Saturday, 29 May 2021

Praying in more than 100 places of
worship in Lent and Easter, 2021

The Church of Saint Mary and Saint George, Comberford, Staffordshire (Photograph: Dave Buckle, 2021)

Patrick Comerford

During the Seasons of Lent and Easter this year (2021), and in the week after Pentecost, I kept a daily prayer diary on my blog each morning, win three parts:

1, photographs of a church or place of worship that has been significant in my spiritual life;

2, the day’s Gospel reading;

3, a prayer from the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel).

Beginning of Ash Wednesday (17 February), and continuing until this morning (29 May), this prayer diary continued for 15 weeks, with photographs from over 100 churches, chapels, cathedrals, synagogues and places of worship.

I thought it might be worthwhile to have links to each of these postings and sets of photographs as this phase of my prayer diary comes to an end today.

The chapter and choir stalls in Saint Mary’s Cathedral, Limerick … installed as Precentor four years ago on 19 February 2017 (Photograph: Patrick Comerford)

Week 1: cathedrals where I have been a chapter member:

1, Saint Mary’s Cathedral, Limerick (17 February)
2, Saint Flannan’s Cathedral, Killaloe, Co Clare (18 February)
3, Saint Brendan’s Cathedral, Clonfert, Co Galway (19 February)
4, Christ Church Cathedral, Dublin, where I was also ordained deacon in 2000 and priest in 2021 (20 February)

Saint Mary’s Church, Askeaton … one of the four churches in the Rathkeale and Kilnaughtin Group of Parishes (Photograph: Patrick Comerford)

Week 2: churches where I have been placed or served in ministry:

5, Saint Mary’s Church, Askeaton, Co Limerick (21 February)
6, Castletown Church, Co Limerick (22 February)
7, Holy Trinity Church, Rathkeale, Co Limerick (23 February)
8, Saint Brendan’s Church, Tarbert, Co Kerry (24 February)
9, Saint Maelruain’s Church, Tallaght, Co Dublin, where I was a reader and my two sons baptised (25 February)
10, Whitechurch Parish Church, Rathfarnham, Co Dublin (26 February)
11, The Chapel, the Church of Ireland Theological Institute, Dublin (27 February)

Saint Anne’s Church, Cappoquin, Co Waterford, was built in the 1820s on a site donated by Sir John Keane of Cappoquin House (Photograph: Patrick Comerford)

Week 3: Churches from my childhood:

12, Mount Melleray (public church), Cappoquin, Co Waterford (28 February)
13, Mount Melleray (Monastic Church), Cappoquin, Co Waterford (1 March)
14, Saint Anne’s Church, Cappoquin, Co Waterford (2 March)
15, Saint Mary’s Church, Cappoquin, Co Waterford (3 March)
16, Saint Carthage’s Cathedral, Lismore, Co Waterford (4 March)
17, Saint Mary’s Church, Julianstown, Co Meath (5 March)
18, Saint Peter’s Church, Drogheda, Co Louth (6 March)

Stained glass windows and Stations of the Cross in the Franciscan chapel at Gormanston College, Co Meath (Photograph: Patrick Comerford)

Week 4: churches and chapels that have connections with my education:

19, Ballinskelligs Priory, Co Kerry (7 March)
20, The Chapel, Franciscan College, Gormanston, Co Meath (8 March)
21, Friends’ Meeting House, Tokyo (8 March)
22, The Chapel, Trinity College Dublin (10 March)
23, Kimmage Manor, Dublin (11 March)
24, The Chapel, Saint Patrick’s College, Maynooth, Co Kildare (12 March)
25, The Chapel, Sidney Sussex College, Cambridge (13 March)

The Chapel of Saint John’s Hospital, and the Tudor East Façade of Saint John’s Hospital facing onto Saint John Street (Photograph: Patrick Comerford)

Week 5: seven places that influenced and shaped my spirituality and my values:

26, The Chapel, Saint John’s Hospital, Lichfield (14 March)
27, Lichfield Cathedral (15 March)
28, Saint Iberius’s Church, Wexford (16 March)
29, Saint Patrick’s Cathedral, Dublin (Saint Patrick’s Day, 17 March)
30, Saint Mary’s Cathedral, Johannesburg (18 March)
31, Coventry Cathedral (19 March)
32, The Chapel, USPG offices, London (20 March)

Saint Aidan’s Cathedral, Enniscorthy, Pugin’s ‘Irish Gem’ overlooking the River Slaney in Co Wexford (Photograph: Patrick Comerford)

