10 October 2020

A cathedral tribute to
Archdeacon Wayne Carney

Patrick Comerford

The following tribute to Archdeacon Wayne Carney has been published this week in the current (Autumn 2020) edition of Doorways (Volume 1, No 3), the newsletter of the Friends of Saint Mary’s Cathedral, Limerick (p 6):

Death of Archdeacon Carney

It is sad to learn of the sudden death of my friend and colleague, the Ven Wayne Carney, who was Archdeacon of Killaloe, Rector of Birr, Co Offaly, and Prebendary of Taney in the Chapter of Saint Patrick’s Cathedral, Dublin.

Wayne’s sudden death on Monday (10 August 2020) robs the Church and the Diocese of a priest of the highest calibre and an outstanding pastor.

Wayne Carney has been Archdeacon of Killaloe, Kilfenora, Clonfert and Kilmacduagh since 2002.

Wayne Carney was born in 1952 and grew up in south-west Ontario.

After graduating BA from the University of Toronto, he taught in primary schools in Toronto for eight years. After receiving a Master of Divinity from Trinity College Toronto, in 1984, he was ordained deacon in 1984 and priest in 1985.

He was a curate in Scarborough, Toronto, and then the incumbent at Roche’s Point, Newmarket, Ontario, in the Diocese of Toronto from 1984. He came to Ireland in 1995, first as Rector of the Clonfert Cathedral Group of Parishes (1995-2003) and then as Rector of the Birr Group of Parishes from 2003.

He was appointed Archdeacon of Killaloe and Clonfert in 2002. He became the Limerick and Killaloe diocesan member of the Chapter of Saint Patrick’s Cathedral, Dublin, as Prebendary of Taney, in 2012.

His many roles in the Diocese of Limerick and Killaloe included those of president of the United Diocesan Youth Council, Warden of Lay Readers, and Diocesan Director of Ordinands. He was a keen supporter of the Anglican mission agency USPG (United Society Partners in the Gospel). Wayne was a supportive and an active participant in the monthly seminars and training days I organised for clergy and readers in the diocese.

Wayne married Norma-Jean in 1973, and they are the parents of two adult children: Kathleen, who is married and living in France with two children, and Brian, who is married and living in Canada with two children.

Bishop Kenneth Kearon said: ‘It’s impossible to describe the shock and sadness we all feel at Wayne’s sudden passing. He was a good and loyal friend, a true pastor and an able and caring Archdeacon. He will be greatly missed by the church communities in Birr and beyond where his ecumenical commitment and community engagement was well known. He served his diocese in many roles and was widely known and respected throughout the church and in wider society.’

The Precentor, Canon Patrick Comerford

‘So open, we pray, your goodly
treasury of rain, to revive all’

‘O Lord, pour down copious showers from your heavens’ (Photograph: Patrick Comerford)

Patrick Comerford

Tonight in the Jewish Calendar (9 October 2020) is the beginning of Shemini Atzeret, a holiday that follows the seven joyful days of Sukkot.

Shemini Atzeret is followed by Simchat Torah, a day of joy that begins tomorrow evening and that marks the beginning of the annual Torah reading cycle. Simchat Torah is celebrated with dancing, traditionally following seven circuits known as hakafot, as the Torah scrolls are held aloft. Both days are celebrated with nightly candle lighting and with festive meals at both night and day.

Shemini Atzeret (שְׁמִינִי עֲצֶרֶת‎) – the ‘Eighth day of Assembly – directly follows the Jewish festival of Sukkot, which is celebrated for seven days, and so Shemini Atzeret is literally the eighth day, considered to be part of Sukkot but also a separate festival in its own right.

The Book of Numbers explains Shemini Atzeret simply: ‘On the eighth day you shall have a solemn assembly; you shall not work at your occupations’ (Numbers 29: 35, NRSVA).

The concept of the ‘eighth day’— Shemini — suggests this holiday is part of Sukkot, a final eighth day of the holiday. However, it is not part of Sukkot, although the two holidays share a focus on agriculture and Shemini Atzeret follows directly after the holiday of Sukkot.

