (Photograph: Patrick Comerford)

Redmond’s son, William Redmond, then MP for East Tyrone, enlisted, as did his brother, Major Willie Redmond, then MP for Clare East and a former MP for Wexford Borough. Four other Irish MPs enlisted: Sir John Esmonde, MP for North Tipperary; Stephen Gwynn, MP for Galway and son of the Revd John Gwynn, Regius Professor of Divinity at Trinity College Dublin; and Daniel Desmond Sheehan, MP for mid-Cork. In addition, Tom Kettle, former MP for East Tyrone, enlisted, and Redmond’s call was supported by many parliamentary leaders, including William O’Brien, Thomas O’Donnell and Joseph Devlin.

A large majority of the Irish Volunteers followed Redmond’s call. In all, 206,000 Irishmen fought in the British forces during World War I. Of these, 58,000 had already enlisted in the army or navy before the war broke out. Half of the Irishmen who enlisted in the first year were from what is now the Republic of Ireland; the other half from what is now Northern Ireland. It was the greatest deployment of armed manpower in Irish military history.

The dead of World War I remembered in panels on the south porch in Saint Canice’s Cathedral, Kilkenny (Photograph: Patrick Comerford)

Some of Redmond’s Volunteers enlisted in regiments in the 10th and 16th Divisions, while many members of the Ulster Volunteer Force joined regiments in the 36th (Ulster) Division. However, most Irish recruits lacked military training to become officers, and with the exception of Major-General Sir William Bernard Hickie, from Terryglass, Co Tipperary, the 16th was led by English officers.

The 10th Division was the first Irish Division to take part in the war, under the command of General Sir Bryan Mahon, from Belleville, Co Galway. This division was sent to Gallipoli and took part on 7 August 1915 in the disastrous landing at Cape Helles and the August offensive. Irish battalions suffered extremely heavy losses among the Royal Munster Fusiliers, and the Royal Dublin Fusiliers. From Suvla, the division was moved in September to Thessaloniki, where it remained for two years.

The Royal Irish Regiment recalled in a plaque in Saint Canice’s Cathedral, Kilkenny (Photograph: Patrick Comerford)

In September 1917, the 10th moved to Egypt and fought in the Third Battle of Gaza, which broke Turkish resistance in southern Palestine. In 1918, the division was split between the Middle East and the Western Front.

The 16th Division spent most of World War I on the Western Front. At the 2nd Battle of Ypres in May 1915, the 2nd Royal Dublin Fusiliers were nearly wiped out as a result of a German-initiated poison gas attack. Until March 1916, the 16th was commanded by General Henry Wilson, who had called them “Johnnie Redmond’s pets.” Hickie, who replaced Wilson, called them as “riff-raff Redmondites,” but was more diplomatic and tactful and later spoke with pride of his command.

In July 1916, the 16th suffered heavy casualties at the Somme. The battle began early on 1 July 1916 and the day ended with a total of 60,000 allied casualties, of whom 20,000 were killed in action. The 36th (Ulster) Division suffered 5,500 casualties and 2,000 of these were killed in action. The 1st Royal Dublin Fusiliers fought next to the 36th and counted 147 casualties – 22 killed and 64 missing in action. The 2nd Royal Dublin Fusiliers lost 14 of their 23 officers, and 311 out 480 in other ranks.

The battle continued until the following November. The former MP for East Tyrone, Tom Kettle, a barrister and Professor of Economics at UCD, was among those killed at the Somme. Irish soldiers also fought at the Somme in the Royal Irish Rifles, Royal Irish Fusiliers, Royal Inniskilling Fusiliers, Royal Irish Regiment, and four battalions of the Northumberland Fusiliers.

The pulpit in Saint Iberius’s Church, Wexford, serves as a World War I memorial (Photograph: Patrick Comerford)

In 1917, the 16th fought at the Battle of Messines alongside the 36th (Ulster) Division, and at Passchendaele and Ypres. Messines saw the largest-ever concentration of Irish soldiers on a battlefield. Among those killed in the advance was John Redmond’s 56-year-old brother, Major Willie Redmond. By mid-August, the 16th counted over 4,200 casualties and the 36th had almost 3,600 casualties, or more than 50 per cent of its numbers. The losses were so heavy that when the 16th was reconstituted in England the only original battalion left was the 5th Royal Irish Fusiliers.