Week 6: seven Pugin churches:

33, Saint Aidan’s Cathedral, Enniscorthy, Co Wexford (21 March)
34, Saint Giles’s Church, Cheadle, Staffordshire (22 March)
35, Saint Peter’s College, Wexford (23 March)
36, Saint Mary’s Cathedral, Killarney, Co Kerry (24 March)
37, Saint Mary’s Church, Tagoat, Co Wexford (25 March)
38, Holy Cross Church, Lichfield (26 March)
39, Saint Michael’s Church, Gorey, Co Wexford (27 March)

The katholikon or main church in the Monastery of Vatopedi on Mount Athos (Photograph: Patrick Comerford)

Week 7: seven places of pilgrimage and spiritual refreshment:

40, Saint Thomas’s Church, Dugort, Achill Island, Co Mayo (28 March)
41, Cathedral of the Presentation, Rethymnon, Crete (29 March)
42, Santa Maria in Trastevere, Rome (30 March)
43, Cathedral of Saint James, Santiago de Compostela (31 March)
44, Monastery of Vatopedi, Mount Athos (1 April)
45, Church of the Holy Sepulchre, Jerusalem (Good Friday, 2 April)
46, Saint Catherine’s Monastery, Mount Sinai (3 April)

The panel depicting the Resurrection of Christ on the Royal or MacMahon tomb in the Franciscan Friary, Ennis, Co Clare (Photograph: Patrick Comerford)

Week 8: in Easter week, Resurrection images in seven churches

47, The Myrrh bearers, Lichfield Cathedral (4 April)
48, The Peel window, Saint Editha’s Church, Tamworth, Staffordshire (5 April)
49, Saint John’s Monastery, Tolleshunt Knights, Essex (6 April)
50, Saint Michael’s Church, Greenhill, Lichfield (7 April)
51, Church of the Resurrection, Bucharest (8 April)
52, The Franciscan Friary, Ennis, Co Clare (9 April)
53, Basilica de la Sagrada Familia, Barcelona (10 April)

The Comberford Chapel in Saint Editha’s Church, Tamworth … the burial place of generations of the Comberford family (Photograph: Patrick Comerford)

Week 9: seven family chapels and churches:

54, Saint Mary and Saint George Church, Comberford, Staffordshire (11 April)
55, The Comberford Chapel, Saint Editha’s Church, Tamworth (12 April)
56, The Moat House Chapel, Lichfield Street, Tamowrth (13 April)
57, Holy Trinity Church, Quemerford, Wiltshire (14 April)
58, The Comerford family chapel, Ballybur Castle, Cuffesgrange, Co Kilkenny (15 April)
59, Saint Mary’s Church, Callan, Co Kilkenny (16 April)
60, Waterford’s two Cathedrals (17 April)

The bimah in the Etz Hayyim Synagogue in Chania (Photograph: Patrick Comerford)

Week 10: seven synagogues:

61, Terenure Synagogue, Rathfarnham Road, Dublin (18 April)
62, Leicester Avenue Synagogue, Rathgar, Dublin (19 April)
63, Bevis Marks Synagogue, London (20 April)
64, Etz Hayyim Synagogue, Chania, Crete (21 April)
65, Pinkas Synagogue, Prague (22 April)
66, the New Synagogue, Berlin (23 April)
67, the Old Synagogue, Kraków (24 April)

The katholikon or main church of the Monastery of Vlatádon, Thessaloniki (Photograph: Patrick Comerford)

Week 11: seven monasteries, abbeys and friaries:

68, Franciscan Friary, Askeaton, Co Limerick (25 April)
69, Saint John’s Monastery, Tolleshunt Knights, Essex (26 April)
70, Saint Benedict’s Abbey, Ealing (27 April)
71, Glenstal Abbey, Co Limerick (28 April)
72, Vlatádon Monastery, Thessaloniki (29 April)
73, Stavropoleos Monastery, Bucharest (Orthodox Good Friday, 30 April)
74, Monastery of Arkadi, Crete (1 May)

Christ Pantocrator in the dome of the Church of Aghios Georgios in Panormos on Easter afternoon (Photograph: Patrick Comerford)

Week 12: seven churches in Crete (Easter week in Greece):

