Friday, 13 November 2020
Perhaps it is no more than a coincidence that the former Chief Rabbi, Lord (Jonathan) Sacks, and Leonard Cohen both died on 7 November: Lord Sacks died last Saturday at the age of 72, and Leonard Cohen died eight years ago in 2016 at the age of 82.
But it is perhaps less than coincidence that both of them have introduced me to the writings of the 16th century Jewish mystic, Rabbi Isaac Luria (1534-1572).
In his footnotes in the Authorised Prayer Book, one of two prayerbooks I regularly use for prayers and reflections on Friday evenings, Lord Sacks frequently refers to this rabbi, considered the father of contemporary Kabbalah, and whose teachings are known as Lurianic Kabbalah.
I find it very difficult to read, think about or understand Kabbalistic writings, and can only deal with them when I read them as I would read poetry. Indeed, Luria’s writings are few, and include only a few poems.
According to Isaac Luria, God created vessels into which he poured his holy light. These vessels were not strong enough to contain such a powerful force and they shattered. The sparks of divine light were carried down to earth along with the broken shards
In his final days, Leonard Cohen was spending two days a week at the Ohr HaTorah synagogue in Los Angeles and reading deeply in a multi-volume edition of the Zohar, the principal text of Jewish mysticism, but a book that many find completely incomprehensible. He was also studying Gershom Scholem’s biography of the 17th century mystic and false messiah Shabbetai Tzvi.
His interest in Jewish mysticism seems to have been a constant throughout his life, influencing his songs in ways that may not be understood by people who are not familiar with Jewish thinking.
The Kabbalah of Rav Yitzhak Luria had a notably strong effect on him. Jonathan Freedland described it in a feature in the Atlantic in 2016, in which he said Luria’s key ideas are reflected in a line in Leonard Cohen’s song ‘Anthem’:
There is a crack in everything, it’s how the light gets in.
This divine brokenness is a key to many of Leonard Cohen’s poems and songs. His rabbi, Mordecai Finley, spoke of this when he wrote in the Jewish Journal and referred to his final album, You Want It Darker, released just months before his death:
‘If you are familiar with Lurianic Kabbalah … you will understand this album … and I think much of his body of poetry and lyrics. I think that whatever drew Leonard to me, for me to be his rabbi these last 10 years, was that for each of us, Lurianic Kabbalah gave voice to the impossible brokenness of the human condition. The pain of the Divine breakage permeates reality. We inherit it; it inhabits us. We can deny it. Or we can study and teach it, write it and sing its mournful songs.’
Cohen hints in his work that redemption – the tikkun olam that will repair the broken world – remains possible.
Near the end of his life, he told an interviewer, ‘Spiritual things, baruch Hashem, have fallen into place,’ using the Hebrew expression for ‘bless God.’
May the memories of Jonathan Sacks and Leonard Cohen be a blessing to us.
During my ‘road trip’ visit to Buttevant, Co Cork, in September, I saw a mural on the gable end of Moloney’s pub that boasts how the world’s first-ever Steeplechase was run from Buttevant and Doneraile in 1752.
The legend says that after a hunt, a local man, Edmund Blake, challenged his neighbour Cornelius O’Callaghan, to race across country from Buttevant church steeple to Doneraile church steeple, a distance of four miles away (6.4 km). And so, the Steeplechase passed into racing vocabulary and history.
I was surprised then, when I visited Doneraile later that day, to see that Saint Mary’s Church, the Church of Ireland parish church in Doneraile, Co Cork, while it is of considerable charm and character, has no steeple.
Saint Mary’s Church was built and rebuilt in phases between 1633 and 1815-1816, and it is highly visible from numerous vantage points in Doneraile town and in the surrounding countryside.
The church is one of the first sights on arriving in Doneraile from the north, and it provides an interesting contrast to the Church of the Nativity, the Roman Catholic parish church at the south end of the town, and it offers am interesting introduction to the architectural heritage of Doneraile.
The first Saint Mary’s Church was built in 1633 by William St Leger, Lord President of Munster. It was repaired or rebuilt in 1726 by his grandson, Arthur St Leger, Viscount Doneraile. It was repaired again or rebuilt in 1815-1816, with a loan of £2,000 from the Board of First Fruits and probably through the patronage of Lord Doneraile.
The cohesive architectural details of the exterior, with a repeated ogee motif, are reflected inside the church, mimicking in the repeated ogee detailing of the timber panelling to the walls and doorway and in the altar area.
Inside, the church has many points of historical and architectural interest, including the pulpit, pews and a wall monument to the St Leger family of Doneraile Court.
The church has a four-bay nave, square-plan three-stage tower at the west end, a limestone plaque dated 1726.
The stained-glass East Window, with tracery, dates from 1878. It displays high artistic merit and compliments the other windows in the nave. It is flanked by blind pointed arch niches with limestone sills, each window flanked by tapering limestone engaged columns with moulded bases, and capitals with sharp pointed pinnacles.
The church floor has geometric encaustic and marble tiles. There is a flattened king-post trussed roof, and painted rendered walls with ogee-headed timber panelling, an ornate marble monument to the St Leger family on the north wall and a decorative timber pulpit in the south-east. There is a carved timber altar, chairs and pews, a polished brass altar rail, and a polished red granite font, also at the west end.
The vestry has a Tudor arch doorway, and there are timber panelled doors at the west end, with ogee-headed panelling and fluted carved timber surrounds.
The church bell, preserved in the west lobby, is cracked but original and dates from the earlier phases of the church. It has a Latin inscription and date (1636) that state it was made for William St Leger, Viscount Doneraile, and his wife Gertrude, and repaired by their grandson Arthur when it was broken in 1700.
The peel of six bells is one of the few surviving in an Irish country parish church.
Other interesting details include the cast-iron boot scrapes, set into limestone blocks. The surrounding churchyard has some elaborate chest tombs and ornate gravestones.
The writer Elizabeth Bowen recalled almost 80 years ago, in 1942, how ‘in the great days of the Doneraile neighbourhood, the line of gentlemen’s carriages outside the church on Sundays, used (they say) to be a mile long …’
Saint Mary’s is part of the Mallow Union of Parishes in the Diocese of Cork, Cloyne and Ross. The Ven Meurig Williams, who currently Archdeacon of France and Monaco in Europe, has been appointed the new Rector of Mallow Union of Parishes.