The 36th included three existing Irish regiments: the Royal Irish Fusiliers, the Royal Irish Rifles and the Royal Inniskilling Fusiliers. The division fought on the Western Front throughout the war, and included men from all nine counties of Ulster. Apart from the Somme, the division’s other battles included Cambrai, Messines and two at Ypres (1917), Ypres (1918).

Irish regiments and VCs

Some of the names of the war dead on a memorial cross in Bray, Co Wicklow (Photograph: Patrick Comerford)

Irish regiments in the British army also included the Connaught Rangers, the Leinster Regiment, the Royal Dublin Fusiliers, the Royal Inniskilling Fusiliers, the Royal Irish Fusiliers, the Royal Irish Regiment, the Royal Irish Rifles and the Royal Munster Fusiliers. In addition, there were Irish regiments based outside Ireland, including the Royal Irish Dragoon Guards, the King’s Royal Irish Hussars, the Queen’s Royal Irish Hussars, the Irish Guards, the Liverpool Irish, the London Irish Rifles, the Royal Irish Artillery, the Royal Irish Lancers, the Royal Irish Rangers, the Tyneside Irish Brigade, the Royal Irish Regiment and the London Irish.

The war memorial in the churchyard at Saint John the Baptist in Clontarf, Dublin (Photograph: Patrick Comerford)

In all, there were 37 Irish VCs in World War I. Lieutenant Maurice Dease from Coole, Co Westmeath, was the first British soldier to be awarded the VC in World War I – on 23 August 1914, the first day of engagement by the British army. He was killed as he continued to operate a machine gun despite being shot four times at the Battle of Mons.

One of the last Irish combatants to receive a VC was Sergeant-Major Martin Doyle from New Ross, Co Wexford. He was awarded a VC in September 1918, but later, when he returned home, he fought in the War of Independence.

A World War I memorial near the centre of Drogheda (Photograph: Patrick Comerford)

By the end of the war, the attitude at home towards Irish soldiers in the British army had changed completely in the aftermath of the Easter Rising in 1916. The poet Francis Ledwidge, who died at Ypres in 1917, wrote after the Easter Rising: “If someone were to tell me now that the Germans were coming in over our back wall, I wouldn’t lift a finger to stop them. They could come!”

The Armistice on 11 November 1918 brought an end to World War I. But the war also brought about the fall of the German, Russian, Austro-Hungarian and Ottoman empires, and the map of Europe was redrawn.

When the Irish divisions were demobilised, about 100,000 veterans returned to Ireland. But another 70,000-80,000 never returned home. There was high unemployment in Ireland, and the rising militant nationalism was hostile to the men who had served in the British forces.

Counting the dead

The war memorial in All Saints’ Church, Grangegorman, Dublin (Photograph: Patrick Comerford)

The number of Irish deaths is officially recorded as 27,405. However, the numbers may be higher, and the National War Memorial at Islandbridge in Dublin is dedicated “to the memory of the 49,400 Irish soldiers who gave their lives in the Great War, 1914-1918.”

In 1927, the Irish government donated £50,000 in 1927 towards a Great War Memorial. But it was located in Islandbridge, outside the city centre, rather than in Merrion Square. It was not until 2006, on the 90th anniversary of the Somme, that the Irish state held an official commemoration for the Irish dead of World War I.

The Irish National War Memorial at Islandbridge was erected miles from the city centre (Photograph: Patrick Comerford)

‘The centre cannot hold’

In that decade we are recalling this morning, the world was so changed and transformed that WB Yeats could open his poem The Second Coming with these lines about Europe in the aftermath of World War I:

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Towards the end of that decade, the Church of Ireland was living with the consequences of a half century of disestablishment. But the Church was more concerned with social political upheaval on this island, and the way we were tearing ourselves apart as a people. Irish identity was changed violently over that ten-year period, so that the lines by Yeats about the leaders of the Easter Rising in 1916 could be applied to the whole island and the whole population:

All changed, changed utterly:
A terrible beauty is born.

It was a decade that saw the reconstruction of Irish identity through the creation of myths that by-passed the facts, even as the main actors in those myths were still alive.