75, the two parish churches in Tsesmes and Platanes (Orthodox Easter, 2 May)
76, Church of the Four Martyrs, Rethymnon (3 May)
77, Cathedral of the Presentation, Rethymnon (4 May)
78, The Church of the Ascension and Saint George, Panormos (5 May)
79, The two churches in Piskopianó (6 May)
80, Aghios Vasilios, Koutouloufari (7 May)
81, Saint Catherine of Sinai, Iraklion (8 May)

Peterborough Cathedral seen from the Guildhall (Photograph: Patrick Comerford)

Week 13: seven English cathedrals:

82, Saint Paul’s Cathedral, London (9 May)
83, Peterborough Cathedral (10 May)
84, Liverpool’s Anglican Cathedral (11 May)
85, Liverpool’s Roman Catholic Cathedral (12 May)
86, Saint Philip’s Cathedral, Birmingham (Ascension Day, 13 May)
87, Saint Chad’s Cathedral, Birmingham (14 May)
88, Ely Cathedral (15 May)

The Barn Chapel in the grounds of the High Leigh Conference Centre near Hoddesdon, Hertfordshire (Photograph: Patrick Comerford)

Week 14: seven churches and chapels with links with USPG:

89, College of the Ascension, Birmingham (16 May)
90, High Leigh Conference Centre, Hoddesdon, Hertfordshire (17 May)
91, Hayes Conference Centre, Swanwick, Derbyshire (18 May)
92, Westcott House, Cambridge (19 May)
93, Royal Foundation of Saint Katharine, Limehouse, London (20 May)
94, Saint Margaret’s Church, Westminster (21 May)
95, Two retreat house chapels: Saint Columba’s House, Woking, and the Kairos Centre, Maryfield Convent, Roehampton (22 May)

Inside Great Saint Mary’s, the University Church in Cambridge (Photograph: Patrick Comerford)

Week 15: Pentecost images in churches and six churches in the Greater Churches Network in the Church of England:

96, Pentecost images (Day of Pentecost, 23 May)
97, Bath Abbey (24 May)
98, Saint Mary the Great, Cambridge (25 May)
99, Saint Mary the Virgin, Saffron Walden, Essex (26 May)
100, Saint Martin-in-the-Fields, London (27 May)
101, Saint Martin in the Bullring, Birmingham (28 May)
102, Christ Church, Spitalfields, London (29 May)

Tomorrow (30 May 2021) is Trinity Sunday, and we are in Ordinary Time in the Church Calendar. I plan to continue this daily prayer diary each morning in the coming weeks.

The three spires of Lichfield Cathedral seen from Erasmus Darwin’s Gardens, soaring above the backs of the houses facing onto the Cathedral Close (Photograph: Patrick Comerford)

Praying in Pentecost 2021:
102, Christ Church, Spitalfields

Christ Church, Spitalfields, one of London’s outstanding baroque churches, was designed by Nicholas Hawksmoor and built in 1714-1729 (Photograph: Patrick Comerford)

Patrick Comerford

During the Seasons of Lent and Easter this year, I took some time each morning to reflect in these ways:

1, photographs of a church or place of worship that has been significant in my spiritual life;

2, the day’s Gospel reading;

3, a prayer from the prayer diary of the Anglican mission agency USPG (United Society Partners in the Gospel).

Sunday was the Day of Pentecost (23 May 2021), and I am continuing with photographs for this week are from six churches in the ‘Major Churches Network,’ churches once known as the ‘Greater Churches’ in England.

The Major Churches Network was founded in 1991 as the Greater Churches Network. It is a group of Church of England parish churches with exceptional significance, that are physically very large, listed as Grade I, II* or exceptionally II, open to visitors daily, have a role or roles beyond those of a typical parish church, and make considerable civic, cultural, and economic contributions to their community.

These churches are often former monastic properties that became parish churches after the English Reformation, or civic parish churches built at a time of great wealth.

Inside Christ Church, Spitalfields, designed by Nicholas Hawksmoor (Photograph: Patrick Comerford)

This morning (29 May 2021), my photographs are from Christ Church, Spitalfields, on the corner of Commercial Street and Fournier Street in the East End of London. This church also has links with the old Jewish community in the East End, because the memorial plaques from the Jews Chapel in Palestine Place, Bethnal Green, were moved there in 1897 when the chapel closed.

Christ Church, Spitalfields, one of London’s outstanding baroque churches, was built in 1714-1729 to a design by Nicholas Hawksmoor. The church is on Commercial Street, on the western edge of Tower Hamlets and facing Spitalfields Market and the City of London. This is one of the first and one of the finest of the so-called ‘Commissioners’ Churches’ built for the Commission for Building Fifty New Churches, established by an Act of Parliament in 1711.