Rushing to interpret the meaning of this strange and loosely-defined holiday, the rabbis never lacked for creative explanations. Some rabbis, for example, argued that as Sukkot is a time to commemorate dwelling in temporary structures as guests of the Lord, Shemini Atzeret is a bonus round of sorts, a reminder that God loves his chosen people so much he is reluctant to let them go back to business as usual.

Other scholars argued that while Sukkot is a universal holiday, in which Jews are commanded to invite guests into their homes, Shemini Atzeret is just for Jews, a time for God to bond with his favourite children.

It is traditional on Shemini Atzeret to recite Tefilat Geshem, a special prayer for rain that marks the beginning of the rainy season after the harvest. This prayer is recited regularly until Passover.

On Shemini Atzeret, Sephardic Jews traditionally recite a prayer for rain that runs to several paragraphs.

The first prayer, Shifat revivim (‘O Lord, pour down copious showers from your heavens’), is ascribed to Solomon ibn Gabirol, the 11th century Andalusian poet and philosopher who was born in Málaga. The author’s first name, Shelomoh, is signed in the form of an acrostic at the beginning of the first lines in the poem and is followed by the wish HaZaK (‘Be strong!’).

The prayer that follows is Mechaseh shamayim (‘O you who covers the heavens’). Its author is unknown. The sentence, ‘So open, we pray, your goodly treasury of rain, to revive all in whom a soul is breathed, as you make the wind to blow and the rain to fall,’ is repeated as a refrain five times.

The prayer that follows, Leshoni vonaneta ckhonaneta, also prays for rain.

These prayers continue with Yisbe’un yedidckha (‘Give to your beloved children plentifulness’), which includes the poem Ayl chai yiftach otzrot shamayim (‘God of life, open your heavenly treasures’). Written in an alphabetical acrostic form in which biblical phrases are used, the phrase ‘May the wind blow and the rain flow’ appears as a refrain.

The text in the London, Amsterdam, and Spanish-Portuguese Mahzorim or holiday prayerbooks omits the stanzas beginning with the letters vav (Vetazil mitral) and zayin (Zekhor rahamecha). It seems, however, these two stanzas were in older prayer books, as each stanza makes reference to one of the biblical heroes in whose merit rain is requested. It is unthinkable that the poet left out Aaron and David, as intimated in these two stanzas.

Then follows the acrostic poem Begishmay orah (‘Grant to the earth sunlight and blessing even as rain’). The congregation answers ‘Amen’ after each phrase ending with the word adama (earth, land).

Finally, Ana horidaym le’orah is said.

Anti-semitism is on the rise across Europe and in North America. The Swedish Defence Research Agency has published a report on the prevalence of antisemitic stereotypes in social media, with unsettling results. In the past week, during the High Holiday period, Jewish communities have been especially targeted in antisemitic incidents.

This evening is also the anniversary of an attack last year (9 October 2019) by an armed far-right extremist on the synagogue in Halle, Germany. It was Yom Kippur, members of the Jewish community were praying inside, and the attacker killed two people outside, Jana Lange and Kevin Schwarze.

For my Friday evening reflections on this special Friday evening, I came across this poem for Shemini Atzeret by Devon Spier, which seems so appropriate as ‘we descend greater into the fields of our unknowing’ in ‘the uncertain future of the world’s in-between’:

Shemini Atzeret: A Poem for Life In-Between By Devon Spier

There is a place where the vines wither and
the earth’s lushness suddenly begins to fade.
In this place the ground cries out to us.
Not with blood, no.
But with ageless liminality.
What went before cannot remain.
And what will be is still unwritten.

Let our bodies linger.
As our pasts fall behind.
And our souls seek comfort.
As we descend greater into the fields of our unknowing.

Though there are no fruits in the fallowness here
There is still space to move and time to seed.
In the uncertain future of the world’s in-between.

‘There is a place where the vines wither and the earth’s lushness suddenly begins to fade’ (Photograph: Patrick Comerford)