Language and identity

The Abbey Theatre contributed to the cultural expressions of Irish nationalism (Photograph: Patrick Comerford)

It is forgotten that modern Irish nationalism had its incubation and gestation in the revival of the Irish language – a revival in which the main players included Dr Douglas Hyde, the son of a Church of Ireland rector, and Dr Eleanor Hull in hymns such as Be thou my vision (643).

Sean O’Casey, the playwright of the left, was born into the Church of Ireland (Photograph: Patrick Comerford)

The artistic expressions of the new nationalism were found in the Abbey Theatre, founded by Lady Gregory, WB Yeats and George Russell (AE), the poetry of Yeats and the plays of Sean O’Casey – all members of the Church of Ireland.

Since 1916, the leaders of the Easter Rising in Dublin have been transformed into either working class heroes or the personifications of what it is to be Green, Gaelic, Catholic and Irish. But the myths that have been created by those who have a blinkered vision of what it is to be Irish betray the truths of history.

The Garden of Remembrance treats the 1916 leaders as martyrs … but their backgrounds were diverse (Photograph: Patrick Comerford)

Who remembers today that Pádraig Pearse was born Patrick Henry Pearse, the son of a Birmingham Unitarian who had come to Dublin from England as part of the Victorian arts-and-crafts movement?

There are other myths surrounding Pádraig Pearse, including one that he was “President of the Provisional Government,” a post that may have been held instead by Thomas Clarke. There is no manuscript version of the 1916 Proclamation, but on all printed versions, the leaders’ names are not printed in alphabetical order, so that Pádraig Pearse’s name is listed fourth, after Thomas Clarke, Sean Mac Diarmada and Thomas MacDonagh.

Ironically, Thomas Clarke was not born in Ireland but in an army barracks on the Isle of Wight in England, where his father was a soldier in the British army.

Thomas MacDonagh had a middle class education in Rockwell College, Co Tipperary, and was a lecturer in English in UCD. In 1912, he married Muriel Gifford, a member of a well-known Church of Ireland family in Dublin. Éamonn Ceannt, an accountant, was born Edward Thomas Kent, the son of an officer in the Royal Irish Constabulary.

James Connolly was born in Scotland and married a member of the Church of Ireland (Photograph: Patrick Comerford)

James Connolly was born in Edinburgh, and spoke with a Scottish accent all his life. After joining the British Army at the age of 14, he spent seven years with the army in Ireland. In 1890, he married Lillie Reynolds, a member of the Church of Ireland, who was born in Co Wicklow.

Joseph Mary Plunkett was the son of Count George Noble Plunkett, and his distant cousin, Sir Horace Curzon Plunkett, was a prominent lay member of the Church of Ireland and a Home Rule MP. The poet was born into a privileged family in Fitzwilliam Street, then an affluent suburb of Dublin, and was educated by the Jesuits at Belvedere and Stonyhurst, a Jesuit-run public school in Lancashire. Hours before his execution, he married Grace Gifford, who, like her sister Muriel MacDonagh, had been born into a prosperous Dublin Church of Ireland family.

In other words, two of the seven signatories were not born in Ireland, one was the son of an Englishman, one had served in the British army, one was the son of an RIC officer, one was born in a British army barracks, one was a titled aristocrat who went to an English public school, and at least three married women who were born into the Church of Ireland.

These backgrounds were similar to those of many prominent figures on the Republican side in 1916. For example, Liam Mellows, later executed in 1922 at the height of the Civil War, was born William Joseph Mellows in an army barracks in Manchester, and his father was born in a British army barracks in India.

It should be remembered too in the coming years that while the 1916 Rising was being planned, Arthur Griffith’s Sinn Féin still favoured establishing a form of dual monarchy linking Ireland and Britain, similar to the dual monarchy in the Austro-Hungarian Empire, and that Sinn Féin did not take part in the 1916 Rising.

Voices for the oppressed

Dr Kathleen Lynn took command of the rebel position in City Hall (Photograph: Patrick Comerford)

Many of the women who took prominent roles in the Rising were members of the Church of Ireland: Countess Markievicz, the suffragette and a leader of the Irish Citizens’ Army, was born Constance Georgine Gore-Booth in Buckingham Gate, London, the daughter of Sir Henry Gore-Booth of Lissadell House, Co Sligo. She and her younger sister, Eva Gore-Booth, were childhood friends of Yeats, who frequently visited their home and described them in one poem as “two girls in silk kimonos, both beautiful, one a gazelle.”