The Act aimed to provide 50 new churches to serve the new populations on the fringes of London. The commission members included Sir Christopher Wren, John Vanbrugh and Thomas Archer, and Nicholas Hawksmoor and William Dickinson were appointed as Surveyors to carry out the programme.

In 1710, the roof of Saint Alfege, Greenwich had collapsed, and its parishioners petitioned the commission to provide money for rebuilding the church. It became the first of the series that Hawksmoor designed. When the programme expired in 1731, only 12 of the proposed 50 churches had been built.

Nicholas Hawksmoor (1661-1736), a former assistant of Sir Christopher Wren, designed six of the 12 new London churches. He was a leading figure in the English Baroque style of architecture in the late 17th and early 18th centuries. He worked alongside the principal architects of the time, Christopher Wren and John Vanbrugh, and contributed to the design of some of the most notable buildings of the period, including Saint Paul’s Cathedral, Wren’s churches in the City of London, Blenheim Palace and Castle Howard.

The parish for Christ Church, Spitalfields, was carved out of the huge mediaeval parish of Stepney parish for an area then being populated by Huguenots or French Protestant refugees.

At first, some Huguenots used Anglican church for baptisms, marriages and burials, though not for everyday worship, preferring their own chapels. But increasingly they assimilated into English life and the liturgical life of the Church of England.

Work on building Christ Church, Spitalfields, began in 1715, when the foundation stone was laid by Edward Peck. Edmund Gibson, Bishop of London, consecrated the church on 5 July 1729.

Hawksmoor’s design for Christ Church shows his usual abrupt architectural style. His very plain rectangular box of the nave is surmounted at its west end by a broad tower of three stages topped by a steeple that is more Gothic than classical. The magnificent porch with its semi-circular pediment and Tuscan columns is attached bluntly to the west end: it may indeed be a late addition to the design intended to add further support to the tower.

As with Hawksmoor’s other London churches and many of Wren’s churches, the central space consists of the nave and two axes, the shorter originally emphasised by two entrances of which only that to the south remains. It has a richly decorated flat ceiling and is lit by a clerestory.

The aisles are roofed with elliptical barrel-vaults carried on a raised composite order, and this order is also used for the screens across the east and west ends. The Venetian window at the east may show the growing influence of the revival of Palladian architecture, or it may be a rhyme with the arched pediment of the entrance portico, repeated in the wide main stage of the tower.

The east window is a double window, one inside, one outside, the effect now obscured by the Victorian stained-glass window between the two.

The organ installed in 1735 was built by Richard Bridge, a celebrated organ builder of the time, and Handel once played on the organ. With over 2,000 pipes, it remained the largest organ in England for over 100 years.

Following a fire in 1836, Wallen Son and Beatson, local architects and surveyors, provided a substantial estimate to repair the church.

The church was altered in 1850 by Ewan Christian, the architect of the National Portrait Gallery. He removed the side galleries, blocked in the windows at the corners of the central space, and combined upper and lower aisle windows to make tall, thin windows. The stained-glass windows were fitted in 1876 by Ward and Hughes of Soho.

When the Jews Chapel in Palestine Place, Bethnal Green, ten plaques were moved from the chapel and hung in the vestibule of Christ Church in 1897.

The London Jews Society, now the Church’s Ministry among Jewish People (CMJ), was formed in 1809. It first worked among the poor Jewish immigrants in the East End, but soon spread to Europe, South America, Africa and Palestine.

In 1811, the society leased a five-acre field on the Cambridge Road in Bethnal Green. A school, training college and the Episcopal Jews’ Chapel were built there, and the campus was named Palestine Place. In 1813, a Hebrew-Christian congregation called Benei Abraham (Children of Abraham) started meeting at the chapel in Palestine Place.

The missionaries associated with CMJ include the Revd Joseph Wolff (1795-1862), a German rabbi’s son, who was baptised by a Benedictine abbot in Prague in 1812 and was ordained priest in the Church of Ireland in 1838 by Richard Mant, Bishop of Down and Dromore, and the Revd Moses Margoliouth (1820-1881), a former curate of Glasnevin, Dublin (1844-1847), who was born to Jewish parents in Poland and had a rabbinical education. Both had degrees from Trinity College Dublin.

Many of the plaques moved to Christ Church bear inscriptions in Hebrew and include the names of evangelical Anglicans and converted Jews who were ordained. Those named include Jane Cox, who endowed Christ Church, Jerusalem, which still remains outside the jurisdiction of the Episcopal Diocese of Jerusalem – some critics say it is a thorn in the side of the Anglican presence in Jerusalem.

In response to changing attitudes towards proselytising work by Christians among the Jewish people, CMJchanged its name several times over the years, first to the Church Missions to Jews, then the Church’s Mission to the Jews, followed by the Church’s Ministry Among the Jews, and finally to the current name of the Church’s Ministry Among Jewish People, which was adopted in 1995.

The missionary focus of CMJ attracts criticism from the Jewish community, which sees these activities as highly detrimental to Jewish-Christian relations, and many rabbis and Jewish organisations have called for CMJ to be disbanded. In 1992, George Carey became the first Archbishop of Canterbury in 150 years to decline to be the Patron of CMJ, a decision that was praised by Jewish leaders and reported as front-page news in the Jewish Chronicle.

During World War II, the crypt of Christ Church was used as an air raid shelter. By 1957, the church was declared unsafe, and Sunday services were moved to Hanbury Hall, a former Huguenot chapel in Hanbury Street.

Christ Church was almost derelict by 1960, and the roof was declared unsafe. The then Bishop of Stepney, Trevor Huddleston, proposed demolishing the empty building. But the Hawksmoor Committee staved off the threat of demolition.

The roof was rebuilt with funds from the sale of the bombed-out shell of Saint John’s, Smith Square, now a concert hall. The Friends of Christ Church Spitalfields was formed in 1976 as an independent charity, was formed to raise money and project manage the restoration of this Grade I listed building so it could be brought back into use.

As part of the restoration programme, the burial vaults were cleared. The Friends of Christ Church raised funds for the employment of an archaeological team, and almost 1,000 burials were excavated in 1984-1986.

The portico at the west end was repaired and cleaned in 1986, and Ewan Christian’s rearrangement of the aisle windows was replaced by a recreation of the originals, scrupulously researched.

Church services returned to the partially restored building in 1987. The 202 ft tower and spire were consolidated and cleaned in 1997, the south façade was cleaned and repaired in 1999, and Hawksmoor’s double flight of steps on the south side, removed in the 19th century, was rebuilt.

Regency style railings to the churchyard, removed in World War II, were replaced. The north and east façades were repaired and cleaned in 1999-2000.

A rehabilitation centre for homeless alcoholic men was housed in part of the crypt from the 1960s until 2000, when it relocated to purpose-built accommodation above ground.

The restoration of the interior began in 2000, and the building was finally complete in 2004, enabling a wide range of uses to run alongside the primary function of Christ Church as a place of worship.

In 2015, the crypt restoration was completed, restoring much of Hawksmoor’s original walls as well as providing a café area. In 2016, the restoration of the crypt was shortlisted in the RICS Awards.

Today, thousands of people visit Christ Church, Spitalfields, some to pray, some to marvel at its restoration and its beauty, some to soak up its history.

The richly decorated flat ceiling in Christ Church, Spitalfields, is lit by a clerestory (Photograph: Patrick Comerford)

Mark 11: 27-33 (NRSVA):

27 Again they came to Jerusalem. As he was walking in the temple, the chief priests, the scribes, and the elders came to him 28 and said, ‘By what authority are you doing these things? Who gave you this authority to do them?’ 29 Jesus said to them, ‘I will ask you one question; answer me, and I will tell you by what authority I do these things. 30 Did the baptism of John come from heaven, or was it of human origin? Answer me.’ 31 They argued with one another, ‘If we say, “From heaven”, he will say, “Why then did you not believe him?” 32 But shall we say, “Of human origin”?’—they were afraid of the crowd, for all regarded John as truly a prophet. 33 So they answered Jesus, ‘We do not know.’ And Jesus said to them, ‘Neither will I tell you by what authority I am doing these things.’

The organ installed in Christ Church, Spitalfields, in 1735 was built by Richard Bridge (Photograph: Patrick Comerford)

Prayer in the USPG Prayer Diary:

The Prayer in the USPG Prayer Diary today (29 May 2021) invites us to pray:

May we work together across denominations in an ecumenical spirit. Let us recognise our differences and collaborate over shared values.

Yesterday’s reflection

Continued tomorrow

Many of the plaques from the former Jews’ Chapel bear inscriptions in Hebrew (Photograph: Patrick Comerford)

Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org