Dr Kathleen Lynn, a founding member of the Irish Citizen’s Army too, took command of the rebel garrison in City Hall in Easter Week 1916. She remained a pious member of the Church of Ireland until her death in 1955.

Jim Larkin … “The great appear great because we are on our knees: Let us rise.” (Photograph: Patrick Comerford)

Alongside James Connolly, Jim Larkin, Countess Markievicz and Kathleen Lynn, the founding members of the Irish Citizens’ Army in 1913, included Captain Jack White, a Presbyterian from Broughshane, Co Antrim, and the son of Sir George Stuart White, a former Governor of Gibraltar.

Indeed, the first informal meeting to form the Irish Citizens’ Army was held in Trinity College Dublin in the rooms of the Revd Robert Malcolm Gwynn. He was a communicant at Saint Bartholomew’s until his death in 1962, and is buried in Whitechurch Churchyard in Co Dublin. One of his brothers, Brian Gwynn, was the father-in-law of the late Archbishop George Simms. Through their mother, the Gwynns were grandsons of William Smith O’Brien, the exiled 1848 revolutionary whose statue in O’Connell Street is close to the GPO and the statue of Jim Larkin.

The house in Rathgar where George Russell (AE) was living in 1913 during the Dublin lockout (Photograph: Patrick Comerford, 2013)

In a letter of protest during the Dublin lockout, George Russell (AE) accused the employers of “refusing to consider any solution except that fixed by their pride” and he accused them of seeking “in cold anger to starve one-third of this city, to break the manhood of the men by the sight of the suffering of their wives and the hunger of their children.”

Howth Harbour ... the Howth gunrunning must have appeared almost like a Church of Ireland parish vestry meeting! (Photograph: Patrick Comerford)

A year after the Dublin lockout, members of the Church of Ireland were among the most prominent organisers of the Howth gun-running. Erskine Childers, a cousin of the Bartons of Glendalough House, sailed into Howth on the Asgard and landed 2,500 guns.

The organisers included his wife Molly Childers, Sir Roger Casement, Alice Stopford Green and Mary Spring Rice – all Church of Ireland parishioners, as were many of those waiting for them on the pier, including Countess Markievicz, Douglas Hyde and Darrell Figgis.

Edward Conor Marshal O’Brien (1880-1952), skipper of the Kelpie, one of the yachts involved in the gunrunnings, was a member of the Church of Ireland from Limerick and his first cousin, Brian Gwynn, was the father of the late Mercy Simms, wife of Archbishop George Otto Simms.

Kilcoole, Co Wicklow ... the gunrunning organised by Sir Thomas Myles is often forgotten in the shadows of the Howth gunrunning (Photograph: Patrick Comerford)

The accounts of the Howth gunrunning seem to overshadow the equally dramatic Kilcoole gunrunning in Co Wicklow, which was organised by the skipper of the Chotah and the King’s Surgeon in Ireland, Sir Thomas Myles (1857-1937), who was baptised in Saint Michael’s Church of Ireland parish church in Limerick City.

Sir Thomas Myles ... knighted by Edward VII

Nor can we dismiss Myles as a marginal member of the Church of Ireland: his father-in-law, the Revd George Ayres (1825-1881), was a Church of England clergyman; and his youngest brother was the Very Revd Edward Albert Myles (1865-1951), Dean of Dromore. Sir Thomas Myles was knighted at King Edward VII’s coronation while he was President of the Royal College of Surgeons in Ireland.

After the Kilcoole gunrunning, when World War I began, he became an officer in the Royal Army Medical Corps and was later appointed one of the honorary surgeons to the King in Ireland.

Written in or written out?

The War Memorial Park in Islandbridge, Dublin, recalls the Irish dead of two world wars (Photograph: Patrick Comerford)

The myths that have accumulated over the past century have written members of the Church of Ireland, their consciences and their role out of the shared history of this island.

In these coming years, we must remember that more Irish soldiers – Catholic and Protestant – died at the Gallipoli landings in 1915 or at the Somme in 1916 than died in the Easter Rising.

Nor should we forget that more than 400,000 people on this island, including five bishops of the Church of Ireland, signed the Ulster Covenant, and in doing so were led by Sir Edward Carson, who was born in Harcourt Street, Dublin.

A divided family

A family divided ... Colonel Thomas Comerford on his wedding day; and his sister Marie Comerford

Many families in this part of the island – both Protestant and Roman Catholic – were totally divided when it came to loyalties at this time. Colonel Thomas James Comerford (1894-1959), who was raised in Co Wexford and Co Waterford, came from an interesting background. His grandfather, Colonel Thomas Esmonde (1831-1872), was decorated with the VC for his part in the Battle of Sebastopol in the Crimean War, his mother was three times tennis champion of Ireland, and his cousin, Sir John Lymbrick Esmonde, was one of those five Irish MPs who fought in the British Army in World War I. Thomas Comerford served in World War I, initially with the Royal Irish Regiment and later with the Royal Irish Rifles. He fought at Gallipoli in 1915, where he was wounded, and was at home in Dublin on sick leave in 1916 when the Easter Rising broke out.

The family story says he was taken out of Dublin immediately so he would not be compromised by the curious activities of his sister. He was wounded at the Battle of Passchendaele in 1917, and went on to spend 25 years in India, where he was married in Bombay in 1921 and where he was active in World War II, organising supplies for the Chindits.

His sister, the journalist and writer Mary (‘Máire’) Eva Comerford (1893-1982), was also raised in Co Wexford and in Co Waterford. She became involved in politics initially as a Redmondite Home Ruler activist in Wexford Town, but later became a life-long Republican activist, and took part in the 1916 Rising in Dublin. Little wonder that her brother had to be moved out of the city.

Post-independence dilemmas

Archbishop Gregg and Eamon de Valera together in the 1930s.

Archbishop JAF Gregg of Dublin said in a sermon in December 1921, the month the Treaty was signed:

It concerns us all to offer the Irish Free State our loyalty. I believe there is a genuine desire on the part of those who have long differed from us politically to welcome our co-operation. We should be wrong politically and religiously to reject such advances.

In 1922, after many Protestants were forced to leave their homes because of threats and some had been murdered in Co Cork, a delegation of southern members of the General Synod met Michael Collins and WT Cosgrave, and asked whether the government of the new Free State was “desirous of retaining” the Protestant community. The new government readily gave the assurances sought.

WB Yeats ... We are no petty people

A few years later, when the Irish Free State was poised to outlaw divorce, the poet WB Yeats delivered a famous speech in the new Senate of the Irish Free State on 11 June:

I think it is tragic that within three years of this country gaining its independence we should be discussing a measure which a minority of this nation considers to be grossly oppressive. I am proud to consider myself a typical man of that minority. We against whom you have done this thing, are no petty people. We are one of the great stocks of Europe. We are the people of Burke; we are the people of Grattan; we are the people of Swift, the people of Emmet, the people of Parnell. We have created the most of the modern literature of this country. We have created the best of its political intelligence. Yet I do not altogether regret what has happened. I shall be able to find out, if not I, my children will be able to find out whether we have lost our stamina or not. You have defined our position and have given us a popular following. If we have not lost our stamina then your victory will be brief, and your defeat final, and when it comes this nation may be transformed.

The Mansion House in Dublin, where the First Dáil held most of its meetings (Photograph: Patrick Comerford)

‘No petty people’

Over these ten years, it is important that one single event should not dominate all the other centenaries and the memory of what has made the Ireland we know today. We should remember the Ulster Covenant, the lockouts, Gallipoli, the Somme, the men who rallied to Redmond’s call, and the poetry of Tom Kettle. Nor should we forget the diversity of contributions made by members of the Church of Ireland in those ten years.

For in the words of Yeats, we “are no petty people. We are one of the great stocks of Europe. We are the people of Burke; we are the people of Grattan; we are the people of Swift, the people of Emmet, the people of Parnell. We have created the most of the modern literature of this country. We have created the best of its political intelligence.”

Canon Patrick Comerford is Lecturer in Anglicanism, Liturgy and Church History, the Church of Ireland Theological Institute and an Adjunct Assistant Professor, Trinity College Dublin. These notes were prepared for a talk with Men’s Breakfast in Saint Ann’s Parish, Dawson Street, Dublin, on 27 September 2014.